soyales

[soyales]

would that be like a kagerou gays situation where they’re just taking turns saving (dooming) each other?

See, people keep suggesting that Cheng Xiaoshi died from a train. I think, as I've wondered for a while, if in the original timeline Lu Guang is the one who died and thats why everything he tries keeps leading to the same bad results. Nothing he does fixes things because hes rhe problem in rhe equation. Hes the one whose supposed to be dead but Cheng Xiaoshi brought him back and so the universe keeps killing him to rectify the issue.

This goes hand in hand with a really good post I saw (will try to find it and cite the poster later) that suggested the ending will be bittersweet by lu guang dying and finally getting to rest while Cheng Xiaoshi remembers him.

[soyales]

adenosine triphosphate

[soyales]

keyboard smashing is a language i am accidentally fluent in, but intentionally speaking with a thick accent from outer space

[soyales]

i have no defence for this, my opinions came rushing out, please ignore thanks byeee

ok so i get that madoka magica is like peak anime, an eternal work of art and trancendent divine tragic yuri, but like i wanna yap about the amazingness of orpheus and eurydice’s tragedy.

so orpheus and eurydice’s story comes from thousands of years of cobbled together bits and pieces from oral tradition right? its not really a medium that lends itself to continuity and meaningful foreshadowing, symbolism and the like. its honestly probably that ancient poets just thought, “i think this is how it went? whatever story some old guy told me twenty years ago probably did this right?” and just went full send on whatever the hell they felt like talking about, superimposing their own interpretations and perspectives onto this fable. ALSO THE GREEK MYTH HAS ITS OLDEST SOURCE FROM ANCIENT ROME, THATS *CENTURIES* AFTER ITS SETTING. theres no way any modern depiction in any way can stay “accurate” or “faithful” to its original form, our “original” is already a re-telling thats basically fanfic at that point. it has three (3) total story beats, eurydice dies, orpheus goes to the underworld, orpheus fails. its not so much about the story, i think, more of the message it sends about the finality of death and futility of humanity in the face of death, which I would argue is like the crux of most tragedies. it always ends in death, and the tragedy of their love centres around death, and their inability to escape it. i think it is more of a relatable tragedy to us non-magical girls turned immortal divinity, even though absolutely none of this shit is literally realistic to anyone outside a fictional world, its an analogy, of the suffering caused from the death/abandonment of loved ones. they don’t really need further depth into their characters nor relationship, i think it exists nicely as an ideal or concept, to be doven into by anyone.

i can’t say much about madohomu because its been a while since i had last seen it, but from what i remember it gets kinda insane with the lore and yeah i remember it being an amazing experience with brilliant writing, but i don’t want to say definitively that its a better story. it is, but like i dont want to admit it ok?? its a single story of a single writer’s mind, while my classical greek otp is a mishmash of thousands of years of artists of all kinds.

even with the messiness of mythos and the simplicity at its core, orpheus and eurydice have many different versions of their tale over time, a real life history that madohomu just dont have, and i think it sort of makes up for the less stable premise. it has just a richer history that i think is really interesting, weaving in the history of each storyteller in each rendition.

take hadestown the featured pic, it plays real fast and loose with the commonly accepted lore of the myth — the song he sings is different, the setting changes from the golden age of heroes in the hellenistic area to some sort of western railroad wild west-ish place, eurydice isnt a nymph, the satyrs arn’t there, etc. — but it still runs through the same simple story beats. it is different to ovid’s metamorphoses’ depiction of them, where they seem to focus more on the “no matter what you can’t escape death”, whereas hadestown seems to say more that “no matter what you can’t escape capitalism” (i know im grossly generalising it, shush.) all this to say its a different take, made by different people, and my own take in my mind is also different to all of yours as much as yours are different to all others, even if it is only in the most minute way. theres no right answer with these old ass myths, while there can be a slight directive with something more modern and crafted as pmmm.

theres just something super tragic about the fact that no matter how many renditions and versions orpheus and eurydice’s story goes through, all of them end up with the two being separated. their most remembered story beat is that orpheus fails her, and they don’t manage to live happily ever after, which is a special sort of tragic at least to me. also im defending orpheus now. i swear he’s not an absolute loser failure ok??? hes somewhat functional, but less so without eurydice. he’s literally walking out of the underworld, escaping death. at his point in time, NO ONE HAS DONE THAT BEFORE (no one still has, but i digress). the sheer stress of that compounded with the fact that he’s dealing with gods — who in ancient greece are famously known to not want to benefit mortals like he — would make anyone in his position weak. its a little mistake, that unfortunately has grave consequences attached. how easy is it to hear a sound behind you and instinctively look and check? with the knowledge that your love of your life may or may not be behind you no less. he was just about leaving the underworld, the sight of the sky ahead of him, what if he thought they had already succeeded? a small misconception, a tiny movement of the head, just a small turn of his eyes and everything crumbles before him? its his fault, and he knows it best. but also i can’t judge him for that, he does way better than i think most people would do in that situation. most people wouldn’t have even stepped foot beyond the acheron and he went fully in and out without killing himself (entirely).

alright thanks if you read all of that, i can’t even read that and its only been 5 seconds since I typed the last sentence. 14 seconds now <333

anyways madohomu supremacy lets goooo tragic yuri wins <33333

Tragic Ships Tournament: FINAL ROUND

Propaganda under the cut!

Orphydice:

"y'all probably know the story of orpheus and eurydice. but they are SO tragedy. they are TEXTBOOK tragedy. they redefined the genre. on their literal wedding day as she's walking down the aisle eurydice gets bit by a snake and dies. orpheus loves her so much he goes down to the underworld to try and save her. hades allows him to take her back to the land of the living, as long as she walks behind him, and he cannot look back, otherwise her soul will be taken. he's mostly fine , but begins to doubt and at the very end of the tunnel, he looks back. they lock eyes for a moment before she disappears back into hell. orpheus is then so distraught that he wanders the earth singing mournful melodies and gets stoned to death by some nymphs who think his sad songs are bumming them out. DUUUUDE their story consumed my every waking thought as a child."

Madohomu:

"madoka magica aired 12 episodes in 2011, with a sequel movie titled “rebellion” released in 2014. it’s been over 10 years since then, and these two have become the face of yuri. if someone makes a meme about loving yuri and makes a collage of example ships, madohomu are 100% gonna be present. video essays, fanart, fics, music videos and all kinds of fan projects featuring them are still wildly popular on all social media platforms.

but let’s talk about them (without going into too many spoilers, so this will be about the thematics in their relationship). they are light and darkness. the ying and the yang. forever intertwined. one would not exist without the other, yet they cannot exist together. for madoka has too much love for every living thing and too little for herself. and homura has too much love for madoka it blinds her to everything and everyone else, and she struggles with deep self-hatred. madoka has forsaken her own existence for the world, and homura has forsaken the world she created for her. the show has a lot of religious imagery, and madoka is akin to a god; there’s a shot of homura, who grew up catholic, kneeling at the feet of a gigantic statue of madoka, praying, but her hands stain her clothes. because if madoka is god, then homura is lucifer - specifically, iblis, the muslim version of lucifer, who loved god so much he betrayed him, for he’d rather defy him than bow to his creation, humans. and homura would rather defy the sanctity of madoka’s wish, rather than obey its laws, for she will take madoka’s happiness in her hands, if she refuses to. in the movie, dolls representing homura’s inner machinations yell, “gott ist tot”, for homura’s god, madoka, dies in the movie, when homura remembers that madoka was human first, and godhood was something she reached to save everyone, against her best interest and happiness. their relationship is one of love, kindness, obsession, devotion, hope, faith, worship - they are the thesis and the antithesis, the beginning and the end, the alpha and omega, an unstoppable force and an immovable object. forever locked in a struggle, never fully embracing, for madoka will always sacrifice herself for the world, and homura will always doom the world and herself for madoka."

[soyales]

wait so is milgram based off of those psychological experiments or have i been mislead here?? if milgram transcends space and time it would be really funny to them apply that to mr stanley milgram in 1961 too.

inter dimensional celestial being of justice and fuckassery jackalope just decided to name their funny little human experiment on random guy / fellow human experimenter mr milgram

The ending of the t2 report opens up SO many questions oh my god. What.

So, just going from assumptions — Jackalope is definitely just a robot or something being controlled by someone else - the 'real' Jackalope, who is a human? This mysterious human shape is voiced by the same VA, with a much calmer and less 'comical' tone.

And this sentence... 'choosing your era'... It's so interesting. It's the same phrasing Jackalope uses to describe the 'modern day' in reference to the attitude of the audience regarding Yuno's abortion. We already had hints that MILGRAM was beyond time and space, but this also implies that it could be literally at any time within history, which is SO cool. Oh my god, imagine a MILGRAM set in the 1900s.

This also makes me think that MILGRAM as a whole is probably a simulation. Maybe the participants aren't even real. Maybe Es is just a representation of multiple people being put through a simulation..?

[soyales]

MIKOTO IN THE BACKROOMS (^з^)-☆

(i have no clue how insta works, its a vague image of some sorta social media)

[soyales]

I am a firm believer that it depends on when they have The Gay Sex.

If it was during their Shiz uni days then it would fix every single one of their problems. honestly The lack of Gay Sex caused most of the problems in act 2.

HOWEVER.

if The Gay Sex happened after defying gravity, The Gay Sex is going to be too politically charged to be even a smidgen a vague sense of healthy.

nothing would be achieved through it, and it would probably just unleash another hot air balloon load of unresolved angst and sexual tension. they would never heal from that experience.

would gay sex fix them?

[soyales]

atropa belladonna is such a strangely fitting name for the deadly nightshade?? its so pretty for something so dangerous, but theyve both got this general air of absolute kick-ass-ness thats so grandiolquent that it can fuel both my dreams and nightmares. whoever that horticulturist was that named this plant was a genius, and i think the universe fell into a wobbly queue when concerning the deadly nightshade plant.