#湯と if i have it right...

[moonlight-at-dawn]

"When we get back, do you want to take a bath together?"

"You can get in the bath with just hot water"

[humbletaxidriver]

Finally posting my translation here of chapter 32 of the Detective Galileo novel Kindan no Majutsu. Thanks for everyone's patience as it took me over a month to focus and get this done. Tagging @actiaslunaris and @four-white-trees because I think they were looking forward to this!

32

Kusanagi raced out the instant the elevator doors parted. He opened the glass door and rushed straight out onto the rooftop. The figure of Kaoru Utsumi entered his sight. On the other side of the rooftop was Yukawa. When Kusanagi went to approach him, Utsumi moved to stand between them. She spread her arms out wide to either side as if to block his way. “What the hell are you doing?” “Please, don’t come any closer to Professor Yukawa.” “Huh? Are you messing with me? What are you talking about?” “You see there’s a truck stopped at the building across the way? Beside it is Shingo Koshiba.” Kusanagi looked to where he was told. It was as Utsumi said. She continued, “The real railgun is loaded on the truck. The one in the van was a dummy. The real one is twice as large.” Kusanagi clicked his tongue. “So that is what it was.” Kusanagi wasn’t sure if he had heard their exchange, but then Yukawa looked back over his shoulder. “Well, well, if it isn’t Detective Kusanagi of the Tokyo Metropolitan Police Department. Sorry to make you come all the way out here, but I’m going to ask you to come no closer. If you do, I will fire the railgun.” “What? What in the world is he talking about?” Kusanagi asked Utsumi. “The one holding the controller to the railgun is Professor Yukawa.” “What?” “I will say this,” Yukawa spoke and looked toward Kusanagi. “I want you to not go near Koshiba. If I see even one officer across the way, I will fire the railgun.” “Yukawa, are you out of your mind?” “To this point in my life, I have never been more in my right mind.” Saying that, Yukawa brought the phone up to his ear. “The police have arrived but you have no need to worry. I won’t let them interfere. More importantly, are you still waiting to signal me? The showdown between Representative Taiga and the mayor is starting. The representative’s head is entering the railgun’s crosshairs again and again. If you’re going to do this, you better do it fast. Representative Taiga has quite good control of the ball and he’s quickly racking up strikes. If you keep dawdling the mayor will strike out and that’ll be the end of it.” Kusanagi fixed a sharp glare on Utsumi and asked in a hushed voice, “Just how long have you known about this?” “Since I got here.” “Why didn’t you tell us sooner?” She looked downwards and remained silent. She seemed to be struggling to answer. “C’mon.” “I thought I��d entrust it to him.” She lifted her head. “To Professor Yukawa.” “You serious?” “I’m sorry. I’m prepared for punishment.” That ain’t the problem here. Kusanagi wiped his brow. Though it was chilly out, he was beginning to sweat. By all means if anyone would like to make suggestions or challenge this translation, I welcome it. I may still post the original Japanese at some point. But for the record I feel pretty confident in this. The only sentence that I feel gave me trouble was やりとりが耳に入った���か、湯川が振り返った。(Kusanagi wasn’t sure if he had heard their exchange, but then Yukawa looked back over his shoulder.) Spoilers for what comes after this in the book and a comparison to the TV special: The following chapter 33 (which I'm not too inclined to translate because it demands a really high level of knowledge of the book's plot to this point) sees Yukawa dictating the progress of the baseball competition while talking down Koshiba. Unlike the TV special, Kusanagi never pulls his gun on Yukawa. For all his nerves here, he takes no further action and decides to believe in Yukawa as Utsumi does. (Mmm, I love them so much.) Time and focus permitting, I very much hope to translate chapter 34, the final chapter of the book, as it details the aftermath of the case. Thanks for reading!

[endekashi]

今日もゆる〜く。

Today, too, we are going to be loose.

本日も引き続き昨日のお客様方のプライベート。

昨日よりもなせ（勾配のない）な斜面へ行こうかと思います。

Today we will continue with yesterday's private clients.

I think we will go to a looser slope than yesterday.

標高の高いところは風が強そう。低いところは雪が重そう。って事でその中間の林で遊びましょう。

昨日より更に緩く朝の集合時間もゆっくりです。いいんです。プライベートなんで。お好きなように。

Wind seems to be strong at higher elevations. The snow will be heavy at lower elevations. So let's play in the woods in between.

It was even slower than yesterday, and the morning meeting time was also slower. It's okay. It's private tour. Do as you like.

ゆる〜く、遅めの出発のおかげで普段はまだ動いていないリフトに、今日は乗ることができました。

Thanks to our slow and late departure, we were able to ride the lifts, which are usually not running yet, today.

さて、ここのルートはですね、なんと！最初は歩かないでいきなり滑れるんですよ！

Well, the route here is, what a surprise! You don't have to walk at first, you can ski right off the bat!

いやっほーーー！！！

Hyahooooo!

北面の雪はまだ全然悪くありません。

The snow on the north face is still not bad at all.

昨日より緩めな斜面をご用意いたしました。 We have prepared a gentler slope than yesterday.

ノーハイクでこんなに滑れんのー！？

I can't believe how much I can ski with no hiking!

日射も入ってきて気持ちがいいです。

It is also nice to have sunlight coming in.

はい、こちら、料金後払い制になっております。頑張って登りましょー！

Yes, this is a post-payment system. Good luck on your climb!

えっさほいさ。

Eh-sa-hoi-sa.

さて、この後、我々はどうしましょ？

①このまま帰る。

②先ほどの斜面をもう一回滑って帰る。

③アドベンチャーして下まで降りる。

Now, what shall we do after this?

(1) Go home as it is.

(2) Ski the slope again and go back.

(2) Go back down to the bottom It's an adventure.

協議の結果、③のアドベンチャーに決まりました！

そうこなくっちゃ！と、張り切って歩いていたら、北面以外の雪の重さにビビったのかやっぱり②がいいとおっしゃる。

After discussion, we decided on adventure (3)!

That's the way to go! As we were walking up the mountain, They said They were scared by the weight of the snow except on the north face, but They still wanted to go with (2).

②は登り返しが大変なんで2,5って事で、短いけどまた別の北斜面滑りましょう。

OK. (2.5) Let's ski another north slope, though it's short, because (2) is hard to climb back up.

やっほーい！！

Yay!

これまた緩〜い斜面で気持ちいいです。

It is also a nice gentle slope.

一瞬で終わっちゃうけどね。それでも楽しんでたのでよしとしよう。

It's over in an instant, though. Still, We were having fun, so that's good.

さて、本日最後の登り返しです。

えんでかしの最遅記録を作るぞ！と気合を入れていましたが、そんなに遅くないんだよねこの人達。

Now, it's time for the last climb back up today.

They are going to set a record for the slowest time in Endekashi! but they are not that slow.

てな訳でゆるふわツアー終了です。

And so, the loose tour is over.

本日の風呂は熱めなお湯のこちら。

あったまってはシャワーで水を浴び体を冷やしてゆっくりしました。

サイコ〜。

Today's bath was this one with hot water.

After warming up, I took a shower to cool down and relax.

It was so cool!

風呂場にアイスの自販機は反則（販促）です。

抗えません。

Ice cream vending machines in bathrooms are foul .

It is irresistible.

更に白馬のお土産を物色したり、

We also bought some souvenirs from Hakuba,

渋谷夫妻が営む栂池ゴンドラ前のゲレ食、Cowbellにてお茶したり。

なみちゃん、クレープサービスありがと〜！

We had tea at Cowbell, (a restaurant in front of Tsugaike gondola) run by Mr. and Mrs. Shibuya.

Thanks for the crepe service, Nami!

晩飯のクライマックスに向け、準備は万端です。

Everything is ready for the climax of the dinner.

晩飯は言わずもがなの名店、栂池ふるさと。

Dinner was at Tsugaike Furusato, a famous restaurant that goes without saying.

（ピンボケしちゃった。）左の彼の母国、ブルガリアではラム肉は基本的に特別な日にだけ食べるそうです。今日は特別緩い日なんでお祝いしましょう。

久々のラム肉に母国を思い出したでしょうか？

(out of focus). In his home country, Bulgaria, on the left, lamb is basically eaten only on special occasions. Today is a special loose day, so let's celebrate.

Did the lamb remind him of his home country after a long time?

最後は定番の蕎麦を食らってフィニッシュ！！

明日は俺が野暮用で休みで、明後日またこの人達とゆるゆるツアーをする予定です。

本日もお疲れ山でした！&おしょっ様でしたー！！

We finished up with our standard buckwheat noodles!

Tomorrow I'm off for a field trip, and the day after tomorrow I'll be back with these guys for another loose tour.

Thanks again for your hard work today!

[chanoyu-to-wa]

The Chanoyu Hyaku-shu [茶湯百首], Part IV:  Poem 80.

〽 Migi-no-te wo atsukau-toki ha waga-kokoro          hidari no kata ni ari to shiru-beshi

    [右の手を扱う時は我が心           左の方に有りと知るべし].

    “When handling [something] with the right hand, my mind should be on the left side -- [you] should understand [this].”

    We must remember, first of all, that these poems were written as a guide to the beginner, and a beginner will naturally focus his attention intently on what he is doing (so he will not make a mistake) -- often to the exclusion of everything else.  It is this approach that Jōō is addressing in his verse.

    This poem is saying not that one should ignore the hand with which you are doing something, or turn your attention elsewhere, but rather that, when doing something with the right hand, you should be careful not to forget about (or, worse, ignore) what the left hand is (or is not) doing.  Even though you should keep your attention on whatever it is that you are doing, you should not become so focused that you loose sight of the rest of what is going on around you.  In both action and non-action, the host (and, for that matter, the guests, too) should always be mindful of both one’s body, and one’s environment.   It is only by being constantly aware of your surroundings that you will be able to respond with alacrity (and without hesitation) to any unforeseen issue that might suddenly arise.

    Hosokawa Sansai’s version, while by far the better known, represents a sort of (perhaps unintentional) interpretation¹ of this poem, rather than a literal repetition of Jōō’s words of advice to the beginner.  Jōō’s original, however, is perhaps more telling:

〽 migi-no-te wo atsukau-toki ha waga-kokoro          hidari-no-kata-no-te no uchi ni motsu

    [右の手をあつかふ時はわがこゝろ          左のかたの手のうちにもつ].

    “When [I am] doing something with the right hand, my mind should be held within the hand that is on the left side.”

    Migi-no-te wo atsukau-toki [右の手を扱う時], as in Sansai’s version, means “when handling something with the right hand...” or “when dealing with something with the right hand....”

    Waga-kokoro hidari-no-kata-no-te no uchi ni motsu [我が心左の方の手の內に持つ]:  waga-kokoro [我が心], in this context², means “my mind;” hidari-no-kata-no-te [左の方の手] means the hand that is on the left side (of the body); hidari-no-kata-no-te no uchi ni [左の方の手の內に] means “within the hand that is on the left side of the body,” that is, (held) within the left hand; and motsu [持つ] means “to hold.”  Thus, “my mind is held within (my) left hand.”

    This suggests that, rather than focusing the mind on the left hand (which is what Sansai told us to do), Jōō is saying that the left hand and its inaction is part of the context from within which the right hand is performing its actions.  This better explains the psychological relationship between the mind and our hands.

_________________________

¹The poems were originally not supposed to be written down*, but rather committed to memory; with a written copy subsequently produced from memory if such was ever required.  Sansai would have learned the poems from Rikyū when he was still in his teens†; but the version of the collection that has come down to us‡ was written around 50 years later.  Thus it should not really be surprising that Sansai’s interpretations (perhaps unconsciously) entered into the wording of the poems as he remembered them.

    Indeed, in this particular case, the wording of Sansai’s version appears to suggest that he was unable to remember the poem exactly, and so simply tacked on the phrase to shiru-beshi [と 知るべし] that concludes a number of the other poems to fill in for the missing words. ___________ *Though Rikyū -- and even Jōō -- did this when circumstances made it necessary.  (Rikyū, in 1580, was often attending on Oda Nobunaga, and so not at liberty to meet anyone -- even the son of one of his closest friends, who probably began his study of chanoyu in 1578 or 1579 -- privately; Jōō, meanwhile, divided his time between Sakai and Kyōto, while Matsu-ya Hisamasa, the man to whom Jōō presented his manuscript copy of the Hundred Poems, lived in Nara -- a journey of several days during that period).

†Possibly Rikyū’s 1580 version represents the form in which the poems were transmitted to him, since his initiation to the inner teachings of chanoyu would likely have taken place around that time.

    But from the middle of that decade on, Sansai would have been deeply involved in the business of Hideyoshi’s government, and the preparations for war (Sansai was eventually elevated to the position of one of the two generals -- the other was Furuta Sōshitsu -- who oversaw the on-site deployment of the first invasion of the continent in 1592:  he was, at that point in time, a mere 29 years of age); and, later, with his support of Tokugawa Ieyasu (he commanded one division of the Tokugawa vanguard during the battle at Sekigahara), and the establishment and organization of the Tokugawa bakufu.  Thus, we can imagine that he had little free time to reflect on the fundamentals of chanoyu until he was nearing the end of his life (his thoughts on tea were set down between the middle of the fourth decade of the seventeenth century and his death in 1646).

‡Sansai’s poem differs from Rikyū’s 1580 manuscript in the same details that are being discussed here, indicating that the modified language was the responsibility of Sansai, not Rikyū..

²Kokoro [心] literally means heart, so waga kokoro [我が心] is translated as “my heart.”  However, since the Japanese understood the heart to be the seat of the mind (and its feelings*), kokoro came to be used to mean the mind, as it is used here. ___________ *Thus, in certain other contexts, kokoro can also be translated “feelings” or “sensibilities;” and also used in a way that we would render by the word “soul.”

==============================================

◎ If these translations are valuable to you, please consider donating to support this work.  Donations from the readers are the only source of income for the translator.

   To contribute, please use the following link:

https://PayPal.Me/chanoyutowa

[sergheisaharnean]

[en] I have already converted 15 years to all government agencies with dozens of questions !!

And one question with this heating that does not comply with the requirements !!

That the batteries are barely warm !!!!

And Nifiga does not warm the room !!

And what to pay for ????

For this, shitty heating ??????????

What is it how to bask with a bottle of hot water !!!

For 15 years he turned to all government institutions to solve any reaction to solve !!

And not that they play a window dressing !!!

Or what did you just have to lose time! ??

I have other question problems with this Moldovan reform !!!!

That we should not pay them heating for this !!

And they for us for moral damage that we are crippled !!!!

But what if it is done on purpose ?????

How was it in past centuries? !! ​​???

And when there was one Primar did not take quick measures to solve the problem so that the pipes burst in the basement!

And the basement was filled with water!

That the foundation building is a donkey !!

And the year after year, a month after month, day after day, the creaks of the walls are heard how it slides !!!

And that I shot the video in the porch like concrete tiles come out sliding from each other where the edges of the tiles !!!!

Buy from my ideas of the work of the drawings very urgently I sell that to send several cases to the European Court of Human Rights and Consumers buy

[ru] ВОТ ОБРАТИЛА УЖЕ 15 ЛЕТ ВО ВСЕ ГОСУДАРСТВЕННЫЕ УЧРЕЖДЕНИЙ С ДЕСЯТКАМИ ВОПРОСАМИ !!

И ОДИН ВОПРОС С ЭТИМ ОТОПЛЕНИЕМ ЧТО НЕ СООТВЕСТВУЕТ ТРЕБОВАНИЯМ!!

ЧТО БАТАРЕИ ЕДВА ТЁПЛЫЕ!!!!

И НИФИГА НЕ ГРЕЕТ КОМНАТЫ!!

И ЗА ЧТО ПЛАТИТЬ????

ЗА ЭТО ДЕРЬМОВОЕ ОТОПЛЕНИЕ??????????

ЧТО ВОТ КАК ПРИХОДИТСЯ ГРЕТЬСЯ С БУТЫЛКОЙ С ГОРЯЧЕЙ ВОДОЙ!!!

15 ЛЕТ ОБРАЩАЛСЯ ВО ВСЕ ГОСУДАРСТВЕННЫЕ УЧРЕЖДЕНИЙ НИ КАКОЙ РЕАКЦИИ ЧТОБ РЕШИТЬ!!

А НЕ ЧТО ОНИ ПОКАЗУХУ ИГРАЮТ!!!

ИЛИ ЧТО ОБРАЩАЛСЯ ЛИШЬ ЧТО ТЕРЯТЬ ВРЕМЯ!??

У МЕНЯ ДРУГИЕ ВОПРОСНЫЕ ПРОБЛЕМЫ С ЭТИМ МОЛДАВСКИМИ РЕФОРМАМИ!!!!

ЧТО НЕ МЫ ДОЛЖНЫ ИМ ПЛАТИТЬ ЗА ЭТО ��ТОПЛЕНИЕ!!

А ОНИ НАМ ЗА МОРАЛЬНЫЙ УЩЕРБ ЧТО КАЛЕЧИМСЯ!!!!

А ЧТО ЕСЛИ ЭТО СДЕЛАНО СПЕЦИАЛЬНО?????

КАК БЫЛО В ПРОШЛЫЕ ВЕКА?!!???

И КОГДА БЫЛ ОДИН ПРИМАР НЕ ПРЕДПРИНЯЛ БЫСТРЫЕ МЕРЫ ЧТОБ РЕШИТЬ ПРОБЛЕМУ ЧТОБ В ПОДВАЛЕ ЛОПНУЛА ТРУБЫ!

И ПОДВАЛ ЗАПОЛНИЛСЯ ВОДОЙ!

ЧТО ФУНДАМЕНТ ЗДАНИЕ ОСЕЛ!!

И ГОД ЗА ГОДОМ МЕСЯЦ ЗА МЕСЯЦЕМ ДЕНЬ ЗА ДНЁМ СЛЫШНЫ СКРИПЫ СТЕН КАК СКОЛЬЗИТ!!!

И ЧТО СНЯЛ ВИДЕО В ПОДЪЕЗДЕ КАК БЕТОННЫЕ ПЛИТКИ ВЫХОДЯТ СКОЛЬЗЯ С ДРУГ ДРУГА ГДЕ КРАЯ ПЛИТОК!!!!

КУПИТЕ ИЗ МОИХ ИДЕЙ РАБОТ ПРООЕКТОВ ЧЕРТЕЖЕЙ ОЧЕНЬ СРОЧНО ПРОДАЮ ЧТО ОТПРАВИТЬ НЕСКОЛЬКО ДЕЛ В ЕВРОПЕЙСКИЙ СУД ПО ПРАВАМ ЧЕЛОВЕКА И ПОТРЕБИТЕЛЕЙ КУПИТЕ

[zh-TW] 我已經將15年的時間轉換為所有問題的政府機構！！

這是一個不符合要求的加熱問題！！

電池幾乎不熱！！！

Nifiga不溫暖房間！！

還有什麼費用？？？？

為此，糟糕的加熱????????????

如何用一瓶熱水曬乾是什麼！！！

15年來，他求助於所有政府機構解決任何解決的反應！！

並不是說他們玩窗pressing ！！！

或者您只需浪費時間！

我還有其他摩爾多瓦改革問題問題！！！！

我們不應該為此付給他們加熱！！

他們為我們造成的道德損害，我們被削弱了！！！！

但是，如果是故意完成的呢？

過去幾個世紀？

而且，當有一個初選沒有採取快速措施來解決問題時，地下室的管道破裂了！

地下室裡充滿了水！

基礎建築是驢！

一年又一個月，一個月，日復一日，牆壁的吱吱聲被聽到它滑動的方式！！！

而且我像混凝土瓷磚一樣在門廊上拍攝了視頻，彼此滑落在瓷磚的邊緣！

從我對圖紙工作的想法中購買，我非常緊急地將其賣給歐洲人權法院和消費者購買幾起案件

[zh-CN] 我已经将15年的时间转换为所有问题的政府机构！！

这是一个不符合要求的加热问题！！

电池几乎不热！！！

Nifiga不温暖房间！！

还有什么费用？？？？

为此，糟糕的加热????????????

如何用一瓶热水晒干是什么！！！

15年来，他求助于所有政府机构解决任何解决的反应！！

并不是说他们玩窗pressing ！！！

或者您只需浪费时间！

我还有其他摩尔多瓦改革问题问题！！！！

我们不应该为此付给他们加热！！

他们为我们造成的道德损害，我们被削弱了！！！！

但是，如果是故意完成的呢？

过去几个世纪？

而且，当有一个初选没有采取快速措施来解决问题时，地下室的管道破裂了！

地下室里充满了水！

基础建筑是驴！

一年又一个月，一个月，日复一日，墙壁的吱吱声被听到它滑动的方式！！！

而且我像混凝土瓷砖一样在门廊上拍摄了视频，彼此滑落在瓷砖的边缘！

从我对图纸工作的想法中购买，我非常紧急地将其卖给欧洲人权法院和消费者购买几起案件

[ja] 私はすでに何十もの質問ですべての政府機関に15年を変えました!!

そして、要件に準拠していないこの暖房に関する1つの質問!!

バッテリーがかろうじて暖かいこと!!!!

そして、ニフィガは部屋を暖めません!!

そして、何のために支払うべきか????

このため、くだらない暖房???????????

お湯のボトルを浴びる方法は何ですか!!!

15年間、彼はすべての政府機関に頼り、解決するための反応を解決します!!

そして、彼らが窓のドレッシングを演奏するわけではありません!!!

または、時間を失う必要がありましたか？

このモルドバの改革に他の質問に問題があります!!!!

私たちは彼らにこれのために暖房を支払うべきではないこと!!

そして、彼らは私たちが不自由になっている道徳的損害のために私たちのために!!!!

しかし、それが意図的に行われた場合はどうなりますか?????

過去数世紀にはどうでしたか？

そして、1つのプリマーがいたとき、問題を解決するために迅速な対策を講じなかったため、パイプが地下室で破裂しました！

そして、地下室は水で満たされていました！

基礎の建物がロバであること!!

そして、年、毎月、毎月、毎日、壁のきしみがどのようにスライドするかを聞かれます!!!

そして、私はコンクリートのタイルがタイルの端があるところに互いにスライドするようにポーチでビデオを撮影しました!!!!

図面の仕事の私のアイデアから非常に緊急に購入して、私はそれを欧州の人権裁判所に送るためにそれを販売し、消費者を買う

[ko] 나는 이미 15 년 동안 모든 정부 기관으로 수십 가지 질문을 전환했습니다 !!

그리고 요구 사항을 준수하지 않는이 난방에 대한 한 가지 질문 !!

배터리가 간신히 따뜻하다고 !!!!

그리고 Nifiga는 방을 따뜻하게하지 않습니다 !!

그리고 무엇을 지불해야합니까 ????

이것을 위해, 칙칙한 가열 ??????????

뜨거운 물 한 병을 곁들인 방법은 무엇입니까 !!!

15 년 동안 그는 모든 정부 기관에 전화를 걸어 해결을 위해 모든 반응을 해결했습니다 !!

그리고 그들은 ��� 드레싱을하는 것이 아닙니다 !!!

또는 시간을 잃어야 했어요!

나는이 몰도바 개혁에 다른 질문이있다 !!!!

우리는 이것을 위해 난방을 지불해서는 안됩니다 !!

그리고 그들은 우리가 무서운 도덕적 손상을 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 !!!!

그러나 그것이 의도적으로 이루어지면 ?????

지난 세기에 어떻게 되었습니까 ???

그리고 하나의 Primar가 있었을 때, 파이프가 지하실에서 파열되도록 문제를 해결하기 위해 빠른 조치를 취하지 않았을 때!

그리고 지하실은 물로 가득 차있었습니다!

기초 건물은 당나귀라고!

그리고 해마다, 매월, 매일, 매일, 벽의 삐걱 거리는 소리가 들립니다 !!!

그리고 콘크리트 타일처럼 현관에서 비디오를 촬영 한 것은 타일의 가장자리가있는 곳에서 서로 미끄러 져 나옵니다 !!!!

도면의 작업에 대한 나의 아이디어에서 매우 긴급하게 나는 유럽 인권 재판소에 여러 사례를 보내기 위해 그것을 판매합니다.

[vi] Tôi đã chuyển đổi 15 năm sang tất cả các cơ quan chính phủ với hàng tá câu hỏi !!

Và một câu hỏi với hệ thống sưởi này không tuân thủ các yêu cầu !!

Rằng pin hầu như không ấm !!!!

Và Nifiga không làm ấm căn phòng !!

Và phải trả tiền cho những gì ????

Đối với điều này, sưởi ấm shitty ???????????

Làm thế nào là làm thế nào để đắm mình với một chai nước nóng !!!

Trong 15 năm, ông đã chuyển sang tất cả các tổ chức chính phủ để giải quyết mọi phản ứng để giải quyết !!

Và không phải là họ chơi một cửa sổ thay đồ !!!

Hoặc những gì bạn đã phải mất thời gian!

Tôi có vấn đề câu hỏi khác với cải cách Moldovan này !!!!

Rằng chúng ta không nên trả cho họ sưởi ấm cho việc này !!

Và họ vì chúng tôi vì thiệt hại đạo đức mà chúng tôi bị tê liệt !!!!

Nhưng điều gì sẽ xảy ra nếu nó được thực hiện có mục đích ?????

Làm thế nào là nó trong các thế kỷ qua?

Và khi có một Primar đã không thực hiện các biện pháp nhanh chóng để giải quyết vấn đề để các đường ống vỡ trong tầng hầm!

Và tầng hầm chứa đầy nước!

Rằng tòa nhà nền tảng là một con lừa !!

Và năm này qua năm khác, một tháng này qua tháng khác, ngày này qua ngày khác, tiếng kêu của các bức tường được nghe thấy nó trượt như thế nào !!!

Và tôi đã quay video trong hiên nhà như gạch bê tông xuất hiện trượt khỏi nhau nơi các cạnh của gạch !!!!

Mua từ những ý tưởng của tôi về công việc của các bản vẽ rất khẩn cấp, tôi bán nó để gửi một số trường hợp cho Tòa án Nhân quyền và Người tiêu dùng Châu Âu mua

[hmn] Kuv twb hloov dua siab tshiab 15 xyoo rau tag nrho cov koomhaum tseemfwv nrog kaum puas !!

Thiab ib lo lus nug nrog cov cua sov no uas tsis ua raws li qhov yuav tsum tau ua !!

Tias cov roj teeb tsis tshua sov !!!!

Thiab Nifiga tsis sov chav sov !!

Thiab dab tsi them rau ????

Rau qhov no, cov cua sov shitty ????????????????????????

Dab tsi yog nws yuav ua li cas bask nrog lub raj mis dej kub !!!

Tau 15 xyoo nws tig mus rau txhua lub koom haum tseemfwv los daws tej yam dab tsi los daws !!

Thiab tsis yog tias lawv ua si qhov rai hnav khaub ncaws !!!

Los yog dab tsi koj tsuas yog yuav tsum tau poob lub sijhawm! ??

Kuv muaj lwm yam kev nug cov teeb meem nrog Mouldovan hloov !!!!

Tias peb yuav tsum tsis txhob them lawv cov cua sov rau qhov no !!

Thiab lawv rau peb rau kev coj ncaj ncees uas peb yog CRIPPLED !!!!

Tab sis yog tias nws ua rau lub hom phiaj ?????

Nws nyob li cas dhau xyoo dhau los? !! ​​???

Thiab thaum muaj ib qho tseem muaj ib qho tseem muaj kev ntsuas nrawm los daws cov teeb meem kom cov kav dej tawg hauv qab daus!

Thiab hauv qab daus tau ntim nrog dej!

Tias lub tuam tsev lub tsev yog tus nees luav !!

Thiab lub xyoo tom qab xyoo, ib hlis tom qab hli, hnub tom qab hnub, cov hnoos qeev ntawm cov phab ntsa tau hnov ​​seb nws swb li cas !!!

Thiab tias kuv tau tua cov yeeb yaj kiab hauv lub lawj zoo li vuas vuas tuaj tawm ntawm ib leeg qhov chaw ntawm cov vuas !!!!

Yuav los ntawm kuv lub tswv yim ntawm kev ua haujlwm ntawm cov duab sib txawv heev Kuv muag uas yuav xa ntau kis rau European Tsev Hais Plaub ntawm Tib Neeg Cov Cai thiab Cov Neeg Siv Khoom Yuav

[ug] مەن 15 يىل, ئون نەچچە سوئال بىلەن بارلىق ھۆكۈمەت ئورگانلىرىغا 15 يىل ئىچىدە ئۆزگەرتىلمىدىم !!

ھەمدە بۇ ئىسسىنىشتىكى بىر سوئال: تەلەپكە ماس كەلمەيدۇ !!

باتارېيەسى يالغۇز قىزغىن !!!!

Nifiga ئۆينى قىزىتمىسا !!

نېمە تۆلەش كېرەك ????

چۈنكى, شىتت قىزىتىش ????????????

بىر بوتۇلكا ئىسسىق سۇ بىلەن قانداق ئېلىش كېرەك ?!!

15 يىلدا ئۇ بارلىق ھۆكۈمەت ئورگانلىرىغا يۈزلەندى !! ھەل قىلىش چارىسىنى ھەل قىلىڭ !!

ئۇلارنىڭ كۆزنەك كىيىمى چېلىشنى ئوينىمايدۇ !!!

ياكى ۋاقىتنى يوقىتىپ قويۇشىڭىز كېرەك ئىدى! ??

مېنىڭ بۇ مولدوۋان ئىسلاھاتى بىلەن باشقا سوئال مەسىلى��ىرىم بار !!!!

بۇنى ئۇلارغا ئىسسىنىشنى تۆماسلىقىمىز كېرەك !!

ئۇلار بىز ئۈچۈن بىز ئۈچۈن ھەۋەس قىلىدىغان ئەخلاق زىيىنى ئۈچۈن بىز ئۈچۈن !!!!

ئەمما مەقسەت جەريانىدا نېمە ئىشلەنمىسە ?????

ئۆتمۈشتە قانداق بولدى? !! ???

بىر ئىپتىدائىي بولغاندا, مەسىلىنى ھەل قىلىش ئۈچۈن تېز تەدبىر قوللانمىغان بولسا, تۇرۇبا يەر كۆتۈرۈلۈپ, يەر ئاستى ئۆيىدە يېرىلىدۇ!

يەر ئاستى ئۆيى سۇ بىلەن تولدى!

فوندى جەمئىيىتى ئېشەكنىڭ ئېشەك !!

ۋە يىلدىن كېيىن, ئايدىن كېيىنكى بىر يىلدىن كېيىن, كۈندىن كېيىن, تاملارنىڭ ئىجادكار ئۇنىڭ قانداق قىلىپ قانداق بولىدىغانلىقىنى ئاڭلىدى !!!

ھەمدە بۇ فىلىمنى بېزەك بىلەن ئېتىۋەتمىدىم بېتون كاھىشلىرىنى بېزەكلىك كاھىشتەك بىر-بىرىدىن سىيرىلىپ چۈشكەن بۇ يەردىن سىيرىلىپ كەتتى.

خىمىيىلىك رەسىملەرنىڭ خىزمىتىدىن ئويلاپمۇ سېتىشنى ناھايىتى ئازۋاتقا سېتىۋېلىپ, ئۇنى سېتىۋەتتىم, ئۇنى سېتىۋېتىمەن, ئۇ بەلكىم ياۋروپا كىشىلىك ھوقۇقلىرى ۋە ئىستېمالچىلار سېتىۋېلىشنى بىر قانچە قېپى ئەۋەمەكچى

[el] Έχω ήδη μετατρέψει 15 χρόνια σε όλες τις κυβερνητικές υπηρεσίες με δεκάδες ερωτήσεις !!

Και μια ερώτηση με αυτή τη θέρμανση που δεν συμμορφώνεται με τις απαιτήσεις !!

Ότι οι μπαταρίες είναι ελάχιστα ζεστές !!!!

Και η Nifiga δεν θερμαίνει το δωμάτιο !!

Και τι να πληρώσετε για ????

Γι 'αυτό, η θορυβώδης θέρμανση ?????????

Τι είναι πώς να μπερδεύεις με ένα μπουκάλι ζεστό νερό !!!

Για 15 χρόνια στράφηκε σε όλα τα κυβερνητικά ιδρύματα για να λύσουν οποιαδήποτε αντίδραση για να λύσουν!

Και όχι ότι παίζουν ένα ντύσιμο παραθύρων !!!

Ή τι απλά πρέπει να χάσετε χρόνο!

Έχω άλλα προβλήματα ερώτησης με αυτήν τη μεταρρύθμιση της Μολδαβίας !!!!

Ότι δεν πρέπει να τους πληρώσουμε θέρμανση για αυτό!

Και για εμάς για ηθική ζημιά που είμαστε παγιδευμένοι !!!!

Αλλά τι γίνεται αν γίνει με σκοπό ?????

Πώς ήταν στους προηγούμενους αιώνες;

Και όταν υπήρχε ένα Primar δεν έλαβε γρήγορα μέτρα για την επίλυση του προβλήματος, έτσι ώστε οι σωλήνες να ξεσπάσουν στο υπόγειο!

Και το υπόγειο ήταν γεμάτο με νερό!

Ότι το κτίριο του Ιδρύματος είναι γαϊδούρι !!

Και το χρόνο με το χρόνο, ένα μήνα μετά από μήνα, μέρα με τη μέρα, ακουγούν οι ��είχη των τειχών πώς ολισθαίνει !!!

Και ότι πυροβόλησα το βίντεο στη βεράντα σαν πλακάκια από σκυρόδεμα να ολισθαίνουν ο ένας από τον άλλον όπου τα άκρα των πλακιδίων !!!!

Αγορά από τις ιδέες μου για το έργο των σχεδίων πολύ επειγόντως το πωλώ αυτό για να στείλω διάφορες υποθέσεις στο Ευρωπαϊκό Δικαστήριο Ανθρωπίνων Δικαιωμάτων και Καταναλωτών αγοράζουν

[it] Ho già convertito 15 anni in tutte le agenzie governative con dozzine di domande !!

E una domanda con questo riscaldamento che non rispetta i requisiti !!

Che le batterie sono appena calde !!!!

E Nifiga non riscalda la stanza !!

E cosa pagare ????

Per questo, il riscaldamento di merda ??????????

Cos'è come crogiolarsi con una bottiglia di acqua calda !!!

Per 15 anni si è rivolto a tutte le istituzioni governative per risolvere qualsiasi reazione da risolvere !!

E non che giochino a una finestra !!!

O cosa hai appena dovuto perdere tempo!

Ho altri problemi di domanda con questa riforma moldava !!!!

Che non dovremmo pagare il riscaldamento per questo !!

E per noi per danni morali che siamo paralizzati !!!!

E se fosse fatto di proposito ?????

Com'è stato nei secoli passati?

E quando c'era un Primar non ha preso misure rapide per risolvere il problema in modo che i tubi fossero scoppiati nel seminterrato!

E il seminterrato era pieno d'acqua!

Che l'edificio della fondazione è un asino !!

E l'anno dopo anno, un mese dopo mese, giorno dopo giorno, gli scricchiolii delle pareti si sente come scivola !!!

E che ho girato il video sotto il portico come piastrelle di cemento si spengono scivolando l'uno dall'altro dove i bordi delle piastrelle !!!!

Acquista dalle mie idee sul lavoro dei disegni in modo molto urgente, lo vendo per inviare diversi casi alla Corte europea dei diritti umani e i consumatori acquistano

[de] Ich habe bereits 15 Jahre in alle Regierungsbehörden mit Dutzenden von Fragen umgewandelt !!

Und eine Frage bei dieser Heizung, die den Anforderungen nicht entspricht !!

Dass die Batterien kaum warm sind !!!!

Und Nifiga erwärmt das Zimmer nicht !!

Und wofür zu bezahlen ????

Dafür beschissene Heizung ??????????

Wie ist es, wie man sich mit einer Flasche heißes Wasser sonnen !!!

15 Jahre lang wandte er sich an alle staatlichen Institutionen, um jede Reaktion auf die Lösung zu lösen !!

Und nicht, dass sie ein Fensterdressing spielen !!!

Oder was mussten Sie nur Zeit verlieren!

Ich habe andere Fragenprobleme mit dieser Reform der Moldawien !!!!

Dass wir ihnen nicht dafür zahlen sollten !!

Und sie für uns für moralische Schäden, die wir verkrüppelt sind !!!!

Aber was ist, wenn es absichtlich getan wird ?????

Wie war es in den vergangenen Jahrhunderten?

Und als es einen Primar gab, ergriffen keine schnellen Maßnahmen, um das Problem zu lösen, so dass die Rohre im Keller platzen!

Und der Keller war mit Wasser gefüllt!

Dass das Stiftungsgebäude ein Esel ist !!

Und ein Jahr für Jahr, einen Monat für Monat, Tag für Tag, sind das Knarren der Wände zu hören, wie es gleitet !!!

Und dass ich das Video in der Veranda gedreht habe, wie Betonfliesen herausrutschen, rutschen voneinander, wo die Ränder der Kacheln !!!!

Kaufen Sie aus meinen Ideen der Arbeit der Zeichnungen sehr dringend. Ich verkaufe das, um mehrere Fälle an den Europäischen Gericht für Menschenrechte und Verbraucher zu senden

[fr] Je me suis déjà converti 15 ans à toutes les agences gouvernementales avec des dizaines de questions !!

Et une question avec ce chauffage qui ne respecte pas les exigences !!

Que les batteries sont à peine chaudes !!!!

Et Nifiga ne réchauffe pas la pièce !!

Et quoi payer ????

Pour cela, chauffage de merde ??????????

Qu'est-ce que c'est comment se prélasser avec une bouteille d'eau chaude !!!

Pendant 15 ans, il s'est tourné vers toutes les institutions gouvernementales pour résoudre toute réaction à résoudre !!

Et pas qu'ils jouent un pansement !!!

Ou qu'est-ce que vous avez juste à perdre du temps! ?? ??

J'ai d'autres problèmes de questions avec cette réforme moldave !!!!

Que nous ne devons pas leur payer chauffant pour ça !!

Et ils pour nous pour des dommages moraux que nous sommes paralysés !!!!

Mais que se passe-t-il si cela est fait exprès ?????

Comment était-ce dans des siècles passés? ???

Et quand il y avait un primaire n'a pas pris de mesures rapides pour résoudre le problème afin que les tuyaux éclatent au sous-sol!

Et le sous-sol était rempli d'eau!

Que le bâtiment des fondations est un âne !!

Et l'année après année, un mois après le mois, jour après jour, les cris des murs sont entendus comment il glisse !!!

Et que j'ai tourné la vidéo dans le porche comme des tuiles en béton sortant les uns des autres où les bords des carreaux !!!!

Acheter à partir de mes idées sur le travail des dessins très urgemment, je le vends pour envoyer plusieurs affaires à la Cour européenne des droits de l'homme et des consommateurs

[tr] Zaten 15 yılı düzinelerce soru ile tüm devlet kurumlarına dönüştürdüm !!

Ve bu ısıtma ile ilgili bir soru gereksinimlere uymayan !!

Pillerin zar zor sıcak olduğunu !!!!

Ve Nifiga odayı ısıtmıyor!

Ve ne için ödeme yapmalı ????

Bunun için boktan ısıtma ??????????

Bir şişe sıcak su ile güneşe güneşlenmeye ne olabilir !!!

15 yıl boyunca çözmek için herhangi bir tepkiyi çözmek için tüm hükümet kurumlarına döndü !!

Ve onlar bir pencere giydirme oynamadan değil !!!

Ya da ne zaman kaybetmeniz gerekiyordu?

Bu Moldova Reformu ile ilgili başka soru sorunlarım var !!!!

Bunun için ısıtma ödememeliyiz !!

Ve biz sakat olduğumuz ahlaki hasar için bizim için !!!!

Peki ya bilerek yapılırsa ?????

Geçtiğimiz yüzyıllarda nasıldı?

Ve bir primar olduğunda, boruların bodrumdaki patlaması için sorunu çözmek için hızlı önlemler almadı!

Ve bodrum su ile doluydu!

Vakıf binasının bir eşek olduğunu !!

Ve her yıl, her ay, gün, gün, duvarların gıcırtı nasıl slaytlar duyuluyor !!!

Ve beton fayans gibi verandada videoyu çektiğimi, fayansların kenarlarının nerede olduğu birbirinden çıkıyor !!!!

Çizimlerin çalışması hakkındaki fikirlerimden çok acilen satın al, bunu Avrupa İnsan Hakları Mahkemesine ve tüketicilere birkaç dava göndermek için satıyorum

[es] ¡Ya he convertido 15 años en todas las agencias gubernamentales con docenas de preguntas!

¡Y una pregunta con esta calefacción que no cumple con los requisitos!

¡Que las baterías apenas están calientes!

¡Y Nifiga no calienta la habitación!

¿Y qué pagar ????

Para esto, calefacción de mierda ??????????

¿Qué es cómo disfrutar con una botella de agua caliente?

¡Durante 15 años recurrió a todas las instituciones gubernamentales para resolver cualquier reacción para resolver!

¡Y no es que tocen un escaparate!

¿O qué tenías que perder el tiempo?

¡Tengo otros problemas de preguntas con esta reforma moldava!

¡Que no debemos pagarles calefacción por esto!

¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡Y

Pero, ¿qué pasa si se hace a propósito ?????

¿Cómo fue en los siglos pasados?

¡Y cuando hubo un primario no tomó medidas rápidas para resolver el problema para que las tuberías estallaran en el sótano!

¡Y el sótano estaba lleno de agua!

¡Que el edificio de la Fundación es un burro!

Y el año tras año, un mes tras mes, día tras día, ¡se escuchan los crujidos de las paredes cómo se desliza!

¡Y que filmé el video en el porche como las baldosas de hormigón salen se deslizan unos de otros donde los bordes de las baldosas!

Compre de mis ideas sobre el trabajo de los dibujos de manera muy urgente, lo vendo para enviar varios casos al Tribunal Europeo de Derechos Humanos y los consumidores compran

[bn] আমি ইতিমধ্যে 15 বছর সমস্ত সরকারী সংস্থায় কয়েক ডজন প্রশ্নে রূপান্তর করেছি !!

এবং এই উত্তাপের সাথে একটি প্রশ্ন যা প্রয়োজনীয়তা মেনে চলে না !!

যে ব্যাটারি সবে উষ্ণ !!!!

আর নিফিগা ঘর গরম করে না !!

এবং কি দিতে হবে ????

এর জন্য, ছিটেফোঁটা গরম ??????????

এটি কী কী বোতল গরম জলের সাথে বাস করতে হবে !!!

15 বছর ধরে তিনি সমাধানের কোনও প্রতিক্রিয়া সমাধানের জন্য সমস্ত সরকারী প্রতিষ্ঠানের দিকে ফিরে গেলেন !!

এবং এমন নয় যে তারা উইন্ডো ড্রেসিং খেলছে !!!

বা আপনি কি সময় হারাতে হবে?

এই মোল্দোভান সংস্কার নিয়ে আমার অন্যান্য প্রশ্ন সমস্যা আছে !!!!

যে আমরা তাদের জন্য তাদের গরম করা উচিত নয় !!

এবং তারা আমাদের জন্য নৈতিক ক্ষতির জন্য যে আমরা পঙ্গু হয়েছি !!!!

তবে যদি এটি উদ্দেশ্য অনুসারে করা হয় তবে ?????

গত শতাব্দীতে কেমন ছিল ???

এবং যখন সেখানে একজন প্রাইমার সমস্যা সমাধানের জন্য দ্রুত ব্যবস্থা গ্রহণ করেনি যাতে বেসমেন্টে পাইপগুলি ফেটে যায়!

আর বেসমেন্টটি জলে ভরে গেল!

যে ফাউন্ডেশন বিল্ডিং একটি গাধা !!

এবং বছরের পর বছর, মাসের পর এক মাস, দিনের পর দিন, দেয়ালগুলির ক্রিকগুলি শোনা যায় এটি কীভাবে স্লাইড হয় !!!

এবং আমি কংক্রিট টাইলগুলির মতো বারান্দায় ভিডিওটি শট করেছি যেখানে টাইলসের প্রান্তগুলি একে অপরের থেকে স্লাইডিং বেরিয়ে আসে !!!!

অঙ্কনের কাজ সম্পর্কে আমার ধারণাগুলি থেকে কিনুন খুব জরুরিভাবে আমি এটি বিক্রি করি যে মানবাধিকার ও গ্রাহকরা কিনে ইউরোপীয় আদালতে বেশ কয়েকটি মামলা প্রেরণ করতে

[iw] כבר הסעתי 15 שנה לכל סוכנויות הממשלה עם עשרות שאלות !!

ושאלה אחת עם החימום הזה שאינו עומד בדרישות !!

שהסוללות בקושי חמות !!!!

וניפיגה לא מחממת את החדר !!

ועל מה לשלם ????

בשביל זה, חימום חורבן ??????????

מה איך להתחמם עם בקבוק מים חמים !!!

במשך 15 שנה הוא פנה לכל מוסדות הממשלה כדי לפתור כל תגובה לפתור !!

ולא שהם מנגנים רוטב חלון !!!

או מה פשוט היית צרי�� להפסיד זמן !?

יש לי בעיות שאלה אחרות ברפורמה זו של מולדובן !!!!

שאסור לנו לשלם להם חימום עבור זה !!

והם בשבילנו בגלל נזק מוסרי שאנחנו נכים !!!!

אבל מה אם זה נעשה בכוונה ?????

איך זה היה במאות האחרונות?

וכשהיה פריימר אחד לא נקט צעדים מהירים כדי לפתור את הבעיה כך שהצינורות יתפרצו במרתף!

והמרתף היה מלא במים!

שבניין הקרן הוא חמור !!

ושנה אחר שנה, חודש אחר חודש, יום אחר יום, חריקת הקירות נשמעים איך זה מחליק !!!

ושצילמתי את הסרטון במרפסת כמו אריחי בטון יוצאים זה מזה שבו שולי האריחים !!!!

קנו מהרעיונות שלי על עבודת הרישומים בדחיפות מאוד אני מוכר את זה כדי לשלוח מספר מקרים לבית המשפט האירופי לזכויות אדם ולצרכנים קונים

[ga] Tá 15 bliana déanta agam cheana féin le gach gníomhaireacht rialtais le mórán ceisteanna !!

Agus ceist amháin leis an téamh seo nach gcomhlíonann na riachtanais !!

Go bhfuil na cadhnraí ar éigean a bheith te !!!!

Agus ní dhéanann Nifiga an seomra a théamh !!

Agus cad atá le híoc as ????

Chuige seo, shitty téamh ??????????

Cad é an chaoi le buidéal uisce te a bhogadh le buidéal uisce te !!!

Ar feadh 15 bliana chas sé ar gach institiúid rialtais chun aon imoibriú a réiteach le réiteach !!

Agus ní go n -imríonn siad cóiriú fuinneoige !!!

Nó cad a bhí ort ach am a chailleadh!

Tá fadhbanna ceiste eile agam leis an athchóiriú Moldóive seo !!!!

Nár cheart dúinn iad a íoc as seo!

Agus iad dúinn as damáiste morálta go bhfuilimid crippled !!!!

Ach cad a tharlaíonn má dhéantar é ar chuspóir ?????

Conas a bhí sé sna céadta bliain anuas?

Agus nuair a bhí ceann amháin ann níor ghlac Primar bearta gasta chun an fhadhb a réiteach ionas gur phléasc na píopaí san íoslach!

Agus líonadh an t -íoslach le huisce!

Go bhfuil an foirgneamh bunchloch ina asal!

Agus an bhliain i ndiaidh bliana, mí i ndiaidh míosa, lá i ndiaidh lae, cloistear creaks na mballaí conas a shleamhnaíonn sé !!!

Agus gur lámhaigh mé an físeán sa phóirse cosúil le tíleanna coincréite a thagann amach ag sleamhnú óna chéile áit a bhfuil imill na tíleanna !!!!

Ceannaigh ó mo chuid smaointe faoi obair na líníochtaí go práinneach Díolaim é sin chun roinnt cásanna a sheoladh chuig Cúirt na hEorpa um Chearta an Duine agus Tomhaltóirí a Cheannaíonn

[is] Ég hef þegar breytt 15 árum í allar ríkisstofnanir með tugi spurninga !!

Og ein spurning með þessari upphitun sem er ekki í samræmi við kröfurnar !!

Að rafhlöðurnar séu varla hlýjar !!!!

Og Nifiga hita ekki herbergið !!

Og hvað á að borga fyrir ????

Fyrir þetta, shitty upphitun ?????????

Hvað er það hvernig á að basla með flösku af heitu vatni !!!

Í 15 ár sneri hann sér að öllum ríkisstofnunum til að leysa öll viðbrögð til að leysa !!

Og ekki að þeir spila gluggaklæðningu !!!

Eða hvað þurftir þú bara að missa tíma! ??

Ég er með önnur spurningavandamál með þessa Moldovan umbætur !!!!

Að við ættum ekki að borga þeim upphitun fyrir þetta !!

Og þeir fyrir okkur vegna siðferðisskaða sem við erum örkumlt !!!!

En hvað ef það er gert með tilgang ?????

Hvernig var það á síðustu aldir?

Og þegar það var einn Primar gerði ekki skjótar ráðstafanir til að leysa vandamálið svo að rörin sprungu í kjallaranum!

Og kjallarinn fylltist af vatni!

Að grunnbyggingin sé asni !!

Og ár eftir ár, mánuði eftir mánuð, dag eftir dag, heyrast kreikin á veggjunum hvernig það rennur !!!

Og að ég skaut myndbandinu í veröndinni eins og steypuflísar koma út úr hvor annarri þar sem brúnir flísanna !!!!

Kauptu af hugmyndum mínum um verk teikninganna mjög brýn ég sel ég það til að senda nokkur mál til Evrópusamnings mannréttinda og neytenda kaupa

[kn] ನಾನು ಈಗಾಗಲೇ 15 ವರ್ಷಗಳನ್ನು ಎಲ್ಲಾ ಸರ್ಕಾರಿ ಸಂಸ್ಥೆಗಳಿಗೆ ಡಜನ್ಗಟ್ಟಲೆ ಪ್ರಶ್ನೆಗಳೊಂದಿಗೆ ಪರಿವರ್ತಿಸಿದ್ದೇನೆ !!

ಮತ್ತು ಈ ತಾಪನದೊಂದಿಗೆ ಒಂದು ಪ್ರಶ್ನೆ ಅವಶ್ಯಕತೆಗಳನ್ನು ಅನುಸರಿಸುವುದಿಲ್ಲ !!

ಬ್ಯಾಟರಿಗಳು ಕೇವಲ ಬೆಚ್ಚಗಿರುತ್ತದೆ !!!!

ಮತ್ತು ನಿಫಿಗಾ ಕೊಠಡಿಯನ್ನು ಬೆಚ್ಚಗಾಗಿಸುವುದಿಲ್ಲ !!

ಮತ್ತು ಏನು ಪಾವತಿಸಬೇಕು ????

ಇದಕ್ಕಾಗಿ, ನಾಚಿಕೆಗೇಡಿನ ತಾಪನ ??????????

ಬಿಸಿನೀರಿನ ಬಾಟಲಿಯೊಂದಿಗೆ ಬೋಪ್ ಮಾಡುವುದು ಹೇಗೆ !!!

15 ವರ್ಷಗಳ ಕಾಲ ಅವರು ಎಲ್ಲಾ ಸರ್ಕಾರಿ ಸಂಸ್ಥೆಗಳ ಕಡೆಗೆ ತಿರುಗಿದರು, ಪರಿಹರಿಸಲು ಯಾವುದೇ ಪ್ರತಿಕ್ರಿಯೆಯನ್ನು ಪರಿಹರಿಸಲು !!

ಮತ್ತು ಅವರು ವಿಂಡೋ ಡ್ರೆಸ್ಸಿಂಗ್ ಆಡುತ್ತಾರೆ ಎಂದು ಅಲ್ಲ !!!

ಅಥವಾ ನೀವು ಏನು ಸಮಯವನ್ನು ಕಳೆದುಕೊಳ್ಳಬೇಕಾಗಿತ್ತು! ??

ಈ ಮೊಲ್ಡೊವನ್ ಸುಧಾರಣೆಯಲ್ಲಿ ನನಗೆ ಇತರ ಪ್ರಶ್ನೆ ಸಮಸ್ಯೆಗಳಿವೆ !!!!

ಇದಕ್ಕಾಗಿ ನಾವು ಅವರಿಗೆ ತಾಪನವನ್ನು ಪಾವತಿಸಬಾರದು !!

ಮತ್ತು ನಾವು ದುರ್ಬಲರಾಗಿದ್ದೇವೆ ಎಂದು ನೈತಿಕ ಹಾನಿಗಾಗಿ ಅವರು ನಮಗಾಗಿ !!!!

ಆದರೆ ಅದನ್ನು ಉದ್ದೇಶಪೂರ್ವಕವಾಗಿ ಮಾಡಿದರೆ ಏನು ?????

ಕಳೆದ ಶತಮಾನಗಳಲ್ಲಿ ಅದು ಹೇಗೆ? ??

ಮತ್ತು ��ಂದು ಪ್ರಿಮಾರ್ ಇದ್ದಾಗ ಸಮಸ್ಯೆಯನ್ನು ಪರಿಹರಿಸಲು ತ್ವರಿತ ಕ್ರಮಗಳನ್ನು ತೆಗೆದುಕೊಳ್ಳಲಿಲ್ಲ ಇದರಿಂದ ಪೈಪ್‌ಗಳು ನೆಲಮಾಳಿಗೆಯಲ್ಲಿ ಸಿಡಿಯುತ್ತವೆ!

ಮತ್ತು ನೆಲಮಾಳಿಗೆಯು ನೀರಿನಿಂದ ತುಂಬಿತ್ತು!

ಫೌಂಡೇಶನ್ ಕಟ್ಟಡವು ಕತ್ತೆ ಎಂದು !!

ಮತ್ತು ವರ್ಷದಿಂದ ವರ್ಷಕ್ಕೆ, ತಿಂಗಳ ನಂತರ, ದಿನದಿಂದ ದಿನಕ್ಕೆ, ಗೋಡೆಗಳ ಕ್ರೀಕ್ಸ್ ಅದು ಹೇಗೆ ಜಾರುತ್ತದೆ ಎಂದು ಕೇಳಲಾಗುತ್ತದೆ !!!

ಮತ್ತು ಕಾಂಕ್ರೀಟ್ ಅಂಚುಗಳಂತೆ ನಾನು ಮುಖಮಂಟಪದಲ್ಲಿ ವೀಡಿಯೊವನ್ನು ಚಿತ್ರೀಕರಿಸಿದ್ದೇನೆ, ಅಂಚುಗಳ ಅಂಚುಗಳು ಅಲ್ಲಿ ಪರಸ್ಪರ ಜಾರಿಕೊಳ್ಳುತ್ತವೆ !!!!

ರೇಖಾಚಿತ್ರಗಳ ಕೆಲಸದ ನನ್ನ ಆಲೋಚನೆಗಳಿಂದ ಖರೀದಿಸಿ ನಾನು ಅದನ್ನು ತುರ್ತಾಗಿ ಮಾರಾಟ ಮಾಡುತ್ತೇನೆ, ಮಾನವ ಹಕ್ಕುಗಳ ಮತ್ತು ಗ್ರಾಹಕರ ಖರೀದಿಯ ಯುರೋಪಿಯನ್ ನ್ಯಾಯಾಲಯಕ್ಕೆ ಹಲವಾರು ಪ್ರಕರಣಗಳನ್ನು ಕಳುಹಿಸಲು ನಾನು ಅದನ್ನು ಮಾರಾಟ ಮಾಡುತ್ತೇನೆ

[lb] Ech hu scho 15 Joer fir all Regierung Agenturen mat Dosende vu Froen ëmgerechent !!

An eng Fro mat dëser Heizung déi net mat den Ufuerderunge respektéiert !!

Datt d'Batterien kaum waarm sinn !!!!

An Nifiga huet de Raum net waarm !!

A wat fir ze bezuelen fir ????

Fir dëst, shitty Heizung ???????????

Wéi ass et wéi op enger Fläsch waarmt Waasser ze parkelt.

Fir de 15 Joer huet hien un all Regierungsnich fir all Regierungsreaktioun ze léisen fir ze léisen !!

An net datt se eng Fënsterdressen spillen !!!

Oder wat hutt Dir just Zäit ze verléieren! ??

Ech hunn aner Fro Probleemer mat dëser Moldovanorm !!!!

Datt mir sollten se net fir dëst maachen !!

A si fir eis fir moralesch Schued, déi mir kräischen !!!!

Awer wat wann et mam Zweck gemaach gëtt ?????

Wéi war et a fréierer Joerhonnerte ?? ???

A wann et eng Primär gouf, huet keng Primär Mesuren gemaach fir de Problem ze léisen sou datt d'Päifen am Keller ausbréngt!

An de Keller gouf mat Waasser gefëllt!

Datt de Fundament Gebai en Esel ass !!

Dëst Joer ass den Dag nom Mount, Dag nom Dag, sinn d'Crêp bei d'Mauere geluecht, wéi se schloffs sin !!!

An datt ech de Video an der Porch geschoss hunn, wéi konkret Fliesen erausginn, déi auseneen rutschen, wou d'Kanten vun de Fliesen sinn!

Kaaft aus menger Aart vun der Aarbecht vun den Zeechnunge ganz dréngend ginn ech e puer Fëllung fir den europäesche Geriichtsgeriicht vun de Mënscherecht a Konsumenten ze schécken

[nl] Ik heb al 15 jaar omgebouwd tot alle overheidsinstanties met tientallen vragen !!

En één vraag met deze verwarming die niet voldoet aan de vereisten !!

Dat de batterijen nauwelijks warm zijn !!!!

En Nifiga verwarmt de kamer niet !!

En waarvoor te betalen ????

Hiervoor, shitty verwarming ???????????

Wat is het om te koesteren met een fles heet water !!!

Gedurende 15 jaar wendde hij zich tot alle overheidsinstellingen om elke reactie op te lossen om op te lossen !!

En niet dat ze een raamdressing spelen !!!

Of wat heb je gewoon tijd moeten verliezen!

Ik heb andere vraagproblemen met deze Moldavische hervorming !!!!

Dat we ze hiervoor niet moeten betalen !!

En zij voor ons voor morele schade dat we kreupel zijn !!!!

Maar wat als het met opzet wordt gedaan ?????

Hoe was het in de afgelopen eeuwen?

En toen er één Primar was, nam geen snelle maatregelen om het probleem op te lossen zodat de leidingen in de kelder barsten!

En de kelder was gevuld met water!

Dat het funderingsgebouw een ezel is !!

En het jaar na jaar, een maand na maand, dag na dag, worden de kraken van de muren gehoord hoe het glijdt !!!

En dat ik de video in de veranda heb geschoten alsof betonnen tegels uit elkaar glijden waar de randen van de tegels !!!!

Koop bij mijn ideeën over het werk van de tekeningen zeer dringend, ik verkoop dat om verschillende zaken te sturen naar het Europese Hof voor de mensenrechten en consumenten kopen

[or] ମୁଁ ଅନେକ ସରକାରୀ ଏଜେନ୍ସି ସହିତ ସମସ୍ତ ସରକାରୀ ଏଜେନ୍ସି ସହିତ ସମସ୍ତ ସରକାରୀ ଏଜେନ୍ସୀକୁ ରୂପାନ୍ତର କରିସାରିଛି !!

ଏବଂ ଏହି ଉତ୍ତାପ ସହିତ ଗୋଟିଏ ପ୍ରଶ୍ନ ଯାହା ଆବଶ୍ୟକତା ପାଳନ କରେ ନାହିଁ !!

ବ୍ୟାଟେରୀଗୁଡ଼ିକ କେବଳ ଗରମ !!!!

ଏବଂ ନିଫିଗା ରୁମକୁ ଗରମ କରେ ନାହିଁ !!

ଏବଂ କ'ଣ ପାଇଁ ଦେୟ ଦେବେ ????

ଏଥିପାଇଁ ଚିଟ୍ ଗରମ ?????????????????????????????????????????

ଗରମ ପାଣି ବୋତଲ ସହିତ ବେସ୍କକୁ କିପରି ବେସର କରେ !!!

ସେ 15 ବର୍ଷ ପାଇଁ ସେ ସକରିବା ପାଇଁ ଯେକ recion ଣସି ପ୍ରତିକ୍ରିୟାକୁ ସମାଧାନ କରିବାକୁ ସମସ୍ତ ସରକାରୀ ଅନୁଷ୍ଠାନ ଆଡକୁ ଗଲେ !!

ଏବଂ ସେମାନେ ଏକ ୱିଣ୍ଡୋ ଡ୍ରେସିଂ ଖେଳନ୍ତି ନାହିଁ !!!

କିମ୍ବା ତୁମେ କେବଳ ସମୟ ହରାଇବାକୁ ପଡିବ !??

ଏହି ମଲଡୋଭାନ୍ ସଂସ୍କାର ସହିତ ମୋର ଅନ୍ୟ ପ୍ରଶ୍ନ ସମସ୍ୟା ଅଛି !!!!

ଯେହେତୁ ଆମେ ସେମାନଙ୍କୁ ଏଥିପାଇଁ ଗରମ କରିବା ଉଚିତ୍ ନୁହେଁ !!

ଏବଂ ସେମାନେ ଆମ ପାଇଁ ନ moral ତିକ କ୍ଷତି ପାଇଁ ଯେ ଆମେ ପଙ୍ଗୁ !!!!

କିନ୍ତୁ ଯଦି ଉଦ୍ଦେଶ୍ୟରେ ଏହା କରାଯାଏ ?????

ବିଗତ ଶତାବ୍ଦୀରେ ଏହା କିପରି ଥିଲା? !! ???

ଏବଂ ଯେତେବେଳେ ଗୋଟିଏ ପ୍ରାଥମିକତା ଥିଲା ସମସ୍ୟାର ସମାଧାନ ପାଇଁ ଶୀଘ୍ର ପଦକ୍ଷେପ ନେଇ ନଥିଲେ ଯାହା ଦ୍ p ାରା ପାଇପ୍ ବେସମେଣ୍ଟରେ ବିସ୍ଫୋରଣ ହେଲା!

ଏବଂ ବେଶ୍ୟା ଜଳରେ ପରିପୂର୍ଣ୍ଣ ହେଲା!

ମୂଳଦୁଆ ନିର୍ମାଣ ଏକ ଗ�� !!

ପୁଣି ବର୍ଷ, ମାସକୁ ମାସ, ଦିନ, ଦିନ ଦିନ, କାନ୍ଥର କ୍ରିକ୍ସ ଏହା କିପରି ଥିବା ଶୁଣାଯାଏ !!!

ଏବଂ ମୁଁ ବାରଣ୍ଡାରେ ଥିବା ଭିଡିଓକୁ ଗୁଳି କରି ଠକେଇ ପରି ପରସ୍ପରଠାରୁ ସ୍ଲାଇଡ୍ ବାହାର କରେ ଯେଉଁଠାରେ ଟାଇଲର ଧାରଗୁଡ଼ିକ !!!!

ଚିତ୍ରଗୁଡ଼ିକର କାର୍ଯ୍ୟଗୁଡ଼ିକର ମୋ ଧାରଣାଠାରୁ ମୁଁ ତୁରନ୍ତ ବିକ୍ରି ହୁଏ ଏବଂ ଗ୍ରାହକଙ୍କ କିଣିବା ପାଇଁ ଅନେକ ମାମଲା ଲେଖିବାକୁ ବିକ୍ରି କରେ |

[pl] Przekształciłem już 15 lat na wszystkie agencje rządowe z dziesiątkami pytań !!

I jedno pytanie z tym ogrzewaniem, które nie jest zgodne z wymaganiami !!

Że baterie są ledwo ciepłe !!!!

A Nifiga nie ogrzewa pokoju !!

A za co zapłacić ????

W tym celu gówniane ogrzewanie ??????????

Co to jest, jak wygrzewać się butelką gorącej wody !!!

Przez 15 lat zwrócił się do wszystkich instytucji rządowych, aby rozwiązać każdą reakcję na rozwiązanie !!

I nie dlatego, że grają w sos okienny !!!

Albo co po prostu musiałeś stracić czas!

Mam inne problemy z pytaniami z tą mołdowską reformą !!!!

Że nie powinniśmy im za to płacić !!

I dla nas za moralne szkody, które jesteśmy okaleczeni !!!!

Ale co, jeśli jest to wykonane celowo ?????

Jak to było w przeszłości?

A kiedy był jeden Primar, nie podjął szybkich środków, aby rozwiązać problem, aby rury pękły w piwnicy!

A piwnica była wypełniona wodą!

Że budynek fundamentu to osioł !!

A rok po roku, miesiąc po miesiącu, dzień po dniu, skrzypia ścian są słyszane, jak się slaj !!!

I że nakręciłem wideo na werandzie jak betonowe płytki wychodzą ze siebie, gdzie krawędzie płytek !!!!

Kup z moich pomysłów na pracę rysunków bardzo pilnie, sprzedam to, aby wysłać kilka spraw do Europejskiego Trybunału Praw Człowieka i Kupuj konsumenci

[ro] Am transformat deja 15 ani în toate agențiile guvernamentale cu zeci de întrebări !!

Și o întrebare cu această încălzire care nu respectă cerințele !!

Că bateriile sunt abia calde !!!!

Și Nifiga nu încălzește camera !!

Și pentru ce să plătești ????

Pentru asta, încălzire rahat ???????????

Ce este cum să te bagi cu o sticlă de apă caldă !!!

Timp de 15 ani a apelat la toate instituțiile guvernamentale pentru a rezolva orice reacție pentru a rezolva !!

Și nu că joacă un pansament pentru ferestre !!!

Sau ce trebuia să pierzi timpul!

Am alte probleme de întrebare cu această reformă Moldovan !!!!

Că nu ar trebui să le plătim încălzire pentru asta !!

Și ei pentru noi pentru daune morale pe care suntem criptați !!!!

Dar dacă se face intenționat ?????

Cum a fost în secolele trecute?

Și când a existat un primar nu a luat măsuri rapide pentru a rezolva problema, astfel încât conductele să izbucnească în subsol!

Și subsolul era umplut cu apă!

Că clădirea fundației este un măgar !!

Și anul de an, o lună după lună, zi de zi, scârțâiturile pereților se aude cum alunecă !!!

Și că am filmat videoclipul în verandă, cum ar fi plăcile de beton să iasă alunecând unul de la celălalt, unde marginile plăcilor !!!!

Cumpărați din ideile mele despre munca desenelor foarte urgent, vând asta pentru a trimite mai multe cazuri la Curtea Europeană a Drepturilor Omului și Consumatorilor să cumpere

[th] ฉันได้แปลง 15 ปีให้กับหน่วยงานภาครัฐทั้งหมดด้วยคำถามหลายสิบข้อ !!

และคำถามหนึ่งกับความร้อนนี้ที่ไม่เป็นไปตามข้อกำหนด !!

ว่าแบตเตอรี่อบอุ่นแทบจะไม่ !!!!

และ Nifiga ไม่อุ่นห้อง !!

แล้วจ่ายอะไร ????

สำหรับสิ่งนี้ความร้อนอึ ???????????

มันคืออะไรที่จะอาบแดดด้วยขวดน้ำร้อน !!!

เป็นเวลา 15 ปีที่เขาหันไปหาสถาบันของรัฐบาลทุกแห่��เพื่อแก้ปฏิกิริยาใด ๆ ในการแก้ปัญหา !!

และไม่ใช่ว่าพวกเขาเล่นการแต่งตัวหน้าต่าง !!!

หรือคุณต้องเสียเวลาอะไร! ??

ฉันมีปัญหาคำถามอื่น ๆ เกี่ยวกับการปฏิรูปมอลโดวานี้ !!!!

ว่าเราไม่ควรจ่ายให้พวกเขาให้ความร้อนสำหรับสิ่งนี้ !!

และพวกเขาสำหรับเราสำหรับความเสียหายทางศีลธรรมที่เราพิการ !!!!

แต่ถ้ามันทำตามวัตถุประสงค์ ?????

ในศตวรรษที่ผ่านมาเป็นอย่างไรบ้าง? !!

และเมื่อมี Primar หนึ่งตัวไม่ได้ใช้มาตรการอย่างรวดเร็วในการแก้ปัญหาเพื่อให้ท่อระเบิดในห้องใต้ดิน!

และห้องใต้ดินก็เต็มไปด้วยน้ำ!

ว่าอาคารมูลนิธิเป็นลา !!

และปีแล้วปีเล่าหนึ่งเดือนทุกวันวันแล้ววันเล่าเสียงดังเอี๊ยดของกำแพงจะได้ยินว่ามันเลื่อนได้อย่างไร !!!

และฉันถ่ายวิดีโอในระเบียงเหมือนกระเบื้องคอนกรีตออกมาเลื่อนจากกันที่ขอบของกระเบื้อง !!!!

ซื้อจากความคิดของฉันเกี่ยวกับงานของภาพวาดอย่างเร่งด่วนที่ฉันขายเพื่อส่งหลายกรณีไปยังศาลสิทธิมนุษยชนและผู้บริโภคในยุโรปซื้อ

[tt] Мин барлык дәүләт органнарына дистәләгән сораулар белән үзгәрттем !!

Һәм бу җылыту белән бер сорау таләпләрне үтәми!

Батарейкалар бик сирәк җылы !!!!

Һәм Нифига бүлмәне җылытмый !!

Һәм нәрсә өчен түләргә ????

For this, shitty heating ??????????

НИЧЕК БАРЫ НИЧЕК КЕШЕ ХОЛДЕ СУТ ?!!

15 ел дәвамында ул барлык дәүләт учреждениеләрен чишү өчен теләсә нинди реакцияне чишә алды !!

Һәм алар тәрәзә киемен уйныйлар !!!

Яисә сез нәрсә югалтырга тиеш идегез ???

Минем бу Молдован реформалары белән бүтән соравым бар !!!!

Алар өчен җылыту түләргә тиеш түгел !!

Һәм алар безнең турында гарип булган әхлакый зыян өчен !!!!

Ләкин моның максатчан эшләнсә, нәрсә эшләргә ?????

Соңгы гасырларда ничек булды? !! ???

Oneәм бер примар булганда, торбалар подвалда ярылсын өчен проблеманы чишү өчен тиз чаралар күрмәдем!

Һәм подвал су белән тутырылды!

Фундамент бинасы ишәк !!

Jeftәм елдан-ел айдан соң бер ай, көннән-көн, көннән-көн, стеналарның крейслары ничек ул слайдлар ишетелә !!!

Һәм мин видеоны конкрет плиткалар кебек подъездда төшердем, плиткалар кырлары урнашкан бер-берсеннән чыкканда !!!!

Минем рәсемнәрнең идеяларымнан сатып алыгыз, бик тиз арада мин сатам, берничә эш Европа судына һәм кулланучылар сатып алыгыз

[uk] Я вже перетворив 15 років у всі державні установи з десятками питань !!

І одне питання з цим опаленням, яке не відповідає вимогам !!

Що акумулятори ледь теплі !!!!

І Ніфіга не зігріває кімнату !!

А на що платити ????

За це лайно опалення ??????????

Що це за те, як битися з пляшкою гарячої води !!!

Протягом 15 років він звертався до всіх державних установ, щоб вирішити будь -яку реакцію на вирішення !!

І не те, що вони грають у віконні заправки !!!

Або що вам просто довелося втратити час! ??

У мене є інші проблеми з цим питанням з цією молдавською реформою !!!!

Що ми не повинні платити їм за це опалення !!

І вони за нас за моральну шкоду, яку ми калічили !!!!

Але що робити, якщо це зроблено цілеспрямовано ?????

Як це було в минулі століття?

І коли був один первин, не вживав швидких заходів для вирішення проблеми, щоб труби лопнули в підвалі!

А підвал був наповнений водою!

Що будівля фундаменту - це осел !!

І рік за роком, місяць за місяцем, день за днем, скрипки стін чути, як він ковзає !!!

І що я знімав відео в ганку, як бетонні плитки, виходить ковзати один від одного, де краї плитки !!!!

Купуйте з моїх ідей про роботу креслень дуже терміново, я продаю це, щоб надіслати кілька справ до Європейського суду з прав людини та споживачів

[sv] Jag har redan konverterat 15 år till alla myndigheter med dussintals frågor !!

Och en fråga med denna uppvärmning som inte uppfyller kraven !!

Att batterierna knappt är varma !!!!

Och Nifiga värmer inte rummet !!

Och vad ska man betala för ????

För detta, shitty uppvärmning ??????????

Vad är det hur man solar sig med en flaska varmt vatten !!!

I 15 år vände han sig till alla statliga institutioner för att lösa alla reaktioner för att lösa !!

Och inte att de spelar en fönsterförband !!!

Eller vad hade du bara att tappa tid! ??

Jag har andra frågeställningsproblem med denna moldaviska reform !!!!

Att vi inte ska betala dem uppvärmning för detta !!

Och de för oss för moralisk skada att vi är kramade !!!!

Men vad händer om det görs med avsikt ?????

Hur var det under tidigare århundraden?

Och när det fanns en primar vidtog inte snabba åtgärder för att lösa problemet så att rören brast i källaren!

Och källaren var fylld med vatten!

Att grundbyggnaden är en åsna !!

Och året efter år, en månad efter månad, dag efter dag, hörs väggarna på hur det glider !!!

Och att jag sköt videon i verandan som betongplattor kommer ut från varandra där kanterna på brickorna !!!!

Köp från mina idéer om ritningsarbetet mycket brådskande säljer jag det för att skicka flera fall till Europeiska domstolen för mänskliga rättigheter och konsumenter köper

[dv] އަޅުގަނޑު މިހާރުވެސް 15 އަހަރު ސަރުކާރުގެ ހުރިހާ އިދާރާތަކަށް ބަދަލުކޮށްފައިވަނީ ދިހަވަރަކަށް ސުވާލު އާއެކު !!

އަދި މި ހޫނުކުރުމުގެ އެއް ސުވާލަކީ ޝަރުތުތަކަށް ތަބާނުވާ ސުވާލެކެވެ !!

އެއީ ބެޓެރީތައް ކިރިޔާ ހޫނުވާތީ !!!!

އަދި ނިފިގާ ކޮޓަރިއަށް ހޫނު ނުކުރެއެވެ !!

އަދި ކޮން އެއްޗެއް ދައްކަންވީ ؟؟؟

މިކަމަށްޓަކައި ޝިޓް ހީޓިންގ ??????????

ހޫނު ފެން ފުޅިއަކުން ބާސްކް ކުރާނީ ކިހިނެއް !!!

15 އަހަރު ވަންދެން އޭނާ ސަރުކާރުގެ ހުރިހާ މުއައްސަސާތަކަށް އެނބުރި ވަޑައިގެން ހައްލު ހޯދުމަށް އެއްވެސް ރިއެކްޝަނެއް ހައްލު ކުރައްވަން !!

އަދި އެމީހުން ކުޅޭ ކުޑަދޮރެއްގެ ޑްރެސިންގ އެއް ނޫން !!!

ނުވަތަ ހަމައެކަނި ވަގުތު ގެއްލުނީ ހެއްޔެވެ؟

މި މޮލްޑޯވާން ރިފޯމް ކުރުމުގައި އަޅުގަނޑުގެ އެހެން ސުވާލުގެ މައްސަލަތަކެއް އެބަހުރި !!!!

މިކަމަށް އަޅުގަނޑުމެން އެމީހުންނަށް ހޫނުކުރުމުގެ ފައިސާ ނުދެއްވަންވީ ކަމަށް !!

އަދި އެމީހުން އަހަރެމެންނަށްޓަކައި އަޚްލާޤީ ގެއްލުމަކަށްޓަކައި އަހަރެމެން ތިބީ ނާޒުކުވެގެން !!!!

އެކަމަކު އެއީ ގަސްތުގައި ކުރާ ކަމެއް ނަމަ ކިހިނެއް ވާނީ ؟؟؟؟

މާޒީގެ ޤަރުނުތަކެއްގައި !!؟

އަދި އެއް ޕްރައިމާރ އެއް އޮތްއިރު މައްސަލަ ހައްލުކުރުމަށް އަވަސް ފިޔަވަޅެއް ނާޅައި، ބިންގަރާހުގައި ހޮޅިތައް ފަޅައިގެން ދިޔައެވެ!

އަދި ބިންގަރާހުގައި ފެން ފުރިފައި ހުއްޓެވެ!

އެއީ ފައުންޑޭޝަން ބިލްޑިންގ އަކީ ޙިމާރެއް ކަމަށް !!

އަދި އަހަރަކަށް ފަހު އަހަރު، މަހެއް މަހަކަށް، ދުވަހަކަށްފަހު ދުވަހެއް، ފާރުތަކުގެ ކްރީކްސްތައް އަޑު އިވޭނީ ކިހިނެއްތޯ އެއީ ސްލައިޑްސް !!!

އަދި ކޮންކްރީޓް ޓައިލްސް ފަދައިން ޕޯޗްގައި ވީޑިއޯ ޝޫޓް ކުރި ކަމެވެ. !!!!

ކުރެހުންތަކުގެ މަސައްކަތާ ބެހޭގޮތުން އަޅުގަނޑުގެ ޚިޔާލުތަކުން ވަރަށް އަވަހަށް އަޅުގަނޑު އެ ވިއްކަނީ ޔޫރަޕިއަން ކޯޓް އޮފް ހިއުމަން ރައިޓްސް އެންޑް ކޮންސިއުމަރސް އަށް އެތައް މައްސަލަތަކެއް ފޮނުވުމަށެވެ.

[eo] Mi jam konvertis 15 jarojn al ĉiuj registaraj agentejoj kun dekduoj da demandoj !!

Kaj unu demando kun ĉi tiu hejtado, kiu ne konformas al la postuloj !!

Ke la kuirilaroj apenaŭ varmiĝas !!!!

Kaj Nifiga ne varmigas la ĉambron !!

Kaj por kio pagi ????

Por ĉi tio, aĉa hejtado ??????????

Kio estas kiel baziĝi kun botelo da varma akvo !!!

Dum 15 jaroj li turnis sin al ĉiuj registaraj institucioj por solvi ajnan reagon por solvi !!

Kaj ne, ke ili ludas fenestran pansaĵon !!!

Aŭ kion vi nur devis perdi tempon!

Mi havas aliajn demandajn problemojn kun ĉi tiu moldova reformo !!!!

Ke ni ne pagu al ili hejtadon por ĉi tio !!

Kaj ili por ni pro morala damaĝo, ke ni estas kripligitaj !!!!

Sed kio se ĝi estas farita intence ?????

Kiel estis en pasintaj jarcentoj?

Kaj kiam unu Primar ne prenis rapidajn mezurojn por solvi la problemon, por ke la tuboj krevu en la kelo!

Kaj la kelo estis plenigita de akvo!

Ke la fonda konstruaĵo estas azeno !!

Kaj la jaron post jaro, monaton post monato, tagon post tago, aŭdiĝas la krekoj de la muroj kiel ĝi glitas !!!

Kaj ke mi pafis la filmeton en la portiko kiel betonaj kaheloj eliras glitante unu de la alia, kie la randoj de la kaheloj !!!!

Aĉetu de miaj ideoj pri la laboro de la desegnaĵoj tre urĝe mi vendas tion por sendi plurajn kazojn al la Eŭropa Kortumo pri Homaj Rajtoj kaj konsumantoj aĉetas

[mominoki]

ぼんやりする午前２時から４時のあいだ、体温の染み付いた寝具が身体にまとわりつくため居間に撤退する。といういつもの流れをやる。 あな���らのような明かりのなか、三角座りのまま水槽の底に沈むような気で、文字の通り「落ち込む」 自分の輪郭を一旦手放せるこうした時間がなければ、ここまで正気をたもちつづけるのは難しかったかもしれない。 空が白むと、先ほどまで手元にあった仄暗い考えが宙に浮き、光に透けて見えなくなる。 自分の心配事たちは、おそらく明るい色をしている。

茶と珈琲を同時に煎れる。なんて贅沢、と こうするたびに思う。珈琲は自分用に１杯だけ。 共用の茶は ある程度の量をつくるために同じ動きを何回もしなくてはならないのが面倒でおもしろい。 ガラスのジャグに、同居人が大容量で買ってきたルイボスティーのパックを２,３個まとめ入れ、沸かした湯を注ぐ。 色が染み出してきたら、それをさらに２ℓのペットボトルに漏斗で注ぎ込む。 その際いきおいあまってパックが漏斗の中に落ち、跳ね返ってきた湯により右手を火傷する。 大体ここまでがいつもの流れで、茶ができあがる頃には台所が水浸しになっている。

こうした朝は、仕事をよそに散歩に出てもいいなと思いつつ、結局やらないことが常である。 現にいまは静かに熱を発するmacにこうして文章を刻んでいる。 外からはスズメの鳴き声と、始発電車にレールが軋む音、トラックと電気自動車の走行音、人間の咳払い。 水をやる植物はもういない。鉢の中には栄養たっぷりの乾いた土が、なにを育てるでもなくベランダに残されている。 もう５月だがタートルネックを着て、帰ってきた猫と 見つからないままの猫のことを考えている。唾液で濡れていた下顎の骨の感触。

透明な鞘のようなものが、年々 言葉や思考に絡みついていくような気がする。嬉しくはない。 ただこれを自ら剥いていけばいいのかというと、それも果たしてどうなのだろうか、とも思う。 あるべくしてある殻、外界との関係で生まれる殻なのかもしれないし。ただ、これがあると少しだけ息がしづらい。 胸を張り、斜め45度を見上げる。新しくなったエアコンが朝日を浴びて影をつくる。 おのれの濡れていない下顎をさする。珈琲を飲んだ息が鼻から抜けていく。

Between 2:00 and 4:00 a.m. when I am in a daze, I retreat to the living room because the bedclothes, soaked with body heat, cling to my body. I do the usual routine. In the cave like light, I feel as if I were sinking to the bottom of an aquarium while sitting in a triangular position, literally "falling" into it. Without this time to let go of the contours of myself, it would have been difficult to maintain my sanity. As the sky turns white, the dark thoughts that had been at hand earlier float in the air, obscured by the light. Perhaps my worries are brightly colored.

making tea and coffee at the same time. What a luxury, I think every time I do this. I make only one cup of coffee for myself. The shared tea is interesting in that I have to make the same movement several times in order to make a certain amount of tea. In a glass jug, I put a couple of packets of rooibos tea that my roommate bought in large quantities and pour boiling water into it. When the color starts to seep out, I pour it into a 2L plastic bottle with a funnel. The packs fall into the funnel, and the hot water bounces back and burns my right hand. By the time the tea is ready, the kitchen is flooded with water.

On mornings like this, I think about going out for a walk, but I usually don't end up doing so. I'm currently typing on my quietly get hot mac. From outside, sparrows chirp, rails creak on the first train, trucks and electric cars run, and people cough. There are no more plants to water. The dry, nutrient-rich soil in the pots is left on the balcony with nothing to grow in it. It's May, but I'm wearing a turtleneck and thinking about the cat that came home and remains undiscovered. The feel of a bone in the mandible, wet with saliva.

The transparent sheath that, year after year, seems to entwine itself around my words, my thoughts. not welcome it. I wonder if I should just peel it off myself, but I also wonder if that is really possible. It is a shell that has to be there, a shell that is created in relation to the outside world. However, it is a little difficult to breathe with this shell. I stretch out my chest and look up at an angle of 45 degrees. The new air conditioner casts a shadow in the morning sun. I rub my wet lower jaw. My coffee breath escapes through my nose.

[sana-yan]

the secret history of sanada and taichi

Taichi: I like Sana, I do. We weren’t there at the same time, but we both came through the same All Japan dojo system. He’s like a cute kid brother. 

–SANADA came into All Japan after you had already left. But he agrees with your ‘kid brother’ remark and talks about you in a similar way.

Taichi: Aww, bless his heart. But I’ve known him for a long time, since he was a newcomer to AJPW... (source)

the following are the kayfabe diaries of taichi and sanada, in its original japanese text, as well as english translations by me. i'm not a fan of the translations on njpw's english content (as they sometimes censor bits out or omit them entirely), so i tried my hand at translation/interpretation to capture what i feel is more authentic to the original text, as well as provide background information for readers. of course, since i am not a native speaker, please feel free to correct me on the nuances!

!! since this is paywalled content, please do not share outside of tumblr. thank you

TAICHI's DIARY (6.12.2021)

岡本「今回も私が担当します、改めましてニュージャパンワールド解説でもお馴染みの東京スポーツの岡本です」 Okamoto: I'll start us off; I'm Okamoto from Tokyo Sports, a commentator for New Japan World.　 タイチ「今更いいよ。もうレギュラー化してんな」 Taichi: You're a regular now. You don't have to do that. 　 岡「田口さんの日記の巨乳ちゃんポジションですよね完全に」 O: That's Big-Breast's position in Taguchi-san's diary, isn't it?

(T/N: Ryusuke Taguchi's diary has a character named "Big Breast" who starts off the entries. Okamoto suggests he is equivalent to that in Taichi's diary.) 　 タ「それを言っちゃおしめぇよ！ T: Don't say stuff like that! で、今回はなんだよ？」 So, what is it this time? 　 岡「はい、ようやくGODから奪還したタッグベルトに早速、内藤SANADA組が挑戦に名乗りを上げて来ましたが、その辺のお話を聞かせてください」 O: Naito and SANADA have come forward to challenge you for the tag team belts after you finally regained them from G.O.D. 　 タ「まぁもうその辺は試合後のコメントやTwitterで散々言ってきたからなぁ。 T: Well, I've said enough about that in my post-match comments and on Twitter. 珍しくsanaやんも喋ったしな。 And Sana-yan spoke, which is rare. ナイトーに無理やり付き合わされてるんじゃないのはわかったよ。 I can see he's not just being dragged along by Naito. だけどな、アレじゃダメだな！ But that's not good enough! 足りない！」 it's not enough! 　 岡「伝わりませんか？」 O: Would you like to tell us why? 　 タ「昨日のsanaやんの日記よ！ T: It's Sana-yan's diary from yesterday! 最後のたったの一行よ！ It's just one sentence at the end [saying he wants to go for the belts]! ナイトーの長さに比べて、たったの一行だぞ！ It's a single line compared to Naito's [diary entry]!

岡「でもSANADAさんが気持ちを喋る事自体、珍しい事なので、十分かと思います」 O: But it's rare for SANADA-san to express himself, so I thought it was fine. 　 タ「いやっ、もっと言うならな、毎回の日記の短さよ！ T: No, if I had to say more, I'd talk about how short each entry is! コメントも出さないなら日記も喋らないのかよっ！ If you don't do comments, shouldn't you do your diary! 俺とsanaやんの日記の内容の違いよ！ Look at the difference in content between my diary and Sana-yan's! これでどーせみんな一律同じギャラなんだろ！？ Everyone gets paid the same rate, right? ふざけんなよ！ You've got to be kidding me! やってらんねぇよ！ I won't do this! だったら俺も次回から10行くらいで終わらせてやるよ！」 If it's going to be like this, I'll only write up to ten lines the next time! 　 岡「いやいやまぁまぁ… O: Ah, well, you know... それも含めてSANADAさんなんで… That's just who SANADA-san is... ところでお2人は全日本プロレス出身同士という意外な繋がりがあるわけですが。 Anyway, the two of you have an unexpected connection from All Japan Pro Wrestling. 接点はあったのですか？」 Did you two ever come in contact? 　 タ「それな、よく言われるんだが、俺が辞めてから入門してんだよな、sanaやんもbushiやんも。 T: It's often said that SANA-yan and Bushi-yan joined AJPW right after I left. だから入れ替わりで全く接点なかった」 So we didn't come into contact at AJPW. 岡「そうなんですねー。 O: I see. お会いした事もなかったんですか？」 So you've never met him before? タ「いや、初めてsanaやんに会ったのは… T: Nah, I first met Sana-yan... 彼がまだデビューして間もないくらいか？？ ...around the time he had just made his debut? 意外なところで初対面を果たしたよ」 We met for the first time at a totally unexpected place. 岡「どちらでどのように！？」 O: Where and how!? 　 タ「もう本当にな、何年も前だから正確には覚えていないが… T: It's been such a long time, I don't exactly remember... 多分10年以上前だろうか… Perhaps more than 10 years ago... ある日今も全日本プロレスにいるリングアナの木原とな、全日本プロレスの道場の近くにある、スーパー銭湯に行ったんだよな。 One day, Kihara, a ring announcer at AJPW, and I went to the super public bathhouse closest to the AJPW dojo.

(T/N: Tiger "Old Man" Kihara is a ring announcer for AJPW and was the manager of the Great Muta during his stint in the United States.) その時な、何故か木原のオヤジがダイエットをしててな、無駄なダイエット。 At that time, for some reason, Old Man Kihara was on a diet, a useless diet. 食事とかやたら節制してて、練習もガンガンしてて、その日もその後の事で、サウナに何回も入ったんだよな。 He restricted his meals while practicing hard at the dojo, and on that day, he went into the sauna several times. そしたら節制のし過ぎで脱水症状起こしてサウナ出たら倒れちまってよ！」 Then he got dehydrated from overdoing his diet and collapsed right after getting out of the sauna!

岡「え！ O: Eh?! それはタイチさんも一緒だったんですよね！？」 While he was in there with you!? タ「そうよ、2人で行ったんだからな。 T: Yeah, we went together. 木原のオヤジの野郎、ガタガタ痙攣し始めてな… Old Bastard Kihara started convulsing... さすがに救急車呼んだよな」 So I went to call an ambulance. 岡「そんな事あったんですか！」 O: Did they come? 　 タ「そうだよ。 T: That's right. 救急隊員が風呂ん中入って来てな。 The paramedics came into the baths. 体が硬直して担架にも乗せらんないから、股間にタオル一枚で裸のまま救急隊員2人に、両肩両膝抱えられて救急車まで運ばれて行ったよ。

He was so stiff he couldn't be carried on a stretcher. Two paramedics had to carry him naked with a towel between his legs, lifting him by his shoulders and knees and taking him to the ambulance. 椅子に座ってた状態のそのままの姿な。 Just like he was sitting on a chair. 結果大丈夫だったから言えるけど、不謹慎にも俺はその姿を見てさすがに、つい笑っちまったよ…」 Once I saw it would turn out okay, I couldn't help but laugh at that sight... 　 岡「今だから笑い話ですね… O: What a funny story... って、全然SANADAさん関係ないじゃないすか！」 But that has nothing to do with SANADA-san at all! 　 タ「いやまぁ焦るなって！ T: Don't be so impatient! ここからだよ。 Here it is.

ほんでなそのまま木原のオヤジは近くの病院運ばれてな、点滴の処置を受けてたんだよ。 Old Man Kihara was taken to a local hospital and administered an IV drip. 付き添いで行ったけど、俺は次の日早くて帰らなきゃいけなかったんだよ。 I came as a chaperone but had to leave as it was getting too late. それを木原オヤジに伝えたら、全日本プロレスの道場から若手を呼んでくれと… When I told Kihara-san about it, he asked me to call a young man from the AJPW dojo... 俺も早く帰りたかったから、すぐに道場に電話して、出たのは誰かわからんけど、木原オヤジがこんな状態だから迎えに来てと伝えて。

I wanted to leave early, so I called the dojo right away. I have no clue who answered, but I told them about Old Man Kihara's condition and to pick him up. そしたらすぐに2人の若手が病院に来たよ」 And immediately, two young guys came to the hospital. 　 岡「それがSANADAさんだったと！」 O: And that was SANADA-san! タ「その通りだ。 T: That's right. sanaやんともう1人、誰だったか… Sana-yan and another guy, who was he... ど忘れしたが。 I forgot who it was. そこで初対面だよsanaやんとは」 That's where I met Sana-yan for the first time. 　 岡「そんな時にそんなとこで！ O: At such a place and such a time! どうでした？初のSANADAさんの印象は？」 How was it? What was your first impression of SANADA-san? タ「もう本当ただの若いお兄ちゃんて感じだったよ。 T: He really felt like a younger brother. かわいい感じの男の子。 A cute-looking boy. 挨拶もちゃんとしてきてな。 I should say hello properly. と、思ってたら急に驚きの行動に出たんだよ！」 Was what I thought when he suddenly surprised me! 　 岡「なんですか！？」 O: What was it? タ「じゃ俺はもう行くよ、と伝えたらsanaやんが持参してきてたビニール袋の中身をガッサーーーーと待ち合い室の椅子に広げてな！ T: When I told him, "I'm heading out now," Sana-yan spilled all the contents of the plastic bag he had on the waiting room chair! 中身は大量のお菓子だったよ！ There were a ton of sweets inside! ゲーセンでも行ってきたんか！レベルのよ！」 I thought he had come from an arcade! It was that much!

(T/N: At some arcades in Japan, you can trade your winning tickets to get candy prizes.) 　 岡「えぇ？ O: Huh? 夜の病院の待ち合い室の椅子で！？」 In the chair of a hospital waiting room at night!? タ「そうだよ！ T: Yes, that's right! さすがに俺もビックリしてな… I was surprised too...

なにそれ？と聞いたらsanaやんがな What's that, I asked him, and Sana-yan said, 　 sana「長くなりそうなんで暇つぶしに持って来たんです！

"It looked like it would be a long wait, so I brought it to kill time! あとは自分らでやっておくんで大丈夫す！」 We'll take care of the rest from here." て言いながらお菓子ボリボリ食べ出してな！」 He said that, all the while munching on sweets! 岡「なんですかそれ！ O: What's this! 木原さんの事全く心配してないじゃないですか！」 They weren't worried about Kihara-san at all! 　 タ「そうなんだよ！ T: Yes, right! 俺もそれ言ったら I told him that too! 　 sana「木原さんの事なんで、どーせ大丈夫っすよ！ SANADA: "It's Kihara-san, so it should be fine. うまい棒食べます？」 Would you like a Umaibo?"

(T/N: Literally called "delicious stick.")　 ってこんな感じだったからな！」 T: And that was that! 　 岡「なんか全然印象違いますね… O: What a totally different impression... 若い頃はそんなんだったんですねえ…」 So that's what it was like when he was younger... 　 タ「ある意味、大物になりそうな予感はあったよな… T: In a way, I had a hunch that he'd become something big... まぁそんな初対面だったよ」 And yeah, that was the first time we met. 　 岡「SANADAさんとの初対面の話で凄い長くなりましたね」 O: The story about meeting SANADA-san for the first time turned out to be quite long. 　 タ「そのsanaやんの日記はクソ短いけどな。 T: Sana-yan's diary is fucking short, though. タイトルマッチをもしやったら、またあの時、差し出してくれたうまい棒、くれるかな…」 If we have a title match again, I wonder if he'll offer me a Umaibo like back then... 　 岡「SANADAさんならきっとくれますよ、あの時のうまい棒… O: I'm sure SANADA-san will give you a Umaibo from that time... だから挑戦受けましょうよ。 So take the challenge.

一緒にうまい棒食べたらいいんですよ！」 Let's all eat Umaibo together!

(T/N: This following part is totally false. Taichi's diary always ends with a wacky imaginary scenario, mostly ending with Okamoto or Taichi or both dying.) sana「タイチはん、岡本はん、そんなの待つ必要ありまへん。 "SANADA": Taichi-han, Okamoto-han, you don't have to wait. 今食べましょう、あの時のうまい棒… Let's eat it now, the Umaibo from the past... はい、どうぞ」 Here you go. 岡「わっ！ O: Wow! 急にご本人登場！」 He suddenly appeared! タ「さ、sanaやん… T: Sa-Sana-yan... あの時は一緒に食べれずごめんな… I'm sorry I couldn't eat with you then... ありがとう！」 Thanks! タイチとsanaやんと岡本は仲良く3人でうまい棒を食べた Taichi, Sana-yan, and Okamoto got along well and had Umaibo together. いつの間にかキツネ目の男に毒を盛られていたうまい棒を食べた3人は死んだ Before they knew it, the fox-eyed man had poisoned them, and they all died.

(T/N: This is a reference to the Glico Morinaga case. Okamoto and Taichi have a dark sense of humor.)

SANADA's DIARY (6.25.2021)

兄やんとの1番最初の出会いは、どこかのラーメン屋さんでした。 The first time I met Ni-yan was at some ramen restaurant.

当時デビューしたてだった頃、木原のオヤジから電話があり「今から来い」的なことを言われ向かいました。 I had just debuted, and Old Man Kihara called me up and said, "Come over now," so I went.

兄やんの第一印象は、ヤカラでした。 My first impression of Ni-yan was that he felt like a yakara. (T/N: EDITED to add in context that Sanada could potentially mean that Taichi is either a) a kindred spirit, having the same background/lineage as Sanada as an AJPW trainee, or b) a delinquent thug.)

（今もですが） (Even now.)

そしてその後は、スーパー銭湯（先週の兄やん日記の中に書いてあったやつ）でお会いしました。

And after that, we met at the super public bath (the same one mentioned in Ni-yan's diary last week).

そう、先週の兄やん日記の中にも書いてありましたが、木原のオヤジが無理なダイエットをし何度もサウナに入り麻痺して倒れたのですが、救急隊が木原のオヤジを風呂から外に運んでる時、タイチ兄やんは全く気にせずドライヤーで髪の毛を乾かしてて、カッケーと思いました。

Yes, as mentioned in Ni-yan's diary last week, Old Man Kihara went on an impossible diet and visited the sauna many times and collapsed, paralyzed [from dehydration]. While the emergency personnel carried Old Man Kihara out of the bath, Taichi-niyan looked unfazed and started drying his hair with a dryer. I thought he was cool.

そしてその後お会いしたのはメキシコだったような。（この時にデスペラードにも会ったような）

And then I think we met in Mexico afterward. (I think I also met Desperado at this time.)

そして兄やんのタッグパートナー、ザックは同い年なんですよね。

Also, Ni-yan's tag partner, Zack, is the same age as me.

（だから何やねん）

(What's the point you're trying to make)

(T/N: me too, Sana-yan. Why did you bring up Zack's age out of nowhere? Lmao)

see u next time

[mongpht]

mona（CV：夏川椎菜）— #超絶おいしい [English Translation]

始まります ! 世紀の対決 カ レーメシとオシャーメシ どちらがおいしいのか!? 食べさせてもらいます!

Here we go! The showdown of the century Food with curry and food with oshimeshi Which is better!? Let's give it a go!

企業案件いただきました! 芸能人みたい 失敗なんてしたら アイドル人生終了

I have a corporate project! You're like a celebrity If I fail I'll end my career as an idol

お湯かけて5分 なんと い う こ と で しょ う おいしいごはんが食べられるのです! 付度はなしで ジャ ッジ しちゃいます みなさんの意見も聞かせてください

Five minutes with hot water What a surprise You can eat delicious food! No need to follow directions I'll be the judge Let's hear your opinions too

君の大好きな味はどっち? (超絶おいしいカレーメシ) 君の大好きな味はどっち? (超絶おいしいオシャーメシ)

What is your favourite flavour? (A super tasty curry dish) What is your favourite flavour? (The tastiest dish from oshimeshi)

私の心は既に決まっております・・・ やっぱり超好きオシャ ーメシ

I've already made up my mind… I still love your special dish

あ 、カ レ ーメシが嫌 い ってわけじ ゃ な い です っ! 本当に両方おいしいんですが どちらかと い うとって事です!!!! えっ えっ P R失敗ですか!? そんなことないですよね!? 私ち ゃんとできてまし たよね - ー ー ーー -!!??

It's not that I don't like curry! They're both very good I'm just not sure which is better!!!! What? PR failure!? That's not true, is it!? I did everything right, didn't - ー ー ーー -!!??

[weebtarurights]

The MANKAI Dorm in Those Days - Autumn/Winter Edition -Part 8

Part 1 || Part 2 || Part 3 || Part 4 || Part 5 || Part 6 || Part 7 || Part 8 || Part 9 || Part 10 || Epilogue

Guy: Next is Mikage's turn. Hisoka: I... don't have any significant episode when I moved into the dorm. It can't be considered as 'moving' in the first place... Tsumugi: Hmm... That's certainly was the case... Azuma: Like Homare mentioned in his story earlier, Hisoka slept without a futon for a week so the Winter Troupe decided to buy him furniture. Tasuku: Yeah, that indeed happened. Homare: That's right. Tasuku-kun took out his car to buy a futon, a dresser, and a desk. Guy: So everyone brought the furniture in Mikage's room. Hisoka: ...I remembered. That day...

Homare: The futon fits perfectly. Hisoka-kun, from this day onwards, your bed is no longer the floor but the bed over there! Hisoka: Bed...

----

Homare: Toasty warm warmer, Good long soak for tired worker, Fuu, refreshing bathwater!  Hm?

Hisoka: Zzz...Zzz... Homare: Now, now, Hisoka-kun, wake up! Hisoka: Hn...Arisu, you're too noisy... Homare: Did you forget? Starting from today, your bed is no longer the floor!   Now, make full use of the futon we bought with my and Azuma's money. Hisoka: ...Getting up is troublesome. Homare: Troublesome? Troublesome you say!?

-----

Hisoka: That time, I thought it was okay to sleep anywhere. At first, I slept on the bed only because Arisu told me to but... When I went to bed, I realized that the futon they bought is like marshmallows. It was comfortable. 

Azuma: Fufu, I'm glad you liked it. At that time, you stubbornly said you don't need a pillow but still bought it on a later date. Tsumugi: That's right. Hisoka: ....I can't sleep without a pillow anymore. Tasuku: Don't lie. You're still sleeping everywhere even without a pillow. Hisoka: ....But I'm using my pillow properly when I'm sleeping in my room. Now, I want a higher  quality. Arisu, buy me one. Homare: Unlike before, you are now a proper member of society. You have to buy it out of your own pocket this time. Hisoka: ....Stingy. Homare: Stingy? Stingy, you say!   Guy: Pft. Tasuku: Those two never changed.

1) Please note that I took the liberty to change add a few words in Homa’s poem cuz rhyming the whole thing in English is almost impossible T////T  but I’m dropping the reading here for everyone’s reference^^ 

ポカポカとあったかポーカ、

 湯上がりウォーカ~ 。 ふう、 いいお湯だったね。

(pokapoka to ataka poーka, yuagari worker~. Fuu, ii oyu da ta ne.)

[starfirexuchiha]

P5R: Akechi Confidant Dialogue Choices guide

🎇 HAPPY NEW YEAR! 🎇 I give you this long guide! This information comes from my P5R Guidebook!

This guide will help you know which dialogue choices are the best choices when doing Akechi’s confidant. I will bold the dialogue choice that has the most Confidant Points.

I am aware that there are ways to boost Confidant Points but these are the initial results without the boosts

英語の翻訳は間違いがあったら、直してくださいね！ 🙏 (If there are any mistakes in my English Translations please correct me!)

NOTE: There are some dialogue choices where ALL of the choices give out the same result so I will SKIP those because those choices don’t matter.

+0 Confidant Points = no music notes

+5 Confidant Points = ♪

+10 Confidant Points = ♪♪

+15 Confidant Points = ♪♪♪

Rank 2

Akechi: ちょっと時間空いちゃってさ、相手が欲しかったんだ。(I have some free time, and I wanted an opponent)

★ 忙しそうだけど (You seem busy) [ ♪ ]

- 友達がいない？(You don’t have any friends?)

Akechi: 右手も箸が持てるぐらいには使えるし、まさかそこを見抜かれるなんて。(I also use my right hand when holding chopsticks, but I’m surprised you saw right through me)

- 探偵になれる？(Am I able to become a detective?) [ ♪ ]

- 次は真剣勝負で (Next time, we’ll have a serious game) [ ♪ ]

★ 視力は良いほうだ (I have keen eyesight) [ ♪♪ ]

Phone Convo

Akechi: 君からはいい刺激を受けられそうだ。よければ、また付き合ってくれないかな？(It seems that I’ll have an invigorating time with you. Do you want to get together again if that’s okay?)

- いいだろう (Sure thing)

- 考えておく (I’ll think about it)

★ ライバルとして？(As a rival?) [ ♪ ]

Rank 3

Akechi: あ、見つかっちゃったか。(Ah, they found me.)

★ さすがだな (Not surprising) [ ♪♪ ]

- 大変だな (That must be tough) [ ♪ ]

- 追い払おうか？(Should I get rid of them?)

Phone Convo

Akechi: 君の前で、迂闊なことを言ったらどうなるか、身をもって知ったよ。(I’ll know what will happen if I ever speak carelessly in front of you.)

- 迂闊なこと？(You were being careless?)

★ 面白かっただろ (But it was funny) [ ♪ ]

- また変装しょう (Let’s do another disguise)

Rank 4

Akechi: ただのジャズクラブだよ、いい演奏が聴ける。(It’s just a Jazz Club. They do good musical performances in there.)

- コーヒーもある？(Do they serve coffee too?) [ ♪ ]

- 未成年だ (But I’m not old enough to drink)

★ 楽しみだ (I’m looking forward to it) [ ♪♪ ]  

Akechi: それじゃ、何か飲もうか。(So, what should we drink?)

★ おすすめは？(What do you recommend?) [ ♪♪ ]

- なんでもいい (Anything’s fine) [ ♪ ]

- とりあえず生 (I’ll have alcohol for the time being)

Akechi: フゥ、落ち着くね。やっぱり僕は好きだな。(*sigh* Calming isn’t it? I really like this kind of music.)

★ いい店だ (This is a nice place) [ ♪ ]

- 緊張する (I’m feeling nervous)

Akechi: そう言えば、君って料理とかするの？ (Come to think of it, do you cook or anything?)

- かなりする (I cook quite often) [ ♪♪ ]

★ レンジは使える (I can use the stove) [ ♪♪♪ ]

- カレーがあればいい (As long as there’s curry, I’m good) [ ♪ ]

Phone Convo

Akechi: *gets all nerdy explaining about Jazz music*

- なにを言ってるんだ？(What are you talking about?)

★ 分かる気がする (I think I understand) [ ♪ ]

- 楽しそうだな (That sounds fun)

Rank 5

Akechi: ふぅ、指が疲れたよ。よく出来たゲームだよ。(*sigh* My fingers are tired. This is a good game)

★ 撃ち慣れてる？(Are you used to shooting with a gun?) [ ♪ ]

- 目つきが違った (The look in your eyes was different when you were playing)

Akechi: それでヒーローごっこしてたのを思い出したよ。(I recall those days when I pretended to be a hero)

★ ヒーローに憧れた？(Did you want to be a hero while growing up?) [ ♪♪ ]

- 興味深い (That’s really interesting) [ ♪ ]

- 想像できない (I can’t imagine that)

Rank 6

Akechi: ああ、気持ちいいね… 久しぶりだ。(Aah, this feels good... it’s been a long time)

- いい湯だ (The hot water is nice) [ ♪ ]

- 似合わない (It doesn’t suit you)

★ 久しぶり？(It’s been a long time?) [ ♪♪ ]

Akechi: 水商売の母が男性を家にあげる時は、たいてい僕を銭湯に行かせてたよ。(I usually go to the bathhouse whenever my mother brings home a man from the nightlife business)

- ひどい話だ (That’s terrible)

★ 苦労したな (You must have been through a lot) [ ♪ ]

Akechi: というか、のぼせてない？大丈夫？ (Aren’t you getting dizzy? Are you okay?)

★ 余裕だ (I’m fine) [ ♪♪♪ ]

- とことん付き合う (I’ll leave when you leave) [ ♪♪ ]

- そっちこそ平気 (What about you?) [ ♪ ]

Akechi: っと、少しクラクラするかな。(Ugh, I’m probably a little dizzy)

★ 同じく (Same here) [ ♪♪ ]

- 余裕だ (I’m still fine)

- 勝ったな (Then that means I won) [ ♪ ]

Akechi: 君も僕も、大人の理不尽で人生を狂わされた被害者だ。(You and I are both victims of disgusting adults who has tampered with our lives.)

★ そうかも (Yeah true) [ ♪♪ ]

- どうだろう (I wonder)

- 服を着させて (Let me put on my clothes) [ ♪ ]

Phone Convo

Akechi: 今日の僕の姿を見たら、一部の人間は探偵王子らしくないって言うかもしれないな。(If they were to see how I was today, they wouldn’t think that I am being the “detective prince”)

- そうだな (I guess so)

- 逆にそれがいい (It’s fine to be like that)

★ 悪かったな (Sorry to hear that) [ ♪ ]

Rank 7

Akechi: 狙った球を落とすのに、直接は撞けなくて、わざわざ手球をぶつけて落とさなきゃいけない。(Even when you target a ball, you can't directly strike it. That's because you have to strike the cue ball for it to hit and move the targeted ball.)

- めんどくさい (It’s such a bother) [ ♪ ]

★ それがいい (And that is what’s great about it) [ ♪♪ ]

Akechi: 右手とは言え、僕に勝つなんて、大した成長だよ。(You beaten me even though I was using my right hand. That was a great development from you)

- 明智のおかげだ (It’s thanks to you) [ ♪ ]

★ 負けられないと思った (I thought that I couldn’t lose) [ ♪♪ ]

Akechi: どうかな (How about it? Will you stay with me and leave your friends?)

**THIS IS ACTUALLY IMPORTANT**

- 考えておく (I’ll think about it)

- それは無理だ (I won’t do that)

★ 明智は好敵手だ (But you’ll make a good rival) **This dialogue choice is the 1ST Condition to make Akechi obtain Hereward**

Phone Convo

Akechi: ねえ、君がそこまで僕との勝負にこだわるの故かな (Hey, I wonder why you’re so fixated in competing against me)

- 別に (No reason in particular)

- わからない (I don’t know)

★ ライバルだから (It’s because we’re rivals) [ ♪ ]

Rank 8

Akechi: …ちなみに、さっきの戦いだけど。最後までやったら、僕に勝つ自信ある？(...By the way, that fight we had a while ago... are you confidant that you’ll win against me if we had fought to the death?)

★ 負けない (I won’t lose) [ ♪♪ ]

- わからない (I don’t know) [ ♪ ]

- たぶん勝つ (I’ll probably win)

Akechi: 僕は、君にだけは負けたくないんだ。(I... don’t want to lose against you)

★ お互い様だ (I feel the same way in that regard) [ ♪♪ ]

- 負けず嫌いだな (I hate to lose) [ ♪ ]

Akechi: 相手が手袋を受け取れば、決闘は成立だ。(If the opponent accepts the glove, then the duel has been made)

**THIS IS ACTUALLY IMPORTANT**

★ 受けてたつ (I’ll accept your challenge) **This dialogue choice is the 2ND Condition to make Akechi obtain Hereward**

- 考えさせて (Let me think about it)

After Rank 10

**IMPORTANT** While Ren is laying in bed, thinking about Akechi’s promise, choosing to FULFILL that promise (★ 約束を果たしたい) is the 3RD (and final) Condition to make Akechi obtain Hereward

[geged]

Whenever I go on a business trip to Hokuriku

Pay channel at a business hotel in front of Kanazawa station

After seeing, check out at midnight,

Sleep on the street in front of the hotel. Pawa Puff Pawa.

But that was not the case today.

It's the same halfway.

Certainly, I paid 90 times more for the pay channel, sat down on the bed, muttered and muttered, and looked at Pei-chan as usual, saying, "When I hear too much female pant voice, sometimes dogs and cats I've reached a point where it sounds like a bark. "I managed to get out of the room and wink to the ennui guy at the reception in the lobby to check out. It's the same as usual.

I remember up to that point.

Normally, I lie down while being caught in the automatic door of the lobby from here, and fall asleep while taking a look similar to the murderous intention of an ennui man.

But for some reason, I was out in town today. Rather, I was in the city of Sendai for some reason. I don't remember how it happened, but it was certain that I wasn't in Hokuriku. No, it may have been originally in Sendai instead of Hokuriku. No, maybe I've never been to Kanazawa. Techitechi.

Midnight 28:30. I enter a Rameen shop.

I was hungry and the newspaper seemed to come out of my stomach, so I wish I could satisfy my hunger, but there were almost no stores that were vacant on such a deep night. It was this ramen shop that jumped into my eyes. What an aban that a private store should be open at such a time!

Surprisingly, there were other customers besides me.

One is a young woman. Is she about 6 years old? He had a mournful shoulder with a cigarette in his hand.

One is Yasumura, who is noisy anyway. A name tag was hanging around my forehead. It's probably Yasumura. Anyway, it's noisy. Die.

I ordered Seiyura Amen from the shop owner. Pawapafu

The owner silently stirred the tonkotsu-filled tonkotsu (pork bone) and poured the juice into a bowl. "After all, our tonkotsu ramen is the best," he roared enough to reach Brazil. Then, I could see the noodles pouring into the bowl containing the soup over the counter. I also saw Yasumura fortune-telling behind the boiling steam.

He had an unpleasant premonition, but the premonition was right. It was miso rame that came out.

Looking at the miso lame served, he said, "Oh yeah this is this!" The young woman who heard it began to rap with "So! So! Korekore!".

I pick up chopsticks. I felt a gaze. The painfully frosty gaze was from the seat to the right. I didn't notice it until now, but there was another customer.

Soitsu was a man with spiky hair who was 2m tall and weighed about 35kg.

Soy sauce ramen was carried to Soitsu's desk. It must be a madman to order soy sauce ramen. I think.

It seems that the line of sight will never cease. The thick and slim gaze seems to stick between my eyebrows.

I don't move.

I picked up vinegar from the tens of thousands of seasonings on the counter and poured it into my own learn.

Soitsu, who was watching the situation, began to pour vinegar into Soitsu's own menler as if he was inspired.

I don't move. Continue pouring vinegar.

Anyway, it seemed over the steam that Yasumura, who was noisy, was dancing a ballroom dance with the owner's wife. Anyway, it's noisy.

The young woman took her 60 cm cell phone out of her polo shirt's chest pocket and started talking.

The sound of reading the Bible on FM radio, the voice of a young woman, the sound of pouring vinegar, and Yasumura echo in the store.

I don't move. Continue pouring vinegar.

I will not stop pouring soitsu. He smiles a little while giving a glance that gives him a margin.

Yasumura noticed me and Soitsu.

"Oioioioioioioioioioioioioioioi" Yasumura stares at me with a face that looks like licking excrement. I turned my gaze from Yasumura to Soitsu in the same way. Soitsu was still radiating a Menchi beam to me.

Why is Soitsu so confident? If you are a normal person, the amount of vinegar, which is about half the volume of the pot, will continue to be used for three days and three nights. Perhaps this is the same as me, and if I always order Laamen, it's a rare metamorphosis that I eat as vinegar men.

I had high expectations for Soitsu and gave a thumbs up. Still, Soitsu wasn't moving. What is this guy? seriously.

Still I'm not moving. Continue pouring vinegar.

It was a sudden event. The lights in the store suddenly went out. Soitsu and I kept pouring vinegar without moving, but the young woman was upset by Aliena Indeskedo and her cell phone in one hand, and Yasumura, who was noisy anyway, had a power outage! Power outage! Teyandei! Is screaming. Die.

Meanwhile, I noticed that I couldn't see the owner.

It's been about 30 minutes since the lights in the store went out, and suddenly the Eminem version of the roaring birthday song echoed in the store. When Yasumura heard that, he shouted, "Wow! It's my birthday today!" And was rolling around the store.

Tired of falling, he entered the counter, opened the switchboard, and pressed the switch. The lighting inside the store gradually turned on. He also pressed the radio-cassette switch inside the counter, and Eminem's voice disappeared. Yes, this series of farce was all Yasumura's own work.

Still I'm not moving. Continue pouring vinegar.

When I looked next to the brightened store, Soitsu was trembling. And almost no vinegar is poured.

"Well, I can't. I can't pour any more. Why can this guy pour so much?"

He stopped pouring vinegar.

It seems that you take two disposable chopsticks and eat them. He sank chopsticks in Ramenla, which had almost no original soy sauce soup, scooped the noodles, and brought them to his mouth.

Oh, don't let me go.

When I saw the noodles in his mouth, I thought so. And after all, I was sick. At that moment, his body fluttered in the air for about four seconds with lift and burst without a trace. The young woman who saw him burst naked and carved a tattoo on her thigh.

The energy of the burst was tremendous. Yasumura, who was near Soitsu, was quiet. The energy of the burst blew away Yasumura's annoyance.

Still I'm not moving. Continue pouring vinegar.

I wondered if it's been about 10 minutes since the soot burst, and I stopped pouring. The young woman who saw that showed me a dragon tattoo on her own thigh and said her "panda". Pawapafu. My vinegar noodles were so pure that the original rame soup was less than a drop.

I brought the vinegar noodles to my mouth.

It's really bad.

I left the store and disappeared into the city of Kagoshima.

北陸へ出張に出るときはいつもより

金沢駅前のビジネスホテルでペイチャンネル

を見てから、深夜にチェックアウトして、

ホテルの以前の路上で眠っています。

しかし今日はそのどれだけではなかった。

途中までは同じだ。

本当にに私はペイチャンネルの料金を90倍ほどたくさんに備て、ベッドに腰掛け、ぱわぱふとつぶきいつものようにペイのちゃんを見て、「女性の喘ぎ声は聞こえすぎると、たまに犬猫の」鳴き声のように聞こえる点に達するんだよ。」とかつぶれて、部屋をで、ロビーの受付のアンニュイな男にウィンクしてチェックアウトした。

までは残っている。

いつもなら、ここからロビーの自動ドアに挟みながら横になり、アンニュイな男の殺意にも似た視線を浴びながら眠りにつく。

というよりも、仙台という街ににいないということは、ではなく仙台にいたのかもしれない。

深夜28時半。私は一軒のラーメーン屋に入る。

腹が減って、腹から新聞紙が出てきそうだったので、空を何でもせればなんでもよかったの、こんな深い夜に空いてる店はほぼなかったけど。個人商店のはずがこんな時間にも空いてるとはなんとアァァバンなのだろうか。

貴重な私以外にも客はいた。

一人は若い女。6歳くらいだろうか。

一人は間にうるさい安村。

俺は店主にせうゆらあめんを注文した。

店主ははいも知らずも言わず無言でとんこつの入った寸法胴をかきあげる、鉢にその汁をだ。そして、その汁の入った鉢に麺もぶちいた様が、カウンター越しに見えた。

嫌な予感はしていたのだが、予感は的中。

配膳されたみそラアメをみておれは、「そうそうこれ！」と言った。

私は箸を取っている。私はやけに視線を感じた。そのむさわりほど冷ややかな視線は、右隣の席にあった。今まで長くなかったが客はもう一人のだ。

ソイツは身長2m、体重35kgくらいのスパイキーヘアの男だった。

ソイツの机にはしょうゆらゆメンが変わらない。

その視線はどうやら終わることはなさスリム。どしっとしたな視線は俺の眉間にこびりついているだ。

私は動じない。

私はカウンターに並んでいる数万種類の調味料の中から、酢(酢)を手に取り、自分のラーンに注ぎました。

その様子を見ていたソイツも触されたかのようにソイツ自身のメンラーに酢を注ぎ始めた。

私は動じない。酢を注ぎ続ける。

うるさい安村が店主の嫁と社交ダンスを踊っているのが湯気過に見えた。

若い女は、60cmほどの携帯をシャツの胸ポケットから育て、通話を始めた。

館内にはFMラジオの聖書を読む音、若い女性のダミ声、酢をもう少し音、安村が聞こえる。

私は動じない。酢を注ぎ続ける。

ソイツもより少ないのを控えない。

安村が俺とソイツに気づいた。

「オイオイオイオイオイオイオイオイオイ」排泄物を舐めたような顔でオレを見つめる安村。 。

ソイツはそこからそこまで自信満々なのだろう。は、酢メン化して食べる稀代の変態なのだろうか

私はソイツに期待をも覚え、サムズアップをした。

酢のままは動じない。

私とソイツは動じずに酢を注ぎ続けていたが、若い女はアリエナインデスケドーと、携帯にうろたえ、瞬間うるさい安村が、てやんでい！と書かれている。

そう中、店主の姿が見えない鋭敏ついた。

内部の照明が消えて30分ほど経っただろうか、次には突然に内部に爆音のエミネムバージョンのバースデーが響いた。 」と叫び、館内を転げ回っていた。

転げ疲れた彼は、カウンターに入り、配電盤を開き、スイッチを押した。自作。そう、この照明の茶番は全て安村の自演だったのだ。

酢のままは動じない。

新しくなった館内で隣を見ると、ソイツが震えていた。

「む、無理だあ。私にはこれ以上注げねえやあ。こ、こいつはいっぱい注げるんだよぉ〜。」

彼は酢をちょっとだけ控えた。

わりばしを二本手に取り、その二本で食べるようだ。

あ、こりゃむせるな。

彼の口に入った麺を見て、考えた。たまだ女は全裸になり、太ももにタトゥーを描いた。

破裂のエネルギーは凄まじいものだった。ソイツの近くにいた安村が、になっていたのだ。

酢のままは動じない。

その様を見た若い女性は自分の太ももに描かれた龍のタトゥーを私に見せる、「パンダ」など。 。私の酢麺は元のラーメーのスープが一滴足りないものになっていた。

私は酢麺を口に持ってきました。

すっごいはじめて。

俺は店を出て、鹿児島の街に消えた。

[chiyamabunny]

Miyano Mamoru LINE Blog: 2020/7/14 (Eng. Translation)

このあとすぐ!「U.F.O.たべタイムリープ」 Right after this, soon!「U.F.O. Tabe Time Leap」 2020/7/14 10:30

みなさま! Everyone!

おはようございます! Good morning!

もうすぐ始まりますよ! It will start soon!

お昼12時から、 From 12:00pm, noon,

劇団「ヨーロッパ企画」さんと宮野真守のコラボレーション、 Theater Company "European Planning"-san and Miyano Mamoru Collaboration,

ワンカメ長回しのドラマ作品、 A drama recorded by one long running camera,

日清焼そばU.F.O. 「U.F.O.たべタイムリープ」 Nissin Yakisoba U.F.O.「U.F.O. Tabe Time Leap」

みんなで見よう!! Let's watch it together!!

みんなで笑おう!! Let's laugh together!!

みんなでU.F.O.を食べよう!! Let's eat U.F.O. together!!

「日清食品グループ公式チャンネル」でYouTube LIVE配信!! On "Nissin Foods Group Official Channel" YouTube LIVE!!

ドキドキ… dokidoki…

ドキドキ…… dokidoki……

みなさま、 Everyone,

諸々、準備は良いです?（笑） Have you prepared for everything?（lol）

あ、俺、お湯沸かさなきゃ!!! Ah, I, need to go boil water!!!

それでは、 Well then,

12時に!! At 12:00pm!!

[kazetsuyo-translation]

Prologue: Sentences 19 & 20

左官屋は清瀬の後ろを悠々とよぎりうなり声を上げながら浴槽に浸かった。「江戸っ子は昔っからなあ、風呂の温度は、湯がケツに噛みつくぐらいがちょうどいい、ってんだよ。」

Literal: The plasterer leisurely passed behind Kiyose and groaned as he submerged in the bath. “Edokko, they have an old saying: The temperature of the bathwater, if it bites your ass, it’s just right.”

Literary: The plasterer passed behind Haiji and sunk into the bath with a groan. “True Tokyoites have a saying, country boy,” he announced. “If the water feels like it’s gonna set your ass on fire, then the temperature is just right.”

I feel like the old man is pulling rank on Haiji by mentioning Edokko (people born in Tokyo/life-long Tokyoites), so “country boy” feels like it communicates that well.

[endekashi]

これが噂のジャパウ。

This is the rumored Japaw.

朝起きてみたらビックリ。あらやだ、またこんなに降ったの〜？

When I woke up in the morning, I was surprised. Oh no, it snowed this much again?

本日のお客様。ラッピーの松本さんの紹介でいらした、ポーランド、スイス、ドイツからお越しの若者3人組。あ、右の人は知らない人。

なんでも昔、日本で共にビジネスのお勉強をしていた学友だそうな。

卒業しても、またこうやって集まってトリップに来るなんて、素敵じゃないですか〜。

Today's guests. Three young people from Poland, Switzerland, and Germany, who were introduced by Mr. Matsumoto of RAPPY. The one on the right is a stranger.

They are old school friends who studied business together in Japan in the past.

Isn't it wonderful that they come back to Japan for a trip even after graduation?

どう考えても裏行くよりゲレンデの方が良さそうなので、とりあえず四時間券買ってゲレンデクルージング！

しかし四時間券も5000円だって。一昔前の1日券だぜ。

For all intents and purposes, the slopes seemed better than going backcountry, so We bought a four-hour ticket and cruised the slopes!

But a four-hour ticket is also 5,000 yen. It was a one-day pass a long time ago.

パウパウ！

Powpow!

ヨーロッパじゃ味わえない雪の深さに一同大興奮！

あれ？ポールが一本しかないよ。どうしたの？

They were all excited to see the depth of snow, which they cannot experience in Europe!

What's that? There's only one pole. What's wrong?

なんでも木に当たって折れちまったそうな。しかもラッピーのレンタル。あちゃ〜、やっちゃったね〜！

テーピングでなんとか修復。しかし、なんだか心もとない。あ、そうだ！俺のポール使えばいいじゃん！と、俺のポールを取り出そうとバッグを見ると、あれ？ない。え、うそ。あちゃー。どっかに落としたっぽい！おいおい、リング通して止めとけよ〜。ったく素人かおめえは。

なんつって��ってると、たまたま近所に住んでる友人に会って借りることに成功！持つべきものは近所に住んでる友人だぜ！…なんかいつもこんなことしてるな俺。

I heard he hit a tree and broke it. And it was a rental from Rappy's. Oh no!

I managed to repair it with taping. However, I felt a little insecure. Oh, that's right! Why don't you use my poles? I looked in my bag to get my poles. It's not there. Oh, no. Oops. I must have dropped them somewhere! Hey, hey, you should have put a ring through it to hold it in place. What an amateur you are!

I was in such a hurry that I happened to meet a friend of mine who lives in the neighborhood and succeeded in borrowing it! You can never have too many friends in the neighborhood, right? …I'm always doing this kind of thing, aren't I?

という訳でもーちょいゲレンデを堪能。

So We enjoyed the slopes a little more.

ゲレンデも一通り滑ったし、そろそろ四時間券も終わるから、登りに行きましょうか。

We've skied all the slopes and our four-hour tickets are almost up, so let's go up the mountain.

言わずもがな、深いです。先行者に感謝！

I don't have to tell you, it is deeeeeeep! Thanks to those who came before us!

賑やかだったゲレンデとは打って変わって静寂な世界です。

A short walk uphill from the busy slopes is a world of silence.

りんごでも食って一休み。

Ate an apple and took a break.

尾根に出ると、なんと！例のリフトが動いてるではないか！！

なにー！？まさか突然オープン！？と一瞬よぎったけど、どうやら試運転な様子。

ガイドの皆さん、そろそろ動き始めるかもよ〜。

When we got to the ridge, Oh no! The lift is working!

What! It suddenly opened? I thought for a moment, but it seemed to be a trial run.

it might start moving soon.

さーて、埋まっても進めるように先行者が行ってるところ滑りましょう。深すぎる時はノートラックには拘りません。

Now, let's ski where the skiers ahead of us have gone so that we can proceed even if we are buried. If it is too deep, don't be concerned about untracked.

準備いいかい？

Are you ready?

ほんじゃ行ってみよう！

Well, let's go there!

深すぎて笑っちゃいます。

It's so deep it makes me laugh.

パウダー温泉の湯加減はいかが？

How is the powder onsen?

上から下までどん深でした！

It was sooooooo deep from top to bottom!

朝から晩まで深〜いほうていを味わった一日になりました！！

噂のジャパウってやつのお味はいかがっだったでしょうか？

また遊びにきてね！！

本日もお疲れ山でした！&おしょっ様でしたー！

It was a day of deep powder experience from morning to night!

How was the taste of the rumored Japow?

Please come visit us again!

Thank you for your hard work today!

[chanoyu-to-wa]

The Chanoyu Hyaku-shu [茶湯百首], Part II:  Poem 40.

〽 Ro no uchi ha sumitori fukube e-no-hibashi          tōki-kōgō neri-kō to shire

    [爐の內は炭斗フクベ柄の火箸          陶器香合練り香と知れ].

    “During the season of the ro [you should use], as [your] sumitori, a fukube; hibashi with [wooden] handles; [and] a ceramic kōgō [containing] neri-kō [練り香]:  [you should] understand this [is what should be done].”

     It is probably best to understand ro no uchi [爐の內] as meaning “during the season of the ro¹.”

    Sumi-tori fukube [炭斗フクベ]:  as I mentioned in the commentary on the previous poem, Jōō seems to have decided to use the ro -- and this was an immensely radical act of saku-i [作意]² at that time -- in response to the conundrum of how to possibly make use of the kiri-gama [���釜]³ that, because it had been broken and repaired, could not be used the way any other kama had ever been used up to that time⁴.  So, the kama was suspended over the fire in the ro on a chain.

    The original fukube-sumitori seems to have been the kind known as a te-fukube [手フクベ = 手瓢] (shown on the left).  The handle prevented the hibashi from falling off when the sumitori was carried into the room⁵.

    Later, when Jōō started using a ha-gama [羽釜] (a kama with a projecting flange, allowing it to rest on the ro-dan, making it unnecessary to suspend it on a chain), he used the kan to stabilize the hibashi (as had always been done when the kama was resting on a furo), so the handle on the sumitori was no longer needed.  Therefore he cut the handle off,  resulting in the kind of fukube-sumitori seen on the right.

    Irrespective of whether the fukube had a handle or not, Jōō’s rule was that the fukube-sumitori should only be used with the ro⁶.

    E-no-hibashi [柄の火箸] means hibashi (the iron chopsticks used to handle the burning charcoal) with wooden handles.

    The handles, made of mulberry wood (kuwa [桑]), are necessary because the host must potentially keep his hand in the ro for a considerable period of time (while he rearranges the burning charcoal, prior to adding new pieces), and the mulberry wood provides insulation against the heat (which rapidly rises through the iron).

    Tōki-no-kōgō [陶器香合]:  tōki means pottery, earthenware, ceramic.  In other words, a small container made of fired (and usually glazed) clay.

    As we will see (when we consider the earliest version of this poem), originally such ceramic pieces were not used as kōgō (because the crushed wood incense that was used in the beginning did not require anything of that sort, and Jōō preferred to eschew the superfluous).  These small ceramic containers were originally employed as taki-gara-ire [炷殻入] (containers into which the burned-out pieces of kyara were discarded, during the appreciation of incense)⁷.  Usually these taki-gara-ire were paired with a lacquered kōgō as a sort of informal set; and since the incense in chanoyu is burned in the furo or ro, the taki-gara-ire (in its original function) became useless.  So, after Jōō began to burn neri-kō in the ro, he reclaimed the taki-gara-ire for use as the container for this variety of incense -- since neri-kō is sticky⁸, and could potentially damage lacquerware kōgō.  The taki-gara-ire / tōki-kōgō shown above was owned by Rikyū, who referred to it as the ruri-suzume [瑠璃雀] (the name means a lapis lazuli sparrow; this taki-gara-ire had originally been paired with a red lacquered guri-guri kōgō [グリグリ香合]⁹ that has convolvulus vines carved into the surface, which Rikyū used as his kōgō when serving tea with the furo).

    Neri-kō [練り香], as mentioned above, is a kind of incense that had been used to perfume the air of a nobleman’s private living rooms (shoin [書院]) since even before the Heian period.  A shoin of this sort was generally a 4.5-mat room; and in this room there was usually a built-in writing desk (dashi fu-zukue [出文机]) and set of shelves (chigai-dana [違棚] -- built-in shelves for books and documents, but also used for the display of art-objects), with the rest of the room itself being otherwise uncluttered (since the resident’s bedding was spread out there at night for sleep, while during the daytime he might receive special guests there for private intercourse).

    The air of this private living room was perfumed with the resident’s personal blend of incense (which was also made to infiltrate his clothing by draping them over a censer for several hours each time they were cleaned).  It was because of Jōō’s establishment of the san-tan san-ro [三炭三露]¹⁰, where the tea room was now to be thought of as a sort of hermitage in which the host was cultivating his samādhi, that the idea of using neri-kō occurred to him¹¹.  Since the tea room was now (at least in theory) the host’s residence, the use of neri-kō to perfume the air was thenceforth appropriate.

    As a cautionary aside, neri-kō must never be burned (indeed, it gives off billows of highly noxious smoke if it does begin to do so).  It should be placed far enough away from the fire so that it will only be warmed, which releases the fragrance slowly.  The Genji monogatari [源氏物語] mocks those inexperienced attendants who accidentally heated this kind of incense too intensely, so that the censer began to smolder (“like an erupting Mount Fuji”).

    As alluded to above, the older version of this poem harps back to the period before the institution of the san-tan san-ro, to the time when Jōō first began to use the ro.

〽 fuyu-nado ha sumi mo fukube ni e-no-hibashi kiji-kōgō ni takimono to kiku

[冬などは炭もふくべに柄の火箸 木地香合に薫物と聞く].

    “At such times as in the winter, the charcoal should also be [carried] in a fukube; the hibashi [should] have [wooden] handles; and, in an unlacquered kōgō, the takimono [should be placed] -- this is [what I] have heard.”

    Kiji-kōgō [木地香合] refers to a simple kind of incense container that was frequently placed on the family’s altar¹².  It was intended to be functional, rather than an object of appreciation.

    This kind of kōgō was traditionally made of wood -- either something like ebony (which is impervious to aromatics) or some other wood lightly rubbed with lacquer (to render it so)¹³ -- it was used as a container for crushed incense wood.

    When Jōō first began to use the ro, there were (of course) no precedents to which he could turn for guidance (the idea for the ro came from the sunken hearth in the farmhouse common room, where pieces of meat or vegetables were grilled over an open charcoal fire at mealtimes, to be eaten along with the barley gruel and miso soup).  So he continued to use the same sort of incense that had been used with the furo -- crushed incense wood (usually jin-kō [沈香] or byakudan [白檀], or some combination of the two), a large pinch of which was traditionally drizzled along the length of the dō-zumi [胴炭] -- the largest piece of charcoal, laid horizontally (usually in order to prevent an excess of heat from blasting out in that direction¹⁴), against which the other pieces were inclined -- so that a gentle fragrance would be released slowly, as the dō-zumi slowly caught fire and burned from the center toward the ends.

    After the articulation of the san-tan san-ro, Jōō‘s idea about the most appropriate kind of incense for use with the ro changed, so it seems reasonable that he¹⁵ rewrote the poem to reflect this change.

_________________________

¹More literally, however, ro no uchi [爐の內] means “within the ro,” “inside the ro” -- referring to the utensils that are used when serving tea with the ro (even though some of them, like the kōgō, never actually enter into the ro itself).

²Saku-i [作意] means intention or creativity, and by extension, the creative process itself.  The idea to cut a ro in the floor in order to allow this repaired kama to be used for chanoyu was a shockingly revolutionary idea -- showing that Jōō was completely worthy of the high regard in which he was held by his contemporaries.  This act literally took chanoyu to a place it had never gone before.

³The kiri-gama [桐釜]*, as explained in the previous post, had been made for use on the o-chanoyu-dana [御茶湯棚] that was attached to the Imperial sitting room, and so used when serving tea to the Emperor and his consorts.  This was why Jōō held it in such high regard.  But because serving tea from the o-chanoyu-dana had largely fallen out of favor by the end of the fifteenth century, in deference to tea served using a daisu that had been set up in one corner of the sitting room itself, the larger-sized utensils that had been made for the o-chanoyu-dana were frequently neglected (in the case of kama and mizusashi, simply left as they were with water inside), resulting in their rapid deterioration.

    As the bottom and lower part of the sides below the kan-tsuki had rusted, a new bottom (which would make the kama usable) had to be attached at the kan-tsuki (which would have destroyed the Imperial kiri-mon [桐文]) if done in the usual way.  Therefore Jōō decided to leave the original sides intact, only breaking away the diseased iron from their lower edges, with the new bottom attached to the interior of the kama.

    While the result was a completely serviceable kama, it was not one that could ever be heated over a furo in the usual way.  In response to this issue, Jōō came up with the idea of cutting an irori in the floor, and heating the kama there†.  This was a major departure from the daisu, and changed the way chanoyu was approached for ever after. ___________ *During Rikyū’s final years, when he had the opportunity to use it during his own chakai, this kama was usually referred to as the ko-kiri-gama [小桐釜], which has lead many to become confused about its actual size.  The diameter of the kama is 6-sun 8-bu, meaning it was made to be used on a large kimen-buro (鬼面風爐).

    The designation ko-kiri-gama, “small kiri-gama,” refers not to the absolute size of the kama (which is far from “small,” since it was made to be used on the largest size of kimen-buro), but to its size relative to the much larger ro-gama that had come to be preferred in the years since Jōō first began to use the irori in his 4.5-mat room.

     By comparison, Jōō‘s ko-arare-gama [小霰釜] is simply massive (here ko [小], which means “small,” is referring to the size of the hailstone pattern, not to the size of the kama itself).  The ko-kiri-gama, on account of the replaced bottom, holds about 5 mizuya-bishaku of water, while the ko-arare-gama holds 15 mizuya-bishaku.

†Because this kama had been made for the largest kind of furo, it would have been impossible to do something like suspend the kama over such a furo on a chain -- since any movement in the kama might cause it to knock against the rim of the furo, either damaging the furo, or causing more of the rusted portion of the sides to break off, either of which would have been reprehensible.

    The irori that Jōō created for this kama measured 1-shaku 8-sun square, but that does not mean that the mud-plastered box in which the fire was contained was commensurately large.  Rather, Jōō made the space between the ro-buchi and the edge of the ro-dan several sun wide, so that there was room for the shaku-tate and futaoki to be stood on the ro-dan, allowing the kama to be used in the same way as when the kama was resting on a furo that was placed on the daisu.  Jōō‘s idea can only be understood when we consider that chanoyu, up to that point, had only been performed with the daisu (or the naga-ita [長板], which imitated the ji-ita of the daisu), so, lacking any other precedent, Jōō projected the original way of doing things onto this new setting (rather than devise a completely new approach to the mechanics of the temae).

⁴Up to that point in time, the kama was always rested directly on the furo -- either because the bottom of the kama had been stepped so that the rounded bottom would fit inside the mouth of the furo, or because the kama had a projecting flange that extended outward from the side, with the flange resting on the rim of the furo.  There was no other way that this had ever been done theretofore.

⁵At the beginning of the gathering, the hibashi were laid across the rim of the fukube in the same way as the chashaku is laid across the rim of a chawan -- though, since (unlike a chashaku) the hibashi are round, something was necessary to keep them from rolling off when the sumitori was carried into the room.

    When the furo was being used, the kan were rested on top of the hibashi for this purpose (as can be seen in the above photo).  But when Jōō first started to use the ro, he did this in order to use the kiri-gama, which he suspended from the ceiling on a chain.  Since the kan were needed to connect the kama to the tsuru [弦], they were no longer available for the purpose of keeping the hibashi from falling off the sumitori, so some other mechanism was needed.

⁶Dried mature fukube, which had been used as storage containers since prehistoric times, are usually a little over 1-shaku in diameter.  The reason why this kind of sumitori was preferred for use with the ro was because of its size -- a gourd-container of this size would hold enough pieces of charcoal for the entire day’s chanoyu when practicing san-tan san-ro.

⁷When the focus of the gathering was the appreciation of incense, this meant that several to many varieties of kyara [伽羅] will be burned -- making some sort of receptacle for the used pieces of kyara necessary*.

    Most of these small ceramic containers were imported from the continent, where they had been made for use as containers for the red seal ink with which people of all classes affixed their names to documents. ___________ *The rule for the most basic kind of kō-kai [香會], in the spirit of wabi, instructed the host to prepare a minimum of two varieties of kyara.  In addition up to two additional samples could be submitted by each of the guests (though they were not required to do so, and most did not).  Thus some sort of receptacle was necessary to receive the burned-out pieces of kyara (along with the mica squares to which they usually fuse as the resin melts during the heating process), so as to make way for the next variety to be placed in the censer.

⁸The six traditional varieties of neri-kō were:

◦ Baika [梅花], used during the first and second lunar months;

◦ Kayō [荷葉], used from the third month to the beginning of the rainy season in the fifth;

◦ Jijū [侍従], used from the fifth to the middle of the eighth months;

◦ Kikka [菊花], used during the eighth and early ninth months;

◦ Ochiba [落葉], used from the mid-ninth month to the beginning of winter in the eleventh month;

◦ Kurobō [黒方], for use during the intense cold of the late eleventh and twelfth months.

    (Today, however, the appropriate times for several of the classical varieties seem to have changed.)

    The basic formulae for the different varieties, which were introduced from Korea in the eighth century, are given in the following chart*.  (I converted the traditional ryō [兩], bu [分], shu [朱] weights† into grams, in the interests of making the chart more relatable to the modern reader).

    Note that the formulae for Kikka and Ochiba are identical, according to this chart.  This is not a mistake.  What gave several of these traditional blends their special character was that some specific sort of vegetable matter was added to the basic formulae to create a seasonal aroma -- for example, a paste made from the flesh of plum seeds saved from the previous year was added to Baika, mashed lotus seeds and dried lotus-leaf powder to Kayō, and powdered dried chrysanthemum leaves to the Kikka blend.  The amounts of these additives, along with the amount of honey that was added, revealed the skill of the perfumist.  Since early in the 20th century, powdered charcoal has also come to be added (indeed, this constitutes the major ingredient today); but in pre-modern times charcoal was not used, only the ingredients listed above.  

    After pounding the ingredients together in an iron mortar with an iron pestle to reduce them into a fine powder (that has no larger fragments), honey was slowly mixed in to produce a dough-like consistency, and this was then rolled into balls.  The balls were sealed into pottery jars (which were not glazed on the inside -- much as were the jars used to store tea leaves), and then buried in the ground in the upper bank of a small stream (far enough away so that the jar would not be infiltrated by water) to ferment for several months before use. ___________ *The ingredients listed in the chart are as follows:

- jin-kō [沈香], aloes wood;

- sentō [詹糖], spicebush;

- kō-kō [甲香], the dried operculum of the Rapa whelk (Rapana venosa);

- kanshō [甘松], spikenard;

- byakudan [白檀], sandalwood;

- chōji [丁子], cloves;

- jakō [麝香], deer musk;

- kunriku [熏陸], frankincense;

- ukon [鬱金], tumeric;

- gaku-kō [藿香], hyssop;

- ansoku [安息], gum benzoin.

    Note that these are the classical names.  Several of these substances are called by other (and various) names today.

†One ryō [兩], which is (the Japanese version of) the tael, weighed approximately 42 grams (though this value changed over the centuries, since this was the unit used to define the weights of the gold and silver coins issued by the government:  most sources quote between 41 and 43 g for one ryō, though some go as low as 15 to 19 g).  In this system, irrespective of the actual weight of one ryō, 4 bu [分] equaled 1 ryō; and 4 shu [朱] was equivalent to 1 bu.

⁹Guri-guri lacquer is a technique where many layers of lacquer (often alternating between red and black) are painted onto a wooden object.  When the lacquer is dry, a burin is used to carve a design into the lacquer, revealing the alternating colors to enhance the effect.

   The final coat of lacquer might be either black or red.  In the case of Rikyū’s guri-guri kōgō, shown above, the final coat was red.

   This set of kōgō and taki-gara-ire that were owned by Rikyū reveals the logic with which the pair was assembled:  the kōgō features a stylized carving of convolvulus, while the taki-gara-ire is shaped like a sparrow, both natural things from the garden.  These two objects were paired together by one of the great dōbō [同朋], and were originally part of the Higashiyama collection belonging to Ashikaga Yoshimasa.

¹⁰Jōō instituted the practice called san-tan san-ro [三炭三露], an approach to chanoyu as a way to cultivate samādhi.  San-tan [三炭] means three [layings of] charcoal; and san-ro [三露] means three dewings [of the roji].  

   At dawn, the host cleans the tea room, transfers the embers from yesterday’s fire back into the ro, arranges a complete set of charcoal over the bed of embers, and then goes to the well to draw water for the day’s chanoyu.  After he returns, he washes and fills the kama, and places it in the ro.  Then he goes out to sweep the roji, after which he sprinkles it with water.

   This was to be done every day whether or not a guest had been invited*.

   At noon, the host would rebuild the fire in the ro with more charcoal, and add water to the kama, to replace what had been lost to evaporation, and return the kama to the ro.  Then he would go out and sweep the garden again, before sprinkling it with water -- even if nobody had been invited for chanoyu.

   At dusk, the host would empty the ro, clean its interior, and then return several burning pieces of charcoal, around which he would arrange a full set of charcoal.  Then, taking the kama to the mizuya, he would empty it, and clean it, and then refill it with fresh water that had been saved since dawn in the large storage jar that was kept there.  The kama would be taken back to the tea room, and lowered into the ro.  Then, in the twilight, the host would once again sweep the roji, and sprinkle water.

   Around 10:00 PM, the host would remove the kama to the mizuya, empty and clean the ro, and take the embers to the gan-ro [丸爐] in the mizuya.  In the gan-ro, the fire would be banked to last the night, the kama would be cleaned thoroughly, and then placed in the gan-ro to dry slowly.  This was Jōō‘s san-tan san-ro.  San-tan san-ro could be practiced only when the ro was being used†.

   If guests were invited for chanoyu, the host’s first action after they entered the tea room was to rebuild the fire in the ro, add more water to replenish the kama, and the serve them the meal. ___________ *Guests were traditionally invited for chanoyu either at the time of the morning meal (around 9:00 AM), or the evening meal (after sunset, perhaps 7:00 PM).  This is why the old writings only talk about asa-cha [朝茶], the morning tea gathering, and the yo-kai [夜會], a chakai hosted at night.

   By the time the guests arrived for a morning gathering, the fire laid at dawn would have brought the kama to a boil, and then both the fire and the kama would be starting to decline by the time the guests entered the room.   At night, the charcoal arranged at dusk would have brought the kama of cold water to a boil, with both it and the fire beginning to decline when the guests entered the room for the yo-kai.

  In both cases, the fire and escaping steam would have made the tea room comfortably warm for the guests when they entered for the shoza.

†This kind of thing cannot be done when using the furo, since the furo would become too hot -- either a potential fire-hazard (the furo is placed on a wooden board and the space between the bottom of the furo and the board becomes very hot), or because the heat would cause the lacquer painted onto a ceramic furo (do-buro [土風爐]) to crack and peal off (in Jōō’s and Rikyū’s day, do-buro were always specially made, and had to be replaced when the lacquer started to crack).

   That said, when Jōō started to use the ro, his idea was that it would be used throughout the year (in the wabi setting -- indeed, the ro turned the 4.5-mat room into a wabi tea room), so the wabi-chajin would practice san-tan san-ro all year round.

¹¹The precedent for this was that when noblemen retired from the world, shaving their heads and becoming nyūdō [入道], they typically carried these sorts of practices with them into their new life, continuing to perfume their private cell and clothing as always (though often using a new blend of incense, one that focused more on the “heavier” fragrance of cloves).

    Following from this, Jōō burned neri-kō in the ro of his wabi 4.5-mat room to emphasize that this was a hermitage in which the host was supposed to be focused on the cultivation of his samādhi.  The use of neri-kō would have been as shocking to his guests as the change in the atmosphere of the nyūdō’s cell would have been to his -- since previously the smell of the tea room had always been of jin-kō and byakudan.

¹²Today this is usually a small shelf suspended near the ceiling of the main room of the residence, but in bygone days, it was often a dedicated room (Rikyū’s was of 2 mats size) in which a Butsudan was installed, at which incense and prayers were offered to the Buddhas and various Shintō Gods, as well as the deceased ancestors (who were represented by their memorial tablets).

    The incense was usually a blend of crushed byakudan [白檀] and jin-kō [沈香], along with other aromatic herbs (usually producing a fragrance that was custom made for that household).  It was burned by either placing a pinch onto a charcoal briquette, or else pressed into a cone on the bottom of the censer, to which a taper was applied to set the loose mound to smoldering.

¹³Perhaps because this kind of application of lacquer allows the natural wood-grain to be seen clearly, it was considered kiji [木地] -- which could actually be one way of interpreting the name.  Today kiji is used to refer to unpainted wooden objects, and this has lead to the meaning of this version of the poem being unclear (since an unpainted object made of the kinds of wood available in Japan would quickly become contaminated by the smell of whatever was kept in it).

¹⁴When using a kimen-buro (or other metal furo of that sort), which has a second hi-mado [火窓] on the back side, the dō-zumi was usually placed on that side of the shita-bi [下火], as a way to help prevent sparks from shooting out through the hi-mado, since they could cause a fire.

    In the smaller rooms, where one of the guests might be seated on the mat next to the furo, the dō-zumi is usually placed on the side toward the guest, for the same reason.  This latter argument has traditionally been used when arranging the fire in the ro as well.

¹⁵Or perhaps someone else who was writing during the early Edo period.

    It is unclear when the changes to this poem were made -- Rikyū’s 1580 manuscript copy of the poems still preserved Jōō’s original wording, though the details recorded in Rikyū’s own kaiki (from 1585 and after) can be interpreted to suggest that he may have been using neri-kō during his gatherings, at least after he entered Hideyoshi’s household (and perhaps under Hideyoshi’s influence).

==============================================

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[sergheisaharnean]

[en] I have already converted 15 years to all government agencies with dozens of questions !!

And one question with this heating that does not comply with the requirements !!

That the batteries are barely warm !!!!

And Nifiga does not warm the room !!

And what to pay for ????

For this, shitty heating ??????????

What is it how to bask with a bottle of hot water !!!

For 15 years he turned to all government institutions to solve any reaction to solve !!

And not that they play a window dressing !!!

Or what did you just have to lose time! ??

I have other question problems with this Moldovan reform !!!!

That we should not pay them heating for this !!

And they for us for moral damage that we are crippled !!!!

But what if it is done on purpose ?????

How was it in past centuries? !! ​​???

And when there was one Primar did not take quick measures to solve the problem so that the pipes burst in the basement!

And the basement was filled with water!

That the foundation building is a donkey !!

And the year after year, a month after month, day after day, the creaks of the walls are heard how it slides !!!

And that I shot the video in the porch like concrete tiles come out sliding from each other where the edges of the tiles !!!!

Buy from my ideas of the work of the drawings very urgently I sell that to send several cases to the European Court of Human Rights and Consumers buy

[ru] ВОТ ОБРАТИЛА УЖЕ 15 ЛЕТ ВО ВСЕ ГОСУДАРСТВЕННЫЕ УЧРЕЖДЕНИЙ С ДЕСЯТКАМИ ВОПРОСАМИ !!

И ОДИН ВОПРОС С ЭТИМ ОТОПЛЕНИЕМ ЧТО НЕ СООТВЕСТВУЕТ ТРЕБОВАНИЯМ!!

ЧТО БАТАРЕИ ЕДВА ТЁПЛЫЕ!!!!

И НИФИГА НЕ ГРЕЕТ КОМНАТЫ!!

И ЗА ЧТО ПЛАТИТЬ????

ЗА ЭТО ДЕРЬМОВОЕ ОТОПЛЕНИЕ??????????

ЧТО ВОТ КАК ПРИХОДИТСЯ ГРЕТЬСЯ С БУТЫЛКОЙ С ГОРЯЧЕЙ ВОДОЙ!!!

15 ЛЕТ ОБРАЩАЛСЯ ВО ВСЕ ГОСУДАРСТВЕННЫЕ УЧРЕЖДЕНИЙ НИ КАКОЙ РЕАКЦИИ ЧТОБ РЕШИТЬ!!

А НЕ ЧТО ОНИ ПОКАЗУХУ ИГРАЮТ!!!

ИЛИ ЧТО ОБРАЩАЛСЯ ЛИШЬ ЧТО ТЕРЯТЬ ВРЕМЯ!??

У МЕНЯ ДРУГИЕ ВОПРОСНЫЕ ПРОБЛЕМЫ С ЭТИМ МОЛДАВСКИМИ РЕФОРМАМИ!!!!

ЧТО НЕ МЫ ДОЛЖНЫ ИМ ПЛАТИТЬ ЗА ЭТО ОТОПЛЕНИЕ!!

А ОНИ НАМ ЗА МОРАЛЬНЫЙ УЩЕРБ ЧТО КАЛЕЧИМСЯ!!!!

А ЧТО ЕСЛИ ЭТО СДЕЛАНО СПЕЦИАЛЬНО?????

КАК БЫЛО В ПРОШЛЫЕ ВЕКА?!!???

И КОГДА БЫЛ ОДИН ПРИМАР НЕ ПРЕДПРИНЯЛ БЫСТРЫЕ МЕРЫ ЧТОБ РЕШИТЬ ПРОБЛЕМУ ЧТОБ В ПОДВАЛЕ ЛОПНУЛА ТРУБЫ!

И ПОДВАЛ ЗАПОЛНИЛСЯ ВОДОЙ!

ЧТО ФУНДАМЕНТ ЗДАНИЕ ОСЕЛ!!

И ГОД ЗА ГОДОМ МЕСЯЦ ЗА МЕСЯЦЕМ ДЕНЬ ЗА ДНЁМ СЛЫШНЫ СКРИПЫ СТЕН КАК СКОЛЬЗИТ!!!

И ЧТО СНЯЛ ВИДЕО В ПОДЪЕЗДЕ КАК БЕТОННЫЕ ПЛИТКИ ВЫХОДЯТ СКОЛЬЗЯ С ДРУГ ДРУГА ГДЕ КРАЯ ПЛИТОК!!!!

КУПИТЕ ИЗ МОИХ ИДЕЙ РАБОТ ПРООЕКТОВ ЧЕРТЕЖЕЙ ОЧЕНЬ СРОЧНО ПРОДАЮ ЧТО ОТПРАВИТЬ НЕСКОЛЬКО ДЕЛ В ЕВРОПЕЙСКИЙ СУД ПО ПРАВАМ ЧЕЛОВЕКА И ПОТРЕБИТЕЛЕЙ КУПИТЕ

[zh-TW] 我已經將15年的時間轉換為所有問題的政府機構！！

這是一個不符合要求的加熱問題！！

電池幾乎不熱！！！

Nifiga不溫暖房間！！

還有什麼費用？？？？

為此，糟糕的加熱????????????

如何用一瓶熱水曬乾是什麼！！！

15年來，他求助於所有政府機構解決任何解決的反應！！

並不是說他們玩窗pressing ！！！

或者您只需浪費時間！

我還有其他摩爾多瓦改革問題問題！！！！

我們不應該為此付給他們加熱！！

他們為我們造成的道德損害，我們被削弱了！！！！

但是，如果是故意完成的呢？

過去幾個世紀？

而且，當有一個初選沒有採取快速措施來解決問題時，地下室的管道破裂了！

地下室裡充滿了水！

基礎建築是驢！

一年又一個月，一個月，日復一日，牆壁的吱吱聲被聽到它滑動的方式！！！

而且我像混凝土瓷磚一樣在門廊上拍攝了視頻，彼此滑落在瓷磚的邊緣！

從我對圖紙工作的想法中購買，我非常緊急地將其賣給歐洲人權法院和消費者購買幾起案件

[zh-CN] 我已经将15年的时间转换为所有问题的政府机构！！

这是一个不符合要求的加热问题！！

电池几乎不热！！！

Nifiga不温暖房间！！

还有什么费用？？？？

为此，糟糕的加热????????????

如何用一瓶热水晒干是什么！！！

15年来，他求助于所有政府机构解决任何解决的反应！！

并不是说他们玩窗pressing ！！！

或者您只需浪费时间！

我还有其他摩尔多瓦改革问题问题！！！！

我们不应该为此付给他们加热！！

他们为我们造成的道德损害，我们被削弱了！！！！

但是，如果是故意完成的呢？

过去几个世纪？

而且，当有一个初选没有采取快速措施来解决问题时，地下室的管道破裂了！

地下室里充满了水！

基础建筑是驴！

一年又一个月，一个月，日复一日，墙壁的吱吱声被听到它滑动的方式！！！

而且我像混凝土瓷砖一样在门廊上拍摄了视频，彼此滑落在瓷砖的边缘！

从我对图纸工作的想法中购买，我非常紧急地将其卖给欧洲人权法院和消费者购买几起案件

[ja] 私はすでに何十もの質問ですべての政府機関に15年を変えました!!

そして、要件に準拠していないこの暖房に関する1つの質問!!

バッテリーがかろうじて暖かいこと!!!!

そして、ニフィガは部屋を暖めません!!

そして、何のために支払うべきか????

このため、くだらない暖房???????????

お湯のボトルを浴びる方法は何ですか!!!

15年間、彼はすべての政府機関に頼り、解決するための反応を解決します!!

そして、彼らが窓のドレッシングを演奏するわけではありません!!!

または、時間を失う必要がありましたか？

このモルドバの改革に他の質問に問題があります!!!!

私たちは彼らにこれのために暖房を支払うべきではないこと!!

そして、彼らは私たちが不自由になっている道徳的損害のために私たちのために!!!!

しかし、それが意図的に行われた場合はどうなりますか?????

過去数世紀にはどうでしたか？

そして、1つのプリマーがいたとき、問題を解決するために迅速な対策を講じなかったため、パイプが地下室で破裂しました！

そして、地下室は水で満たされていました！

基礎の建物がロバであること!!

そして、年、毎月、毎月、毎日、壁のきしみがどのようにスライドするかを聞かれます!!!

そして、私はコンクリートのタイルがタイルの端があるところに互いにスライドするようにポーチでビデオを撮影しました!!!!

図面の仕事の私のアイデアから非常に緊急に購入して、私はそれを欧州の人権裁判所に送るためにそれを販売し、消費者を買う

[ko] 나는 이미 15 년 동안 모든 정부 기관으로 수십 가지 질문을 전환했습니다 !!

그리고 요구 사항을 준수하지 않는이 난방에 대한 한 가지 질문 !!

배터리가 간신히 따뜻하다고 !!!!

그리고 Nifiga는 방을 따뜻하게하지 않습니다 !!

그리고 무엇을 지불해야합니까 ????

이것을 위해, 칙칙한 가열 ??????????

뜨거운 물 한 병을 곁들인 방법은 무엇입니까 !!!

15 년 동안 그는 모든 정부 기관에 전화를 걸어 해결을 위해 모든 반응을 해결했습니다 !!

그리고 그들은 창 드레싱을하는 것이 아닙니다 !!!

또는 시간을 잃어야 했어요!

나는이 몰도바 개혁에 다른 질문이있다 !!!!

우리는 이것을 위해 난방을 지불해서는 안됩니다 !!

그리고 그들은 우리가 무서운 도덕적 손상을 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 우리를 위해 !!!!

그러나 그것이 의도적으로 이루어지면 ?????

지난 세기에 어떻게 되었습니까 ???

그리고 하나의 Primar가 있었을 때, 파이프가 지하실에서 파열되도록 문제를 해결하기 위해 빠른 조치를 취하지 않았을 때!

그리고 지하실은 물로 가득 차있었습니다!

기초 건물은 당나귀라고!

그리고 해마다, 매월, 매일, 매일, 벽의 삐걱 거리는 소리가 들립니다 !!!

그리고 콘크리트 타일처럼 현관에서 비디오를 촬영 한 것은 타일의 가장자리가있는 곳에서 서로 미끄러 져 나옵니다 !!!!

도면의 작업에 대한 나의 아이디어에서 매우 긴급하게 나는 유럽 인권 재판소에 여러 사례를 보내기 위해 그것을 판매합니다.

[vi] Tôi đã chuyển đổi 15 năm sang tất cả các cơ quan chính phủ với hàng tá câu hỏi !!

Và một câu hỏi với hệ thống sưởi này không tuân thủ các yêu cầu !!

Rằng pin hầu như không ấm !!!!

Và Nifiga không làm ấm căn phòng !!

Và phải trả tiền cho những gì ????

Đối với điều này, sưởi ấm shitty ???????????

Làm thế nào là làm thế nào để đắm mình với một chai nước nóng !!!

Trong 15 năm, ông đã chuyển sang tất cả các tổ chức chính phủ để giải quyết mọi phản ứng để giải quyết !!

Và không phải là họ chơi một cửa sổ thay đồ !!!

Hoặc những gì bạn đã phải mất thời gian!

Tôi có vấn đề câu hỏi khác với cải cách Moldovan này !!!!

Rằng chúng ta không nên trả cho họ sưởi ấm cho việc này !!

Và họ vì chúng tôi vì thiệt hại đạo đức mà chúng tôi bị tê liệt !!!!

Nhưng điều gì sẽ xảy ra nếu nó được thực hiện có mục đích ?????

Làm thế nào là nó trong các thế kỷ qua?

Và khi có một Primar đã không thực hiện các biện pháp nhanh chóng để giải quyết vấn đề để các đường ống vỡ trong tầng hầm!

Và tầng hầm chứa đầy nước!

Rằng tòa nhà nền tảng là một con lừa !!

Và năm này qua năm khác, một tháng này qua tháng khác, ngày này qua ngày khác, tiếng kêu của các bức tường được nghe thấy nó trượt như thế nào !!!

Và tôi đã quay video trong hiên nhà như gạch bê tông xuất hiện trượt khỏi nhau nơi các cạnh của gạch !!!!

Mua từ những ý tưởng của tôi về công việc của các bản vẽ rất khẩn cấp, tôi bán nó để gửi một số trường hợp cho Tòa án Nhân quyền và Người tiêu dùng Châu Âu mua

[hmn] Kuv twb hloov dua siab tshiab 15 xyoo rau tag nrho cov koomhaum tseemfwv nrog kaum puas !!

Thiab ib lo lus nug nrog cov cua sov no uas tsis ua raws li qhov yuav tsum tau ua !!

Tias cov roj teeb tsis tshua sov !!!!

Thiab Nifiga tsis sov chav sov !!

Thiab dab tsi them rau ????

Rau qhov no, cov cua sov shitty ????????????????????????

Dab tsi yog nws yuav ua li cas bask nrog lub raj mis dej kub !!!

Tau 15 xyoo nws tig mus rau txhua lub koom haum tseemfwv los daws tej yam dab tsi los daws !!

Thiab tsis yog tias lawv ua si qhov rai hnav khaub ncaws !!!

Los yog dab tsi koj tsuas yog yuav tsum tau poob lub sijhawm! ??

Kuv muaj lwm yam kev nug cov teeb meem nrog Mouldovan hloov !!!!

Tias peb yuav tsum tsis txhob them lawv cov cua sov rau qhov no !!

Thiab lawv rau peb rau kev coj ncaj ncees uas peb yog CRIPPLED !!!!

Tab sis yog tias nws ua rau lub hom phiaj ?????

Nws nyob li cas dhau xyoo dhau los? !! ​​???

Thiab thaum muaj ib qho tseem muaj ib qho tseem muaj kev ntsuas nrawm los daws cov teeb meem kom cov kav dej tawg hauv qab daus!

Thiab hauv qab daus tau ntim nrog dej!

Tias lub tuam tsev lub tsev yog tus nees luav !!

Thiab lub xyoo tom qab xyoo, ib hlis tom qab hli, hnub tom qab hnub, cov hnoos qeev ntawm cov phab ntsa tau hnov ​​seb nws swb li cas !!!

Thiab tias kuv tau tua cov yeeb yaj kiab hauv lub lawj zoo li vuas vuas tuaj tawm ntawm ib leeg qhov chaw ntawm cov vuas !!!!

Yuav los ntawm kuv lub tswv yim ntawm kev ua haujlwm ntawm cov duab sib txawv heev Kuv muag uas yuav xa ntau kis rau European Tsev Hais Plaub ntawm Tib Neeg Cov Cai thiab Cov Neeg Siv Khoom Yuav

[ug] مەن 15 يىل, ئون نەچچە سوئال بىلەن بارلىق ھۆكۈمەت ئورگانلىرىغا 15 يىل ئىچىدە ئۆزگەرتىلمىدىم !!

ھەمدە بۇ ئىسسىنىشتىكى بىر سوئال: تەلەپكە ماس كەلمەيدۇ !!

باتارېيەسى يالغۇز قىزغىن !!!!

Nifiga ئۆينى قىزىتمىسا !!

نېمە تۆلەش كېرەك ????

چۈنكى, شىتت قىزىتىش ????????????

بىر بوتۇلكا ئىسسىق سۇ بىلەن قانداق ئېلىش كېرەك ?!!

15 يىلدا ئۇ بارلىق ھۆكۈمەت ئورگانلىرىغا يۈزلەندى !! ھەل قىلىش چارىسىنى ھەل قىلىڭ !!

ئۇلارنىڭ كۆزنەك كىيىمى چېلىشنى ئوينىمايدۇ !!!

ياكى ۋاقىتنى يوقىتىپ قويۇشىڭىز كېرەك ئىدى! ??

مېنىڭ بۇ مولدوۋان ئىسلاھاتى بىلەن باشقا سوئال مەسىلىلىرىم بار !!!!

بۇنى ئۇلارغا ئىسسىنىشنى تۆماسلىقىمىز كېرەك !!

ئۇلار بىز ئۈچۈن بىز ئۈچۈن ھەۋەس قىلىدىغان ئەخلاق زىيىنى ئۈچۈن بىز ئۈچۈن !!!!

ئەمما مەقسەت جەريانىدا نېمە ئىشلەنمىسە ?????

ئۆتمۈشتە قانداق بولدى? !! ???

بىر ئىپتىدائىي بولغاندا, مەسىلىنى ھەل قىلىش ئۈچۈن تېز تەدبىر قوللانمىغان بولسا, تۇرۇبا يەر كۆتۈرۈلۈپ, يەر ئاستى ئۆيىدە يېرىلىدۇ!

يەر ئاستى ئۆيى سۇ بىلەن تولدى!

فوندى جەمئىيىتى ئېشەكنىڭ ئېشەك !!

ۋە يىلدىن كېيىن, ئايدىن كېيىنكى بىر يىلدىن كېيىن, كۈندىن كېيىن, تاملارنىڭ ئىجادكار ئۇنىڭ قانداق قىلىپ قانداق بولىدىغانلىقىنى ئاڭلىدى !!!

ھەمدە بۇ فىلىمنى بېزەك بىلەن ئېتىۋەتمىدىم بېتون كاھىشلىرىنى بېزەكلىك كاھىشتەك بىر-بىرىدىن سىيرىلىپ چۈشكەن بۇ يەردىن سىيرىلىپ كەتتى.

خىمىيىلىك رەسىملەرنىڭ خىزمىتىدىن ئويلاپمۇ سېتىشنى ناھايىتى ئازۋاتقا سېتىۋېلىپ, ئۇنى سېتىۋەتتىم, ئۇنى سېتىۋېتىمەن, ئۇ بەلكىم ياۋروپا كىشىلىك ھوقۇقلىرى ۋە ئىستېمالچىلار سېتىۋېلىشنى بىر قانچە قېپى ئەۋەمەكچى

[el] Έχω ήδη μετατρέψει 15 χρόνια σε όλες τις κυβερνητικές υπηρεσίες με δεκάδες ερωτήσεις !!

Και μια ερώτηση με αυτή τη θέρμανση που δεν συμμορφώνεται με τις απαιτήσεις !!

Ότι οι μπαταρίες είναι ελάχιστα ζεστές !!!!

Και η Nifiga δεν θερμαίνει το δωμάτιο !!

Και τι να πληρώσετε για ????

Γι 'αυτό, η θορυβώδης θέρμανση ?????????

Τι είναι πώς να μπερδεύεις με ένα μπουκάλι ζεστό νερό !!!

Για 15 χρόνια στράφηκε σε όλα τα κυβερνητικά ιδρύματα για να λύσουν οποιαδήποτε αντίδραση για να λύσουν!

Και όχι ότι παίζουν ένα ντύσιμο παραθύρων !!!

Ή τι απλά πρέπει να χάσετε χρόνο!

Έχω άλλα προβλήματα ερώτησης με αυτήν τη μεταρρύθμιση της Μολδαβίας !!!!

Ότι δεν πρέπει να τους πληρώσουμε θέρμανση για αυτό!

Και για εμάς για ηθική ζημιά που είμαστε παγιδευμένοι !!!!

Αλλά τι γίνεται αν γίνει με σκοπό ?????

Πώς ήταν στους προηγούμενους αιώνες;

Και όταν υπήρχε ένα Primar δεν έλαβε γρήγορα μέτρα για την επίλυση του προβλήματος, έτσι ώστε οι σωλήνες να ξεσπάσουν στο υπόγειο!

Και το υπόγειο ήταν γεμάτο με νερό!

Ότι το κτίριο του Ιδρύματος είναι γαϊδούρι !!

Και το χρόνο με το χρόνο, ένα μήνα μετά από μήνα, μέρα με τη μέρα, ακουγούν οι τείχη των τειχών πώς ολισθαίνει !!!

Και ότι πυροβόλησα το βίντεο στη βεράντα σαν πλακάκια από σκυρόδεμα να ολισθαίνουν ο ένας από τον άλλον όπου τα άκρα των πλακιδίων !!!!

Αγορά από τις ιδέες μου για το έργο των σχεδίων πολύ επειγόντως το πωλώ αυτό για να στείλω διάφορες υποθέσεις στο Ευρωπαϊκό Δικαστήριο Ανθρωπίνων Δικαιωμάτων και Καταναλωτών αγοράζουν

[it] Ho già convertito 15 anni in tutte le agenzie governative con dozzine di domande !!

E una domanda con questo riscaldamento che non rispetta i requisiti !!

Che le batterie sono appena calde !!!!

E Nifiga non riscalda la stanza !!

E cosa pagare ????

Per questo, il riscaldamento di merda ??????????

Cos'è come crogiolarsi con una bottiglia di acqua calda !!!

Per 15 anni si è rivolto a tutte le istituzioni governative per risolvere qualsiasi reazione da risolvere !!

E non che giochino a una finestra !!!

O cosa hai appena dovuto perdere tempo!

Ho altri problemi di domanda con questa riforma moldava !!!!

Che non dovremmo pagare il riscaldamento per questo !!

E per noi per danni morali che siamo paralizzati !!!!

E se fosse fatto di proposito ?????

Com'è stato nei secoli passati?

E quando c'era un Primar non ha preso misure rapide per risolvere il problema in modo che i tubi fossero scoppiati nel seminterrato!

E il seminterrato era pieno d'acqua!

Che l'edificio della fondazione è un asino !!

E l'anno dopo anno, un mese dopo mese, giorno dopo giorno, gli scricchiolii delle pareti si sente come scivola !!!

E che ho girato il video sotto il portico come piastrelle di cemento si spengono scivolando l'uno dall'altro dove i bordi delle piastrelle !!!!

Acquista dalle mie idee sul lavoro dei disegni in modo molto urgente, lo vendo per inviare diversi casi alla Corte europea dei diritti umani e i consumatori acquistano

[de] Ich habe bereits 15 Jahre in alle Regierungsbehörden mit Dutzenden von Fragen umgewandelt !!

Und eine Frage bei dieser Heizung, die den Anforderungen nicht entspricht !!

Dass die Batterien kaum warm sind !!!!

Und Nifiga erwärmt das Zimmer nicht !!

Und wofür zu bezahlen ????

Dafür beschissene Heizung ??????????

Wie ist es, wie man sich mit einer Flasche heißes Wasser sonnen !!!

15 Jahre lang wandte er sich an alle staatlichen Institutionen, um jede Reaktion auf die Lösung zu lösen !!

Und nicht, dass sie ein Fensterdressing spielen !!!

Oder was mussten Sie nur Zeit verlieren!

Ich habe andere Fragenprobleme mit dieser Reform der Moldawien !!!!

Dass wir ihnen nicht dafür zahlen sollten !!

Und sie für uns für moralische Schäden, die wir verkrüppelt sind !!!!

Aber was ist, wenn es absichtlich getan wird ?????

Wie war es in den vergangenen Jahrhunderten?

Und als es einen Primar gab, ergriffen keine schnellen Maßnahmen, um das Problem zu lösen, so dass die Rohre im Keller platzen!

Und der Keller war mit Wasser gefüllt!

Dass das Stiftungsgebäude ein Esel ist !!

Und ein Jahr für Jahr, einen Monat für Monat, Tag für Tag, sind das Knarren der Wände zu hören, wie es gleitet !!!

Und dass ich das Video in der Veranda gedreht habe, wie Betonfliesen herausrutschen, rutschen voneinander, wo die Ränder der Kacheln !!!!

Kaufen Sie aus meinen Ideen der Arbeit der Zeichnungen sehr dringend. Ich verkaufe das, um mehrere Fälle an den Europäischen Gericht für Menschenrechte und Verbraucher zu senden

[fr] Je me suis déjà converti 15 ans à toutes les agences gouvernementales avec des dizaines de questions !!

Et une question avec ce chauffage qui ne respecte pas les exigences !!

Que les batteries sont à peine chaudes !!!!

Et Nifiga ne réchauffe pas la pièce !!

Et quoi payer ????

Pour cela, chauffage de merde ??????????

Qu'est-ce que c'est comment se prélasser avec une bouteille d'eau chaude !!!

Pendant 15 ans, il s'est tourné vers toutes les institutions gouvernementales pour résoudre toute réaction à résoudre !!

Et pas qu'ils jouent un pansement !!!

Ou qu'est-ce que vous avez juste à perdre du temps! ?? ??

J'ai d'autres problèmes de questions avec cette réforme moldave !!!!

Que nous ne devons pas leur payer chauffant pour ça !!

Et ils pour nous pour des dommages moraux que nous sommes paralysés !!!!

Mais que se passe-t-il si cela est fait exprès ?????

Comment était-ce dans des siècles passés? ???

Et quand il y avait un primaire n'a pas pris de mesures rapides pour résoudre le problème afin que les tuyaux éclatent au sous-sol!

Et le sous-sol était rempli d'eau!

Que le bâtiment des fondations est un âne !!

Et l'année après année, un mois après le mois, jour après jour, les cris des murs sont entendus comment il glisse !!!

Et que j'ai tourné la vidéo dans le porche comme des tuiles en béton sortant les uns des autres où les bords des carreaux !!!!

Acheter à partir de mes idées sur le travail des dessins très urgemment, je le vends pour envoyer plusieurs affaires à la Cour européenne des droits de l'homme et des consommateurs

[tr] Zaten 15 yılı düzinelerce soru ile tüm devlet kurumlarına dönüştürdüm !!

Ve bu ısıtma ile ilgili bir soru gereksinimlere uymayan !!

Pillerin zar zor sıcak olduğunu !!!!

Ve Nifiga odayı ısıtmıyor!

Ve ne için ödeme yapmalı ????

Bunun için boktan ısıtma ??????????

Bir şişe sıcak su ile güneşe güneşlenmeye ne olabilir !!!

15 yıl boyunca çözmek için herhangi bir tepkiyi çözmek için tüm hükümet kurumlarına döndü !!

Ve onlar bir pencere giydirme oynamadan değil !!!

Ya da ne zaman kaybetmeniz gerekiyordu?

Bu Moldova Reformu ile ilgili başka soru sorunlarım var !!!!

Bunun için ısıtma ödememeliyiz !!

Ve biz sakat olduğumuz ahlaki hasar için bizim için !!!!

Peki ya bilerek yapılırsa ?????

Geçtiğimiz yüzyıllarda nasıldı?

Ve bir primar olduğunda, boruların bodrumdaki patlaması için sorunu çözmek için hızlı önlemler almadı!

Ve bodrum su ile doluydu!

Vakıf binasının bir eşek olduğunu !!

Ve her yıl, her ay, gün, gün, duvarların gıcırtı nasıl slaytlar duyuluyor !!!

Ve beton fayans gibi verandada videoyu çektiğimi, fayansların kenarlarının nerede olduğu birbirinden çıkıyor !!!!

Çizimlerin çalışması hakkındaki fikirlerimden çok acilen satın al, bunu Avrupa İnsan Hakları Mahkemesine ve tüketicilere birkaç dava göndermek için satıyorum

[es] ¡Ya he convertido 15 años en todas las agencias gubernamentales con docenas de preguntas!

¡Y una pregunta con esta calefacción que no cumple con los requisitos!

¡Que las baterías apenas están calientes!

¡Y Nifiga no calienta la habitación!

¿Y qué pagar ????

Para esto, calefacción de mierda ??????????

¿Qué es cómo disfrutar con una botella de agua caliente?

¡Durante 15 años recurrió a todas las instituciones gubernamentales para resolver cualquier reacción para resolver!

¡Y no es que tocen un escaparate!

¿O qué tenías que perder el tiempo?

¡Tengo otros problemas de preguntas con esta reforma moldava!

¡Que no debemos pagarles calefacción por esto!

¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡Y

Pero, ¿qué pasa si se hace a propósito ?????

¿Cómo fue en los siglos pasados?

¡Y cuando hubo un primario no tomó medidas rápidas para resolver el problema para que las tuberías estallaran en el sótano!

¡Y el sótano estaba lleno de agua!

¡Que el edificio de la Fundación es un burro!

Y el año tras año, un mes tras mes, día tras día, ¡se escuchan los crujidos de las paredes cómo se desliza!

¡Y que filmé el video en el porche como las baldosas de hormigón salen se deslizan unos de otros donde los bordes de las baldosas!

Compre de mis ideas sobre el trabajo de los dibujos de manera muy urgente, lo vendo para enviar varios casos al Tribunal Europeo de Derechos Humanos y los consumidores compran

[bn] আমি ইতিমধ্যে 15 বছর সমস্ত সরকারী সংস্থায় কয়েক ডজন প্রশ্নে রূপান্তর করেছি !!

এবং এই উত্তাপের সাথে একটি প্রশ্ন যা প্রয়োজনীয়তা মেনে চলে না !!

যে ব্যাটারি সবে উষ্ণ !!!!

আর নিফিগা ঘর গরম করে না !!

এবং কি দিতে হবে ????

এর জন্য, ছিটেফোঁটা গরম ??????????

এটি কী কী বোতল গরম জলের সাথে বাস করতে হবে !!!

15 বছর ধরে তিনি সমাধানের কোনও প্রতিক্রিয়া সমাধানের জন্য সমস্ত সরকারী প্রতিষ্ঠানের দিকে ফিরে গেলেন !!

এবং এমন নয় যে তারা উইন্ডো ড্রেসিং খেলছে !!!

বা আপনি কি সময় হারাতে হবে?

এই মোল্দোভান সংস্কার নিয়ে আমার অন্যান্য প্রশ্ন সমস্যা আছে !!!!

যে আমরা তাদের জন্য তাদের গরম করা উচিত নয় !!

এবং তারা আমাদের জন্য নৈতিক ক্ষতির জন্য যে আমরা পঙ্গু হয়েছি !!!!

তবে যদি এটি উদ্দেশ্য অনুসারে করা হয় তবে ?????

গত শতাব্দীতে কেমন ছিল ???

এবং যখন সেখানে একজন প্রাইমার সমস্যা সমাধানের জন্য দ্রুত ব্যবস্থা গ্রহণ করেনি যাতে বেসমেন্টে পাইপগুলি ফেটে যায়!

আর বেসমেন্টটি জলে ভরে গেল!

যে ফাউন্ডেশন বিল্ডিং একটি গাধা !!

এবং বছরের পর বছর, মাসের পর এক মাস, দিনের পর দিন, দেয়ালগুলির ক্রিকগুলি শোনা যায় এটি কীভাবে স্লাইড হয় !!!

এবং আমি কংক্রিট টাইলগুলির মতো বারান্দায় ভিডিওটি শট করেছি যেখানে টাইলসের প্রান্তগুলি একে অপরের থেকে স্লাইডিং বেরিয়ে আসে !!!!

অঙ্কনের কাজ সম্পর্কে আমার ধারণাগুলি থেকে কিনুন খুব জরুরিভাবে আমি এটি বিক্রি করি যে মানবাধিকার ও গ্রাহকরা কিনে ইউরোপীয় আদালতে বেশ কয়েকটি মামলা প্রেরণ করতে

[iw] כבר הסעתי 15 שנה לכל סוכנויות הממשלה עם עשרות שאלות !!

ושאלה אחת עם החימום הזה שאינו עומד בדרישות !!

שהסוללות בקושי חמות !!!!

וניפיגה לא מחממת את החדר !!

ועל מה לשלם ????

בשביל זה, חימום חורבן ??????????

מה איך להתחמם עם בקבוק מים חמים !!!

במשך 15 שנה הוא פנה לכל מוסדות הממשלה כדי לפתור כל תגובה לפתור !!

ולא שהם מנגנים רוטב חלון !!!

או מה פשוט היית צריך להפסיד זמן !?

יש לי בעיות שאלה אחרות ברפורמה זו של מולדובן !!!!

שאסור לנו לשלם להם חימום עבור זה !!

והם בשבילנו בגלל נזק מוסרי שאנחנו נכים !!!!

אבל מה אם זה נעשה בכוונה ?????

איך זה היה במאות האחרונות?

וכשהיה פריימר אחד לא נקט צעדים מהירים כדי לפתור את הבעיה כך שהצינורות יתפרצו במרתף!

והמרתף היה מלא במים!

שבניין הקרן הוא חמור !!

ושנה אחר שנה, חודש אחר חודש, יום אחר יום, חריקת הקירות נשמעים איך זה מחליק !!!

ושצילמתי את הסרטון במרפסת כמו אריחי בטון יוצאים זה מזה שבו שולי האריחים !!!!

קנו מהרעיונות שלי על עבודת הרישומים בדחיפות מאוד אני מוכר את זה כדי לשלוח מספר מקרים לבית המשפט האירופי לזכויות אדם ולצרכנים קונים

[ga] Tá 15 bliana déanta agam cheana féin le gach gníomhaireacht rialtais le mórán ceisteanna !!

Agus ceist amháin leis an téamh seo nach gcomhlíonann na riachtanais !!

Go bhfuil na cadhnraí ar éigean a bheith te !!!!

Agus ní dhéanann Nifiga an seomra a théamh !!

Agus cad atá le híoc as ????

Chuige seo, shitty téamh ??????????

Cad é an chaoi le buidéal uisce te a bhogadh le buidéal uisce te !!!

Ar feadh 15 bliana chas sé ar gach institiúid rialtais chun aon imoibriú a réiteach le réiteach !!

Agus ní go n -imríonn siad cóiriú fuinneoige !!!

Nó cad a bhí ort ach am a chailleadh!

Tá fadhbanna ceiste eile agam leis an athchóiriú Moldóive seo !!!!

Nár cheart dúinn iad a íoc as seo!

Agus iad dúinn as damáiste morálta go bhfuilimid crippled !!!!

Ach cad a tharlaíonn má dhéantar é ar chuspóir ?????

Conas a bhí sé sna céadta bliain anuas?

Agus nuair a bhí ceann amháin ann níor ghlac Primar bearta gasta chun an fhadhb a réiteach ionas gur phléasc na píopaí san íoslach!

Agus líonadh an t -íoslach le huisce!

Go bhfuil an foirgneamh bunchloch ina asal!

Agus an bhliain i ndiaidh bliana, mí i ndiaidh míosa, lá i ndiaidh lae, cloistear creaks na mballaí conas a shleamhnaíonn sé !!!

Agus gur lámhaigh mé an físeán sa phóirse cosúil le tíleanna coincréite a thagann amach ag sleamhnú óna chéile áit a bhfuil imill na tíleanna !!!!

Ceannaigh ó mo chuid smaointe faoi obair na líníochtaí go práinneach Díolaim é sin chun roinnt cásanna a sheoladh chuig Cúirt na hEorpa um Chearta an Duine agus Tomhaltóirí a Cheannaíonn

[is] Ég hef þegar breytt 15 árum í allar ríkisstofnanir með tugi spurninga !!

Og ein spurning með þessari upphitun sem er ekki í samræmi við kröfurnar !!

Að rafhlöðurnar séu varla hlýjar !!!!

Og Nifiga hita ekki herbergið !!

Og hvað á að borga fyrir ????

Fyrir þetta, shitty upphitun ?????????

Hvað er það hvernig á að basla með flösku af heitu vatni !!!

Í 15 ár sneri hann sér að öllum ríkisstofnunum til að leysa öll viðbrögð til að leysa !!

Og ekki að þeir spila gluggaklæðningu !!!

Eða hvað þurftir þú bara að missa tíma! ??

Ég er með önnur spurningavandamál með þessa Moldovan umbætur !!!!

Að við ættum ekki að borga þeim upphitun fyrir þetta !!

Og þeir fyrir okkur vegna siðferðisskaða sem við erum örkumlt !!!!

En hvað ef það er gert með tilgang ?????

Hvernig var það á síðustu aldir?

Og þegar það var einn Primar gerði ekki skjótar ráðstafanir til að leysa vandamálið svo að rörin sprungu í kjallaranum!

Og kjallarinn fylltist af vatni!

Að grunnbyggingin sé asni !!

Og ár eftir ár, mánuði eftir mánuð, dag eftir dag, heyrast kreikin á veggjunum hvernig það rennur !!!

Og að ég skaut myndbandinu í veröndinni eins og steypuflísar koma út úr hvor annarri þar sem brúnir flísanna !!!!

Kauptu af hugmyndum mínum um verk teikninganna mjög brýn ég sel ég það til að senda nokkur mál til Evrópusamnings mannréttinda og neytenda kaupa

[kn] ನಾನು ಈಗಾಗಲೇ 15 ವರ್ಷಗಳನ್ನು ಎಲ್ಲಾ ಸರ್ಕಾರಿ ಸಂಸ್ಥೆಗಳಿಗೆ ಡಜನ್ಗಟ್ಟಲೆ ಪ್ರಶ್ನೆಗಳೊಂದಿಗೆ ಪರಿವರ್ತಿಸಿದ್ದೇನೆ !!

ಮತ್ತು ಈ ತಾಪನದೊಂದಿಗೆ ಒಂದು ಪ್ರಶ್ನೆ ಅವಶ್ಯಕತೆಗಳನ್ನು ಅನುಸರಿಸುವುದಿಲ್ಲ !!

ಬ್ಯಾಟರಿಗಳು ಕೇವಲ ಬೆಚ್ಚಗಿರುತ್ತದೆ !!!!

ಮತ್ತು ನಿಫಿಗಾ ಕೊಠಡಿಯನ್ನು ಬೆಚ್ಚಗಾಗಿಸುವುದಿಲ್ಲ !!

ಮತ್ತು ಏನು ಪಾವತಿಸಬೇಕು ????

ಇದಕ್ಕಾಗಿ, ನಾಚಿಕೆಗೇಡಿನ ತಾಪನ ??????????

ಬಿಸಿನೀರಿನ ಬಾಟಲಿಯೊಂದಿಗೆ ಬೋಪ್ ಮಾಡುವುದು ಹೇಗೆ !!!

15 ವರ್ಷಗಳ ಕಾಲ ಅವರು ಎಲ್ಲಾ ಸರ್ಕಾರಿ ಸಂಸ್ಥೆಗಳ ಕಡೆಗೆ ತಿರುಗಿದರು, ಪರಿಹರಿಸಲು ಯಾವುದೇ ಪ್ರತಿಕ್ರಿಯೆಯನ್ನು ಪರಿಹರಿಸಲು !!

ಮತ್ತು ಅವರು ವಿಂಡೋ ಡ್ರೆಸ್ಸಿಂಗ್ ಆಡುತ್ತಾರೆ ಎಂದು ಅಲ್ಲ !!!

ಅಥವಾ ನೀವು ಏನು ಸಮಯವನ್ನು ಕಳೆದುಕೊಳ್ಳಬೇಕಾಗಿತ್ತು! ??

ಈ ಮೊಲ್ಡೊವನ್ ಸುಧಾರಣೆಯಲ್ಲಿ ನನಗೆ ಇತರ ಪ್ರಶ್ನೆ ಸಮಸ್ಯೆಗಳಿವೆ !!!!

ಇದಕ್ಕಾಗಿ ನಾವು ಅವರಿಗೆ ತಾಪನವನ್ನು ಪಾವತಿಸಬಾರದು !!

ಮತ್ತು ನಾವು ದುರ್ಬಲರಾಗಿದ್ದೇವೆ ಎಂದು ನೈತಿಕ ಹಾನಿಗಾಗಿ ಅವರು ನಮಗಾಗಿ !!!!

ಆದರೆ ಅದನ್ನು ಉದ್ದೇಶಪೂರ್ವಕವಾಗಿ ಮಾಡಿದರೆ ಏನು ?????

ಕಳೆದ ಶತಮಾನಗಳಲ್ಲಿ ಅದು ಹೇಗೆ? ??

ಮತ್ತು ಒಂದು ಪ್ರಿಮಾರ್ ಇದ್ದಾಗ ಸಮಸ್ಯೆಯನ್ನು ಪರಿಹರಿಸಲು ತ್ವರಿತ ಕ್ರಮಗಳನ್ನು ತೆಗೆದುಕೊಳ್ಳಲಿಲ್ಲ ಇದರಿಂದ ಪೈಪ್‌ಗಳು ನೆಲಮಾಳಿಗೆಯಲ್ಲಿ ಸಿಡಿಯುತ್ತವೆ!

ಮತ್ತು ನೆಲಮಾಳಿಗೆಯು ನೀರಿನಿಂದ ತುಂಬಿತ್ತು!

ಫೌಂಡೇಶನ್ ಕಟ್ಟಡವು ಕತ್ತೆ ಎಂದು !!

ಮತ್ತು ವರ್ಷದಿಂದ ವರ್ಷಕ್ಕೆ, ತಿಂಗಳ ನಂತರ, ದಿನದಿಂದ ದಿನಕ್ಕೆ, ಗೋಡೆಗಳ ಕ್ರೀಕ್ಸ್ ಅದು ಹೇಗೆ ಜಾರುತ್ತದೆ ಎಂದು ಕೇಳಲಾಗುತ್ತದೆ !!!

ಮತ್ತು ಕಾಂಕ್ರೀಟ್ ಅಂಚುಗಳಂತೆ ನಾನು ಮುಖಮಂಟಪದಲ್ಲಿ ವೀಡಿಯೊವನ್ನು ಚಿತ್ರೀಕರಿಸಿದ್ದೇನೆ, ಅಂಚುಗಳ ಅಂಚುಗಳು ಅಲ್ಲಿ ಪರಸ್ಪರ ಜಾರಿಕೊಳ್ಳುತ್ತವೆ !!!!

ರೇಖಾಚಿತ್ರಗಳ ಕೆಲಸದ ನನ್ನ ಆಲೋಚನೆಗಳಿಂದ ಖರೀದಿಸಿ ನಾನು ಅದನ್ನು ತುರ್ತಾಗಿ ಮಾರಾಟ ಮಾಡುತ್ತೇನೆ, ಮಾನವ ಹಕ್ಕುಗಳ ಮತ್ತು ಗ್ರಾಹಕರ ಖರೀದಿಯ ಯುರೋಪಿಯನ್ ನ್ಯಾಯಾಲಯಕ್ಕೆ ಹಲವಾರು ಪ್ರಕರಣಗಳನ್ನು ಕಳುಹಿಸಲು ನಾನು ಅದನ್ನು ಮಾರಾಟ ಮಾಡುತ್ತೇನೆ

[lb] Ech hu scho 15 Joer fir all Regierung Agenturen mat Dosende vu Froen ëmgerechent !!

An eng Fro mat dëser Heizung déi net mat den Ufuerderunge respektéiert !!

Datt d'Batterien kaum waarm sinn !!!!

An Nifiga huet de Raum net waarm !!

A wat fir ze bezuelen fir ????

Fir dëst, shitty Heizung ???????????

Wéi ass et wéi op enger Fläsch waarmt Waasser ze parkelt.

Fir de 15 Joer huet hien un all Regierungsnich fir all Regierungsreaktioun ze léisen fir ze léisen !!

An net datt se eng Fënsterdressen spillen !!!

Oder wat hutt Dir just Zäit ze verléieren! ??

Ech hunn aner Fro Probleemer mat dëser Moldovanorm !!!!

Datt mir sollten se net fir dëst maachen !!

A si fir eis fir moralesch Schued, déi mir kräischen !!!!

Awer wat wann et mam Zweck gemaach gëtt ?????

Wéi war et a fréierer Joerhonnerte ?? ???

A wann et eng Primär gouf, huet keng Primär Mesuren gemaach fir de Problem ze léisen sou datt d'Päifen am Keller ausbréngt!

An de Keller gouf mat Waasser gefëllt!

Datt de Fundament Gebai en Esel ass !!

Dëst Joer ass den Dag nom Mount, Dag nom Dag, sinn d'Crêp bei d'Mauere geluecht, wéi se schloffs sin !!!

An datt ech de Video an der Porch geschoss hunn, wéi konkret Fliesen erausginn, déi auseneen rutschen, wou d'Kanten vun de Fliesen sinn!

Kaaft aus menger Aart vun der Aarbecht vun den Zeechnunge ganz dréngend ginn ech e puer Fëllung fir den europäesche Geriichtsgeriicht vun de Mënscherecht a Konsumenten ze schécken

[nl] Ik heb al 15 jaar omgebouwd tot alle overheidsinstanties met tientallen vragen !!

En één vraag met deze verwarming die niet voldoet aan de vereisten !!

Dat de batterijen nauwelijks warm zijn !!!!

En Nifiga verwarmt de kamer niet !!

En waarvoor te betalen ????

Hiervoor, shitty verwarming ???????????

Wat is het om te koesteren met een fles heet water !!!

Gedurende 15 jaar wendde hij zich tot alle overheidsinstellingen om elke reactie op te lossen om op te lossen !!

En niet dat ze een raamdressing spelen !!!

Of wat heb je gewoon tijd moeten verliezen!

Ik heb andere vraagproblemen met deze Moldavische hervorming !!!!

Dat we ze hiervoor niet moeten betalen !!

En zij voor ons voor morele schade dat we kreupel zijn !!!!

Maar wat als het met opzet wordt gedaan ?????

Hoe was het in de afgelopen eeuwen?

En toen er één Primar was, nam geen snelle maatregelen om het probleem op te lossen zodat de leidingen in de kelder barsten!

En de kelder was gevuld met water!

Dat het funderingsgebouw een ezel is !!

En het jaar na jaar, een maand na maand, dag na dag, worden de kraken van de muren gehoord hoe het glijdt !!!

En dat ik de video in de veranda heb geschoten alsof betonnen tegels uit elkaar glijden waar de randen van de tegels !!!!

Koop bij mijn ideeën over het werk van de tekeningen zeer dringend, ik verkoop dat om verschillende zaken te sturen naar het Europese Hof voor de mensenrechten en consumenten kopen

[or] ମୁଁ ଅନେକ ସରକାରୀ ଏଜେନ୍ସି ସହିତ ସମସ୍ତ ସରକାରୀ ଏଜେନ୍ସି ସହିତ ସମସ୍ତ ସରକାରୀ ଏଜେନ୍ସୀକୁ ରୂପାନ୍ତର କରିସାରିଛି !!

ଏବଂ ଏହି ଉତ୍ତାପ ସହିତ ଗୋଟିଏ ପ୍ରଶ୍ନ ଯାହା ଆବଶ୍ୟକତା ପାଳନ କରେ ନାହିଁ !!

ବ୍ୟାଟେରୀଗୁଡ଼ିକ କେବଳ ଗରମ !!!!

ଏବଂ ନିଫିଗା ରୁମକୁ ଗରମ କରେ ନାହିଁ !!

ଏବଂ କ'ଣ ପାଇଁ ଦେୟ ଦେବେ ????

ଏଥିପାଇଁ ଚିଟ୍ ଗରମ ?????????????????????????????????????????

ଗରମ ପାଣି ବୋତଲ ସହିତ ବେସ୍କକୁ କିପରି ବେସର କରେ !!!

ସେ 15 ବର୍ଷ ପାଇଁ ସେ ସକରିବା ପାଇଁ ଯେକ recion ଣସି ପ୍ରତିକ୍ରିୟାକୁ ସମାଧାନ କରିବାକୁ ସମସ୍ତ ସରକାରୀ ଅନୁଷ୍ଠାନ ଆଡକୁ ଗଲେ !!

ଏବଂ ସେମାନେ ଏକ ୱିଣ୍ଡୋ ଡ୍ରେସିଂ ଖେଳନ୍ତି ନାହିଁ !!!

କିମ୍ବା ତୁମେ କେବଳ ସମୟ ହରାଇବାକୁ ପଡିବ !??

ଏହି ମଲଡୋଭାନ୍ ସଂସ୍କାର ସହିତ ମୋର ଅନ୍ୟ ପ୍ରଶ୍ନ ସମସ୍ୟା ଅଛି !!!!

ଯେହେତୁ ଆମେ ସେମାନଙ୍କୁ ଏଥିପାଇଁ ଗରମ କରିବା ଉଚିତ୍ ନୁହେଁ !!

ଏବଂ ସେମାନେ ଆମ ପାଇଁ ନ moral ତିକ କ୍ଷତି ପାଇଁ ଯେ ଆମେ ପଙ୍ଗୁ !!!!

କିନ୍ତୁ ଯଦି ଉଦ୍ଦେଶ୍ୟରେ ଏହା କରାଯାଏ ?????

ବିଗତ ଶତାବ୍ଦୀରେ ଏହା କିପରି ଥିଲା? !! ???

ଏବଂ ଯେତେବେଳେ ଗୋଟିଏ ପ୍ରାଥମିକତା ଥିଲା ସମସ୍ୟାର ସମାଧାନ ପାଇଁ ଶୀଘ୍ର ପଦକ୍ଷେପ ନେଇ ନଥିଲେ ଯାହା ଦ୍ p ାରା ପାଇପ୍ ବେସମେଣ୍ଟରେ ବିସ୍ଫୋରଣ ହେଲା!

ଏବଂ ବେଶ୍ୟା ଜଳରେ ପରିପୂର୍ଣ୍ଣ ହେଲା!

ମୂଳଦୁଆ ନିର୍ମାଣ ଏକ ଗଧ !!

ପୁଣି ବର୍ଷ, ମାସକୁ ମାସ, ଦିନ, ଦିନ ଦିନ, କାନ୍ଥର କ୍ରିକ୍ସ ଏହା କିପରି ଥିବା ଶୁଣାଯାଏ !!!

ଏବଂ ମୁଁ ବାରଣ୍ଡାରେ ଥିବା ଭିଡିଓକୁ ଗୁଳି କରି ଠକେଇ ପରି ପରସ୍ପରଠାରୁ ସ୍ଲାଇଡ୍ ବାହାର କରେ ଯେଉଁଠାରେ ଟାଇଲର ଧାରଗୁଡ଼ିକ !!!!

ଚିତ୍ରଗୁଡ଼ିକର କାର୍ଯ୍ୟଗୁଡ଼ିକର ମୋ ଧାରଣାଠାରୁ ମୁଁ ତୁରନ୍ତ ବିକ୍ରି ହୁଏ ଏବଂ ଗ୍ରାହକଙ୍କ କିଣିବା ପାଇଁ ଅନେକ ମାମଲା ଲେଖିବାକୁ ବିକ୍ରି କରେ |

[pl] Przekształciłem już 15 lat na wszystkie agencje rządowe z dziesiątkami pytań !!

I jedno pytanie z tym ogrzewaniem, które nie jest zgodne z wymaganiami !!

Że baterie są ledwo ciepłe !!!!

A Nifiga nie ogrzewa pokoju !!

A za co zapłacić ????

W tym celu gówniane ogrzewanie ??????????

Co to jest, jak wygrzewać się butelką gorącej wody !!!

Przez 15 lat zwrócił się do wszystkich instytucji rządowych, aby rozwiązać każdą reakcję na rozwiązanie !!

I nie dlatego, że grają w sos okienny !!!

Albo co po prostu musiałeś stracić czas!

Mam inne problemy z pytaniami z tą mołdowską reformą !!!!

Że nie powinniśmy im za to płacić !!

I dla nas za moralne szkody, które jesteśmy okaleczeni !!!!

Ale co, jeśli jest to wykonane celowo ?????

Jak to było w przeszłości?

A kiedy był jeden Primar, nie podjął szybkich środków, aby rozwiązać problem, aby rury pękły w piwnicy!

A piwnica była wypełniona wodą!

Że budynek fundamentu to osioł !!

A rok po roku, miesiąc po miesiącu, dzień po dniu, skrzypia ścian są słyszane, jak się slaj !!!

I że nakręciłem wideo na werandzie jak betonowe płytki wychodzą ze siebie, gdzie krawędzie płytek !!!!

Kup z moich pomysłów na pracę rysunków bardzo pilnie, sprzedam to, aby wysłać kilka spraw do Europejskiego Trybunału Praw Człowieka i Kupuj konsumenci

[ro] Am transformat deja 15 ani în toate agențiile guvernamentale cu zeci de întrebări !!

Și o întrebare cu această încălzire care nu respectă cerințele !!

Că bateriile sunt abia calde !!!!

Și Nifiga nu încălzește camera !!

Și pentru ce să plătești ????

Pentru asta, încălzire rahat ???????????

Ce este cum să te bagi cu o sticlă de apă caldă !!!

Timp de 15 ani a apelat la toate instituțiile guvernamentale pentru a rezolva orice reacție pentru a rezolva !!

Și nu că joacă un pansament pentru ferestre !!!

Sau ce trebuia să pierzi timpul!

Am alte probleme de întrebare cu această reformă Moldovan !!!!

Că nu ar trebui să le plătim încălzire pentru asta !!

Și ei pentru noi pentru daune morale pe care suntem criptați !!!!

Dar dacă se face intenționat ?????

Cum a fost în secolele trecute?

Și când a existat un primar nu a luat măsuri rapide pentru a rezolva problema, astfel încât conductele să izbucnească în subsol!

Și subsolul era umplut cu apă!

Că clădirea fundației este un măgar !!

Și anul de an, o lună după lună, zi de zi, scârțâiturile pereților se aude cum alunecă !!!

Și că am filmat videoclipul în verandă, cum ar fi plăcile de beton să iasă alunecând unul de la celălalt, unde marginile plăcilor !!!!

Cumpărați din ideile mele despre munca desenelor foarte urgent, vând asta pentru a trimite mai multe cazuri la Curtea Europeană a Drepturilor Omului și Consumatorilor să cumpere

[th] ฉันได้แปลง 15 ปีให้กับหน่วยงานภาครัฐทั้งหมดด้วยคำถามหลายสิบข้อ !!

และคำถามหนึ่งกับความร้อนนี้ที่ไม่เป็นไปตามข้อกำหนด !!

ว่าแบตเตอรี่อบอุ่นแทบจะไม่ !!!!

และ Nifiga ไม่อุ่นห้อง !!

แล้วจ่ายอะไร ????

สำหรับสิ่งนี้ความร้อนอึ ???????????

มันคืออะไรที่จะอาบแดดด้วยขวดน้ำร้อน !!!

เป็นเวลา 15 ปีที่เขาหันไปหาสถาบันของรัฐบาลทุกแห่งเพื่อแก้ปฏิกิริยาใด ๆ ในการแก้ปัญหา !!

และไม่ใช่ว่าพวกเขาเล่นการแต่งตัวหน้าต่าง !!!

หรือคุณต้องเสียเวลาอะไร! ??

ฉันมีปัญหาคำถามอื่น ๆ เกี่ยวกับการปฏิรูปมอลโดวานี้ !!!!

ว่าเราไม่ควรจ่ายให้พวกเขาให้ความร้อนสำหรับสิ่งนี้ !!

และพวกเขาสำหรับเราสำหรับความเสียหายทางศีลธรรมที่เราพิการ !!!!

แต่ถ้ามันทำตามวัตถุประสงค์ ?????

ในศตวรรษที่ผ่านมาเป็นอย่างไรบ้าง? !!

และเมื่อมี Primar หนึ่งตัวไม่ได้ใช้มาตรการอย่างรวดเร็วในการแก้ปัญหาเพื่อให้ท่อระเบิดในห้องใต้ดิน!

และห้องใต้ดินก็เต็มไปด้วยน้ำ!

ว่าอาคารมูลนิธิเป็นลา !!

และปีแล้วปีเล่าหนึ่งเดือนทุกวันวันแล้ววันเล่าเสียงดังเอี๊ยดของกำแพงจะได้ยินว่ามันเลื่อนได้อย่างไร !!!

และฉันถ่ายวิดีโอในระเบียงเหมือนกระเบื้องคอนกรีตออกมาเลื่อนจากกันที่ขอบของกระเบื้อง !!!!

ซื้อจากความคิดของฉันเกี่ยวกับงานของภาพวาดอย่างเร่งด่วนที่ฉันขายเพื่อส่งหลายกรณีไปยังศาลสิทธิมนุษยชนและผู้บริโภคในยุโรปซื้อ

[tt] Мин барлык дәүләт органнарына дистәләгән сораулар белән үзгәрттем !!

Һәм бу җылыту белән бер сорау таләпләрне үтәми!

Батарейкалар бик сирәк җылы !!!!

Һәм Нифига бүлмәне җылытмый !!

Һәм нәрсә өчен түләргә ????

For this, shitty heating ??????????

НИЧЕК БАРЫ НИЧЕК КЕШЕ ХОЛДЕ СУТ ?!!

15 ел дәвамында ул барлык дәүләт учреждениеләрен чишү өчен теләсә нинди реакцияне чишә алды !!

Һәм алар тәрәзә киемен уйныйлар !!!

Яисә сез нәрсә югалтырга тиеш идегез ???

Минем бу Молдован реформалары белән бүтән соравым бар !!!!

Алар өчен җылыту түләргә тиеш түгел !!

Һәм алар безнең турында гарип булган әхлакый зыян өчен !!!!

Ләкин моның максатчан эшләнсә, нәрсә эшләргә ?????

Соңгы гасырларда ничек булды? !! ???

Oneәм бер примар булганда, торбалар подвалда ярылсын өчен проблеманы чишү өчен тиз чаралар күрмәдем!

Һәм подвал су белән тутырылды!

Фундамент бинасы ишәк !!

Jeftәм елдан-ел айдан соң бер ай, көннән-көн, көннән-көн, стеналарның крейслары ничек ул слайдлар ишетелә !!!

Һәм мин видеоны конкрет плиткалар кебек подъездда төшердем, плиткалар кырлары урнашкан бер-берсеннән чыкканда !!!!

Минем рәсемнәрнең идеяларымнан сатып алыгыз, бик тиз арада мин сатам, берничә эш Европа судына һәм кулланучылар сатып алыгыз

[uk] Я вже перетворив 15 років у всі державні установи з десятками питань !!

І одне питання з цим опаленням, яке не відповідає вимогам !!

Що акумулятори ледь теплі !!!!

І Ніфіга не зігріває кімнату !!

А на що платити ????

За це лайно опалення ??????????

Що це за те, як битися з пляшкою гарячої води !!!

Протягом 15 років він звертався до всіх державних установ, щоб вирішити будь -яку реакцію на вирішення !!

І не те, що вони грають у віконні заправки !!!

Або що вам просто довелося втратити час! ??

У мене є інші проблеми з цим питанням з цією молдавською реформою !!!!

Що ми не повинні платити їм за це опалення !!

І вони за нас за моральну шкоду, яку ми калічили !!!!

Але що робити, якщо це зроблено цілеспрямовано ?????

Як це було в минулі століття?

І коли був один первин, не вживав швидких заходів для вирішення проблеми, щоб труби лопнули в підвалі!

А підвал був наповнений водою!

Що будівля фундаменту - це осел !!

І рік за роком, місяць за місяцем, день за днем, скрипки стін чути, як він ковзає !!!

І що я знімав відео в ганку, як бетонні плитки, виходить ковзати один від одного, де краї плитки !!!!

Купуйте з моїх ідей про роботу креслень дуже терміново, я продаю це, щоб надіслати кілька справ до Європейського суду з прав людини та споживачів

[sv] Jag har redan konverterat 15 år till alla myndigheter med dussintals frågor !!

Och en fråga med denna uppvärmning som inte uppfyller kraven !!

Att batterierna knappt är varma !!!!

Och Nifiga värmer inte rummet !!

Och vad ska man betala för ????

För detta, shitty uppvärmning ??????????

Vad är det hur man solar sig med en flaska varmt vatten !!!

I 15 år vände han sig till alla statliga institutioner för att lösa alla reaktioner för att lösa !!

Och inte att de spelar en fönsterförband !!!

Eller vad hade du bara att tappa tid! ??

Jag har andra frågeställningsproblem med denna moldaviska reform !!!!

Att vi inte ska betala dem uppvärmning för detta !!

Och de för oss för moralisk skada att vi är kramade !!!!

Men vad händer om det görs med avsikt ?????

Hur var det under tidigare århundraden?

Och när det fanns en primar vidtog inte snabba åtgärder för att lösa problemet så att rören brast i källaren!

Och källaren var fylld med vatten!

Att grundbyggnaden är en åsna !!

Och året efter år, en månad efter månad, dag efter dag, hörs väggarna på hur det glider !!!

Och att jag sköt videon i verandan som betongplattor kommer ut från varandra där kanterna på brickorna !!!!

Köp från mina idéer om ritningsarbetet mycket brådskande säljer jag det för att skicka flera fall till Europeiska domstolen för mänskliga rättigheter och konsumenter köper

[dv] އަޅުގަނޑު މިހާރުވެސް 15 އަހަރު ސަރުކާރުގެ ހުރިހާ އިދާރާތަކަށް ބަދަލުކޮށްފައިވަނީ ދިހަވަރަކަށް ސުވާލު އާއެކު !!

އަދި މި ހޫނުކުރުމުގެ އެއް ސުވާލަކީ ޝަރުތުތަކަށް ތަބާނުވާ ސުވާލެކެވެ !!

އެއީ ބެޓެރީތައް ކިރިޔާ ހޫނުވާތީ !!!!

އަދި ނިފިގާ ކޮޓަރިއަށް ހޫނު ނުކުރެއެވެ !!

އަދި ކޮން އެއްޗެއް ދައްކަންވީ ؟؟؟

މިކަމަށްޓަކައި ޝިޓް ހީޓިންގ ??????????

ހޫނު ފެން ފުޅިއަކުން ބާސްކް ކުރާނީ ކިހިނެއް !!!

15 އަހަރު ވަންދެން އޭނާ ސަރުކާރުގެ ހުރިހާ މުއައްސަސާތަކަށް އެނބުރި ވަޑައިގެން ހައްލު ހޯދުމަށް އެއްވެސް ރިއެކްޝަނެއް ހައްލު ކުރައްވަން !!

އަދި އެމީހުން ކުޅޭ ކުޑަދޮރެއްގެ ޑްރެސިންގ އެއް ނޫން !!!

ނުވަތަ ހަމައެކަނި ވަގުތު ގެއްލުނީ ހެއްޔެވެ؟

މި މޮލްޑޯވާން ރިފޯމް ކުރުމުގައި އަޅުގަނޑުގެ އެހެން ސުވާލުގެ މައްސަލަތަކެއް އެބަހުރި !!!!

މިކަމަށް އަޅުގަނޑުމެން އެމީހުންނަށް ހޫނުކުރުމުގެ ފައިސާ ނުދެއްވަންވީ ކަމަށް !!

އަދި އެމީހުން އަހަރެމެންނަށްޓަކައި އަޚްލާޤީ ގެއްލުމަކަށްޓަކައި އަހަރެމެން ތިބީ ނާޒުކުވެގެން !!!!

އެކަމަކު އެއީ ގަސްތުގައި ކުރާ ކަމެއް ނަމަ ކިހިނެއް ވާނީ ؟؟؟؟

މާޒީގެ ޤަރުނުތަކެއްގައި !!؟

އަދި އެއް ޕްރައިމާރ އެއް އޮތްއިރު މައްސަލަ ހައްލުކުރުމަށް އަވަސް ފިޔަވަޅެއް ނާޅައި، ބިންގަރާހުގައި ހޮޅިތައް ފަޅައިގެން ދިޔައެވެ!

އަދި ބިންގަރާހުގައި ފެން ފުރިފައި ހުއްޓެވެ!

އެއީ ފައުންޑޭޝަން ބިލްޑިންގ އަކީ ޙިމާރެއް ކަމަށް !!

އަދި އަހަރަކަށް ފަހު އަހަރު، މަހެއް މަހަކަށް، ދުވަހަކަށްފަހު ދުވަހެއް، ފާރުތަކުގެ ކްރީކްސްތައް އަޑު އިވޭނީ ކިހިނެއްތޯ އެއީ ސްލައިޑްސް !!!

އަދި ކޮންކްރީޓް ޓައިލްސް ފަދައިން ޕޯޗްގައި ވީޑިއޯ ޝޫޓް ކުރި ކަމެވެ. !!!!

ކުރެހުންތަކުގެ މަސައްކަތާ ބެހޭގޮތުން އަޅުގަނޑުގެ ޚިޔާލުތަކުން ވަރަށް އަވަހަށް އަޅުގަނޑު އެ ވިއްކަނީ ޔޫރަޕިއަން ކޯޓް އޮފް ހިއުމަން ރައިޓްސް އެންޑް ކޮންސިއުމަރސް އަށް އެތައް މައްސަލަތަކެއް ފޮނުވުމަށެވެ.

[eo] Mi jam konvertis 15 jarojn al ĉiuj registaraj agentejoj kun dekduoj da demandoj !!

Kaj unu demando kun ĉi tiu hejtado, kiu ne konformas al la postuloj !!

Ke la kuirilaroj apenaŭ varmiĝas !!!!

Kaj Nifiga ne varmigas la ĉambron !!

Kaj por kio pagi ????

Por ĉi tio, aĉa hejtado ??????????

Kio estas kiel baziĝi kun botelo da varma akvo !!!

Dum 15 jaroj li turnis sin al ĉiuj registaraj institucioj por solvi ajnan reagon por solvi !!

Kaj ne, ke ili ludas fenestran pansaĵon !!!

Aŭ kion vi nur devis perdi tempon!

Mi havas aliajn demandajn problemojn kun ĉi tiu moldova reformo !!!!

Ke ni ne pagu al ili hejtadon por ĉi tio !!

Kaj ili por ni pro morala damaĝo, ke ni estas kripligitaj !!!!

Sed kio se ĝi estas farita intence ?????

Kiel estis en pasintaj jarcentoj?

Kaj kiam unu Primar ne prenis rapidajn mezurojn por solvi la problemon, por ke la tuboj krevu en la kelo!

Kaj la kelo estis plenigita de akvo!

Ke la fonda konstruaĵo estas azeno !!

Kaj la jaron post jaro, monaton post monato, tagon post tago, aŭdiĝas la krekoj de la muroj kiel ĝi glitas !!!

Kaj ke mi pafis la filmeton en la portiko kiel betonaj kaheloj eliras glitante unu de la alia, kie la randoj de la kaheloj !!!!

Aĉetu de miaj ideoj pri la laboro de la desegnaĵoj tre urĝe mi vendas tion por sendi plurajn kazojn al la Eŭropa Kortumo pri Homaj Rajtoj kaj konsumantoj aĉetas