#*slams in with INSPIRATION*

[del-stars]

james getting really stressed out when regulus and sirius are speaking heatedly in french meanwhile they're just discussing where they want to go to dinner

[mckiwi]

So I made a mini comic based off this post by @meanwhile-at-crowleys-flat.

Please don’t kill me.

[call-me-strega]

Dc x Dp Prompt #24: The Midwest Prince(ss)

Danny is a Singer/Siren/Banshee au where he’s basically a Chappel Roan-type figure.( Also, I'm Dead on Main trash so Strangers-to-Friends-to-Lovers, Celebrity x Civilian romance for two of my favorite boys)

Danny’s Ghostly Wail develops into vocal manipulation bc he’s a siren or banshee. Ember teaches him to sing and control the power. He finds music is a good outlet for his emotions and decides to pursue music as Danny. It takes him a few years but he develops a style and brand that he bases off the Realms. However, he doesn’t anyone to connect him to Phantom so he uses parts of his ancestors’ names to become “Walker Gale”(shout out to my beautiful mutual @mirigold-mayflowers for helping me pick that name), ordinary small-town midwestern boy turned Music Icon. He hires Val as his personal bodyguard, Sam as his manager, and Tucker as his head stage tech.

He dresses in really campy clothes the low-key mimic his ghost form as well as other ghosts he’s met. The outfits change to match the vibe of the song. So a rock ballad with an outfit inspired by Ember, Show Tunes-Murder Mystery-type-beat with a costume for Amorpho, EDM-techno-hyperpop themed song styled after Technus or Skulker, etc. He just has a lot of fun experimenting with his appearance and he’s an icon for it. He even makes friends with Star and Paulina through this and they give him feedback and help with new looks. The eventually join the team as his PR and Styling team.

Since he’s a banshee/siren all his songs have this underlying despair/sadness even if they have a fun and bubbly beat. He also references his feelings about being/hiding as Phantom and being partially dead and shit but vaguely so no one actually knows or assumes it’s a metaphor. Many of the themes are actually things lgbtq people identify with, specifically trans and bi fans. He also references battles he’s fought and ppl assumes he’s talking about mental illness or abuse which attracts another category of fans altogether. Again inspired by Chappel Roan his first album his called "The Ascent and Downfall of a Midwest Prince" gaining him the nickname the "Midwest Prince".

He’s weird and unfiltered and full of emotion and he gains a few fans in the hero community too. Raven and Zatanna start a fan club for him, well aware he’s some type of banshee/siren but knowing that the extent of his powers are being used to deliver beautiful performances. The are staunch supporters of him and his music and spread it to their friends. The current fan club is Co-Presidents Zatanna + Raven, VP Greta(Secret, a.k.a: a ghost hero), Starfire, Bart, Cassie, Tim, Kon + Jon, Steph, Cass, and Billy.

His identifying features are a signature make-up look and white underdye (when the color is on the underside of the hair). He’s grown his hair longer so it’s not super visible when he has it down and not styled. He also looks different without make-up so he can totally go unrecognized in public and live life semi-normal (as normal as a half-ghost vigilante powerhouse superstar can be). He actually planned it to be that way so that he could still go to college and stuff even though he’s doing it mostly online. All this to say that Danny has low-key got a Hannah Montana thing going on. Also, let's mix it up a bit and say he's based in Star City.

One day Danny goes to a second-hand book store because he's looking for a cheap textbook when he bumps into an absolute hunk of a man who doesn't seem to recognize him. Jason had been in Star City to visit Roy and Lian. He stopped at a second-hand bookstore to see if he look for some older editions of books (one time he found a second edition copy of Persuasion so he likes to peruse) and ran into a super pretty boy who made his chest feel funny and doesn't realize he's a Wayne. They got to talking about started really connecting. They decided to exchange numbers and kept in touch, meeting up every now and then when they had the chance. Danny gave him his private social media accounts so Jason never learned much more beyond that Danny worked in the music industry but not his exact role in it.

Eventually Danny moves to Gotham, either bc he switched labels or to be closer to Jazz whose doing her doctorate thesis on reforms that need to be made in Arkham. He and Jason begin meeting up in person more frequently and start catching feelings. Danny really wants to ask him out but feels sleazy doing it without telling Jason about his past and superstar alter ego. However, he also doesn't want to lose the mostly normal friendship they have. On the flipside Jason wants to date Danny but doesn't want to drag him into the life of a vigilante or the life of a Wayne. Both of them Pine and Agonize over this. In the end Danny decides to bite the bullet and tell Jason who he is, every part of who he is. He invites Jason over for a movie night and tells him he's got something important to tell Jason.

That same day Starfire decides to introduce Walker Gale's work to the other Outlaws and Jason really resonates with his work. He identifies with the lyrics on a literal and physical level and recognizes the underlying emotions that usually only other ghosts or liminals can. Starfire overjoyed that her friend likes his music decides to show Jason some of his music videos and photos. Jason, not being blind or an idiot, recognizes not only the props and costumes but his crushes face under that (very well done) make-up.

Jason is stunned and conflicted: it’s not like Danny lied to him about who he was, but he was entirely truthful either. Did he assume Jason knew? Or did he just not trust Jason? Why did he even bother with Jason, a seemingly regular guy, if he had such a claim to fame? And Jason keeps listening to his music and it’s speaks to him the same way hanging out with Danny does, making him feel seen and connected. It makes him all the more sure that someone incredible as Danny doesn’t need someone like Jason. He heads to Danny’s place that night very subdued.

He gets to Danny’s place and the smile that greets him twists him up inside. He puts on a mask and tries to act normal but Danny can tell somethings up but persists as he has made up his mind to be clear with Jason. He sits him down and tells him there is something important he wants to tell Jason. He starts by letting Jason know that he cares about him very much and appreciates the normality and closeness of their friendship. He confesses that he doesn't normally get that bc well, he's the superstar "Walker Gale". Danny goes onto say that the reason he didn't say anything earlier was because he treasures the simplicity of what he had with Jason and the reason he's telling him now is because he couldn't continue a relationship that he wants more from without being completely honest.

Jason's heart thunders in his chest and he stares at Danny with a slightly constipated look. Danny asks Jason what's wrong and on an impulse Jason word vomits his feelings. That he actually found out through a friend earlier today, that he really connected to his music the same way he did with Danny, that he's never felt seen the way Danny sees through him, that he's never felt the same way as deeply before, that he's completely and utterly in love with Danny but was scared to say anything and get him involved with his crazy life and the Waynes. And Danny sits and listens shellshocked.

And the only thing Danny can think to do is kiss this incredible boy senseless and tell him that if he likes him back then they can figure it out.

[jesterday00]

Theo tripped, and now the boys seem to have lost Ma and Pa in the carnival crowds! Uh oh :O

[mydailybookquotes]

“Crickets have been known to eat their own wings, and I too have a tendency to destroy what helps me get off the ground."

-Rudy Francisco, I'll Fly Away

[aro-in-danyl]

Platonic Radioapple Marriage

after Lucifer and Alastor start to get along

Lucifer: A year ago today I married my best friend

Charlie: Aww that's so sweet- wait haven't you and mom been married for centuries?

Alastor, popping up from the shadows and showing off a ring: Your mother was very cross.

Lucifer, showing his two rings: We were drunk and it was hilarious!

[vaguely-concerned]

I understand why they didn't do this because it would run the risk of telegraphing the twist too much too early, but imagine if one of elgar'nan's temptation lines during blood of arlathan had been 'I could bring him back to you'

[redhoodinternaldialectical]

"Murder is Werewolves" - Batman

I don't got the SPOONS to do this thought train justice, I have seriously been trying to write this thing for MONTHS so just, idk, have this half baked skeletal outline of the essay I guess:

I don't believe that Batman's no-kill rule is primarily about rehabilitation or second chances.

His refusal to believe that Cassandra could have killed someone when she was eight years old because "how could a killer understand my commitment not to kill" is absolute fucking MOON LOGIC from a rehabilitationist standpoint. No jury on the planet would think for even a second that she could reasonably be held accountable for her actions in that situation! Her past cannot condemn her to being incapable of valuing human life under a rehabilitation centering framework. However, Batman's reasoning makes perfect sense if he believes that killing is a spiritually/morally corrupting act which permanently and fundamentally changes a person, and that corruption can never be fully undone.

Dick Grayson killing the Joker is treated both narratively and by Batman as an unequivocally WIN for the Joker. The Joker won by turning Nightwing into a killer. Note that this is during a comic in which the Joker transforming people was a major theme! Batman didn't revive the Joker because the Joker deserved to live; he revived the Joker to lift the burden on Dick.

His appeal to Stephanie when she tried to kill her dad is that she shouldn't ruin her own life. He gives no defense of Cluemaster's actual life. Granted this is a rhetorical strategy moment and should be taken with a generous pinch of salt, but it fits in the pattern.

When Jason becomes a willful killer, he essentially disowns him, never treats him with full trust ever again, and... Well, we can stop here for Bruce's sake. Bottom line is that his actions towards Jason do not lead me to believe that he thinks Jason can become a better person without having his autonomy taken from him, either partially or fully.

The Joker is, for better or worse, the ultimate symbol and vessel of pure, irredeemable evil in DC comics now. He hasn't been just another crook in a long time. He will never get better, he will only get worse. If you take it to be true that the Joker will not or can not rehabilitate, then there's no rehabilitationist argument against killing him.

Batman does not seem to consider it a possibly that he'll rehabilitate. Batman at several points seems to think that the Joker dying in a manner no one could have prevented would be good. Yet Batman fully believes that if he killed the Joker, he himself would become irredeemable.

Batman's own form of justice (putting people into the hospital and then prison) is fucking brutal and clearly not rehabilitative. He disrespects the most basic human rights of all criminals on a regular basis. It is genuinely really, really weird from a rehabilitationist standpoint that his only uncrossable line is killing... But it makes perfect sense if he cares more about not corrupting himself with the act of killing than the actual ethical results of any individual decision to kill or not kill.

In the real world cops are all bastards because they are too violent to criminals, even when that violence doesn't lead to death. Prison is a wildly evil thing to do to another human being, and you don't use it to steal away massive portions of a person's life if your goal is to rehabilitate them. In the comic world, Batman is said to be necessary because the corrupt cops are too nice to criminals and keep letting them out of jail. I don't know how to write a connector sentence there so like I hope you can see why this bothers me so damn much! That's just not forgiveness vibes there Batman!!

I want to make special note here of the transformative aspect. You don't simply commit a single act when you kill, no, you become a killer, like you might become a werewolf.

The narrative supports this a lot!

Why did Supes go evil during Injustice? He killed the Joker. Why did Bruce become the Batman Who Laughs? Bruce killed the Joker. Why was Jason Todd close to becoming a new Joker during Three Jokers? Because he killed people, to include the Joker.

Even if these notions of redemption being impossible aren't the whole of his reasoning (people never have only one reason for doing what they do) it is a distinct through-line pattern in his actions and reasoning, and it is directly at odds with notions of rehabilitation, redemption, and second chances.

So why does he give so many killers second chances?

Firstly because this doesn't apply to all versions of Batman. Some writers explicitly incorporate rehabilitation and forgiveness into his actions. You will be able to provide me with examples of this other through-line pattern if you go looking for them. The nature of comics is to be inconsistent.

Secondly the existence of that other pattern does not negate the existence of this one. People and characters are complex, and perfectly capable of holding two patterns of belief within themselves, even when they conflict to this degree. You can absolutely synthesize these two ideas into a single messy Batman philosophical vibescape.

Finally and most importantly to this essay: he has mercy on killers the same way that werewolf hunters sometimes have mercy on someone who is clearly struggling against their monsterous nature, especially if they were turned in exceptional circumstances or against their will. They understand that they are sick, damned beasts, cursed to always be fighting against themselves and the evil they harbor within. It is vitally kind to help them fight themselves by curtailing their autonomy in helpful ways and providing them with chances to do some good to make up for their eternal moral deficiency.

I think in many comics Batman views killers as lost souls. Battered and tormented monsters who must be pitied and given mercy wherever possible. (The connections to mental health, addiction, and rampant, horrifying ableism towards people struggling with both is unavoidable, but addressing it is sadly outside of the scope of this essay.)

Above all, the greatest care possible must be taken to never, ever let yourself become one of them, because once you have transformed the beast will forever be within you growing stronger.

To Batman, it is the most noble burden, the highest mercy, the most important commandment: Thou shalt suffer the monsters to live.

[pup5000-af]

​

[moeblob]

In all honesty I can imagine Karen writing up a contract in her spare time at work and making Brent sign it so that he's "legally only allowed to inspire her in sessions". Brent signs it without hesitation because why not! Legally binding himself to inspire Karen is fair and within her rights!

[racingliners]

Coco Gauff wins her second Grand Slam title, and first at Roland Garros, at the French Open.

[cassiskurocorner]

Art for @echoshunsnarcissus 's fic Skyward Symphonies. I heard you were working on the next chapter 0:) please use this as more motivation!

Alternate versions under cut!

[mydailybookquotes]

"Speak because your voice is currency, and their comfort isn't worth your silence."

-Rudy Francisco, I'll Fly Away

[gingerpeachtea]

i feel like part of the issue with briggs and amber argument (and part of the reason i have So Much Briggs Dialogue but 3 gaps where i can't come up with what amber says) is that like. as people. briggs is all talk. amber is more of a watcher who chimes in when she has something to say; meanwhile, briggs always knows just what to say.

but when these two kinds of people are In A Heated Conversation, and what's driving the conversation forward is their responses to each other, and there's no third person to act as a buffer, then what the fuck happens

[joelemons]

whenever somebody makes a dangerous or stupid decision with their car in heavy traffic you should be allowed to pelt their car with rocks tbh

[lanternlightss]

Yaaay writing requests ^^. Do you think we could get the old mondstadt gang (everyone lives) reacting to venti after ascending do godhood? 👀. I think it'd be interesting >.<

As beings of Anemo, there is little reason for wind wisps to partake in the act of breathing. Why would they, those made of that same air as the one whirling around them, need to? This remains true for Venti, even after they had taken a form alike to Cecil’s own.

If. If only Venti did not take a liking to breathing, pretending—for a moment—that they have lungs to use, the subtle up and down of their chest, at first a conscious choice that you could see being made, moving towards one they do without thought. Something human. Something mortal. It makes them happy, to be able to mimic such abilities, such mundanity.

This is, to say, that he is impressed they have learned how to do it whilst they sleep (their wings twitching intermittently); as he feels the occasional soft breaths (he counts—a full minute of complete stillness, followed by a shuttering, jagged exhale, repeat) being blown across the hand that they rest beside, having used his left arm and waist as a pillow during the night.

He does not mind, not at all. Had sat up to place his right hand atop their head once he was not blinking sleep from his eyes, playing with the strands.

Briefly, he entertains the thought of humming them a lullaby, or perhaps, a tune to celebrate this moment, that they are all here, together, still. He dismisses it the moment he begins to toss the idea around, knowing that those same people included in that “they are all here, together, still” in the room with him (Amos, in her own makeshift bed beside him—Cecil “borrowed” the one he is using, truth be told, he should be in the room one down—with Valentina besides her sat in a chair, and Felix standing at the entrance) would kick a fit if he even dared to strain his voice further (orders from the healers.) How elated he had been when they told him he could still talk, simply had to be quiet, low.

“…how asleep, are they?”

Aha, speaking of his dear companions.

Cecil inclines his head towards Felix, though his eyes never stray from Venti. “I do not believe they will be waking up, for a long while.” (Thank the winds for that, they deserve it—he had heard that whilst he and Amos’ injuries were being attended to, the rest of them had been running themselves particularly ragged dealing with the everything.)

He hears Felix sigh heavily in response, and the shifting of fabric. Shoulders, presumably, fell? He brings his eyes up to scrutinize—the man looks one awful sway away from collapsing.

“Good, that means we can have this discussion in peace.”

That … particular phrasing does not inspire a good feeling. He forces himself not to show outward unease at the words, instead, curling the hand in Venti’s hair to touch at their forehead, and lightly gripping what he can of the sheets with the other.

“Are you sure we should be having any discussion? Both you and Valentina should get rest, too—you look a dead man walking, Felix.”

And—there, Felix’s relaxed shoulders seem to tense, his jaw clamping and working in a gritted motion subtly. Cecil is waved off, both in tone and by the fluttering of his hand, “I will rest easier after this.”

He chances a glance over, to where Valentina has scooted to the very edge of her seat, clutching at her knees in a white-knuckled grip, with furrowed brows. Amos, meanwhile, is propped against pillows, slightly slouching, her bangs and unbraided strands casting a shadow over her eyes, as she burns her gaze into Felix.

The first to speak of them is Valentina, leaning forwards: “Which discussion have we not already taken care of?”

Felix does not look away from Venti, but a grimace overtakes his face, angling his head in a way to hide himself behind both his hair and the large fur of his cape. He seems rather… uncomfortable, now—his crossed arms pulling further into his chest, one hand flexing. It continues to stay this way, even when gesturing to where Cecil’s wisp cuddles against him, and speaking the words, “What do we do about them?”

Her eyes harden, back straightening in an instant. “What is it that you mean.”

(Cecil is quick, to check on Amos. Her bangs have now completely covered her eyes, and he cannot truly gauge a reaction. He worries the sheets between his fingers.)

That discomfort shines, in the floundering of Felix’s limbs—his arms flinging outwards, his hand waving about as he grasps for words. “The whole point of this was that we did not want a God to rule over us, the way they had! And then, whatever it is of that…. those heavens, has decided we were wrong in that thinking, that they sent us another God to deal with, not a moment’s peace from the previous? Are we to never escape from the divine?”

Valentina stands, her mouth twisted into a tight-lipped frown, both her fists raised to her sides and clenching. She is stopped from going farther by Amos raising an arm in front of her.

A brief spark of irritation whisks throughout Cecil’s chest, and he wishes Felix had chosen a better moment to do this—Amos, as well, is not supposed to talk above a quiet voice, or for long periods of time. “I fear we would have encountered divinity whether we wanted to or not—tell me, why is it that many had told us of a frozen land, yet when the storm vanished, the snow was fading?” Her arm shakes imperceptibly, “Had it not been for … what decision it was, that transpired before we succeeded, we would have come to face the God responsible for declaring the war.”

(That is, to say nothing of their neighboring nation and Boreas’ wolves….)

She turns, and, he notes, that for the first time since Venti’s presence had made itself known (when they had near silently glided into the room, the door creaking shut just so, with Anemo slowly dissipating from their form, and playfully tousled Cecil’s bangs in a light breeze) Amos looks directly at the God, who has huddled closer—they seem to be trying to lay themselves over all of him—whilst the conversation had gone on.

Her eyes seem to soften, staring a few seconds longer, then dropping her attention to the end of the bed. She turns away, her arm falling to her lap, hands lacing together and nails gently clinking against each other.

“Perhaps we should count ourselves fortunate, that of all beings to ascend, it was the Elf.”

Felix scowls and presses his back against the wall, the sound of his cape sliding across it echoing, nearly drowning out the even quieter grumblings of his, “Fortunate is not the word I would use.”

How terrible for him, that for as far as he is from Cecil, his words still ring clear—words that cause that spark of irritation to flare into a burst of small flames, flames that have to be forcefully smothered out. Over the little time that the bard has not been able to walk the grassy lands, has he forgotten? Nothing, not a single noise, escapes from those who always listen, who keep their ears pinned to the striking chords of the winds.

His eyes narrow, bordering on a glare. And this is not quite shaping to be a “discussion”; would it be a proper one, they would actually be going somewhere, and not talking in practically circles.

“Why unfortunate?” Felix’s head snaps to him, and Cecil (pushes the flames) risks skimming his hand to where Venti’s right ear is, holding his palm there (a useless gesture, really, yet he does it anyhow). “You would not start anything if there was no value to be had of it—so, please, what is it you wish to truly say?”

The man opens his mouth, pauses. Cecil continues to stare, lowering his chin, his brows drawing together, upward, and the edges of his mouth threatening to fall.

Boots scuff against the floor, when Felix titters side to side, considering. A breath rushes out of him, harsh. Then, as if it were a leaf fallen onto still waters and sending ripples across the surface, he utters: “If they turn against us—what are we to do?”

Try as he might not to (flames slipping between the gaps of his fingers), Cecil lurches forward, and halts himself rather awkwardly halfway through it hearing Venti make an indescribable noise. He looks to them, seeing them curl inward, their brows knitted, wings dazedly moving to shield their body. A wince pulls at him, as he adjusts back to where he was (almost to, he should say—positioning himself to hide them from Felix’s view, his torso bent over them), and the hand covering their ear runs to their hair, massaging; they start to relax from it, wings spreading, and nestling their face into his waist.

(A splendid sight, yet… a bitter feeling forms, coating his mouth.)

Scratching at where two strands—resembling the ones they had as a wisp—sprout, he presses, a hiss to it, “Turn against us..?”

He holds his hands in the air, by his chest. “I know. I know, I have seen them.”

If the emotion of “incredulous” could be humanized, Cecil would be the perfect role, right then. Has he? Has he??

Admittedly, for most of the time he has been awake, he can count on one hand and two extra fingers how much he was fully lucid during it. When the pain constricting in his chest was not clouding his vision, when there was no fog laid over his mind, his surroundings dizzy, his limbs feeling inexplicably heavy. Shoving this all aside, however—during those lucid moments, and finding Venti waiting for him, their entire demeanor brightening at their locking of eyes; he noticed how terror and apprehension threaded through their being.

He does not think they have a capacity to harm—not for those they love, not for those they have a branch of trust to—by the fact that they cannot bring themself to hold his wrist in a firm grip without panicking of potentially “breaking him.”

(Or that they, wind now trapped in a bottle, a shell for them to be tied to, try next to everything to compact themselves to the size they once were. From curling into a ball on the wooden chair, from using their wings to hide themself away, from bowing and crumbling in the cradle of his palms.

How they are bigger and powerful, certainly, yet the world around them still remains so much more than they are.)

Felix slumps. “It would only be as a precaution. We should be prepared—”

There is a clanging of armor, signaling Valentina’s steps inching towards Felix. When she speaks, her voice is stern, tinged slightly by bafflement.

“No, you are aware, just as I, to what they are capable of! They are listening to the people, and doing what they can for them!” Her hand clenches, metal shuddering. “And even… they have been this way, they stopped at nothing to keep my clan safe, out in the frozen barrens. We should have seen a sign by now if they were to change, the winds are simple creatures. There is no reason for this precaution!”

“Are we to lay all our trust in what was? Their knowledge is more! They are not such a simple creature! They know intimately the hopes and dreams of mere humans—what that does. They have become privy to how far mortality can go, to how much a human can take before their life is snuffed from them, and now they have the ability to do something about it.”

He sweeps a hand, jerkily, to the two in bed, during the last words.

Cecil bristles. Their injuries are not to be used for matters like this. No one should have expected that death would not be nipping at their heels during the revolt, that they would not have to grab on to the world of living and dig. A retort readies on his lips, lips pulled back, only to—still.

(Oh. There is no air being blown across.

Oh.)

Valentina side-steps to the other side of Amos’ bed, hackles fully raised, a righteous glare upon her face. “You truly know nothing of the wind, then, if you believe they would willingly go back to those restraining—!”

“Enough.”

They both startle. Cape, whipping. Armor, clanking.

“Enough,” Amos repeats, the words sounding as though they were scraped from her throat. “The both of you… shall we have someone watch over, when you are outside here? You have swung knives.”

In unison, their shoulders hunch. She draws a soft breath, half-watching Valentina stride over to grab the canteen of water from the side table, offering it to her—while Felix seems to attempt to meld into his cape. She takes it into a tight grip, the tips of her fingers trembling, but does not bring it to her lips. Opting to swish the water inside, instead.

“A godhood is delicate,” taps at the canteen, the sound reverberating, “Especially one at … at the very beginning, of their divinity. A sign of change would not be in mortal lifetimes—it drips, one by one, slow.”

She turns to face them, once more. Trailing from where Venti’s wings flutter, the sleeves of their robe half splayed over the bed, to where Cecil is furled around them, a few pieces of hair strands falling over his eyes as he bows further at her stare. Eyes meet, hers, tinged in an old pain and weighted by exhaustion; his, bordering on guarded, cracked with pleading.

Underlying all of that is an understanding.

(You can never quite understand a God’s thinking, will only get to see the glimpses of what layers that sit just underneath the surface, a scratch of it, but love—

A God’s love, their eyes and arms locked around you, is something all encompassing.)

“We should continue to offer them the kindness they gave us.” Another tap, another tink. “Whatever path they follow down, whatever they choose to do, hundreds or thousands of years after this—at the least, they will remember having us by their side. Should they give an inkling, now, however—”

“All these what-ifs,” Cecil murmurs bitterly, withholding a sneer. “Could we, say, let them take their own steps first? They hardly have a proper footing!”

The puff of air that escapes her is almost amused. Her gaze drifts downwards, where the water of the canteen sloshes as it is tipped to her mouth. She sets it gently into her lap, after, a chorus of clinking coming from the repetitive thumping of her fingers.

“Of course.” She hands the canteen to Valentina, and the trembling of her limbs seems to have worsened. The blunt ends of her nails press into the palm of her hands, briefly, and she goes to pull the bed’s cover up to her chest, hiding her arms by tucking it over her fists. Then, “I have not seen you receive any medical care, these past days. Have you been shirking?”

Venti’s wings puff, a minute flinch going throughout their body. He pets at their hair, twirling it between the gaps of fingers—he had been checked on the day before his wisp had visited, and watched as they checked Amos’ health, too, quietly asking if the soreness had lessened, after the healer left, and her reply of rolling her shoulders and commenting that it does not feel like she is being crushed.

“Hee, I was hoping you would not catch that…” He nuzzles into their head. Backs a bit away, nary an inch or so, and brings his hand to their jaw, stroking his thumb along their cheeks. Venti tenses, brows scrunching. He continues, mock whispering, “Psst, Miss Amos revealed one of my secrets, can you believe…? Quite mean of her, hmpf! You would be my knight and defend my honor, would you not, Venti? My dearest?”

There is a pause, where he can see them debate with whether they should “awaken” or not. He waits, humming lowly—and is rewarded when two glittering green-blue teal jewels blink up at him.

“Knight..?”

“Yes! I shall gather you a shield, so that we can deflect her peddling—”

“My deepest apologies for not wishing your wounds to infect.”

Cecil leans to stick his tongue at her (she wrinkles her nose in jest), feeling more than seeing Venti sit taller, their hands moving to grasp at his wrist. A perturbed expression greets him when he turns back to them, searching him for anything critical. His heart squeezes, flips, squeezes.

He reaches out to brush his hand against a braid, tracing the poof part that is held together by a band. Hopes that the twinkling in his stare is enough to convey Do not worry, a “go along.” The ruffled feathers of their wings start to smooth out, fluttering about, as they squint at him—message received. “How many missed?”

“Only one session, I promise. My bandages… may need replacing, a little,” ducks his head, bonking against their forehead, and offers up a gentle, crooked smile. “Walk me back?”

They graze their own hand over his, holding it loosely. Nods, and lets go, standing from the chair, using their foot to push it away farther. Cecil shakes off his arm as he yanks the cover down to the end of the bed, throwing his legs over the side, the soles of his feet hitting the floor. Venti holds their hand out for him to take, pulling him up (though, he notes, they keep their fingers intertwined tightly with his.)

“You will be going?” Felix questions, uncrossing his arms.

“Mmm. I believe Amos has had enough of my shenanigans.” He waves his hand, stepping in front of Venti, having them still out of Felix’s view.

“… if you need any he—”

“Fret not, I have the most wonderful guiding wind!” He leans into Venti, as subtly he can, beaming. They are besides the man, now, and he tugs them closer to the doorway. “We should be on our way now, might be able to catch a healer along our journey.”

He waves to Amos and Valentina, receiving waves back (though, on Valentina’s part, seem slightly reluctant to see the both of them go.) They both skirt around the doorway and down the hall, where Cecil exhales, his shoulders sagging.

If they wish to still discuss such a topic, fine, if that is what will bring them ease in this environment. Everyone is on edge and wary, equally they are relieved and excited. He has seen how some shuffle around the new God, confused how to interact with the wisp. But if they wish to do it while the person they discuss is there, unaware, they are welcome to be his guest to explain to Venti why that topic involved which of the best ways to stab them in the back was—especially when there are more important issues that should be focused on! That warrior, in particular….

Urgh.

He squeezes Venti’s hand, placing his head upon their shoulder.

“My darling knight, I love you no matter what.”

…they squeeze his hand, ears flicking, and wings puffing once more.