#*subtly changes their designs*

[yapfactory]

The beginning of the beginning.

[maplebitts]

HOLY CARP ITS TELEMARKETING!!!!

[rileys-battlecats]

the [unspecified disaster] shall soon be specified. premieres tomorrow. PREPARE YOURSELVES

[syncr3tical]

the

version without blindfold (+ sketch)

[nemesis-is-my-middle-name]

various sneas

[saveraedae]

luke tucker like if you agree

[rogdona]

[becomingsoup]

just realized I never shared much about my illustration thesis from last year. anyway here are some guys + stuff about them!

I’m still working on this story despite being uh… a terrible writer lol. I’ve also decided I’m going to go ahead and inflict my OCs on everyone from now on

[sn0wbat]

i finally did something lineless again for the first time in A While, so i felt like comparing!!

old ones are from october 2018, new ones are from very recently (august 2023)

[mozart-the-meerkitten]

Does this look like the face of someone who betrayed their best friend and enslaved a planet for a few millennia?

No? Good, then I'm doing his character redesign correctly.

I'm working on redesigning the main villain of The SOS Chronicles, Algol, based on the lyrics of the Petra song "Angel of Light".

"Angel of Light, I see you glow in the night, But you only bring darkness to my soul. Angel of Light You're telling me wrong is right But I won't let your evil take control."

Instead of leaning into demonic elements like I was before, I'm now trying to make him look alluring, like someone you assume is a good guy because how could he not be??? just look at him! It makes more sense then that the characters didn't realize right away that he was the big bad, especially since he's also using Almitak's power to mind control (almost) the entire populace of the planet (Aguitha) he lives on. But Almitak's power weakens over time, so as the mind control loosens, Algol falls back on using his beauty, along with lies and trickery, to keep people trusting him. Much like a skilled politician, he makes the ordinary people think he cares about them by knowing just what to say every time. His military following is completely loyal and trusting of him because of the web of lies he's trapped them in, and it takes a long time for Oliver and co. to unravel those lies and find the truth of who Algol is and what he's doing.

(no, but seriously, on a scale of 1-10, how trustworthy do you think he looks? This is just a concept-art esque sketch, I am open to changing his design at this point, feedback is appreciated)

[hibiscustouch]

👻⛓️ | ghost and chain

[jinxed-sinner]

honestly my favorite thing about my "i just tweaked the designs a bit to make them more fun for me personally to draw" redesigns for alastor and lucifer (these ones) is the fact that i haven't done a more elaborate redesign for either of them besides designing alastor as an anthro deer (purely for fun, i don't plan to use that design for literally anything). how i "slightly redesigned" them is enough fun for me to draw for me to not feel the need to redesign them any more than "slightly"

like the thing is i did those initial "slight redesigns" with full intentions of doing full redesigns but i haven't. i don't think i've even sketched less subtle redesigns. the only differences between those "slight redesigns" and their canon designs are that i gave lucifer more scarring, they don't wear shoes/boots (because i gave them dewclaws and i think footwear would be uncomfortable with dewclaws) so their hooves are always exposed, alastor's skin tone is a bit darker than it is canonically, and i went into the .clip file recently and added a bit of a darker pinkish-red gradient before the black parts on his hair and tail. aside from that there's not many differences from their canon designs and i love it that way

[frailsituation]

Tips for writing plot twists

1. Start with a false sense of security

• The best plot twists work because the audience feels confident they know what’s coming.

• How? Lay down a trail of clues that mislead without outright lying. Create a sense of inevitability.

• Example: A detective follows all the evidence to one suspect, only for the real criminal to be someone they completely overlooked.

2. Plant the seeds early

• A plot twist is most satisfying when it feels inevitable in hindsight. Subtly sprinkle clues throughout the narrative.

• How? Use small, seemingly insignificant details that take on new meaning after the reveal.

• Example: A side character is always conveniently absent during key events—later revealed to be orchestrating everything.

3. Subvert expectations without betraying logic

• A twist should surprise readers, but it must feel plausible within the story’s framework.

• How? Flip assumptions in a way that feels earned. Avoid twists that rely on coincidences or break the rules of your world.

• Example: A character who appears harmless and incompetent is revealed as the mastermind, with subtle foreshadowing tying everything together.

4. Exploit emotional investment

• Twists land harder when they involve characters the audience deeply cares about. Use relationships and personal stakes to heighten the impact.

• How? Create twists that change how readers perceive the characters they thought they knew.

• Example: The protagonist’s mentor is revealed to be the antagonist, making the betrayal personal and devastating.

5. Use red herrings strategically

• Mislead readers by planting false clues that draw attention away from the real twist.

• How? Make the red herrings believable but not overly obvious. They should enhance, not distract from, the story.

• Example: A mysterious object everyone believes is cursed turns out to be completely irrelevant, shifting focus from the true danger.

6. Timing is everything

• Reveal the twist at the moment it has the most dramatic or emotional weight. Too early, and it loses impact. Too late, and it feels rushed.

• How? Build tension to a breaking point before the twist shatters expectations.

• Example: A twist that flips the climax—when the hero thinks they’ve won, they realize they’ve fallen into the villain’s trap.

7. Allow for multiple interpretations

• A great twist makes readers rethink the entire story, encouraging them to revisit earlier scenes with new understanding.

• How? Design the twist so that the story works both before and after the reveal.

• Example: A character’s cryptic dialogue is recontextualized after the twist, revealing their hidden motives.

8. Pair the twist with consequences

• A twist shouldn’t just shock—it should change the trajectory of the story. Make it matter.

• How? Show how the twist raises the stakes or deepens the conflict, forcing the characters to adapt.

• Example: After discovering the villain is their ally, the protagonist must choose between loyalty and justice.

9. Keep the reader guessing

• A single twist is good, but layered twists create an unforgettable story. Just don’t overdo it.

• How? Build twists that complement each other rather than competing for attention.

• Example: A twist reveals the villain’s plan, followed by a second twist that the hero anticipated it and set a counter-trap.

10. Test the twist

• Before finalizing your twist, ensure it holds up under scrutiny. Does it fit the story’s logic? Does it enhance the narrative?

• How? Ask yourself if the twist creates a moment of genuine surprise while respecting your audience’s intelligence.

• Example: A shocking but clever reveal that leaves readers satisfied rather than feeling tricked.

Follow for more!

[fictionalmenxyn]

hi can you write rafe x wife. Happily married and have 3 teen kids. Sons friends comes over and talks about mom as milf( idk maybe something else up to u) and Rafe and his wife hear it! Then Rafe f*cks her

of course I can!!

•———•

ఌ𝐌𝐲 𝐖𝐨𝐦𝐚𝐧ఌ

Pairing: husband!rafe x wife!reader

Warnings: SMUT, language, p in v, fingering, no mentions of protection (be safe, wrap it before u tap it!), breeding kink, dirty talk, possessive/jealous Rafe.

Feel free to send more reqs! Thinking of doing dad!Rafe so send me things you’d like to see! Or more husband!rafe idm! Anything!

🝮🝮🝮

Just getting home from work, you got out of your Range Rover. Collecting your handbag, laptop and some papers from the back seat.

You headed into yours and Rafe’s estate. Walking through the front door. You already knew your three sons had friends over. Your eldest, Cody had asked you over text. You slip your heels off by the door and walk through the large foyer and over to the spacious living room. You smiled as you saw your boys Cody (17), Morgan (16) and Ollie (14 1/2). You spoke “hey boys, you all having fun?” They all said their “heys” and “yeah, thanks”.

You subtly noticed the way their friends eyed you up. Teenage boys never really cared if you saw them checking woman out. Well, these lot didn’t. You looked over to the attached large kitchen, smiling as you see Rafe.

You walked over, putting your things onto the counter. Rafe was leaning forward. His elbows on the counter as he watched the tv from the kitchen as your sons and their friends had soccer on. You walked over to Rafe. Smiling as you put your hand on his back. “Hey, love, you ok?” He turns his head to look at you. His famous grin plastered on his face. “Yeah, all good, how’s work?” He pulls you by the waist. Giving you a soft but firm kiss, showing you how much he missed you since you left this morning. You pull away to answer “good, made some great photos today, all I have to do is change the lighting and tone..” he smiled and pecked your lips “good, can I watch it while you do it?”

Rafe loved what you did. You were a photographer for models, perfume/jewellery commercials or fashion designers. You took the photos and edited them to put on magazines or advertisements. He loved how much you enjoyed your job to.

You nodded “of course, Rafey” he smiled “good girl..” you pecked his cheek.

You sat at the island counter, going through the photos on your laptop. As Rafe leaned against the counter, arms crossed, taking the occasional sip from his drink.

You both overheard Cody and his friend talk. His friend, Jack, asked “dude, is that your older sister or something?” Cody asked “who?” Jack replied “the one that’s in the kitchen with your dad.” Cody shook his head “nah man, that’s my mom.” Jack replied “no fucking way?? She’s so hot, dude, your mom is such a milf, no joke.”

Rafe practically chocked on his drink, as your eyes widen and press your hand to your forehead. A quiet gasp escaped your lips. What did Jack just say? You couldn’t be going mad, Rafe heard the same thing.

Cody spoke “shut up! Don’t say that!” Jack shrugged nonchalantly “dude, I’m just saying, I’d tap that if I could.”

Your eyes widen, Rafe’s jaw clenched. Rafe didn’t need to be and wasn’t jealous… not exactly… he just didn’t like the fact that a seventeen year old friend of your sons had just said that about you… his wife, the mother of his children, his childhood friend, his lover…

Through the rest of the day, Rafe stuck to your side. You’d changed into some sweats and a crop top. Once you were done you both sat on the couch; Rafe next to you. He had his arm around you the whole time. Occasionally kissing your cheek or temple. Showing the boys, your his. He’s the one that put that beautiful diamond ring on your finger. He’s the one that put three beautiful and handsome boys in you. He helped you create life. He’s the one that gives you happiness.

🝮🝮🝮

Soon after, the sun started to set. Your three sons had asked both Rafe and yourself if they could stay the night at one of the boys house. Rafe agreed and told them to be safe and have fun.

As soon as he had shut that front door. You were in for a real treat tonight. Rafe walked back over to the couch. He put his one knee on the seat and he placed a hand on the side of your neck. His cold metal of his rings and watch press gently into your warm neck. He crashes his lips into yours like a starved man. His tongue quick to be shoved into your mouth. You knew what he was up to. You could tell it from the exact moment Cody’s friend said what he said about you.

You knew Rafe since day one, knew him better than he knew himself. So you knew what he was doing. And you were definitely not complaining.

Rafe placed one hand one your thigh and guided you so you laid back on the couch. While he stayed on top of you. He groaned against your lips. He mumbled “‘m gonna make you feel so good, baby” you gasped softly when you feel Rafe’s hips press against yours. He puts his free hand from your thigh, moving it to the waistband of your sweats.

Putting his hand down your sweats he could feel the material of your panties and your soft, wet skin. He groaned “you wearing the black lace ones?” You nodded. He grinned “all f’me…mine” you mumbled “yes, Rafey…”

His fingers slowly move up and down against your heat. You moaned softly. You gasp when you felt his middle finger slip in. He tilted his head and started to kiss along your neck. He groaned, his finger slowly pulling in and out. As he inhaled the sent of your vanilla perfume, he groaned once again. He mumbled against your soft skin “feel so good on my finger, want another, babe?” You nodded. He replied “words. y/n.” You whispered “another, please, Rafe” he slipped his ring finger in. Causing you to gasp softly.

After a few more seconds he pulled his fingers out. You whimpered, he grinned “oh we aren’t done, just wanna take you upstairs… prefer the bed.” Your mouth practically waters as you watch him move his fingers to his mouth. Cleaning you off his digits.

He picks you up, over his shoulder. Taking you upstairs and not wasting anymore time.

Placing you down on the bed, he was quick to take your clothes off. All piece of clothing on the floor. While he starts to take his off, you watched in awe. Your reaction to him will always be the same. It’s like looking at him for the first time, over and over. You never got tired of him. Never have and never will.

You watched as he was swift to remove his boxers. His huge length springing free. He moved onto the bed. His lips go to yours as his hand moves to his length. Pumping it a few times, then lining up with your entrance. You gasp as he started to push in. Once he was all the way in he leaned over you. His chain dangles by your chin. His hands either side of your shoulders. His biceps flex as he looks down at you.

“You’re so pretty under me, sweetheart.” You moaned softly as he slowly started to move in and out. He chuckled lowly “you know, what the boys said… was right..” he groaned. “You are a milf… my milf… such a hot momma, baby… I know you want another… want me to give you one?” You moaned as he picked up the pace a little more. “Words, sweetheart.” You nodded “yes, fuck! Want another…”

He moaned hearing your words, “fuck Y/n, I’ll give you another… I’ll fill you up, make your baby bump come back. Love you baby bumps… every one of them…” you moaned. His one hand moves to your lower stomach, pushing on the bulge on your lower abdomen. Causing you to moan, as he goes deeper.

He picks up his pace, he moaned “fuck, gonna make you pregnant again. Wanna see you with my baby in you again.” He goes harder. “Fuck can feel you round me, that make you excited, baby? Thinking of me getting you pregnant again?”

You nodded, grabbing onto his bicep. Nails digging into his tan skin. He groans at the feeling. He spoke “gonna give ya a girl this time, I wanna girl, so I can spoil you both, yeah? Let you two have the world.” You moan “oh Rafey!” He grinned. “Yeah? Like that?” You nodded. He leaned back. Grabbing your hips, guiding you against him as he thrusts into you.

He can feel your close, “gonna come f’me? Let me have it, sweetheart. You do that f’me and I’ll do it for ya..” you placed your hand on his chest. Then holding his chain. Wanting him closer, he knew you well. He knew that meant you were about to finish. He leaned down. You moaned “fuck, gonna-” “do it, finish over my cock f’me, love…” those words hit you like a brick wall. Every. God. Damn. Time.

And he knew it too.

You moaned one last time, then finishing. Causing you to tighten around him. He chased his realise and finished inside you.

He moaned as he slowed his pace. Still thrusting, just slowing down. Chasing both of your climaxes. Once he came to a spot. You had you usual ‘thank you’. He kissed both cheeks, then your forehead, temples, chin, nose and then your lips. He mumbled against your lips “you ok? Feel good, baby? You did so good..” You nodded “so good.”

He gently pulled out, causing you both to inhale sharply. He gently picked you up. Going ahead and doing your aftercare. For all the time you both knew each other. And past Rafe, with his many hook ups. Not once did he do aftercare. But for you? His childhood friend to girlfriend to fiancée to wife to mother of his children?

He’d give you the world, he’d kill for you. Protect you. Die for you, live for you. He’d do anything for you. Even if it’s as simple as aftercare. He loves you. You love him.

🝮🝮🝮

[robsheridan]

Hard to believe Nine Inch Nails' classic The Downward Spiral is 30 years old today! Here is some detail photography I took of the original album cover painting by Russell Mills for the 10th anniversary deluxe edition release, which I had the unique honor of designing, and somehow that is now 20 year old.

Everyone has that one album that hit at just the right moment of adolescence to change their perspective on music and get them through their teenage angst. The Downward Spiral was that album for me, released as it was in 1994, when I was a freshman in high school (and an absolute banner year for music/films/games all around). I must have stared at the artwork for hours over those years, without even much detail to draw from on its tiny 5” CD slip case. So five years later, when I found myself inexplicably working for Nine Inch Nails, it was surreal to see the actual original painting in the flesh, hanging as it was at the time in Trent Reznor’s office at Nothing Studios, New Orleans.

I was struck by how much dimension and texture there was in the artwork that never translated on that tiny slipcase printing, how much detail was happening in the physical materials of the art: Flies, moths, wires, blood… I had been staring at this “painting” for so long, yet suddenly it was like I had never seen it before. I also noticed that it had aged - the wires had wilted over the years, drooping down from their original position as captured in the original album cover (interestingly, judging by the photo posted today by NIN, the piece has since been restored); a tooth was missing from the other main piece.

That experience stuck with me and it was the first thing I thought about when the task of re-imagining the album package fell upon me in 2004. I wanted to re-photograph the artwork, subtly updating the cover to show that ten years had changed it physically, much like our perceptions of art and music and memories change over time with perspective. I also wanted to dig into the previously unseen details of the work and explore it with my macro lens, so that fans like me, old and new, could have new layers of texture to pore over for hours while listening to a legendary album.

Happy birthday, old friend.

[chow0w]

may i humbly request my beloved lady scarab or lady jewel?

of course dreams! Here’s my redesign of lady Jewel!

I had a lot of ideas for this design and it was super easy to make, but the patterns did kind of throw me a little. Jewel’s design uses recurring elements of gemstones and swirls for an elegant, royal look! Her scale and wing colors aren’t particularly special, but I did decide to change her color palette slightly and exclude any prominent use of black stripes, since I wanted the highest points of contrast to be around her jewellery and eye/face. She holds a dragon cocktail, with a feathered scarf-neckpiece and some neck/tail jewelry. I’m not sure if I would label the jewels on her wings as piercings or clip-ons, as I imagine they would make flying somewhat difficult. A lot of lady Jewel’s rebellion throughout the lost continent arc is seen/alluded to be silent - she quietly refuses to follow some of Wasp’s orders in relation to the silk wings, and is described as a fair leader who can be trusted by both tribes: so long as Wasp believes her to be incompetent and naive. Because of this, it was important to me that Jewel’s design had the potential to be viewed in a negative light. Jewel’s posture and expression help us to view her as intelligent and witty, however a different mannerism with the same design could portray her as tackily dressed and incompetent - which is totally something she would think about when dressing up.

I love Jewel’s character and book appearance, but my one criticism would be that I wish we got to see more of the art scene in jewel hive - it would be really interesting to see how protest art movements work within jewel hive, and if they were any different from cross-hive protests like the chrysalis leaf. Art and rebellion are inextricably interlinked, and not exploring jewel hive to the fullest almost seems like wasted potential in my opinion. That definitely drove me to include subtle references to art forms with a strong link to protest and social justice: particularly drag. My first idea for this design was for Jewel to be in full drag, but I realized Wasp would probably never let that slide (even with how much Jewel got away with already) and decided to present those design elements much more subtly instead. Overall, Lady Jewel’s appearance is intended to be a reflection of her personality, grace and sense of justice.

As always, thank you guys so much for all of your support of this series! I hope these designs are a point of inspiration and discussion, and look forward to continuing them in the future.

Here are the current characters in waiting: Sunny, Moon, Clearsight, Blue, Luna, freedom, Bigtail, Cricket, Clay, Blaze, Queen Thorn, Starflight, Darkstalker, Tsunami, Snowfall, Grandeur, Sky, Lynx, Oasis, Winter and Kinkajou! If you don't see your favorite here or have another question/something to say, please feel free to leave a request in my askbox!

later :33