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redladydeath · 1 month ago

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Proto Vox Post - Update Number I Don't Know

Once again, I am compiling all my Proto Vox/"what if Vox spawned in Hell looking like his 2013 design" stuff into one post. It's nearly 20K words now. I am very hinged.

Excessive amounts of Vox whump under the cut

Alastor goes to speak with another overlord, trying to decide whether or not he should kill them. While there, he notices that said overlord has the most fascinating little toy/pet/jester. Such novel technology… he thinks he’ll take it, whether the overlord wants him to or not!

Alastor keeps Vox around because he’s cute and entertaining. As time passes, a legitimate friendship starts to form as Alastor realizes that Vox is far more than meets the eye— tricksy, devious, and intelligent. He learns that before he arrived in Hell, Vox was a handsome, well-respected adult man, and he isn’t too keen on constantly being mistaken for a child and treated like a joke by other sinners. A pity he has to live like that… but it’s not like there’s anything to be done for it! And Alastor must say, he’s fond of his little picture box the way he is.

With Alastor’s guidance, Vox slowly accumulates knowledge and resources and discovers that he can modify his body. He jumps on the opportunity at once— he doesn’t want to live like this anymore, and he’ll do anything to be respected (or at least taken seriously) by other people again. Alastor disapproves but holds his tongue.

Time passes, and Vox changes more and more things about himself until he’s almost unrecognizable. He and Alastor get into arguments about it. It’s galling to Vox that Alastor keeps insisting he was better off in a form he hated. Mix all this with the modernity and “morality”/standards stuff, and you eventually get Vox and Alastor falling out.

Years later, Vox hates that he was ever that weak and can’t stand being reminded of Alastor, their old relationship, or his early life in Hell. He works hard to destroy/bury any traces of who he used to be, but Alastor is a walking, eternal reminder of the past he’d rather forget. Alastor is loathe to admit it, but he still misses his old friend. Sometimes, he wonders if he ever truly knew him at all.

---

Freshly fallen Vox seeking out an overlord’s protection because, holy shit, if he tries to survive on the streets any longer, he’s gonna get killed, or worse. Most sinners get asked if they can do anything useful when they go to an overlord; Vox gets asked if he can sing, dance, and do comedy routines. He can, so he’s quickly scooped up by the overlord. He supposes he should be grateful that he was able to score a comfortable job doing something not terribly unpleasant, but the dehumanization of being treated like a doll or an adorable purse dog grates on him. He remembers who he really is (or used to be) and would do anything to be seen as a man again rather than a novelty.

---

Imagine feeling so utterly desexed by your body, finding someone you think you can trust to respect you, confessing that you’re in love with them, and they laugh in your face for thinking such a thing was even remotely possible. Alastor doesn’t do a great job clarifying that he’s disinterested in a relationship out of personal preference rather than because he doesn’t respect Vox, and Vox walks away from the encounter seething, believing that Alastor never saw him as anything more than a pet or a clown.

---

Man, this would especially suck for my hc version of Vox, who used to be a small-time Vaudevillian when he was a child. Like. Yaaaayyy, time to dance around and act cutesy for people who have complete power over you… again…… when you’re pushing forty…………

---

Vox was REALLY starting to feel like he'd made an irreversible mistake before Alastor came into his life. He'd been in the employ of his overlord for four years, and he could count the number of times he'd been allowed to leave their compound on two (four-fingered) hands. They weren't cruel to him per se, but they really did seem to see him as a pet– something to trail after them all day, do tricks on demand, and show off to colleagues at parties. Any plans he had for carving out a dignified, powerful life for himself were going up in smoke. He knew a lot of things from constantly overhearing conversations about the overlord's business, but he didn't have anyone to trade that information to because of his restricted mobility. He understood that he had some pretty unique powers, but he'd never gotten the chance to use them in combat, only to perform. It was becoming clear to Vox that the only way he was going to escape this doltish, embarrassing life was if someone killed his overlord (something he couldn't do himself due to the deal they struck).

And then the Radio Demon came walking through the door.

---

Vox really has no idea what Alastor's deal is when they first meet. Like. He kidnaps him but also says Vox can leave whenever he wants. But like. where is he supposed to go??? Alastor just killed his overlord, which, yeah, Vox wanted to happen, but now he's homeless and isn't sure how to proceed. Is it safe to stay with Alastor, or is he just going to kill him next?

Vox keeps up the "silly little cartoon" persona for a while because Alastor seems to find it amusing, but things gradually slip through the cracks. He's scared Alastor will abandon or kill him if he grows bored or dissatisfied with him, but... Alastor seems to like the real him? He actually lets him speak freely and talk about whatever he wants? He uses his tech powers to turn off the in-built censors that keep Vox from swearing?? When he realizes that Vox is actually really cunning, he wants to hear his feedback on things??? Sure, he still kinda talks down to him, but Alastor's like that with everyone. This... maybe this could be more than just trading one master for another.

---

Random thoughts about Vox’s overlord

She was enamored with him from the first moment she saw him. He was just so precious! And he was willing to do anything to receive her protection!

Her industry had nothing to do with entertainment; she took Vox in purely to be her own personal jester.

Not sure if she owned his soul or just had a deal with him to give him a safe place to live in exchange for his services.

Loved treating him like a doll. Would dress him in cute, oversized outfits, carry him around in her arms, and occasionally bring him to bed and cuddle him like some sort of plushie.

There were occasions, especially towards the beginning, when Vox would snap at her or reveal elements of his real personality. Those incidents would only lead to her doubling down on the demeaning treatment. She’d experienced mistreatment at the hands of men like him when she was alive and saw asserting her power over him as cathartic and karmic.

Usually brought him with her everywhere, but would sometimes leave him locked in her office/room by himself if she had something important scheduled. Vox had initially thought he could leave or at least walk around when she didn’t need him, but no. Besides, why would he want to leave? The streets of Hell were no place for a tiny, fragile thing like him!

Vox fucking hated her and was glad to see Alastor bash her brains in and feature her on his show.

---

Mainverse Vox died by being electrocuted by an ungrounded mic at work right before they went live. This Vox died by being electrocuted while trying to fix the family TV. His kids had been begging him to at least try to fix it since the repairman couldn’t come until the next day, and they didn’t want to miss their favorite cartoon. He was feeling indulgent that day and felt that, as the man of the house, he should be able to fix things without always calling someone else to do it for him. It didn’t end well.

---

Thinking about Vox and Alastor’s first encounter.

Alastor might have seen Vox before at an overlord event, being shown off by his boss or performing for her friends. He may have seen him for the first time when he walked into Vox’s overlord’s office and saw her toying with him. Either way, Alastor was immediately intrigued. He hadn’t seen many sinners like Vox, with his screen head and cartoony body, and could instantly tell he was a highly skilled performer. His eyes followed him, even as Vox’s overlord put him aside and ordered him to get her and Alastor drinks. Vox could tell Alastor was watching him but wasn’t sure what to do about it. It’s probably not a good sign when the infamous Radio Demon is eying you like you’re his next meal.

Eventually, the overlord noticed that Alastor was not paying full attention to their conversation and was preoccupied with Vox. The topic briefly switched to him before Alastor inquired if she’d be willing to bargain for him. Vox was horrified. The overlord attempted to politely decline; she couldn’t bear to part with her precious little poppet. He was hers, and it would be cruel to separate them— they adored each other so much, after all. Alastor just smiled blithely and clarified: he wasn’t asking.

All hell broke loose in an instant. One moment, Vox was observing a conversation between his boss and her colleague; the next, the office was crawling with shadows, and his overlord was pinned to the wall, impaled on a tentacle. Vox panicked and tried to flee, but there was no escaping that room. There are two options for what happens next: either Vox is seized by Alastor and teleported out of the building, or Vox’s boss screams at him to help her, only for him to glance between her and Alastor and fix her with an icy stare.

No matter what happened, the outcome was the same: Vox found himself teleported onto the streets of Hell with Alastor looming over him. He frantically attempted to talk Alastor out of killing him, but Al just laughed jovially and told Vox that he had no intention of harming him. Vox was free to leave whenever he wanted, but Alastor would like to see just how entertaining he truly was.

---

As they're walking, Alastor notices a weird clicking sound coming from Vox. He asks what it is, and Vox awkwardly explains that he's wearing tap shoes and starts trying to take them off as he walks. Alastor is amused and tells him not to bother. He'd love to see him dance sometime.

---

Val: Baby? What were things like before you met me? Vox: Awesome. I had- I had women all over me, they just couldn’t get enough. Everyone was always dying to see my shows. I was voted the hottest person in Hell. It was great. Vox’s actual early career in Hell:

---

Thinking about one of the times Vox “mouthed off” to his overlord. He may be a performer, but there’s only so long he can stay in character, especially when said character is so undignified. He refused to play along with one of her little games and snapped at her that he was a man, not a fucking show dog.

Next thing Vox knew, he was nearly blinded by pain as his boss twisted his antenna almost to its breaking point. Her voice sickeningly sweet, she told him she knew exactly what kind of man he had been— Earth’s crawling with them. But those days are over now. Respect has to be earned in Hell; it’s not just going to be handed to him like when he was alive. The afterlife has made him a joke, and the sooner he accepts that the happier he'll be. That’s what he signed up for when they made their little arrangement, after all. She asked if she was understood and kept twisting his antenna until she got a loud-and-clear “Yes, ma’am” out of him. With that, she snapped back to normal and either cheerfully ushered him towards [whatever she was forcing him to do] or dismissed him in her typical patronizing manner.

Vox broke half the items in his room that night in a rage. He tried to leave gouges on his skin and dents in his head, but he couldn’t manage it, what with his stupid, soft little hands.

---

It doesn’t really fit with my headcanon that Alastor was super white-passing when he was alive and spent most of his life pretending to be white in order to have more opportunities, but I feel like he may have felt a kinship with Proto-Vox due to them both being “outsiders”— people who are/were constantly dismissed by those in power and have to work twice as hard in order to be taken seriously, even though they’re more skilled and competent than everyone else in the room. And so it hurt all the more when Vox leapt at the first opportunity to change who he was in order to join the class of people who had once looked down on him. It didn’t fully click with Alastor that Vox wasn’t always like this– that he was trying to return to who he once was rather than abandoning who he’d always been.

---

Vox wasn’t exactly doing himself any favors in terms of connecting with the other sinners who worked under his overlord. He was so desperate to reestablish at least some control over his situation that, on the rare occasion he got to interact with people without his boss looming over them, he was insufferable, acting as though his position as their overlord's constant companion made him superior to regular employees. It never actually made him feel any better though, since most people either just rolled their eyes or testily reminded him that his oh-so-important job was to make a fool of himself all day and be doted on by his "owner."

---

To most outside observers, it really looked as though the relationship between Vox and his overlord was genuinely loving. She was just so affectionate with him. There was never a moment when she wasn’t tittering away at his jokes, or playing with his antennas or plug tail, or scooping him up into her arms or lap, or hugging or tickling or cuddling him, or covering him in kisses, or coming up with adorable pet names, or showing him off to others as though he were the rarest gem she’d ever come across. No one ever seemed to notice that Vox was never the one to initiate these kind of interactions. Depending on who you asked, it was either the most adoring master-servant arrangement Hell had ever seen, a (possibly biological?) mother-son dynamic, or just an INCREDIBLY kinky relationship. Vox played his part well, laughing along and hardly ever letting the smiling mask slip. No one ever could’ve guessed just how much he loathed her and the entire humiliating situation or how cruel she could be whenever he dared drop the act.

Well, no one except Alastor, that is.

---

Imo, Proto Vox would just sound like normal Vox slightly pitched up, but man, Hell giving him a lisp or some other "funny" way of speaking on top of everything else would be such a gut punch for him. His good looks and his charismatic manner of speech were key to his success when he was alive, and now both of those lifelines have been severed.

---

Personal, headcanon-specific thoughts:

Proto Vox’s outfit is very similar to a costume he wore during his childhood on Vaudeville.

Alternate option: While I hc that sinners spawn naked, if they don’t, then Vox spawned in the exact 1920s sailor suit he used to wear during most of his childhood performances.

His Hell form is a punishment not only because it robs him of all dignity, but because it’s a constant reminder of a part of his life when he had no power over his situation and was treated like an object meant only to entertain.

---

Thinking about how Alastor’s “a smile is a means of maintaining control” philosophy might strike a chord with Proto Vox. When he was alive (and later, in his career as an overlord), putting on a smile was a way for him to project the person he wanted others to perceive him as. If he looked the part, then people would believe he was the confident, steady, trustworthy man he presented as. After he arrived in Hell, though, a smile became a mask he could not take off. Hell had chosen a role for him, and if he failed to play it well enough, he risked permanent death or worse. He resented having to keep that mindless grin on his face at all times. This wasn’t who he wanted to be. This wasn’t who he was. The idea that he could use that iron mask to regain control over his life was foreign to him, but it made sense. Now that he was no longer chained to a master who kept him locked into that hated role at all times, he had a choice in how he wanted to use it— for day-to-day survival or to further his true ambitions?

---

Vox and Alastor’s first encounter was at an overlord party like something out of a Regency romance, except Vox was three feet tall and didn’t notice Alastor was watching him because he was too busy performing for his boss’ overlord friends. Alastor appreciated the skill on display in Vox’s routine and was intrigued by the unusual way his “owner” treated him. Sure, some overlords treat those under them as pets, but she was so overly cutesy and “loving” with him that it stood out, especially given the way Vox feigned reciprocation. Interesting.

---

A scene/story idea: Vox is sitting at a desk in a grand, spacious office. It’s late, and he’s just killing time, wishing he had a cigar (and a mouth to smoke it with) and occasionally scribbling down notes for future reference. The stationary he’s using has the date printed at the top, though. It’s his daughter’s tenth birthday. He reflects on how it’s been three years since he last saw her and the rest of his family and how he’ll likely never see them again. He hopes his wife is throwing her an appropriately extravagant party, at least. They’d gone all-out for their son’s tenth birthday; half the neighborhood was there, even one or two of the ladies from work who had blown him in exchange for putting in a good word with the producers. It was a great time.

And then his boss comes walking in, complaining about what a stressful day she’s had, and the illusion that this is Vox’s office shatters. He hops down to the floor, taking his dance/comedy routine notes with him. His boss is busy getting herself a drink, so he hopes she didn’t notice him sitting in her chair. He starts trying to engage her in conversation, switching to his work persona (cheerful, cutesy, and childish). She did notice him, but she just smiles indulgently and says he always knows just what to do to cheer her up— he looked so silly sitting at her big, important desk. Now, she needs a bit of comfort; they’ll be going to bed now. She scoops Vox up as easily as if he were a doll and carries him off to serve as her (very angular) teddy bear. Vox keeps the adoring smile plastered on his face and tries to put aside the burning shame and rage that this is what the afterlife has reduced him to: a child, a pet, a toy meant to entertain those who wield the actual power.

---

You know, come to think of it, there’s actually some basis to Alastor feeling a bit of a kinship with Vox. Aside from the obvious shared trait of them both being communications/entertainment demons, Alastor’s demonic form is a prey animal. Al never had to deal with the consequences of having that kind of form since he spawned so powerful (unless we’re going with the theory that he made his mystery deal right when he got to Hell and draws the majority of his power from it (which would be pretty interesting in this context…)), but still.

---

Made Vox's room in the Sims

---

Vox tried to walk out of his job once. His boss pushed him too far, and he snapped, yelling at her to find someone else to play this fucked up game with; he’d rather take his chances on the streets. Next thing he knew, he was bound, muted, and blindfolded, being crammed into a tiny suitcase. His overlord told him to reflect on what he’d said. There’s no life after second death, only nothingness. Is that really a risk he wants to take?

Vox was in “storage” for the next week. He didn’t try to leave again after that.

---

When Vox’s boss finally decided he’d had enough time to reflect, she opened the trunk to find Vox barely able to move under his own power. He was trembling like a freezing cat, having spent seven whole days bound in the fetal position, unable to move, speak, hear, or see. He couldn’t even unfurl himself from said position without her help. When she took him into her arms, he clung to her, any thoughts of hate or anger gone, replaced with a desperate desire for human connection after a week of nothingness. She cradled him in her arms— sweet as a lamb and without a shred of that odious pride she’d been working so hard to stamp out of him. Whispering kind, soothing words, she stroked his shaking, silent body as she carried him back to her bedroom. She dozed off with him in her arms, secure in the knowledge that her darling little doll had learned his lesson: being her toy is a privilege, and the only possible alternative for him is oblivion.

---

Thinking about Proto Vox and body dysmorphia

Vox hated everything about his body.

He hated being so small, not even half the size of most other sinners.

He hated his face, cute and goofy-looking. He hated his “missing tooth,” which only added to his childish appearance.

He hated his head, oversized and heavy. He hated how clumsy it made him before he became accustomed to it.

He hated not having a physical mouth and being unable to eat.

He hated his voice, higher pitched than it had been when he was alive. He hated the childish-sounding lisp he had been afflicted with.

He hated how he couldn’t swear or talk about adult topics without his voice being drowned out by an in-built censor.

He hated his body and its strange combination of wood and metal, both of which bent in ways that shouldn’t’ve been possible.

He hated his hands, soft and rounded and nailless.

He hated how he had spawned without genitals, completely smooth and sexless, like a doll.

He hated how no one perceived him as anything even remotely resembling a sexual being, even though he was a fully grown man who had once had his pick of beautiful women when he was alive.

He hated how he weighed almost nothing, making him easy for others to pick up or restrain.

He hated the way nothing in Hell was built to accommodate sinners his size, forcing him to climb (or be lifted onto) things as simple as chairs.

He hated the way his boss made him dress: in baggy outfits that made his smallness even more apparent, in children’s clothes, in silly, oh-so adorable costumes. He especially hated when she insisted on dressing him herself as though he were her doll.

He hated how often people mistook him for a child or deliberately talked down to him as though he was stupid just because of his ridiculous body.

He hated how people laughed at him and how he had no choice but to make them laugh in order to keep himself alive.

He hated how, in one fell swoop, Hell had robbed him of everything that had made him him. His good looks, his charisma, his respectability— everything. Never in a million years would he have anticipated that this would be his punishment for his misdeeds on Earth, for looking down on others and treating them like objects to be pushed around, but he had to admit, it was a pretty potent punishment nonetheless. And he would do anything to escape it.

---

Vox’s boss was kind of massively projecting her own resentments and trauma onto him. She didn’t actually know that much about him. It was pure luck that her impression of him as an arrogant chauvinist who had treated the people in his life poorly was… you know… accurate.

---

Vox realized that he had a voyeurism kink the third time his boss had sex with someone while he was still in the room. Probably not the outcome she intended, but it wasn’t like Vox could do anything about it anyway. He still felt sexual desire, but he’d spawned in Hell without genitals so that energy had nowhere to go. Just another lovely part of Vox’s Wonderful Afterlife.

---

Most sinners are horrified when they see their new forms for the first time. Vox was just devastated.

He was horrified when he first woke up, of course– transported to a strange new place, surrounded by giant monsters, and barely able to keep from swaying under the weight of his oversized head. No one paid him or his panic any mind save for a few smirks and chuckles. Vox found himself pressed up against a wall, out of the way of the flow of pedestrians, trying to process what was going on. Once he realized something was wrong with his body, he ducked into a nearby store, desperate to find a mirror (and get away from the crowds of fellow sinners). The store clerk let him in; they weren’t supposed to let newlydead into the shop since they usually just cause a scene, but Vox looked harmless, and they felt a little bad for such a tiny, fearful sinner. Vox made a beeline for the nearest mirror.

When his reflection finally came into view, Vox… he was lost for words. Seeing his childlike proportions, it finally registered that the world hadn’t gotten bigger; he’d gotten smaller. His body… there was something wrong with it. It was made of wood and metal like a puppet; only the materials seemed to bend like rubber. Worse than that, it was completely smooth and featureless; his genitals were simply gone. His hands were soft, rounded, and nailless, more like stuffed gloves than human hands. His head was encased— no, not encased, replaced with a television set that looked like it made up the majority of his body weight. Displayed on its screen was a face like something out of a cartoon: large, shiny, googly eyes, a wide mouth, and one conspicuously absent tooth. All topped off with a pair of floppy, overly long antennas that made him resemble some kind of insect.

Vox was speechless, staring at his new body. He felt tears bubbling up as he examined each part of it. He wasn’t sure how, but some part of him knew this wasn’t a dream and that this form would not be temporary. No tears fell though, trapped behind the glass of the— his screen. He couldn’t recall the moment of his death, but the realization of where he must be began to dawn on him. A soft, despairing sound escaped him, and Vox realized his voice, too, had been changed. He was not himself anymore, just this tiny, adorable thing, right out of one of the cartoons he’d been trying to repair the TV so his children could watch. A joke.

Suddenly, Vox felt someone grab him by the arm, dragging him away from the mirror, his feet barely brushing the floor. The owner had noticed a newlydead had snuck in and was having the prerequisite “What have I become?” freakout in their store. Carelessly, they shoved/threw Vox back onto the street and slammed the door behind them. Reeling, trying to wrap his mind around the gravity of the situation, Vox stumbled and collapsed on the sidewalk, surrounded by sinners who either stepped around him like he was nothing or paused for a moment to chuckle at the clumsy newlydead struggling to regain his balance under the weight of his massive head.

---

Vox's own shitty beliefs ended up being used against him during his early years in Hell.

In life, he'd treated his wife and son poorly because they complained about being unhappy with the way things were. Vox believed that if all your physical needs were met and you were able to live comfortably, you had no right to complain. He provided them with everything, and all he asked for in return was for them to be the happy, perfect wife and son he expected them to be. What was so hard about that?!

In death, the tables were turned. Vox was able to live comfortably in a safe environment, doing a job that most sinners would describe as incredibly cushy, but he was desperately unhappy. He was forced to play an inauthentic, demeaning role 24/7 and couldn't complain about it unless he wanted to be punished. Just sit there quietly and smile while the "grownups" are talking. No one wants to hear your silly little opinions. You should be grateful that you're even allowed to be here.

---

Words were Vox's boss' preferred weapon when it came to surreptitiously tormenting him, but she wasn't above using physical violence as a means of "discipline" either. Aside from the antenna and "storage" incidents, she'd occasionally employ "percussive maintenance" at the beginning of his time with her in response to breaks in character or sullen comments. Once or twice, she burnt him with cigarettes in response to particularly "bad" offenses.

---

Vox's boss would give him gifts sometimes. Little presents wrapped up all pretty with a bow. Sometimes, they were for special occasions, like the anniversary of his "coming to live with her"; sometimes, they were "rewards for good behavior." Vox would accept the presents graciously and then never open them, leaving them to collect dust in his room. There were a few occasions when she made him open them in front of her, though. Usually, they were just quaint little trinkets or clothes, but once, she gifted him a goldfish (or the Hellish equivalent) in a tiny bowl. It was the closest she'd gotten to something he'd actually want, yet it still felt like a veiled taunt. It didn't take long for the fish to die; its bowl was simply too small.

---

Vox does his absolute best to keep his past a secret from everyone, particularly Valentino. He knows on some level that it wouldn’t really change anything other than give Val and Vel something else to tease him about, but Vox’s ego is so fragile that he feels like he’d die if they found out. Unfortunately for him, Valentino is incredibly observant when he wants to be. He doesn’t know the specifics, but based on various little things from throughout the years and the pointed insults he’s heard Alastor throw at Vox, he can guess that Vox’s early days in Hell were... less than auspicious. However, he assumes Vox was just some corporate toady, and he would be just as shocked as anyone else to learn how Vox actually began his afterlife.

---

Playing with the idea that Vox’s boss hired him with no ulterior motives; she simply thought he was cute and would be an easy source of entertainment. However, as time went on and she got a better sense of what kind of person Vox was, she began deliberately tormenting him. The abuse and humiliation started off under the pretext that she was only doing it to “correct an attitude problem,” but it soon became clear that her real issue with Vox had nothing to do with his abilities as a performer.

---

It doesn’t really fit with the “lore” I’ve been putting together for this AU, but the idea of Vox trying to go in for various media/performance auditions and either being laughed out of them or told to look into less dignified roles is compelling to me. He looks and sounds so much like a goofy little child; why on Earth would anyone even consider him, especially when there are countless other sinners looking for work whose forms aren’t so distractingly cutesy?

I’ll be honest: Babydoll from Batman TAS is a significant influence on how I conceptualize Proto Vox.

---

Reminds me of fakeannafromthebox's Caterpillar Val AU. Vox is so miserable. He wants to be back in his modified body NOW, but it's going to take a while for them to rebuild it. Val and Vel tease him about it at first... until they realize that Vox is genuinely really hurt by it. He never wanted them to see him like this.

The denizens of Hell are confused as to why Vox is suddenly on a month-long hiatus when he's literally never taken a break from the media before.

---

Been considering whether it should just be happenstance that brings Vox and Alastor together or if Vox should hit his breaking point, go behind his boss' back, and send Alastor a false message in her name, hoping that it will provoke him into killing her.

---

Had a mental image today of Vox sitting in on one of his boss’ conversations with a colleague, as per usual. He’s bored and miserable until the two overlords start discussing the Radio Demon. Vox has heard stories— might’ve even caught one or two of Alastor’s broadcasts— but he’s never heard him discussed like an actual person rather than an urban legend. Vox’s boss starts shittalking Alastor, and Vox suddenly gets an idea. He begins secretly recording her, capturing all her private complaints about him on tape. Vox is terrified of what she might do if she discovered what he was doing, but at this point, he's so good at masking his true emotions that she doesn’t even notice anything is off. Vox held onto that recording until he gained access to a communications device. He hesitated for a moment, thinking of all the ways this plan could go wrong and result in his permanent death, but… he couldn’t pass up this opportunity. He couldn’t bear to stay here any longer.

Alastor figured out it was Vox who sent him that message a couple years into their friendship, but he didn’t hold it against him. In fact, he was impressed with Vox’s determination, taking his fate back into his hands regardless of the risks. He eventually told Vox so himself when the topic came up years later.

---

Vox once made the mistake of snapping that he was not a child at one of his boss’ colleagues who had been talking about him like he was too stupid to understand what they were saying. Honestly, the momentary shock on the colleague’s face was not worth the ensuing, agonizing conversation where his boss muted him, apologized to the other overlord, then prompted them to try to guess his real age, and took far too much pleasure in explaining to them that despite Vox’s appearance, he was actually 41.

---

Thinking about Proto Vox sitting in on his boss' overlord meetings like the Egg Bois in episode 3. Most of the time, his boss would hold him in her lap like a doll, but sometimes, she'd leave him sitting on the ground until the meeting ended. He wished he had a way to put the information he was “eavesdropping” on to good use, but he wasn't allowed to leave the stupid compound without being accompanied by his boss.

---

One particularly dehumanizing experience Vox remembers far more vividly than he would like was the first time his overlord stripped him naked without his consent so she could redress him in a new outfit she’d picked out. This became a semi-frequent occurrence, but it never stopped making his skin crawl. This sort of thing wasn’t supposed to happen to someone like him, and yet here he was, robbed not only of the freedom to choose his own clothes but even to dress himself if his boss so willed it.

Even over half a century later, Vox still needs to be coaxed and convinced by Valentino to surrender control during sex. He has no intention of ever telling Val why having someone else undress him puts him on edge.

---

cw sexual assault

The first time Vox’s overlord stripped him naked was also when she discovered that he had no genitals. Of course, she couldn’t let that fact go uncommented on and groped between his legs to confirm, cooing all the while about how perfect Vox was. Vox didn’t even have time to dissociate during the experience; it all happened so fast. Before he had time to process what happened, he was already being redressed in whatever stupid outfit she’d picked out for him that time. The dissociation came later.

In hindsight, Vox thinks it’s sort of darkly funny how he felt as though he’d been sexually assaulted despite not having any sex organs at the time. It’s really not.

---

Thank you!!!

Yeah, Vox is extremely uncomfortable with thinking of himself as a victim. It's easier to just compartmentalize the experience and tell himself that of course he wasn't sexually assaulted– sex wasn't even involved!

At the time, he had no idea how to feel about it. Before he even had time to process the event, he was expected to just move on with the day like nothing happened. Vox wished he could've just forgotten about it– it only lasted for a few seconds, it "didn't count" because he didn't have any genitals to grope, and, in his successful-white-1950s-man brain, groping wasn't even that bad anyway– but the feeling of violation lingered, no matter how hard he tried to dismiss it or distract himself. He eventually managed to push those feelings away, but the memory will still pop up on occasion and he'll have to convince himself all over again that it wasn't any different than all the other times his boss manhandled him.

---

Oh, I'm glad you liked the post!

Yeah, I can see Alastor giving that roach speech to Vox when he's trying to convince him to stop modifying himself. Vox is just like "You think I'm a bug???" He never noticed; he was too focused on the cartoon/TV thing. Message not received.

Alastor probably has weird feelings about the way Vox's old boss treated him. On one hand, it's kind of funny, and Alastor's clearly not opposed to treating people like pets, given his later relationship with Husk. On the other... he feels a weird sort of kinship with Vox in so many regards, and his relationship with his overlord... [leak discussion] it's uncomfortably similar to Alastor's with his contract holder– tricked into a bad deal, treated with condescension, and forced to pretend to adore them in public [end leak discussion]. Alastor likes the idea of helping Vox gain power and rise above his station, but not him changing himself in order to accomplish that goal– he sees too much of himself in Vox to stand that.

Vox doing ad reads/voiceovers for Alastor's show is a great idea. Perfect way to get back into the industry without opening himself up to mockery; plus, he's got a wonderful voice. Would also give him another reason to hate radio once he and Al split: audio-only work will always be a reminder of a time when he couldn't bear to be seen.

---

Might incorporate how long it’s taking me to come up with a name for Vox’s boss by making it so he’s only allowed to call her “Ma’am”/“Madam”/“Miss” instead of her actual sinner name.

---

Thoughts on Proto Vox in the RAM verse

Proto Vox thoughts that heavily feature my OCs

---

Once he finally gained the ability to project a functioning mouth onto his screen, Vox got himself into some… interesting situations trying to keep up with Alastor whenever they went out for drinks. He didn’t care that he was half Alastor’s size; he’s drinking just as much as he is! Maybe even more!!

Those were some of the funniest nights Alastor had (and still has) ever experienced.

---

Thinking about Vox, dead for a week or so, with cracks in his screen and dressed only in a button-up shirt he'd stripped off a corpse double his size, pitching himself to his soon-to-be overlord and trying not to come across as desperate as he truly was. The streets of Hell aren't kind to anyone, but especially not to defenseless-looking, newly arrived sinners with body parts that could potentially be resold. In his short time in Hell, Vox had already had multiple people try to strip him for parts and had only escaped them by the skin of his teeth. He'd barely been able to sleep since he arrived, constantly on guard for more attackers. He looked a fucking wreck, but that only added to his charm, in his boss' opinion. He looked like a starving Victorian orphan trying to give a serious business pitch– so cute!

---

Vox wishes he could feel comfortable in his bedroom at the compound. Being in there means he’s away from his overlord— that he can finally drop the act and just breathe. It’s a nice room, too, especially compared to the living quarters of most other employees. Vox feels as though the privacy and comfort should be enough. But… it isn’t really his room, is it?

His overlord chose the decor: soft and twee and old-fashioned. She can start pounding on the door, ordering him to come out and join her at any moment. The fact she’s too tall to fit in the room is small comfort. It feels like living in a dollhouse; there’s the illusion of privacy, but one wall is missing, allowing the owner to move things around or snatch up the doll inside at a moment’s notice.

---

Honestly, Vox's boss definitely got her "money's" worth out of Vox. He wasn't lying about being a multi-talented performer; he had a wide array of skills.

He had extensive training and experience with dance and comedy (although he was 25 years out of practice) from his childhood on Vaudeville. He was a consummate singer, good at improv, and familiar with a handful of instruments, particularly the piano. He could act fairly well (although he was always more convincing when he came up with stuff on the spot) and had even become a perfect mimic due to his demonic form.

Vox's overlord couldn't have asked for a better entertainer, and she counted herself lucky that he just happened to wander into her building one day looking for work– she didn't even need to place an ad!

Vox was proud of his various skills– he sure as hell hadn't spent years working himself to the bone to hone them for nothing, after all– but he missed being the host rather than the entertainment. He hadn't had to perform like this since he was a child, and it was just as exhausting as he remembered.

---

Vox's primary job was to be a jester for his overlord, but he was also somewhat of an assistant to her. He'd make or serve her and her guests drinks (alcohol, coffee, whatever), carry things for her (which would often be embarrassingly difficult, given his size), and run very minor errands for her (usually just delivering messages to employees a few doors down). Additionally, once she discovered that he could record audio, she started using him as a living tape recorder. She'd bring him to meetings, have him record the conversation without the other party knowing, and then play the audio back once they were in private so she could take note of the exact phrasing and use it against them later on. This last use for Vox ended up being her downfall; she kept him so cloistered that she never thought that he'd be able to use her own words against her one day.

---

Up until the incident where he tried to quit, Vox’s boss would sometimes casually threaten to replace him if he didn’t immediately bend to her will. There were countless other sinners and Hellborn that were perfectly capable of doing his job without an attitude problem; why shouldn’t she just trade him in for one of them? Or perhaps she should employ another entertainer to work alongside him (i.e. compete with him). If Vox thought he was too good for this job, then he could go back to the streets whenever he liked. These threats almost always succeeded in getting him to comply, and she was a bit disappointed when she realized they were no longer as effective as they’d once been.

---

Honestly, Vox’s boss getting another “pet” would be a whole shitshow. When Vox was alive, he once outed a coworker as gay because he was getting more airtime than him, which led to the coworker’s family institutionalizing him. And that was when the stakes were just career success. Vox may hate his job, but it’s what keeps him safe and alive. He’d feel so threatened by the new person that he’d probably end up getting them killed just to protect his position. His overlord is 100% aware of what's going on, but she gets a kick out of watching Vox do whatever it takes to stay in her favor.

---

Vox actually starts initiating affectionate interactions with her out of desperation not to be replaced. His boss (who lowkey only wanted make sure he didn’t grow complacent in his position) is delighted. The poor imp she hired has no idea what they’ve been sucked into. Vox is cold and hostile when they’re in private but then will turn on a dime the second he sees their overlord. Their boss is constantly doing subtle little things to pit them against each other, but the imp feels like they never truly had a chance of surpassing and replacing Vox. All the imp wants to do is make enough to feed their family, but in the end, all they get is being ripped in two by vines when Vox snitches on them for taking a few extra bucks from his boss’ desk.

---

In the modern day, Vox and Alastor disagree about how they met. Alastor will say that he rescued Vox from his overlord and took him in afterward. Vox will say (or rather, would say, since he never speaks about his past) that he rescued his damn self and chose to stick with Alastor because it was the best possible option at the time. Neither of them are wrong, but their mutual bitterness skews their perception of the situation; Vox, the "helpless charity case," and Alastor, the "means to an end."

---

velvette seeing the kind of clothes vox used to have to wear for work and just. vomiting on his behalf

---

Vox thought he was at a bit of an advantage when his soon-to-be boss offered him a simple deal sealed with a handshake: serve as an entertainer for her and she'll give him a safe place to live. Verbal agreements aren't as enforceable as written ones, and the vagueness of the deal left him plenty of room to wriggle his way out if need be!

What Vox didn't realize was that things in Hell don't work like they do on Earth. Sure, vague deals have loopholes, but it's the person with more power who's usually able to take advantage of them as opposed to the "victim." Additionally, written contracts have clauses– specific stipulations that must be abided by. If he'd negotiated things a bit more closely, he could've demanded that she allow him freedom of mobility or had to accept any attempts at a resignation. As is, she was able to keep him at her side at all times and threaten him into staying because there wasn't anything in the deal that said she couldn't do those things; as long as she was giving him a place to stay, she was upholding her end of the bargain.

Vox definitely remembered this lesson when he started drawing up contracts/deals of his own during his later endeavors. Deals can be just as binding as soul contracts. Vagueness is an invaluable tool when it comes to tricking people into bad deals, although granular specificity certainly has a place too, so long as you can get the sucker not to read the fine print.

---

Out of all the things Vox had to do to entertain his overlord, slapstick was his least favorite. It was just so undignified. He already hated having to play dumb and childish, but being the butt of the joke was so much worse than simply being doted on. He couldn’t stand being laughed at, but he didn’t have another choice; if his boss wanted comedy, he had to give it to her, otherwise he’d be punished. For as much baggage he had regarding dance, he would chose it over pretending to hurt himself (or genuinely hurting himself) for his boss’ amusement every time.

This hatred of being laughed at persisted even after he escaped his overlord’s clutches. Vox eventually learned to use his unthreatening appearance to his advantage, but back in the day, a good way to get your shit rocked by the Radio Demon’s tiny apprentice was to laugh at him when he wasn’t trying to be funny.

---

As of right now, Vox's sinner name has always been "Vox." He's eternally grateful that he'd already picked out his sinner name by the time he approached his overlord, because who knows what ridiculous name she would've saddled him with otherwise. However, if Vivziepop ever talks about Cockroach Vox and it turns out he didn't used to be named "Vox," then that name would've been the one he went by up until he met Alastor.

---

Vox was not an overly foul-mouthed person when he was alive, although he certainly wasn't afraid to swear if the situation called for it. However, that casual relationship with tasteful speech went completely out the window after he died. Aside from the in-built censor that kept him from audibly cursing or talking about subjects like sex, he now had a very restrictive persona that he needed to play into. Having to say shit like "Gee whiz" or "Golly" in order to keep up the "cute little cartoon" act was maddening. It was such a relief when Alastor figured out a way to shut off the censor; Vox finally had complete freedom in how he chose to speak again. Honestly, he may have gone a bit too far in the other direction, but given the culture of Hell, it's more unusual to be excessively clean with your speech than it is to swear every other sentence.

---

I wonder if any of the other, older overlords remember Vox from his early days. His boss had a habit of bringing him to meetings and having him perform at parties, so someone like Zestial would’ve probably encountered him at least a couple of times.

On one hand, Vox is beyond grateful that none of the old-timers recognize him as “Lantana’s little lapdog.” On the other, he’s slightly offended that no one paid him enough mind back then to remember him.

Zestial 100% knows who Vox used to be, he’s just choosing to keep that information to himself for the time being.

---

Thinking about a scenario where Vox gets stuck in a hopelessness spiral that causes him to break character in front of his boss. He asks her why she’s doing this to him; what does she get out of all this? Lantana is annoyed by his self-pity and asks him if he has any idea how lucky he is.

Oh, poor Vox, forced to live in the lap of luxury. Condemned to perform wholesome little routines for one of the most powerful overlords in the city while other sinners (female and male) have to prostitute themselves to survive. What an awful fate, having to let her spoil him, love him. Countless sinners would kill to have half of what he has, and here he is complaining because his ego is too fragile to handle not being “in charge” anymore. She’s shocked he’s so ungrateful that he can’t appreciate the gift she’s given him; childhood is a beautiful thing, after all.

Vox knows it’s all lies— she enjoys humiliating him, forcing him to smile through gritted teeth as he plays the demeaning role she’s picked out for him— but after years in her clutches, a small, animal part of his brain wonders if she’s right. Is she being honest when she says she only hurts him to correct him? Does she actually believe that taking away his freedom and keeping him in a gilded cage is love? Is he really better off here than he would be out in the world, struggling to force people to see him as the man he really was used to be?

No. No, he can’t let her get in his head like this. He’s had to give up so much of himself to her; she can’t have his thoughts too. Just don’t say anything. Let her think she’s made him second-guess himself. Don’t allow her to wrestle what little control he has left from his grasp.

---

Vox’s slogan, “Trust us!” started off as “Trust me!” After a while with Alastor, Vox learned to start playing into his harmless appearance in order to gain people’s trust, only to lead them to their deaths or otherwise betray them later on. Most people thought he was either a literal child, stupid, or so weak that they could easily overpower him if need be, so it was easy for him to convince them to let their guards down. Vox managed to get his first few contracts using this method. Trust him! He couldn’t hurt a fly, honest!

Alastor loved this routine, not only because it was hilarious to watch people unknowingly dig their own graves, but because it was useful to him as well. Alastor’s reputation had become so fearsome that it was difficult to get people to stick around long enough to ensnare unless they were truly desperate. It was helpful to have Vox around to lure people in, or to just run errands that would’ve otherwise been a pain due to people’s annoying habit of fleeing at the sight of him. They were a good team, he and Vox; Alastor couldn’t understand why he would choose to give that up in order to become an off-brand copy of him. Yes, it wasn’t the most dignified niche, but it was an important one! And one that very few could pull off even half as well as Vox!

---

Random thought: Vox’s original voice made it impossible for others to tell whether he was a child or an adult. He didn’t quite sound like a real child, but his voice was pitched in such a way that he didn’t read as an adult either— sort of like when adult voice actors play kids. Vox could still hear Himself in certain inflections and in moments when he was allowed to drop the act, but it was extremely alienating, never truly feeling like himself even when he was doing something as simple as speaking.

---

I don’t subscribe to the “Valentino started off with his own abusive pimp” theory (not because I think it’s implausible, it’s just that my HC version of him only worked under the previous overlord of the sex trade for like a year before killing them), plus I think Vox and Val met after Vox was already somewhat established, but whoo-boy, the two of them meeting while they’re both still under the thumbs of their respective abusive bosses would be fun.

---

Two concepts:

Vox’s boss brings him along to an overlord party that Val happens to be performing at. Some drunk dumbass picks him up and shoves him onto the platform where Val was pole dancing— they thought it’d be funny to make the sexless little clown interact with the dirty whore. That was Vox and Val’s first meeting. (Loosely inspired by some of kibbles-bits’ art)

Vox and Val’s respective bosses start up a casual relationship, resulting in the two of them visiting each other’s bases semi-frequently. They get to talking and eventually come to realize that, holy shit, the other guy is an actual person?? And a fun/interesting/clever person too???

---

Vox: Yeah, my #%$!@ of a boss makes me sleep with her sometimes. Val: Ohhhh, me too! Well, at least Mantis Bitch is sexy~ Vox: What? No, I mean she literally makes me sleep in the same bed as her. Like kids do with stuffed dolls. Val: …Huh. Well, I guess that must be somebody’s kink. Vox: $?*@&€# %*¥=…

---

Self-indulgent 4 am whump thought (cw involuntary surgery)

what if proto vox spawned with his childhood leg injury intact? it’s usually not an issue as long as he doesn’t exert himself, but his new job requires him to spend most of the day standing and perform physically intense routines for his boss. for the first several weeks, he doesn’t let on that he’s in pain since he’s terrified of being thrown back out on the streets, but eventually, either his boss confronts him about why he’s suddenly developing a limp or he makes the mistake of mentioning it to her himself, hoping he can convince her to be a bit more restrained with her orders. either way, when vox explains that he’s had this issue since he was a child and that there’s no way to get rid of it, lantana just casually says that she’ll see to it, no problem. vox is concerned by her self-assured tone, but when he asks her what she meant, she abruptly changes the subject with a finality that tells him this is not a matter to be debated.

for the next week, vox is left wondering what she intends on doing. just as he was starts to forget about it, he gets his answer. one day, vox wakes up to find himself in an operating room-turned workshop, held to the table by a few flimsy straps and a nurse(?) gently restraining him. there’s no need to be frightened! they’re just going to see if there’s anything they can do to fix his leg, that’s all. vox tries to reign in his panic as the head doctor examines his leg, but it soon reaches a fever pitch when it’s determined they can repair the damage! by replacing the “bone.”

it’s painful, having someone saw through several layers of his wires, but not as painful as vox imagined it would be. the horror of watching it happen, though, makes it all so much worse. watching someone reach into the mess of his leg and slowly pull out a long, metal rod is like something out of a nightmare. the “surgeons” measure and examine the rod (his bone), then cut a replacement to his size and insert it back into his leg. his wires (his flesh) quickly knit back together with only a bit of help from the doctors, and suddenly vox is back on his feet, being told to return to work as though he didn’t just watch his own leg “bone” be forcibly cut out and replaced.

it taught him that his body could be modified. he never had to deal with his old injury again. vox chooses to focus on these things rather than the absolute terror he felt watching them operate on his leg. he doesn’t need (doesn’t want) to think about the experience itself, only the outcome.

---

3am thought: Vox at the beginning of his employment, trying to figure out what his boss’ limits are and what he can get away with. He’s not thrilled that her idea of “entertainment” seems to mostly consist of song, dance, and comedy, so he starts trying to engage her in conversation instead. Vox is a great conversationalist, and he knows it. His plan is to pull her in, convince her that they have some kind of genuine connection, and then use that to his advantage. That plan is dashed though when, after two or three attempts at engaging her in substantial, adult conversation, she cuts him off and briskly tells him that she didn’t hire him for his conversational skills, she hired him to entertain. If she wanted to hear him speak, she would tell him, but right now, it’d be prudent of him to shut up and do as he’d been told.

Random wondering: What would it take for Vox to finally snap? Or would he just become so good at staying in-character that he appears to have snapped/given up to everyone around him?

Idea: Alastor acquiring Vox after he’s cracked and fully given into his boss after decades in her service. It’s only with Alastor that Vox slowly starts pulling himself back together, allowing elements of his original/real personality to re-emerge. Alastor doesn’t even mean to do this; he just treats Vox with a modicum more respect than he’s used to and gives him positive feedback when he acts more like himself. Vox idolizes Alastor for “saving him from madness,” so of course he flies off the handle when they have their falling out.

Idea: Vox developing Stockholm Syndrome in this scenario. He was trapped with Lantana for so long that he had no choice but to accept that she “loved” him and only wanted what was best for him. When Alastor kills her and takes Vox home with him, Vox sees it as a kidnapping. He cries when Alastor isn’t around, mourning the loss of the master who’d kept him safe and in the lap of luxury for more than a decade. Everything’s so hard now. He hasn’t had to (hasn’t been allowed to) make any choices more complex than “what act should I perform today” in so long; it’s overwhelming. He wants to go home, but this is his home now. It feels like arriving in Hell all over again.

He tells himself he doesn’t understand why there’s a small part of him deep down that’s relieved Lantana is gone.

---

Vox was lucky his body operated on rubber hose physics. The size difference between him and his boss was so extreme that if it didn’t, she could’ve easily shattered his bones (if he had any) or dislocated his limbs, simply by handling him too roughly. All the better. She was usually fairly gentle, but since she knew she could treat him like a rag doll, occasionally, she did. It hurts, dangling in the air by the arm while the person holding you gives you whiplash every time they move too suddenly, but not as much as it would for an organic demon.

---

Three random thoughts:

1) I checked, and the height-difference between Proto Vox and his boss (and Valentino) is directly proportional to that of the tallest and smallest women in the world.

2) Shirley Temple would probably be a good inspiration for Proto Vox’s style of performance.

3) It could be interesting to play with the way Vox’s innocent and wholesome persona would interact with Hell’s general culture. Lantana kept him pretty desexed and infantilized while at “home,” but when she made him perform for groups, the comedy of the routine would be derived from contrast. Most demons wouldn’t get the appeal of his usual schtick played straight, but contrast that cutesy shit with Hell’s usual fixations (sex, profanity, and violence)? Now there’s something worth laughing about. It’s like teasing a fallen cherub.

---

the mental image of lantana telling vox to “go play” at a party will not leave me

“darling” “baby” “sweetheart” “dear”

i am slowly giving in to the whump urges

---

random fact: the way vox is treated by his boss in this au is heavily inspired by the way some imps (particularly the smaller ones) seem to be treated in the hellaverse

---

thinking about the first time lantana struck vox.

it was just so unexpected. vox could hardly even remember the last time someone had hit him— maybe when he was a rowdy young twenty-something? his parents had occasionally struck him as a child, but that was rare.

a week or two before, he’d made a comment that was a bit too sullen for her liking and she’d suddenly grabbed his arm, striking it once with an object like a schoolteacher with a misbehaving student. it’d caught vox off guard, but it was more shocking than painful, and lantana instantly moved on like nothing had happened. he didn’t expect things to escalate so quickly.

he spoke out of turn— that’s what prompted it. he’d been listening to his boss discuss business matters with an associate, and he’d tried throwing in his two cents. it was still early on; vox was testing what he could and couldn’t get away with and had thought the two of them might find his feedback worthwhile. he was wrong. he’d only gotten a couple words out before he was suddenly knocked to the floor by a blow from one of his boss’ lower arms. she didn’t even say anything, just returning to her conversation while he was left stunned on the ground.

when the colleague finally left, lantana picked vox up, sat him on her desk so they were at least somewhat closer to eye level, and laid out exactly what she expected from him from now on. he would not speak unless spoken to when in the company of others; she brought him along to these meetings to be visual stress relief, not to participate. on that note, he would not talk to her about business at all. she had no interest in his opinions, and going forward, she would not hesitate to discipline him if he kept trying to stick his nose where it didn’t belong. finally, and most importantly, he needed to remember his role. he was there to entertain her— to be a sweet, silly little distraction from the stresses of overlordship, and she expected him to act like it. it didn’t matter if she wasn’t playing with him right at that very moment, he was still “on the clock.” amuse her when she wasn’t busy, sit quietly and look cute when she was, and above all, stay in character. she would strike him as many times as was necessary in order to get that through his head, and would throw him out if he still refused to comply.

lantana asked if she was understood, and vox, terrified of returning to the streets, agreed. he left the room hating her, but also felt a strange, unwanted sense of embarrassment that he had overstepped to the point where she decided she “needed to” hit him. he should’ve known better. this woman was not to be “trusted” any more than she was to be manipulated.

---

Random thought: Proto Vox's unofficial theme would be "Make 'Em Laugh" from Singin' in the Rain

---

was thinking about female or trans male proto vox recently and got to wondering what lantana would be like in that scenario since i've made gender dynamics such a big part of her character. came up with a few different options.

---

Finally decided to try rewriting the scenario I came up with for option one

It’s the early evening and F!Proto Vox is chatting away animatedly as she does her overlord’s hair. Lantana had an event scheduled for that night, so it fell to Vox to help her mistress get ready. Vox is completely checked out from the conversation and is counting the seconds until Lantana leaves and she can finally have some time to herself. Vox allows her boss to steer the conversation, and feigns enthusiasm for whatever banal topics Lantana chooses to bring up. Finally, Lantana is ready to leave. Vox gives her typical fawning farewell to her boss and is ready to dash off to her bedroom for some much-needed alone time the moment Lantana’s out the door. However, right as Vox wishes her overlord a pleasant evening, Lantana cuts her off, announcing on a whim that Vox would be accompanying her to the event. Vox, equal parts shocked, flustered, and irritated, tries to convince her boss that she didn’t need to bring her along— there will be so many more interesting things at the event, Vox’s presence would just be a distraction— but Lantana simply steamrolls over her. Vox will come with her; she’s got the most adorable little outfit picked out for her and everything!

Also, random piece of dialogue bouncing around my head:

Lantana: Oh~ are you going to braid my hair, darling? F!Proto Vox: (ihateyouihateyouihateyou) I can do much more than that!! 😊

Aaaand now I’m thinking about the bitter resentment an AFAB Vox would feel having to do someone else’s hair/makeup when she used to be the one who was groomed to perfection by a prep team dedicated to making sure she was camera-ready.

---

Decided what the sequence of events leading up to the whole “first time being stripped naked” incident were:

Vox manages to get a meeting with Lantana and enters into a deal with her: he’ll be her personal entertainer if she gives him a safe place to live.

The first week or two is a “trial run” to see if Lantana likes Vox enough to keep him. During that span of time, Vox only has one or two sets of clothes: the ragged shirt he stole off a dead body while on the streets and some clothes meant for imps that Lantana provided. When Lantana decides to keep Vox, she orders a whole new wardrobe for him without telling him.

When the new clothes arrive, Lantana tells Vox that she’s decided to let him stay and that she got a gift for him to celebrate. Vox is relieved to no longer have the threat of having to return to the streets dangling over his head. He’s kind of weirded out by Lantana, but she hasn’t revealed her sadistic side yet, so he’s cautiously optimistic about his future; this “gig” may be embarrassing, but he can make it work.

Lantana leads Vox to either his or her bedroom and presents the new wardrobe to him like it’s some kind of wonderful gift. Vox is startled to see what kind of attire she picked out for him: children’s clothes, outfits that are clearly several sizes too big for him, and a handful of cute costumes. Vox tries to hide his consternation and think of a polite way of declining the “gift,” but Lantana barely lets him get a word out, going on about how happy she is that he’ll be staying with her and how sweet he’ll look in his fancy new clothes.

Before he can object, Vox feels the top he’s wearing suddenly being pulled off; Lantana wants to see him in his new clothes now. He tries to object and pull away, but it’s all in vain. His shirt is removed and now she’s going for his pants. A mortified Vox implores her to stop— he’s never experienced this kind of sudden disregard for his personal agency in his adult life— but Lantana just cheerfully talks over him, assuring him there’s nothing to be frightened of… until she catches sight of his crotch.

Lantana pauses for a moment, caught off guard by Vox’s lack of genitals. Vox shrinks away, humiliated to have someone ogling his hated naked body. His reprieve only lasts for a few seconds though, as Lantana’s face lights up with delight. Vox suddenly feels a hand groping between his legs, long fingers probing experimentally, searching for an opening or a protrusion of some kind. Her voice sugary sweet, Lantana coos about how perfect Vox is as she runs her hand across his smooth, sexless crotch.

Vox barely has time to register the awful (and totally unfamiliar) feeling of violation blooming inside him before the hand is gone. Lantana’s riffling through the wardrobe, trying to decide which outfit she wants to put him in first, while Vox struggles to wrap his mind around what just happened. Before he even has time to catch his breath, a new bundle of clothes is thrown in his direction. Lantana “asks” him to help her put them on him, and Vox, disoriented and degraded, faintly agrees. The words aren’t even fully off his lips yet before Lantana starts pulling the new outfit onto him.

Bonus F!Vox version. Warning for discussion of dark sexual topics.

Vox has been uneasy around her new boss ever since they met. He's so serene and indulgent whenever he's with her; it just doesn't seem right for an overlord of Hell to be this gentle. So far, all the attention he's given her seems to be purely platonic, but there's something about the way he looks at her that makes Vox fear that he might start coming onto her at any moment. She's been around enough wealthy, powerful men in her human life to know how this situation could go.

When he shows her the wardrobe of little girl's clothes and cute costumes, she's horrified. She immediately assumes he got them for sexual/fetishistic purposes and blurts out that she's not a child, trying to discourage him from what she thinks he's planning. Vox's overlord patiently tells her he knows she's not a child; this is just how he wants her to dress while working for him.

Not waiting to see if his reassurance actually convinced her (it didn't), the overlord abruptly starts unbuttoning her dress. Vox panics and starts begging him not to do this– there's no point in doing this. She's utterly convinced that he's about to assault her and is terrified of how he'll react once he realizes she has no genitals or breasts. Will he throw her back out on the street if he can get what he wants? Kill her in a fit of anger? Or just find some other way of getting gratification from her?

Heedless of her pleas, Vox's boss just chuckles warmly and tells her there's nothing to be afraid of as he peels the imp dress off of her off her struggling body. Like his female counterpart, he freezes in surprise for a moment when he catches sight of Vox's featureless wooden body. Vox squirms under his gaze, terrified of what's coming next... but her overlord just smiles adoringly, runs a hand across her crotch, and tells her she's perfect before handing her a new, oversized dress and asking if she'd prefer it or something else.

Vox stands there, frozen in fear. Her boss cocks his head in puzzlement, asking what she's afraid of. Vox answers "Nothing" as quickly as she can, but the truth of the matter suddenly dawns across her overlord's face. Acting affronted, he denies that he'd ever dream of hurting her like that. What a repugnant thing to do! Kneeling down to Vox's level, he swears to her that she has nothing to fear from him and gently starts trying to coax a smile out of her. Vox, fearing what might happen if she doesn't comply, reluctantly forces a smile onto her face, relieved that he's not going to try to rape her (“Yet,” she thinks), but not trusting him any further than she can throw him.

When she smiles back, Vox's overlord glows with fondness and tells her to put the incident out of her mind; for now, they should just focus on getting her dressed. Vox puts on a forced, awkward smile, accepting the new clothes graciously. This is leagues better than being assaulted, obviously, but... she still doesn't want to dress like this. But she dare not argue with her overlord; she needs to show him that she's grateful for his "kindness." She tries to forget the feeling of his hand groping between her legs.

---

#Just infuriating things about being three feet tall in a world where the average height is 6’6: door knobs.

Vox had three options when encountering a closed door back in his early days: knock and hope someone on the other side heard him, ask a nearby person to open it for him (which always made his skin crawl), or try to figure out a way to reach it on his own. The worst was when someone saw him struggling to reach the door knob, took pity on him, and opened the door for him, usually with a condescending comment tacked on at the end. It was such a blessing once he finally unlocked his electricity/teleportation powers and didn't have to deal with that crap anymore.

---

Random cheesy idea: Three moments in Vox’s life when the phrase “children should be seen and not heard” was relevant. The first is a time his parents applied it to him, the second is a time he said it about his own children, and the third is his boss using it against him in Hell.

---

thinking about option 2 vox. she says something snappish to her boss about not being a child. next time they go out, the clothes lantana gives her to wear are different than usual: clothes that are exactly to her taste from back when she was alive. they're somewhat oversized.

vox looks ridiculous with her stylish, refined dress hanging awkwardly on her sexless wooden frame. she's sliding around in too-large heels, and the gloves reach all the way to her shoulders, sagging pitifully around her arms. she looks like a child playing dress up; a little girl wearing her mother's clothes. it was like a slash to the heart, seeing herself like this; knowing that even if she had the freedom to choose how she dressed, she would always look like a joke.

the cocktail dress and heels got her laughed at and mocked more than usual. the pinafores and bows just made people gush about how adorable she was sometimes. it was easy to see which was the better option.

it was years before vox felt comfortable enough to start occasionally dressing her age again. alice wouldn't mock her for choosing to dress as an adult. she'd mock her for a whole lot of other things, but at least they were never tied to her appearance (aside from her peculiar modern head, of course!).

---

I know I said this verse’s Vox died while trying to fix a TV, but what if he still got electrocuted on set, but instead of a quick little zap, there was a massive, cartoonish explosion

---

Idea regarding the "storage" incident: The thing that prompted that confrontation was another overlord/business associate showing an interest in Vox. They were involved in the movie industry and thought they could put him to good use in their films, so they asked Lantana if they could purchase him or even just rent him out for a bit. Vox was thrilled– finally, a chance to get back into the industry and out of this fucking building! And it'd just fallen right into his lap! He immediately tried to say "yes," but Lantana cut him off and turned down the offer. She had no intention of giving him up, so she wouldn't let him get away that easily. Vox was pissed when she said "no." He usually held his tongue when his boss did something that upset him, but he was not about to let this person who didn't even own his soul take away this opportunity. He dropped his cutesy persona, demanded she give him a reason he couldn't go, and then tried to accept the other overlord's offer. Lantana sharply grabbed him by the arm, saying something along the lines of "Because you still haven't learned to do as you're told." She denied her now rather uncomfortable associate once again and asked them to leave. Vox tried to shout to them as they turned to leave, but Lantana just muted him, then started twisting his antenna when he tried to unmute himself. Once the other overlord was gone, Vox exploded at Lantana and tried to quit right then and there, but of course, she wasn't going to let that happen. Once he was let out of "storage," Vox was too scared of what else she might do to him to try to quit/escape again (at least, not openly).

---

Idea: Whenever she’d take him to parties, Lantana would pin an orchid to Vox’s lapel/shirt to serve as an indicator of who he was with. It worked— everyone who saw him immediately understood that he was part of Lantana’s entourage— and probably protected him from some of the more violent harassment that goes on at sinner parties, but lord, he hated walking around with a clear sign of who he belonged to pinned to his chest.

---

Thinking about this painting, but with Proto Vox

---

Thinking about Vox begrudgingly trying to remember and adapt some of his old Vaudeville routines for “special occasions” (i.e. when Lantana makes him perform for associates or at parties). That’s a time in Vox’s life that he prefers not to think about, but now that he seems to have been condemned to relive a twisted version of it, he doesn’t have much of a choice. His boss will allow him some repetition, but she expects him to come up with new material on a regular basis, and it’d just be stupid to refuse to use his pre-existing back catalogue. He’s both surprised and not surprised at all that even 25 years later, he still remembers his childhood acts so clearly.

---

Alastor knows full-well that Vox is an adult and treats him with the usual respect he’d afford one, but like… it’d be kinda funny if at least on a subconscious level, he saw Vox as a kid he was mentoring.

Like, imagine the scrappy little orphan you’ve let live in your house for the past several years suddenly confesses that he’s passionately in love with you, and you’re abruptly reminded that, oh yeah, this guy’s actually a grown man. Of course Alastor wouldn’t react in a particularly graceful manner.

Also would put Alastor's condescending treatment of Vox during episode two in a new context. He knows being talked down to drives Vox nuts because of his past, so he purposefully treats him like a kid throwing a tantrum in order to further get under his skin.

---

version of proto vox where him and alastor DIDN'T genuinely become friends. alastor never respected him and treated him like his little sidekick. vox is still bitter about the rejection, but mostly he just hates alastor for treating him like a joke, now that he's no longer blinded by infatuation.

bonus: alastor who grew genuinely fond of vox but completely neglected to show it. he thought their dynamic was fine so he never thought to act differently/treat vox with a little more respect. he was completely caught off guard when vox finally exploded at him, and even felt a little betrayed– he thought everything was fine!

---

Aside from his performance skills, another reason why Vox was considered such a novelty was his head. Televisions were not common in Hell at the time (even among the elites), so his ability to project things on his screen was seen as quite unique. He’d sometimes have to stand still for extended periods of time and let people watch as he played whatever he could come up with in the moment on his screen.

---

Thinking about Proto Vox sitting in front of a mirror, trying for hours on end to retrain himself to talk without lisping or stuttering, or simply to speak in a lower register of voice than his new default. It never works.

Thinking about Vox say in front of a mirror, reciting the sign off for his show over and over and over again. The words are etched into his mind; he remembers every inflection, every tone shift he used to use as he read from the teleprompter night after night. He knows what to say and exactly how to say it.

And yet, he’s never able to do it right. No matter how many times he repeats the words, no matter how carefully he tries to pronounce them, they always come out lisped. He’ll finally manage to master one phrase only for it to come out high-pitched and slurred on the next attempt.

He keeps trying even as it becomes more and more clear that it’s no use. Whenever his boss dismisses him after a long day of work (that is, if she dismisses him— there’s no guarantee that she won’t decide on a whim to keep him for the night), Vox goes straight back to his room to try once more to retrain himself to talk like an adult. If he can’t have his body, he’ll have his voice— he has to have his voice.

Eventually, those practice sessions in front of the mirror become more and more rare. There’s no point; no matter what Vox does, the stupid, childish lisp remains. It’s this more than anything else that finally makes him understand the true nature of his punishment. This form was not selected for him at random or as a result of his prior career. Hell has decided he will spend the rest of his days as someone no one can take seriously. No status, no influence, no effortless charisma. He remains the same man he’s always been in his mind, but his body will allow no escape from his punishment. His self is no longer his own.

Thinking about Alastor losing his patience with Vox as they're drifting apart. He snaps that Vox's punishment isn't to never be taken seriously, it's to look like the impudent child he truly is.

---

cinderella has proto vox energy in this

Another toon with Proto Vox energy. The time period's even right!

---

oh this fucks so severely

---

During his first year in Hell, part of Vox’s “charm” was that he often struggled under the weight of his disproportionately large head. It made it difficult to maintain his balance given how it made up the majority of his body weight, and, when fatigued, he sometimes had to resort to using his hands to hold it up. People thought it was funny how clumsy he was during that first year. Eventually, he got used to it and regained his sense of balance (after many hours of physically demanding performance, of course), but if someone pushed him, he was still liable to collapse in a heap.

---

Thinking about Vox dissociating from his work persona. He feels like he’s in a completely different frame of mind when he’s performing; like he’s just a passive observer in his own body. It’s the only way to keep his ego intact— to convince himself that the words he’s saying/choices he’s making aren’t his own. He never actually severs the connection between his work identity and his real one, but seeing “Work Vox” as a different person made it all the easier to consign “him” to the past once the opportunity presented itself.

---

Kind of a nothing idea, but wanted to post about it anyway

If Vox had actually died as a child and somehow found his way to Lantana, their relationship would genuinely be as sweet as it seems on the surface. Lantana has a soft spot for children, and here’s this lost, vulnerable little boy who’s wandered right onto her doorstep. The fact that he’s actually very talented and incredibly eager to please just made the whole situation even more perfect.

Vaughn doesn’t understand why he’s in Hell (he’s not even ten years old, for goodness sake…), and he misses his parents (well, mostly his mother) terribly. It feels like a stroke of good luck that he happened upon an overlord who was willing to take him in and treat him so well. He doesn’t even need to do anything that hard— just all the same performance stuff he was already doing back on Earth, and with a less busy schedule at that. It doesn’t take long for him to get attached to Lantana; she’s just like momma, except she’s less demanding and always wants him around, even when she has something more important going on.

---

Lantana, halfway through her first meeting with little Vox: Vaughn, sweetie, could you tell me again: How old are you? Vaughn: *takes a few moments to count to six on his fingers before holding them up* This many. Lantana: what the fuck

---

Oh yeah, Claudia’s definitely an inspiration for how I write Proto Vox.

But gosh, the mental image of Vox sketching out/building a model of what he wishes he looked like and it basically coming out as Alastor with a TV head… oof. The self-hatred, the idolization, the jealousy…

And the eventual realization (whether it comes years down the line or in that very moment) that he make that dream a reality. He can become someone “worthy” of people’s respect and admiration, so long as he has the resilience to take himself apart piece by piece.

Thinking about Proto Vox just. watching Alastor. Watching how he moves through the world— the way a hush falls over the room when he enters, the way he conducts himself with such complete self-assurance, the way everyone looks at him with a mix of reverence and terror.

Vox watched Alastor more intently than he’d ever done with anyone else. Envy wasn’t an unfamiliar emotion to Vox, but he’d never experienced it so intensely as he had with Alastor. In life, Vox had envied others, but he always felt as though the things he coveted were within his reach, so long as he was willing to put in the work to attain them. Envying someone for something you feel like you’ll never have (or rather, once had (to a degree) but was taken from you, seemingly for good) was so much worse.

Vox truly saw Alastor as a friend and confidant, but it never stopped hurting whenever others’ eyes glided over him without notice and immediately locked on Alastor. It never stopped hurting when others would talk down to Vox like he was some kid sidekick, but would speak to Alastor with the upmost respect. Alastor himself didn’t condescend to Vox (at least, no more than he does with everyone else), but that didn’t stop the resentment/idolization from slowly building within him. It wasn’t a pleasant feeling, but Vox could hardly blame himself for experiencing it; his host/mentor was everything he wished he could be, and Vox was trapped in a body that ensured he would never achieve that goal.

---

Thinking about that theory where Alastor's patron is the one who orders him to kill overlords

Alastor shows up at [REDACTED]'s place with a little cartoon man in tow like "Can I keep him? 🥺 I killed his boss for you 🥺"

---

Velvette would mock him mercilessly, especially if he’s her Vox who’s just been forced into his old body for whatever reason. She thinks he’ll just take it in “good fun” (the Vees bully each other all the time) and is caught off guard when he takes it personally— she’s never seen Vox that angry and hurt. Velvette refuses to back down or apologize on principle (she answers to no one!) but she does scale back her teasing a bit. Not because she gives a fuck about Vox’s feelings, obviously! It’s just… more practical.

---

I've written about that before, but a new take on that scenario could be:

Vox's body is completely destroyed somehow. It wasn't enough to permakill him, but it takes a while for him to completely reform.

Val's bored, waiting for Vox to pull himself back together. When he hears rustling coming from Vox's room, he assumes he's finally back and goes to bitch him out for taking so long. However, Vox is nowhere to be found at first. Val knows he's in the room, but he can't figure out where, and Vox doesn't seem to want to be found.

Vox hopes Valentino will just assume he's hearing things and will go away if he's quiet enough, but nope, Val persists in looking for him. Vox starts panicking and tries to tell him to just leave him alone, but it's no use. Val is momentarily very confused about the small child hiding under Vox's desk until the truth dawns on him.

Val thinks the situation is hilarious and immediately starts teasing Vox (and accusing him of catfishing). He thinks they're just having fun at first until Vox suddenly explodes at him. Vox is mortified to be seen like this (especially by his business partner/lover) and Val treating it like one big joke is only making things worse. How Val reacts is up to individual preference.

---

Been thinking about how awkward it would be to go from being a six-foot-tall adult man to a three-foot-tall cartoon with childlike proportions and a massive fucking head.

During his first year in Hell, Vox’s body language was so incongruous. He wasn’t used to existing in such a small, cute body, so he continued to move as he had on Earth. It was strange, seeing someone who you think is a child abruptly change their mannerisms to that of a forty-year-old man. Unfortunately, it just looked kind of silly to most people, watching someone so unassuming move with such controlled swagger.

Vox eventually adjusted his body language to fit with his new form. It was easier to just go along with what people expected of him. When he conducted himself like an adult, people would mock him; when he played into the “cute little cartoon” thing, people would laugh at his performance but accept it as normal and just move on. It was such a relief when he could finally move freely again without anyone commenting on how he looked.

---

was talking to greedkinggreaser about lantana treating proto vox like a purse dog and they said something about toxic chocolate and then

lantana's pov: awww cute liittle cartoon. do the skull and crossbones eyes again it's so funny. vox's pov: *dying of a medical emergency*

---

everyone in hell is cursed to periodically burst into song during moments of heightened emotion, but vox couldn't help but feel like he was the worst off for it. if it weren't for that particular quirk of hell, it would've been infeasible for his boss to order him to sing on command and expect unique compositions for each individual interaction. but thanks to that delightful curse, vox found himself spending a sizable portion of every day in song, either due to a direct order or just his own emotions bursting out. it was exhausting and embarrassing and fuck, he hates this he hates this he hates this

---

another 50s cartoon inspired idea: vox's voice isn't just altered post-death, it's completely transformed. it's a bit hard to tell, but he swears it's a woman's voice. just as women often voiced young boys in cartoons of the time, vox now had the voice of a woman. aside from how insanely alienating it was to have no remaining physical connection to his old identity, this also set off a spiral of gender dysphoria in him. he had the voice of a woman and no genitals; his identity as a man, which he had always taken for granted, was now completely dependent on the will of those around him. he was a man "only" because his boss wasn't interested in making him be a woman (or something else entirely). it was so deeply anxiety-provoking to go through "life" every day knowing that he could have his gender completely taken out of his hands by whoever was in control of the narrative at the time.

Wait. This except instead of ending up with an overlord who treats him like a pet, Vox ends up in the film/tv industry with an abusive manager. Vox is pretty successful; his androgyny makes it so he can be cast in twice as many parts. Vox has Feelings about the way his gender presentation is now completely out of his hands, even off-camera.

---

Rosie knows who Vox used to be. She remembers him from his days working under Lantana (she was rather fond of her, in fact) and they were acquainted during his time with Alastor. Vox has some sort of business deal set up with Rosie in exchange for her not revealing his old identity to anyone not already aware of it. He prefers not to talk to her whenever they run into each other at events; there's the Alastor connection, of course, but her overly friendly way of speaking makes him feel like she's perpetually condescending to him.

---

Rosie: Ah! Vox, honey, so good to see you again! It’s been too long! Valentino: You know this dama, carino? Rosie: Oh, of course! I’ve known Voxxy here since he was this big *holding her hand out at waist-height* Vox, barely resisting the urge to bite her: Hahahaha, yes, Rosie and I go way back. Well, it was nice catching up, but Valentino and I have some very important business to attend to, so we’ll be going now.

---

Vox was lucky to arrive in Hell in May. The Extermination is held on New Year’s, and he managed to find a job within a week or two of landing in Hell, so he avoided having to survive an Extermination until almost a decade down the line. Regardless, Vox still has very vivid memories of his first Extermination. During his first year, Lantana decided to give him as close to a front row seat as was possible to see what was going on outside her compound’s walls (what would happen to him if he ever tried to leave). After six months in Pride, Vox was well on his way to being desensitized to violence, but… this was different. Watching people be slaughtered in the street, watching other humans’ immortal souls be destroyed by an unstoppable army… it was horrific to a freshly-dead Vox. Lantana certainly accomplished her goal of “putting things in perspective” for Vox; as much as he hated it, he’d chose staying safe in her arms over scrambling to find a way to survive a mass slaughter any day.

---

Thinking about Vox and Alastor meeting for the first time at a party. Vox was told to just go around and make sure all the guests are having a good time, so he approaches Alastor, not knowing who he is. Vox usually keeps a huge fake grin plastered on his face while he’s on the clock. He barely has time to do anything before Alastor’s complimenting him on his smile, and oh shit, Vox knows that voice…

---

Random thought: Lantana’s office has a sitting area with more than two chairs, but Vox isn’t allowed to sit there when she has a guest— he’s not a participant, after all. Instead, he’s supposed to sit on a cushion on the floor next to Lantana’s chair— “like a fucking dog,” he thinks— unless he’s serving drinks or entertaining.

---

Lantana likes to collect people. She has a standing order for her staff members in charge of handling new recruits to bring her “anything interesting” so she can personally decide which role to put them in. Sinners with unique or aesthetically pleasing forms get assigned office jobs, while unremarkable or unattractive sinners are funneled into jobs on the factory floor.

Vox was picked out of the crowd by a foreman who was processing day laborers and prospective contractees. Vox had heard from someone at one of the homeless encampments he had been staying in that Lantana’s company offered room and board to its full-time employees— exactly what Vox was looking for. He went there thinking that he would simply be put to work in the factory and given a bed in the company dormitory. Vox was not expecting to be pulled aside and given a private meeting with the company’s owner, but hey, he wasn’t about to look a gift horse in the mouth. He shouldn’t let his guard down, but he could totally talk this broad into giving him a halfway decent job!

That, uh. that did not work out as well as Vox had hoped.

---

Okay, this post got me thinking about Proto Vox's relationship with his sexuality and whoops, now there's 700 words.

On Earth, Vox was your typical insecure narcissist. He felt a great deal of shame about his attraction to men and always felt like any threat to his masculinity would cause his identity to crumble, so he overcompensated by taking refuge in the parts of masculinity that he was "good at." Vox was a very handsome, charismatic man, and he used those tools to his advantage. He'd flirt with women at his station and, once he was in a position of influence, was no stranger to using sex/sex acts as a bargaining chip. Suck his dick, and he'll put in a good word for you with the producers. Vox loved the respect and attention he got from being a successful, good-looking white man in the 1950s– he fed off it, using it to keep his insecurities at bay.

In Hell, he's no longer able to do that. The three traits he used to build his whole identity around– his masculinity, status, and charisma– are all gone. He looks and sounds like an adorable child, he's treated like a pet by his boss, and no one takes him seriously because of these things. No one cares that he used to be rich and successful, or even that he's actually an adult; all they see is someone weak that they can belittle in order to make themselves feel more powerful.

Vox had no choice but to surrender his dignity, although he still tries to hold onto bits of it in private. He knows that he's an intelligent adult man, even if nobody else knows or cares. However, that's not enough for someone as self-conscious as Vox. There's not a day that goes by without him feeling ashamed or embarrassed in some capacity, even as he grins and bares it externally and desperately clings to his old identity internally. It all comes together to completely obliterate his self-esteem. He can't even take comfort in the simple fact that he's male, because he knows that privilege could be taken away at a moment's notice due to his lack of any traits that people of the time would call "male." Put Vox in a dress or even stop affording him a gender at all and the only person who'll know the difference is him.

Vox can't have sex, and even if he could, he can't imagine anyone ever wanting him unless it was for explicitly fetishistic purposes. He has no genitals, no asshole, and no mouth. His body is made of smooth, featureless wood and metal. He might as well be a doll with an overly large head. Vox can't think of a single aspect of his body that would be sexually appealing to anyone who's not a complete freak. Even if he could pay for sex, he hates himself so much that the thought of getting with another person is just as humiliating as it is tantalizing. He doesn't want anyone to look at him, even though being seen is everything to him. And yet, he has no choice but to let people look. He's an entertainer, and now it seems like that's all he'll ever be.

All of this may have played a role in why he eventually gravitated towards Valentino. It'd been fifteen years since Vox last felt like a sexual being, and the last person he'd been attracted to had laughed in his face when he tried to confess to him. Val made him feel desirable– powerful, even. He treated him like a man, and that was like a rainstorm after a drought for Vox. It barely even mattered that Val was very openly queer; Vox gladly threw his once precious mask of heterosexuality to the winds in order to once more have a partner who actually respected him. Val helped him build functioning genitals for his new body. He helped him gain power so they could build their empire. Valentino is inexorably tied to Vox's new/restored identity, which makes him willing to put up with Val's more unappealing traits. Vox doesn't think he'd be nothing without Valentino by any means– he knows he could've achieved all this even if he never crossed paths with Val– but he'll always be the cornerstone that everything about his new life is built on.

Thinking about Vox freaking out the first time he finds himself thinking of his new body/new persona as “him” rather than something that’s been inflicted on him. He hates who/what he’s become more than anything, and he’s done his damndest to keep his old identity alive, if only in his own mind. Growing accustomed to his new body, forgetting to mentally draw the line between his persona and his “true” self… it feels like admitting defeat, and it’s terrifying.

The role is the issue here rather than the process itself. Vox usually doesn’t care about maintaining the integrity of his personality/opinions so long as it advances his goals, but this is different. It feels like settling— giving up on his aspirations for respect and success, and accepting his status as a simple little clown with no agency of his own. He can’t allow that to happen; it makes him sick to his stomach to imagine letting this become all he is… but how long can you play a role before it stops being an act?

---

This whole arrangement with Lantana feels like a weird dream to Vox in so many regards. He’s being given all these things he didn’t have access to but would’ve loved to have back when he was, you know, eight (physical items, near-constant attention from others, etc.), but all they do is wear down his self-esteem/sense of self. He’s a thirty-nine-year-old man having a silent emotional breakdown in a fucking blanket fort because his insane boss keeps implying that he’ll be stuck in this building til the day he dies. He would’ve preferred Hell to be the typical fire-and-brimstone situation he read about in church rather than whatever the fuck this is.

---

I keep imagining the hall of mirrors scene from the Baby Doll episode of Batman TAS with Proto Vox

God I wish I could draw

0:17 is canon/upgraded Vox. 0:48 is human Vox.

Imagining Alastor successfully forcing Proto Vox to disconnect from his upgraded body and chasing him into his workshop, where dozens of Vox’s old bodies are being stored, dangling from the ceiling or simply laying, discarded, in heaps on the floor.

Being forced out of his body, having his most closely-guarded secret revealed to all of hell, and being chased down into a graveyard of himself is all just too much for Vox. Cue the emotional breakdown/identity crisis.

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Vox based several aspects of his new body's design on Alastor. The height, the claws, the teeth, the physique– it's all Al. At first, Alastor was willing to rationalize it with "imitation is the sincerest form of flattery," but as things began to sour between them, he started seeing it as an attempt to outdo him/jack his style. Nowadays, Alastor regrets ever allowing Vox to upgrade at all copy so many aspects of his appearance/persona.

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Idea inspired by this fic:

Alastor backs Vox into a corner in some way and offers him a deal: put on his “real” body and spend one pleasant day with him, just like the old days. Vox tells him to go fuck himself, but when Alastor starts putting the screws to him— threatening to force him into his old body and then either dump him at V Tower or go live and reveal his past to the public— Vox has no choice but to give in.

Vox is fucking boiling with rage, but he can’t attack Alastor or pitch too much of a fit because of the terms of the deal. Alastor is absolutely elated to have “the real Vox” back and will not give him even a moment’s peace, condescending to him all the while. Vox is miserable throughout the day, but, to his annoyance, nostalgia creeps in and it becomes progressively easier to slip into his old persona.

As the day draws to a close, Vox is ready to jump back into his new body the moment the time runs out. He’s literally had nightmares about having to return to his old body, and this whole experience has been as much of a nightmare for him as it’s been a dream come true for Alastor. As the final seconds run out, Vox readies himself to jump back into his body and flee this wretched place… only for Alastor to suddenly tear it to pieces in the last moments, right before Vox’s eyes. Vox is apoplectic with rage and tries to attack Alastor, only to discover his enhanced overlord powers are too much for his tiny body to handle— all he succeeds in doing is giving Alastor a mild shock and burning his own internal components. Alastor glows with satisfaction as he scoops up a limp and drained Vox. He has him right where he wants him, and he's not letting Vox go until he makes him "see the error of his ways."

At one point, Alastor taunts Vox by going on about how Valentino looks rather similar to Vox’s “Miss.” Vox wants to throttle Alastor— talking about Lantana is the last thing he wants to do right now, and how dare Alastor draw a comparison between her and Vox’s most intimate (in every sense of the word) business partner.

Some self-indulgent ideas:

During Vox's confinement, Alastor makes sure there's always loud, distracting retro music playing in every room of the house. It's meant to subconsciously influence Vox, pushing him to act more like he used to back when he and Alastor were friends. Or just wear Vox down with repetition until he's too exhausted to keep pushing back. Whichever comes first. (inspired by this fic)

Vox begins dissociating during this whole ordeal. He starts conceptualizing his old self as a separate person/voice inside of him who's gradually becoming more vocal. For as much of a nightmare as it is to have "someone else" taking over your mind, for Vox, it's preferable to the ego death that would result from him choosing to surrender to Alastor's will.

The music Alastor’s playing is all from the 1930s. Yes, that may have been thirty years before he met Vox, but Alastor was always charmed by how well the two of them fit together— Vox looks far more like a 30s cartoon than a 50s one, in Alastor’s opinion. They match, and that’s far more important than honoring the era Vox is actually from!

The music isn’t doing jack shit as far as Vox is concerned. It makes him a bit nostalgic, sure, but for his teenage years, not his early days in Hell (it’s not even right for his childhood back in the 20s…). He may or may not be aware of the rationale for Alastor’s music choice, but either way, it’s not working… at least, he thinks it isn’t working. The longer Vox spends trapped in this hellhole, the more he starts to second guess his perception of reality.

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