#Another being an Aspect of Life

[radiance1]

There was a day, a day where there was nothing that needed to be done, nobody to meet, not meetings to schedule, nothing to fight.

A rare, rare day for one Kevin the cat.

As the second in command of his Familia, who the Head delegates most of his responsibilities due to not wanting to do that at all, it is unusual that he no longer has much to do anymore.

With a pretty efficient system in place for each and every division to have an executive and their own second in commands who will soon take their place. It leaves Kevin with not as much to do anymore nowadays, most things being taken care of by other cats.

A meeting between the Familia Heads wouldn't be for the next few moons, and there isn't anyone around for him to fight.

So what does he do, exactly?

Snuggle up to gramps of course!

===

Danny doesn't mind Kevin invading his personal bed and personal space, as he has done it quite often and will most likely continue to do so for the rest of his immortal life most likely.

It seemed to be a pretty slow day, if his observations served anything. Nothing significant was happening, and the overall vibe was calm and slow.

A good day, a rare day, seeing the normal chaos that usually occupied this warehouse. Perhaps asking Selina to buy the surrounding ones proved effective.

Either way, it was a nice day.

Laying down, doing nothing except watching Tv and not really fighting the sleep when it came. He was drowsy, about to close his eyes and fall into a dream.

Then everything disappeared.

He snapped to awareness very quickly, feeling the familiar weight of magic in the air and what was most definitely the pull of summoning. Which is weird, because not many would summon him, most go for the King, which is Pariah Dark, and not the Prince, which is him.

Oh well, whoever summoned him is most likely some teens or adults who had nothing better to do than get together and try to summon paranormal entities and demons or such and such. He would take some of their food for summoning him, and be on his way.

Or at least that was what he thought.

Apparently, he was summoned by a genuine cult this time. He would take teens and adults with nothing better to do, as well as that one time he was summoned by wizards and got turned into a cat over being summoned by genuine cultists any day.

It's just, not for him really.

They did, however, do their research. Very powerful wards that was built to keep whatever was summoned in, that whenever he tapped on actually hurt him.

Drawn with the extract of blood blossoms for ghostly beings from the infinite realms.

A red mist flowed around the room, one that made Danny's lungs felt as if they were on fire and withering all at once.

A mist made from Blood Blossoms.

To top it all off, there were multiple Blood Blossoms scattered throughout the place, most of which were around the circle that summoned him. It felt like someone brought a hammer to his skull and kept pounding, his muscles felt taut and like jelly all at once, barely keeping him standing on his own paws as his eyes stung from the mist around the room and from the Blood Blossoms themselves.

Whoever this was, they knew their stuff, and whoever this was, decided that going overboard was far better than underboard.

He thinks he heard one of them speak, but he couldn't quite make out whatever was said from the ringing of his ears. Eventually, he had to fall, his eyes struggling to be kept open.

He should turn back into a living cat, get out of his ghost form. But he couldn't, the willpower necessary to do so slipping out of his grasp and instead being replaced by pain, pain, and even more pain. Even the very magic in the air was against him, whatever intent those who summoned him imprinted upon it was made to specifically weigh him down, as if gravity itself were his enemy, to go against him at every turn.

Weaken him.

If he could, he would laugh, but he's in far too much pain to do so. In all of his 150 years of existence, he never expected to encounter something like this. Something this strong.

He wondered, if in all of Pariah Dark's infinite power, if he would be able to stand up to something like this. Perhaps he would, infinite power would let him be able to stand up to something like.

Infinite power, while weakened, is still infinite.

But he, Danny, Prince of the Infinite Realms, did not have infinite power. With his title came a recognition of his raw power, of his ability, and given him political power almost unmatched as he was one of the few that reigned over infinity.

But that was mostly it, perhaps a bit of boost to his power, and maybe a distinct signature due to his newfound status. But not much else.

And is this what it granted him? An end, where he was stripped away from comfort, from his home, from his Familia, where each and every breath he took burned and withered. Where his limbs failed him, where his own power was useless due to his willpower being drained by overwhelming agony.

He would not die, no. For he is incapable of death.

Yet that makes it even worse.

Would he spend an eternity like this? Trapped with nothing but overwhelming pain for company, becoming intimate with it as it raked its hands through his fur, under his skin, between each strand of muscle and piercing his brain?

He doesn't know, and that scares him.

===

The Justice League, with help from a few members of Justice League Dark, appeared to prevent the summoning of the Ghost King, known as a tyrant who enslaves worlds and a being of infinite power.

What they found, however, was not the Ghost King. But instead, magicians surrounding a circle in a room of red mist, in the middle of the circle a passed out, glowing white cat floating via magic.

They saw it as preparation to summon the Ghost King, perhaps the cat was a sacrifice? Regardless, they went in, and fought. Eventually gaining the upper hand due to have far more powerful members than just magical practitioners.

The cat, without aid from magic, fell to the floor, and Zatanna was quick to dispel the summoning in case it was in the process of calling forth Pariah Dark from beyond the veil. They took the cat back with them, for surely it had some kind of importance if they were using it for their summoning.

Later on, Constantine would choke as he recognized the significance of the cat, a signature quite similar to that of the King of the infinite, yet different.

They weren't just offering any old cat to the Ghost King, no, they were offering him his Prince, and if the look of how they handled it was any indication, it was planned to use said Prince as a bargaining to get the King into their servitude of some sort.

===

Meanwhile, back at the Familia.

All hell has broken loose, what semblance of order there was broke, the head was gone, missing. Not even the second in command, who was with him the longest, had a clue where or what happened to him.

He was there one second, gone the next.

Not many stays calm about it, the ones who do mostly trying to calm down the kittens after the panic of so many other grown, adult cats.

Kevin, the second in command and de-facto leader whenever the Head isn't involved. Panicking does not help any of the other cats feel assured.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[blueskittlesart]

is detcon actually good

no <3 hope this helps

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[charafansmile]

Still thinking about the berdly asgore paralles... hmm.

[sweetevoltrap]

Sylus saying "...don't run" to MC when they're finally being openly honest about their desire for one another and their trust and shared spaces.

[hdusa]

are the songs on your playlist mostly for specific seasons/eras/moments or are they mostly more general songs for the overall character? what are your favorites and why?

in the spirit of recent events these are the songs I put on after every stream to really feel everything that happens

[longagoitwastuesday]

ngl it sort of pisses me off the way adults regard Gojo in Jujutsu Kaisen at times. Which could be a very interesting and poignant point in a good way if well written, but as it is it becomes mainly just frustrating and sad in a negative way.

Nanami saying Gojo never cared about anything or anyone other than himself crashes interestingly with Kusakabe saying the whole situation was just all his fault because he refused to kill Itadori. The students are very aware of those aspects of Gojo's personality, but overall they seem to regard him with way more kindness and fondness even when at their rudest, not truly coinciding with either Nanami's or Kusakabe's views.

[solitaireships]

Just saw a really good video talking about how the fandom tends to ignore the way that Jayce is clearly written with him being a brown Latino man in mind and talking about the inherent racism of people acting like a thing he helped to create is all actually the product of a white man and treating Jayce as a big dumb himbo is a take that is also the product of racism. Maybe we are finally healing

[secondpersonpoetry]

you’ve probably already read it before, but the poem Party by Kim Addonizio really got me tonight. first thought was “oh man. yeah” and then my second thought was “how can i make this about my hockey guys somehow………..”anyway! have a good one! 

oh. oh.

​

[omegasmileyface]

idkkkkkkk sometimes i feel like the me that exists in happy communities like discord servers and flight rising and lives in my it/its and my byte/bit and my ^w^s and my astro boy posting and the me that goes to work and lies on my bed rotting and wants to go back on the stage so badly but cant because of covid and gets called by my given name and wears a posh coat and skirt are different people who are at war with each other.

[cent-scratchnsniff]

doodle dump

[cienie-isengardu]

MK1 Story Mode:

Shang Tsung: Here on behalf of a dissatisfied customer? If it's revenge you want, have at it. If it's restitution... there's nothing left.

Shang Tsung: A living? It is barely survival.

Liu Kang: I gave the sorcerers meaningless lives... They should have never gained power, let alone joined forces.

Shang Tsung vs Liu Kang intro dialogue:

Shang Tsung: Your plan to punish me has failed. Liu Kang: I wished to reform you, not punish you.

[becauseplot]

thinking about archivists again. below the cut: obscene amounts of brainrot in the form of a long-winded relationship study and oddly specific references to canon that may or may not be accurate

im trying to come up with some sort of au for them (writer's block and creative burnout is a BITCH it's okay though we stay silly) and there's just something about how qphil and qcellbit don't (or didn't) really wind up in each other's circles often. sure they were friendly with each other in passing, and they definitely had some nice little interactions earlier on: cellbit briefly interviewing phil on one of his first days on the island over a cup of coffee and solidifying phil's view of cellbit as the Dedicated Investigator; phil asking cellbit to babysit chayanne and tallulah while he's away on a trip and cellbit being more than happy to; phil briefly checking in with cellbit --- who was in the process of tumbling into his regret arc, cutting off ties with loved ones and making himself a martyr --- and asking if he was okay when phil spotted him hanging alone in the back of the group; chatting about the upcoming wedding and phil advising cellbit that he and roier should probably introduce some sort of dress code (lmao); cellbit watching phil and missa meet up for the first time in months on the way to the federation's people-freezers and all of the pieces rapidly falling into place (the name of phil's waystone, phil's skull backpack, phil's elusive "husband," ohhhhhhh...). they've always been in each other's peripheral, but never directly involved in each other's personal lives.

until the happy pills.

see the thing about archivists is that they're not drawn together by a pre-existing friendship; they're more friendly acquaintances at this point, perhaps almost-friends, though they're certainly not close. but then forever's life is under threat, and god, they both love forever immensely. with direct help from bad and indirect help from others (qpac you LEGEND), they're eventually able to formulate a plan that successfully drag forever out from under the haze of drugs, pull him to the surface. they sit next to each other as they sit at the bedside of their mutual friend, watch him breathing, and try to breathe themselves.

and from that moment on it's solidified: they know they can depend on each other, when shit hits the fan. they have their respective strengths, and they balance out each other nicely. i wish i had gotten more of a chance to watch their dynamic during purgatory 1 (unfortunately i have a life sadge) but from what i saw, they turned out to be some pretty good co-leaders, and an interesting dynamic at that: phil acting more as a support role (moral support, resource support, combat support, ALL the support) and stepping up into a leader-like role when needed, but ultimately letting cellbit take the helm a lot of the time since he's a strategist with more practice managing large groups of people (i wont get into it here, and i want to watch more vods so i can more properly analyze them but HOUGHH i have THOUGHTS!! SO MANY!!!)

what im trying to get at is that they were initially in the peripheral in each others lives but were eventually drawn together out of necessity, due to circumstances. the mutual respect followed, which was then followed by trust, and then collaboration, and then friendship. i've also made this post talking about their dynamic, how they both understand each other's need to focus on the here and now and understand that they don't need to know every little thing about each other to still trust each other. and this is so integral to their relationship. it's what makes archivists archivists.

so now all that's left for me to do is try to come up with some sort of au i can chuck them in, incorporating this idea of "friendship of necessity" as a core feature of the plot. i have scattered ideas but none are particularly appealing or solid enough. i will try though!! if u have any suggestions/thoughts/ideas feel free to leave a comment or say in tags (pspsppsps come brainrot with meeee)

[sskk-manifesto]

\\

[milfygerard]

did she specifically make 34 versions of TTPD because shes 34 years old