#BUT BUT... IM SORRY ITS RLLY

[scarameownya]

i like some of the blue lock boys... the only thing rlly stopping me from watching the show and actually getting into the fandom is their uniforms 💀

[starp00k]

And in case I don't see you; Good afternoon, Good evening, and Good night.

(click the img for better quality)

[cryptidmickle]

i love. tears.

[papanowo]

i think dan should get to be a little weird too. as a treat

[plank-flankered]

Fuck it, baby Spock

He's just a little guy

Have I thought about making a comic just about him as a small child because that's objectively funny? Yes. Will I make it? No.

[0yorixu]

very very late valentines art, ive been very busy with personal stuff

[starryarts]

they'll find each other again, eventually

[woolying]

tetro pink doodle dump: varied ramen trio edition 🍜🩷 i need to get all of these off my hands lol

picture captions, if you care:

sanrio dogs i drew in my sketchbook once during class ! they are such a doodleable bunch

IIIIIII👏SUP👏POSE👏HEY🆙

this was based on one of tsunos gacha cards, i just wanted to sketch it but then i got carried away..... rip to the matching cheshire sasaki that didnt get drawn (I PROMISE IM STILL WORKING ON THE GACHA CARDS THAT WON THE POLL I DID THAT ONE TIME....IM JUST THE STRUGGLER...)

von tweeted this one and i thought it was funny

i drew this one literally today lol also inspired by a von tweet!! a little bit of miki manami hcs kinda (ive been meaning to do art studies with them bc i have clear views of how the trio look in my head but im not very good at body variation...parkourist tsuno you are so important to me ill draw you well one day) also just know all of the isono hcs are me projecting thank u

isono miki digital angel real (featuring wader)

OOOOO YOU WANNA TALK TO ME ABOUT TETRO SU FUSIONS SOOOOOO BAD ametrine is my fave out of my finished ones so she gets posted yay

i saw the project sekai movie when it came out so i made sure masa miki did too (just realized i forgot wadas eyebrows um...im not going back to fix it sorry idk what canvas this doodle is on)

more sanrios except i assigned one to the whole cast and planned on drawing them all... then gave up basically before i even started lol (if anyone sees this please draw ojima with harenochi nyua and color it all cutelike ty)

/ 11. back to my roots: drawing wada over and over again (i was going through severe genuine withdrawals when i drew these i love drawing wadas)

[pocmuzings]

welcome  to  a  guide  for  2025  rpc  and  a  throwback  to  the  importance  of  creating  well  rounded  ,  developed  characters  .

a  general  lovenote  and  reminder  on  how  to  create  characters  people  want  to  rp  with  ,  as  discussed  by  g.    please  note  ,  these  are  all  my  own  thoughts  and  feelings  ,  but  i'm  not  '  married  '  to  any  of  this  .  i'm  happy  for  open  conversation  ,  thoughts  ,  feedback  etc  ,  but  i  don't  tolerate  aggressive  messaging  .

the  first  thing  i  think  about  when  i  think about  my  character  ,  whether  for  a  rp  ,  a  book  ,  a  short  story  ,  or  a  1x1  partner  is  .  .  .  where  is  my  character  ?  not  just  physically  ,  but  emotionally  .  what  got  them  there  ?  what  have  they  already  overcome  ?  what  do  they  have  LEFT  to  overcome  ?

whenever  i  write  or  create  a  character  ,  i  think  about  them  in  the  same  way  i  think  about  any  story  making  .  stories  (  typically  and  in  some  manner  )  have  beginnings  ,  climaxes  and  ends  .  they  also  have  problems  that  need  to  be  solved  (  or  not  solved  )  .  there's  an  arc  we  follow  .  we  go  up  the  mountain  ,  then  back  down  again  .

a  beginning  is  not  necessarily  '  born  in  1982  ,  to  two  loving  parents  '  .  it  doesn't  need  to  be  a  beginning  of  time  ,  but  can  just  be  the  beginning  to  your  characters  story  .  e.g  '  despite  having  two  loving  parents  ,  she  had  a  deep  focus  on  soccer  .  if  not  soccer  ,  then  maths  .  if  not  maths  ,  something  else  .  from  a  young  age  ,  she  strove  for  perfection  and  being  the  best  at  something  .'

this  beginning  sets  the  tone  of  your  character  .  in  a  few  sentence  ,  we  can  already  see  what  kind  of  person  she  is  and  know  that  she  has  some  internal  demons  she's  battling  .  we  don't  necessarily  need  her  entire  family  tree  unless  it's  critical  to  the  story.

from  there,  we  have  our  climax  or  problem  statement  ,  where  things  really  begin  to  boil  .  again  ,  it  doesn't  necessarily  need  to  be  '  everything  came  to  a  head  when  her  mother  died  '  .  we  can  make  it  more  character  focused  by  writing  '  in  2012  ,  her  mother  died  and  she  threw  herself  into  trying  to  create  the  perfect  replacement  family  .  she  got  married  to  4  different  men  in  the  space  of  5  years  ,  and  has  5  children  shared  among  them  ,  as  well  as  2  step  children  .  but  she  is  unable  to  settle  down  .  she  feels  restless  .  she  finds  it  hard  to  be  a  mother  because  everything  reminds  her  of  her  own  mother  ,  and  the  loss  she's  endured  .  '  now  ,  we  already  know  two  things  about  our  character  :

1  .  she  wants  to  be  perfect  and  the  best  ,  including  at  creating  families

2  .  she  is  terrified  of  her  role  in  motherhood  due  to  the  loss  of  her  own  mother  and  feeling  unmoored  without  her

this  can  then  take  us  to  the  problem  solving  portion  of  the  character  .  this  is  usually  where  i  like  to  start  my  character  in  rps  and  1x1  and  novel  worlds  .  we  have  these  2  issues  and  2  core  beliefs  within  the  character  .  they're  instrumental  to  her  .  how  are  we  going  to  overcome  it  ?  ARE  we  going  to  overcome  it  ?

we  can  begin  to  think  of  the  butterfly  effect  in  terms  of  our  character  .  we  can  begin  to  think  of  the  tree   and  its  branches  growing  within  her  ,  extending  out  to  other  characters  .  we  can  see  how  she  effects  other  people  ,  including  those  close  to  her  ,  not  close  to  her  ,  new  friends  ,  old  friends  ,  new  love  interests  ,  past  interests  .  we  can  create  drama  and  connections  because  we  have  a  strong  foundation  .

so  .  where  does  it  end  ?  does  it  need  to  end  happily  ?  simple  answer  is  no  .  your  character  can  end  in  the  exact  same  place  as  they  did  at  the  beginning  ,  but  the  point  is  that  we've  gone  on  the  journey  with  the  character  .  maybe  we've  seen  her  talk  to  her  mother's  grave  .  maybe  we've  seen  her  go  to  grief  counselling  .  maybe  she's  gotten  pregnant  or  married  again  .  the  problem  statement  doesn't  stop  her  or  stick  her  in  one  place  .  in  fact  ,  if  anything  ,  it  can  encourage  her  to  keep  making  the  same  mistakes  .  on  the  coin  flip  ,  she  can  learn  .  she  can  grow  .  she  can  heal  .  she  can  mend  the  relationships  with  her  kids  ,  her  past  partners  ,  rekindle  love  ,  or  find  new  love  .  the  whole  point  in  the  made-up  'ending'  for  a  character  ,  is  that  we  have  options  .  we  haven't  locked  her  down  .  we  can  continue  to  plot  ,  connect  ,  develop  ,  etc  ,  as  we  go  along  .

QUESTIONS  AND  THOUGHTS  I  CONSIDER  WHEN  CREATING  A  CHARACTER  :

how  has  your  character  ended  up  where  they  are  right  in  this  moment?  think  about  where  you’re  starting  them  from,  and  what  that  looks  like  realistically.  not  just  physically  :  how  did  they  get  to  this  place  ?  but  also  mentally  :  what  did  they  have  to  do  to  become  the  person  they  are  ?  was  it  good  or  bad  ?  everything  you  are  and  do  and  become  as  a  human  is  made  up  of  tiny  almost  inconsequential  decisions  or  choices  you  made.  you  decided  to  study  x.  you  broke  up  with  y.  your  parent  passed  away  so  you  had  to  come  back  to  your  childhood  home.  your  illustrious  career  came  crashing  down  and  you  need  a  place  to  cool  off.  you  never  left  here,  you’ve  been  here  from  the  beginning,  because  you’re  searching  for  something.  what  is  it?  what  is  the  thing  that  has  your  character  right  where  they  are  in  this  exact  moment  ? 

what  emotion  do  they  feel  the  most?  regret,  anger,  longing,  nostalgia  ?  this  helps  drive  your  characters  motives  past  and  presently.  it  also  helps  you  understand  their  goals.  what  they  want  to  achieve  and  why.  maybe  they  yearn  for  longing  and  friendship  and  connection  because  they  never  got  it  as  a  child,  whether  at  home  or  at  school.  maybe  they  regret  not  keeping  in  touch  with  their  childhood  friends  because  now  they  are  surrounded  by  people  they  can’t  trust  and  work  in  a  shitty  environment  where  you  have  to  climb  over  others  to  get  on  top.  everyone  has  a  goal.  everyone  has  an  emotion  that  drives  it.  what  is  your  characters  and  why  does  it  matter?  how  does  it  present? 

when’s  the  last  time  they  cried  and  why?  everybody  cries  and  everybody  cries  in  very  different  ways.  it  says  a  lot  about  the  emotional  state  of  a  character  and  their  emotional  health.  are  they  in  tune  with  their  emotions  and  cry  at  appropriate  times?  do  they  compartmentalise  it?  do  they  only  cry  when  angry?  dig  into  it  and  think  of  the  why  why  why.  why  does  my  character  only  cry  at  this  one  thing?  why  does  my  character  only  feel  safe  crying  alone?  why. 

what  is  your  characters  biggest  regret  in  life?  did  they  get  on  a  plane  when  they  should  have  stayed?  did  they  study  a  subject  only  because  their  parents  wanted  them  to?  did  they  not  kiss  the  girl  when  they  wanted  to?  let’s  be  honest.  our  lives  are  filled  with  “if  only  i’d  done  xyz”  .  if  only  .  this  also  provides  a  great  opportunity  to  MAKE  these  plots  and  plot  with  other  people.  now  we  can  come  up  with  exes  or  ex  best  friends  or  old  flames  or  whatever  whatever  ,  because  there’s  a  good  chance  your  character  regrets  something  that  impacts  someone  else  and  they  regret  it  BECAUSE  of  that  impact  . 

ADDITIONAL  THOUGHTS  AND  TIPS  I'VE  PICKED  UP  WHILE  RPING

honestly  the  more  “whys”  you  can  answer  for  your  character,  the  more  in  depth  you’re  getting.  in  order  for  other  people  to  understand  your  character,  you  need  to  understand  them  yourself.  you  can’t  expect  people  to  write  with  your  character  if  they  don’t  really  have  much  of  a  stable  personality  and  your  plots  don’t  make  much  sense.  remember:  plotting  should  contribute  to  your  character  and  their  development.  human  relationships  don’t  just  exist  because  we  like  them.  they  exist  because  they  serve  an  unserved  part  within  ourselves. 

genuinely  think  of  their  hobbies.  it’s  all  well  and  good  to  say  “she’s  a  bookworm  and  loves  puzzles”  “he  likes  music”  but  like.  what  does  that  actually  mean?  WHY  do  they  like  certain  things  ?  do  they  like  reading  books  or  writing?  do  they  like  fantasy  and  escapism  because  it  reminds  them  of  childhood?  do  they  listen  to  only  their  dads  favourite  music  because  they  miss  him?  do  they  make  playlists  for  niche  and  specific  moods  only  applicable  to  them?  why  are  their  hobbies  important  to  them? 

consider  their  connections,  not  just  future  but  npc  and  current.   how  would  5  close  friends  describe  them  in  one  word?  how  would  their  ex  describe  them  in  one  word?  what  is  one  thing  that  others  could  safely  always  rely  on  your  character  for  (eg  designated  driver  on  nights  out,  always  having  some  type  of  fidgeting  device,  knowing  a  phone  app  to  help  you  meditate  or  streamline  a  process  etc  etc).  we  all  exist  in  the  worlds  of  our  loved  ones,  past,  present  and  future.  we  leave  marks  with  them.  we  are  known  to  them.  so  what  is  your  character  known  and  loved  for? 

pick  your  plot  first,  not  your  fc  or  your  character.  i  know  this  sounds  counterintuitive  but  when  you  have  a  plot  for  a  character  and  a  clear  path  for  development  -  it  helps  everything  else  fall  into  place.  the  worst  thing  are  characters  that  are  plotless  (specifically  for  group  rping).  i’m  going  to  be  honest  here:  your  character  has  to  have  something  to  give  other  characters.  whether  it’s  drama,  information,  hidden  secrets,  a  connection…  your  character  has  to  have  something  of  substance.  i’d  actually  prefer  they’re  a  stereotype  then  they’re  just  aimless  and  personality-less.  when  you  have  a  big  overarching  plot  and  path  for  your  character,  it  will  not  only  help  you  plot  with  others,  but  also  help  keep  your  character  moving  and  not  JUST  reliant  on  others  to  pick  up  the  slack

rping  has  always  used  the  yes  and…?  rule.  that  extends  to  your  characters.  instead  of  yes  and…?  think  of  So…  what?  your  character  loves  to  bake.  ok.  so  what?  what  does  that  mean  for  a  thread,  or  another  character?  why  do  we  care?  maybe  we’d  care  if  your  character  bakes  experimental  stuff  and  loves  to  test  it  on  other  muses.  maybe  we’d  care  if  your  character  used  to  be  a  professional  baker  but  hasn’t  baked  lovingly  in  a  while.  maybe  we’d  care  if  your  character  is  a  baker  but  has  lost  their  charm  and  schtick  and  can’t  bake  the  way  they  used  to.  this  stuff  is  important.  don’t  just  stick  arbitrary  things  onto  your  character  and  expect  others  to  care,  especially  when  you  don’t  care  and  have  just  put  it  on  your  character  as  a  random  quirk.  that’s  not  how  people  and  humans  work.  everything  means  everything. 

your  character  doesn’t  have  to  be  likeable  but  they  do  have  to  be  memorable.  evil  nasty  girls,  manipulative  jerks…  yeah  that’s  all  ok!  but  also  you  kinda  have  to  show,  don’t  tell.  you  can’t  just  SAY  your  character  is  the  “head  bitch  in  charge”  and  then  she  never  actually  talks  or  says  anything  or  does  anything.  sorry,  but  in  order  for  me  to  see  your  character,  you  actually  have  to  write  them  or  at  the  very  least  headcanon  them.  otherwise,  they’re  just  a  blob  of  musings  in  the  ether. 

in  order  to  create  a  character  ,  you  have  to  write  your  character  .  i  see  this  a  lot  in  groups  ..  people  love  to  create  a  character  pinterest  ,  graphics  ,  aesthetics  galore  .  its  amazing  !  but  they  don't  actually  write  the  character  and  it  can  close  off  a  lot  of  opportunities  to  plot  because  people  don't  know  who  your  character  really  is  .  i  hate  to  say  it  ,  and  its  not  true  for  everyone  but  :  if  you're  relying  on  aesthetic  ,  then  you  could  be  lacking  in  the  actual  creation  and  writing  aspect  .  plus  ,  people  have  come  here  to  WRITE  with  YOU  .  not  just  see  fan  edits  of  your  character  .  write  .  write  badly  .  write  starters  ,  even  if  they  scare  you  .  write  with  people  you  don't  know  .  write  with  yourself  .  write  with  your  best  friend  .  but  you  have  to  actually  do  the  writing  part  .

[dailygihun]

day 6 || this era lasted like 2 minutes but i love it anyway

[voltaical-art]

whadya mean he didnt tell you he loves you??? his eyes literally went soft when he looked ur way...

[cubedmango]

🤳🚢

[taeiris]

in honor of our first byler set leaks and pride month

i present to you: the romantic goth byler i was yapping abt

[evilherehotel]

impacto

[bindigoat]

i will find you in the nightlife. i will kill you in my next life

[seiwas]

Of course I forgot to send in the cute birthday celebration challenge forgive meee 😭 (but omg no pressure to answer if the birthday girl isn’t feeling up for it!!)

But let’s try…

Sun + Moon for our blasty boy Bakugo 👀

you catch katsuki in the in-betweens.

he’s grown suspicious of it—you know he out of all people would notice; but you neither confirm nor deny that it’s intentional.

there’s something about katsuki in that sliver of space and time right before sunrise and sunset—right before the shift into something new.

“someone’s excited,” you sneak up behind him, wrapping an arm around his shoulders as you kiss his cheek.

he grumbles before giving you a side-eye, cheeks turning a shade darker under the twilight. his lips part slightly as if he’s about to say something, but he tuts instead, clicking his tongue against the roof of his mouth—no sharpness, no bite.

you look at him curiously, hanging on to the stillness of the hour.

today is supposed to be a busy day—the start of a long trip for you and katsuki; the start of his first ever long trip, actually.

“somethin’ on my face or some shit?”

you snap out of staring, gaze falling straight into his—vermillion red softened into a deep mauve amidst the blue light.

this is why you do it—

the perpetual frown on his face is gone, the tightness of his jaw loosened. there’s a look in his eyes that tells you there’s been something on his mind for a long, long while.

—this is why you catch katsuki in the in-betweens.

you give him a small smile, a little mischievous as you lean in and peck him on the nose.

“now you do,” you giggle as you inch closer on the wooden step.

he rubs his nose immediately, checking for smudges of lipstick, “fuckin—“

“just all my lovin’,” you tease.

you’re half expecting him to get back at you for it—to tickle you or smother you in kisses of his own; katsuki can be aggressive in love, a fact you’ve come to know well over the years.

but he doesn’t.

instead, he stares. a few paused seconds that feel slowed down to eternity. there’s the look again, like something’s been on his mind, combined with the look people say he only has for you.

suddenly, you feel nervous—for what, you don’t know, but your hand searches for his out of instinct. it’s damp when your palm sticks against his, his fingers intertwining with yours like a habit of his own.

he turns your clasped hands over, catching view of the back of yours.

it stays quiet for a few moments—a side of him you only see in times like this. you know there’s a war waging on in his head, a decision he’s been mulling over just waiting to be spilled out.

you know because katsuki only ever sits out before sunrise when he has a lot on his mind.

“you okay?” you whisper.

he hums, rubbing the back of your hand with his thumb, “just thinkin’.”

“you can tell me…” you nudge, “…if you want,” the butterflies in your stomach flapping harder.

you hold your breath.

he chuckles, that damn attractive half-sigh, “don’t know how yet.”

and you think you know what it is—a conversation you have every now and then, always with open-ended conclusions. katsuki has his issues, and so do you—

“just say it how it is,”

you never pressed him for answers, fully content to live at the pace he wanted because you loved him and that was enough.

—but when katsuki looks at you like this, like you’re everything gone right in his life, it’s hard not to think about the possibilities of more.

tears begin to collect along your waterline as he leads your hand into his pocket, your fingertips grazing a small velvet box.

you choke up, tears falling as you pout.

“woke up in the middle of the night with a fuckin’ god awful migraine,” he starts, wiping your tears with his thumb, “so i thought i’d go for a run, y’know, sweat it out and shit.”

you nod, listening.

“but when i got out of bed, you started mumblin’ my name,” he takes a deep breath, “thought you were awake, honestly, but you didn’t say anythin’ when i asked what you needed.”

“looked like you had a nightmare, so i went back to bed, and—” he pauses, collecting his words as he breathes out, “—you hugged me n’—”

his eyes gloss over as he tucks you into his side.

“—you told me you loved me.”

it’s not anything new—you both know that; you tell him you love him all the time. but—

“fuck, i’m ramblin’,” he half chuckles again.

“i love that about you too,” you sniffle, half-giggling as you nudge his chin with your nose.

you intentionally catch katsuki in the in-between’s because you love the side of him that comes out when he’s a little loose-lipped; a little less tense from all the day’s worries. you love the way he rambles, how he goes off on a tangent when he’s especially passionate about something.

he gives you a look so soft, your heart swells.

a small smile makes its way to katsuki’s face as he grips your hand tighter.

“couldn’t go back to sleep ‘cause all i was thinkin’ about was how to keep it this way forever.”

you’ve pictured this moment a few times before, all in different scenarios, situations, locations—always with the note that even if it didn’t happen, you’d be okay.

but now you have this: you and katsuki, on the wooden steps right by your garden bathed in twilight.

“decided on it for a while, just didn’t know when would be right,” he fishes the box out of his pocket, fiddling with it as he takes your hand in his other one.

“i know you said that lovin’ me was enough, but forever’s a fuckin’ long time,” he half-chuckles again, a little choked up, “you didn’t think i’d let you waste that on some loser who won’t even ask you to marry him, did you?”

you don’t think you’re coherent when you respond, a mess of tears and all the love you can pour out. katsuki doesn’t even get to show you the ring before you tackle him, nodding into his chest.

it doesn’t matter, anyway—

it was more than enough that he even asked.

n/a: thank u for sending this prompt erika!!! i am so rusty but i am writing this with all the katsuki feelings in me, my heart could burst!!!! sun & moon = twilight just because of the presence of both during that hour; i also just think it’s such a delicate balance to have—which i think also describes their relationship! katsuki has commitment issues 🥲 sorry, i love writing him in the process of healing ajkdndkd also !!! i also think katsuki can be romantic in his own way like wdym he reads all those shoujo mangas … there is stored romance in that boy . maybe not the smooooothest but yk. it works. and also, he wasn't rlly planning on proposing at this moment (more during the trip) but !! just felt right yk?