#But its still their first language
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niamhthefae · 2 years ago
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you know what would've been really fun? if like how the dracas speak Norwegian, and the vamalia speak German, the Lycana had irish as their first language. I know it would've probably been "too much effort" or something to find native speakers either as the actors or to provide things for the script. but i would've loved to hear ivy and seymore speaking in gaeilge, even just turning up and saying "dia dhuit" instead of "hey" or muttering things others can't hear under their breath and them even implying that they were speaking irish would be been so fun.
especially since this is the late 1800s but it's been implied that they were around for a while so they would've been born to gaeilge speaking families,but probably forced to speak English while the english were over causing trouble in ireland. so we can still have them beleivably speaking english on the ship but speaking irish in private.
they probably won't do this if they make another season,but I really want them to
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fabuladorah · 2 months ago
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Do we still do these?
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Tbh I aprecciate all of them
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kaiserouo · 16 days ago
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someone please stop him
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jibunbosh · 2 years ago
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as far as being a trans person in japan goes, despite all of the difficulties that come with that, I think one of the most accommodating things has been... just the nature of pronouns themselves, in the language.
sure, literal translations of gendered third person pronouns exist (彼 and 彼女, kare and kanojo, he and she respectively), but... like, nobody uses them. for one, they're both words for "boyfriend" and "girlfriend" respectively (even if 彼氏, kareshi, is more common than just 彼), so you run the risk of a... rather awkward miscommunication. but, perhaps more pertinently, it's much more common to just use a person's name or title.
on the other hand... you know what does have gendered nuance and is commonly used? the word "I." or, more precisely, all the different first person pronouns in the language.
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just by saying "I," "me," or "my," you can... so seamlessly make a statement about yourself and your identity in the middle of nearly any sentence.
queer people use this to express their gender identity. queer people use this to express their subversion of gender roles, too. in retrospect, it makes saying "my name is [name] and my pronouns are [pronouns]" feel so clunky when I can just... move on to my next idea, and just casually convey similar information!
speaking english in the states, i feel like it can be dangerous, sometimes, to introduce yourself with your pronouns, especially when the whole point is to greet people you're meeting for the first time. best case scenario, it's like, oh, those are your pronouns, that's cool. worst case scenario, it's "oh, pronouns? you're one of those trannies, aren't you?" much more commonly, though, is "oh he identifies as a woman," which Makes Me Want To Tear My Hair Out All The Time Why.
when i'm in japan, though, I can just be me, and simply, casually, refer to myself as such. and I think that's pretty cool.
(for more on queerness and gendered language in japanese that delves into A Whole Lot More Nuance, check out this tofugu article)
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bluecookiesabi · 14 days ago
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DESPERATELY trying to figure out what Murderbot is saying in Swedish during the "speaking gibberish" scene in the latest episode
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dawnbreakersgaze · 1 year ago
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Guys I was playing the event stories again one last time before they went away forever and I just noticed the sweetest fucking thing ever
When you first walk up to Zayne and catch him on his phone, look at his face. He goes from his normal neutral expression to the softest little smile when he realizes it's you/mc walking up to him 🥺🥺🥺
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He even straightens himself up a little taller when he sees you i'm dying send help 😩
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I'm gonna squish him 🥲
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aliusfrater · 16 days ago
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i was originally gonna make a joke about how 'even crowley's quote unquote intervention is less violent that sam's (x2). he gets company at least <3' but the differences and similarities within these two dynamics is actually super interesting to watch back to back
#edit: i forgor to add in the 5.14 detox but it's almost not relevant for this post because we don't see sam at all in that scene. lol.#dean uses the word pathetic to describe sam's addiction then sam does the same to crowley :)#the difference in violence and isolation also emphasises the part of the panic room that's supposed to be a punishment as well#even the language used between sam and dean vs dean-sam and crowley is different in tone despite using similar words...#the way they speak to crowley isn't nearly as degrading as the way dean speaks to sam. like higher standards for Sammy as dean's little#brother and a hunter + the disruption of the status quo vs crowley still very much being 'them' within his current circumstance#there aren't really any standards to break or meet etc. beyond what they mean to sam and dean as a temporary ally/extension of themselves#even crowley's environment is less abrasive it's kind of crazy. like yeah crowley's chained to a chair but sam later gets handcuffed to#the bed; crowley doesn't get a bucket or water but he doesnt need to do any of those while that barely meets the needs of a human being#nevermind one going through active drug withdrawal. and then of course is the context of sam's addiction vs the context of crowley's#both in terms of history and current agencies like sam's quote unquote intervention is much more targeted wrt his place within#the familial dynamic‚ hunting‚ and all the other factors that contribute to Sammy's higher standards and its relevance to sam's identity#(regarding the fact that demon blood is invariable to him) definitely heightens the intention and effect of the violence imo#it also also doesn't help that the addictions are framed in vastly different ways in spite of sam's intent#or both sam or crowley's victimisations like sam is being framed as an unknowable potential evil within the discussion with dean about#his addiction through directive choices (namely the red lighting and framing of sam's face through the door) despite all the exploration#we get for sam and exactly this throughout the season while crowley's is framed as a scaling of patriarchal masculinity within which#his addiction is made to make him look Pathetic specifically from the fact that he's 'less' monstrous and part of that is the comedic relie#and to leave crowley in the dungeon is to do the exact same thing they'd done to him for the first half of the season when he wasn't#in active withdrawal. absolutely fascinating quite frankly#9.16#4.20#4.21#adflatus
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sadisthetic · 1 year ago
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BURST💥
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hayaku14 · 2 months ago
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boomer kaito socmed au where kaito likes to randomly sign off his tweets with the rose emoji 🥀 but rn it's evolve into being used as the new 😭→💀→🥀 emoji so twitter just thinks kaito is laugh crying or being sarcastic/ironic all the time lmao
@.kaito.k finally coming home to shinichi today!!!! 🥀
>>oh girl that's not....
>>> i don't think he knows this 🥀 lmao 🥀🥀🥀
>>>>shh let him be, he's not chronically online like us 🥀
>>>you must be new here he's been using that emoji since before he blew up let him live 💀💀💀
>>>ofc a 💀 user would say that
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porcubus · 1 year ago
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Carmen and roses
i made this to be compared with canto 6's epilogue
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abirddogmoment · 2 months ago
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Rory pointed a grouse so good this morning, it was so awesome to see the conviction in her point and her steadiness until I moved closer to her and sent her to flush it !!!!!!!
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queen0fm0nsterz · 1 month ago
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hello svtfoe commentator on YouTube. on your left is a picture of meteora butterfly pre season 4. on your right is a pipe bomb controlled by me. tell me about this character WITHOUT belittling her for her mental health issues and mentioning how being a mixed race WOMAN shapes all aspects of her personality and experiences and how that ties back to the main themes of the show, even if in ways that are lacking.
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osteochondraldefect · 11 months ago
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i love spreading misinformation about what happens in this podcast aka.: bunch of thangs i drew but didnt feel like posting separately
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nexus-nebulae · 1 month ago
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watching a video and someone went like "she died because she 'lost the will to live'. if she had died from an ACTUAL MENTAL ILLNESS that would be fine, but instead she just 'lost the will to live'" like 1- what do you think depression is. 2- this is why focusing on the label rather than the actual state of existence will always be ableist and harmful. not everyone is given the language for that shit
#the source of the condition DOES NOT FUCKING MATTER when the experience is the same#and that will ALWAYS be a part of my philosophy#with transness with mental illness with physical illness even#I'm not Deaf in any capacity. but my mom and i relate A LOT about how hard it is to understand strangers#because she is Deaf and I have audio processing disorder so strangers who mumble we just struggle to understand#acting like im not allowed to complain about my hearing simply because im not Deaf is fucking dumb as rocks#i still come up against obstacles to communication and understanding. notably far fewer than her but it's still a PROBLEM for me#i was treated far kinder by communities that said 'ok- you don't know if you're one of us. but you have a problem and here's what can help'#than ones who went 'umm you don't have a Diagnosis that means you can't possibly have Symptom whatsoever'#like man.... what do you think causes a diagnosis to happen in the first place.........#also with depression i do not doubt that literally nobody found out bc this girl is a literal PRINCESS. she was raised in politics#could never show emotions if she wanted to and didn't have people to just Talk Feelings with. she had to be Professional!#and when she was ready to give up she didn't wait or tell anyone she just did. she just kept quiet and nobody noticed#I've experienced that before!!! only difference is i was caught during the actual act#its not weird for an emotionally neglected child forced into politics to not have anyone be aware of her mental state#its not weird for her to not have the language for diagnosis#especially when the film came out in like THE 90S???? YOU THINK A 90S FILM WOULD NAMEDROP DEPRESSION AS A DIAGNOSIS????#THEY'D ONLY HAD THE DIAGNOSIS AS A THING FOR LIKE. BARELY EVEN TWO DECADES BY THAT POINT#I STILL SEE FILMS MADE BY PEOPLE CONVINCED DISSASSOCIATIVE IDENTITY DISORDER DOESN'T EXIST AT ALL
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vacantgodling · 6 months ago
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HE WHO SMITES THE SUN : Dori-Tsokhizhemasonen
CHAPTER 1: SANO'NYON KI MANYENYA (The Rain Dance)
The light of the bonfire was so bright, that even standing atop of the outside wall of their ancestral city, far removed from the center of their encampment where it blazed, Tsokhizhe could still see it. The flecks of stray warmth and light traced its paws against his dark skin, still drawing him into its orbit. The flames rose higher than they would ever dare at a normal pyre, but tonight was a special night, and so special exceptions were made. Every clan and tribe south of the Gingi’nga Nanmoso would be celebrating tonight; there would be no need to worry about an attack, safe within their wall with guards like Tsokhizhe to keep it. There was a mysticism in the air tonight—one that made the flame’s reds closer to oranges, and oranges closer to white; and the colors danced, interlocked and interwoven against the backdrop of the pitch black sky. Music and laughter fueled the mirthful, heady flame, up to the very heavens above where the Affinities, named and unnamed, lie; surely enjoying the spectacle. It was a celebration worth the ages, and then some, better yet than any they had before.
Yet, unsurprisingly, Tsokhizhe was purposefully left out of the festivities. While other guards may have traded posts with one another to each take their turn at the pyre, the dances, or the feast; he was not permitted; despite being the Khoda’s own eldest child. However, he was used to this. His mother, Khoda’nga Kori-Yadeno, approached him with quiet steps at his lone hut—sequestered away from the rest of the clan’s residential huts, or the nobles grand estates; hidden in the overcast of their city’s walls—just before dawn had risen that morning. Her face was hardened, yet there was no other expression he was used to from his mother. When she spoke, her words burned, with quiet disgust barely hidden on her tongue:
“You are to be stationed at the Eastern Gate tonight.”
Tsokhizhe quickly got out of bed, still in his sleep-dress, and knelt at her feet, his head bowed respectfully to the earth. “Yes, Khoda’nga.” He said, devoid of all inflection. It was hard to be hurt by something he already knew was coming. When he was a child and first took watch-duty during this festivity, he hadn’t understood why he was not allowed to join. But now, he knew, even if no one said. He knew it in the way that his parents avoided him, the way other Kori and Dori avoided him, how even those of the diminutive gender would not meet his eye when he walked past. Every meal he took alone, hunted by his own hand. Every mission he braved alone, only speaking to his father for duty and his mother for instruction; never an affectionate word or hand given to him. These sins he bore, and wore, not with pride but obligation. 
“Kori-Tsokhizhemasonen, do not disobey me.” His mother scolded. Even his name: She Who Smites The Sun, spoke of this great transgression of his: his very birth, under the most evil of all nights, and that omen of misfortune would forever follow him, to the rest of his days.
“You are to be alone and you are to stay away from the festivities. Do you understand this?” 
“Yes, Khoda’nga.” If Tsokhizhe could bow his head lower, he would. He could feel his mother’s steely gaze lie upon his back for a moment too long, then she finally turned on her bare heel, whisking herself away towards the main grounds. Still, out of a long borne habit, Tsokhizhe stayed that way, waiting until he no longer heard the pad of her feet against the ground before he allowed himself rise. 
The Eastern Gate was the furthest away from the festivities of the night. It is why, whenever they were short on guards, he was stationed here. Even the guards did not meet his eyes, and instead kept their gazes turned away towards their mounts, or their sword hands that always rested just so on their scabbards when he passed. They were ready to strike him down at a moment’s notice, he knew. But he did not bow his head in defeat, nor shame. He only bowed to his Khoda, and father, Dori-Darada’ngomakhadzonki—Chief, He Who is Master of Mounts; his mother, Khoda’nga Kori-Yadenomanyozhango—Chieftess, She Who Guards The Store; to his younger sister if their parents bore witness to an interaction; Kori-Chazomakenan’nyopinyi—She Who Breaks the Dying Season’s Song; and most of all to the power of the Affinities named, and unnamed, who lorded above all. He may be cursed, and he was not proud, but Tsokhizhe knew better than to show weakness. If his mother taught him anything, it was to bear your sins for they define you and it is folly to expect another to bear that burden in your stead.
Still, watch duty was Tsokhizhe’s least favorite occupation. He would rather be hunting—out in the far off fields away from the reminders of his misdeed and the ire of his betters. But kenan’nyo had fully set in now—the nights were long, and the frost had begun to pepper the ground with its kisses of chill. The store was full and there was no need to go out—only perhaps, for water runs. But even that had been circumvented by the canal that as of last year had been finally completed. Now, freshwater flowed through their ancestral streets, confining Tsokhizhe more and more to these walls of clay and mortar.
Lost in his own thoughts, he didn’t notice the shadowy figure coming to approach him until a friendly hand tapped his shoulder. Tsokhizhe was long practiced in never startling—and he was thankful he hadn’t—the moment he recognized Yanyado, the shorter man was immediately throwing his arms around Tsokhizhe in a hug, a joyous cry of  “Sonenko!” leaving his lips. The momentary discomfort at the ko at the end of the fond name, did not stop Tsokhizhe from putting his arms around Yanyado in turn.
Yanyado—or, Yanyanagape’nyodo, Moon Crier— was his closest friend—only friend. And despite their friendship spanning for nearly two decades, Tsokhizhe still had never become accustomed to the affection that his friend handed out in doles. Yanyado was the only one who never besmirched him. Why Tsokhizhe never knew. But even if they were from totally different worlds—with Tsokhizhe being a Kori, and Yanyado being of a lower gender, nevermind the omen that hung about Tsokhizhe like a frightful, impenetrable cloak; he never seemed to mind this. Like the sun, Sonen, and the moon, Yanya, the two of them were inseparable and complementary, and despite his mother’s warning from this dawn, Tsokhizhe still found some part of himself happy to see him.
“How did you find me here?” Tsokhizhe asked when they pulled apart. 
“Your mother always stations you here when she does not wish for anyone to find you.” Yanyado’s voice was coy. “She is not as subtle as she thinks.” He said so conspiratorially, as though it were a lighthearted and playful secret between friends but instead a lump of basalt lodged itself in Tsokhizhe’s throat; he nodded along. “I see.” 
“Don’t look so sullen!” Yanyado lightly punched his shoulder. “Aren’t you happy to see me?” Tsokhizhe nodded, but he could tell that his expression must still be far away since a frown pulled over his friend’s features. “I know what will cheer you.” From the folds of his brightly colored parka, he pulled out a wrapped cloth. “Take it, take it!” He urged, holding it out to him. Eventually, when Yanyado did not pull his hand back, Tsokhizhe took the proffered parcel. It was warm to the touch, and the sweet smell of freshly cut herbs and flowers, rolled in sweet dough hit his nose. He had not eaten anything since sunrise, after his mother visited him and informed him of his disinvite, he charred one of the rabbits he felled the day before, gnawing on its grisel, then armed himself for the day’s activities—namely, to make himself scarce. His stomach growled, but still he could not bring himself to unwrap the parcel.
Yanyado noticed his hesitation. “I will be upset if you do not eat it. After all the work I put in to make it, I would hope you appreciate it, Sonenko.”
Something that could have been a smile tugged onto Tsokhizhe’s face, and he slowly unwrapped the cloth. “You made this?” Yanyado puffed his chest out, beaming. This made the traces of a smile that tried to bloom fully blossom on Tsokhizhe’s face. “My Yanyado does not know how to cook. Are you sure you aren’t a sopiro?”
Sopiros—fables told by parents to scare their children into behaving. People who denounced the order of things, such as the genders assigned to yokhe’nyo and kenan’nyo, who believed themselves mighty enough to hold even a speck of power that the Affinities wielded. Outsiders, hated by everyone, and shunned from all the Southern Tribes; forced to wander the wilderness unto the end of their days. Even if they warred amongst each other for resources, hunting routes, ancestral cities and land—they all agreed that sopiros were not to be trusted. 
Tsokhizhe himself, perhaps in another life, could’ve been a sopiro. He wondered it when he was small; and he heard snatches of stories around the campfire of those treated just as he. But try as he might, no otherworldly confidence came to him. No sparks of affinity flew from his fingertips or burned strong in his chest. And after the first time he was discovered and was beaten for it—he tried no more. It was then that Tsokhizhe learned that sopiros could not be feared; it was those who feared them who posed the real threat.
“Do you really think a sopiro could be so handsome as I?” Yanyado asked indignantly; but the jest was heard in his light tone. “But furthermore, I have the burns on my hands to prove my labor for you.” Yanyado held his hands out in the far off light of the bonfire, and even further light of yanya and the stars that attended it—there, on his forefinger and his thumb, Tsokhizhe saw the telltale angry welts from a few burns from a hot iron pan.
“Yanyado.” He tsked, but it was fond. “You ought to be more careful. For my sake.” He added when he noticed Yanyado’s mouth open to protest. He tucked the parcel of food underneath his arm to take Yanyado’s hand into his own. There wasn’t much he could do to heal the burns, but he did still rub them between his hands, the cooling of his skin hopefully a balm to heal it. Yanyado smiled—he was always smiling around Tsokhizhe. Tsokhizhe still hadn’t learned what fondness to his friend he held, but it did warm something broken in him. 
“For my sake, my burns will be for nothing if you don’t eat.” Yanyado reminded him. Tsokhizhe gently let go of his friend’s wrist, and finally took a bite from the doughy treat. It melted in his mouth and the taste of lemongrass and chamomile danced along his tongue. He hummed appreciatively, but before Yanyado could say more off in the distance, the songs began to grow louder, as though every voice in their clan were joining as one to cry out to the heavens their thunderous, joyous celebration. They both turned their heads. After a moment of listening, Yanyado’s eyes lit up, recognizing the melody.
“They must be doing the Sano’nyon Ki Manyenya.” Yanyado held out his hand invitingly, the beads of the colorful bracelet around his wrist jangling just as joyfully as the sound. Tsokhizhe… hesitated.
“I… do not know the steps.” He slowly admitted. 
“I know you do!” Yanyado replied. He didn’t wait for an answer and grabbed Tsokhizhe’s hand anyway. The wall was too narrow to do the dance properly, and Tsokhizhe really did mean it when he said he didn’t know it—at least, he didn’t know the ko part; the follow. They bounced together awkwardly trying to find the faint rhythm’s steps, and it was everything Tsokhizhe could do to try and keep with his do’s lead. Their hands were tangled awkwardly together; just as their feet marched arrhythmically in place. Tsokhizhe’s scimitar bounced at his hip and the jangle of the ties and beads of its scabbard just added to the confusion. At last Yanyado gave up and released him with a breathless laugh. 
“You have two left feet, Sonenko! I have not danced the steps that badly since my mother showed me how nearly a decade ago!” 
If his dark skin would allow him to blush, perhaps Tsokhizhe would’ve; but not of embarrassment but shame. The only part of the Rain Dance that he knew was the lead—the do. That is what he taught himself, observing from a closer wall station as a child; when he was yet too young to be fully left alone but still wholly excluded from the festival’s activities. He’d returned to his little far off hut at the end of the night and while all the tribe slept, whisper sang the words that had entranced him all evening until his voice went hoarse:
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Ki yin nana ma’sen
I do not talk much
Ranmi renin ke petono’ni sikhona’nyo
But the rhythm knows my desires
Manyenya naro ke, ki’ngi da zhazhana
Watch me dance and I will show you
Nimon da soson da ki’ngi chon
If you leave I will follow
Nimon da kasachi pon ke, ki’ngi zhino dechi soson da
If you tell me to stay, I will never leave you alone
Nimon da sano’nyo ki’ngi yangipan
If you are water then I will drink it
Sano’nyon-ki’chi. Ki’ngi yangipan. Ki’ngi yangipan.
It’s raining. I will drink. I will drink.
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“I’m sorry.” Tsokhizhe could hardly find it in himself to make his voice louder than a whisper. Even in his mirth, Yanyado was still attendant to his friend; a frown pulled down over his round, heart-shaped face, and he stepped into Tsokhizhe’s space, pushing his friend’s twisting blue locs away from his eyes.
“Old friend, you have nothing to apologize for!”
“You believed in me, and I failed.” It was childish, how much the thought of failing Yanyado hurt to admit—but Tsokhizhe admitted it anyway because he was not proud. He was honest. But Yanyado wouldn’t have it. He quickly reached for Tsokhizhe’s cheeks, squishing them together until Tsokhizhe tore his golden hazel eyes from the space between their shoes. 
“To not know is to partake in the joy of learning.” Yanyado was always wiser than his youthful face would suggest. He squished Tsokhizhe’s cheeks harder. “And anyway. If you wanted to dance the do part, why did you not tell me?” 
Tsokhizhe felt as naked as the day he was born. “Wh… Why would you assume that?”
“You didn’t deny it, no?” Yanyado smiled cheekily. “And anyway, we kept messing up because you stepped the same ways that I was. I hop right, and you hop right with me. You must know enough of the dance to know do hops right, unless you knew not at all, where perhaps you would only stare at me.” 
“I would not stare.” Tsokhizhe sputtered.
“You stare during every other festival that I have seen!” 
“And when have you seen me during other festivals?” Tsokhizhe countered—a fair question. Now it was Yanyado’s turn to look bashful, but it too seemed borne out of shame rather than embarrassment. 
“I have sought you out, on occasion.”
“Perhaps?” Tsokhizhe asked, and Yanyado nodded, confirming it. “Why have you not approached me until now?”
“Our Khoda—”
“I understand.” Tsokhizhe didn’t want to hear anymore. Tomorrow would still come, and he would face it as he had faced any other day.
“Would you like to try leading me?”
“I would not want you to disgrace yourself.” Tsokhizhe grunted. The music from the pyre had finally died down, and with it, the flames, as their stokers departed, perhaps to the awaiting feast. The warm glow that touched and glimmered on every far off rock and blade of grass outside of their ancestral walls, was now bathed in the serene light of yanya. It was too dark for Tsokhizhe to see Yanyado’s expression.
“You are above me, Kori-Tsokhizhemasonen.” Tsokhizhe winced when Yanyado used his full name—even if it were true. “That I should lead you at all is not fair to you. Ki’ngi chon da.” I follow you.
Tsokhizhe pulled away from his friend, turning his back to both him, and their city. He looked out into the night; willed it to swallow him. “The feast has begun, and I would not wish you to miss your meal.” 
“Just one verse.” Yanyado held out his hands again, palms flat and inviting. But Tsokhizhe did not turn back to his friend; he was not weak. He crossed his arms over his chest until Yanyado finally sighed and began his descent down the wall—back to the rest of the clan, where he belonged. Tsokhizhe belonged here. Guarding him. Them. From those like him, who would expect others to bear their burden.
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bnnywngs · 10 months ago
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Shoyo is a famous actor/model, he's currently everywhere from the current popular drama airing prime time, to that big billboard in the city, he's also in some magazines covers and has a million followers on his sns.
He's also pretty infamous for his coming out during a live show earlier in his career, and his refusal to act in stereotypes/prejudiced works, and for calling out homophobic acts, talks and people.
Because of that, he's celebrated between the lgbt community in Japan, and his fans are not only loyal, but fiercely protective and active in protests online or in person, for many things - either lgbt, feminist, or just to get a better access for wheelchairs in the subway.
But recently, after years saying he was single, he came out saying he had a lover who was neither an actor or a model, but wasn't unknown. He didn't want to say who it was because it could be bad for them, as Japan still has a long way to go to accept lgbt couples.
People respected that, but not the paparazzi, as always, so they relentlessly followed Shoyo, who kept going from work to home, and home to work, with a few outings with his friends and colleagues, so the photographers were getting anxious and restless.
It all came down to one letter.
Every Christmas Shoyo sends a custom postcard to his parents and his sister (who's a famous volleyball player now in Turkey) before going back home for new years (if he didn't have anything in his schedule), and this year he decided to get a picture of him and his boyfriend in a Christmas setting as his postcard.
But it was intercepted by one of the paparazzi.
Shoyo's boyfriend was none other than number 1 japanese streamer kodzuken! It was a cute little postcard with a picture of both of them sitting in front of a big and full of ornaments Christmas tree, with matching sweaters and doing a heart with their hands together.
The leak was soon everywhere and Shoyo's radio interview was cancelled that day, together with all his schedule, so they could do a somewhat damage control and to write a handwritten letter to his fans not only explaining everything, but criticizing those who stole his family letter.
The truth was: Shoyo and kodzuken met each other in highschool, when they both played volleyball in their respective schools, and started a relationship early on, that kept going for years and years, both their families knew about it and accepted it, Shoyo's family loved Kenma and treated him as another member of the family, and kodzuken's parents are always inviting Shoyo to have family dinner with them and even going out together without kodzuken.
kodzuken just did a small update stream a week or so later, saying almost the exact same thing as Shoyo's letter, and also criticizing those who make money over these kinds of scandals, and that they wanted to come out some day as a couple but in their own terms and not like this - as kodzuken wasn't even out of the closet for his fans.
As the media was letting go of this and the fans were calming down (Shoyo's fans being more open and receptive of their relationship), a magazine with them at the cover was released, with a long interview where they shared one single picture of their teenage years, where they went a bit more deep into their relationship and why they gave up volleyball after highschool.
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