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sanjosecriminal · 9 days ago

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The Dynamic Legacy of Music Artists from New York: A Spotlight on Passion and Purpose

When we talk about music artists from New York, we are talking about more than just performers—we’re talking about visionaries, storytellers, and cultural icons. From the soulful sounds of Harlem’s jazz to the explosive beats of Brooklyn’s hip-hop, New York has consistently shaped the world’s music scene. This cultural melting pot continues to birth talented artists who transcend genres and unite audiences. Among these, one rising name carving his unique niche with heartfelt and powerful music is JoJo Romero.

Though born in St. Croix, JoJo Romero's connection to the New York music scene is undeniable through his performances, collaborations, and influence. Let’s explore how New York has nurtured global icons and discover how JoJo Romero represents a new wave of meaningful music artistry.

The Melting Pot of Global Influence New York City has always been a beacon for dreamers and creatives. With a mix of cultures, languages, and identities, the city has given birth to music genres that have defined generations. From Frank Sinatra’s croons to Jay-Z’s rhymes, music artists from New York have dominated charts and captured hearts around the world. What sets New York musicians apart is the raw authenticity they bring. Whether in a crowded subway or an elite concert hall, music pulses through the veins of this vibrant city. Artists like Alicia Keys, Nas, The Strokes, and Billie Holiday each brought their own voice to the city’s long-standing legacy of musical innovation. And now, artists like JoJo Romero are carrying that torch with a voice that echoes truth, passion, and resilience.

JoJo Romero: A Modern Torchbearer of Soulful Music JoJo Romero may not have been born in the five boroughs, but his music holds the spirit of New York—bold, layered, and authentic. Since his debut in 1995, JoJo has crafted music that speaks to the soul. Whether it's reggae, soul, or a fusion of Caribbean and American musical elements, JoJo’s art captures a narrative that many music artists from New York aim to tell: the story of struggle, triumph, and growth. With albums like Paradise, Chasing A Dream, and Lion Heart 2, JoJo’s catalog reflects a deep emotional and sonic journey. The passion in his lyrics and the energy in his live performances have earned him a loyal following across the U.S., including numerous performances throughout New York.

The Role of Live Performances in the NYC Scene In New York, live music isn’t just entertainment—it’s a cultural ritual. Venues like The Apollo Theater, Webster Hall, and Blue Note Jazz Club have witnessed the rise of countless stars. JoJo Romero and his band Nightshift have taken part in this tradition by energizing crowds with powerful performances that combine technical excellence with infectious joy. The demand for real, raw, and heartfelt music remains high in NYC, and JoJo Romero’s presence continues to grow with every event. Just like many music artists from New York, JoJo connects with his audience not just through sound but through shared experiences and emotions.

Independent Artists and the Digital Age The rise of digital distribution platforms like DistroKid, featured on JoJo’s site, has made it easier for independent music artists from New York and beyond to reach a global audience. Today, an artist doesn’t need a label in Manhattan to go viral—they just need talent, consistency, and authenticity. JoJo Romero embodies this independent spirit. Through his official website http://jojoromero.com/, fans can explore his discography, view music videos, read lyrics, and get direct access to show dates and contact information. He represents a new generation of independent artists who refuse to compromise on their message.

Diversity in NYC Music: A Breeding Ground for Innovation One of the most impressive traits of music artists from New York is their ability to innovate. Genres like punk, hip-hop, disco, Latin freestyle, and even reggaeton have roots in New York neighborhoods. The city encourages musical experimentation and fusion—and JoJo Romero is no stranger to blending cultural influences. By integrating Caribbean rhythms with reggae soul and urban vibes, JoJo Romero offers a sound that resonates deeply with New Yorkers. His latest single, “No More Love Here for You,” available on his videos page, is a testament to this fusion of styles, making his music both refreshing and nostalgic.

Why JoJo Romero Stands Out What sets JoJo apart from many music artists from New York is his unwavering commitment to heartfelt storytelling. Whether it’s a song about perseverance, love, or self-discovery, JoJo writes from a place of truth. His strengths include: Authentic Lyricism: Songs that reflect real-life struggles and victories.

Live Performance Power: Electrifying stage presence that captures the room.

Cultural Blend: Caribbean roots and American soul infused into his sound.

Independence: Creative freedom through digital platforms and direct fan engagement.

The Future of NYC Music and JoJo Romero As New York continues to evolve, so does its music scene. From boroughs to the big screen, the city’s influence is global—and artists like JoJo Romero are playing a critical role in shaping its future. With plans for more albums, videos, and live shows listed on his official site, JoJo Romero is positioned to not only represent the legacy of NYC music but also push it forward.

Conclusion In a city famed for producing legends, the new era of music artists from New York must be defined by authenticity, passion, and versatility. JoJo Romero checks all these boxes and more. His journey from St. Croix to the heart of the American music scene is both inspiring and reflective of the very spirit New York celebrates—bold, resilient, and ready to be heard. Whether you’re exploring timeless New York anthems or searching for a fresh voice with emotional depth, JoJo Romero’s music is worth every listen. Visit http://jojoromero.com/ today to dive into his world and discover what makes his sound so special.

Frequently Asked Questions (FAQ) Q1: Is JoJo Romero based in New York? While JoJo Romero was born in St. Croix, he frequently performs in New York and is deeply connected to the NYC music scene through his style, collaborations, and live shows. Q2: What kind of music does JoJo Romero create? JoJo Romero creates a fusion of reggae, soul, and Caribbean-inspired music with lyrics that reflect personal experiences and emotional depth. Q3: Where can I find JoJo Romero’s music? You can explore his full discography, videos, lyrics, and tour dates at his official website: http://jojoromero.com/. Q4: How does JoJo Romero compare to other music artists from New York? JoJo brings a unique blend of heartfelt storytelling and Caribbean rhythms, setting him apart from many contemporary music artists from New York with a sound that’s both global and grounded. Q5: How can I attend a JoJo Romero concert? Stay updated by checking the “Live Shows” and “Buy Tickets” sections on http://jojoromero.com/. His energetic performances are not to be missed!

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char1ottee · 1 year ago

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London Culture🇬🇧

Music🎤

The Royal Albert Hall hosts concerts and musical events, including The Proms which are held every summer, as well as cinema screenings of films accompanied with live orchestral music.

London is one of the major classical and popular music capitals of the world and hosts major music corporations, such as Universal Music Group International and Warner Music Group, and countless bands, musicians and industry professionals. The city is also home to many orchestras and concert halls, such as the Barbican Arts Centre (principal base of the London Symphony Orchestra and the London Symphony Chorus), the Southbank Centre (London Philharmonic Orchestra and the Philharmonia Orchestra), Cadogan Hall (Royal Philharmonic Orchestra) and the Royal Albert Hall (The Proms). The Proms, an eight-week summer season of daily orchestral classical music first held in 1895, ends with the Last Night of the Proms. London's two main opera houses are the Royal Opera House and the London Coliseum (home to the English National Opera). The UK's largest pipe organ is at the Royal Albert Hall. Other significant instruments are in cathedrals and major churches—the church bells of St Clement Danes feature in the 1744 nursery rhyme "Oranges and Lemons". Several conservatoires are within the city: Royal Academy of Music, Royal College of Music, Guildhall School of Music and Drama and Trinity Laban. The record label EMI was formed in the city in 1931, and an early employee for the company, Alan Blumlein, created stereo sound that year.

Abbey Road Studios in Abbey Road

London has numerous venues for rock and pop concerts, including the world's busiest indoor venue, the O2 Arena, and Wembley Arena, as well as many mid-sized venues, such as Brixton Academy, the Hammersmith Apollo and the Shepherd's Bush Empire. Several music festivals, including the Wireless Festival, Lovebox and Hyde Park's British Summer Time, are held in London.

The city is home to the original Hard Rock Cafe and the Abbey Road Studios, where the Beatles recorded many of their hits. In the 1960s, 1970s and 1980s, musicians and groups like Elton John, Pink Floyd, David Bowie, the Rolling Stones, the Kinks, Queen, Eric Clapton, the Who, Cliff Richard, Led Zeppelin, Iron Maiden, Deep Purple, T. Rex, the Police, Elvis Costello, Dire Straits, Cat Stevens, Fleetwood Mac, the Cure, Madness, Culture Club, Dusty Springfield, Phil Collins, Rod Stewart, Status Quo and Sade, derived their sound from the streets and rhythms of London.

London was instrumental in the development of punk music, with figures such as the Sex Pistols, the Clash and fashion designer Vivienne Westwood all based in the city. Other artists to emerge from the London music scene include George Michael, Kate Bush, Seal, Siouxsie and the Banshees, Bush, the Spice Girls, Jamiroquai, Blur, the Prodigy, Gorillaz, Mumford & Sons, Coldplay, Dido, Amy Winehouse, Adele, Sam Smith, Ed Sheeran, Leona Lewis, Ellie Goulding, Dua Lipa and Florence and the Machine. Artists from London played a prominent role in the development of synth-pop, including Gary Numan, Depeche Mode, the Pet Shop Boys and Eurythmics; the latter's "Sweet Dreams (Are Made of This)" was recorded in the attic of their north London home, heralding a trend for home recording methods. Artists from London with a Caribbean influence include Hot Chocolate, Billy Ocean, Soul II Soul and Eddy Grant, with the latter fusing reggae, soul and samba with rock and pop. London is also a centre for urban music. In particular the genres UK garage, drum and bass, dubstep and grime evolved in the city from the foreign genres of house, hip hop, and reggae, alongside local drum and bass. Music station BBC Radio 1Xtra was set up to support the rise of local urban contemporary music both in London and in the rest of the United Kingdom. The British Phonographic Industry's annual popular music awards, the Brit Awards, are held in London.

Leisure and entertainment🛍️

Leisure is a major part of the London economy. A 2003 report attributed a quarter of the entire UK leisure economy to London at 25.6 events per 1000 people. The city is one of the four fashion capitals of the world, and, according to official statistics, is the world's third-busiest film production centre, presents more live comedy than any other city, and has the biggest theatre audience of any city in the world.

Within the City of Westminster in London, the entertainment district of the West End has its focus around Leicester Square, where London and world film premieres are held, and Piccadilly Circus, with its giant electronic advertisements. London's theatre district is here, as are many cinemas, bars, clubs, and restaurants, including the city's Chinatown district (in Soho), and just to the east is Covent Garden, an area housing speciality shops. The city is the home of Andrew Lloyd Webber, whose musicals have dominated West End theatre since the late 20th century. Agatha Christie's The Mousetrap, the world's longest-running play, has been performed in the West End since 1952. The Laurence Olivier Awards–named after Laurence Olivier–are given annually by the Society of London Theatre. The Royal Ballet, English National Ballet, Royal Opera, and English National Opera are based in London and perform at the Royal Opera House, the London Coliseum, Sadler's Wells Theatre, and the Royal Albert Hall, as well as touring the country.

Islington's 1 mile (1.6 km) long Upper Street, extending northwards from Angel, has more bars and restaurants than any other street in the UK. Europe's busiest shopping area is Oxford Street, a shopping street nearly 1 mile (1.6 km) long, making it the longest shopping street in the UK. It is home to vast numbers of retailers and department stores, including Selfridges flagship store. Knightsbridge, home to the equally renowned Harrods department store, lies to the south-west. Opened in 1760 with its flagship store on Regent Street since 1881, Hamleys is the oldest toy store in the world. Madame Tussauds wax museum opened in Baker Street in 1835, an era viewed as being when London's tourism industry began.

London is home to designers John Galliano, Stella McCartney, Manolo Blahnik, and Jimmy Choo, among others; its renowned art and fashion schools make it one of the four international centres of fashion. Mary Quant designed the miniskirt in her King's Road boutique in Swinging Sixties London. London offers a great variety of cuisine as a result of its ethnically diverse population. Gastronomic centres include the Bangladeshi restaurants of Brick Lane and the Chinese restaurants of Chinatown. There are Chinese takeaways throughout London, as are Indian restaurants which provide Indian and Anglo-Indian cuisine. Around 1860, the first fish and chips shop in London was opened by Joseph Malin, a Jewish immigrant, in Bow. The full English breakfast dates from the Victorian era, and many cafes in London serve a full English breakfast throughout the day. London has five 3-Michelin star restaurants, including Restaurant Gordon Ramsay in Chelsea. Many hotels in London provide a traditional afternoon tea service, such as the Oscar Wilde Lounge at the Hotel Café Royal in Piccadilly, and a themed tea service is also available, for example an Alice in Wonderland themed afternoon tea served at the Egerton House Hotel, and Charlie and the Chocolate Factory themed afternoon tea at One Aldwych in Covent Garden. The nation's most popular biscuit to dunk in tea, chocolate digestives have been manufactured by McVitie's at their Harlesden factory in north-west London since 1925.

There is a variety of annual events, beginning with the relatively new New Year's Day Parade, a fireworks display at the London Eye; the world's second largest street party, the Notting Hill Carnival, is held on the late August Bank Holiday each year. Traditional parades include November's Lord Mayor's Show, a centuries-old event celebrating the annual appointment of a new Lord Mayor of the City of London with a procession along the streets of the city, and June's Trooping the Colour, a formal military pageant performed by regiments of the Commonwealth and British armies to celebrate the King's Official Birthday. The Boishakhi Mela is a Bengali New Year festival celebrated by the British Bangladeshi community. It is the largest open-air Asian festival in Europe. After the Notting Hill Carnival, it is the second-largest street festival in the United Kingdom attracting over 80,000 visitors. First held in 1862, the RHS Chelsea Flower Show (run by the Royal Horticultural Society) takes place in May every year.

LGBT scene🏳️‍🌈

The first gay bar in London in the modern sense was The Cave of the Golden Calf, established as a night club in an underground location at 9 Heddon Street, just off Regent Street, in 1912 and "which developed a reputation for sexual freedom and tolerance of same-sex relations."

While London has been an LGBT tourism destination, after homosexuality was decriminalised in England in 1967 gay bar culture became more visible, and from the early 1970s Soho (and in particular Old Compton Street) became the centre of the London LGBT community. G-A-Y, previously based at the Astoria, and now Heaven, is a long-running night club.

Wider British cultural movements have influenced LGBT culture: for example, the emergence of glam rock in the UK in the early 1970s, via Marc Bolan and David Bowie, saw a generation of teenagers begin playing with the idea of androgyny, and the West End musical The Rocky Horror Show, which debuted in London in 1973, is also widely said to have been an influence on countercultural and sexual liberation movements. The Blitz Kids (which included Boy George) frequented the Tuesday club-night at Blitz in Covent Garden, helping launch the New Romantic subcultural movement in the late 1970s. Today, the annual London Pride Parade and the London Lesbian and Gay Film Festival are held in the city.

Literature, film and television🎥

London has been the setting for many works of literature. The pilgrims in Geoffrey Chaucer's late 14th-century Canterbury Tales set out for Canterbury from London. William Shakespeare spent a large part of his life living and working in London; his contemporary Ben Jonson was also based there, and some of his work, most notably his play The Alchemist, was set in the city. A Journal of the Plague Year (1722) by Daniel Defoe is a fictionalisation of the events of the 1665 Great Plague.

The literary centres of London have traditionally been hilly Hampstead and (since the early 20th century) Bloomsbury. Writers closely associated with the city are the diarist Samuel Pepys, noted for his eyewitness account of the Great Fire; Charles Dickens, whose representation of a foggy, snowy, grimy London of street sweepers and pickpockets has influenced people's vision of early Victorian London; and Virginia Woolf, regarded as one of the foremost modernist literary figures of the 20th century. Later important depictions of London from the 19th and early 20th centuries are Arthur Conan Doyle's Sherlock Holmes stories. Robert Louis Stevenson mixed in London literary circles, and in 1886 he wrote the Strange Case of Dr Jekyll and Mr Hyde, a gothic novella set in Victorian London. In 1898, H. G. Wells' sci-fi novel The War of the Worlds sees London (and the south of England) invaded by Martians. Letitia Elizabeth Landon wrote Calendar of the London Seasons in 1834. Modern writers influenced by the city include Peter Ackroyd, author of a "biography" of London, and Iain Sinclair, who writes in the genre of psychogeography. In the 1940s, George Orwell wrote essays in the London Evening Standard, most notably "A Nice Cup of Tea" (method for making tea) and "The Moon Under Water" (an ideal pub). The WWII evacuation of children from London is depicted in C. S. Lewis' first Narnia book The Lion, the Witch and the Wardrobe (1950). On Christmas Eve 1925, Winnie-the-Pooh debuted in London's Evening News, with the character based on a stuffed toy A. A. Milne bought for his son Christopher Robin in Harrods. In 1958, author Michael Bond created Paddington Bear, a refugee found in London Paddington station. A screen adaptation, Paddington (2014), features the calypso song "London is the Place for Me".

London has played a significant role in the film industry. Major studios within or bordering London include Pinewood, Elstree, Ealing, Shepperton, Twickenham, and Leavesden, with the James Bond and Harry Potter series among many notable films produced here. Working Title Films has its headquarters in London. A post-production community is centred in Soho, and London houses six of the world's largest visual effects companies, such as Framestore. The Imaginarium, a digital performance-capture studio, was founded by Andy Serkis. London has been the setting for films including Oliver Twist (1948), Scrooge (1951), Peter Pan (1953), One Hundred and One Dalmatians (1961), My Fair Lady (1964), Mary Poppins (1964), Blowup (1966), A Clockwork Orange (1971), The Long Good Friday (1980), The Great Mouse Detective (1986), Notting Hill (1999), Love Actually (2003), V for Vendetta (2005), Sweeney Todd: The Demon Barber of Fleet Street (2008) and The King's Speech (2010). Notable actors and filmmakers from London include Charlie Chaplin, Alfred Hitchcock, Michael Caine, Julie Andrews, Peter Sellers, David Lean, Julie Christie, Gary Oldman, Emma Thompson, Guy Ritchie, Christopher Nolan, Alan Rickman, Jude Law, Helena Bonham Carter, Idris Elba, Tom Hardy, Daniel Radcliffe, Keira Knightley, Daniel Kaluuya and Daniel Day-Lewis. Post-war Ealing comedies featured Alec Guinness, from the 1950s Hammer Horrors starred Christopher Lee, films by Michael Powell included the London-set early slasher Peeping Tom (1960), the 1970s comedy troupe Monty Python had film editing suites in Covent Garden, while since the 1990s Richard Curtis's rom-coms have featured Hugh Grant. The largest cinema chain in the country, Odeon Cinemas was founded in London in 1928 by Oscar Deutsch. The British Academy Film Awards (BAFTAs) have been held in London since 1949, with the BAFTA Fellowship the Academy's highest accolade. Founded in 1957, the BFI London Film Festival takes place over two weeks every October.

London is a major centre for television production, with studios including Television Centre, ITV Studios, Sky Campus and Fountain Studios; the latter hosted the original talent shows, Pop Idol, The X Factor, and Britain's Got Talent, before each format was exported around the world. Formerly a franchise of ITV, Thames Television featured comedians such as Benny Hill and Rowan Atkinson (Mr. Bean was first screened by Thames), while Talkback produced Da Ali G Show which featured Sacha Baron Cohen as Ali G. Many television shows have been set in London, including the popular television soap opera EastEnders.

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telegid · 6 years ago

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Результат конкурса "Выиграй билеты на выступление бэнда Андрея Чмута"

Результат конкурса “Выиграй билеты на выступление бэнда Андрея Чмута”

Друзья, состоялся розыгрыш пары билетов на выступление джаз-бэнда известного музыканта Андрея Чмута, от музыки которого у самой Джамалы мурашки по коже Концерт пройдет 8.07 в Caribbean Club Concer Hall. Подробно о этом тут. Конкурс проводился на нашей странице в Фейсбуке.

Поздравляем победительницу – ею стала Светлана Бочарова! Ждем подтверждения в сообщении нашей страницев Фейсбуке. Ниже –…

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#Caribbean Club Concert Hall #Андрей Чмут #джаз #конкурс #розыгрыш

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sky-gren · 2 years ago

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Cocktail bars Orlando

RUM jungle is a night club in Orlando FL which offers selection of cocktails, rums etc. RUM jungle is an Premiere Entertainment Venue, a marvel is concept and design that incorporates over 20 years in the industry. Call 4075522961 for more detail. visit the website.

#Cocktail Bar Orlando FL #Concert Hall Orlando #Night Club Florida #Caribbean club Orlando

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justforbooks · 2 years ago

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By the mid-1950s, the singer Harry Belafonte had taken the lead role in an Oscar-nominated film, Carmen Jones; reached No 1 with his album Calypso, which helped find a mainstream audience for that musical style and became the first album ever to sell more than 1m copies; and headlined major venues around the US.

However, Belafonte found himself unable to use the main entrance to the Las Vegas hotels where he regularly performed – nor could he eat, stay or gamble in them. On tour in the south, he faced an evening curfew because of his skin colour. When he starred with Joan Fontaine in the then controversial film about an interracial relationship, Island in the Sun (1957), he was advised not to mention Fontaine in press interviews for fear of suggesting a romance between them. He learned that the power and respect that usually accompany fame and fortune could be largely illusory as far as black entertainers were concerned.

The enduringly handsome Belafonte, who has died aged 96, had great success not just as a honey-voiced singer and a compelling actor, but also as a passionate and erudite campaigner for civil rights.

The seeds of his ambition and his social conscience were sown by his tough childhood. Harold Bellanfanti was born in Harlem, New York, and raised in a cramped apartment. His parents came from the Caribbean. His father, also called Harold, had been born in Martinique and was an itinerant ship’s cook; his mother, Melvine, born in Jamaica, worked as a domestic servant.

When Harry was six, his father left the family.

The boy was sent by his mother to study in Jamaica, where his American accent made him feel like an outsider at school. In Jamaica, he loved visiting the banana markets; many years later, after his international success with The Banana Boat Song (Day-O), he observed: “Not by chance did that song become my signature. I knew of what I was singing.”

After a few years, Belafonte returned to New York, dropped out of high school and entered the navy. It was 1944 and he was 17. Two strokes of good fortune changed his life. First, he met Marguerite Byrd, a young teacher from a black middle-class family, who four years later became his wife. He abandoned the menial jobs he had been doing and, thanks to the GI Bill of Rights, became a student and enrolled at Erwin Piscator’s drama school, where his peers included Marlon Brando and Sidney Poitier. With the latter, Belafonte trained at the studio theatre of the pioneering American Negro theatre in Harlem.

Except for some off-Broadway shows, he found little work as an actor and began singing, mainly in jazz clubs, such as the Village Vanguard and the Royal Roost in New York, earning a reasonable living for a couple of years. He also began recording, including some of his own songs. Tiring of the routine, in 1950 he opened a small restaurant, the Sage, in Greenwich Village, entertaining customers with folk songs. This, and his attachment to calypsos (he became known as “the Calypso King”), changed his style, and he was soon performing in more prestigious venues. He had signed a deal with Jubilee Records in 1949, and his records began to sell. Throughout his career, he recorded dozens of albums, including live concerts at Carnegie Hall, New York.

Belafonte won a Tony award in 1954 for his performance in the musical revue John Murray Anderson’s Almanac. By then, his film career was under way. After playing a headteacher in Bright Road (1953), he was cast in Otto Preminger’s 1954 movie version of the Broadway hit Carmen Jones, opposite Dorothy Dandridge. This all-black adaptation of Bizet’s Carmen, in which both his and Dandridge’s voices were dubbed, was a considerable success.

In 1957, Belafonte had top 10 hits in the UK with The Banana Boat Song and the title track from Island in the Sun, before achieving his biggest recording success with Mary’s Boy Child, which spent seven weeks at No 1 in 1957 and was re-released for the following two Christmases.

He began to appear on television, toured successfully in Europe and recorded several programmes for BBC television, working for a fraction of his normal fee because he enjoyed the extended nature of the shows, which gave him time to develop his performance. He became one of the first major artists to tour with a multiracial band and he integrated black performers into orchestras in prestige venues where the musicians had been exclusively white.

Belafonte and Byrd divorced in 1957, and he married Julie Robinson, the first white dancer to work with the Katherine Dunham company. The breakdown of his marriage had led Belafonte to seek psychiatric treatment, and his psychiatrist’s husband, a stockbroker, subsequently became Belafonte’s agent and manager, replacing Jack Rollins, the man responsible for masterminding Belafonte’s early career.

The 1950s was a period of considerable civil rights activism for Belafonte, who cited his friend Martin Luther King as the dominant influence on his life. When they first met, in 1954, they were in their mid-20s. “His courage was really quite remarkable,” Belafonte recalled. He embraced King’s message of nonviolence and lent his support to protest movements. With King, Belafonte was one of those who planned the 1963 march on Washington.

In the following year, he helped to raise and then personally delivered, with the assistance of Poitier, $70,000 in cash to support the work of the Student Nonviolent Coordinating Committee in Greenwood, Mississippi. Facing hostility from the Ku Klux Klan, the SNCC was striving to register black voters in the region. “In Mississippi’s vicious climate,” Poitier wrote, “the chances of a Klansman taking a potshot at me were actually pretty high.”

A television show, Tonight With Harry Belafonte (1959), brought Belafonte an Emmy, making him the first African American man to win the award. He returned to the screen in The World, the Flesh and the Devil (1959); the story of racial conflict within the science-fiction genre worked effectively. In the same year he made a thriller, Odds Against Tomorrow, with a racial subtext behind the animosity between two criminals.

Belafonte won a Grammy for best folk performance in 1960 for a powerful album of chain gang songs, Swing Dat Hammer. In 1965 he won another Grammy for best folk recording for an album he made with Miriam Makeba, the anti-apartheid activist. But another musical collaboration, with Petula Clark on her TV special in 1968, raised Belafonte’s profile further. During their performance of the song On the Path of Glory, Clark held Belafonte’s arm – much to the objection of an executive from the show’s sponsor, who feared that this show of intimacy between a white woman and a black man would enrage southern audiences. Clark refused to cut the performance from the programme, which had a warm reception when it was broadcast.

Returning to acting in 1970, he played a black angel, sent to earth to help Zero Mostel, in The Angel Levine, which he co-produced. He fared better producing Buck and the Preacher (1972), directed by his co-star, Poitier. The pair’s subsequent film, Uptown Saturday Night (1974), proved less successful.

In the mid-1980s, inspired by the success of Band Aid’s Do They Know It’s Christmas?, Belafonte helped to organise the charity single We Are the World, written by Lionel Richie and Michael Jackson and recorded by an all-star lineup of musicians including Stevie Wonder, Paul Simon and Diana Ross. The song reached No 1 in the US and the UK and won a Grammy. In 1987 Belafonte replaced Danny Kaye as UNICEF's goodwill ambassador; that year he chaired an International Symposium of Artists and Intellectuals for African Children in Senegal.

Having played himself in the satires The Player (1992) and Prêt-à-Porter (1994), Belafonte made a third film for the director Robert Altman, who cast him as Seldom Seen, a gang boss and club owner, in Kansas City (1996), for which Belafonte received the New York Critics Circle award for best supporting actor. Although he had not taken a leading role in a feature film for nearly 20 years, he was sufficiently tempted by the part of the bigoted Thaddeus Thomas in White Man’s Burden (1995), opposite John Travolta. He also joined the cast of Bobby (2006), Emilio Estevez’s film about Bobby Kennedy, whom Belafonte knew in the 60s.

Belafonte belatedly considered entering full-time politics in the Democratic party, but work, social commitments and family took precedence. Among his ongoing social concerns over the years were the National Association for the Advancement of Colored People; a school for emotionally disturbed boys; the prevention of gang violence; and his own Belafonte Foundation of Music and Arts.

He remained a force to be reckoned with, in 2002 likening the then US secretary of state Colin Powell to a slave who “got the privilege of living in the house if you served the master, exactly the way the master intended to have you serve him”. He lent his support to the Occupy movement in 2011, and when asked in a Guardian interview the following year which living person he most despised, he replied: “George W Bush, for his betrayal of America.”

His autobiography, My Song (2011), was followed by a documentary about his life, Sing Your Song. His final film role was a cameo as a veteran activist in Spike Lee’s BlacKkKlansman (2018).

In 2008, following divorce from his second wife, he married Pamela Frank. She survives him, along with the two daughters of his first marriage, and the son and daughter from his second.

Harry Belafonte was one of the most important and influential campaigning black musicians in American history, though for the public at large he was better known for most of his career for the relaxed, middle-of-the-road image that he projected through his calypsos.

His true character was very different, for in the 60s he used his wealth, fame and organisational skills to bolster the civil rights campaign in the US and bring American attention to the apartheid regime in South Africa, playing a crucial role in promoting the careers of the South African musicians Miriam Makeba and Hugh Masekela.

He was always a smartly dressed figure with a powerful physical presence and a glorious husky growl, but was also a man of considerable bravery. He took part in such major events as the 1965 march from Selma to Montgomery – where he made speeches, but had to leave town lying on the floor of a car, along with Peter Yarrow of Peter, Paul and Mary, to escape the Klansmen.

But the suave crooner of calypsos was regarded with suspicion by black power leaders because of his links with the white establishment. Belafonte had his own campaign for bringing change, and was quite happy to talk to white politicians, though in 1986 he turned down a request from governor Mario Cuomo to stand for the Democrats as senator in New York.

His agenda included forging links between black Americans and Africa, and in the 60s he helped to organise a trip to several African countries for SNCC activists, because he felt they needed to know more about the continent. But his most important role in Africa was in the anti-apartheid campaign, and his help for exiled South African musicians.

Belafonte first learned about Makeba after being approached in the lobby of the Dorchester Hotel in London by Trevor Huddleston, the priest (and later bishop) who helped found the anti-apartheid movement. Belafonte helped her to obtain a visa to the US and then guided her to becoming an international celebrity. They often performed and toured together, with Makeba calling him “my big brother”, and it was with Belafonte that she performed in 1962 at President John F Kennedy’s birthday celebration at Madison Square Garden. Belafonte helped Masekela, also an exile in the US, by arranging a scholarship for him.

In 1988 Belafonte released the South African-influenced album Paradise in Gazankulu, which included the political songs Capetown and We Are the Wave, and in the same year he gave a powerful speech at the Nelson Mandela 70th birthday tribute at Wembley Stadium, watched by a television audience of hundreds of millions across the world. In 2003 he was reunited with Makeba, when they recorded an album together.

Throughout his career he always matched his genial persona with political commitment – and sometimes anger. A passionate campaigner for gun control in the US, he chastised fellow black Americans in 2013 for failing to speak up on the issue. The easy-going calypso singer and actor was also a major political force.

🔔 Harry Belafonte (Harold George Bellanfanti), singer, actor and activist, born 1 March 1927; died 25 April 2023

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

#JUST FOR BOOKS #Harry Belafonte #in memoriam

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zerounotvadri · 2 years ago

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70000TONS OF METAL 2024: January 29 - February 2 Miami, FL to Puerto Plata, Dominican Republic

The 70000TONS OF METAL festival organizers have announced that the twelfth edition of the floating festival will sail on January 29th to February 2nd from Miami, Florida - Cruise Capital of the World - to Puerto Plata, Dominican Republic and back, on board the luxury passenger vessel Freedom of the Seas.

The festival will once again host 60 Heavy Metal bands spanning all subgenres and welcome 3000 metalheads from around the world.

Freedom of the Seas, a Freedom class cruise ship, offers a host of amenities and complimentary dining options. Guests will also enjoy unrestricted festival access to all 120+ performances across four stages:

The Royal Theater is a five-storied concert hall. The more intimate Star Lounge offers the local club vibe. A third indoor stage, Studio B, provides an arena-like atmosphere. Lastly, but most notable, the Pool Deck Stage: The World’s Biggest Open Air Stage structure to sail the Open Seas. This colossal stage is surrounded by bars, plenty of room to sunbathe and even hot tubs incorporated into the stage itself, offering guests the unique opportunity to watch their favorite metal bands from the comfort of a hot tub.

The ship will sail to Puerto Plata - the Dominican Republic's oldest city in the north and the pioneer of tourism in the country. The city is famous for Parque Independencia, the “Central Park” of Puerto Plata and a popular meeting point. Take a cable car to the top of “Monte Isabel de Torres”, a peak rising 2,600 feet above sea level. Swim and snorkel at Sosua beach and then grab some lunch or a beverage at one of the many nearby restaurants and bars. Try some local fare with a bowl of la Bandera: a meat stew with rice, beans, and fried plantains or a saucy Pescado con coco (fish in coconut sauce).

La Casa de la Cultura is a three-story Victorian house that features local arts exhibits, a contemporary art gallery, library and store with local goods for sale. Find yourself some of the oldest, most translucent amber in the world, which Puerto Plata is famous for.

As the festival organizers continually strive to innovate and improve the Heavy Metal Festival Experience for their guests and their surroundings, festivalgoers will once again have the option to purchase a Carbon Offset when booking their Private Cabin or Single Ticket for 70000TONS OF METAL 2024. For the eleventh voyage of 70000TONS OF METAL in 2023, nearly 15% of their customers chose to purchase the additional Carbon Offset. The funds contributed through the Carbon Offset Program went to Greentripper's Improved Cookstoves in Ghana project.

Visit 70000tons.com for more information and watch their social media pages @70000tons for more announcements including sales dates.

About 70000TONS OF METAL

70000TONS OF METAL is The Original, The World's Biggest Heavy Metal Cruise.

With ten consecutive sellouts since the inaugural voyage in 2011, this extraordinary and unique floating festival now sails on board some of the largest luxury passenger vessels in the world. Featuring 60 world-class Heavy Metal bands from around the globe performing across four stages, 70000TONS OF METAL is home to The World's Biggest Open Air Stage Structure to sail the Open Seas.

Guests can enjoy the Heavy Metal festival experience of a lifetime with all the benefits that a cruise has to offer: complimentary fine dining, bars that never close, 24-hour room service, as well as the ship’s many amenities.

This four-day Heavy Metal Music Festival and Caribbean vacation offers 3000 metalheads the amazing opportunity to mingle side-by-side with all of the bands on board. With no VIP areas it truly is like everyone has a backstage pass. Not only do guests have unrestricted festival access to 120+ live performances (all bands play twice), every ticket also includes meet & greets with every band, intimate masterclasses with select musicians and exclusive live & listening premieres. Guests also have full access to the “Jamming in International Waters All Star Jam” - a one-of-a-kind jam session featuring a host of musical virtuosos performing classic metal songs together on stage.

Festivalgoers also have the special opportunity to explore a Caribbean dream destination with their favorite band members on an “Artist Escorted Shore Excursion”, another 70000TONS OF METAL exclusive.

For more details about 70000TONS OF METAL 2024, including FAQs, vessel amenities and contact information, please visit 70000tons.com

Guests and fans are also invited to join the 70000TONS OF METAL community on The 70000TONS OF METAL Official Forum, Facebook, Twitter, Instagram, TikTok, YouTube, Telegram, and Spotify: @70000tons

70000TONS OF METAL 2024: Enero 29 - Febrero 2 de Miami, FL a Puerto Plata, República Dominicana

Los organizadores del festival 70000TONS OF METAL han anunciado que la decimosegunda edición del festival flotante navegará del 29 de enero al 2 de febrero saliendo desde Miami, Florida - Capital Mundial de los Cruceros - rumbo a Puerto Plata, República Dominicana, y de regreso, a bordo de la lujosa embarcación para pasajeros Freedom of the Seas.

El festival contará nuevamente con 60 bandas de Heavy Metal de toda clase de subgéneros, y recibirá a 3000 metaleros de todas partes del mundo.

Freedom of the Seas, un barco de la clase Freedom, ofrece una amplia gama de servicios y opciones de alimentación. Los huéspedes también podrán disfrutar de acceso ilimitado a las más de 120 presentaciones que se llevarán a cabo durante el festival en cuatro escenarios distintos:

El Royal Theater es una sala de conciertos de cinco pisos. El Star Lounge, un recinto más íntimo, ofrece la sensación de estar en un club local. El tercer escenario techado, Studio B, recrea la atmósfera de las arenas. Y por último, el escenario más notorio, el Pool Deck Stage: el escenario al aire libre más grande del mundo que navega en altamar. Este escenario colosal está rodeado por bares, bastante espacio para tomar el sol, e incluso jacuzzis integrados en los escenarios que ofrecen a los huéspedes la oportunidad única de ver a sus bandas de metal favoritas desde la comodidad de un jacuzzi.

El barco navegará a Puerto Plata – la ciudad más antigua en el norte de la República Dominicana y pionera en el turismo del país. La ciudad es famosa por el Parque Independencia (también conocido como Parque Central), un punto de encuentro popular. Toma un teleférico hasta la cima del Monte Isabel de Torres, un pico de 2,600 pies sobre el nivel del mar. Nada y bucea a la playa de Sosúa, y luego almuerza o toma una copa en uno de los muchos restaurantes y bares cercanos. Prueba la comida local, como “La Bandera”: un guiso de carne con arroz, frijoles, plátanos fritos, o el pescado con coco.

La Casa de la Cultura es una casa victoriana de tres pisos que exhibe arte local, y tiene una galería de arte contemporáneo, una biblioteca y una tienda que vende productos locales. Encuentra algunas de las piezas de ámbar más antiguas y más translúcidas del mundo, a las cuales Puerto Plata debe su fama.

Ya que los organizadores del festival se esfuerzan continuamente por innovar y mejorar la experiencia del mejor festival de Heavy Metal para sus huéspedes y su entorno, una vez más, los metaleros tendrán la opción de comprar una compensación de CO2 al momento de reservar su cabina privada o Ticket Individual (Single Ticket) para 70000TONS OF METAL 2024. Para el decimoprimer viaje de 70000TONS OF METAL en 2023, casi el 15% de sus clientes eligieron comprar la compensación de CO2 adicional. Los fondos recaudados a través de este programa se destinaron al Greentrippers Improved Cookstoves in Ghana project.

Visita 70000tons.com para más información y ve sus páginas de redes sociales @70000tons para más anuncios, incluyendo las fechas de venta.

Sobre 70000TONS OF METAL:

70000TONS OF METAL es The Original, The World's Biggest Heavy Metal Cruise.

Este festival flotante único y extraordinario ha agotado completamente todos sus Tickets durante 10 años consecutivos desde su primer viaje en el 2011, y navega a bordo de uno de los buques de pasajeros más grandes del mundo. Cuenta con 60 bandas internacionales de Heavy Metal de primera clase y cuatro escenarios, incluyendo el escenario al aire libre más grande del mundo que navega en altamar.

Los huéspedes pueden disfrutar de la más increíble experiencia de Heavy Metal de sus vidas y todos los beneficios que puede ofrecer un crucero: cenas lujosas sin cargo, bares que nunca cierran, 24 horas de servicio a la habitación, así como las muchas amenidades dentro del barco.

Este festival de Heavy Metal y estas vacaciones caribeñas de cuatro días ofrecen a 3000 metaleros la increíble oportunidad de conocer a todas las bandas a bordo. Sin zonas VIP, realmente es como si todos tuvieran un pase a camerinos. Los huéspedes no solo reciben acceso sin límites a todos los 120+ conciertos en vivo a bordo (todas las bandas tocan dos veces), sino que cada Ticket incluye también Meet & Greets con cada banda, Master Classes con varios músicos, así como estrenos en vivo y sesiones de escucha exclusivas. Los huéspedes también tienen acceso completo al “Jamming in International Waters All Star Jam”, una sesión de jam única en su clase con muchos músicos virtuosos que se juntan a tocar canciones clásicas de Metal en el escenario.

Los asistentes del festival también tendrán la oportunidad especial de explorar un destino de ensueño en el Caribe con los miembros de sus bandas favoritas en una Excursión en Tierra con los Artistas, otra exclusiva de 70000TONS OF METAL.

Para más detalles sobre 70000TONS OF METAL 2024, incluyendo preguntas frecuentes, amenidades del crucero, e información de contacto, por favor visita 70000tons.com

Los pasajeros y fans están también invitados a unirse a la comunidad de 70000TONS OF METAL en el foro oficial de 70000TONS OF METAL, Facebook, Twitter, TikTok, YouTube, Telegram, Instagram y Spotify: @70000tons

#70000 tons of metal #detah metal #heavy metal #thrash metal #onboarding #caribe #zerounotv #stagediving

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blackkudos · 5 years ago

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Canada Lee

Canada Lee (born Leonard Lionel Cornelius Canegata; March 3, 1907 – May 9, 1952) was an American actor who pioneered roles for African Americans. After careers as a jockey, boxer and musician, he became an actor in the Federal Theatre Project, most notably in a 1936 production of Macbeth adapted and directed by Orson Welles. Lee later starred in Welles's original Broadway production of Native Son (1941). A champion of civil rights in the 1930s and 1940s, Lee was blacklisted and died shortly before he was scheduled to appear before the House Un-American Activities Committee. He furthered the African-American tradition in theatre pioneered by such actors as Paul Robeson. Lee was the father of actor Carl Lee.

Biography

Canada Lee was born Leonard Lionel Cornelius Canegata on March 3, 1907, in the San Juan Hill neighborhood of Manhattan in New York City. His father, James Cornelius Lionel Canegata, was born on the Caribbean island of St. Croix, and as a youth had migrated to New York, where he married Lydia Whaley Gadsen. Raised by his parents in Harlem, Lee had an aptitude for music, and at age seven he began studying violin and piano with J. Rosamond Johnson at the Music School Settlement for Colored People. He made his concert debut at age 11, performing a student recital at Aeolian Hall. But after seven years of music studies, without explanation, he put away his violin and ran away from home. In 1921, aged 14, Lee went to Saratoga Springs, New York, and began a two-year career as a jockey.

Lee returned to his parents' home in Harlem in 1923 with no idea what he was going to do next. He considered returning to music, but an old school friend suggested that he try boxing. At one amateur match, fight announcer Joe Humphries saw the name "Canagata, Lee" on the card he was using. He tossed the card aside and instead announced "Canada Lee"—a name that Lee liked and adopted. In the amateur ring he won 90 out of 100 bouts and the national amateur lightweight title.

Lee turned pro at age 19, in October 1926, and became a favorite with audiences. At 5 feet 9 inches (1.75 m) and about 144 pounds (65 kg), he fought as a welterweight. His boxing statistics vary due to incomplete coverage and record keeping for the sport in the 1920s and 1930s. Boxing historian Donald R. Koss documents Lee having 60 bouts 1927–31, the majority of them taking place 1927–28. The New York Times reported that Lee had some 200 professional matches and lost only about 25.

During his victorious 10-round bout with Andy Divodi at Madison Square Garden on December 12, 1929, Lee was dealt a blow over his right ear that detached his retina. With treatment his vision could have been saved, but Lee feared losing his successful career and masked his injury. In time he lost all sight in his right eye. He quit professional boxing in 1933. Despite having made an estimated $90,000 during his boxing career (roughly equivalent to $1.7 million today), Lee was broke. "Just threw it away," Lee later said. Lee eventually lobbied for insurance, health care, financial consultation and retirement homes for fighters. "The average boxer possesses little education," he said in 1946. "If he winds up broke, he has no trade, no education and nobody to turn to."

As Lee's fighting career began to wind down, he put together a small dance band that played at obscure clubs. When an old friend, sportswriter Ed Sullivan, plugged him in his new entertainment column, Lee and his group began landing better engagements. His career as a bandleader peaked in 1933 when his group played at the Lafayette Theatre in Harlem. The following year he opened his own small club, The Jitterbug, which he managed to operate for six months. When it closed he had no prospects, and his mother convinced him to simply get a job.

Acting

All my life I've been on the verge of something. I'm almost becoming a concert violinist and I run away to the races. I'm almost a good jockey and I go overweight. I'm almost a champion prizefighter and my eyes go bad. Now I've got it, now I've got what I'm going to be.

Lee discovered a love for Broadway theatre during his years as a prizefighter. He remembered Show Boat as the first stage production he ever saw: "A big, tough fighter, all muscle, just sobbing," he recalled.

His acting career began by accident in 1934. While at a YMCA to apply for a job as a laborer, Lee stumbled upon an audition in progress and was recognized by playwright Augustus Smith. Lee was invited to try out, and won a supporting role in Brother Mose, directed by Frank H. Wilson. Sponsored by New York's Civil Works Administration, the show toured the boroughs, playing at community centers and city parks into the fall of the year. In October 1934 Lee succeeded Rex Ingram in the Theatre Union's revival of Stevedore, which toured to Chicago, Detroit and other U.S. cities after its run on Broadway. It was his first professional role.

Lee then was cast in his first major role, that of Banquo, in the legendary Federal Theatre Project production of Macbeth (1936), adapted and directed by Orson Welles.

"I never would have amounted to anything in the theatre if it hadn't been for Orson Welles," Lee recalled. "The way I looked at acting, it was interesting and it was certainly better than going hungry. But I didn't have a serious approach to it until … I bumped into Orson Welles. He was putting on a Federal Theatre production of Macbeth with Negro players and, somehow, I won the part of Banquo. He rehearsed us for six solid months, but when the play finally went on before an audience, it was right—and it was a wonderful sensation, knowing it was right. Suddenly, the theatre became important to me. I had a respect for it, for what it could say. I had the ambition—I caught it from Orson Welles—to work like mad and be a convincing actor."

Macbeth was sold out for ten weeks at the Lafayette Theatre. After an additional two weeks on Broadway it toured the nation, including performances at the Texas Centennial Exposition in Dallas.

After five months in a supporting role, Lee succeeded Rex Ingram as the lead in the stage production Haiti (1938), portraying Haitian slave turned emperor Henri Christophe. One of the Federal Theatre Project's most popular productions, Haiti was seen by some 90,000 people at the Lafayette Theatre in Harlem and at Boston's Copley Theatre.

In January 1939, with the end of the Federal Theatre Project, Lee won a role in Mamba's Daughters, a Broadway success that toured North America and returned to Broadway for another brief run in 1940. Lee took a break from the road tour to make his motion picture debut in Keep Punching (1939), a film about boxing. He made his radio debut as narrator of the weekly CBS jazz series Flow Gently, Sweet Rhythm (1940–41). As that regular series came to an end, he opened a restaurant at 102 West 136th Street, Canada Lee's Chicken Coop, which offered authentic South Carolina cuisine, jazz and blues. Lee kept it going despite chronic financial difficulties.

Lee played the lead role in the 1940 revival of Theodore Ward's Big White Fog. A 1938 Federal Theatre Project production, the play was remounted by the newly created Negro Playwrights Company, founded in New York by Ward, Langston Hughes, Paul Robeson, Theodore Browne, Richard Wright and Alain Locke.

Lee became a star overnight in his ultimate stage success, Native Son (1941), an adaptation of Richard Wright's novel staged on Broadway by Orson Welles. The show was a spectacular hit for both Welles and Lee, who starred in the initial New York run, a 19-month national tour, and a second run on Broadway with accessible ticket prices. "Mr. Lee's performance is superb," wrote Brooks Atkinson of The New York Times, who called him "certainly the best Negro actor of his time, as well as one of the best actors in this country." Wright also applauded the performance, noting the contrast between Lee's affable personality and his intensity as Bigger Thomas. The sympathetic portrayal of a black man driven to murder by racial hatred brought much criticism however, especially from the Catholic Diocese of Brooklyn and the Legion of Decency, and the ensuing pressure forced the play to close.

During World War II, Lee continued to act in plays and in films. In 1942, he played in two comedies by William Saroyan, and earned approving reviews despite the generally negative response to these plays. In 1943, his name was above the title on the marquee for South Pacific, a race-themed drama directed by Lee Strasberg that again was panned by critics but won Lee critical praise.

Perhaps Lee's most famous film role was in Alfred Hitchcock's Lifeboat (1944), in which he played ship’s steward Joe Spencer, one of 8 men and women who survive the sinking of the freighter carrying them from New York to London and are joined in their lifeboat by a survivor of the crew of the U-boat that destroyed their vessel.

According to a June 22, 1943, Hollywood Reporter news item, Lee was the first actor cast for the film. The script was criticized for making Joe "too stereotypical". Lee testified that he attempted to round out the character by revising dialogue, primarily eliminating repeated "yessir"s and "nossir"s that sounded subservient, and cutting some actions. An NAACP critique of the film condemned the role of Joe and praised Lee’s performance. The Baltimore Afro-American's review, while commenting on the character's shortcomings, praised Lee's portrayal. Historian Rebecca Sklaroff, while writing in 2009 that Joe's role was more "tokenistic" than black roles in the wartime films Sahara and Bataan, noted that Joe was depicted as compassionate, dependable and heroic. He is the only one who resists the impulse of mob fury that leads the other characters to kill the German. He is the only character who steps forward to disarm the wounded German sailor rescued at the end of the film.

Lee's successful radio career continued with New World A-Comin', which made its debut in March 1944. He narrated the first two seasons of the groundbreaking WMCA radio series that presented Negro history and culture to mainstream American audiences.

He became the first African American to play Caliban, in Margaret Webster’s 1945 Broadway rendition of The Tempest. Lee had admired Shakespeare since his turn in Macbeth; indeed, at the time of his death he was preparing to play Othello on film.

In 1946, Lee played a principal role in On Whitman Avenue, a drama about racial prejudice directed by Margo Jones. Lee produced the play, making him the first African-American producer on Broadway. The play spoke directly to the need for interracial housing following World War II and won the praise of former First Lady Eleanor Roosevelt, who wrote weekly columns encouraging readers to see it.

In the autumn of 1946, Lee made American theatre history when he portrayed the villain Daniel de Bosola in John Webster's The Duchess of Malfi. Presented in Boston and on Broadway, the production marked the first time a black actor had played a white role on the stage. Lee wore a special white paste that had been used medically, to cover burns and marks, but had never before been used in the theatre.

In 1947, he had a supporting role in Robert Rossen's Body and Soul, another boxing picture.

In 1948, Lee played his last stage role, that of a devoted slave in Set My People Free, Dorothy Heyward's drama based on the aborted 1822 slave revolt led by Denmark Vesey.

In 1949, he took a supporting role in Lost Boundaries, a drama based on William Lindsay White's book of the same title, a nonfiction account of Dr. Albert C. Johnston and his family, who passed for white while living in New England in the 1930s and 1940s.

Lee's last film appearance was the starring role of minister Stephen Kumalo in Cry, the Beloved Country (1951).

Civil rights activism

As an actor, Lee came into contact with many of the leading progressive figures in the country. Langston Hughes, for instance, wrote two brief plays for Lee; these were submitted to the Theater Project, but their criticism of racism in America was deemed too controversial, and neither was staged. Lee spoke to schools, sponsored various humanitarian events, and began speaking directly against the existing segregation in America's armed forces, while simultaneously acknowledging the need to win World War II. To this latter end, he appeared at numerous USO events; he won an award from the United States Recruiting Office and another from the Treasury Department for his help in selling war bonds. These sentiments would carry on throughout his life, culminating in his early firsthand account of apartheid in South Africa.

Lee was an early influence on physician and human rights activist H. Jack Geiger. They met in 1940 when Geiger, a 14-year-old middle-class Jewish runaway, was backstage at a Broadway production of Native Son. Lee agreed to take Geiger in when he showed up at his door in Harlem asking for a place to stay. With the consent of his parents, Geiger stayed with Lee for over a year. Lee took on the role of surrogate father and introduced Geiger to Langston Hughes, Billy Strayhorn, Richard Wright, and Adam Clayton Powell. Geiger eventually became a journalist, then a doctor who co-founded the first community health center in the United States, Columbia Point Health Center in Dorchester, Massachusetts. He became a founder of Physicians for Social Responsibility and Physicians for Human Rights, and established community health centers in Mississippi and South Africa. Geiger says he would never have moved so deeply in these worlds so quickly if not for his experiences with Canada Lee.

By the late 1940s, the rising tide of anti-communism had made many of Lee’s earlier contacts politically dangerous. In 1949, the trade journal Variety stated that under no circumstance was Lee to be used in American Tobacco’s televised production of a radio play he had recently starred in because he was "too controversial".

The same year, the FBI offered to clear Lee’s name if he would publicly call Paul Robeson a communist. Lee refused and responded by saying, "All you’re trying to do is split my race." According to newspaper columnist Walter Winchell, Lee stated that he intended to come out and "publicly blast Paul Robeson." However, the fact that the friendship between the two actors remained until Lee's death suggests that Robeson put no faith in Winchell's claim.

At the height of the Hollywood blacklist, Lee managed to find work in 1950 as the star of a British film Cry, The Beloved Country, for which both he and Sidney Poitier were smuggled into South Africa as indentured servants in order to play their roles as African ministers. During filming, Lee had his first heart attack, and he never fully recovered his health. The film’s message of universal brotherhood stands as Lee's final work towards this aim.

Being on the Hollywood blacklist prevented him from getting further work. Scheduled to appear in Italy to begin production on a filmed version of Othello, he was repeatedly notified that his passport "remained under review". Lee was reportedly to star as Bigger Thomas in the Argentine version of Native Son but was replaced in the role by Richard Wright, author of the novel, when Lee had to withdraw.

Family life

In December 1925, Lee married Juanita Eugenia Waller. On November 22, 1926, they had a son, Carl Vincent Canegata, who became actor Carl Lee. The couple separated while their son was young, and they were amicably divorced in 1942.

In 1934, Lee began a love affair with publisher and peace activist Caresse Crosby, despite the threat of miscegenation laws. They often had lunch in uptown New York in Harlem at the then-new restaurant "Franks", where they could maintain their secret relationship. When Lee was performing in Washington, D.C., during the 1940s, the only restaurant in the city where they could eat together was an African restaurant named the Bugazi. Crosby and Lee's intimate relationship continued into the mid-1940s.

In March 1951, Lee married Frances Pollack. They remained together until he died just over a year later.

Death

Lee died of a reported heart attack at the age of 45 on May 9, 1952, in Manhattan. It was later revealed by his widow, Frances Pollack, that he had been diagnosed with uremia and died of kidney disease, slipping into a coma and passing away 10 days after his diagnosis. He was buried at Woodlawn Cemetery in The Bronx.

#03/03 #05/09

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theyayadiamond · 2 years ago

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vimeo

In Living Color AJ Jamal talks about his upcoming events with Yaya Diamond from Yaya Diamond on Vimeo.

A.J. JAMAL is perhaps one of comedy’s hardest working comedians, having conquered internationally the territories of television, film, concerts, colleges and comedy clubs with his captivating style. With credits that include a decade of television appearances, the comedian also served as host of his own show, the ACE Award nominated, "Comic Justice" on the Comedy Central Network. In fact, many remember Jamal from his early days, as part of the comedic core of "In Living Color." He has worked in venues from Radio City Music Hall to National Broadcast Dinner with President Bush and has performed in concert with a bevy of top recording artists, including Diana Ross, Aretha Franklin, Cher and Kenny Loggins. His enchanting, G-rated persona has been captured on the screens of "Comedy Central’s Comic Justice," "Martin Lawrence’s First Amendments," A&E’s "An Evening at the Improv," and "Def Comedy Jam. " He has also served as the host of "Comedy in the Caribbean ," for the Arts & Entertainment Network. A former I.B.M. computer engineer, Jamal’s analytical and perceptive range is brilliantly parlayed into a comic vision that evokes laughter the moment he touches the stage. He possesses a theatrical gift and versatility that is evidenced in his every move, whether he is impersonating a wide range of characters or simply recalling some hilarious facet of human nature. A.J. Jamal is a human volcano of talent and wit. A.J. Jamal will remain in the forefront. A prolific talent, he is fast on his way to becoming a comedic legend.

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pulsdmedia · 3 years ago

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The Week Ahead 1/16-1/22

We love to indulge, we love to laugh, and we love to treat ourselves. This week is about doing all of the above in New York City, so get out of your pajamas, face the day, and reward all that hard work with something special...

$49 Delicious Caribbean Bottomless Brunch For Two

Sure, a trip to the Caribbean seems far off, until you step foot in Fats Duvall's Rhum Cafe! You’ll adore the SoHo locale's colorful & cozy scene that feels like home away from home, ideal for a fabulous brunch. Expect weekend delights infused with homemade Latin-Caribbean spins by Chef Monique Cadavona, and a cocktail program by drinks connoisseur Linda Garcia (Clover Club). Standouts to devour include Kreyol Shrimp & Grits (creamy cheddar grits, shrimp, peppers, onions, cherry tomatoes), the Easy Lox (lox, two poached eggs, roasted red potatoes, bacon bits), and Fat’s Smash Burger (Pat le Frieda beef, cheddar, bacon, fried egg, lettuce, tomato, onion, salsa verde). Swig from endless pours of cocktails including Bloody Marias while you get major wanderlust...

A Concert of Gershwin, Ravel, and More

Pianist Aaron Diehl’s dual brilliance in jazz and classical music make him the ideal collaborator for The Knights in this sensational program probing the interconnectivity of these two sound worlds. Diehl joins the ensemble for a pair of works that explore it best, Gershwin’s iconic, irresistible Rhapsody in Blue and genre-crossing trailblazer Mary Lou Williams’ Zodiac Suite. The program also features The Knights’ coupling of Bach’s Brandenburg Concerto No. 3 with selections from Ravel’s Baroque-inspired but thoroughly modern Le Tombeau de Couperin, reflecting new light on a Bach jewel.

50% Off Tickets To A New York Times Critic's Pick Interactive Comedy Show

Ready to lol and get immersed in the classics? A New York Times Critics' Pick and praised by Time Out, Trip Advisor, Slate Magazine, and more, Drunk Shakespeare is part comedy show and part theatrical mashup. This $29 pulse gets you a Balcony Ticket to this absolutely hilarious show, where for 90 minutes a cast of 5 actors present scenes from Shakespeare’s plays with an improv flair. The twist: one of the actors will do five shots before they perform!Watch the hilarity and mayhem ensue from a vaulted perch with this $39 pulse for a Mezzanine Ticket. Or opt for a view from the best seat in the house with this $49 pulse for a Stage Side Ticket. Debauchery, merriment, craft cocktails, and endless laughter await...

Carnegie Hall Presents a Performance by Maxim Vengerov & Simon Trpčeski

Maxim Vengerov has everything you want in a violinist: sensational technique, luscious tone, and a passionate heart. Experience all of it and more when the Grammy Award and Gramophone Artist of the Year winner performs Franck’s passionate sonata, a moody Prokofiev masterpiece, Ysaÿe’s technically daunting Caprice, and more.

45% Off 2 & 3 Treatment Spa Day Packages With Refreshments, Tribeca

Luxurious doesn’t even begin to describe the exceptional scene at Eden Day Spa, a Tribeca haven that’s a New York Magazine Critic's Pick and an oasis for clientele that includes Nicole Kidman & Kevin Bacon. Get the 2 Treatment Spa Day that includes an 80 Minute Essential Massage and Foot Mask, followed by herbal teas and soft drinks as you relax.Make a day of it with the for a 3 Treatment Spa Day that comes with an 80 Minute Essential Massage, a 35 Minute Rosemary Calming Facial, a Foot Mask, and the aforementioned refreshments. Eden Day Spa's masseuses will soothe aches, pains, and knots. Aestheticians are set to effectively zero in on trouble spots on the face when administering cleansing, hydrating facials to achieve maximum glow, while a foot mask draws out toxins and gives your toes that extra sparkle. Head-to-toe perfection...

Japanese Artisans and Makers Market

IPPIN PROJECT is popping up at The Makers Guild with their Japanese Artisans and Makers market. The studio focuses on Japanese-born traditional lifestyle products and introduces them to the world. Stop by and shop their beautiful Japanese artisan-made collections from tableware to home decor!

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telegid · 5 years ago

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Друзья, состоялся розыгрыш пары билетов на сольный весенний концерт популярного певца Kishe, который приглашает вместе провожать зиму и встречать весну (25.02, Caribbean Club)! Конкурс проводился на нашей странице в Фейсбуке.

Прем’єра від Kishe – Love (Відео)

Поздравляем победительницу! Ею стала Марія Грипичук, которая получает пару билетов! Ждем подтверждение в сообщении нашей странице в Фейсбуке. Ниже – результаты розыгрыша с помощью random.org В списке все, кто выполнил условия.

Kishe и Black Eyed Peas: дружба, которая длится 10 лет

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Напоминаем, сейчас у нас проводятся конкурсы:

Розыгрыш билетов на концерт Олега Винника.

Розыгрыш билетов на концерт группы Kazka.

Результат конкурса “Выиграй билеты на концерт Kishe” Друзья, состоялся розыгрыш пары билетов на сольный весенний концерт популярного певца Kishe, который приглашает вместе провожать зиму и встречать весну (25.02, Caribbean Club)!

#Caribbean Club Concert Hall #Kishe #Андрей Kishe #конкурс #концерт

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recentanimenews · 4 years ago

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Check Out All-song Preview for Tropical-Rouge! Precure Vocal Album

Marvelous' official YouTube channel has started steaming a six-minute preview to introduce all 11 songs from the ongoing 18th PreCure TV series Tropical-Rouge! Precure's upcoming first vocal album "~TropicaRu! MUSIC BOX~" to be released on July 21, 2021.

The album includes characters songs performed by each PreCure girl, as well as the TV anime's OP theme song "Viva! Spark! Tropical-Rouge! PreCure" newly recorded by the five main voice cast members. Instead, the OP theme's original singer Machico sings a new image song "CLAP! ~Yuuki wo Narase," and "Share-shite Precure!," an image song for the previous 17th series Healin' Good Pretty Cure originally performed by Mayumi Gojo.

Song list:

1. "Viva! Spark! Tropical-Rouge! PreCure" by Tropical Club

2. "OH! TEMPT SUMMER DAY" by Manatsu Natsumi (CV: Fairouz Ai)

3. "Charming*∞*Happiness" by Sango Suzumura (CV：Yumiri Hanamori)

4. "My Story" by Minori Ichinose (CV：Yui Ishikawa)

5. "BREAK POINT" by Asuka Takizawa (CV：Asami Seto)

6. "Aqua Prism" by Laula (CV：Rina Hidaka)

7. "Pretty Rouge Days!" by Natsumi Manatsu & Laura

8. "Brave Parade" by Chihaya Yoshitake with Rie Kitagawa & Machico on chorus

9. "CLAP! ~Yuuki wo Narase~" by Machico with Rie Kitagawa & Chihaya Yoshitake on chrus

10. "Share-shite! PreCure" by Machico

11. "Omoikiri Tropical!" by Cure Summer, Cure Coral, Cure Papaya, Cure Flamingo, Cure La Mer

Bonus track

"CLAP! ~Yuuki wo Narase~ Remix for Machico"

"CLAP! ~Yuuki wo Narase~ Remix for Chihaya"

"CLAP! ~Yuuki wo Narase~ Remix for Rie Kitagawa"

Preview:

youtube

CD jacket:

Newly-drawn character illustrations for the album:

Key visual for the upcoming live concert event "Tropical-Rouge! Precure LIVE2021 Viva! Tropica SUMMER!LIVE" to be held at Pacifico Yokohama National Convention Hall on September 25, 2021, is also released.

Tropical-Rouge! Precure premiered in Japan on February 28, 2021, and has also been simulcast on Crunchyroll to its members in North America, Latin America including the Caribbean, South America, Australia, New Zealand, South Africa.

Source: Marvelous press release

By: Mikikazu Komatsu

#Anime #News #Latest in Anime News by Crunchyroll!

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maliyha09 · 4 years ago

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Learn From the Best: How to Play 메이저놀이터 | Viejas Casino and Resort #1130

The Livery Company still exists, and, despite the almost total cessation of production of playing-cards in Britain, flourishes. In 1994 it achieved its highest ambition in the City of London, when a former Master of the Company, Alderman Christopher Walford, became Lord Mayor. http://query.nytimes.com/search/sitesearch/?action=click&contentCollection&region=TopBar&WT.nav=searchWidget&module=SearchSubmit&pgtype=Homepage#/현금바둑이게임 The betting progression is very simple: After each loss, you add one unit to the next bet, and after each win, one unit is deducted from the next bet. A player wishing to play craps without being the shooter should approach the craps table and first check to see if the dealer's "On" button is on any of the point numbers. Following the inspection of the cards by the dealer and the verification by the floorperson assigned to the table, the cards shall be spread out face up on the table for visual inspection by the first player to arrive at the table.

Rick suggests the man bet on 22. After the number comes up, Rick tells him to let it all ride. He does, and wins again. Rick tells him to cash in his winnings and never come back. At commercial halls, after calling the number the caller then displays the next number on a television monitor; bingo cannot be called until that number is called aloud, however. A large number of games are based around a deck in which each card has a value and a suit (usually represented by a color), and for each suit there is exactly one card having each value, though in many cases the deck has various special cards as well. Examples include Mü und Mehr, Lost Cities, DUO, Sticheln, Rage, Schotten Totten, UNO, Oh-No!, Skip-Bo, and Rook. Gambling is illegal in Japan, but pachinko is regarded as an exception and treated as an amusement activity.

Baccarat was originally a suburb of the city of Deneuvre which has Roman origins. The dealer distributes five cards, face down, to each player in turn, and also deals himself five cards, face down, one of which he then exposes.After having examined his hand, you have the option of making an additional bet (relance) equal to twice the amount of his ante. Thousands of blackjack players log in to an online casino or go to a brick and mortar casino each weekend to play this fun game. Every ball that goes into the centre gate results in one spin of the slot machine, but there is a limit on the number of spins at one time because of the possibility of balls passing through the centre gate while a spin is still in progress.

However, unlike standard poker games, Caribbean Stud Poker is played against the house rather than against other players. There is no bluffing or other deception. Although we cannot be sure which version of the story is true, it is evident that Aruba and the Caribbean region in general played a significant role in the games discovery and development.A similar plan by the New Jersey Lottery died in 1983 after ties between state officials and VLT manufacturers raised conflict of interest concerns. Las Vegas casinos which allow put betting allows players to move the Don't Come directly to any Come point as a put, however this is not allowed in Atlantic City or Pennsylvania.

“This is part of the folklore of the subject,” Paul Bostock, an IPCS council member, tells me. The numbers pre-drawn can be odd, even or the first 43 numbers that pop out the machine.Bingo is also the basis for online games sold through licensed lotteries. As with regular poker, there are many different terms and phrases that are associated with playing video poker.

The bet consists of four chips or multiples thereof. Three chips are bet on splits and one chip straight-up: one chip on 0-3 split, one on 12-15 split, one on 32-35 split and one straight-up on number 26. he continues to win while trying to return the money. She finally gives up and collects her winnings and hides it from Ricky in the Mertz's hotel room. When Ricky finds the money, he thinks that Fred has been embezzling it from Ricky's concert earnings. 카지노사이트 This is one of the most surprising facts which will allow oneself from the casino in the states of the US. This substantially reduces the odds of a natural (from 8/36 to 6/36) and of making the point in general (since you're adding a 3:1 dog to the mix). All other things equal, the house edge on the Pass Line and Come bets for this play variation jumps dramatically to 9.75%.

The most common Bingo cards are flat pieces of cardboard or disposable paper which contain 25 squares arranged in five vertical columns and five side to side rows. Since 13 May 2002, it can be played legally in licensed casinos in the United Kingdom, under The Gaming Clubs (Bankers' Games) (Amendment) Regulations 2002 (Statutory Instrument 2002/1130).If you find articles about winning Blackjack methods without card counting, please ignore them. The government claimed it would save $200,000 a year by removing the system.

But you need to bring more than that with you. You need enough of a cushion to ride out the inevitable losing streaks that happen in any game. By doubling bets after every win, one keeps betting everything he has won until he either stops playing, or loses it all.A bet once paid and collected is never returned. It has been said that economic studies showing a positive relationship between casinos and crime usually fail to consider the visiting population: they count crimes committed by visitors but do not count visitors in the population measure, which overstates the crime rate. Part of the reason this methodology is used, despite the overstatement, is that reliable data on tourist count are often not available.

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blackkudos · 7 years ago

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Hazel Scott

Hazel Dorothy Scott (June 11, 1920 – October 2, 1981) was a Trinidadian-born jazz and classical pianist and singer; she also performed as herself in several films.

Born in Port of Spain, Hazel was taken at the age of four by her mother to New York. Recognized early as a musical prodigy, Scott was given scholarships from the age of eight to study at the Juilliard School. She began performing in a jazz band in her teens and was performing on radio at age 16.

She was prominent as a jazz singer throughout the 1930s and 1940s. In 1950, she became the first woman of color to have her own TV show, The Hazel Scott Show,featuring a variety of entertainment. Her career in America faltered after a scandalous affair with the married preacher and politician Adam Clayton Powell, Jr., and after she testified before the House Un-American Activities Committee during the McCarthy era. Scott subsequently moved to Paris in the late 1950s and performed in France, not returning to the United States until 1967.

Early years and education

Born in Port of Spain, Trinidad and Tobago on June 11, 1920, Hazel Dorothy Scott was the only child of R. Thomas Scott, a West African scholar from Liverpool, England and Alma Long Scott, a classically trained pianist and music teacher. The family moved to New York City when Hazel was four. Recognized as a child musical prodigy, the young Scott was awarded scholarships to study classical piano at the Juilliard School from the age of eight. As a teenager, she performed piano and trumpet with her mother's "Alma Long Scott" all-girl jazz band, which sometimes featured Lil Hardin Armstrong.

Music career

By the age of 16, Hazel Scott regularly performed for radio programs for the Mutual Broadcasting System, gaining a reputation as the "hot classicist". In the mid-1930s, she also performed at the Roseland Dance Hall with the Count Basie Orchestra. Her early musical theatre appearances in New York included the Cotton Club Revue of 1938, Sing Out the News and The Priorities of 1942.

Throughout the 1930s and 1940s, Scott performed jazz, blues, ballads, popular (Broadway songs and boogie-woogie) and classical music in various nightclubs. From 1939 to 1943 she was a leading attraction at both the downtown and uptown branches of Café Society. Her performances created national prestige for the practice of "swinging the classics". By 1945, Scott was earning $75,000 ($985,813 today) a year.

In addition to Lena Horne, Scott was one of the first Afro-Caribbean women to garner respectable roles in major Hollywood pictures. She performed as herself in several features, notably I Dood It (MGM 1943), Broadway Rhythm (MGM 1944), with Lena Horne and in the otherwise all-white cast The Heat's On (Columbia 1943), Something to Shout About (Columbia 1943), and Rhapsody in Blue(Warner Bros 1945). In the 1940s, in addition to her film appearances, Scott was featured in Café Society's From Bach to Boogie-Woogie concerts in 1941 and 1943 at Carnegie Hall.

She was the first Afro-Caribbean to have her own television show, The Hazel Scott Show, which premiered on the DuMont Television Network on July 3, 1950. Variety reported that "Hazel Scott has a neat little show in this modest package", its "most engaging element" being Scott herself.

Blacklisting

Scott had long been committed to civil rights, particularly in Hollywood. She refused to take roles in Hollywood that cast her as a "singing maid". When she began performing in Hollywood films, she insisted on having final-cut privileges when it came to her appearance. In addition, she required control over her own wardrobe so that she could wear her own clothing if she felt that the studio's choices were unacceptable. Her final break with Columbia Pictures' Harry Cohn involved "a costume which she felt stereotyped blacks". Scott also refused to perform in segregated venues when she was on tour. She was once escorted from the city of Austin, Texas by Texas Rangers because she refused to perform when she discovered that black and white patrons were seated in separate areas. "Why would anyone come to hear me, a Negro," she told Time Magazine, "and refuse to sit beside someone just like me?"

In 1949, Scott brought a suit against the owners of a Pasco, Washington restaurant when a waitress refused to serve Scott and her traveling companion, Mrs. Eunice Wolfe, because "they were Negroes." Scott's victory helped African Americans challenge racial discrimination in Spokane, as well as inspiring civil rights organizations "to pressure the Washington state legislature to enact the Public Accommodations Act" in 1953.

With the advent of the Red Scare in the television industry, Scott's name appeared in Red Channels: A Report on Communist Influence in Radio and Television in June 1950. Scott voluntarily appeared before the House Un-American Activities Committee (HUAC). Scott insisted on reading a prepared statement before HUAC. She denied that she was "ever knowingly connected with the Communist Party or any of its front organizations, but said that she had supported Communist Party member Benjamin J. Davis' run for City Council, arguing that Davis was supported by socialists, a group that "has hated Communists longer and more fiercely than any other."

Her television variety program, The Hazel Scott Show, was cancelled a week after Scott appeared before HUAC, on September 29, 1950. Scott continued to perform in the United States and Europe, even getting sporadic bookings on television variety shows likeCavalcade of Stars and guest starring in an episode of CBS Television's Faye Emerson's Wonderful Town musical series. Scott's short-lived television show "provided a glimmer of hope for African American viewers" during a time of continued racial bias in the broadcasting industry and economic hardships for jazz musicians in general. Scott remained publicly opposed to McCarthyism and racial segregation throughout her career.

To evade political fallout in the United States, Scott moved to Paris in the late 1950s. She appeared in the French film Le Désordre et la Nuit (1958). She maintained a steady but difficult career in France and touring throughout Europe. She did not return to the US until 1967. By this time the Civil Rights Movement had led to federal legislation ending racial segregation and enforcing the protection of voting rights of all citizens in addition to other social advances.

Scott continued to play occasionally in nightclubs, while also appearing in daytime television until the year of her death. She made her television acting debut in 1973, on the ABC daytime soap opera One Life to Live, performing a wedding song at the nuptials of her "onscreen cousin", Carla Gray Hall, portrayed by Ellen Holly.

Marriage

In 1945, Scott, who was a Catholic, married Adam Clayton Powell, Jr., a Baptist minister and U.S. Congressman, in Connecticut. They had one child, Adam Clayton Powell III, but divorced in 1960 after a separation. Their relationship provoked controversy, as Powell was married when their affair began.

On January 19, 1961, she married Ezio Bedin, a Swiss-born comedian.

Death

On October 2, 1981, Hazel Scott died of cancer at Mount Sinai Hospital in Manhattan. She was 61 years old, and survived by her son Adam Clayton Powell III. She was buried at Flushing Cemetery in Queens, New York, near other musicians such as Louis Armstrong, Johnny Hodges, and Dizzy Gillespie (who died in 1993).

Legacy

Scott was best-known internationally as a performer of jazz. She was also accomplished in politics, leading the way for African Americans in entertainment and film; and was successful in dramatic acting and classical music. Scott recorded as the leader of various groups for Decca, Columbia and Signature, among them, a trio that consisted of Bill English and the double bass player Martin Rivera, and another featuring Charles Mingus on bass and Rudie Nichols on drums. Her album Relaxed Piano Moods on the Debut Record label, with Mingus and Max Roach, is generally her work most highly regarded by critics today. She was noted for her swinging style, performing at the Milford Plaza Hotel in her last months.

Wikipedia

#Hazel #06-11 #10-02

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akhielim482 · 4 years ago

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우리카지노계열 Rules and how cards are draw #2716

Only gambling site that scored top marks have made our list, so when you choose to play with one of our picks, you know you’re choosing a place you can truly trust.Caribbean Stud is a high stakes game, and regular gamblers like to know they are playing quality games at quality sites. Among these, and the remaining numbers and possible bets, there are a myriad of systems and progressions that can be used with many combinations of numbers. When the dolly is on the table, no players may place bets, collect bets, or remove any bets from the table. The dealer will then sweep away all other losing bets either by hand or rake, and determine all of the payouts to the remaining inside and outside winning bets. Moreover, the taxation of the casino industry has become a significant source of economic funds for Macau's government.

Individuals who had never visited a commercial poker table began spending their weekends at local casinos or in online poker rooms, trying to wrest money from each other. Treat your gambling bankroll as an entertainment expense and budget accordingly. Until the 17th Century, this deck was used in all German-speaking regions of Europe. The Ace cards have become "The Law" cards, the Kings have become "Spirit" cards, the Queens have become "Liberty" cards, and the Knaves (or Knights) have become "Equality" cards.

The house edge or vigorish is defined as the casino profit expressed as the percentage of the player's original bet. (In games such as blackjack or Spanish 21, the final bet may be several times the original bet, if the player double and splits.) http://www.bbc.co.uk/search?q=인터넷바둑이사이트 From the 19th century to 1945, the appearance of the cards used for domestic consumption was regulated by the French government. Nowadays an estimated 80 percent of pachinko parlors in Japan are owned by ethnic Koreans. If the point is a 4 or 10 players can bet as little as $1 on odds if the table minimum is low such as is $5, $10 or $15. If the player requests the pass odds be not working ("Off") and the shooter sevens-out or hits the point, the pass line bet will be lost or doubled and the pass odds returned.

In Germany and Switzerland, the two lower court cards are both on foot, representing an 'upper' and a 'lower' rank-as stated in the 1377 description of playing-cards.Switzerland also preserves another feature of early German cards. There’s really only one point during the game of Live Caribbean Stud where you’ve got the chance to employ strategy, and that’s when deciding whether to fold or play on. Two simple rules should always be followed: Fold if holding less than an Ace with a King ,Always raise with a pair or betterTaking vig only on wins lowers house edge. Players may removed or reduce this bet (bet must be at least table minimum) anytime before it loses. Some casinos in Las Vegas allow players to lay table minimum plus vig if desired and win less than table minimum. Lay bet maximums are equal to the table maximum win, so if a player wishes to lay the 4 or 10, he or she may bet twice at amount of the table maximum for the win to be table maximum. Like three card poker, Caribbean stud is a variation of the game that is just you against the dealer. This makes it ideal for those playing from home, and it’s commonly available at casino sites like Comeon,where you can either play against the computer or a live dealer.

Whist-style rules generally preclude the necessity of determining which of two cards of different suits has higher rank, because a card played on a card of a different suit either automatically wins or automatically loses depending on whether the new card is a trump. More people visited casinos than attended major league baseball games or any other professional sporting events -- than attended arena concerts -- than attended Broadway shows. 스포츠토토커뮤니티 To play pachinko, players get a number of metal balls by inserting cash or cards directly into the machine they want to use. Not all casinos are used for gaming. The Catalina Casino, on Santa Catalina Island, California, has never been used for traditional games of chance, which were already outlawed in California by the time it was built.[4] The Copenhagen Casino was a Danish theatre which also held public meetings during the 1848 Revolution, which made Denmark a constitutional monarchy.

Most casinos offer clubs that are similar to airline frequent-flyer programs. The numbers are pre-drawn for each card and hidden until the card is scratched. In lotteries with online networks the price is electronically confirmed to avoid fraud based on physical fixing.A don't come bet is played in two rounds. If a 2 or 3 is rolled in the first round, it wins. If a 7 or 11 is rolled, it loses. If a 12 is rolled, it is a push (subject to the same 2/12 switch described above for the don't pass bet). Playing blackjack is not just a matter of sitting down and putting the chips on the table.

In the recent films Now You See Me and Now You See Me 2, the Four Horsemen are magicians who fool the public in dramatic stunts. But in real life, they were the connoisseurs of basic strategy in the ‘50s. Do residents with various social backgrounds have different opinions toward the impacts of casino gambling establishments?At the end of each round, all bets are gathered into the central pot. Casinos have almost a uniform character throughout the world.

These bets must be within the stated minimum and maximum betting ranges of the table. In 2004, California legalized a form of roulette known as California Roulette.[7] By law, the game must use cards and not slots on the roulette wheel to pick the winning number.Indian casinos are now commonplace, but back in 1979 the Seminole tribe in Florida kicked off the industry with a small bingo hall in Hollywood, FL. Bingo fanatics could win as much as $2,000 at the hall, which upset the state because that was well beyond the legal limit for winnings from gambling In this case the money on the bet different combinations.

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clevelandinfo · 5 years ago

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All About Cleveland Ohio

If you are a fan of the Cleveland Indians and the great sports history that have shaped their story, then there is no better place to take in your visit than the Cleveland Indians Museum. This museum is located in the heart of downtown Cleveland, on the west side of the city. There are many interesting things to do while at this museum.

The Cleveland Ohio Cavaliers also has their own museum. It was dedicated by the Cleveland Cavaliers in 1980, and the museum is housed in the former arena of the Cleveland Cavaliers. The main exhibit hall consists of several historic basketball uniforms from the teams. The exhibits tell the story of how this NBA team came to be, and where it went into today. There is also an interactive display, which allows visitors to see the Cavs in action in the modern game.

The new Cleveland Cavaliers Cleveland Indians Stadium museum is housed in the original stadium of the Cleveland Indians. This museum offers a look back at the history of baseball in Cleveland. From the very beginning of the club's existence, the Indians have been known for the thrill of playing in the great old ballpark.

In addition to the museums mentioned above, there are also a number of exhibits that are open for visitors. If you love collecting historical artifacts and would like to find out more about the early days of baseball in Cleveland, you can find many artifacts to look through at the Cleveland Indians Museum, as well as several historical artifacts that are found throughout the rest of the museum. There are also plenty of exhibits where you can see photographs of historic events from the history of the Cleveland baseball.

You can also visit the Cleveland Ohio Sports Museum to view a number of memorabilia. This museum includes a number of pieces which have been signed by famous sports figures, such as Babe Ruth, Joe DiMaggio, and Cleveland Indians greats like Lou Boudreau, Lou Gelinas, and Carlton Fisk. This museum also features a number of autographed Cleveland sports cards.

The Cleveland Ohio Zoo is a great place for people who like animals, and who are interested in learning about the history of animal conservation in this area. There is a large exhibit that allows you to see various species of animals such as African lions, Asian elephants, and the endangered orca whales of the Caribbean.

The Cleveland Ohio Zoo also offers a number of attractions to go on, including the zoo's ZooWalk, which is a walking path through the zoo. People can get up close with several animals and observe them in their natural habitat.

If you are looking for a fun way to relax, then there are a number of wonderful dining establishments in Cleveland Ohio that are open to the public. A number of these restaurants offer special menus for all kinds of occasions. You will find that you can find some great meals that feature locally caught seafood as well as some fine dining.

A number of other great activities take place in Cleveland Ohio every week. You will find that you will be able to attend a number of concerts and shows where you can enjoy the music of artists such as Neil Young and Crazy Horse, as well as other artists. You will be able to enjoy sports games, as well as golf and tennis, if you are so inclined.

If you have never been to Cleveland Ohio before, then you will want to make sure that you do your research ahead of time so that you can plan your trip. One of the best ways to learn about the places that you might want to visit in the city is to check with the Better Business Bureau.

These organizations help consumers by keeping track of any complaints that have been filed against businesses. It is important to make sure that your needs are met by an establishment before you spend your money, as well as to learn about what services the business provides, and if they provide them.

It is a good idea to take a tour of a number of locations before you book your hotel or apartment in Cleveland Ohio. If you are not sure where you would like to stay when you go, you can use the World Wide Web to see what is available.

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