#CommercialApplications
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electronicsbuzz ยท 1 month ago
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shreevalllabhchemical ยท 2 months ago
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Synthetic Alcohol Ethoxylates are high-performance surfactants that offer exceptional solubility, emulsifying properties, and surface activity. Perfect for a wide range of industrial and commercial applications, these versatile compounds ensure efficiency and effectiveness in every formulation.
For more details, visit - https://www.shreechem.in/synthetic-alcohol-ethoxylate
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agrogums ยท 4 months ago
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Cassia Tora Powder is a versatile ingredient used across multiple industries. In air deodorizers, it plays a key role in preparing freshening and deodorizing gels. As a food additive, it enhances the texture and stability of artificial food products. In the animal feed industry, it serves as an excellent thickener, often replacing Carob Gum or Locust Bean Gum when combined with Xanthan Gum or Carrageenan in wet canned pet foods. Its multifunctional properties make it a valuable and sustainable choice for various applications.
For more details, visit- https://www.agrogums.com/applications
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onccyelectrical ยท 6 months ago
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Electricity Safety Classroom: The Importance of AC Isolation Switches!
๐Ÿ” Did you know? AC isolation switches are an indispensable part of the power system!
โœ… Their advantage:
1๏ธโƒฃ Internally made of high-conductivity nickel-phosphorus copper material, ensuring excellent conductivity and a longer service life.
2๏ธโƒฃ Insulation voltage of 800V, working voltage of 690V, and a maximum current of 125A.
3๏ธโƒฃ AC isolation switches (PM) are durable and versatile, providing reliable panel-mounted solutions to ensure safe and efficient electrical isolation in industrial and commercial applications.
๐Ÿ’ก Want to learn more? Feel free to contact us!
Get more:ย ๐ŸŒ www.onccy.com๏ผŒ ๐Ÿ“ฉ [email protected]๏ผŒ ๐Ÿ“ž WhatsApp๏ผš+86 17301617015ใ€‚
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timestechnow ยท 1 year ago
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ajaydmr ยท 1 year ago
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LCD TV Core Chip Market Analysis Business Revenue Forecast Size Leading Competitors And Growth Trends
Market Overview
The Global LCD TV Core Chip Market is poised for exponential growth, with a projected value of USD 4.6 billion in 2023, expected to soar to USD 12.5 billion by 2032 at a staggering CAGR of 11.7%. This surge in demand signifies a paradigm shift in television technology, driven by the seamless integration of LCD TVs with processor core chips.
Understanding LCD TV Core Chips
LCD TV core chips represent the convergence of LCD TV technology with processor core functionality. These chips empower television sets with enhanced computational power, transforming them into smart TVs capable of seamless online integration and content delivery. By eliminating the need for separate set-top boxes, LCD TV core chips simplify the user experience while unlocking a myriad of functionalities.
Market Growth Analysis
The combination of LCD TV and core chip technology heralds a new era of convenience and versatility in television viewing. This innovative pairing not only enriches the computing capabilities of television sets but also simplifies the overall user experience by providing a unified hub for content consumption and online interaction. By seamlessly integrating traditional broadcasting with online connectivity, LCD TV core chips contribute to a more streamlined and interactive entertainment landscape.
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Market Dynamics
The global growth of the LCD TV core chip market is fueled by factors such as increasing internet usage, simplified content downloading, and convenient access to online content. However, the rise of alternative technologies like LED Smart TVs poses a significant challenge to market expansion. Additionally, advancements in OLED display panels and the reliance on technology providers hinder the growth of the LCD TV core chip market.
Key Takeaways
Key Factors
Targeted Audience
Research Scope and Analysis
By Application
The commercial application segment emerges as a major driver of the global LCD TV core chip market. These chips find vital commercial significance, catering to diverse sectors such as hospitality, retail, education, and corporate communication. By facilitating real-time updates, multimedia displays, and dynamic content delivery, LCD TV core chips transform spaces into engaging, interactive environments.
By Type
In 2023, 32-bit LCD TV core chips dominated the market, empowering television sets with smart TV capabilities. These chips facilitate seamless integration of online content and traditional broadcasting, driving immersive user experiences across various sectors. As businesses increasingly embrace digital signage, interactive touchscreens, and gaming consoles, the demand for 32-bit LCD TV core chips is expected to surge.
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Regional Analysis
Asia Pacific commands a significant market share of the global LCD TV core chip market, driven by the presence of key manufacturers and leading economies such as China, Japan, Korea, and Taiwan. North America also witnesses substantial growth, fueled by the expansion of LCD Smart TVs. These regional dynamics underscore the global reach and impact of LCD TV core chip technology.
Competitive Landscape
The LCD TV core chip market is characterized by high fragmentation, with established manufacturers and emerging contenders vying for leadership. Innovation, advanced technologies, and strategic collaborations serve as key growth drivers in this dynamic landscape. For instance, Xiaomi's launch of the Xiaomi TV EA43 demonstrates a commitment to improving TV performance and user experience through technological advancements.
Conclusion
The LCD TV Core Chip Market represents a convergence of technology and entertainment, offering unparalleled possibilities for smart television. As the market continues to evolve, opportunities abound for stakeholders across industries to harness the transformative power of LCD TV core chips. By embracing innovation, collaboration, and consumer-centric design, we can unlock the full potential of smart television and shape the future of entertainment.
About Us
Dimension Market Research (DMR) is the ultimate one step solution to all your research needs and requirements. Dimension Market Research is India and US based company, we have headquarter in USA (New York) with offices in Asia pacific region. Dimension Market Research is specifically designed to provide most relevant syndicated, customized and tailor made market research to suit your specific business needs. We are constantly monitoring and compiling the data for various sectors at country, regional and global level, to serve our clients with updated data at any point of time with recent market insights.
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chemical-iran ยท 2 years ago
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๐ƒ๐ข๐ž๐ญ๐ก๐ฒ๐ฅ๐ž๐ง๐ž ๐ ๐ฅ๐ฒ๐œ๐จ๐ฅ (๐ƒ๐„๐†) ๐ข๐ฌ ๐š ๐ฌ๐ฐ๐ž๐ž๐ญ-๐ญ๐š๐ฌ๐ญ๐ข๐ง๐ , ๐œ๐จ๐ฅ๐จ๐ซ๐ฅ๐ž๐ฌ๐ฌ, ๐ง๐จ๐ง-๐จ๐๐จ๐ซ๐ข๐Ÿ๐ž๐ซ๐จ๐ฎ๐ฌ, ๐ก๐ฒ๐ ๐ซ๐จ๐ฌ๐œ๐จ๐ฉ๐ข๐œ ๐จ๐ซ๐ ๐š๐ง๐ข๐œ ๐œ๐จ๐ฆ๐ฉ๐จ๐ฎ๐ง๐ ๐ญ๐ก๐š๐ญ ๐ข๐ฌ ๐œ๐จ๐ฆ๐ฆ๐จ๐ง๐ฅ๐ฒ ๐ฎ๐ฌ๐ž๐ ๐ข๐ง ๐ฏ๐š๐ซ๐ข๐จ๐ฎ๐ฌ ๐œ๐จ๐ฆ๐ฆ๐ž๐ซ๐œ๐ข๐š๐ฅ ๐ฉ๐ซ๐จ๐๐ฎ๐œ๐ญ๐ฌ. ๐ˆ๐ญ ๐ข๐ฌ ๐š๐ง ๐ž๐ฑ๐œ๐ž๐ฅ๐ฅ๐ž๐ง๐ญ ๐ฌ๐จ๐ฅ๐ฏ๐ž๐ง๐ญ ๐ญ๐ก๐š๐ญ ๐ฉ๐ฅ๐š๐ฒ๐ฌ ๐š ๐ค๐ž๐ฒ ๐ซ๐จ๐ฅ๐ž ๐ข๐ง ๐ญ๐ก๐ž ๐œ๐จ๐ฆ๐ฆ๐ž๐ซ๐œ๐ข๐š๐ฅ ๐ฉ๐ซ๐ž๐ฉ๐š๐ซ๐š๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐ฉ๐ฅ๐š๐ฌ๐ญ๐ข๐œ๐ฌ, ๐ซ๐ž๐ฌ๐ข๐ง๐ฌ, ๐š๐ง๐ญ๐ข๐Ÿ๐ซ๐ž๐ž๐ณ๐ž, ๐›๐ซ๐š๐ค๐ž ๐Ÿ๐ฅ๐ฎ๐ข๐๐ฌ, ๐œ๐จ๐ฌ๐ฆ๐ž๐ญ๐ข๐œ๐ฌ, ๐ฅ๐ฎ๐›๐ซ๐ข๐œ๐š๐ง๐ญ๐ฌ, ๐š๐ง๐ ๐ฆ๐š๐ง๐ฒ ๐จ๐ญ๐ก๐ž๐ซ ๐œ๐จ๐ฆ๐ฆ๐ž๐ซ๐œ๐ข๐š๐ฅ๐ฅ๐ฒ ๐š๐ฏ๐š๐ข๐ฅ๐š๐›๐ฅ๐ž ๐ฉ๐ซ๐จ๐๐ฎ๐œ๐ญ๐ฌ. ๐ƒ๐จ ๐ฒ๐จ๐ฎ ๐ง๐ž๐ž๐ ๐ญ๐ก๐ข๐ฌ ๐ฉ๐ซ๐จ๐๐ฎ๐œ๐ญ ๐ข๐ง ๐›๐ฎ๐ฅ๐ค ๐Ÿ๐จ๐ซ ๐ฒ๐จ๐ฎ๐ซ ๐œ๐จ๐ฆ๐ฆ๐ž๐ซ๐œ๐ข๐š๐ฅ ๐š๐ฉ๐ฉ๐ฅ๐ข๐œ๐š๐ญ๐ข๐จ๐ง๐ฌ? ๐–๐ž ๐š๐ญ ๐‚๐ก๐ž๐ฆ๐ข๐œ๐š๐ฅ ๐ˆ๐ซ๐š๐ง ๐š๐ซ๐ž ๐ซ๐ž๐š๐๐ฒ ๐ญ๐จ ๐ฌ๐ฎ๐ฉ๐ฉ๐ฅ๐ฒ ๐ฐ๐ก๐ข๐ฅ๐ž ๐š๐ฌ๐ฌ๐ฎ๐ซ๐ข๐ง๐  ๐ฒ๐จ๐ฎ ๐จ๐Ÿ ๐ญ๐จ๐ฉ ๐ช๐ฎ๐š๐ฅ๐ข๐ญ๐ฒ, ๐ž๐š๐ฌ๐ฒ ๐ฉ๐ฎ๐ซ๐œ๐ก๐š๐ฌ๐ž ๐š๐ง๐ ๐จ๐ง-๐ญ๐ข๐ฆ๐ž ๐๐ž๐ฅ๐ข๐ฏ๐ž๐ซ๐ฒ. ๐˜๐จ๐ฎ ๐œ๐š๐ง ๐š๐ฅ๐ฌ๐จ ๐ ๐ž๐ญ ๐Ÿ๐Ÿ’ร—๐Ÿ• ๐ฌ๐ฎ๐ฉ๐ฉ๐จ๐ซ๐ญ ๐Ÿ๐ซ๐จ๐ฆ ๐จ๐ฎ๐ซ ๐ฌ๐š๐ฅ๐ž๐ฌ ๐ญ๐ž๐š๐ฆ ๐ฐ๐ก๐ข๐ฅ๐ž ๐›๐ฎ๐ฒ๐ข๐ง๐  ๐Ÿ๐ซ๐จ๐ฆ ๐ฎ๐ฌ. ๐–๐š๐ง๐ญ ๐ญ๐จ ๐ ๐ž๐ญ ๐š ๐ช๐ฎ๐จ๐ญ๐ž ๐Ÿ๐จ๐ซ ๐ฒ๐จ๐ฎ๐ซ ๐จ๐ซ๐๐ž๐ซ? ๐•๐ข๐ฌ๐ข๐ญ ๐ฎ๐ฌ https://www.chemicaliran.com/products/di-ethylene-glycol-deg/ ๐ง๐จ๐ฐ!
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researchspage ยท 2 years ago
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canopyworld ยท 2 years ago
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Canopy World Hubli !!
Conical tensile structures are a type of tensile structure that is shaped like a cone. They are made up of a fabric membrane that is stretched between a ring at the top of the cone and a series of support columns around the base.
Conical tensile structures are often used for large outdoor events, such as concerts, festivals, and sporting events. They are also used for commercial applications, such as car dealerships, shopping malls, and restaurants.
Please visit our website for more information https://bit.ly/3ma10Fy...
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atplblog ยท 7 months ago
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Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Thisvolumecontainsthefullresearchpapersofthe2nd International Con- renceonMusicandArti?cialIntelligence(ICMAI02),heldinSt. Cecilia'sHall, Edinburgh,UK,12-14September2002. Theconferencewasjointlyorganizedby theFacultyofMusicandtheDivisionofInformatics,UniversityofEdinburgh. Eachofthepapersinthisvolumewasrefereedbyatleastthreereviewersfrom theProgramCommittee. AdditionalpaperswereacceptedasWork-in-Progress reports,publishedseparatelybytheDivisionofInformaticsoftheUniversity ofEdinburgh. Theconferenceprogramalsoincludedround-tablediscussions, electronicmusicconcerts,earlykeyboardintrumentdemonstrations,andvarious socialevents. Thefocusoftheconferencewasontheinterplaybetweenmusicaltheoryand practiceontheonehandandtechniquesandmethodsfromArti?cialIntelligence, includingcomputationalcognitivemodelingofmusicalprocesses,ontheother. Weareespeciallyinterestedinissuesofmusicalrepresentationandanalysis, associatedalgorithms,andtheevaluationofmusicalartefacts. MusicpresentsmanychallengesforAIandInformaticsingeneral. Whilethe analogieswithnaturallanguageandwithvisionareproductive,musicrequires novelsolutionstoitsownrepresentationalandalgorithmicproblems. Forthe musician,workinthisareacontributestowardsmusicologicalstudy,composition, performance,interactivesystems,andsoundsynthesis. Threedistinguishedscholarsinthearea,MiraBalaban,Jean-ClaudeRisset, andAntonioCamurri,agreedtogivetheinvitedkeynotes. Thesetalkscovered di?erentfeaturesofmusicalexperienceanditsrelationtoArti?cialIntelligence, namelymusicalconcepts,composition,andperformance. Morespeci?cally,Jean- ClaudeRisset'stopicwasMusicalCompositionandArti?cialIntelligence:Some Precedents and Prospects,MiraBalaban'swas Structure and Interpretation of Music Concepts - Music from a Computational Perspective,andAntonio- murri'swasComputationalModelsofExpressiveGesture. Thepapersintheconferencedealtwithawiderangeofaspectsofcurrent research,includingstructural,harmonic,andreductionalmusicanalysis,pattern representationanddiscoveryinbothmonophonicandpolyphonicmusic,music perceptionofmelodyandrhythm,therelationbetweenmusicandnaturallan- age,similarityandcategorization,musicandintonation,musicalexpressionand performance,soundprocessing,soundclassi?cations,commercialapplications, andmusicontheweb. Acknowledgements. Theeditorsaregratefulforallthehelpofthosewho madethepublicationofthisvolumepossible,andespeciallyDarrellConklin, VI Organization PeterNelson,EmiliosCambouropoulos,AlisonPease,andMarkSteedman;also, JordanFleming,EwenMaclean,andRobertDow;andtheFacultyofMusicand theDivisionofInformatics,UniversityofEdinburghfor?nancialsupport. July2002 ChristinaAnagnostopoulou MiguelFerrand AlanSmaill OrganizingCommittee AlanSmaill(Chair) ChristinaAnagnostopoulou(Co-chair) MiguelFerrand PeterNelson AlisonPease MarkSteedman ProgramCommittee ? JensArnspang(Alborg) GillianHayes(Edinburgh) MiraBalaban(Ben-Gurion) HenkjanHoning(Nijmegen) MartaOlivettiBelardinelli(Rome) JukkaLouhivuori(Jyvaskyla) RensBod(Amsterdam) TodMachover(MIT-MediaLab) CarolaBoehm(Glasgow) GuerinoMazzola(ZurichandVienna) AmilcarCardoso(Coimbra) StephenMcAdams(IRCAM) EmiliosCambouropoulos(Thessaloniki)EduardoMiranda(SONYCSL-Paris) ElaineChew(USC) PeterNelson(Edinburgh) DarrellConklin(ZymoGenetics) Fran,coisPachet(SONYCSL-Paris) IanCross(Cambridge) StephenTravisPope(SantaBarbara) RogerDannenberg(CMU) AlanSmaill(Edinburgh) PeterDesain(Nijmegen) MarkSteedman(Edinburgh) AnastasiaGeorgaki(Athens) DavidTemperley(Rochester) InvitedSpeakers MiraBalaban(Ben-GurionUniversity,Israel) AntonioCamurri(UniversityofGenoa,Italy) Jean-ClaudeRisset(LaboratoiredeM'echaniqueetd'14September2002. Theconferencewasjointlyorganizedby theFacultyofMusicandtheDivisionofInformatics,UniversityofEdinburgh. Eachofthepapersinthisvolumewasrefereedbyatleastthreereviewersfrom theProgramCommittee. AdditionalpaperswereacceptedasWork-in-Progress reports,publishedseparatelybytheDivisionofInformaticsoftheUniversity ofEdinburgh.
Theconferenceprogramalsoincludedround-tablediscussions, electronicmusicconcerts,earlykeyboardintrumentdemonstrations,andvarious socialevents. Thefocusoftheconferencewasontheinterplaybetweenmusicaltheoryand practiceontheonehandandtechniquesandmethodsfromArti?cialIntelligence, includingcomputationalcognitivemodelingofmusicalprocesses,ontheother. Weareespeciallyinterestedinissuesofmusicalrepresentationandanalysis, associatedalgorithms,andtheevaluationofmusicalartefacts. MusicpresentsmanychallengesforAIandInformaticsingeneral. Whilethe analogieswithnaturallanguageandwithvisionareproductive,musicrequires novelsolutionstoitsownrepresentationalandalgorithmicproblems. Forthe musician,workinthisareacontributestowardsmusicologicalstudy,composition, performance,interactivesystems,andsoundsynthesis. Threedistinguishedscholarsinthearea,MiraBalaban,Jean-ClaudeRisset, andAntonioCamurri,agreedtogivetheinvitedkeynotes. Thesetalkscovered di?erentfeaturesofmusicalexperienceanditsrelationtoArti?cialIntelligence, namelymusicalconcepts,composition,andperformance. Morespeci?cally,Jean- ClaudeRisset'stopicwasMusicalCompositionandArti?cialIntelligence:Some Precedents and Prospects,MiraBalaban'swas Structure and Interpretation of Music Concepts - Music from a Computational Perspective,andAntonio- murri'swasComputationalModelsofExpressiveGesture. Thepapersintheconferencedealtwithawiderangeofaspectsofcurrent research,includingstructural,harmonic,andreductionalmusicanalysis,pattern representationanddiscoveryinbothmonophonicandpolyphonicmusic,music perceptionofmelodyandrhythm,therelationbetweenmusicandnaturallan- age,similarityandcategorization,musicandintonation,musicalexpressionand performance,soundprocessing,soundclassi?cations,commercialapplications, andmusicontheweb. Acknowledgements. Theeditorsaregratefulforallthehelpofthosewho madethepublicationofthisvolumepossible,andespeciallyDarrellConklin, VI Organization PeterNelson,EmiliosCambouropoulos,AlisonPease,andMarkSteedman;also, JordanFleming,EwenMaclean,andRobertDow;andtheFacultyofMusicand theDivisionofInformatics,UniversityofEdinburghfor?nancialsupport. July2002 ChristinaAnagnostopoulou MiguelFerrand AlanSmaill OrganizingCommittee AlanSmaill(Chair) ChristinaAnagnostopoulou(Co-chair) MiguelFerrand PeterNelson AlisonPease MarkSteedman ProgramCommittee ? JensArnspang(Alborg) GillianHayes(Edinburgh) MiraBalaban(Ben-Gurion) HenkjanHoning(Nijmegen) MartaOlivettiBelardinelli(Rome) JukkaLouhivuori(Jyvaskyla) RensBod(Amsterdam) TodMachover(MIT-MediaLab) CarolaBoehm(Glasgow) GuerinoMazzola(ZurichandVienna) AmilcarCardoso(Coimbra) StephenMcAdams(IRCAM) EmiliosCambouropoulos(Thessaloniki)EduardoMiranda(SONYCSL-Paris) ElaineChew(USC) PeterNelson(Edinburgh) DarrellConklin(ZymoGenetics) FranccoisPachet(SONYCSL-Paris) IanCross(Cambridge) StephenTravisPope(SantaBarbara) RogerDannenberg(CMU) AlanSmaill(Edinburgh) PeterDesain(Nijmegen) MarkSteedman(Edinburgh) AnastasiaGeorgaki(Athens) DavidTemperley(Rochester) InvitedSpeakers MiraBalaban(Ben-GurionUniversity,Israel) AntonioCamurri(UniversityofGenoa,Italy) Jean-ClaudeRisset(LaboratoiredeM'echaniqueetd'Acoustique,France) TableofContents InvitedTalks StructureandInterpretationofMusicConcepts:Musicfroma ComputationalPerspective...1 MiraBalaban ExpressiveGesture...4 AntonioCamurri RegularContributions AGeneralParsingModelforMusicandLanguage ...5 RensBod TheSpiralArray:AnAlgorithmforDeterminingKeyBoundaries ...18 ElaineChew RepresentationandDiscoveryofVerticalPatternsinMusic ...3 2 DarrellConklin DiscoveringMusicalStructureinAudioRecordings...43 RogerB. Dannenberg,NingHu RealTimeTrackingandVisualisationofMusicalExpression ...58 SimonDixon,WernerGoebl,GerhardWidmer AutomaticClassi?cationofDrumSounds:AComparisonofFeature SelectionMethodsandClassi?cationTechniques...69 PerfectoHerrera,AlexandreYeterian,FabienGouyon SomeFormalProblemswithSchenkerianRepresentationsofTonal Structure ...81 TimHorton RespirationRe?ectingMusicalExpression:AnalysisofRespiration duringMusicalPerformancebyInductiveLogicProgramming .
..94 SohIgarashi,TomonobuOzaki,KoichiFurukawa MimeticDevelopmentofIntonation ...107 EduardoReckMiranda InteractingwithaMusicalLearningSystem:TheContinuator ...119 Fran,coisPachet VIII TableofContents RecognitionofIsolatedMusicalPatternsUsingHiddenMarkovModels ...133 AggelosPikrakis,SergiosTheodoridis,DimitrisKamarotos AModelforthePerceptionofTonalMelodies...144 Dirk-JanPovel ControlLanguageforHarmonisationProcess ...155 SomnukPhon-Amnuaisuk EvaluatingMelodicSegmentation...168 ChristianSpevak,BelindaThom,KarinHothker CombiningGrammar-BasedandMemory-BasedModelsofPerceptionof TimeSignatureandPhase ...183 NetaSpiro ABayesianApproachtoKey-Finding ...1 95 DavidTemperley AuthorIndex...207 StructureandInterpretationofMusicConcepts: MusicfromaComputationalPerspective MiraBalaban DepartmentofInformationSystemsEngineering Ben-GurionUniversityoftheNegev,Israel. mira@cs. bgu. ac. il Researchinthe?eldofComputer-Musicisdirectedtowardsconstructionof computersystemsforcomposition,performanceofmusicaltasks,musictra- ing,signalprocessingandextensionoftraditionalmusicsounds,notationstudy, musicanalysis,storageandcommunicationofmusicaldata,andmusicinf- mationretrievalandclassi?cation. Computerapplicationsinmusicleadtothe developmentofcomputationalmodels. ExamplesaretheworksofWinograd, Ebcioglu,Laske,Cope,Bamberger,Berger&GangandOrlarey. Berger&Gang usearti?cialneuralnetworkstoinvestigatemusicperception,Orlareyetal. - troducethenotionofConcreteAbstraction(borrowedfromLambdaCalculus) asabasisfortheirpurelyfunctionalcompositionenvironment,whileWinograd usesaSystemicGrammarapproachborrowedfromLinguistics. Inspiteofrichactivityinmusicologyandincomputermusic,thereislittle research(ifatall)onthedevelopmentofacomputationalbasisforcomputer music(e. g. ,Schenker,Narmour,LerdhalandJackendo?). Mostcomputermusic systemsindeedhavehugemusicalknowledgeandintuitionsembeddedinthem, butcannotpointonunderlyingexplicitcomputationalbasis. Clearlythey- sumesomelevelofprimitives,andusedi?erentabstractionlevelsandkinds,but thesearenotanchoredincomputationalmodelsthataccountfortheirbasics, organization,usageandsemantics. Inasense,thissituationremindsoneofthe earlydaysofNaturalLanguageProcessing,whenalargeamountoflinguistic knowledgewasembeddedinhugesemanticnetworks. Inthistalkweproposetoinitiateastudyofcomputationalframeworks formusicknowledge. Theideaistomakethemusicknowledgethatunderlies computer-musicapplications(eitherintentionallyornot)explicit. Asastarting point,wesuggesttostudy music schemas. HereishowMusicologistDahlia Cohen(dept. ofMusicology,HebrewUniversity,Israel)describestherolethat musicschemasplayinmusicunderstanding: Listeningtomusic(perceptionandreaction)anditsmemorization,are cognitiveactivitiesthatdependon schemas thatarecreated,unc- sciously,atanearlyage. Theschemasrepresentrelationshiptypes- tweenmusicaleventsthataredictatedbyprinciplesoforganization,in variousabstractionlevels. Theschemastriggerexpectationsthatmay ormaynotberealized. Musicisdistinguishedfromotherartsinhaving thesystematicorganizationasthesolemeansfortriggeringvarioustypes ofreactions(whereasotherartsemploynon-artistic,non-organizational meansforreactiontriggering). Publisher โ€ : โ€Ž Springer-Verlag Berlin and Heidelberg GmbH & Co. K; 2002nd edition (28 August 2002) Language โ€ : โ€Ž English Paperback โ€ : โ€Ž 212 pages ISBN-10 โ€ : โ€Ž 354044145X ISBN-13 โ€ : โ€Ž 978-3540441458
Item Weight โ€ : โ€Ž 340 g Dimensions โ€ : โ€Ž 15.49 x 1.27 x 23.5 cm [ad_2]
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