#Destruction from The Course of Empire
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Title/Name: 'Destruction' (painting) from 'The Course of Empire' collection by Thomas Cole Wojak Series: Smugjak (Variant), Soyjak (Variant). Image by: Unknown Main Tag: Smugjak Wojak
#Wojak#Art#Painting#The Course of Empire#Destruction from The Course of Empire#Soyjak#Smugjak#Smugjak Wojak#Soyjak Wojak#Smugjak Series#Soyjak Series#White#Destruction Painting#The Course of Empire collection#The Course of Empire collection of paintings
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Ok gotta talk about it.
As a Jewish historian, I fucking hate Israel in ways most probably will never be able to comprehend. I'm going to try and explain it anyways. The central creation myth of Israel is that it is Jewish, and then consequently, that Israel is a part of Jewishness. Its easy to simply state this is false, but fully comprehending this and putting it into practice in thought and deed seems rare to me.
The evil at the heart of this violence predates the recent acceleration of genocide. Israel is a colony, and more than that, an antisemitic fraud itself. After WW2, when Israel was being founded, the Jews of Europe generally did not wave goodbye to their neighbors and head to the promised land. Many were expelled from their homes. Zionism itself, as an action, was a false choice at the time. A mere excuse to place an ally in the middle east, and an excuse to complete the expulsion and destruction of the European Jew. The Zionist Jew is more than complicit in this, they actively seek the destruction and assimilation of all other Jews.
Many fail to realize, and largely because of Israel, that Jews are not inherently white, Ashkenazi, European-descended people. Our faith and culture has an immense variety that is spread all across the globe. Jewishness, in population and volume of culture, exists more so outside of Israel than within it. Israel is for a very specific kind of Jew. The kind that lets Yiddish die, that attaches themselves to European things, that makes themselves and their practices as white as possible.
And they have the nerve, the fucking belligerent GALL, to frame themselves as the necessary saviors of our people. To the Zionist, questioning Israel is to question Jewishness itself. They bake adoration for the colonial machine into their very prayers, and push them on us even as children. To *not* oppress, to *not* kill, to *not* genocide, is to invite death. This is the core of fascistic thought, of course. "Kill them before they kill us." And they KNOW this too, they really do. The truth of that irony does not matter, because as is true for all fascists, the truth itself does not matter to them. They wanted this, they wanted this even before the British saw it in their best interest to give them the land. Any excuse to RETVRN, as the neo-nazis say of Rome, or the German Empire, or whatever the fuck stupid country they want to poorly animate the corpse of. Some select Zionists even *sided with the fucking Nazis* in agreement they should abandon Europe to colonize Palestine. (Haavara Agreement)
My people have proved time and time and time again you don't need a nation state to have an enduring culture. We have protected ourselves for thousands of years without the help of these spiteful, doom-saying maniacs. I was going to post something like this on Passover, but that would be hypocritical. The state of Israel doesn't actually have shit to do with Jewishness. Hear Israel (the state and supporters, Israel the icon) I should outlive it long enough to bury it. (old yiddish curse)
Free Palestine. Donate what you can, they need it right now.
#free palestine#israel#jews for palestine#jews against israel#jewish history#antisemitism#jews against genocide
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Thinking a lot recently about the constant comparison of Oblivion to Skyrim, particularly claims that Oblivion is superior in every way strictly by virtue of quest length and the greater grandiosity of the organizations in Oblivion, and I think there's been a fundamental misunderstanding of what's actually going on with Tamriel during the time period of Skyrim. Even though it's like...one of the core concepts of the main storyline.
Putting most of this under a cut for length, but I just...I think people misunderstand what's going on here. This is not a "One Game Good Other Game Bad" post, it's an analysis of a major, key difference in story basis between the two that I think gets lost in the (frankly asinine) argument about which is superior.
See, everything in Skyrim sucks. Every organization you can align yourself with is falling apart. Literally every single one.
That's the point.
To summarize:
The Companions (equivalent to the Fighters' Guild) are about a dozen strong, literally cursed, and their most beloved leader gets murdered very early in the storyline.
The College of Winterhold (equivalent to the Mages' Guild, not to the Arcane University) has seemingly only been saved from collapsing into the sea because a master of Restoration fused himself with the structure itself when the Sea of Ghosts tried to tear it down a little under a century ago and his presence is constantly physically "healing" the foundation.
The Thieves' Guild has lost the favor of every possible patron deity, having been outright cursed by Nocturnal after one of her Nightingales murdered another and stole the gift she offers her champion, while the boon that the organization's founder claimed from her in ages past (the cowl) is missing.
The Dark Brotherhood has been all but completely dismantled, the Night Mother's tomb in Bravil having been raided and struggling to persist without a Listener for over a decade; the bodies of the Night Mother's children have been lost and she's essentially being smuggled from region to region in an attempt to find a safe place to continue operations.
The Empire itself has been kneecapped, forced into a traumatic treaty by a fascist regime determined to strike the beliefs and culture of anyone not Altmer off the face of the planet; the Thalmor have gone so far as to torture and radicalize the figurehead leader of the Nords in order to use their own nationalism and superiority against the Empire, sparking a civil war that will further weaken the Empire and allow the Aldmerri Dominion to destroy it wholecloth.
This extends out into the rest of the world, too! We have confirmed existence of Hist-deaf Argonians. The Dunmer are floundering to recover after the quadruple-whammy that is the fall of the Triumverate, the destruction of Vivec City when Baar Dau finally made impact, the Red Year, and the Argonian uprising. The Bosmer are literally endangered due to habitat loss following a super-isolationist cultural shift due to wars with the Khajiit and Altmer. The Void Nights were devastating to Khajiit culture and population in ways that have yet to be fully explained.
The world is falling apart. Everything is dying.
And then Alduin shows up.
We all kind of talk about Alduin carrying on as World-Eater through the course of the Skyrim storyline like it's him being a piece of shit, since he'd started it ages ago and was just displaced in time to land on the Last Dragonborn's head in the Fourth Era, but I don't think that's the case.
Based on the state of things, I think Alduin arrived right on time. I think it's the end of the world. The only reason he "should" be stopped is because the Last Dragonborn has the capacity to stop the world from ending in a more down-to-earth sense than just defeating Alduin: they can't save everyone, but they can "fix" every single organization that's holding "the world" together.
They can align with the Imperials and keep the civil war from further crippling them, keeping the Empire from being too weak to push back against the Aldmerri Dominion.
They can save the College of Winterhold, the only group in the right place at the right time to stop the Eye of Magnus from opening, and in doing so make sure that the Psijics are able to put it somewhere nobody else can find it.
They can lead the Companions, cure the curse for those members who don't want to run with Hircine after death, which bolsters their spirits enough to keep doing what they can even when everyone else is trying to kill each other. A single neutral martial force in the middle of a civil war.
They can regain Nocturnal's trust for the Thieves' Guild, restore the Nightingales, and in doing so they can return the luck that was stolen from them as punishment for Mercer Frey's transgression. They can even reclaim the Crown of Barenziah and award the guild with a paragon to increase their newly-regained luck.
They can hear the Night Mother, becoming Listener for the Dark Brotherhood to restore the balancing force of Sithis in the world, purify the most broken Sanctuary the Brotherhood has ever had, and finish a story set into motion way back in the Third Era—Emperor Titus Mede II is murdered under the order of a Motierre, a descendant of a mark the Brotherhood specifically kept from dying during the Oblivion Crisis.
The Last Dragonborn can't do anything outside Skyrim—there's nothing they can do for the Argonians or the Bosmer or the Khajiit, and they can only do very little for the Dunmer via work in Solstheim—but they can work with every single guild or guild-adjacent group, strengthening the Empire to stand against the biggest threat to Tamrielic culture since the First Era, and in doing so they can make it so the world isn't ready for Alduin to eat it.
The Hero of Kvatch exists when Tamriel, and presumably Nirn as a whole is in the prime of its life, that's what makes the Oblivion Crisis such a big deal. This is a world that isn't ready to give up, it still has the strength to fight, it just needs someone standing at the head to direct it. The Last Dragonborn comes into the story when everything is falling apart and nothing really feels worthwhile, when it's hard to see why the world is worth saving. They have the chance to prove that there's still some life left here, that the world isn't too far gone to save—Alduin arrived right on time, it's the Last Dragonborn's job to change that.
I can see how coming from Oblivion to Skyrim would feel disappointing and hollow, but I'm pretty sure that's literally the point of the story.
Oblivion tells you the world is worth saving because it's got so much left to live for, even with the odds stacked so high against it. Skyrim asks you whether a world that's dying is still a world worth saving, and it's up to you to prove that it is.
#skyrim#oblivion#nashi has an opinion#tes#fandom ramble#that's the first time I've used that tag on something elder scrolls related#I'm not super active in this fandom#so idk if this has come up before#but I think it's a pretty obvious distinction#and I think it makes both games feel more real#to understand where they're coming from#the implication here is kinda#that the world was SUPPOSED to fall to the Oblivion Crisis#and the fact that it didn't#means that everything immediately started to collapse#like instantly#world under warranty for three eras only#what do you mean you want a fourth?#woe apocalypse be upon ye
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Supervillain's Guide to Romance || Rook Hunt
You, Supervillain, planned for a lifetime of rivalry, but instead, the Hero, Rook Hunt just keeps breaking into your lair with snacks.
Where did it all go wrong?
(Villain! Reader x Hero! Rook)
You have waited for this moment forever.
The world has been terribly dull as of late. Sure, your evil empire is thriving, the peasantry cowers at the mention of your name, and several major institutions have crumbled beneath your perfectly polished boots.
But without conflict, without an opponent, it’s just… paperwork and infrastructure maintenance. And while managing the economy after singlehandedly obliterating capitalism is hilarious, it does not provide the visceral thrill of a good old-fashioned deathmatch.
But now. Now.
The Goddess has finally chosen her Hero.
And you are so ready for this.
Your Ultimate Doomsday Device™ is primed. Your Evil Lair is bathed in appropriately dramatic red lighting. Your constructs—hulking, ominous, heavily armed—are lined up in terrifying symmetry, all enhanced with freshly sharpened weaponry and, crucially, eyeliner. Because aesthetic matters.
And you?
You are a vision of villainy. Cloak billowing, sword gleaming, boots heeled just enough to exude power but still practical enough for dramatic combat maneuvers. You spent three hours in front of a mirror perfecting your “I’ll kill you and laugh about it” smirk. You are prepared to be an absolute menace.
And then he arrives.
Standing atop the nearest cliff, silhouetted by an impossibly well-placed moon, is him.
The Goddess’s Chosen Hero.
Rook Hunt.
He is posing. His bow gleams. He looks like a romanticized painting of a hunter-king about to declare war on a stag. And then—
“Ah-ha!” he cries, pointing dramatically at you. “At last, we meet, O Dark Jewel of the Night’s Malevolence!”
…What.
Rook places a hand on his chest, eyes alight with unhinged enthusiasm. “What poetry! What drama! What an exquisite monologue that must have been as you awaited my arrival! Tell me, mon cher adversaire, how long have you rehearsed this glorious moment?”
…What.
You were expecting many things.
A clash of ideals. A heated battle. Perhaps a reluctant respect forged in the fires of combat.
You were not expecting your mortal enemy to sound like a theater major experiencing religious ecstasy at the sight of your properly villainous cape swish.
You squint at him. “You’re… excited?”
Rook nods so fervently his hat nearly flies off. “But of course! To stand against one so resplendently wicked! To trade blows—nay, souls—in this eternal dance of justice and villainy! C'est magnifique!”
He’s smiling.
Why is he smiling.
This is a deathmatch, not a wine tasting.
You clear your throat, lifting your chin in the most intimidating way possible. “Do you have any final words before I bring ruin upon you?”
Rook inhales deeply, eyes glimmering like a man utterly in love with the idea of his own demise.
“You are radiant in your menace! A blinding star of destruction! Smite me, O Harbinger of Dread! Let me bask in the beauty of your malice!”
He spreads his arms as if to embrace the impending carnage.
You slowly lower your sword.
“…What the hell is wrong with you?”
You shrug it off, maybe the Goddess likes them unhinged.
You had prepared for this moment your entire life.
The darkness swirled dramatically around you as you stood atop your obsidian throne, gazing down at the battlefield below. Your constructs—your beautiful, eyeliner-wearing minions—were poised, weapons gleaming, capes billowing, eyes smoldering with unholy (and stylish) rage.
The sky rumbled, lightning cracked, your "smite-a-city" device hummed ominously, and a general sense of doom and destruction filled the air.
This was it. The fated clash between good and evil. The battle that would shake the heavens, rend the earth, and—
"Ah, mon cher, your stance is exquisite! But tell me, would you rather have dinner instead of world domination?"
You freeze mid-swing, sword inches from his throat.
Your constructs freeze mid-battle, one still mid-air, about to deliver a flying kick. The thunder hesitates, the lightning awkwardly fizzles out, the wind that had been howling through the battlefield just kind of... stops, like it forgot what it was doing. Even your "smite-a-city" device lets out a confused beep.
Rook Hunt—the Goddess’s Chosen Hero, The People's Champion, The Bringer of Light and Justice, The Reason You Haven’t Been Able to Have a Peaceful Afternoon in Months—gazes at you with sparkling green eyes, utterly unbothered. He is smiling. He is batting his eyelashes. He is somehow more dazzling than the lightning.
You, in contrast, are short-circuiting. "HUH??? WHAT??? NO???"
"Magnifique." He lunges again, sword clashing against yours, his grin only widening. "Then I shall vanquish you with the elegance you deserve!"
The world unfreezes as if someone hit 'play' on reality again. Your constructs return to attacking, the wind resumes howling, thunder remembers how to be intimidating, and you—still reeling—dodge a particularly poetic strike from the overly enthusiastic Hero of the World.
You're not sure what just happened, but you do know one thing:
You absolutely refuse to die without getting some answers first.
And maybe, just maybe, you need to recalibrate your entire life plan.
You had been prepared for a worthy opponent. You had been prepared for grand battles, for expertly crafted schemes, for a rivalry that would echo through the annals of history.
What you had not been prepared for was Rook Hunt.
You take a sip of your tea, relishing a rare moment of villainous peace. The sun is setting, your latest evil scheme (a devastating tax loophole reform) is progressing smoothly, and—most importantly—Rook Hunt is not around.
Or so you thought.
Because the moment you relax, you feel it. That unmistakable tingle of being observed.
Slowly, you lower your cup.
And there he is. Peeking through your window.
His stupid hat. His stupid cape. His stupidly enchanting green eyes shining like a cursed emerald in the dim light.
"Bonsoir, mon cher!" he greets cheerfully, dangling upside down from your roof like a particularly well-dressed bat.
You nearly drop your tea. "WHAT THE FU—"
You're exhausted. Emotionally, physically, spiritually. You decide to dedicate an entire day to self-care. Face masks, fluffy robes, a villainous bath bomb infused with the souls of the unjustly rich—you are determined to ignore the world.
As you stretch luxuriously in your grand lair, you hear a faint thunk.
You pause.
Slowly, you turn your gaze toward the door.
There, pinned straight through the wood by an arrow, is a neatly wrapped face mask.
You take a deep breath. You count to ten. You fail to count to ten because you are seething.
You yank the arrow out and unroll the note attached to it.
"Self-care is crucial, mon ami! Hydrate well and let your skin glow like the celestial heavens! À bientôt~!"
There is a little hand-drawn heart at the bottom.
You have never known rage like this.
At this point, you’re convinced the Goddess chose him purely to fuck with you.
There is no other explanation. None.
Because every time you turn around, he is there.
He is watching.
He is smiling.
He is way too into this.
You are a responsible supervillain. You do your own paperwork.
This is crucial.
Do you have minions? Yes. Constructs? Absolutely. Are they efficient? Of course. Do they understand the fine intricacies of tax-deductible lair maintenance expenses? No.
So here you are, suffering, hunched over your desk, reviewing budgets for your upcoming Doomsday Apparatus™ (pending patent).
Your shoulder aches. The price of evil, you suppose.
Then, hands.
You sigh, assuming it’s one of your constructs trying to be helpful, but the texture is all wrong. Not cold. Not metallic. Not vaguely threatening.
You freeze.
These are human hands.
You whirl around so fast you nearly fall out of your chair.
And there he is.
Rook Hunt. The Menace of Your Existence.
Wearing that same infuriatingly pleased expression he always has when he manages to unnerve you.
“Mon trésor, you are so tense! Do not fret, for I am here to ease your burdens—”
Your hand is already on your emergency drawer.
Because of course you keep a glock in there. You’re a responsible supervillain.
But before you can make him truly holy, he lifts a plate of your favorite cookies.
You squint.
You squint harder.
The cookies look perfect.
You hate him.
But you love those cookies.
“...Fine,” you grumble. “Dining room. Now.”
And that’s how you end up having the most awkward tea party of your life.
Your constructs—tall, looming, deadly—stand against the walls like confused statues.
You glare at Rook. He beams at you.
You eat a cookie. He sips his tea like he’s the most welcome guest in the world and not your mortal enemy.
Finally, you break the silence.
“I’m going to destroy an entire city district next time.”
Rook hums, interested. “Hm. But which one? Have you considered an aerial attack for maximum devastation?”
Your constructs shift uncomfortably.
You blink. “...What.”
“If you truly wish to inspire terror, mon cher, a coordinated offensive utilizing shadow and fire would be most spectacular. Oh, imagine the fear in their eyes! The poetry of destruction!”
Your constructs are now visibly uncomfortable.
You stare at him. “...You realize I am trying to defeat you, right?”
“Oui.” He takes another dainty sip of tea. “But what is a villain without a hero? What is a hero without a villain? We are locked in the most beautiful dance, and it would be a shame if your evil was anything less than... magnifique.”
You hate how good that sounds.
Your constructs, sensing the sheer unhinged energy at this table, collectively decide they are done.
You’ve had it.
Rook Hunt has been breaking into your lair every other day, treating your villainous empire like it’s some kind of all-you-can-antagonize buffet.
So tonight? You strike back.
Your plan is perfectly petty. You sneak into his house, bypass his defenses, and leave a nasty little surprise—a copy of his stupid hat, but without the feather. Symbolic. Brutal. Devastating.
It’s dark inside. Suspiciously dark. You move silently through the halls, your villain senses tingling, when—
A hand grabs your wrist.
You let out the most unvillainous, undignified little squeak known to man.
A candle flares to life.
And there he is.
Rook Hunt. Smiling. Smug. Suspiciously pleased.
And behind him?
A fully set candlelit dinner table.
What.
You yank your wrist free and glare at him. “How did you know I was coming?”
“I didn’t!” He laughs, delighted, as if this entire scenario isn’t absolutely deranged. “I’ve merely been setting this up every night for the past week, hoping one day you would.”
You stare.
Your brain buffers.
Your evil plan—your brilliant, petty, symbolically devastating evil plan—is completely ruined.
But also.
You are weirdly, deeply flattered.
Which is so annoying.
You grumble and stomp over to the table. “Well, I’m not wasting a perfectly good meal.”
Rook positively beams as you sit down, pouring you a glass of something fancy.
You stab at your food aggressively. “You suck, Hunt.”
“Ah, mon amour, flattery will get you everywhere.”
You contemplate murder.
You also contemplate dessert.
Your life is hard.
As a renowned and feared supervillain, you have many responsibilities—world domination, economic destabilization, overthrowing the bourgeoisie—but even the greatest of evildoers need time to unwind.
For you, that means art.
Tonight, you sit in your grand lair, sketchbook in hand, dreamily doodling while fantasizing about the day you will finally, unequivocally, beat Rook Hunt.
Perhaps you’ll trap him in an inescapable dungeon.
Perhaps you’ll trick him into an elaborate psychological game that will break his very spirit.
Perhaps you’ll put a single grain of sand in his boots and let nature take its course.
The possibilities are endless.
You’re so absorbed in your creative villainous process that you fail to notice the cryptid himself materializing behind you like some kind of woodland horror story.
“Ah, mon trésor, what are you drawing?”
You freeze.
Your villain instincts kick in, but it’s too late. Before you can shove your sketchbook under your cloak and play it off like a true mastermind, Rook Hunt has already peeked.
A beat of silence.
You watch as, for the first time in history, Rook Hunt blushes.
You look down at your sketchbook.
Oh.
It’s a doodle of him.
With a heart drawn near it.
Obvious context:
It’s a threat.
Clearly, you meant “I will rip your heart out with my bare hands.”
Obviously, this is not romantic.
Clearly, he should know this.
And yet—
Before you can explain this very normal and absolutely not embarrassing drawing, Rook makes a strangled noise—and then, without warning—
He launches himself out of the window.
Full-speed.
No hesitation.
You stare blankly at the gaping hole in your wall.
The night breeze drifts in.
A loose paper flutters off your desk.
Your jaw clenches.
You pull out your calculator.
“Alright. How much is this repair gonna cost me this time?”
It had been months. Months of what was supposed to be an intense, dramatic rivalry, full of mortal combat, fire, and the kind of operatic duels that would make even the gods weep. Months where the world should have trembled at the very mention of your name as you and the so-called Goddess’s Chosen Hero waged battle across the land.
Instead, what had actually happened was this:
Rook had become a persistent, feathered plague upon your life. Every time you so much as breathed, he was there. If you drank tea, he was peeking through the window like some kind of blonde cryptid.
If you took a relaxing villainous bubble bath, he left a scented candle by your doorstep with a little handwritten note.
If you tried to sleep? Oh, well clearly that was the perfect time for him to send a love arrow straight through your pillow, just narrowly missing your skull.
This was not how hero-villain dynamics were supposed to go.
And apparently, the Goddess had finally taken notice, because today, as you and Rook clashed swords atop your usual scenic cliffside battlefield—lightning flashing, your cape billowing just right—a new hero arrived, looking exactly like the bootleg discount protagonist you’d expect from a last-minute recast.
“Villain!” he bellowed, dramatically pointing his sword at you. “Your reign of terror ends—”
You vaporized him on the spot.
Your constructs, standing dutifully in formation, collectively gasped.
Rook, who had been mid-flourish with his sword, stopped and blinked at the rapidly dissipating ashes of what had, just seconds ago, been an eager new recruit in the grand war of good versus evil. Then, he turned back to you, smiling fondly.
“Ah, mon trésor, how dashing you are when you wield your power with such effortless grace!”
You scowled, pointing your sword at him this time. “Why are you acting like I just did something romantic? I murdered that guy.”
“Oui! And beautifully so!” Rook twirled his own blade, utterly unbothered. “Like a star snuffing out another in the vast cosmos! Poetry in motion! Ah, my heart beats faster just thinking of it.”
Your constructs, meanwhile, were losing their collective minds.
One of them, a hulking, six-armed behemoth of enchanted steel, hesitantly raised a hand. “Uh. So. Boss? Just so we’re clear—”
“Don’t,” you warned.
“No, no, just a quick question,” it continued, with the slow, careful tone of someone addressing a very temperamental god. “You just smote a hero instantly. Like, zero hesitation. Which means you can do that. So, um. What exactly is stopping you from smiting him?” It pointed at Rook.
Rook, the absolute menace that he was, waved cheerfully.
You opened your mouth. Closed it. Considered your options.
Then, in a show of supreme villainous dignity, you turned on your heel and dramatically stomped away.
Your constructs stared after you.
Rook sheathed his sword and sighed wistfully. “Ah, such passion. Such fire. Such restraint! Truly, they are the one chosen for me.”
The constructs turned to him in absolute horror.
“What have you done to our boss?”
You were having a perfectly normal evening.
By "normal," of course, you meant that you were lounging in your grand, candlelit villainous dining hall, sipping a glass of expensive wine (stolen, obviously), while Rook Hunt, your mortal enemy and frequent dinner guest, debated you on the finer points of mid-air combat.
"Mon trésor, think of the artistry!" Rook exclaims, gesturing wildly with his fork. "A battle in freefall—two souls clashing against the endless sky, the wind whipping our capes, the suspense of who will deploy their parachute first!"
You scowl, jabbing a piece of steak. "No. That’s impractical. There’s no stable footing, gravity ruins your attack trajectory, and if one of us dies before hitting the ground, there’s no dramatic final duel."
Rook gasps. "But what of style, mon cher? What of the poetry of two destined foes plummeting through the heavens, locked in the embrace of battle?"
You roll your eyes. "What of the reality that I’m not breaking my legs just so you can fulfill some mid-air fencing fantasy?"
Before Rook can counter with another unnecessary metaphor, there's a knock at the door.
You pause. Rook tilts his head. Your constructs—the ones assigned to not be traumatized by your ridiculous rivalry—shift uneasily.
No one knocks on the door of the Evil Overlord.
You cautiously rise, striding toward the entrance, adjusting your cloak. If this is some dumb assassin, you’re going to vaporize them before they finish their opening monologue.
You throw open the door.
Standing there, shimmering with divine light and looking deeply, deeply exasperated, is the Goddess.
You blink.
Rook, behind you, immediately bows with theatrical reverence. "Ah, my divine patron! What honor do we have to—"
She shoves a hand in his face, shutting him up. "Not a word from you."
Rook makes a delighted noise behind her palm, as if being personally scolded by a deity is the highlight of his week.
Then, the Goddess turns her gaze to you.
"You," she says, voice layered with millennia of barely restrained frustration.
You raise a brow. "Me?"
She points accusingly. "You are not even a villain."
You stiffen. "Excuse me?"
"The people adore you!" she snaps, throwing up her hands. "Your so-called empire? Has better infrastructure and social services than any kingdom in the world! Your so-called evil policies? Fixed the economy! Your supposed tyranny? Universally beloved by the peasantry!”
You gape at her. "I run a dictatorship."
"A benevolent dictatorship!"
Your eye twitches. You glance back at Rook, who is absolutely vibrating with amusement.
The Goddess rounds on him next. "And you!"
Rook straightens, looking delighted to finally have her attention. "Oui?"
"You are the worst hero I have ever chosen."
His smile widens. "Merci!"
"That wasn't a compliment." She pinches the bridge of her nose, like she’s developing divine stress migraines. "You were supposed to defeat them. Not take them to dinner, deliver self-care gifts, and give them advice on better city destruction tactics."
"But, my Goddess, what is heroism if not—"
She holds up a finger. "Finish that sentence, and I swear on the cosmic balance, I will smite you myself."
Rook, wisely, shuts up.
Your arms cross, and you scowl at her. "So what do you want, exactly?"
The Goddess sighs. "Nothing. I am done. I am sick of this. I gave your world a clear narrative, and you two have turned it into—into—" she gestures wildly at the two of you, "whatever this is."
She looks exhausted. You take a slow sip of wine. Rook sips his tea. Your constructs, still lurking awkwardly in the background, look on in silent horror.
Finally, the Goddess rubs her temples and lets out a long, world-weary sigh.
"I give up," she declares. "I abandon this world."
You blink. "What."
Rook gasps. "Mon Dieu!"
She throws her hands up. "No. Not your "Dieu" anymore. Do whatever you want. I don’t care anymore. Conquer the world. Get married. Build a flying opera house of destruction. I do not care."
She turns on her heel, divine light flaring around her, ready to vanish back into the heavens. But before she fully ascends, she pauses, turns back, and levels one last glare at you.
"And fix your damn roof. I know he broke it." She jerks her head at Rook.
Then, with a flash of light, she is gone.
Silence.
Your constructs do not move. You do not move. The air is thick with the weight of divine abandonment.
Then—
"Mon trésor," Rook breathes, eyes sparkling. "Did you hear? We have divine permission to wed!"
You throw your wine glass at his head.
You were going to prove a point.
The Goddess’s words still echoed in your mind:
"The people adore you."
"Your so-called tyranny is beloved."
Absolutely not. You are terrifying. You are a villain. You are the Dread Overlord of Shadows and Eternal Night, not some beloved community figure.
So, naturally, you stormed into the city streets in full dramatic regalia, determined to strike fear into the hearts of the people.
And, of course, they were absolutely terrified.
(There are children braiding flowers into your hair.)
Their knees knocked together in terror.
(The baker personally handed you a warm loaf of bread, saying, "It’s your favorite, dear. Fresh out of the oven.")
They shrank away from you, trembling.
("Can we get a selfie, Overlord of Shadows? You look so cool today!")
They screamed in fear.
(M’overlord, would you consider attending our town’s Harvest Festival? It wouldn’t be the same without you.")
By the time you made it back to your lair, the weight of reality had crushed your entire soul into a fine powder.
Your constructs barely had time to move out of the way before you collapsed onto the cold stone floor, sprawled dramatically, staring blankly at the ceiling.
It was not normal.
Nothing about today was normal.
You were supposed to be evil. The darkness lurking at the edges of civilization. The terrifying ruler who demanded obedience, not… not fan interaction.
You reach up and pull a flower from your hair. A daisy. A cute little daisy.
You stare at it.
Then, slowly, you sit up and reach into your pocket.
You pull out the loaf of bread. It’s still warm. It smells amazing.
You take a slow, deliberate bite.
You chew. You swallow.
You scream into a pillow.
Your constructs watch in silence, wisely choosing to let you process your existential crisis.
Then—
A slow, steady clap echoes through the lair.
You groan, rolling onto your side, as Rook Hunt steps into view, absolutely beaming.
"Mon trésor," he breathes, looking so unbearably pleased. "Did you have a revelation?"
You almost hurl the loaf of bread at his head.
You wake up with a revelation so profound it shakes you to your very core.
You don’t have to fight Rook Hunt anymore.
Not because you won—oh no, if anything, it’s because you never actually fought him to begin with.
This so-called “battle” had always been one-sided. You, pouring your very soul into villainy, scheming, plotting, monologuing—only for Rook to respond with enthusiastic admiration instead of righteous fury.
You had never been fighting a hero. You had been performing for a very intense fan.
And you are so tired.
So you get up, summon your constructs, and announce with all the dignity of a fallen monarch:
"I’m retiring."
They blink.
Your war construct, a towering mass of steel and death, hesitantly raises a hand. "Uh. What?"
"I’m retiring." You rub your temples. "I was never really a villain, apparently. The people adore me. The Goddess abandoned this realm. And my greatest enemy is currently sitting on my chandelier, smiling at me like a particularly pleased house cat."
A collective glance is shared. The constructs all look up.
Indeed, Rook is perched there, grinning like the absolute menace he is.
A few seconds of silence.
Then, your constructs all just nod.
"Yeah, okay. That makes sense."
"Honestly, I think we all saw this coming."
"So what now?"
You sigh and gesture vaguely at the lair. "Do whatever you want. You’re free. Find a new purpose. Go live your lives."
And, to your eternal exhaustion, they do.
Your once-feared War Construct? Now bakes delicate cream puffs.
Your impenetrable Shield Construct? Wears a frilly little apron and dusts the rooms.
Your Lurking Shadow Beast of Eternal Horror? Manages the garden.
You watch all of this unfold with a blank stare, feeling your villainous reputation crumble into nothing. And you?
You don’t even care anymore.
You sit at your grand villainous dining table, Rook across from you, smiling, victorious, insufferable.
He raises a teacup in toast. "To the end of an era, mon trésor."
You sip your tea.
Then, with all the resignation in the world, you simply mutter—
"...Yeah."
Rook just winks.
If you were going to commit one last act of villainy, it had to be grand. Poetic. Fitting for the infuriatingly ridiculous story that had become your life.
And so, you decide.
You were going to steal Rook Hunt’s heart.
… Metaphorically. Probably.
So you don your best dramatic cloak, grab the most intimidating bouquet of flowers you can find, and march to wherever Rook is lurking (which, statistically speaking, is either your lair or right behind you).
But before you can utter a single villainous declaration, you stop.
Because Rook is already kneeling.
Already holding out a ring.
Already smiling like he knew this would happen.
"When’s the wedding, mon trésor?" he asks, eyes gleaming.
You stare at him. Stare at the ring. Stare at the flowers in your own hands like an idiot.
And then—
You laugh.
You laugh so hard you nearly double over, because this is your life now.
The Goddess abandoned your world. Your constructs run a quaint domestic empire. The people adore you. And the so-called Hero?
The Hero beat you to the proposal.
You shake your head, still chuckling, before pulling him up by the front of his shirt and pressing a kiss to his lips.
"Maybe," you murmur, "we can have the wedding on the anniversary of the day we met."
Rook exhales something close to a sigh, grinning against your lips before kissing you again, soft and victorious.
"Magnifique," he whispers.
And, honestly?
Yeah.
Magnifique indeed.
Masterlist
#twst#twst x reader#twisted wonderland x reader#twisted wonderland#rook hunt x reader#rook x reader#rook hunt#rook#twst rook x reader
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What's interesting to me about Jod and his relationship with the kids by the end of the series is that it's so in-between.
It's not "actually I've come to care for these kids and I will give up my plan to protect them" but it's also not just that he's evil and doesn't care about them.
He does betray them and he does a lot of harm. He threatens them and their families and their home in a very genuine and traumatic way. He brings destruction and danger down on their home. He does not make the turn to help them or side with them against the other pirates. He stays on his course, stays a bad guy.
But at the same time, as much as he threatens them (in the pirate horde, in the ship and on At Attin) and their family, he doesn't actually hurt them. (in fact I think the only ones we see him actually physically hurt are 1. SM-33. 2. The werewolf pirate guy 3. the supervisor droid). And I don't know that the threats are empty, but he's certainly very reluctant to actually enact that violence, and his plan might not have fallen through if he had been more willing to hurt them. He's not willing to stop for the sake of the kids, but he'd much rather get through his plan without harming them. And when he KB is falling and he thinks she probably died there is real fear and regret in his face. He didn't want that.
All of this is an outpouring of his misguided worldview. Because again, Jod isn't a villain who can't recognize right and wrong. He knows what Good is, he's seen it. But his problem is despair so he believes that Good is not worth it, and is not powerful enough to make a difference. And because of that he becomes the manifestation of the cruel place he believes the world to be. The good in him is THERE but its not strong enough to really change him, but it's because his despair doesn't believe it can be. And so he becomes the very thing that made him-- he watched his mentor/parental figure killed in front of him, and he stands there threatening to do the same thing to Wim and Fern.
But he doesn't, because he isn't quite the villain that the Empire represents. Even though the difference doesn't come from him actively making a choice for Good, it does come from there being Good still in him, even just in the form of hesitation. Good is still powerful even when he's denying it. And then little ember in him is not what saves the day--that's the kids and their families and the New Republic. But it is there and it does mean that even though he stays a villain there is that moment of Wim calling out to him, there is still that spark of hope that Jod can be saved one day too.
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Fae do not have a concept of good and evil. But they do have a concept of fair and unfair. They are creatures of politeness and impolitness. Even when they're doing things that would be horrifying to humans, they do these things with a specific set of rules around them.
Most of their weaknesses are only weaknesses because they see them as making things fair. Fae are physically capable of lying, but they consider it cheating to lie to someone who isn't familiar with the fae. Likewise, fae can create unbreakable curses or unsolvable puzzles, but it's considered improper to do so. Even their material weakness works this way, if a fae is cut by an iron sword they'll but hurt by it because it was the polite thing to do.
They'll also always match the power level of any human who wanders into the fae realms, so the human in question never meets a challenge they can't overcome. When a knight of the Holy Roman Empire and his men tried to conquer part of the fae realms in 1126 the fae fought like medieval soldiers, using tactics and strategies that would be clever and strange but understandable to him and his men, the numbers of warriors never being too much for him to defeat, even when he could. And when the D.T.L paranormal containment organization sent in modern soldiers with firearms and gas masks to assassinate the fae Queen of Winter Dawn in 2004, the fae responded accordingly, with ranged weapons, and hit and run tactics, that a modern commander could play off of. And, in 1873, when three children got lost in the fae realms, deeper then any human who had been lost there before or after, the fae filled their path of peril with puzzles and traps that the children could solve. One of the children ended up having her eyes turned into spiders, and all of them were traumatized, but it's the fairness the counts to the fae. When you're billions of years old you just care about different things.
And of course. There are some fae that break the rules, fae who will truly do everything in their power to affect the world. These fae are useally exiled from the fae realms, to far off and desolate planes, where they wander and seek power. They are truly terrifying creatures, though in the places they are sent they can rarely use their power. Few who encounter them who aren't their loyal servents escape with both their lives and their humanity.
And of course, fae politeness isn't universal. It applies to humans, and to other fae, and to some other entities. But when there's a true threat to the existence of the fae they will use everything in their power to stop it, polite or impolite. When the star spawn and the great old ones attempted their invasion of the fae in 700MYA they were very promptly destroyed, and pushed back using horrors humanity can't comprehend, horrors the star spawn could barely comprehend. And when the demons on the 8th abyss attempted their invasion in 10MYA they were given almost an equal horror, spared only from pure destruction because they fae found such creatures to be useful.
#196#worldbuilding#writing#my worldbuilding#my writing#fantasy#urban fantasy#fae folk#faecore#faerie#faeries#faeires#faeirie#fae#fairies#fairycore#fairy#faries#fairy story#folklore#modern mythology#mythical creatures#original fiction#flash fiction#short story#short fiction#short stories#original story#mythology#fae stories
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blood pact

pairing: vampire! wooyoung x human! reader (fem)
genre: vampire society au, a lil bit of angst, smut
summary: living in a city overrun by bloodsuckers is already hard enough on its own, but you’re really put to the test when one of them ends up being your only hope in the face of danger.
w.c: 4.3k
warnings: blood/injury, depictions of violence, death(s)? of a few vampires, hard-ish dom (slight tamer)! wooyoung, subby (tiny bit bratty)! reader, these mfs are nasty alr, some light brat taming, one or two little slaps, praise/degradation, pet names/name calling, blood kink obv <3 (includes blood drinking/sharing), kissing, oral (giving), throat fucking, brief breath play, pain kink, mutual masturbation, lotus position but it’s rough !!, creampie
a/n: oh mannn i’m a bit late again 😣 but im excited to share this one with you all !! i wanted to thank my dear lily for beta reading this one for me and giving me lovely feedback that helps me grow as a writer, it truly means the world to me my dear 🩷 once again i do apologize if this fic seems disjointed in any way ,, things have been a bit weird but i won’t let life stop me from sharing nasty smut >:((( lol i hope you enjoy and please lemme know what you thought <33
song rec: dirt - depeche mode (we’re taking it wayyy back with this one <3)
fictober 2024
You were never able to pinpoint exactly when humanity went to shit, as it had always been in a state of constant conflict and disarray, but somewhere along the way, it turned into a raging dumpster fire — one that was close to impossible to put out once it was lit. Unbeknownst to humans, there was a society of vampires that lived in the shadows for centuries, waiting patiently until it was the perfect time to make their existence known and feared. What better time to take over the world than when the humans were too busy being at each other’s throats to even realize they had a common enemy, one that would drain them of their life source within a blink of an eye?
Anyone with a pulse had no choice but to fall in line and succumb to their undead overlords, having to make up their mind about whether they would like to join forces with the enemy by desecrating their DNA and joining those that single-handedly brought upon humanity’s destruction, or grovel at their feet and become a slave, a house pet of sorts whose soul purpose was to feed and entertain their blood-sucking masters.
It was not an easy choice for most, and especially for you, so you simply found another solution — blend in. If you embodied everything a vampire was, even down to their immeasurable sense of pride and entitlement, how could they tell you apart from the others? And when they saw through your ruse, you would drive a stake through their still heart. You would never join their empire, let alone be one of their toys, especially not for some pompous undead prick that would treat you like a glorified juice box.
Yet, here you were, drunk off your ass at a gothic nightclub that welcomed vampiric guests and shunned anyone with a beating heart, unless they were owned and branded.
“Gimme another whiskey, neat,” you slurred, holding your empty shot glass to the poor excuse of a human bartender standing on the other side of the bar. You scoffed at the jeweled collar he wore around his neck, knowing he was owned by whatever undead asshole that ran the nightclub. You had your own collar, of course, but you had taken it from someone that was…no longer in need of it. You did what you had to, to make it through another night in the corrupted world you regretfully called your home.
“I should cut you off, y’know, especially after being such a dick to me all night,” the man mumbled, despite reaching underneath the bar to grab an almost empty bottle of whiskey and filling your glass back up, not wanting to risk angering his superiors.
“But, you won’t. Your vampiric asshole of a boss wouldn’t like that you’re denying a paying customer.” You stuck your tongue out at the man, much to his dismay. You sipped on the whiskey, liking the way it burned as it went down your throat, grateful that you could still feel something, even if it was a drunkenness that would most likely do irreversible damage to your liver. It’s not like your life really mattered, not in this timeline, at least.
You lazily held your glass up in his direction, blowing a few strands of loose hair out of your eyes. The man simply held up the empty bottle and gave you a tight smile. “All out. Now, would you pay your tab?”
“Fineeee, oh my god,” you groaned dramatically, standing up from the barstool and wobbling a bit, fishing for your wallet somewhere inside your worn trench coat. When you opened it up, you came upon the discovery that it was completely empty, looking up to find fear inside the bartender’s eyes. “L-listen, I can replace that bottle, okay? I-I’ll…just need to stop by the local temp agency first.”
“I think you should leave, before they catch wind of this…” the bartender warned you under his breath, unconsciously tugging at his collar.
Swallowing harshly, you glanced around the crowded, dingy club past the collar of your coat, before stumbling your way past many vampire patrons that were drunk off the blood of their human pets who stayed close to them, wishing your blurry surroundings weren’t moving in slow motion. Paranoid that somebody was following you, you looked past your shoulder, only seeing the same crowd of drunken patrons. Temporarily relieved, you swiftly faced forward again, only to accidentally bump into someone face-first, your teeth clinking into the metal of their lip ring, your hands almost getting caught in the many necklaces they were wearing. “I’m so sorry, oh my god, please don’t kill me,” you automatically apologized, already knowing they weren’t human based on the lack of a collar and color in their cheeks.
“If I wanted to, I would,” Wooyoung teased in his own special way, quite aware of the way your heart rate spiked as soon as his light, airy words reached your ears. He enjoyed playing around with his food as much as the next vampire, but lately, it’s grown quite dull, like everything else in his never-ending life.
“O-oh!” you squeaked, letting out a nervous laugh, sticking one hand into your coat pocket to wrap your fingers around the sharp stake you carried with you everywhere.
He brought one manicured finger up to tap against the jewel sitting snugly against your collared neck, leaning in to press his lips against the slope of your ear. “I’d take you right here in front of everyone, drink you dry. Let them all enjoy the pretty sounds you’d make. Does that sound fun?”
“Oh, you can try it, if you want,” you goaded him, looking up at him with your big doe eyes once he pulled back, wondering if he knew just how unhinged you were, just how on the edge you really were. “But, what happens if I’m poisonous? I might not be worth the stomachache.”
Wooyoung chuckled to himself, not used to any human acting so boldly towards him. “Fair point, human.”
“Y/N,” you corrected him, letting go of you weapon in favor of wrapping your finger around one of his silver necklaces, teasing him back in your own way. “You should at least know my name if you’re going to drink from me.”
Wooyoung mused at your actions, studying you with his sly fox eyes, licking at the mole on his lip. He would’ve pursed you if you hadn’t suddenly gotten spooked by something, turning his head to watch you continue making your way out of the club, noticing that the owner quickly followed after you. Things were certainly getting interesting.
By the time you inhaled the cold night air into your lungs, you had already broke out into a sweat. You let your heavy coat hang off past your shoulders and leaned back against a nearby wall, regretting all the alcohol you had subjected your poor body into taking. “Fuck me…” you groaned, shutting your eyes and leaning your head back into the cool concrete behind you, hoping that would make the world stop spinning.
“Is that an invitation…?” asked the very vampire you had been talking shit about to the bartender just a few minutes earlier. “It’s the least you could offer me in exchange for all the whiskey you drank in my club, filthy human.”
Your blood ran cold. “D-don’t you even think about touching me…You aren’t my owner.”
“Oh, because of this little collar you have on? You really don’t have a clue about our kind, do you? There’s no pheromones on you, just your own filthy human scent,” the vampire chided, running his finger along the worn band of your lace collar. It made your skin crawl. You struggled to keep down all the alcohol you had drowned yourself in. Just then, he ripped it from your neck and replaced it with his slender fingers, squeezing around it until your vision grew just that more blurry. “But, don’t worry, I’ll make up for all the lost time that you haven’t been used like a proper toy.”
Blinding rage joined the revulsion you felt for the individual that continued to toy with you as though you were a defenseless child, the culmination of it churning around inside your body like molten hot lava ready to pour out of you. “Who the fuck do you think you are?” you barked, shoving your hands into his shoulders as hard as you could, your feverish anger growing that much more when he hardly moved.
In response, the vampire tugged your coat down and ripped open your top, causing the buttons to fly off. His abhorrent words became nothing more than radio static inside your ringing ears, once you saw red, clutching the wooden stake inside your pocket so tightly that it pierced your fragile skin. You reeled your arm back and drove it straight into the owner’s side, so violently that the wood split into shards, not letting go of it until you knew that it was lodged deeply inside him, wishing, hoping he felt even a fragment of the pain his kind had caused you. “Die,” you muttered, searching his eyes for some sign of shock, regret, grief, anything.
Confusion overtook your flushed features when the man simply laughed directly in your face, as though he were savoring a joke that you weren’t in on, suddenly feeling a white hot burning pain inside your abdomen. Something was wrong, deeply wrong. You tried to speak, but you couldn’t, not while you were gurgling on your own blood. You looked down to see the hilt of a dagger sticking out of your stomach, reality hitting you like a ton of bricks, rendering it impossible to draw in air.
“It never ceases to amuse me when a blood bag thinks they can stop someone like me with something as silly as a wooden stake,” he began, letting out a small hum, as he drove his ritual dagger in as far as it could go. He leaned in close to you, twisting the knife around inside you just to hear the delightful sounds of agony that escaped your red tinted lips. “I’ve been alive longer than your entire bloodline, pathetic human, and I’ll be outliving you tonight.” And with that, the club owner ripped the dagger back out and strolled back into the building, licking the crimson that still ran down the sides of his blade.
You should’ve known this would happen eventually in a world like this. You had no power from the very start. Why had you been blind to the truth until this very moment, when all you could see was your precious blood leaving your body? Regardless, it was far too late to ruminate over trivial things. Death’s gentle whispers were lulling you to sleep, its sweet promises of rest numbing out most of the visceral emotions that coursed through your veins. Slumping against the wall, you held your middle with trembling hands, gazing up at the full moon that loomed over you, wanting to enjoy her beauty one last time — at least, until someone blocked your view.
“For fuck’s sake, can’t you see I’m dying here? Let me look at the moon in peace…” you murmured, weakly glaring up at the stranger you had met inside that godforsaken club only a couple minutes ago.
“You still got some fire in you, doncha, sweetheart?” Wooyoung mused, crouching down so you were at eye level, reaching out to gently ruffle your hair. “But, you’ll die of blood loss soon…pity.”
“You’re very observant,” you replied snarkily, leaning your head back into the wall, your vision growing darker by the second. You let out a long, defeated sigh, choking a bit on the blood left inside your raw throat. “Are you just here to watch me die? If that’s the case, can you do me a favor and make it quick?”
“You didn’t seem like the type to give up so easily.” He leaned in close to you, his crimson eyes shining that much brighter when he asked, “Don’t you want revenge?”
His question echoed inside your mind, once as a whisper, and eventually as a desperate plea. “And what if I do…? It’s not like I can do much now…”
“Let me turn you.” He bared his fangs. “You’ll live, and you’ll be so much stronger than ever before.” He watched as your eyes widened, then returned to normal, figuring you were weighing your options, though they were vastly limited. “You’ll be free to take his life away, do with it as you please, just like he was going to do to you. Doesn’t that sound delicious?”
A few drops of blood dribbled down the side of your mouth. The sand in your hourglass was about to run out. “What do you get in return?”
Wooyoung’s lips curled up into a sadistic smile, his eyes resembling glowing crescent moons. “I’ll be your Master, of course. It’s only fair, being your savior, and all.”
Though that was the very last thing you wanted, you were far too stubborn to die out in such a pathetic fashion. Not only that, but you were being offered the deal of a lifetime, at the end of your lifetime, to be exact, and in exchange for your mortal soul, you could enact sweet, sweet revenge and have a new tale to tell, one that no man or monster could ever take from you.
“Speak now, or forever hold your peace,” Wooyoung joked slyly, tapping the invisible watch on his wrist.
“Alright, deal, but make it quick–” you were barely able to enunciate, before Wooyoung was all over you, one hand holding the side of your head, while the other felt where your artery was, immediately sinking his fangs deep into your neck to start the transformation process.
When you came to, you looked up at your savior, your eyes as red as the blood he had sucked out of you, all of the immense pain that plagued your body gone as quickly as it came, instead replaced by an indescribable thirst.
“How do you feel, pet?” Wooyoung asked, licking remnants of your life source from his manicured fingers.
You bared your new, needle sharp fangs to your Master. “Hungry.”
He smiled at you like a proud father would. “I think I know how we can fix that.”
-
The last thing the vampiric club owner expected to see when he was sitting inside the comfort of his secluded office was the human woman he had just murdered out of cold blood stomping up to his desk and tossing it out of the way like it wasn’t made of marble.
“H-hey, we can talk about this, right?” he asked nervously, holding his hands up, along with the stacks of cash that were in between his grubby fingers. “You want money? You can have it!”
You grabbed him by the collar, yanking him towards you so violently, he just about broke his neck. “I don’t want money. I want your life.”
When Wooyoung casually strolled into the cush office and pressed his back against the opaque door, the other vampire pleaded at him with his wide eyes. “Wooyoung, baby, this is your favorite club, isn’t it? Haven’t I treated you good here?”
“Y/N will treat you good too, don’t worry,” he reassures sweetly, dragging his tongue across his pointed teeth. He brought his finger up to his chin like he just remembered something, nodding to himself. “Ahh, she does bite, though.”
Just as Wooyoung’s cackles rang out inside the vast room, the club owner shifted his frightened gaze to you just in time to see your jaw open wide, gulping at the sheer size of your fangs. And just like that, you bit down onto the vampire’s neck, getting a good grip on his skin, before swiftly turning your head and causing a fountain of blood to rain over you.
Once you were done feeding, there was hardly anything left of the club owner. Most of him was inside you, and the rest was left splattered across the pedestrian paintings he had up on the walls. Still sitting on the floor near scattered, bloodied hundred dollar bills, you licked up the rest of him from your fingers, your entire body vibrating with pleasure now that your killer was no longer with you, and for other reasons you couldn’t quite explain. Perhaps it had something to do with your new body and your newfound love for excess.
Wooyoung clapped his hands together with giddy delight, giving the top of your head a few pats as a reward. “What a good girl. Do you feel full?”
Shaking your head, you reached up to Wooyoung’s waistband, undoing the belt buckle and easing his pants down, licking at your red stained lips all the while. The burning, mind-melting desire to consume didn’t leave you, it only multiplied. It clouded your mind, made you feel like you might lose your mind if you didn’t make it stop. “Not enough…my throat…need it filled…”
“Ahh, I see,” Wooyoung sighed knowingly. This always happened with the humans he turned; they turned into insatiable monsters, always driven by their need for more. He could never get tired of it. Leaning his back against the dripping wall, he reached down to slide his fingers into your soft hair, angling your head upwards, cooing softly at you as he pushed his way into your mouth. “Be careful with your fangs, sweetheart.”
Relaxing your throat upon the sudden intrusion, you opened your mouth wider, as to not pierce Wooyoung’s cock with your new fangs, feeling content once the entirety of his twitching length fit snugly inside. It was when the vampire thrusted further into your throat that you made a wet gagging sound, tears forming inside your crimson eyes, closing them.
“Ah, ah,” Wooyoung tutted, giving your cheek a light smack, smiling sweetly down at you when your eyes opened back up. “That’s right, you better look at me with those pretty eyes of yours if you’re going to take me down your throat like this. That’s what a good pet does.”
Once Wooyoung started to fuck your throat, eager to fill it with his cum, his pale fingers pulling tightly at your hair, you did your best not to choke around him, welcoming him in again, over and over, until saliva and pre-cum dripped down your chin and along your bare chest.
“Mmnh….nnnhmm…” you moaned in approval, reaching up to hold onto his bucking hips, digging your nails into his protruding hip bones. You blinked more tears away, wanting to see Wooyoung’s sadistic face without the constant blurriness that plagued your vision. Whether you had a penchant for punishment or you were simply bloodthirsty, it caused you to prod at the vampire’s cock with your fangs, the tangy flavor of iron joining the abundance of precum that lubed up your throat.
“Fuck, you’re a naughty girl, biting me like that,” Wooyoung hissed in between violent thrusts, suddenly holding your head still when the entirety of his cock was inside your throat, your nose brushing against his pubic bone, satisfied with the filthy gurgling noises you couldn’t help but make for him, feeling more of your spit drip down his heavy balls. He smacked his hand against your cheek again, watching it grow rosy, before pinching your nose tightly. “But, you can’t help it, huh? You just want to be put in your place. I can’t blame you for that.”
The sensation was suffocating, the feeling of being used added onto the constant buzz of pleasure that was running through your veins; it was nothing like you’ve ever experienced before. It almost made you wish that you had let yourself be turned a long time ago. No one could stop you now, not even him. Maybe your humanity was slipping away from you, much like your sanity with each passing moment.
It wasn’t until you could breathe again and something warm, heavy, was pressing down on the tip of your tongue that you faded back into reality, just in time for Wooyoung to shoot a seemingly never-ending cumshot down the back of your aching throat.
“You’ll swallow, won’t you?” he asked sweetly, giving the bottom of your chin a light tickle with his clawed fingers.
When you stuck out your tongue to show him that nothing was left, Wooyoung grabbed you by the chin and yanked you towards him, biting the tip of your tongue to draw blood. You watched him suck it off with half-lidded eyes, having to close your thighs together to keep a fresh wave of slick from dripping out of you.
Before you knew it, he was on the floor with you, not even needing to pull you into his lap, groaning into your mouth as you climbed into it yourself, the heated kiss you shared consisting mostly of tongue, pointed teeth, and blood. You swapped red-tinted saliva back and forth, your hands working in tandem to tear off each other’s clothes and grope one another wherever you could, trying to create as much friction between your lower halves as you could, Wooyoung’s stiff cock rubbing deliciously into your clothed cunt.
You broke the kiss when your thirst once again grew too strong to ignore, reaching up to run your index finger over the mole on Wooyoung’s glistening bottom lip, hissing softly when he pierced it with one of his fangs. You both watched the blood slowly trickle down along your skin, sharing a similar look with one another, before you leaned in to lap it up, your tongues meeting in the middle.
As though telepathically connected, you reached to slip your panties off from underneath your skirt the same time Wooyoung undid the buttons of his pants, immediately rubbing at yourselves in order to get off as quickly as possible.
“Look at me when you cum,” Wooyoung demanded between huffs of air, staring you down past his wispy lashes, the speed at which he was stroking his cock producing lewd squelching sounds, his slender fingers slicked up with his abundant pre-cum.
Trembling, you opened up your teary eyes to look at Wooyoung, the indescribable pleasure etched into his face causing you to throb nonstop, curling your fingers up in just the right way to launch you into a world of ecstasy. “C-cumming…”
Wooyoung groaned at the sight and feeling of your release spilling into his lap, squeezing his hand tightly around the base of his cock, hot spurts of cum landing on your abdomen and dripping down your bare cunt, not even caring that you both dirted his designer jeans with your shared arousal. “I’m gonna make you do that again, on my cock this time, you hear me?” he growled at you, lifting you up like you weighed nothing and dropping you down onto his growing erection.
“Fuck,” you gasped sharply, holding onto his shoulders to keep your composure, your thighs still shaking from your residual pleasure, a low, burning pain present within your core as your hole stretched to accommodate the vampire’s size. “T-too much…”
Wooyoung’s ego just about doubled in that moment, his ringed fingers closing in on your soft waist, suddenly bucking his hips up into you like it was his sole mission to do so in the afterlife. Smiling smugly at the small, broken noises he was punching out of you with his vicious thrusts, he couldn’t help but let out a few crazed giggles. “Can’t take it now that I’m rearranging these pretty guts of yours, huh?” He mirrored your pout, his lower lip jutting out. “But, I thought you were my cum slut, my good little blood whore.”
“I am…! I–fuck, I am, Master…!” you found yourself crying out, tears inside your hazy eyes, tasting dried blood when you wet your dry lips, knowing you wouldn’t even recognize your reflection if you saw it now. You were a new model, remolded, changed for the better.
His hypnotic eyes began to glow. “Be a good sleeve and take it for your Master, yeah?”
You did as he said, taking everything he gave you like a pliant doll, letting him lick, bite, drink from you, and fuck you dumb for as long as his still heart desired, wondering if he was even aware of how much your blood boiled inside you.
Wooyoung was just like the others. They were all the same, treating you like a helpless toy, using you for their enjoyment and tossing you aside when they were bored, viewing your humanity as your downfall, and perhaps they were right. Like two magnets, you couldn’t live without the other, and now, you were a monster like him, one in the same.
Just as you both reached your climax together, holding desperately onto one another, Wooyoung’s bewitching gaze no longer holding captive, you felt a supreme power rise within yourself. You didn’t need him, not when you were now your own Master. The only thing you served now was your endless hunger.
Wooyoung couldn’t get you off once you latched onto his neck, gasping and sputtering, his constant struggles only forcing your fangs just that much deeper into his skin and the artery you had targeted, digging his claws into your back as a last ditch effort. “But, we…we made a pact,” he coughed out, his gravelly voice reflecting the immense pain he felt. He couldn’t fight back any longer, simply slumping back against the wall to accept his fate, holding his hand up to his torn neck, despite it not doing anything to prevent the crimson from flowing through his fingers. “I don’t understand…”
“I recall warning you that I was poisonous,” you replied softly, licking remnants of his precious life source from your stained lips.
He couldn’t help but smile, his eyes resembling half-moons. “Fair point, human…”
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© kitten4sannie, 2024.
#ateez#ateez smut#ateez wooyoung#jung wooyoung#wooyoung smut#ateez x reader#wooyoung x reader#ateez fanfic#kpop smut
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I saw that it accepts requests and thought of one about beasts x reader. Where the reader was created for the beasts as their companion before their corruption. They were happy and loved. The reader was made of love and compassion. But since the beasts began to see other things, for example, Shadow Milk begins to lie, Burning Spice begins to destroy, Eternal Sugar becomes lazy, and Mystic Flour begins to become distant. So each one begins to distance themselves from their loved ones, without noticing that they can also change. The reader decides to stop loving them and go to see places as a free spirit. But after the corruption of the beasts, each of them realizes that the reader is no longer there for them and doesn't accept them, forcing them to return or attracting them again. Of course, they didn't know where they were until their minions found them elsewhere, leading a new life, helping everyone. That would be it!
Shadow Milk
The moment you were made, he couldn’t take his eyes off of you, you were perfect. Sure he didn’t exactly know who you were at first, but safe to say he fell first and hard. He could list many things he liked about you without even thinking. You listened to him when everyone else decided to turn away because of the hard truth’s of his knowledge. You comforted him, been there for him… so why weren’t you now?
When he did see you so happy without him, it rang a pain in his chest… you loved him before.. why don’t you love him anymore? Surely it’s a stupid lie right? Just because he’s changed doesn’t mean his feelings did. When he did take you back you were resistant, you weren’t hearing him out, you didn’t even care anymore…
Why didn’t you care?
Why didn’t you love him?
The problem was him… but he doesn’t want to admit it… he did take time to adjust to his new role, his role and was hoping you’d still be his beloved in the end. But you didn’t want to? The more he tried, the more he begun to realize you weren’t falling for it all. His new version of the world, his new role as the beast of deceit. He didn’t like this cold hard truth…
You were made for him…
You WERE made for HIM.
You can’t just leave like that… he won’t let you….
Eternal Sugar
When she was told a certain cookie would be made for her, she couldn’t help but smile at how happy she was, she made an effort to make her first interaction with you went perfectly, the moment her eyes laid on you, she knew you and her were meant to be. Some may call it a bit obsessive… however… she didn’t care, she talked of you a lot, she was going on and on. She loved how caring you were, and how you and her just clicked the moment you were first baked.
But all happiness fades away eventually…
The moment she saw you in her garden after so long, she went to greet you right away… however… you were… different… you didn’t want to stay… why didn’t you want to stay? You can’t leave… you just can’t… no one understands you like she does, and no one understands her like you do… at least that’s what she recalls… you wanted to leave… you couldn’t if she just… “convinced” you… a simple peck on forehead, and you looked in a daze… you’ll understand eventually… you’ll stay with her…
She just had to push you a bit…
Burning Spice
When he was given you, he knew it was a good change, he enjoyed something new from you, he loved it. He was captivated by how you were able to help him see the littlest of change, good or bad, you never failed to accompany him. Having you around became fresh air, new ideas, new things… it was perfect how the two of you were so lucky to have met… he was happy to be given such a cookie….
Destruction…
Each empire brought down, each cookie that crumbled before him, he took great pleasure in their destruction. Their eventual demise….
You didn’t understand… you couldn’t understand…
It irritates him to see how fast you decided to leave because of how he changed…. When he did find you again, he saw you with that damned thief… taking you back by force while keeping them locked away, you were more resistant…
Though he would’ve crumbled the cookie who dared to stand in his way… he couldn’t see himself making you crumble before him… so… he instead handed you to Nutmeg tiger, you needed to stay, regardless of how you think of him.
He won’t let you leave his side again….
Mystic Flower
She’s didn’t think she needed you to be made for her when so many other cookies were in need of someone… however after some time, she let herself be a bit selfish with you… you pushed away some cookies who were getting too greedy, and took care of the ivory pagoda. When she was tired you go ahead to wave away cookies, just for some rest. Haetae enjoys your company as well, and she started to enjoy having you around more and more….
Selfishness… it always clouded cookie’s judgement… their thinking…
You moving on without her was so selfish….
Yes, she questioned why she needed you back… however, all she knew was that she needed you here. With her. Getting you back here, was a challenge… however you came on your own.. you looked uneasy… and she only had a neutral expression… however despite the reaction… she wasn’t going to let you go easily, you can understand over time… you must… if you don’t, then what was your future going to be like with her?
You will understand…
Silent Salt
Being told they would have a companion, they was uneasy, seeing you, you weren’t a virtue, but you accompanied them. They would look at you when you weren’t looking, yes it was odd having you around… however, something about you… felt so refreshingly sweet…
Once you left after they changed… something snapped… after breaking free from the tree.. they gone to search for both you and white Lilly, they knew you were drawn in by the soul jam, the witch made you for them.
They will find you and take you back.
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(Had to be a bit vague with silent salt, since they aren’t out yet, and were only given little info.)
#beast cookies#shadow milk x you#shadow milk x reader#eternal sugar cookie#eternal sugar x reader#burning spice cookie#burning spice crk#burning spice x reader#mystic flour cookie#mystic flour x reader#silent salt crk#silent salt x reader
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Mary Shelley’s 1818 novel Frankenstein is not, of course, an example of the imperial gothic but instead a still relevant anti-Enlightenment fable. If a novel ever illustrated how the sleep of reason begets monsters, it is Shelley’s story of how a scientist’s urge to create artificial life leads to utter destruction. However, in Universal Studios’s 1931 Frankenstein, the many pertinent philosophical issues that the original gothic novel explores reshape into thinly veiled imperial gothic through the introduction of a eugenic and highly racialised discourse that changes the monster from a rightfully vengeful and eminently intelligent being into an atavistic criminal. In its Hollywood guise, the monster is not a tragic, lonesome and then understandably vengeful product of unethical science but instead a reincarnation of the degenerate criminal whose brain the monster is provided with in the film. This takes on a peculiarly American dynamics in the movie. As Elizabeth Young suggests in Black Frankenstein: The Making of an American Metaphor (2008), a connection between the monster and the supposedly primitive black American was made as early as during the immediate post-Civil War period when ‘the “hideous progeny” of Shelley’s novel was symbolically reborn in racist parody as the symbol of the miscegenated nation’. An important reference to American Reconstruction history is also the ending of the movie. Instead of escaping to the North Pole, as is the case in Shelley’s novel, the monster is exorcised by what amounts to a lynch mob. In Frankenstein the movie, as in the American South, justice is done by the people on the spot; by ‘lynch law’. The violation of the sanctified space and body of Frankenstein’s fiancée, Elizabeth, as much as the accidental drowning of the little girl, justifies this public rage in the eyes of the movie audience. This is the end that comes to those who dare violate the purity of white women, or oppose the progress of modernity in any form, be they black Americans in the South, Native Americans on the reservations or unruly natives in the Philippines. Like so many lynching victims, Frankenstein dies in flames. In this way, the discursive conditions that informed the British colonial enterprise as well as the racism that structured black and white relations in the US permeate Frankenstein. The childlike and aggressive monster is an example of the kind of human category that can never ‘possess the intelligence to make a rational choice of political allegiance’, as Lansing put it. In addition to this, the audience is also free to imagine an alternative narrative in which Fritz never drops the jar with the ‘normal’ brain to the floor. It is not science or faith in modernity that Frankenstein fears, it is atavism. The resolution to the crisis that atavism constitutes is the sad but necessary violence of the lynch mob. When the monster has been burned, the movie can end with the happy union of the film’s central white couple.
Johan Anders Höglund, The American Imperial Gothic: Popular Culture, Empire, Violence
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Vedic Nakshatra Facts You Didn’t Know You Needed pt 2
Hasta Nakshatra – Masters of manifestation through hands.
They are Healers, artists, and persuasive charmers. Could build a business empire from a Pinterest craft board.
Pro tip: create something using your hands, and sell it. I bet you will earn through this. Or try cooking, check about kitchen witch too.
Jyeshtha Nakshatra – Eldest sibling energy.
Fierce AF with boundaries. They don’t beg, they boss up. If they cut you off, trust—it was a clean surgical removal.
They exude the black cat energy in a very bold way.
Mula Nakshatra – Destruction turned into rebirth.
Think: spiritual phoenix meets DIY therapist. Can burn bridges and then hand you the self-help guide to swim.
It's the tower and death card in together moment y'all
Mrigashira Nakshatra – The cosmic wanderer.
Curious, flirty, slightly chaotic. Will ghost you to chase a deeper meaning—or a random philosophy course in Peru.
Hot and Cold, you would need a dictionary to study their mood swings. Be ready to get random dump on philosophy and what they think about life.
Anuradha Nakshatra – Friendship royalty.
If they love you, they’ll walk through fire. Betray them? They’ll soft block your soul while sipping herbal tea.
Never betray them or you will never hear from them again.
#vedic astrology#nakshatra aesthetics#astrology observations#appearance astrology#nakshatra breakdown#astrology notes#astrology community#indian astrology#astroblr#astro tumblr#nakshatras#nakshatra astrology#jyotish#jyotish astrology#sidereal astrology#nakshatra#nakshatra reading#moon nakshatra#vedic chart#lagna#rasi chart#d1 chart#navamsa#d9 chart#astrology nakshatra#vedic moon sign#vedic placements#vedic birth chart#astrology india#ancient astrology
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The Rebellion and Infighting
I have so much to scream about in this first set of three episodes, but the one I want to yell about the most is the theme of destructive infighting that grinds everything to a halt.
It was a more background theme last season, because Cassian was still making his way toward Rebellion. But this time it came out front and center in all four storylines.
In the wedding on Chandrila, everyone was at odds with each other. Nobody could agree on what to do or how to support each other (or who should be supporting who). They sniped and sneered and took passive-aggressive swipes at each other, both personal and Rebellion-related. The one that most desperately broke my heart was Mon's conversation with Leida, where she tried to offer her a way out ("what I wish my mother had said.") And Leida slaps the offer away like a toddler slapping away a spoonful of peas, continuing the mini-theme of mothers and daughters not understanding each other.
On Mina Rau, they did a little better, but not much. What seemed like a lovely little agricultural community fell apart for the Ferrix contingent because someone who seemed to be an ally turned on them to save himself. Plus Beela's mom didn't approve of Wilmon ("a toolie") and fueled Beela and Wilmon's little Romeo and Juliet storyline and making him late for getting the hell out of there.
And of course, there was the Empire, coming around and exercising control over where they went and if they were allowed to be here. The wording in this segment was just *chef's kiss* so specific. They worried about visas and getting caught without them. The Imperial called them "illegal" and "undocumented," a speech that could just as easily be heard from the United States White House today. And then heavily implying (in a nauseating scene that just built and built and built) that Bix could save herself by trading her body. (Buy your right to exist by being useful to the overlords.) And then when she refused, made it clear he was going to take it anyway.
It was most obvious in Cassian getting held up in the jungle by the rebel group, who were so busy squabbling with each other and shooting anything that moved that they didn't even notice a) Cassian manipulating them and b) the giant monsters that leapt out and ate them. Blunt? Oh yes. Obvious? Yepper. Meaningless? Not in the least.
Interestingly, the one storyline that took this theme of infighting and flipped it around to show what it means to work together was Dedra's. Not the Ghorman part of it, although that was riveting. (And the tourist film that Krennic showed was hysterically funny in its WTFery.). But shockingly, it's the dinner with Syril's toxic mom, with Dedra watching Eedy gleefully tear her son down. Then when Syril has to leave the room, Dedra wastes no time in laying down the law that unless Eedy falls the fuck in line, Syril will no longer be part of his mother's life. I hated everyone in that scene as a person, but I admit I cheered.
To return to Cassian's storyline, the reveal at the end of the second episode that it was all taking place on Yavin made me hoot and holler and laugh like a loon. But it also points to something this set of episodes has been laying out in giant flashing neon letters.
The Rebellion is a baby. It's a mess. It's a bunch of people all more concerned with fighting amongst themselves about who's more right and morally pure then actually doing anything real against the Empire. Even Cassian's theft of the TIE fighter was a total mess. He got bad intel and bad training and mostly did a hilaribad job of flying that thing.
But one day, the Rebellion is going to destroy the Death Star. And they're going to do it from this rainy, smelly, monster-filled jungle where a bunch of idiots played Rock Paper Scissors to figure out who got to be the boss. That is going to be the scene of the Rebellion's big triumph.
If they can get their fucking act together.
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Would like to thank @invoncible for the amazing idea! This will just be how I think [Name] personality will be

[Name] [Last Name] • The Goddess of Destruction (Viltrumite Edition)
(This [Name] is inspired by Beerus the God of Destruction from dbz)
or what happens when a young Viltrumite, a very young Viltrumite is given god-tier powers and an almost zero attention span

Personality Breakdown
Whimsical Yet Unstoppable
[Name] approaches life with no set destination. Always wandering, observing, and occasionally causing mass destruction and chaos just because. She doesn't usually start fights on purpose.
Key word hint: usually
She just stumbles upon them or when the Viltrumite Empire orders her to(which is never, she doesn't take orders from the empire). But when she actually wants to fight? You just gotta take a deep breath and prepare for the worse.
Possessive & Self-Indulgent
She doesn't ask for things, she just takes them instead. If something interests her, welp it belongs to her now. And if someone disagrees with her?
Well say bye bye to their head. Whether it be a planet, person, or a bag of snacks. It's not sentimental, just instinct. Everything she wants it's already hers, they just don't know it yet:3.
Detached from Morality
Good? Evil? None of it matters. She doesn't go on her way to be cruel nor is she interested in being kind. If something amuses her, she lets them live. If they don't? Well she just wipes them.
But if someone goes on their way to stop her? Well ok mister goodie bag shoe, yea she'll, why? Because she wants to. No grandio philosophy, no internal conflict monologue. Just her.
Easily Distracted, Yet Unrelenting
She can me in the middle of almost destroying the city
Almost thank god
And she'll immediately abandon the fight to try a local cuisine. But that doesn't mean she forgot what she was doing, she'll be back eventually. But only if she wants to.
Respects Strength, but Only If It’s Fun
Titles? Ranks? Authority? Absolutely meaningless. The only thing she ever valued is how much fun someone has to fight. If they somehow put on a challenge? She's entertained. If they don't, well that depends. She eithers moves on and crush them out of sheer boredom or..
She's entertained because, why not? I mean respect doesn't mean mercy. It just mean she enjoyed herself before ending the fight.
Supremely Confident (Because She Can Be)
She has never lost in her life. Never even considered the possibility of losing. Why would she? No Viltrumite has ever come close to beating her, even tho she's young, very young for a Viltrumite, she's been the strongest(probably has broken many egos of other experience and old Viltrumite, not helping since she's a girl).
She doesn't need arrogance, reality has already proven her unstoppable.
Indifferent to Rules & Expectations
Mission? Responsibility? Orders? What's that? She only follow them only if it aligns to her interest or with whatever she already planned to do. The second they stop being interesting, she moves one.
No second thoughts just immediately done, she could be in the middle of destroying a planet the next second she's already somewhere eating. She does what she wants, whenever she wants, however she wants.
Which obviously causes some issues with the Viltrumite Empire council(of course there's an issue).
---
In Conclusion:
She is a overpowered, unpredictable mass of destruction who treats universal domination just like a casual hobby. Maybe she'll take over your planet. Maybe she's in the side distracted by street food and declare it off limits to the Viltrumite instead. Maybe both, who knows.
#mark grayson x reader#invincible x reader#invisible x reader#mark grayson#Viltrumite#Invincible#Beerus#x reader
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the healer has the bloodiest hands
I wrote some thoughts after the finale of Veilguard. Solavellan heavy.
This is just me, parsing through some feelings. "My people had a saying long ago -'The healer has the bloodiest hands'. You cannot treat a wound without knowing how deep it goes. You cannot heal pain by hiding it. You must accept. Accept the blood to make things better." Solas to Thom Rainer in DAI. ***
One can wonder, of course, what Mythal has to do with a Solavellan reunion and Solas’s choice to become the Veil’s protector, but hear me out.
It is significant that it’s Mythal because she is the embodiment of his terrible past, the epitome of their brilliance and boldness and good intentions turned to terrible truths. The horrors they did, they did together. It is significant that it’s Mythal that sets him on this new course by removing the chains of his guilt and regret. Lavellan can’t do that, she didn’t forge them. Solas’s journey as the Dread Wolf begins and ends with Mythal.
Mythal literally pulls Solas out of the Fade to use his wisdom, first to not lose herself to the other gods' vanity and brutality, then to gain advantage against them in an endless power struggle that breaks them both, I’d argue, though most significantly it breaks Solas. Retribution and revenge has no room for understanding, there is no wisdom in conquering. And Solas, for all his faults, isn’t brutal or cruel, doesn’t want power for his own gain. Instead he’s wise and creative, doomed to see the faults of his actions even as he carries them out, arguing in vain that the Evanuris too must see it - don’t cross these lines, don’t do it like this, don’t warp and twist your powers to forces of destruction. You must know this is madness! He objects to the creation of the bodies for the ancient elves, objects his own People’s physical creation. Did the earth not shake? It did, it was horrific and it was wrong and he knows this and it doesn’t matter. What he wants has never been part of the equation.
Even when he breaks free from Mythal, when he burns her mark off his face, he never stops fighting for the world she once wanted. Because otherwise? Should he stop? Then all that he has done, all that he has given up, all that has been demanded of him both as Mythal’s lapdog and the Dread Wolf, leader of the rebel armies for centuries, cloaked in a persona of strategy and battle orders - all of that has been for nothing. He has made a ruin of himself, of the world, for nothing. So he begins again, he picks up the pieces, he swears to make it right, to fix what he broke. That’s how he perceives healing, that’s what he thinks he is doing. But you cannot heal pain by hiding it. That’s why the Crossroads are falling apart with the manifestations of Solas’s greatest regrets, that’s why he needs Rook to escape his own prison, that’s why a Regret demon burns through Skyhold.
Solas traps the Evanuris as a final act of the ancient times, the creation of the Veil an embodiment of everything he and Mythal ever were - protection, benevolence, retribution, wisdom, pride. He ties it to the blood of the Firstborn out of spite and anger and it wrecks the world in ways he could not foresee. In ways he cannot fix because you cannot fix what has already happened.
You must accept. Accept the blood to make things better. He holds himself like a broken thing in front of Mythal and you can see it as submissive or as a man finally letting his grief out. There, at long last, he stands beaten and bloodied and blighted and he cries for all that was lost, all that he did and all that was done to him, all the things he cannot, cannot undo. And then: a new way forward.
In willingly binding himself to the Veil he embodies the best of those old myths, the All-Mother and the Breaker of Chains, as he breaks the cycle of punishment and grief and protects the sun and the moon. This oath, as opposed to the oaths of the empire that made him, is not to someone but to everyone, to all the innocents of the world. Instead of being the one who makes the terrible sacrifices of other people - the things I have done - he becomes the protector of the world that his people broke once upon a time. Instead of being the Creator of a new world without the Veil - the god he vehemently does not want to be, that he arguably thinks nobody should be - he becomes a caretaker, a guardian. A healer with bloody hands. And yes, it takes Mythal to break Mythal’s hold over him. You cannot treat a wound without knowing how deep it goes. And this one goes deep. But it’s Lavellan who brings him the light in this story. It’s Lavellan who breaks through the dark, transforms it into something hopeful.
His prison construct in the Fade was terrible, an abyss of regret made to hold a god. An ancient punishment for ancient crimes but times change, people change, the People change for better and for worse and here Lavellan stands in all her mortal imperfection, offering him not a way to change the past - where all these ancient beings are stuck - but a way to mend the future. It will be a terrible place, he tells her, saying I am terrible because the Fade shifts around our beings. It won’t be terrible, Lavellan argues. Because I’m there with you, walking the dinan’shiral with you, all the way. He doesn't have to fix anything first, he doesn't have to change for her, he just needs to stop hurting the world, hurting himself. Because she loves him, despite all the terrible mistakes he has made. Because she knows all his names, from Dread Wolf to Vhenan, she knows the power of his mind and the fires of his love and she saw more than most of the man he is. The man he wants to be. For a little slice of time there in Skyhold he was that man, he was seen and he saw. He saw the world filtered through her and could forgive it, he saw her through his own ancient, tired eyes and he fell in love no matter how much he thought he did not deserve it. You don't have to deserve love, or mercy, it doesn't demand anything in return, holds you to no oath. It is a gift, freely given. That's what Lavellan offers him by holding out her hand there, at the edge of everything. That's where the light slips in.
She’s real, which means everyone is real and she changes everything, because she can. Ar lasa mala revas.
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Looking at the parts on Númenor in Unfinished Tales (and the LOTR appendix chronology) made me notice something Tolkien does with the history of Númenor that is very thoughtful, very important, and often neglected by other fantasy authors: he distinguishes between fighting on the right side and being the good guys, and he even delves into how those two things can work against each other.
Three times in particular, the Númenoreans help to defend Middle-Earth against Sauron. In Aldarion’s time, in the 800s, Aldarion spends much time establishing and rebuilding a port/haven on the coast of southern Eriador, to guard against invasion of the north through what will later be the Gap of Rohan. In 1700, Tar-Minastir sends a large force to drive back Sauron and rescue Gil-galad and Elrond and their people after the forging of the Rings and the destruction of Eregion. And, of course, near the end of the Second Age Ar-Pharazon sends the vast fleet and army that takes Sauron captive.
And each of these times are associated with successive stages in Númenor’s moral decline.
Aldarion is the first warning sign. His father, Tar-Meneldur, a wise man, discourages his voyaging, accurately fearing that it “sows the seeds of recklessness and the desire of other lands to hold”. Aldarion likewise marks the beginning of Númenoreans regarding nature as something to be valued for its use rather than for itself: trees as timber, not as forests. This is also when the Númenoreans begin to log Eriador - their logging will eventually be so extensive that, whereas virtually the whole area from the coast to the Misty Mountains to the Gap of Rohan was forested at the start of the Second Age, by the time of LOTR only the tiny fragment of the Old Forest remains. It’s not for nothing that the trees there are hostile to Men (and Hobbits). (This may not have been happening in the same way in Aldarion’s time - in Númenor he spends great efforts on replanting trees, nothwithstanding the ecological distinction between ‘tree plantations’ and ‘forests’, and he may have done the same in Middle-earth - but it’s still the starting point.)
And he does work extensively in Middle-earth to build defences against Sauron (or ‘the shadow in the east’; they don’t know it’s Sauron yet) and is described as “the friend and counsellor of Gil-Galad.” Yet the very growth in power, pragmatism, and expansionism that is involved in doing this is the start of Númenor’s downward path.
Next, we have Tar-Minastir, who drives back Sauron from Eregion during the War of the Elves and Sauron, following the forging of the Rings of Power, when Gil-galad, Elrond, and the Elves of Eregion are almost defeated. Unfinished Tales says “he loved the Eldar but envied them” and built a high tower to gaze westwards towards Valinor. And it is in the immediate aftermath of his rule that Númenor enters its phase of exploitative imperialism: his son Tar-Ciryatan is “a mighty king, but greedy of wealth; he built a great fleet of royal ships, amd his servants brought back great store of metal and gems, and oppressed the men of Middle-earth.” The next king, Tar-Atanamir, likewise “exacted heavy tribute from the men of the coasts of Middle-earth”, and was the first to be openly hostile to the Valar and the Eldar. The Silmarillion describes Ciryatan and Atanamir as “proud men, eager for wealth” who “laid the men of Middle-earth under tribute, taking now rather than giving”.
(As an aside: this is a period where I’m particularly curious about what Gil-galad and Elrond were thinking, and the decisions they had to make. The Númenoreans have just recently decisively rescued them, and it may not be going too far to say the Elves of Eregion and Lindon are military dependent on Númenor. And yet the Númenoreans are now mistreating and oppressing the men of Middle-earth. How to balance military/political pragmatism and ethics? Are the Númenoreans friends or not? Should they be trying to do anything to stop Númenorean empire? Can they do anything? Does benefitting from Númenorean military might while not doing anything make them complicit? Do they try to talk to the Númenoreans? And for Elrond in particular, on top of the moral vs pragmatic concerns, there’s the knowledge that it’s his brother’s descendents and successors who are doing this - in a sense, the only family he has left.)
And lastly, of course, we have Ar-Pharazon, who defeats Sauron but without being any better than Sauron, and who is corrupted by him, wreaks devastation on the men of Middle-earth and on his political opponents at home, and leads Númenor to its destruction.
It feels like this reinforces the themes of The Lord of the Rings, that victory over evil is not one by seeking to overpower it, but by renunciation of power. The downfall of Númenor highlights this by contrast by showing the corrupting force of accumulated imperial power, even when used against a foe that is genuinely evil.
#tolkien#the silmarillion#numenor#unfinished tales#numenoreans#gil galad#elrond#aldarion and erendis
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White Star
I know the fandom often makes fun of White Star. However, when it comes to power and influence, it is a terrifying opponent. It cannot be forgotten that in the original timeline, White Star first appeared 20 years after the beginning of the war in front of Choi Han. Nothing happened only thanks to regressor. We also saw the diary of the God of Death, a lot of people should have died. In the original timeline Roan kingdom would be destroyed, the Whipper kingdom would lose to the Empire. Jungle would be under the rule of Elisneh. It's likely that many places would be destroyed by dead mana because of the Empire. The dragons we met would be dead. Bud would probably have been killed too, after all, White Star was hunting him. The whales had a war with the mermaids, but it is possible that they later lost. White Star would have the most powerful ancient powers. After all, he was trying to obtain Sky Eating Water and we know how powerful this power is. It's better not to mention the balance of the 5 attributes. Additionally, it has races with a dark attribute on its side. He managed to gain a lot of sacrifice, so his Sky attribute would be more powerful than what we have seen. He has its own kingdom, and Kingdoms that work with him.He also got rid of two dangerous people, Saint and Holy Maiden. There is no one who can use the artifact left by the Sun God. The corrupt Church would realize too late how dangerous the enemy is, it is impossible for them to sacrifice their lives to purify dead mana. It was obvious what their reaction would be after we already seen their reaction when Prince Valentino asked for help. There is also no one who can use fire of destruction, because the person who took this power was an elf, a person with no money and without correct acquired power. The world tree would be destroyed and replaced by a new tree controlled by him. There would also be no weapon capable of completely destroying his soul.
There is something that seems interesting to me. The proposal the God of Death gave to Choi Jung Soo. Nameless 1 already had Choi Han, since a second Single Lifers is needed. That could mean Choi Han lost. It's possible that he didn't die, but something worse happened to him. From being controlled by illusions to becoming a Half Blood-like monster or becoming a demon. It is possible that hunters could have killed him later. CJS preferred to sacrifice his life to his closest family. KRS has become someone whose future cannot be predicted. Thanks to this, KRS has become someone who can change the future of others. KRS read the book with the necessary information. Besides, he had the power, intelligence, experience. It's not that WS was an idiot, this person was terrifying. He managed to guess that Cale was a transmigrator, that the person in this body wasn't the real Cale. Even if the other theories were wrong. We have to remember how unlikely it is that he is someone from another world. After all, he had too much information. While it is laughable to say that Cale works with the Gods, he was actually partly right. Cale was sent to this world by the God of Death, and the God likes him and offered him the position of a saint. Even thank to God he gained the power that allowed him to imprison White Star. White Star lost because Cale had help from God and was loved by nature. And so Cale is someone that nature likes, elementals are part of nature, the world tree has lost branches for him many times, even gave him the oldest root. Dragons liked him because of his power and character. Elves were interested in him many times because of 5 attributes, so different from each other. He did not discriminate against any race, so even the necromancers and dark elves cooperated with him. Of course, Cale is also someone who survived the apocalypse, he managed to become someone strong even in such circumstances. Even White Star who lived for 1000 years couldn't compare to how many difficult and demanding missions Cale completed while he was still in his old body. Because White Star has always had the power, he never had to fear that the monster would eat him, that if he lost, the people he protected would be next. I can say with confidence that Cale has a lot more experience even if he didn't live as long. Compared to White Star, Cale never took the easy path. I would also like to talk about the powers of these two, but that's for another time.
#trash of the count's family#lout of the count’s family#ancient powers#tcf#white star#cale barrow#cale henituse
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Forgiveness--and lack thereof--as a core theme of the Terror.
Goodsir's last words to Silna are 'I'm sorry'. He kills himself with clinical precision in order to poison the entire mutineers' camp, save for Francis. Francis on the other hand would save Diggle and Hodgson from that fate (though not the others).
Francis says I forgive them all and I don't think it's because he is blind to his men's faults, but rather because he fell and it was Blanky's forgiveness, his refusal to condemn Francis for the loss of his leg, which gave him the strength to go sober. So he forgives his men--crucially with the exception of Hickey--because he is in no place to judge and because if he can do that, with their mutiny and cannibalism and desire to leave the sick behind, and if he can get them home, maybe, just maybe, he can extend the same forgiveness to himself. 'Do you include yourself in that forgiveness?' Hickey asks with startling clarity and Francis replies 'I won't know until the end.'
The Inuit forgive Francis for killing the Tuunbaq but not Silna. Or perhaps they don't forgive him but let him stay and forgive her but have her banished--does the distinction matter? Francis and James forgive one another but if they have a conversation about it, we are not privy to it--and of course, like everything else, it happens too late.
Through it all, the show asks one key question on this I think: do we forgive them for being the overreaching arm of the Empire in the flesh? They are each one of them products of their time, and yet each one of them his own person. We are shown their compassion and kindness, even at the end of all things, and their cruelty; their grisly ends and the destruction they wreak upon the land. Are we even in a position to forgive them? Was Francis? One thing we are not given are easy answers.
#the terror#the terror amc#francis crozier#terror meta#IT'S BEEN DAYS SINCE I WATCHED THE FINALE#AND I AM STILL SUFFERING BRAIN STILL FIRING ON ALL CYLINDERS#AAAAAAUGGGGHHHHH
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