#EXPERIMENTAL MUSIC

[womenofnoise]

WOMEN OF NOISE FOR PALESTINE

41 tracks from great experimental artists. All proceeds will be donated to the Palestinian Children's Relief Fund. Listen and purchase HERE:

As always, thank you for your support!

[possible-streetwear]

Strawberry Switchblade

[eroticlamb]

Ilsa von Bulow of Women of Sodom, photographed by Michael Barkavy 𖤐

[perversion666]

album covers ⛧

[everydaym0nstrosity]

Current 93 - Faust (2000).

[thecreativemillennial]

Siouxsie Sioux back in the 70s

[korg-ms20]

Throbbing Gristle, 1980.

Photos from Fool's Mate issue 17, 1981.

[underground-concept]

Jet Le Parti - Sketch 9 / Marionette's Dagger (2024)

Genre: Experimental, neoclassical, ambient

Cover artwork by: L.S. Toy

Published: Base 36. 2024

[womenofnoise]

Diamanda Galas by Rosa von Praunheim

[possible-streetwear]

Strawberry Switchblade

[jetleparti]

First release now live:

Album/LP: Surface to Air

Genre: experimental, ambient, neoclassical, techno, liminal, tape

By: Jet Le Parti

Album Artwork: L.S. Toy

Base 36. 2024.

[perversion666]

album covers ♱

[venusimleder]

Diamanda Galas

[eclecticwhiz]

To the ones navigating visible or invisible storms…

To those whose minds flicker like signal towers — misunderstood, mislabeled, misfired…

To those who are stuck in between; who have been through countless of rites of passage…

To those who can’t fill the void within; who restlessly yearn for a place to call home…

To every BPD survivor and artist who’s been called too much, too broken, or too dramatic — when in truth, you were carrying too many timelines in a single heart. And you were being taken down by the ones who were simply too little.

To the glitching geniuses — the neurodivergent who kept transmitting authenticity and enchantment while the world tried to static you out.

To those who’ve screamed into the void, only to make the void echo back in art.

This… is for you.

BPD and neurodivergent people are often brilliant. Deeply artistic. Incredibly intelligent.

No, it’s not about romanticization. It’s about reclaiming and embracing ourselves. Restoring self-regard. Nurturing the inner-child deeply as they always deserved. Reclaiming the essential parts we neglected just to adapt and survive.

Yes, it includes what they try to pathologize — how they reduce us to stereotypes, and shove us all into one dusty box of convenience. We should get untangled from the shallow perspectives and unfair narratives.

We’re not denying the struggle, the pain, or the altered life quality. Yet we do deserve to lay emphasis on what’s shiny about us too.

We dare to look zoomed in or out; to bring more feeling or sense to things. And sometimes we are, and we do, things that can’t even get squeezed into labels. And the list could go on for pages, really…

Most people who don’t live this reality can’t even begin to imagine the dimensionality, the depth, or the creative voltage we hold.

We’re a neon glitch that will always stand out, and be proud to be doing so.

We are more… much more than our survival.

And I dedicate this album to you my fellow void-bound gifted wrecklings 🖤🤍🩶

🔳 We shall never forget the power of the void.

Time to assimilate and re-integrate:

(my first album)

A cosmic audiovisual project I directed and edited using multiple tools including AI — now live and streaming on all music platforms.

Music, visuals, sound design, and personal messages all woven together to create a full sensory experience.

I created this over the course of two intense months through blood, sweat, and serious health challenges.

(As a side note: the brand’s initial foundation for art and blogging, Eclectic Ways, and the broader concept behind this project have been taking shape since 2020.)

This is a deeply personal release, and I’d truly appreciate your honest impressions and kind support.

🎧Main genres: Electronic • Art Rock

⛓️Sync with my pulse on:

⌇🧤

⌇🍎

🎥 The music videos for Abduct US! & Into The Pull is now on

⌇🕹️

✨More Eclectic Whizzed visuals are on the way!

🌀Also streaming on more platforms.

[soundrooms]

richard devine · control center