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Oughuguhugeuhgh my pretties I CANT STAND HER
#she is like all sad like calming down from crying a river and its so well comunicated I AM SICK#This genuinely made me tear up#The way the lasty panel is frame is so cute#transformers#transformers idw#tf lost light#tailgate#tf tailgate#cygate
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plants :] plants :] plants :]
#trigun#art#not a wip#ink#WANTED TO MESS W INKK and it was FUN#the only thing was keeping the lighting consistent and i dont think i did that!! !#but whateevr rrrveiev its a panel redraw no ones expecting anything#can you tell where i accidentally fucked up and slipped a brush stroke. can ya.#hope you cant buddy#give it up for day 12#man i lobe the plant designs.#what a depiction of “angel”#unintelligible and distinctively unhuman yet you cant look away#i DONT know how to take pictures of my art. sorry !#my birds ate the sides of the paper too so im like tryna not to keep that in frame#sabotage i tell ya
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rereading this scene for my health.
#personal#The Real Comic#bullymagnet#“this new guy i'm all respectin' and junk” is so soft.#the framing of max in that panel. his back to johnny's mind's eye surrounded by cool blue light.#johnny wants max to dig the real him. this is important to him#ed is making a note of this for later.#also i love that johnny has round comedy eyes in both these panels so out of context he just looks like that
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hiii !!! love ur art lots, so i've been wondering, what program/app and brushes you use? i love the paper effect you give to your drawings, makes me want to eat em /pos
thank you so much!!!! i appreciate that a lot :D!!!!
(accidentally rambled a lot abt this HAHA)
i use medibang!! ive been using it forrrr maybe like 7ish years now... ive been meaning to one day get clip studio or something but i havent had the chance to buy it and im also a little intimidated at the idea of having to readjust to a new program HAHA
i use a few different brushes!! it depends on what im drawing and what i feel like using at the time (i should probably plan them out more often, actually)
oil paint, g pen, fluffy watercolor, and round brush (wet) are all brushes that come with medibang!!! i know i made Another Marker myself, and im pretttttty sure i made the first marker one too? my favorites are round brush and g pen though!!! i tend to use fluffy watercolor more for colors rather than lineart
(i also keep correction at around 12, i would use it more since my hands arent the steadiest but i find high correction to be kinda confusing so i just keep it low)
the paper effect is smth i learned liiiike maybe two years ago ish? and i have simply KEPT doing it ever since HAHA i do wanna mess around with more textures cus i dont want to be too reliant on just one texture for my art but it IS very fun and i like it...
medibang has a feature that makes it REALLY easy to do!!
custom noise is my BEST friend. the sand, watercolor paper (specifically 2), and marker paper (specifically 2) are the ones i use most often!!!
i also will copy n paste color layers and lineart layer, add gaussian blur and do like 200 layer effects (i most often do this to lineart, then set it to hard light and somewhere between 30-60% opacity to mimic bleeding from ink!!). i DO often experiment w messing w colors wo layer effects cus its fun but sometimes its just more fun to use layer effects instead!!
medibang also has materials!!
i dont use them as often but i like this one :D ive used it on a handful of things
and just for fun!!! things look suuuper different without this stuff. like the thing i just posted used a LOT of this (to be honest its cus i really really didnt wanna do shading for it LOL but it still felt too flat and i feel like these effects are a nice middle ground- but i will still often use this stuff when i AM shading things)
sometimes i will also use similar custom noise textures but for different parts of the image!!! like in this one i had a waatercolor texture for the bg but a seperate one for the foreground
i DIIID a while back post a pic of kinger (its an older post on this acc- not old by most standards but it was during the first little while after i made this blog while i was still finding my footing w the characters) that used a bunch of different textures which i got from freestocktextures.com!! but i havent used them since. i keep thinking i should again
ANYWAY thats basically it!!!! i looove medibang theres a bunch of little things ive figured out abt using it over the yrs that im so fond of it. and THANK U again!!!!!! :']
#ask#i mentioned it but i DO wanna experiment more so i dont just do this and never anything else#but at the same time i DO genuinely rly enjoy imitating watercolor!!!#i try not to be too strict abt it and can and will add details that are not watercolor-y though#i just follow my heart <3#i have a screencap redraw i started the other day w the express purpose of maybe making it look a little like an illustration#i should return to that...#ALSO. oil paint brush is fun. but Be Careful....#THATS the one ive been using for the butch gangle image and its made it a bit unreasonably hard...#bc the brush is sorta like a lot of parallel lines theres like. a dip in the center of the brush with lower transparency#meaning when youre doing shading or lighting or even just coloring smth in youll end up w weird empty spots and its ANNOYING#otherwise a very fun brush though!!!#anyway!!! i love to ramble abt art HAHA this is all way longer than intended#dont even get me started on like. panel layouts or when i add small symbols or allusions or framing etc etc#i looove art. its so painful but i enjoy it so much#<- person who spent most of its life wanting to pursue an art degree then got scared midway thru hs and shifted gears to a bio field#but still sometimes laments what thing left behind...... i think about making comics like Properly sometimes....#gestures at a post i made a while back out of nowhere abt connecting w gangle. this was related HAHA#anyway i need to stop rambling i have another ask to answer!!!! i will be here forever if i tlak about art
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Fellas can you take this somewhere else. Maybe. Just not in the fucking halls. Thanks 🫡
I couldn't resist drawing out these tags I wrote on a dif post LMFAO
Moe just has...... SO many problems.......
Close-ups of my fave shots!






The elusive Líf...
#fire emblem#feh#i'm like. split between feeling proud of this and feeling So Over It LMFAOOOOOOO#which is why. lighting could be better. but i don't care enough to put in more work than i already have LMFAOO#LIKE... ONE COOL PART is this could be my first fully colored comic piece w completely original dialogue???#where like. i didn't quit at any point of it. EXCEPT. skimping on the backgrounds. but again. more effort than i'm willing to put in#but i think it still counts bc my only real plan was to have the askr pillars/walls as framing/backdrops#ALSO the characterization... in the panel where lif walks into frame. it's SO fun to me#they both look at lif. but moe is Not subtle about it. looking directly at him. while alfonse side-eyes him.#and the most IMPORTANT detail. is that alfonse and lif are making the same kind of face. like 🤨#there is SO MUCH POTENTIAL. in alfonse and lif sharing facial expressions. in having the same knee-jerk reactions to things.#and it's espppp fun to figure out bc you're only working w half of lif's face. it's all in the eyes/brows and SOMETIMES!#SOMETIMES!!!! it's in the nose! in this illust he is more relaxed/resting so you don't see it here#but i'm TELLING you. adding some scrunch to the nose can add soooo much expression-wise#this took longer than i expected it to. also. which is why i'm so over it LMFAOO#but i do think the extra time was worth it... first run of the last panel was too lighthearted/jokey#capturing some conflict between moe/alfonse was the right choice. in how intensely this starts off (tonally)#AND! in showing how they do butt heads at times. in fact sometimes they clash REALLY badly!!!!#which is actually so huge bc i've wanted to capture this since the beginning. how they're so similar but also so opposite#that a lot of times! they understand each other deeply and cover each other's basis. HOWEVER.....#other times. it's just catastrophic. like it isn't That intense here but you can probably see how it goes horribly wrong.#i am... always thinking about it.... and only occasionally stressing myself out about it LMFAOOO#fe alfonse#fe lif#moe tag#summoner oc#my art#my comics
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the frames make these look like hypothetical magic paintings, huh?
#whereas actually i prompt myself with frames and shapes like theyre comic panels to fill#some people always start a composition with a background or with a light source - i like me a hard cold Frame#dungeon meshi#my art#dungeon meshi spoilers#(i guess cause i think the anime hasnt gotten to kittycat yet)#the bottom one ended up with some sort of evil laios scenario
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Day 108: They aren't happy anymore
@ninja-knox-ur-sox-off
I told you I'd make you something detailed. I know this doesn't follow the fic exactly with the scenes, but let me have a bit of creative liberty please? (I already took some with the house because I don't remember it)
#lego ninjago#frogs 365 day challenge#ninjago kai#ninjago zane#ninjago cole#that first panel is supposed to be the light#i put Kai staring directly into it#it would be the best thing thats happened to him lately#temporary vision damage#better than the permanent mental damage#also please use imagination to give Zane and Cole game controllers. they didn't fit in frame#but they are supposed to be in the void!#Kai isn't in a headspace to process everything#and all but the second panel is supposed to be his POV#also Kai's hair looking nothing like its supposed to is intentional#when I don't take care of my hair it loses volume#so i gave him that#and theres no gel because he runs his hands through it
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(Had Valzer d'Inverno - Andrea Vanzo playing while reading and oh gods if it is not what is connected to this chapter for me now I don't know what else)
#Moved in here from tags because I doubt I have little to say #HE IS SO PROUD TO GIVE HIM HIS WON TROPHY #BIG PROUD SILLY STUBBORN OPEN TO LIFE WARRIOR -> this... I want it printed... I don't know why it just gives happiness it's silly. Rung's silly pose and even sillier face. Kef you are making my brain such a good massage, I honeslty felt so bad for him through the whole read of mtmte and ll because beside all the jokes it actually was unbearable for most people, while Rung was carrying on with it and kept so much more inside him than most can manage (actually I want it as banner now...) while forgiving for everything. And messing up as little as his name. And here? There is only two mechs. And they didn't even know each other's names at first. Did Prima have name?
Rung didn't have name. Did he name himself like this? Did Prima name him like this? He is a little ladder that the world was slipping through but holding on him still. While Prima one day just came and held this ladder from shattering. Imagine best times of your life being in the presence of someone, he understood how it is to be around someone, how it is to be noticed by someone who could understand him. To be carried about, noticed, to invent language to communicate. I think I never could properly ship Rung with anyone because these bots are not who truly could notice him the way I would have loved deep inside soul. I always thought for him a concept of life and death since it is the only things that could be around him like, most of the time? How absurd it will be if I say that even matrix itself, inanimate object, was the closest one for Rung for me? XDD I didn't look at other gods after ll they are pretty trash around him pfffht. I liked Nightbeat for the possibility of him actually trying to see and not getting attention ou enough to see deeper than others. Even if there is not so much to see deep inside, Rung is a simple spark, but he needs to be seem and maybe it is the only thing he ever needs... And here? The very first bot? The only two bots? I don't need to say anything this right here goes straight in my little separate closet from where I will never take it out... Before he became the God of Cybertronians he was just his... Prima's... And Prima was here for him, bright spark following him, sharing the warmth his own spark couldn't share before. I am not bright and educated on tf topics enough so can juggle only from what now or think bear with me ahaha Rung's spark as I always thought is a kind of matrix itself, in canon he could make matrix out of himself, these little crystals are this kind of. Rung wanted to be seen, understood, not to lose this feeling, afraid of losing it. Is it because he knows he lives longer? Or it is because he wants Prima to always understand him, see him. and matrix allows to do it by connecting every spark? I remember when Optimus bluetoothed to matrix pffht and saw all the sparks in one place, sensed them, could feel them, if I am not wrong could even differentiate them all.
"Powerful. Eternal. All seeing and all knowing." I like to think this is what stories share about Prima, first transformers, who got most powers from Primus to lead the planet. "Equal." is what no one heard before. Primus shared his life to not let go, but to never let go. Divine powers connects every living creature, (oh my god I am still not okay, imagining Rung at the birth of world wandering around and noticing that things around him have their own prints... and they are gorgeous...) every spark, and every spark has it's code. And the matrix is basically sharing it ability, Prima could do it (WHAT HAPPENED TO PRIMA), but Prima... passed (WHY I HAD HIM ONLY FOR 5 PAGES). What happened to matrix? In whos hands it is? It can't be given to anyone without the Rung's covenant? I think it can't be, I think he could give it only to Prima... Could Prima give it to someone next? What for?.. But the matrix itself can't be used other way? Can it read the spark code without the bearer? (Prowl I am NOT as smart as you you make me feel dumb with your EVERYTHING) I actually even lost a track of what exactly they searched for beside sewing god ahaha, they were tracking sparks that were turned into demons and what was happening to them exactly, could something be done from distance? Or for example something was done to Shockwave... Also all the sparks being kept in one place from extraction... this is still very cruel... I still think that it is the made of the council since all events and turns were happening in their trials, if the matrix is in their possession, it wasn't destroyed and they found a way to use it to change infrastructure of the crystals (sparks) to their advantage... One last thing... you couldn't get me... ATTACHED right away at this dynamic and kill Prima please say no....










Lemme introduce you to my super niche dynamic. Primus x The first Prime.
I am mixing continuities again and using Prima’s characterisation and origin from Aligned universe and the design from Tf1. Because the tf1 design is incredibly pretty~
ALSO the “every spark is connected to the Matrix” is based on the mtmte#21 where it reveals that Matrix has sparkcodes in it and you can basically use it to reassign a new spark code to other mech as if Matrix is just a freaking exel document that can be edited haha
<- Previous
#I did NOT think of Prima I will say more at one point I forgot about Thirteen and my attention was rotating around Guiding hand#YOU JUST SLAPPED ME WITH WARM WET BLANKET AND I AM LYING ON IT#Rung created Cybertron first. Created world that started feeling itself#He was searching for something to fill him he thought it was entertainment#The very “first” transformer being born from the planet. HOW DID I NOT EVEN THINK ABOUT PRIME. THIRTEENS. AND PRIMUS#I think I saw some fan content with them that rotated mostly around parent-kid and I think I didn't enjoy it and just never went back to it#BUT OH MY GODDDDDDDDDDDDDDD. THE LONELY GOD AND VERY FIRST BOT WHO TRIED TO HEAR HIM#The panel with Prima born... it is so gorgeous... can see little waves and sparks around a subtle motion#while it is pretty stable the frame above not moving a slight reflexion#EHEHHEHEHHEHEHE OH MY GOOOOOOODDD I LOVE IT. I LOVE IT SO MUCH. maybe I move out of tags...#QUITE COMBATIVE AHGEHGFE. REMEMBERING SOME FACTS OF HIM. OH MY GOD I CAAAAAAAAAAAAAAAAAN'TTTT. FIRST CREATED BOT FULL OF LIFE#COMBATIVE GREETING THE WORLD WITH BARE DENTA AND STIFF HANDS#And a god who never in his life fought just admired a life and never knew what he needed from this life#BIG. LOUD. INCREDIBLY STUBBORN. COMPLETE OPPOSITE.#YEAH I MOVE OUT OF TAGS I DON'T TEST MY LUCK-#gold#my peace#literally#literally what... had the worst possible day to work but the best possible day to FEEL.... how many birthdays from me you need?..#I love it#...prung gets translated as cutted/lopped and I DON'T LIKE IT#pffhehgeh... how silly it will be to call it Spring... I actually want them to have a light... ringing? name... but still resembling them#exactly... but just like with slurr it all sounds kind of silly XDDD
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Enclosed kitchen - mid-sized transitional u-shaped travertine floor and beige floor enclosed kitchen idea with an undermount sink, recessed-panel cabinets, dark wood cabinets, onyx countertops, beige backsplash, stone slab backsplash, stainless steel appliances and an island
Seward Junior Women's Craft Show
#enclosed#built in wine rack#recessed panel cabinets#white window frame#modern kitchen#dark wood cabinets#recessed lighting
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After School Ghost Theory 101 with Professor Fenton
Switch to light mode or Classic Blue to get the full transparency effect!
[Image ID: A four page comic that starts with Danny Fenton standing in front of a whiteboard holding up a white cat. "Question: Do ghosts purr?”
Tucker: “Danny when was the last time you slept?” Danny: “Irrelevant.”
Danny info-dumps: “The answer is yes, but also no. Technically, all beings that possess a core are constantly "purring", a.k.a. Core Vibrations. Core Vibrations are a nonverbal, emotion-based communication system between Ghosts, similar to how some living species use pheromones to communicate. The exact tone of each ghost is different the same way people's voices are different. Humans can only hear these vibrations when the frequency passes through their audible range (20Hz - 20KHz), hence the 'purring' sound. When the range dips into infrasound (16 - 20Hz) it can cause feelings of fear and unease in humans that they often associate with ghosts and the supernatural. Also known as the ‘Heebie Jeebies.’”
Danny, wiping off the whiteboard: “Any questions before we move on?"
Danny’s audience consists of Wes Weston, Tucker Foley, Sam Manson, Danny’s clone Ellie, and Dash Baxter in a classroom. Wes is seated at a desk at the front taking notes. Tucker is sitting on Sam’s lap playing on a Switch, Ellie is sitting on a desk behind them. Dash is asleep at the back of the room.
Ellie, now holding the cat: “Is this Vlad’s first cat!?” Wes: "Could you tone down the floating eyes before the next part? They're kinda distracting." Danny: "What eyes?" Wes: “Please stop gaslighting me.”
A transparency trick on the last page reveals dark shadows and eyes all around Danny when viewed in dark mode. /.End ID]
An Extended Image ID is available under the read more because it’s over 1k. Side by side light and dark mode versions of the transparency trick is also available under the cut.
[Extended Image ID: The post contains a four page comic. The first page shows two comic panels with white borders. The top panel features a bedraggled looking Danny Fenton from the waist up holding a disgruntled fluffy white cat. There are bags under his eyes, his hair is messy, his arms are covered in bandaids and cat scratches, and his nails are painted black. He’s wearing a white shirt with red sleeves and a red oval on the front. In a large green text bubble he says “Question: Do ghosts purr?” A small orange text bubble under it asks “Danny when was the last time you slept?” “Irrelevant” Danny replies.
In the bottom panel Danny is standing on the far left side of the panel in front of a whiteboard in a classroom with the cat under his arm. He’s wearing baggy jeans with holes in the knees and his classic white and red Converse shoes. The whiteboard behind him has partially erased doodles around the edges including some flowers, stars, and Phantom’s DP symbol. There are a few balls of paper on the floor. Partially out of frame on the wall behind Danny is a poster of Einstein and above it a clock. Pointing at the whiteboard with a marker Danny says “The answer: Yes but also no” His words are written on the whiteboard. Under the words is a drawing of a stick figure and a green bedsheet ghost with a circle between them. The circle is surrounded by green squiggly lines radiating out from it. Under the circle, an arrow is drawn pointing to it with the words ‘core vibrations’ written on the board. A green text bubble in the space under the whiteboard says “Technically, all beings that possess a core are constantly "purring", a.k.a. Core Vibrations.”
On the second page there are two blocks of text, each followed by a drawing. The page background is a pale, greenish-grey with subtle scuff marks imitating the look of a whiteboard. The first block of text at the top of the page reads “Core Vibrations are a nonverbal, emotion-based communication system between Ghosts, similar to how some living species use pheromones to communicate. The exact tone of each ghost is different the same way people's voices are different.” Under the text, imitating the look of dry erase marker, is a drawing of two simple ghosts smiling and waving to each other. They both have a small green circle drawn on their chest area with green squiggly lines radiating out from each ghost. Between the two cores, two parallel arrows are drawn, facing opposite directions. Under the arrows is the text “core to core communication.”
Under the ghosts is a second block of text reading “Humans can only hear these vibrations when the frequency passes through their audible range (20Hz - 20KHz), hence the 'purring' sound. When the range dips into infrasound (16 - 20Hz) it can cause feelings of fear and unease in humans that they often associate with ghosts and the supernatural. Also known as the ‘Heebie Jeebies.’” Under the text a red arrow points from the words ‘heebie jeebies’ to a simple drawing of Dash Baxter holding a flashlight and looking scared. There is a cobweb with a dangling spider drawn to his right and a bunch of green blob ghosts behind him to his left. In blue text the blobs say “you forgot to update your mailing address with the IRS” and “you filed your taxes incorrectly.”
The third page once again shows two comic panels. In the top panel Danny takes up the centre. He’s stretched across the whiteboard in a dynamic pose erasing the drawing of frightened Dash with a big swipe. One hand is braced on the board as he looks over his shoulder and asks “Anyone got questions before we move on?” If the image is viewed in dark mode, there are five, messily drawn eyes of varying sizes surrounding Danny. If viewed in light mode, the eyes are absent.
The bottom comic panel reveals Danny’s audience to be Wes Weston, Tucker Foley, Sam Manson, Danny’s clone Ellie, and Dash Baxter. In the bottom left corner, Wes sits slouched at a desk at the front of the classroom with papers and an open notebook spread out over his desk. He’s wearing a red zip up hoodie with white sleeves. His hoodie is unzipped showing a green shirt underneath that matches the colour of his eyes. At the desk beside him Tucker and Sam share a chair with their focus on Tucker’s Switch and not Danny’s presentation. Tucker is sitting in Sam’s lap with her arms around his waist and her head resting on his shoulder. Tucker is wearing a red beanie with short dreads, goldenrod yellow turtleneck sweater, green cargo pants, and white shoes. Sam is wearing a black crop top with a fishnet layer over top, purple pleated plaid skirt, artistically ripped purple leggings, and black combat boots with bright green laces. Tucker has the tips of his dread dyed green and purple. Sam has streaks of purple, green, and orange in her hair. Ellie is sitting cross legged on top of a desk two rows behind Sam and Tucker. She’s wearing a cropped hoodie with the same colours as Danny’s shirt and black track pants with white and red shoes. Her hair is tied in a high ponytail and she is holding the squirming fluffy white cat up in the air. At the very back of the classroom behind Wes’ left shoulder Dash can be seen asleep slouched over his desk. Wes has one hand resting on his desk holding a mechanical pencil the other partially raised with his hand open. In a beige text bubble with red text he replies to Danny’s question with an unimpressed look on his face “Could you tone down the floating eyes before the next part? They're kinda distracting.” Under his text bubble a small blue text bubble from Ellie asks “Is this Vlad’s first cat!?” If the image is viewed in dark mode, there are three visible floating eyes off to the side of the panel. If viewed in light mode, the eyes are absent.
The final comic page is a single, full body shot of Danny standing in front of the blank whiteboard. He’s looking over his shoulder, slightly turned with his back mostly towards the classroom and the eraser in his hand. He has an incredulous look on his face. If the page is viewed in dark mode, the background looks dark and Danny is surrounded by dozens eyes of in all different sizes. If viewed in light mode, the eyes are absent. In a green text bubble Danny asks “What eyes?” In the bottom left corner Wes replies “Please stop gaslighting me.” /.End ID]
#Danny Phantom#Danny Fenton#Wes Weston#DP#image id#Scopophobia#tw eyes#transparent#transparency trick#stove on fire#43393#long post#extended image ID long enough to post on Ao3
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don’t sweat it bro 💦
i imagine that this was early into their friendship, so barry wasn’t used to hal’s… sense of humor
tip jar
[ID in alt + readmore]
Panel 1: Hal is grabbing a deodorant out of his locker, his GL suit disappearing in a band of green light to reveal civilian clothes. Barry, in full Flash garb, opens up his own locker, and Hal tries to make small talk: “You probably go through deodorant like crazy, huh.”
Panel 2: From the POV of the lockers, Barry pulls back his cowl and says: “Eh. It actually takes a lot for me to work up a sweat.” The band of green light continues to dematerialize Hal’s GL suit, but his mask remains. Putting on deodorant, Hal responds: “Really? I guess that makes sense. High speed, high stamina.”
Panel 2: From the POV of the lockers, Barry pulls back his cowl and says: “Eh. It actually takes a lot for me to work up a sweat.” The band of green light continues to dematerialize Hal’s GL suit, but his mask remains. Putting on deodorant, Hal responds: “Really? I guess that makes sense. High speed, high stamina.”
Panel 3: Hal caps his deodorant when he suddenly lights up, an idea popping into his head in the form of a lightbulb.
Panel 3: Hal caps his deodorant when he suddenly lights up, an idea popping into his head in the form of a lightbulb.
Panel 4: Hal nods in Barry’s direction and says with a playful grin: “I bet girls love it.”
Panel 5: Barry leans back to look at Hal and, as if he isn’t sure he heard correctly, asks: “What?” Hal’s face is partially obscured off-screen, hidden in shadow and his locker door, keeping a small grin to himself.
Panel 6: Hal drags it out: “I’m just saying…” He puts a hand on the locker door, his mask beginning to dissipate. “Girls like a guy that can last…”
Panel 7: Shutting the locker door, Hal turns his head towards Barry and gives him a suggestive smile. “…and it’s not just girls.” The last of his mask evaporates, framing the corner of his eye with a sparkle.
Part 8: Barry is taken aback, red in the face and sweating profusely. A lightning bolt strikes the back of the panel like a spiking heart rate as question marks surround him.
Panel 9: Hal grins delightedly, hands in his pockets all casual like his little joke didn’t give Barry a mini-heart attack: “Ha! Guess it doesn’t take much after all!” Barry’s expression is unreadable under his blush, but his shoulders are drawn up and hunched in defeat. He responds in a wordless ellipsis, but the sweating speaks for itself.
#tried to do smth w panelling and stylizing anatomy#halbarry#barry allen#hal jordan#the flash#green lantern#dc#dc fanart#comic#danart#alt text#described#[fine print: hal is also a girl but dw abt that rn]
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Garage Minneapolis Ideas for remodeling a mid-sized, attached three-car garage in the contemporary style
#metal glass sconce lighting#grey trimmed window#blue paneled wall#gray framed window#bright red vase#red tall vases#grey window garage
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Vaulted
Pairing: Avenger!Bucky Barnes x Fem!Reader
Summary: When a mission turns sideways and you’re sealed in a lightless HYDRA vault with Bucky Barnes, buried trauma resurfaces fast. But vulnerability cracks open truth, and the quiet intimacy that follows reveals something deeper than either of you expected. What starts in darkness might just become something real.
Disclaimer: 18+ (mdni!), depictions of PTSD (reader and Bucky), mentions of past traumas involving captivity and torture (non-explicit), emotional vulnerability, consent-focused smut (not in established relationship), smut with emotional fluff, somewhat hurt/comfort, soft!Bucky
Word Count: 6,108
Author's Note: I can't find any gif with the exact outfit but I am having this image of him when writing this
The hum of the door seals with a final hiss, and your heart sinks like a stone.
You’re already mid-step toward the exit when you hear Bucky curse under his breath—low, sharp, controlled. You whip around. The vault door is shut. Fully. Seamless. Like it was never there.
No lights. No comms. No air circulation except for the faintest draft somewhere behind the walls.
“Shit,” you mutter, reaching for the control panel embedded beside the door. You’re already digging into your tactical belt for the pulse override chip, fingers shaking just slightly as you slot it in.
Nothing. Dead. As if the tech was rotting from the inside out.
You step back, breathing through your nose. Focus. Don’t let it crawl in.
Behind you, you can feel Bucky’s presence—steady, solid, watchful in the dark. His gear creaks slightly as he moves. You don’t have to look to know he’s wearing his mission fit: that fitted, dark combat jacket molded to his frame, straps crossing his chest, vibranium arm matte and silent at his side. You know how he moves by now—how he blends into the quiet, how he always stands between you and the threat.
Except there’s no enemy now. Just this silence. This dark.
This enclosure.
Your voice comes out tighter than expected. “If I had fifteen minutes and my portable terminal, I could brute-force a recursive decrypt.”
Bucky grunts. “Too bad your portable terminal’s in the jet.”
You don’t laugh. Neither does he.
You try the panel again, but the minute your fingers brush the cold edge of the steel frame, your throat tightens. Your mind flashes—not forward, but back.
To the old metal walls that boxed you in when you were barely more than a child. The bitter stench of mold and sweat. Cold porridge. Water so stale it tasted like metal filings. The clank of boots. The door opening—only ever to bring pain.
You swallow hard. Try again.
“You okay?” Bucky asks softly.
His voice breaks the air like a blade through cotton. Gentle, but sharp. You know he hears it—the shift in your breath, the sound your boots made when you stepped just a little too fast, too frantic.
“I’m fine,” you lie. But your voice catches, and he hears that too.
You press your palm to the steel wall, trying to ground yourself, but your body betrays you.
Sweat beads along your spine, cold despite the stifling warmth trapped in the airless vault. Your breath sticks in your throat. The darkness feels thicker now—dense, like it’s pushing in from every angle, like it’s alive and watching. Your fingers curl into your palms. You tell yourself this isn’t the same, this isn’t then—but your body doesn’t listen.
Behind you, Bucky shifts.
You don’t see him move, but you feel it—hear it. The creak of his tactical gear. The faint scratch of fabric against concrete. And then, the sharp stillness.
He smells it before anything else—your sweat. Not the heat-of-battle kind. This is cold, anxious. Your scent hits the air like an unspoken alarm, sharp and sudden beneath the usual steel and dust of the vault.
Then he hears it.
Your heartbeat.
Fast. Erratic. Like boots on tile, sprinting in panic.
“Hey.” His voice cuts through the dark—gentler now. Controlled. “What’s happening?”
You don’t answer at first. You can’t. You’re trembling before the words even reach your mouth. Your knees wobble beneath your weight, pulse roaring in your ears like a tide coming in.
“It’s—just the dark,” you manage, your voice too tight, too high. “And the quiet. The space. It’s not you. I just—”
You cut yourself off. Try to breathe. Try to swallow the clawing thing in your throat.
“I need to sit.”
You hear Bucky move. His boots scuff the concrete, just once. Hesitation.
You don’t look at him. You lower yourself to the cold ground, back to the wall, and stare into the dark. The walls feel closer now.
Your voice comes out in a whisper.
“Can I… sit next to you? I mean—I need to hold something. I just—” You stop. You don’t want to beg.
There’s silence. For a second, you think he’s going to say no. You wouldn’t blame him. He’s already carried enough broken things in his life.
But then you hear the quiet shuffle of movement, the whisper of leather and gear. He steps closer. Kneels. Doesn’t say a word.
And then—he offers it.
His flesh hand.
Glove off. Palm open.
You hesitate only for a second before you take it. Your fingers wrap around his—warm, solid, real—and your shoulders fall like something just slipped off them. Your other hand reaches for the warmth of his arm, and slowly, inch by inch, you lean into him. Not all at once—just enough for him to feel your weight and decide if he’ll take it.
He doesn’t move away.
Instead, he shifts slightly to brace himself—and lets you rest your head against his chest.
You breathe in.
He smells like leather, faint sweat, and that clean, woody scent you can never quite place—like trees in winter and something spiced beneath it. You imagine it’s what peace might smell like, if it ever existed.
It takes you a long moment before you speak again.
“I was taken when I was seven.”
Bucky stiffens under you. Just barely.
“They locked me in a cell. No windows. No lights. They taught me how to code between beatings. How to pick locks after they broke my fingers. Said if I was going to be their tool, I had to be the best damn one.”
Your breath stutters. You feel his thumb brush over the back of your hand.
You go on.
“They’d come in drunk sometimes. Just to hit something. I was that something. But I learned. Learned how to look useful. How to smile so they wouldn’t think I was planning anything.”
You swallow hard. “Guess I never unlearned that. The smiling.”
There’s a long, aching pause.
When Bucky speaks, his voice is rougher. Barely above a whisper.
“I always wondered… how you do it. How you’re so kind. So… whole. But I see it now.”
He exhales, and his hand tightens just slightly around yours.
“You glued yourself back together. Piece by piece. And maybe that glue still shows… but you never tried to hide it.”
You lift your eyes—only barely—and even in the dark, you feel the weight of his gaze.
“I used to think people like you were untouched by darkness,” he says, voice low. “But you’re not. You just walk through it with your chin up. Meanwhile I’m still trying to bury mine like it’s not part of me.”
You shake your head, resting your cheek against him again.
“You’re not the Winter Soldier,” you murmur. “You’re not that name they gave you.”
He swallows.
Bucky’s hand lingers at your cheek, his touch barely grazing the skin. Like he’s afraid you’ll vanish if he presses too hard.
And maybe you would’ve—once. But not now. Not here. Not with him.
“I like working with you,” you whisper again, softer this time. Your breath fans over the fabric of his jacket. He’s so close now, his body a wall of heat and breath and solidity. “Always felt safe around you.”
He huffs quietly—almost a laugh. Almost. “You’re the first person to ever say that to me.”
Your fingertips trace the lines of his bare hand—the one you’re still holding tight. Your thumb brushes over the rough pads of his knuckles, warm and calloused. Scarred in places, but steady. Human.
“I don’t see a killer when I look at you, Bucky.”
He doesn’t answer right away. You can feel his heart pounding through the chest of his combat jacket, steady beneath the heavy materials. The dark fabric shifts slightly as his breathing deepens, and your cheek sinks into the padded texture over his ribs—high-quality, reinforced, warm from his body heat. The structure of his combat harness digs faintly into your shoulder as you curl into him.
“I don’t think I ever knew who I was,” he says finally. “Not really. It was always something someone else wanted me to be.”
You turn your face toward his voice. Your nose grazes the hard curve of his chest. Your lips part slightly, but you don’t speak. You just breathe him in.
He smells like cool leather, like burnt cedarwood and warm metal. A trace of sweat clings to the collar of his undershirt, the faintest salt cutting through that earthy, masculine warmth. It clings to the inside of his jacket—black tactical leather, armored across the chest and shoulders—and you can feel the subtle rise and fall of each breath beneath it.
He shifts again, adjusting. His vibranium arm stays at his side—still, unreadable—but his flesh hand squeezes yours gently.
You raise your head, finally meeting his eyes in the dim. The darkness in the vault has softened everything around him. His steel-blue gaze shines faintly beneath his brow, eyes scanning your face like he’s still memorizing it.
“You’re still Bucky,” you murmur, barely louder than the air between you.
He freezes.
“Still the man who puts everyone else before yourself, even when you’re barely holding it together.”
Your voice trembles now, because the words carry more truth than you expected.
“That kind of heart doesn’t just vanish… no matter what they tried to do to you.”
Bucky blinks hard. His breath catches in his throat. You feel it—how the moment lands. How the wound inside him recognizes the salve in your voice.
Something inside him shifts. Something melts.
His jaw clenches. You feel the way his chest tightens, like he’s holding something back. His free hand rises—slow, deliberate—and this time, it’s not just a touch to your cheek.
He brushes a loose strand of hair behind your ear, fingers lingering at your jaw. His glove is off now—both hands bare. Raw. Unarmored.
You shift slightly, no longer curled at his side. Instead, you move to face him—pulling your knees beneath you, then over, settling gently into his lap.
Your thighs slide around his hips, bracketing his body with yours. Hands plant themselves on either side of his chest for balance as your breath mingles with his.
His hands remain steady—one at your jaw, the other cradling your fingers—but he’s looking at you now like he can’t believe you chose this closeness. This trust.
You lean into his touch instinctively, and when your lips part on a quiet exhale, his gaze flicks down to them. Lingers.
“Can I…?”
His voice is low. Uncertain. Vulnerable.
You nod.
That’s all it takes.
His lips meet yours with ache. Like he’s wanted to do this for years but never thought he was allowed. There’s no rush—only reverence. His mouth is warm, soft, tentative at first.
You kiss him back slowly, cupping the side of his neck where the stubble meets the sharp angle of his jaw.
You feel it then—his body shifting beneath yours, his breath hitching when your hand slides down the structured collar of his combat jacket, fingers grazing the leather between the buckles of his harness.
He groans softly into your mouth when your palm presses against the center of his chest, feeling the flex of his muscles beneath the dense fabric.
His vibranium hand comes to life now—bold where his flesh hand was tender. He traces the back of your thigh, up to your hip, then the curve of your waist, gliding with reverent pressure.
You shiver at the contrast—metal smooth and cool, his flesh hand warm and grounded as it follows just behind.
You tilt into him, mouth parting wider as his tongue grazes yours—gentle, searching. He tastes like heat and tension and restraint. Still, he pauses.
“You sure?” he whispers, breath warm at your mouth. His voice is rough—strained with everything he’s holding back. “We don’t have to—”
“I want this,” you whisper back. “I want you.”
A moment passes. And then he exhales—like you just unlocked something inside him.
His hands slide lower—one metal, one flesh—finding your thighs again. Guiding. Holding. Worshiping.
You rock into him slowly, feeling the tension flood through his body, feeling how tightly coiled he is beneath the tactical armor.
His combat jacket creaks as you push it open—just enough to feel the radiant heat of him beneath it. The black leather parts at his chest, revealing his high-collar undershirt now dark with sweat and body heat.
Your fingers skate down over the thick ridges of his chest—tactile, solid, powerful. His body is a weapon, but right now it feels like it was built for worship.
He shudders beneath you. “Fuck,” he breathes. “You’re…”
He doesn’t finish the sentence. Just kisses you harder.
Your breath hitches as Bucky kisses you again—deeper this time, like he’s finally letting himself feel everything. His hands spread wide at your hips, thumbs brushing slow circles where your shirt lifts from the motion. The contrast between his vibranium fingers and the warmth of his skin makes your stomach tighten.
He pulls back just slightly, lips swollen, eyes dark.
“Tell me if anything feels too much,” he murmurs, forehead resting against yours. “If you need to stop, if you need a break—just say it, doll.”
Your heart stutters at the tenderness in his voice. The man who could kill a dozen enemies without breaking a sweat is shaking for you—asking permission like you’re sacred.
You nod, but it’s not enough.
So you take his face in both your hands—cradling him, grounding him.
“Bucky,” you whisper. “Buck… shhh. You already have my full consent.”
His eyes close for a breath. You feel him swallow hard, like he’s absorbing every word.
“I want you,” you continue, soft but firm. “Do me, Bucky. Do me so well I forget the dark—forget what they did to me. I want to be lost in the pleasure of you… not my past.”
Something snaps loose in him then—not wild or greedy, but pure. Focused.
“Jesus, sweetheart…” he exhales, like the words physically affect him.
Then he’s kissing you again—only now it’s like he’s claiming you. His tongue slides past your lips, his hands gripping your ass as he rocks your hips forward into the thick ridge beneath his tactical pants. You gasp when you feel him—already hard, already aching.
“Been holding back for so fucking long,” he mutters against your throat, kissing down to your collarbone. “Didn’t know if I’d ever get this… get you.”
“You have me,” you breathe, threading your fingers through his hair, tugging his head back just enough to meet his eyes. “All of me.”
His mouth crashes back to yours, but his hands are patient—undoing your shirt slowly, pulling it over your head. He gazes at you like you’re something holy as you sit there in your bra, flushed and panting.
His metal hand glides up your side, cool against your skin. His thumb brushes the underside of your breast with aching care.
“Can I?” he rasps.
“Yes,” you whisper. “Please.”
He peels your bra off with the reverence of someone unwrapping a gift, then lowers his mouth to your chest—trailing kisses, nipping softly until you arch for more.
“Oh my god, Bucky…”
He growls low at that—real and visceral—pulling your nipple into his mouth, flicking it with his tongue. His hands slide down to your thighs, gripping them as he starts to grind up against you.
You can feel him now—hard beneath layers of mission gear—and you can tell it’s driving him mad.
“Fuck this,” he mutters, one hand fumbling with his belt. “Wanna feel you—skin to skin.”
“Let me,” you say, breathless, sliding back to help him. You undo the buckle of his belt, tugging at the fastenings of his combat pants. It’s hot watching him unravel like this—powerful, restrained, but desperate just for you.
When he’s finally freed, you settle back over him—your soaked panties the only barrier now.
He groans deep in his chest when he feels how wet you are for him.
“You’re shaking,” he whispers, thumb brushing your jaw.
“I’m not scared,” you say. “Just… overwhelmed. In a good way.”
He nods slowly. “Me too.”
Then his hands slide beneath your waistband—pulling your panties aside. He cups you, fingers sliding through your slick folds, and his mouth drops open.
“Oh, baby… you’re so wet,” he murmurs. “So soft. So fucking ready for me.”
You whimper, grinding into his hand.
“Need you, Bucky. Please.”
“Not until you’re ready,” he says, even though he’s visibly trembling now. “Let me make sure you’re ready.”
He slips a finger inside you—slowly, gently. Then two. You gasp, rocking down, and he curls them just right, finding that spot that makes you cry out.
“There you go,” he whispers, kissing your shoulder, the hollow of your neck. “Just like that. You sound so good, baby. So goddamn good.”
You bite down on his name again and again, body shivering in his lap.
And when you’re practically dripping, panting, begging—he finally slides his fingers out and aligns himself at your entrance.
His eyes meet yours. Steady. Reverent.
“Tell me again, doll.”
You smile, even as your thighs tremble.
“I want you inside me, Bucky. All of you. Fill me up. Make me forget everything else but this.”
His eyes go wild.
And then he pushes in—slowly, thickly, stretching you until your head falls back and your nails dig into the harness at his shoulders.
You both groan at once—like something inside you finally clicks into place.
His thick length pushes into you inch by inch, and you both gasp—your nails digging into the fabric where his harness used to cling.
It’s like being filled and comforted and devoured all at once.
“God, you feel…” he groans, eyes shut tight. “You feel like fucking heaven.”
But even then, you feel it—the way he’s holding back. Like he’s afraid of doing something wrong.
“Too much?” he asks, voice wrecked, but gentle. “Tell me if I’m hurting you, sweetheart.”
You slide your hands to his face again, kissing him softly. “You’re not hurting me, Bucky. You’re making me feel whole.”
He lets out a shaky breath, burying his face in your neck. His chest is slick with heat, the cotton of his undershirt soaked beneath the open frame of his tactical jacket. You slip your hands between the panels of leather and slowly begin to push it off his shoulders, one inch at a time.
“Off,” you whisper, “let me see you.”
He lets you strip him down—harness unclipped, jacket peeled away with care. You don’t rush it. His shoulders are strong, gleaming with sweat, the thin black undershirt clinging to every hard ridge of muscle.
Once bare from the waist up, he lets you look.
And you do.
His flesh arm is trembling with restraint. His vibranium arm flexes as he braces it behind you for balance. Every scar, every contour of his torso feels like a story you want to read with your hands and mouth.
But Bucky’s still searching your eyes.
“Is this okay?” he asks again, whisper-quiet. “Do I feel good inside you?”
You can barely speak through the pleasure.
“Bucky… baby, yes. You feel incredible.” You cup his cheek, run your thumb over the stubble there. “Don’t hold back so much. I want this. I want you to feel good too.”
He nods slowly, but the doubt still flickers behind his eyes.
So you lean in, your lips brushing his ear.
“You don’t have to prove anything, Bucky. You don’t have to be perfect. You just have to be here with me.”
Something breaks in him then—a quiet surrender.
He kisses you with renewed purpose, one hand on your lower back guiding the motion of your hips, the other clutching your thigh like he’s trying to anchor himself to the moment. You ride him slowly, your wet heat grinding against the base of his cock, and he’s moaning freely now.
Still, you feel him pull back.
“I… can’t stop thinking about how good you taste,” he admits, voice shaking. “Can I…? I want my mouth on you.”
You blink, breath catching in your throat. “Yes,” you whisper. “Please, Bucky.”
He helps lift you off his lap slowly, reverently, hands firm and supportive. Once you’re laid back against the cool floor of the vault, your clothes already half-peeled away, he settles between your legs—kneeling, broad shoulders framed by the black of his tactical pants, sweat glistening along his chest.
“Tell me what you like,” he murmurs, placing a kiss to your inner thigh.
“Start slow, Bucky… build me up. Use your fingers too, honey.”
He groans—low and deep, like you’ve just given him the most intimate gift.
“I’ll take care of you,” he promises, and lowers his head.
The first swipe of his tongue is slow, deliberate. He tastes you like he’s learning you—mapping you with the flat of his tongue, pressing in and pulling back, watching every reaction.
You moan, head tipping back, hips already rising into him.
He hums softly, as if to say I’ve got you.
Then he slips one thick finger inside, curling it just right.
“Oh—there, Bucky… just like that, baby…”
“Yeah?” he whispers, glancing up, his chin already wet with you. “That's your spot, baby?”
You nod frantically, thighs trembling around his head.
He keeps going—tongue flicking, finger stroking, his vibranium hand pinning your hips down with perfect pressure. He’s moaning against you now, like your pleasure is the only thing keeping him alive.
You tangle your fingers in his hair, grounding yourself in the soft strands and the gentle scrape of his stubble against your inner thighs.
“Fuck, Bucky… you’re so good at this. So good for me, baby…”
He groans like praise is gasoline and you just poured it on his fire.
“You’re the sweetest thing I’ve ever tasted,” he murmurs against your slick folds, then sucks gently on your clit. “You’re everything.”
Your orgasm slams into you so fast it nearly knocks the breath from your lungs.
You cry out his name—“Bucky, Bucky—Bucky!”—as your back arches, thighs shaking, pleasure crashing through you like a tidal wave.
He doesn’t stop until you’re too sensitive to take it, until your fingers tug gently at his hair. Then he presses a kiss to your thigh, then your stomach, then your lips—bringing you back piece by piece.
“I’ve got you,” he murmurs, holding you close. “I’ll always have you.”
You’re still panting against his chest, your cheek against the heat of his skin, his pants still halfway undone.
And you’re not done yet.
Your body is still humming, your thighs shaking from the aftershocks of his mouth, his hands, his worship.
And yet, something inside you still burns—not from need, but from ache. From how much you want him. Not just his hands, not just his tongue. You want the whole of him inside you again—bare, deep, as close as humanly possible.
You reach for him, voice breathless. “Bucky…”
He’s already halfway leaning over you, brushing your hair off your forehead, looking at you like you hung the damn stars.
“I’m okay,” you whisper. “I promise, I’m okay. But I need you now. I need you to feel me. To lose yourself in me.”
His jaw flexes. His pupils are blown wide, lips parted, sweat dotting his brow. “You sure?”
You nod, more urgently this time. “I want you inside. All the way. Bare. Please, Bucky…”
He curses under his breath—something raw and aching. His hand slides down your stomach, thumb brushing your hip. “You’re gonna kill me, sweetheart.”
You lift your hips, brushing against him again—his cock hard and hot, leaking against the waistband of his still-partially fastened tactical pants.
“I want to feel everything,” you whisper, cupping the side of his face. “Please. Just for tonight… let it be everything.”
He hesitates. He leans down and kisses you again—slow, deep, tender. Like it’s a goodbye and a homecoming in one breath.
“I’ll give you everything,” he murmurs against your lips. “Except one thing.”
You blink up at him. He hovers just above, arms braced on either side of you. His vibranium forearm is tense, grounding. His flesh hand cups your cheek.
“I’ll fuck you slow. Deep. As long as you want. But I can’t finish inside you. Not yet.”
Your breath catches.
“Why?” you ask, voice barely above a whisper.
He swallows hard. “Because that’s… not just sex for me. That’s something I only give someone who’s mine. And I don’t know what we are yet.”
You stare up at him, your heart clenching—but not from pain. From something deeper.
He wants you. He respects you. He wants to mean something to you, not just in the dark.
“Okay,” you whisper. “Then give me everything but that.”
His eyes darken. “Gladly.”
—
He shifts his weight, letting his pants slide lower around his hips, just enough. Then he lines himself up, the tip of his cock brushing your folds—slick and ready.
“You’re perfect like this,” he murmurs, guiding the head against your entrance. “So soft. So warm.”
You moan as he slides in again—slow, controlled. Inch by inch until he bottoms out, and both of you are panting.
“Fuck, honey… you take me so well,” he growls, kissing your neck. “Like you were made for me.”
You wrap your legs around him, heels hooking into the waistband of his pants.
“More,” you beg, voice cracking. “Please, Bucky… move. I need to feel you.”
He starts slow—long strokes, deep and deliberate. The friction is intense, overwhelming. You feel every ridge of him, every flex of muscle as his hips roll into yours.
He watches your face with every thrust.
“You feel good, baby?” he whispers, his voice low and reverent. “Is this what you needed?”
“Yes,” you gasp, fingers clawing into his sweat-slicked back. “God, yes.”
His pace builds—still steady, still controlled—but deeper now, the rhythm perfect. Your moans echo against the vault’s steel walls, your hands scrambling for purchase on his arms, his shoulders, anything you can hold onto.
Every time he pulls out and pushes back in, it knocks a cry from your throat. And Bucky watches you—drinks you in—like your pleasure is the only thing keeping him sane.
“You’re doing so good for me, sweetheart,” he breathes, kissing your cheek, your temple, your collarbone. “So fucking beautiful when you fall apart.”
And you do—again.
You sob his name, body trembling, core clenching around him as a second orgasm rips through you. He holds you through it, whispering filth and comfort in equal measure.
“That’s it, baby… give it to me. You’re perfect. So goddamn perfect.”
He starts to stutter inside you. You can feel the tension in his body—how close he is.
But true to his word, he pulls out at the last second, groaning low and deep as he fists his cock and spills over your lower stomach. Hot, thick, his breath shuddering against your mouth as he curses softly into your skin.
You cradle his face, even as he’s coming undone.
“I’ve got you,” you whisper, echoing his words. “Always.”
He collapses gently beside you, pulling you against his bare chest, both of you panting. The vault is still cold. Still dark.
But in the quiet afterward, there’s no fear. No past. Just the sound of your breath syncing with his.
Just you and Bucky. Raw. Uncovered. Real.
It’s quiet.
The kind of quiet that settles after something seismic.
Bucky lies beside you, the sweat cooling on his chest, his vibranium fingers slowly tracing the edge of your waist like he’s memorizing the shape of you in silence.
He hasn’t said much since. Just the occasional kiss to your shoulder. A sigh. A swallow. A glance that flickers away too quickly.
You shift toward him, your cheek against the firm warmth of his bare chest, the soft thud of his heartbeat loud beneath your ear.
“You okay?” you ask softly.
He stiffens—just slightly.
“Yeah,” he says. Too fast. Too practiced.
You lift your head just enough to see him.
His eyes are fixed somewhere far away. That distant look—the one you’ve seen in briefings, in bunkers, in quiet hotel rooms between missions. Like he’s back somewhere else entirely.
“Bucky.”
He blinks. Turns toward you.
And then, quietly: “I’m sorry.”
Your brows pull together.
“For what?”
“I…” He swallows. “I shouldn’t have let it happen like that. I should’ve had better control. You were vulnerable. Scared. I should’ve restrained myself more. Waited. Been better.”
He won’t meet your eyes now. His hand is still on your waist, but his fingers falter—like he’s bracing for you to pull away.
“You think you took advantage of me?” you ask, your voice calm. Steady.
His jaw clenches. His silence speaks for him.
You sit up just enough to cradle his face in both hands. He flinches at first—but doesn’t pull away.
“Bucky. Look at me.”
His eyes lift, slow and uncertain.
“I gave you everything tonight. Every touch, every breath, every piece of me was freely yours. Do you hear me?”
He exhales, the guilt still simmering in his throat. “You were shaking. You asked for help. And I…”
“You didn’t use me,” you say firmly. “You saw me. And I saw you. I’ve never felt safer letting someone touch me than I did with you.”
His shoulders sag like he’s been holding up an entire wall of shame. You lean forward, pressing your forehead to his.
“I’ve wanted this,” you whisper. “Not just the sex. You. The man under the armor, behind the walls. You didn’t take anything from me—I gave it. Happily.”
His breath stutters, and he nods—just once—but you feel the emotion welling in him, deep and quiet.
“This changes things, doesn’t it?” he says after a long pause.
“It does,” you reply softly. “Because now I know for sure.”
He searches your face. “Know what?”
You smile, small but sure.
“That I want more with you. Something real. Something personal.”
For a moment, he doesn’t say anything. Then he lifts your hand and presses a kiss to your knuckles like you’re something sacred.
“I want that too,” he murmurs. “But I’m scared I’ll mess it up.”
“Then we’ll take it slow,” you say, leaning into his touch. “And if you stumble… I’ll still be here.”
He pulls you into his chest and wraps both arms around you—one flesh, one vibranium—and buries his face in your hair.
You lie there like that, tangled in warmth, his chest rising and falling in quiet rhythm. The vault walls are still around you, but they no longer feel like a prison. Just a place where something true began.
Minutes pass.
Then—
CLANK.
The door seal hisses. Metal shifts.
You both blink, adjusting to the sudden flood of white-blue light spilling in through the widening crack.
“Yo!” Sam’s voice echoes into the space, half relieved, half exasperated. “Took us a damn hour to override the outer security.”
“I told you it was a dual-layered code protocol,” Joaquin mutters behind him. “No one listens to the tech guy.”
You scramble to pull your shirt over your shoulders, tugging it down hastily as your bra remains somewhere behind you. Your hands are shaking, but not from shame. Just adrenaline. Bucky reaches for his gear without a word, dragging his sweat-damp undershirt straight and grabbing for his discarded combat jacket, slipping one arm through, then the other. His chest is still bare, the zipper only halfway up. His tactical pants are back in place, loosely refastened.
You catch the flicker of his eyes—darting to you, then away. Not panicked. Not guilty. Just private. Guarded in the way only someone who just handed over their soul could be.
You reach for his hand before he can tug the glove back on. Your fingers catch his—bare, steady—and hold. Warm. Sure.
As the door creaks open and footsteps echo inside, Bucky helps you to your feet—tactical gear still halfway undone, but shoulders squared. Like he’s ready to face the light, even if it blinds him a little.
Sam steps in, blinking at the scene. “You two good?”
Bucky clears his throat. “Yeah.”
You glance up at him, smiling.
“We’re good,” you say, reaching for his hand again. “Better than good.”
He gives your fingers a squeeze. And for the first time in a long time, Bucky Barnes smiles—not the forced kind. The real kind.
The kind that says something new has started.
—Epilogue:
The hum of the jet was soothing. After the chaos of the HYDRA vault and the long extraction, the warm, low-light interior felt almost indulgent.
You were curled into your seat, wrapped in a mission blanket, legs tucked under you. Across the aisle, Bucky sat in his usual brooding posture—but something was different now.
He wasn’t scowling.
He was… smiling.
Not wide. Not obvious. But every time you looked up, his mouth quirked at the corner, like he couldn’t help himself.
You gave him a slow, knowing wink.
He tilted his head just slightly, one brow lifting. That little look he gave you now wasn’t Winter Soldier. It wasn’t even mission-serious Bucky.
It was something warmer. Something just for you.
You stifled a smile and looked back down at your hands, the ghost of his fingertips still lingering there.
From the cockpit, Sam’s voice carried:
“Okay. No offense, but what the hell happened in that vault?”
You and Bucky both froze.
Joaquin didn’t even look up from his tablet. “What makes you ask that?”
“Oh, I don’t know,” Sam called, tone dripping with sarcasm. “Maybe because Bucky Barnes hasn’t stopped doing that smug little post-makeout lip twitch for the last thirty minutes.”
You shot Bucky a look. Bucky buried his face in his glove for a second, fighting the urge to visibly react.
Sam walked into the cabin a moment later, narrowed eyes flicking between you and Bucky like he was connecting red strings in his mind.
“You two didn’t die in there,” Sam said, “but someone sure as hell came back… reborn.”
You choked on your water. Bucky turned pink immediately.
“I’m just saying,” Sam added, settling into his seat, “next time you get stuck in a vault, give me a heads-up. I’ll bring candles. Maybe some background jazz.”
Joaquin muttered without looking up: “Let them have their trauma bonding, man.”
You and Bucky locked eyes again.
And this time, the smile broke through on both your faces—quiet, real, and a little reckless. Like two people who just learned they could still feel something soft in the middle of all the noise.
Soon after, your phone buzzes in your palm.
You okay, doll?
You looked up across the narrow aisle. Bucky was slouched in his seat—jacket halfway zipped, his glove still hanging from one hand. His gaze was fixed on the floor, but you could tell from the way his thumb hovered near his screen that he was waiting.
You smiled faintly and typed back.
better than okay. but also very distracted 😏🤭
You peek up from under your lashes.
He tilts his head just slightly, brow lifting—not cocky, just curious. That cautiously hopeful kind of curious.
Distracted how?
You glance around—Sam’s still up front, muttering about fuel efficiency. Joaquin has earbuds in, totally checked out.
Safe.
You lean into your seat, thumbs flying.
pretty sure i’ve been half-wet since you suited up in that whole lethal-sexy vibe 🫦🖤 trying so hard not to stare
You hit send. Bucky reads it instantly—and something in his body shifts. His posture straightens, then tenses. One hand lifts toward his face like he’s trying to hide the smile pulling at his lips.
You serious?
You watch the way he doesn’t quite look at you now. Like if he does, he’ll forget the jet has other people on board.
You’re grinning as you type your next reply.
dead serious. pretty sure i’ve been soaking on every mission with you lately 💦 you and that jacket?? literal war crime.
This time, he looks.
Just for a second—but it’s sharp, fast. His eyes cut to you and then he’s dragging his hand over his mouth like he’s trying to wipe off the heat rising up his neck. His jaw flexes hard.
He types back slowly.
You're killing me, doll
You bite your lip, sliding your phone just out of Sam’s line of sight.
Then you fire back the final blow.
too late, soldier 🤭 game’s already on 😌
Across the aisle, Bucky shifts again—this time slower, almost like he’s trying to physically will his body to behave. His jaw twitches. His fingers flex. And for the first time in what feels like years, you watch him lose the fight to suppress a smile.
#bucky barnes x reader#bucky barnes smut#bucky barnes#bucky barnes x you#bucky barnes fic#bucky x reader#bucky x you#bucky barnes one shot#bucky barnes imagine#જ⁀➴ by elle#bucky barnes emotional fluff#hurt/comfort
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Modern Eclectic (CC Pack for The Sims 4)
I pictured this late-night scene in the Landgraab estate as pure drama. Geoffrey and Nancy, whispering on the ivory sofa, under the soft glow of the chandelier like they’re hiding something. Johnny Zest lounging on the loveseat, looking way too confident, like he already knows he belongs back in the family. And there’s Malcolm, standing across from him, arms crossed, clearly ready to explode, furious that Johnny has secured his claim once more in the family. You can feel the tension.
Everything in the room adds to the mood, a modern eclectic vibe with an urban twist. There’s a classic torso sculpture standing right next to graffitied walls, curvy coffee tables sitting on a rug with a street-style pattern, and this massive, bold, angular mirror. It’s modern, it’s messy, it’s got a story.
This was inspired by my love of art galleries and the luxury-meets-street vibe. And I wanted this pack to feel like that. I made sure every surface and swatch could flip from sophisticated to edgy. Like you could take it anywhere: elegant and refined one minute, bold and rebellious the next.
That’s what the Modern Eclectic CC Pack is all about. It’s yours now, go ahead and write your own scene. And if you do, tag me. I’d love to see what kind of chaos (or beauty) your Sims bring to it.
About this CC Pack
This CC pack includes 27 items
Build: 2 wood floors, 3 paneling walls (classic and modern styles)
Comfort: Fluffy armchair, Loveseat, Sofa
Decorative: Graffiti decals, Tulip centerpiece, Fireplace, Oversized mirror, Classic framed painting, Modern canvas painting, Rectangular rug, Skateboard sculpture, Male torso
Lighting: Chandelier in 3 ceiling sizes, Floor lamp, Male torso stand lamp
Storage: Console / dresser
Surfaces: 2 versions of a center table (coffee table), Iron and wood end table, Marble pedestal-style end table
GET EARLY ACCESS HERE
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