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MR. TELEPHONE MAN!
"𝘔𝘳. 𝘛𝘦𝘭𝘦𝘱𝘩𝘰𝘯𝘦 𝘮𝘢𝘯, 𝘵𝘩𝘦𝘳𝘦'𝘴 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘸𝘳𝘰𝘯𝘨 𝘸𝘪𝘵𝘩 𝘮𝘺 𝘭𝘪𝘯𝘦! 𝘞𝘩𝘦𝘯 𝘐 𝘥𝘪𝘢𝘭 𝘮𝘺 𝘣𝘢𝘣𝘺'𝘴 𝘯𝘶𝘮𝘣𝘦𝘳, 𝘐 𝘨𝘦𝘵 𝘢 𝘤𝘭𝘪𝘤𝘬 𝘦𝘷𝘦𝘳𝘺 𝘵𝘪𝘮𝘦!"
Synopsis: Pick up, pick up, pick up— still no answer. Desperately trying to reach you after your argument, Boothill finds himself repeatedly directed to the operator's automated voicemail. 'Please hang up and try again, baby.' Genre: Comfort, fluff Character: Boothill x gn!reader Warnings: Established relationship, mentions of Dan Heng, a little strayed from canon events maybe, slightly ooc, mentions of prior argument, slight angst if you squint, half of the fic is just Boothill and Dan Heng having a heart to heart bro talk lol [masterlist] [about me]
Boothill cursed himself silently, though as vigorously as he could manage since his synesthesia beacon was malfunctioning. Walking briskly around the Parlor car, phone gripped tightly in hand, he couldn't escape the relentless sound of the dial tone on repeat. Meanwhile, Dan Heng observed him with a quizzical expression, one brow arched in curiosity.
Witnessing Boothill in such evident distress was a rare sight for Dan Heng. The ranger typically exuded an aura of nonchalant confidence, often adopting a "fudge it, we ball" attitude towards life's challenges. Consequences were either dealt with head-on or circumvented through sheer audacity.
Reckless. Yes, that word seemed to define him perfectly. And perhaps that's why he was so visibly agitated now. Boothill's thumb hovered over the name 'sweetcheeks' on his phone, a term that made Dan Heng cringe inwardly, yet he dismissed it knowing it was a manifestation of love.
"May I inquire as to your purpose for boarding the Astral Express today? If your intention is merely to cause a disturbance, I suggest you reconsider," Dan Heng stated firmly, crossing his arms and adopting his usual stoic expression, his brow arching slightly. While he and the other nameless welcomed all aboard the Express with open arms, Boothill remained a figure of caution, especially given recent events, despite the significant assistance he had provided.
"What? Ain't you the one who said I could drop by anytime?" Boothill retorted, his frown deepening as he clicked his tongue disapprovingly. His attention flickered momentarily to his vibrating phone before returning with disappointment when he heard the all-too-familiar phrase that had been echoing for the past half-hour. "Sorry, please hang up and call again."
"I never made such a claim," Dan Heng countered, a faint hint of amusement dancing in his narrowed eyes as he observed the disgruntled expression on Boothill's face. "Apart from the conductor, Pom Pom, none of my colleagues have had the pleasure of meeting you. It would be prudent for you to acquaint yourself with them before boarding."
Boothill let out a derisive snort, his thumb instinctively jabbing at the 'dial again' button as he locked eyes with Dan Heng. "Aw, come on now. The conductor already gave me the green light. Ain't that sufficient? And you, you actin' like a youngster. Do I gotta meet your folks before I can come over and play?"
Instantly, Boothill regretted his words, his lips forming a tight line as he realized he had overstepped. "Well, shoot. My apologies," he conceded, his voice softened with regret as he retrieved his hat and made his way to the nearest couch, slumping down with a heavy sigh. This was his perpetual dilemma— he was too forthright, too bold with his language. His words spilled out before he could filter them.
Boothill was baffled by his own behavior. Apologizing to strangers or mere acquaintances came naturally to him, the words slipping out effortlessly, whether they were genuine or not. But when it came to you, it was as if his internal wiring malfunctioned. His mechanical body buzzed with static, sparks dancing erratically, and his words emerged in a tangled mess. The simple phrases— "I love you" or "I'm sorry"— seemed trapped behind a barricade, struggling to find their way past his lips.
"Forget it," Dan Heng sighed, striding over to the dejected figure slumped on the couch. "But do enlighten me as to why you're here just to make a phone call, presumably to your significant other? Is it a must to reach them while aboard the Express?"
Boothill simply shrugged, emitting a grunt of frustration before pulling his hat down over his face, a gesture of defeat. "There ain't no signal anywhere else, I reckon. Figured your train might lend me a hand, even just a tad."
As the number continued to ring with no response from you, Boothill finally opened up, his voice softening as he admitted, "Got into a spat with my partner."
With those words, he began to dismantle the barriers surrounding his emotions, allowing them to spill forth within the confines of the Express. Dan Heng listened attentively, offering a supportive presence to the troubled man.
Boothill couldn't shake the feeling of remorse gnawing at him. He knew he had deeply upset you this time, and he had no one to blame but himself. Who wouldn't be hurt if their own partner hurled insults at them, especially when all they wanted was to show care and concern? Boothill couldn't help but imagine how he would feel if the roles were reversed, and the mere thought made his stomach churn.
"I think I really got under their skin— no doubt about it," he muttered to himself, replaying the scene in his mind where you were left with a furrowed brow and glistening tears threatening to spill. In that moment of frustration, he couldn't fathom why you would bother caring about him. After all, he was no longer flesh and blood; he was encased in metal, his heart silent, and his tear ducts dry.
He couldn't feel pain or sorrow like he used to. So why should you waste your concern on someone who couldn't be harmed or hurt? He couldn't feel anything beyond his face. There was no need for you to worry about him getting into trouble or getting hurt, because he wouldn't feel it.
It was a selfish thought, he admitted, yet at the same time, it wasn't. After all, you were human— a fragile being whose existence could be snuffed out in an instant— while he remained invulnerable. So why waste your energy worrying about him, when he should be the one worrying about you?
As Boothill drowned in his sorrows, his metal hand tapping incessantly on his phone in a desperate attempt to reach you, Dan Heng listened intently, a somber hum escaping his lips as he nodded along.
'Sorry, please hang up and call again.'
Well, fork me.
"Have you apologized?"
"I want to," Boothill admitted, his brows furrowing with guilt. He mulled over various ways he could make it up to you without actually uttering those two crucial words—an apology. Perhaps he could buy you your favorite cake, shower you with affectionate kisses until you couldn't help but giggle, and lavish you with words of admiration.
"That sounds more like a birthday celebration, Boothill. It would be selfish and ignorant of you to avoid apologizing," Dan Heng interjected, cutting through Boothill's thoughts with a firm reminder.
"But— But it's dang near impossible to say those words!" Boothill groaned, frustration evident in his voice as he sat upright on the couch, dialing your number once more, silently pleading for you to answer. "It's like pulling teeth."
"And that's precisely the issue you need to address," Dan Heng replied firmly, his gaze unwavering.
The Ranger slumped back, averting his eyes and releasing a heavy sigh of defeat. "…What do you suggest I do, then?"
"Apologize."
"…you—alright. Fine."
"But apologize like you actually mean it, not just because you have to."
As Dan Heng's words sank in, Boothill felt a sudden jolt of realization. Apologize like he meant it— not just because it was expected of him. The gravity of those words hit him like a ton of bricks, causing him to freeze in place, his wide eyes meeting Dan Heng's steady gaze.
With a nod and an encouraging thumbs up from Dan Heng, Boothill was left to ponder his next move in solitude. Did he truly mean it, this apology? Absolutely. It shouldn't be so difficult to utter those words, right?
His thoughts were interrupted by the familiar automated message playing once more: "Sorry, please hang up and call again, baby."
A small gasp escaped Boothill's lips as he jolted upright, his hands trembling as he fumbled with his phone. Could it be? Was it really you on the other end? "W-wait—! Darlin'? Sweetcheeks? Is that really you?" he stammered, lifting the phone to his ear and pacing in circles, heart pounding with anticipation.
"Forgot my voice already?" Your retort hit Boothill like a punch to the gut, and he could almost see the frown forming on your face. He let out a noise of frustration, his head bowed as he nervously fiddled with the hem of his jacket, rendered momentarily speechless. "Erm— nah. How could I?"
If he still possessed skin and flesh, Boothill was certain his palms would be sweating profusely right now. A man who had faced countless bounties on his head, vanquishing his enemies with a flick of his gun, and executing daring escapes from perilous heights— now reduced to a speechless fool at the mere sound of his lover's voice.
"I, uh… I wanted to talk to you," he finally managed to breathe out, his voice laced with uncertainty. He could almost hear the slight scoff on the other end of the line, a sound that made his heart ache with regret.
"About what? I don't think there's much to talk about after the tantrum you threw at me," your voice came through, laced with a hint of bitterness. Were you being immature? Perhaps. But you had every right to be upset, every right to be salty.
Boothill swallowed hard, his voice barely above a whisper as he stumbled over his words, the apology he wanted to offer caught in his throat. "I- uh, um…" He cursed inwardly, his free hand nervously tugging at a few strands of his hair in a panic.
Darn it, why didn't he ask Dan Heng when the Express would reach the planet where you resided?
"I wanted to say that I…I'm so—" He groaned in frustration, slapping his hand against his face as he gritted his teeth in irritation. Why was it so blasted difficult to express himself? "I-I'm sorry, darlin'. Truly, I am."
The silence from your end only intensified Boothill's nerves, sending a wave of panic coursing through him. Was this it? Were you going to leave him, leaving him to wander aimlessly without a home once more? "Please, sweetheart. I'm pourin' my heart out here," he pleaded softly, his voice trembling with genuine sincerity.
He listened intently, straining to hear any sign of your response. From the muffled sounds of sheets rustling, he could only guess that you might be on the verge of tears again, and it tore at his nonexistent heart. "I'm sorry for…for yellin' and such. I was actin' selfish and ignorant, and I know that was wrong of me," he confessed, his cheeks burning with embarrassment and guilt as he cast his gaze downward.
Desperation clawed at him, the longing for your touch, the warmth of your presence beside him each morning, the comfort of your embrace— it all flooded his senses. He yearned for a home to return to, a sanctuary where he could find solace in your love once more.
"I'll make it up to you, I swear," Boothill vowed earnestly, feeling a spark of hope ignite within him.
He heard a quiet sigh escape your lips, and he squirmed with anticipation, eagerly awaiting your response.
"You've got 10 minutes to get your ass back into our home, right this instant," you blurted out, attempting to inject a joking tone into your words, but Boothill could detect the slight tremor in your voice.
His heart soared with relief and joy at your words. "Alright— okay, I'll be there. Just let me ask Dan Heng when we'll be arriving, alright?" he replied eagerly, his demeanor brightening considerably. This was his chance to make things right, to rebuild what he had almost shattered. He wasn't about to let it slip through his fingers.
As Boothill's metal boots echoed through the halls of the Express, his heart lightened at the sound of your voice. "I miss you," you confessed, the sniffle in your tone tugging at his wired heartstrings.
A chuckle escaped him, his hand reaching for the doorknob that led to Dan Heng's room. "I missed you too, sweetcheeks. I'll make it up to you, I swear on my bounty," he promised, determination lacing his words.
He could sense the relief in your giggle as you bid him goodbye and hung up, prompting him to knock on Dan Heng's door. "Yo, bro! When we makin' a stop at my planet?"
"We're not," Dan Heng's muffled voice responded, causing Boothill to freeze in his tracks. "We're stopping at Penacony to go to The Reverie to pick up my colleagues."
"…We're what."
#honkai star rail#hsr x reader#honkai star rail x reader#hsr fluff#hsr imagines#hsr boothill#boothill x reader
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can u tell me. who are hal and dave and What is their Problem
oh man. anon this is such a question. I was trying to NOT have this be a million years long but i ended up going down a rabbit hole and this turned into something i wasn't intending.

IN BRIEF dave bowman and hal 9000 show up in roughly the third act of both the original 2001: a space odyssey movie and first book (then later in the subsequent novels of varying continuity: 2010, 2061, and 3001) on a mission purportedly to study the jovian system (saturn in the book and jupiter in the film), hal is the supercomputer that controls the functionality of the discovery one spacecraft that dave is mission commander of. I go back and forth on just HOW much I agree that the astronauts read as totally robotic but as a parallel/foil to hal I do really like that interpretation and I think it adds a fascinating dimension to dave and hal's dynamic as the mission's captain being somewhat like an automation himself and the sentient, living tool on board the ship who grows to become more perceptibly human-like with time.
hal is programmed for complete rationality though, and is given a command by mission control prior to takeoff to keep the actual objective (that the discovery mission is intended as a first-contact mission and is liable not to return in the detailed timeframe), essentially lie to the awake crew. this goes against his protocol and starts making him flip out, make increasingly more "irrational" decisions and errors until he goes through what is functionally a mental breakdown and kills frank, disconnects the life support of the other astronauts, and locks dave out of the ship temporarily which forces dave to make his way back in and manually shut hal's higher logic center down. genuinely kind of devastating, especially how it's portrayed in the movie and in conjunction with the fact of the matter that this man just had to kill his last living friend on a long, lonely mission to outer space. interestingly there's very little malice held towards hal on dave's part (especially in the novel) and I feel a common interpretation of that scene is that dave reads genuinely mournful during it, indulging hal as he's losing his higher brain function and asking if he can sing "daisy bell" to dave as he was trained to do in early development. something of an ill-fated pair of lovers to say the least.
this is where things start getting longer and even more rambly so the rest is under the cut. pulling from a few things, including dominic janes's "2001: a queer odyssey" which is a queer reading of the film that i find interesting in many ways even though i dont find all the points totally (or um. at all) salient within the reading. but that is beside the point, we're picking and choosing because u dont need to agree with everything in a source to cite it and this isn't getting turned in for peer review. tl;dr they have So Many Problem and i'm so used to reading between the lines for them that the gaps in the lines are ten miles wide to me. but they did shape my formative ideas about love. do with that what you will
I'll talk subsequent books in a minute but what does get me about the two of them, hal in particular - especially from a visual sense, particularly in tandem with the film's composition - is the sense of a combined curiosity and slight voyeurism we get from hal's presence on the ship. he's basically just a camera with a voice insofar as physical representation goes so we see the astronauts thru his eyes to start (dave literally so, since his introduction is in the camera reflection) we see their weird stilted daily routines we see them in kind of quiet/idle moments, it's easy to read into it as like ok all this computer is doing is Looking At Men huh. it's perhaps low hanging fruit but it's an element I think one could easily pick up on nonetheless AND there is something interesting about being a sentient (heuristic, as the H in his name textually indicates hehe) computer with an all-encompassing perspective of this ship you've been put in charge of, basically learning human mannerisms and understanding behavior in an enclosed natural state from the astronauts you're interacting with every day who have in turn come to think of you as a fellow crewmate. it's charmingly intimate and walks a line of being that additional crew member (seen as "alike" wrt humanity) while also kind of being an accepted voyeur (seen as "other") who sees all the people in your care 24/7 including at their most vulnerable.

I feel like im losing the plot a little but also want to note this idea of hal being in a role of relative servitude also which dominic janes highlights in his queer reading of the film as an interesting parallel to a thematic trend in media of the time with the "perceived perversity of a male who chooses to be in service" as seen in the 1963 film The Servant which i also presume he is reading into as having themes of queerness due to the question and reversal of master/servant roles in it (not unlike the dynamic between hal and the astronauts, dave especially being mission commander) and the lead's closeted homosexuality at the time. ok im done with that tangent i just thought it added an interesting dimension.
anyway um. dave. we get a little more focus on him as an active character in the film and in the immediate sequel novel 2010 than on frank (who I do love but we just kind of don't get AS much textual info about him prior to the 3001 novel. I haven't forgotten about him but he is sort of tertiary to the dynamic in this spiel). we don't really get anything in the film in particular about dave's family versus frank's, who we see sending him a transmission (they do mention dave's parents in passing but that's kind of it), but in the novel 2010 we get more information on his childhood and how his older brother died tragically, how he only ever had one romantic connection during his life (his brother's ex girlfriend, which is so weird and has its own baggage and implications I could go on about for days), how his father died in an accident too, how his mother seems to be the last living person following his disappearance with any significant tie to him and she's been left on her own in a nursing facility.
he's just got this profound, singular loneliness to him as a character, which I think works well even taking into consideration the "impersonal" or "robotic" character interpretation because whether it's his stilted mannerisms or this sense of tragedy and loneliness about him, there is something that reads as "other" about dave. in addition, janes describes his presence in the film and early drafts thereof as "positioned outside the family unit", something i think rings true even taking into account these details we glean from his background as told to us in 2010. which all loops back around so bitterly when dave has to be the person in 2001 to witness the rest of his crew members die and be the one to deactivate hal, a crew member in his own right, and be alone on a derelict ship for MONTHS in the wake of that before reaching jupiter/saturn and the alien dimension that opens up there, getting sucked into it and turning into what is basically a cosmic research probe by ancient disembodied aliens.
so okay. we have doomed astronaut/doomed supercomputer yaoi i guess, per the original book/movie, endcapped with a scene that can be read as full of regret and even compassion as said computer functionally dies in dave's arms after racking up a very sudden paranoia-induced body count. we got one guy dead another disappeared via god-aliens by the end of this whole thing. so it goes into 2010: odyssey two, which i wont describe in great detail but does resurrect hal as a new crew of astronauts try to retrieve the abandoned discovery one ship currently orbiting jupiter. dave shows up as a newly-awakened sentient "star-child" altered as a living probe for these god-aliens (the firstborn) to assess emerging species/civilizations as fit for their interference and allowing for higher steps of evolution. it's a whole thing, this is where the black monolith i only mentioned in brief previously comes from, clarke has a whole Thing with evolution as an almost religious phenomenon in these books and in childhood's end which is interesting but for another time.
anyway. we finally get the dave/hal reunion tour near the end of 2010 when - despite the purported change in dave's nature to be "beyond" human emotion - we're told that he could never truly hate hal or hold his wrongdoings against him and even goes so far as to take an act of confrontation/rebellion against the firstborn's insistence on using him as a tool for their weird extraterrestrial evolution proving schemes and flat out requests that he be allowed to take hal with him so he won't be alone in this new life.
which like. this is a moment that really gets me in that hal is given a second chance by the person who had to put him down and would realistically possibly still hold that against him, yet doesn't. and dave willingly instead questions the extradimensional alien overlords in order to give him that chance and basically spend foreseeable eternity with hal. HELLO. also peep the dog motif lol
i'm kind of glazing over 2061 to skip very briefly to 3001, where dave and hal show up for the last time to issue a sort of last heads-up warning to humanity about an impending Evolution Event triggered by the firstborn. this time they're a little different though, as through only vaguely-explained means they've become a singular data-based lifeform from the monolith dubbed halman. there's probably a number of ways you can take that, but my take is just that you really must love someone a lot to achieve a level of closeness that leads you to becoming a single godlike entity of dual consciousness.
jay boylan wrote a really lovely essay called "Hal in 2001: a space odyssey: the lover sings his song" where he posits "the emotion which is the sign of HAL’S “humanness” is love. As the craftsman cherishes his tools, so the tools would cherish the master if they could" which just makes me absolutely SICK (complimentary) thinking about. and i do think it rings true of hal as a character and of his parallel/cyclical relationship with dave. when "all" hal was was a computer he explicitly states he enjoys working with people, he did and does care about humanity and the astronauts who care about him in turn. when dave ascends to become the star-child - a tool for the firstborn - and hal joins him, freed of the constraints of being "only" a machine, this is a decision made out of love on the part of someone who now understands what it is to BE the tool in question and recognizes hal in the text as a vestige of humanity in and of himself.
dave and hal are this simultaneously heartbreaking and heartfelt ouroboros of a master-servant-man-machine-human-inhuman dynamic that devours itself in search of an answer to "what are we" only to find that eventually the answer is "you/me/everything". slightly delusional perhaps but i DO think that clarke was aware in some capacity of the implications and possibilities of their dynamic as he wrote the subsequent books just because the care and closeness encapsulated in the small details of their dynamic feels. hard to ignore. this all has enchanted me and driven me insane since picking up the movie and the books in 2015. i'm sorry this turned into something probably entirely deranged but i have never properly put the emotions and thoughts on these 2 in my mind into any kind of organized words so. here they are. they have so many problems. this is what's up with hal and dave. thank you for your patience if you made it this far
#ask#anon i am SO sorry to have dumped a yuge analysis on you in response to a simple question but also thank you for inspiring me to get into i#space odyssey#long post#hence the readmore. but if you do decide to read it well. i appreciate you
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The Black Market
Space is big. I mean... really big. Like even bigger than a really big rock.
And boring.
But sometimes you get an encounter...
Boring is the worst part.
You can go into space and there's all sorts of cool stuff like the microgravity, the amazing view... and after a while it's just dark and the computer goes 'Boop' every quarter time unit, and this amazing experience collapses into the same space as e.g., being in a nursing home until someone tells you that you've arrived, and you can go look at cool stuff again.
Hence Interstellar Cruise Liners.
Space travel is still not cheap - even a run up and down a space elevator needs paying for, so you want to take as much cargo and paying passengers as possible.
With automated shipyards, you can just pour money and resources into building a truly huge passenger module, stack it on top of some cargo modules and clamp on as many drive units and crew modules as you need.
Load everyone in, let them ooh and ahhh at the view for a day then spin up a gateway and fire the whole thing into superluminal space and drop it out around any world you have a beacon for.
The really great thing is even if you lose the beacon in transit, you are a beacon. Just drop out and wait. Anything goes wrong, the home office can send a rescue ship after you.
In the meantime, there's the ship's amenities: The lush mossy jungle deck, the galactic beach, the games rooms, the dining groves, the on-board university - Even the theatre for live and recorded entertainment.
Still passengers like to have an experience, and so the Sunward Sail out of Ggxcha with seven hundred passengers dropped out of Superluminal space, the bow wave of exotic particles heating the backstop up to a glowing red.
The Sunward Sail dropped into a lazy orbit around an ancient planet, orbited by a big station trailing glittering wreckage - Obviously something dramatic had gone down here.
The lights were on though - So not a derelict station - and the docking was smooth, so the first set of tourists stepped onto the station, onto the Market deck.
So much to see! So much to do!
Madam Shi-shi's bakery run by a happy Tsin selling classic Tsin pastries, and exotic purple rolls with various filling and other goods.
The Top n' Charmed Quarks Bar with the scarred Atrix obviously a veteran of some war or calamity, serving exotic and colourful drinks:
"Dare you try the Human Menu?" she suggests, pulling it out. "Watch out, the Temple of Shir-li is banned in twelve systems..."
They even have a chance wheel!
Then there's Honest Gar's Genuine Human Antiquities, the wares spilling out from the shop in a riot of colours and patinas, where one can buy a genuine antique reproduction Victorian Empire TV, or a genuine Human Made Brown's Kitchen Imp that can tell you how to make a thousand and five human style recipes with a little sheet glass projection hologram of a human in glasses and red horns. So quaint!
And if you get to the end of the market, or one of the traders tips you off, you can find...
The Black Market
There's someone there, a weathered old... unless they were young... spacer, in a patched and scuffed EVA undersuit with 43 on the chest, who'll spin you unbelievable tales for a couple of creds dropped into the old cracked space helmet he keeps on the table next to him and if you ask, he'll let you in -
The back rooms are dark, rowdy, and full of the coolest stuff. There are lots of humans here, and there's an Atrix little guy, with a set of goggles, riding low on the belly of this Atrix Mech.
If you're lucky you can see one of the humans with some grudge square off agianst the little guy. He's surrounded by switches and levers, with a little pair of waldos.
The mech lurches to life, an angry display on its faceplace, growling in a rattling synthetic voice:
Combat mode! Engaged! Polaron Claws. Charging.
It's claws glowing white hot as it swings into motion, and the Human pulls a little cobbled together blaster out and takes a pot shot. The Mech lurches and sparks, warning lights flashing ominously...
Reactor. Overheat. Reactor. Overheat. Emergency. Venting.
The stricken mecha whirls, the little guy screaming in rage and flipping clunky archaic controls... And then when everything seems to be about to go wrong, the mech begins to spray clouds of vapour from it's vents and the alerts wind down, while the scurrilous human takes the opportunity to flee.
It's very dramatic.
And after that you can buy a souvenir arm patch of Cat Fantastic's Mecha with glow in the dark Polaron claws, before it's time to head back - Don't forget to pick up a packed lunch from Madame Shi-Shi's!
--
"Ugh." said Dave, "I don't mind the tourist run but it ruins my appetite" she muttered.
"You shouldn't snack on your own stock." says Big Ma, touching up Gondy's makeup.
Phalanges, helmet off, chin up and enjoying the cool air blower form the converted life support rig that they'd modded into the mecha grunts noncommittally.
"How are we doing boss?" Raxy asks, potting up souvenir Tsin fungus with Atrix moss and human basil.
O'Patel flashes an OK hand sign. "We are... hitting the funding goals. One more shift - This time it's for the bonus pay." he says with satisfaction and Big Ma looks around, checking everyone's ready as someone helps Cat Fantastic back into his cockpit basket and Gondy makes sure there's enough grenadine left.
"OK people... Showtime!"
#station stories#dave the human#phalanges mittens#cat fantastic#humans being weird little guys#atrix#tsin#humans are space orcs
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The trains in my city are fully automated and typically have no staff on board and there are very few downsides to that. The one major downside though is that people literally never get up for disabled people to sit.
Wheelchairs are a nightmare but slightly less of an issue if you’re confident enough to bulldoze your way through since the wheelchair spot is not like on buses where it’s constrained by seats and typically you can squeeze in a wheelchair and stroller or two (or a couple wheelchairs) or move to another carriage (not always). Cyclists also are generally pretty polite unless they’re absolutely exhausted and look like they are about to collapse (and I have a little sympathy then because their getting injured because they can’t use the handrail isn’t helping anyone). The biggest issues are people genuinely not letting you get through the doors or people tripping over you.
People who need a seat though just… can’t. On full buses, I usually have to ask the driver to ask someone to move for me and there’s not staff to ask on the train so people have zero etiquette. Like to the point where I have found what the safest parts of the floor to sit on are where I won’t get fatally trampled. Even when I sit in the floor, people will not offer me a seat. And my mobility aids are not all subtle. I have very bulky platform crutches that are bedazzled with rhinestones and are rainbow coloured on the platform bit. They have a sunflower lanyard attached. I am often wearing braces and other supports. On longer trips or hot days I have a pulse oximeter on another sunflower lanyard round my neck. People aren’t not noticing I’m disabled.
I’m also not going to ask someone to get up because most people sitting on busy lines are people who very clearly need the seat plus a bunch of middle-aged people who would absolutely shout abuse at me for several minutes whilst I try not to faint in a crowded train (has happened). For my own safety I am not going to push beyond a general ‘hey, can I have someone’s seat?’
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The Importance of Choosing the Right Garage Door & Roller Shutter Accessories
When it comes to the performance and safety of your roller shutters or garage doors, accessories aren’t just add-ons—they’re essential components that determine how smoothly, securely, and reliably your system runs. From motors and remote kits to bullet locks and sensors, every part matters.
At UK Doors & Shutters, we provide a wide range of roller shutter and garage door accessories built for long-term performance and total compatibility. Whether you’re installing a new door or replacing a worn part, here’s what every property owner and facility manager needs to know.
Why Using Genuine Spare Parts Matters
It’s tempting to go for cheap accessories or third-party components to save money upfront—but using non-genuine parts can come at a much greater cost in the long run. Genuine parts are manufactured to match specific models, ensuring full compatibility with your motor, control systems, and safety sensors.
More importantly, using genuine parts helps preserve your warranty, ensures safe operation, and avoids the common performance issues caused by low-quality alternatives—like signal interference, lock failures, or shorted circuit boards. If a non-certified part damages your system, you’ll likely be out of pocket for both the part and the repair.
Choosing the Right Garage Door Accessories for Your Setup
Not all setups are the same. A garage door at a home behaves very differently from an industrial roller shutter at a loading bay. That’s why choosing the right accessories is about more than just fit—it’s about function.
We supply and install:
Garage door motors designed for residential or heavy-duty use
Hand crank systems for manual operation in power outages
Bullet locks for high-security applications
Remote control unit kits matched to your motor’s frequency and control board
Photo sensors and safety edges to prevent accidents and comply with UK safety laws
Our team can assess your existing system and recommend the right upgrades, whether you’re automating an old shutter or tightening security at your business.
Maintaining Motors, Sensors, and Remote Units Year-Round
Ongoing maintenance of accessories is just as important as the door itself. Motors should be checked annually for wear, temperature regulation, and smooth operation. Remote units need battery replacements and reprogramming after power surges. Sensors must be kept clean and correctly aligned to avoid false triggers or shutdowns.
At UK Doors & Shutters, we offer preventative maintenance plans to keep everything in peak condition. This helps avoid inconvenient breakdowns and ensures your doors continue working reliably through every season.
Common Problems Caused by Low-Quality Accessories
Low-grade or mismatched accessories are often the root cause of roller shutter and garage door faults. Some of the most common issues include:
Jammed or unresponsive motors
Faulty signal reception from cheap remotes
Sensor failure, leading to unsafe operation
Manual override systems that don’t engage properly
Locks that corrode or seize prematurely
These issues don’t just cost money—they also put your property’s security at risk. That’s why we always recommend professional installation using quality-approved parts.
Book Trusted Service or Supply Online
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For immediate help, call us on 01204 918991
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Our engineers work across Bolton and the North West of England, offering expert advice, quality parts, and responsive support for all your garage door and shutter needs.
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There is no useful way to categorize generative AI as stealing that doesn't also categorize essentially every creative work ever made as stealing.
Further, there is no way to develop generative AI which does practical things, like translation and protein folding, without developing generative AI which does literally anything else, because protein folding, translation, and making a creative work are functionally the same process from a programming perspective, and programmers tend to like open source things.
These things are pretty well established, but also seem to routinely be ignored. So why? Well, I have some speculation about why people might be wrong on the internet. A number of these things may be true in any individual of course.
They just don't know these things to be true, despite them being true, because they haven't heard them yet.
They have heard them but don't believe them, because it would be convenient if these things were not true (because they also have one of the later reasons too)
It's part of an ideological package deal they picked up somewhere, picking up some components of the ideology means they must pick up the others, and part of the highly online progressive ideological package is "anything made by a programmer that attracts media attention must necessarily be bad"
Everyone wants to be an artist, but they see potential competition. Thus, the competition must be defamed. It is also socially acceptable to lie, exaggerate, or generally wildly speculate about machines, so absurd easily disprovable claims get repeated.
People remember how much fun it was to bully cryptocurrency people, because they were a relatively small community that clearly signposted themselves, skewed ideologically right-libertarian (an extremely rare ideology in the real world and thus a desirable target), and defined themselves around a product that made very little financial sense and was impractical for basically everything (and was made by and for goldbugs but that's beside the point). They then assume, partially because of option 3, that anything that programmers make must necessarily make little financial sense and be impractical for basically everything, even when this is not true, and then assume therefore bullying Generative AI people might also be fun, because "they're basically the same thing"
Having enemies is fun in general, and a decently insulated mid-sized community has decided AI people are an ideologically acceptable enemy to have, so if you're going to have an enemy, why not have them as the enemy?
Valorization of certain forms of labor over others. (why is the corporate artist more important to defend than the auto worker who got automated out of a job earlier?)
Desperation for there to be something humans are better at than a sufficiently well-programmed computer, they already dominate board games and repetitive industrial tasks, and now they're coming for slightly less repetitive tasks, and if we don't have slightly less repetitive tasks, what do we have?
Fear of SEO spam and people using AI to lie on the internet (this is a particularly weird one because we already have SEO spam and it's comically easy to trick people on the internet, and it's doubtful generative AI would make either of these problems worse. I've seen people reblog the most obviously fake things like they're real! Using AI to lie on the internet would be like trying to kill an ant with a nuclear bomb, it might work, but also you could just lie about someone pretty directly or create a fake post that you claim is from an opponent and then mock them for it, and basically no one is going to check it. This particular moral panic is actually recycled from when photoshop was new)
Maybe they just genuinely do want more restrictive copyright law that allows companies to maintain very close control over their IP? I have seen this take in the wild but not so much in my tumblr circles, generally it's something about "fanworks butcher the source material and parodies are often lazy or shallow, therefore IP should be more restrictive to prevent those things from happening."
They don't like generative AI for some other reason (they're an educator and got handed a generated essay and had to grade it, they blame it for contributing to the continued decline in quality of search engines, they dislike how companies keep trying to make A Virtual Assistant Like From The Movies a thing and don't fully remember that this "we're going to make virtual assistants a thing" has been going on since at least Clippy and probably way longer) and then generalize their dislike to every aspect, because one aspect annoys them but they don't feel that's justification enough to be angry about it.
Anyway that's my speculation. Maybe there's other reasons why people keep making incorrect statements too, but I can't think of any that wouldn't be covered by these points right now.
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Omega WUSB Summer 2021 Broadcasting Season.
Seventeen shows.
It’s the most Omega WUSB had ever done in a three-month span at that point. We usually do that in six months time. How was this all possible? One of our resident hip-hop programs Battlezone Radio had moved out of its’ weekly Wednesday midnight-3AM slot. We always love the extra time outside of our deluxe bi-weekly Saturday 10PM-midnight block, so we asked to take it and surprisingly, our reclusive deadbeat program-director at the time simply let us. And we had ideas. Lots of them.
Since that April, we had both bi-weekly slots. The new Wednesday slots are our ‘bonus’ broadcasts - music we play which didn’t fit our usual new, current, and relevant ‘deluxe’ Saturday shows. We used those Wednesday slots to fully exemplify independent radio. Vinyl / crate-digging finds, golden-era hip-hop / rap, thrash punk, noise, classic punk, classic industrial, and (for the first time ever) African musics made the cut. Our deluxe shows? Indie, electronic, noise rock, hardcore, post-punk / d.i.y., metalcore, shoegaze, and a double deluxe (!) showcase of everything hip-hop when we filled-in for -Tash’s Sound Vines. Too bad we couldn’t fill in for her a second time as we didn’t have enough music for another double deluxe show. (Wait ‘til next year.) And the most amazing thing? My friend Rob Villain came to visit New York City on a day we did our show, so he co-hosted. I hadn’t seen him in nine years, so we made the best of whatever little time he had before the flight to Las Vegas.
Still not content with doing two bi-weekly shows, our forever friend Kim of Purple Starlight also asked us to fill-in for her twice from midnight-3AM. That meant two label tributes in Awesome Tapes From Africa and Mexican Summer. As you see, Summer was always our time to burn bright to play the best finds of almost every genre imaginable and also go off-the-board to play other music we also like.
Why did we play all of this on our show? I am a diverse dee-jay behind the controls, so what you hear is also what I’m genuinely into. I have no threshold of sound whatsoever. Music is more accessible than ever before and even before the advent of the internet I always got my hands on everything I possibly could. Also, WUSB is an independent student-run station. Our dee-jays play what we want. We’re not fed money from suits to run an automated playlist or play the same songs you heard on other rock stations hundreds of thousands of times before. We prefer to play artists, songs, and genres other corporate stations wouldn’t dare look at. Simply put: we want to reach everyone, and we want to see who’s out there.
Now here it is: the final results of Omega WUSB’s entire 2021 Summer broadcasting season. Something for almost everyone. Chances are our future summers won’t be as intense as this from this point on, but we could be proven wrong.
June 2, 2021; #266 (vinyl, crate-digging, sampling)
June 5, 2021; #267 (electronics)
June 16, 2021; #268 (golden-era hip-hop, rap)
June 19, 2021; #269 (indie)
June 30, 2021; #270 (thrash, speed, crust punk)
July 3, 2021; #271 (double deluxe hip-hop)
July 10, 2021; #272 (shoegaze, alternative, dreampop)
July 14, 2021; #273 (classic punk)
July 17, 2021; #274 (metalcore, sludge, stoner, doom)
July 28, 2021; #275 (noise, obscura)
July 31, 2021; #276 (hardcore)
August 2, 2021; #277 (Mexican Summer tribute)
August 11, 2021; #278 (old-school, boombox hip-hop)
August 14, 2021; #279 (noise rock, garage)
August 25, 2021; #280 (African cassette expo-)
August 28, 2021; #281 (post-punk, d.i.y., city)
August 30, 2021; #282 (Awesome Tapes From Africa tribute)
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So, Notion.
It’s been keeping me up these past few nights. Literally sleeping at 4:00am and getting up at 10:00am, sometimes, 7:00am. Been working on perfecting this template. And I know this is sold somewhere, but I truly can’t afford right now. So I took inspiration from the layout, and this is nowhere near the exact setup because those ones have lots of automation in it while mine has lots of hidden shenanigans lol.
So without any further ado, the overview of 2024:

I never made a vision board before because I thought it was this corny resolution setting thing? But I actually enjoyed making my vision board. At the center, I wrote ‘Aligned’ as my word for 2024, mainly because I genuinely desire to be aligned this year. Aligned to God’s purpose for me, aligned to the direction He designed for me, aligned with Him.
Pictures are from Unsplash.

I tried to put a review part. The journal prompts are from Nika Erculj, as well as the idea to include a ‘Wheel of Life’.


Honestly, the journal prompts were a little challenging to accomplish. But they were really good in helping you recall a lot of things. Really insightful. This is just some of the questions, I believe there were 30? Not sure.
Wheel of life is a nice activity as well. It serves as a reflective inventory and a goal setting kind of thing.

Here are my goals for the year. And I’m not sure if this is all of it. Initially I had 5, and then it kind of expanded as I went on filling it.

Here’s how the quarterly goals look like.

Here’s how the ‘monthly’ looks like.

I event went a little out and setup this Notion template I got online (sorry, I can’t remember who set this up) and did a few changes.
And right before I went to bed, I finally did the thing I’ve always wanted to do which is to budget. It’s been really bad this year. I felt sidetracked by a lot of unexpected expenses. And with the goal to set up a decent amount of money for the rainy days, I did this. Hoping to stick to it.
And went as far as making a list of the things I wish to buy and designated when I can only ‘check’ them ‘out’:


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The Emerson 5X00055G02 Printed Circuit Board 1P00260A04L Rev 15 is a reliable and high-performance PCB designed for industrial automation systems. Known for its precision engineering, it ensures smooth and efficient control of processes in demanding environments. Built with durable components, this circuit board offers long-lasting performance and minimal maintenance. Ideal for various industrial applications, it helps enhance operational efficiency and system reliability. Auto2mation provides genuine Emerson PCBs to ensure compatibility and trusted quality. Whether used for replacements or upgrades, this board is a cost-effective solution for maintaining optimal performance in automation systems. Purchase now from Auto2mation for trusted products.
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Unreal Engine and AI Are Reshaping VFX Careers—Here’s How

VFX used to be a technical corner of the entertainment industry—high-end, expensive, and reserved for studios with serious resources. That’s changed. With Unreal Engine and AI tools now integrated into everyday pipelines, visual effects are more accessible, more powerful, and more in demand than ever. But here’s the twist: as the tools evolve, so do the roles. The question isn’t whether VFX has a future. It’s who is going to be shaping it.
The Unreal Shift: Real-Time VFX Is the New Standard
Let’s get something straight. Unreal Engine isn’t just a game engine anymore—it’s the new backbone of virtual production, real-time rendering, and cinematic VFX.
Major productions like The Mandalorian, The Batman, and even Netflix’s 1899 have leaned into real-time environments powered by Unreal Engine. Instead of green screens, they’re using LED volumes and real-time compositing, which drastically reduce post-production time and give directors more creative control on set. That alone is enough to change the hiring game in VFX departments.
This real-time shift means studios aren’t just looking for compositors and matte painters anymore. They want technical artists, lighting specialists familiar with real-time rendering, and VFX generalists who can adapt to both traditional and game-engine-based pipelines. If you know how to operate Unreal, you’re no longer locked to gaming—you’re valuable in TV, film, advertising, and even architecture.
And it’s not just big Hollywood productions anymore. Short films, YouTube creators, and indie directors are getting into the game because Unreal’s tools are free and scalable. It’s completely democratized the entry point for high-end visuals.
AI Is Disrupting—but Not Replacing—VFX Artists
AI’s entrance into VFX has been fast, loud, and controversial. Generative tools like Runway, Sora, and Stable Video are making it possible to generate motion graphics, animate still images, and even simulate realistic effects—all without traditional software.
But here’s the reality: AI isn’t replacing VFX artists. It’s changing what they do.
Tasks like rotoscoping, tracking, and cleanup—once the entry-level grind—are being automated. That sounds scary, but it also frees up artists to focus on high-impact, creative work. Instead of spending a week painting out green spill or frame-by-frame masking, you’re designing surreal dream sequences, hyperreal environments, or stylized transitions with much more speed.
And that speed is the real value. When deadlines are tight and budgets are tighter, studios want artists who can work fast without sacrificing quality. AI doesn’t eliminate jobs—it shifts the required skill set.
VFX professionals now need to understand how to use AI, not fight it. Prompt engineering, style transfer, and AI-enhanced compositing are now real parts of the modern pipeline. If you’re not learning how to work with these tools, you risk falling behind.
Skills Are Evolving—So Are the Job Titles
Look at the job boards. You’ll still see traditional VFX roles—compositors, animators, FX TDs—but you’ll also notice new ones popping up: Virtual Production Artist, Technical Animator, Real-Time VFX Artist, AI Video Designer. These aren’t buzzwords. They reflect a genuine shift in what employers are looking for.
Studios want hybrid talent—people who can animate but also understand node-based workflows, or light scenes in Unreal but also fine-tune shaders and particle systems. That’s where the future is heading: multi-skilled artists who can pivot between tools without blinking.
So what does this mean for training? It means you can’t afford to silo yourself. Learn Houdini, yes—but also get comfortable with Unreal Engine, Blender, Nuke, and AI-enhanced platforms. The modern VFX pipeline isn’t a straight line anymore. It’s a mesh of tools and techniques, and the more fluent you are, the more future-proof your career becomes.
In cities like Hyderabad, where film, gaming, and animation sectors are expanding rapidly, this shift is creating serious momentum. More students are diving into hybrid learning models that cover both creative fundamentals and cutting-edge production tools. This demand has fueled interest in a strong Animation course in Hyderabad that doesn’t just teach software, but prepares students for the reality of modern production pipelines.
What’s New in 2025: The AI + Unreal Combo
The first half of 2025 has already seen a few major moves that confirm this trend.
Epic Games recently announced tighter AI integrations within Unreal Engine 5.4, allowing artists to generate textures, environments, and even animations using natural language inputs. These AI-assisted features are reducing asset creation time by 30-40%, according to early reports from beta users.
Meanwhile, Adobe and Autodesk are both partnering with AI startups to enhance After Effects and Maya with real-time AI-assisted motion tracking and rigging features. Imagine auto-rigging a character with just a few reference poses, or generating particle effects that adjust based on scene emotion. That’s the kind of shift we’re seeing.
But the biggest news came in June 2025, when Netflix released its first fully AI-assisted animated short, powered by a combination of Unreal Engine environments and AI-generated storyboarding. The results? Mixed reception from critics, but an undeniable proof of concept. The technology is ready, and the industry is experimenting at full tilt.
The Indie Boom and Freelance Advantage
There’s another side to all this: opportunity. You don’t need to be at ILM or Weta to use these tools. Freelancers and indie studios now have access to the same software stack as major players. If you’re smart, skilled, and fast, you can build a career from your own workstation.
Platforms like ArtStation and Vimeo are overflowing with AI-assisted short films, real-time reels, and hybrid VFX tests. These are becoming new portfolios—proof that you don’t need a blockbuster budget to show what you can do.
And clients are responding. Brands want video. Startups need explainer content. Game developers need trailers. The demand is everywhere—and it favors creators who can move quickly and think visually.
Final Thought: Adapt or Get Left Behind
The future of VFX jobs isn’t bleak—it’s booming. But it’s also different. Static pipelines are giving way to agile, hybrid workflows. Artists who used to specialize in one niche now need to think like creative technologists. It’s less about what you know and more about how fast you can adapt.
And if you’re starting now, this is actually a great time. You’re not stuck unlearning old methods. You’re entering a space where Unreal Engine, AI tools, and cloud platforms are standard, not extras.
In growing creative hubs like Hyderabad, this transformation is visible. Studios are scaling, content production is rising, and VFX is expanding into industries far beyond film. If you're serious about entering the space, finding a 3D animation course in Hyderabad that teaches both artistic fundamentals and technical adaptability might be your best move right now.
Because in this era of rapid change, the artists who stay curious, stay flexible, and stay learning are the ones who’ll shape what comes next.
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Boost Your Automation with Fanuc: Premium Products Now at Aeliya Marine Tech
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At Aeliya Marine Tech, our Fanuc collection brings you a handpicked portfolio of industrial robots, controllers, CNC modules, and accessories — meticulously sourced for quality and ready for deployment. We serve global clients in marine, offshore, energy, and manufacturing sectors, guaranteeing authentic OEM components and rigorous testing. Looking for a replacement robot, spare controller, or specialized part? Our Fanuc inventory has you covered.
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Cheapest SMM Panel Without Losing Quality
How to Find the Cheapest SMM Panel Without Compromising Quality
In the world of digital marketing, cost control and high performance often feel like conflicting goals. But when it comes to SMM panels, you can still find the right balance—if you know where to look. Whether you're a social media manager, content creator, or agency owner, you want an SMM panel that doesn’t just save you money but actually delivers the results you promise your clients or expect for your brand.
The myth that "cheap equals poor quality" doesn’t always apply in the social media marketing space. With the right platform, you can unlock high-performing SMM panel services at unbeatable prices—and without cutting corners.
Let’s explore how to do that smartly in 2025.
Understand What Makes an SMM Panel "Cheap"
First things first—cheap doesn’t mean useless. A cheapest SMM panel is defined by its affordability, but that affordability should come with transparency, reliability, and real-world results.
Some platforms drop their prices by automating processes, using volume discounts, or removing unnecessary frills that don’t affect the actual delivery. This is where smart providers like Groom Panel stand out. They offer affordable packages that perform consistently without bloated pricing or fake promises.
When evaluating cost, also consider service diversity, delivery speed, and dashboard functionality. You’ll find that the cheapest option isn’t always the one with the lowest numbers—but the one that offers maximum value per rupee spent.
Focus on SMM Panels That Specialize in Volume-Based Pricing
Many of the best providers offer discounts for bulk orders. If you’re managing multiple social accounts or running regular campaigns, this is a goldmine.
Groom Panel, for example, structures its pricing in a way that rewards higher order volumes. You don’t pay a premium per service—instead, the platform helps you reduce costs over time with optimized pricing on bundles and repeat orders. That’s how you find the best SMM panel without blowing your budget.
Look for panels that advertise volume pricing without compromising service types—whether you’re after followers, likes, comments, views, or saves.
Compare Delivery Quality Across Services
Many platforms sell themselves as “cheap,” but when you dive deeper, their delivery is slow, their metrics are unstable, or their followers drop off after a few days.
Quality still matters—even if the price is low. When comparing SMM panel services, always test with a small order first. Check if the views arrive fast, the followers look genuine, and the likes are geographically or niche-relevant.
Groom Panel is known for providing high-retention engagement at cost-effective rates. They’ve built a reputation by blending affordability with reliability—a rare combination in a market flooded with one-click scammy services.
Choose Panels That Offer All-in-One Services
Managing multiple platforms like Instagram, YouTube, and Facebook separately can become expensive. But if you find a single SMM panel that caters to all major social media networks, you save money by consolidating your spend.
With Groom Panel, you can access a full suite of SMM panel services under one login. From Instagram reel views to YouTube subscribers and Facebook page likes, everything is streamlined. This not only reduces cost—it also simplifies strategy.
A truly budget-friendly solution isn’t about the lowest price per item—it’s about efficiency across the board.
Check for Support and Issue Resolution
Low-cost platforms often sacrifice customer support. And that’s where most marketers end up wasting time and money. Imagine paying for services that don’t deliver and then not being able to get a refund, adjustment, or even a reply.
Always opt for platforms that include customer service as part of the package—even if it's a cheapest SMM panel. Groom Panel offers active support channels through live chat and email, ensuring you're not stuck in limbo if something goes wrong.
Reliable communication is a big part of long-term affordability. After all, time lost is money lost.
Look for Customizable Packages
Custom plans help reduce waste. Why pay for services you don’t need just because it’s bundled? An ideal SMM panel lets you customize your own package, picking only what matters—whether it's Instagram likes, YouTube views, or Facebook followers.
Groom Panel allows complete control over the service you choose, how much you order, and how you schedule it. You’re not forced into "one-size-fits-all" pricing. Instead, you pay only for what you actually use—and that’s the smartest way to keep things affordable.
Evaluate the Platform’s Track Record
There are dozens of so-called "cheap" panels out there, but many vanish overnight or switch to black-hat services that get you banned. That’s why credibility matters—even at a low cost.
Groom Panel has earned trust in the market by maintaining transparency, meeting delivery timelines, and offering genuine user engagement. It’s not about undercutting everyone else—it’s about offering value that feels premium, even if the price tag doesn’t.
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Ross Hill Controls 0509–61 Generator Exciter Board — Reliable Industrial Automation PCB
Explore industrial automation excellence with the Ross Hill Controls 0509–61 Generator Exciter Board — your trusted solution for precision control in generator systems. Available now at Ram Automations, this used but high-quality PCB card ensures reliability in demanding marine and industrial environments. If you’re dealing with generator excitation, industrial automation, or marine engine control systems, this is your go-to component.
This genuine Ross Hill PCB is expertly engineered to manage excitation systems with speed and precision, helping maintain consistent voltage output across generator terminals. A valuable addition for maintenance engineers, system integrators, and control panel builders.
🛒 Buy Now: https://ramautomations.com/products/ross-hill-controls-0509-61-generator-exciter-board-used 🌐 More Automation Products: https://ramautomations.com
🔧 Product Details
• 📦 Model: 0509–61 • 🏢 Brand: Ross Hill Controls • ⚙️ Type: Generator Exciter Board • 🆗 Condition: Tested & Verified • 🧠 Function: Regulates excitation system in generators for steady voltage output • 🔌 Applications: Generator control systems, marine control units, power plants, automation panels
✅ Key Features
✔️ Original Ross Hill Controls board ✔️ Stable performance in industrial & marine environments ✔️ Great for excitation control in generators ✔️ Cost-effective used module ✔️ Easy to integrate in existing systems
🏭 Applications
✔️ Generator Excitation Control ✔️ Marine Automation Panels ✔️ Power Plant Systems ✔️ OEM and Retrofits ✔️ Automation Cabinets
🚀 Why Ram Automations?
At Ram Automations, we supply tested, genuine spare parts for industrial & marine automation across 1000+ global brands. With fast worldwide shipping and expert support, we’re your trusted source for new and used control parts.
✔️ 1000+ Brands Available ✔️ Global Shipping ✔️ OEM & Retrofit Support ✔️ Verified Spare Parts ✔️ Expert Tech Assistance
🎬 In This Video You’ll Discover
📌 Close-up of Ross Hill 0509–61 Exciter Board ⚙️ Practical installation tips 🔧 Where and how it integrates in generator systems 📈 Why using genuine OEM spares is essential
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Professional Lift Maintenance Services in India
Introduction:
Elevators are now a need in a society where time is of the essence. Lifts are more than simply a luxury in a variety of settings, including hospitals, commercial buildings, retail centers, and residential structures. To operate efficiently and safely, elevators need routine maintenance, just like any other mechanical equipment. Professional elevator maintenance services in India are essential in this situation.The lifespan of your lift may be increased, safety can be improved, and overall operating expenses can be decreased by selecting the correct maintenance partner. We'll go over all you need to know about elevator maintenance in this blog, including its advantages and how industry leader Lift Dynamics provides dependable solutions that are suited to the infrastructure requirements of India.
Why Lift Maintenance Is Not Optional:
Consider your elevator to be a vehicle. Would you continue to drive it for years without doing any brake or engine maintenance? Of course not. In a similar vein, routine maintenance is necessary to keep an elevator safe, effective, and operational .
1.Passenger Safety: Lifts carry dozens or even hundreds of people daily. A single malfunction could risk lives. Regular checks ensure safety mechanisms work flawlessly.
2.Fewer Breakdowns: Preventive maintenance helps identify and fix small issues before they become major failures.
3.Longer Equipment Lifespan: Regular servicing preserves core components like motors, ropes, and controllers, extending the life of the elevator system.
4.Energy Efficiency: Well-maintained lifts operate more efficiently, using less power and offering better performance.
5.Compliance with Legal Standards: In India, various state laws and safety norms mandate routine elevator inspections and maintenance.
Key Components of Lift Maintenance:
Professional elevator maintenance isn’t just a quick clean-up. It involves detailed inspections, testing, and fine-tuning of multiple parts, including:
.Control Panel Systems: Ensuring the logic board and software are functioning correctly.
.Traction Machines: Checking motors, gearboxes, and alignment.
.Door Operators & Sensors: Testing auto-close features, safety edges, and timing.
.Safety Devices: Inspecting overspeed governors, buffers, emergency alarms, and interlocks.
.Ropes & Pulleys: Checking tension, wear, and lubrication levels.
.Power Supply & Backup Systems: Verifying voltage levels and emergency power operation
Types of Lift Maintenance Services in India: When searching for professional lift maintenance services in India, it's important to understand the different types of service contracts available:
Preventive Maintenance This involves scheduled inspections aimed at identifying and fixing potential issues before they cause breakdowns. It’s proactive, cost-effective, and ideal for high-traffic elevators.
Corrective Maintenance Corrective maintenance is reactive. It’s performed when a breakdown occurs. While necessary in emergencies, relying solely on corrective measures can lead to higher long-term costs.
Comprehensive AMC (Annual Maintenance Contract) This is an all-inclusive plan covering regular servicing, parts replacement, emergency repairs, and breakdown support. Most reputed providers like Lift Dynamics offer AMCs for total peace of mind.
Why Choose Professional Services Over Local Technicians? . Technical Expertise: Trained engineers understand modern systems, including automation, IoT monitoring, and advanced safety features.
. Genuine Parts: Professionals use manufacturer-approved parts that meet safety and quality standards.
.Compliance & Documentation: Proper service reports and certificates are provided, often required for legal and insurance purposes.
.24/7 Support: Leading providers offer emergency services any time, ensuring minimal downtime.
Lift Dynamics – Your Trusted Partner for Professional Maintenance Services in India:
When it comes to maintaining your elevator, you need a team you can rely on. Lift Dynamics is one of the most trusted names in the industry, known for its precision, reliability, and customer-centric approach. .Skilled Engineers: Our team comprises certified professionals with years of experience across all types and brands of elevators.
.Customized Maintenance Plans: From basic servicing to full-service AMCs, we tailor solutions based on your building’s needs and budget.
.Quick Response Time: Our service network ensures prompt support—even in remote areas.
.All Property Types Covered: We serve residential societies, corporate buildings, shopping complexes, hospitals, and industrial sites.
.Digital Reporting & Tracking: Clients get real-time updates, digital maintenance logs, and performance reports.
conclusion:
Your building's elevator is its lifeblood. A single malfunction could result in problems, safety risks, or even legal repercussions. Because of this, prompt and expert servicing is crucial.You are collaborating with one of the leading companies in India for Professional Lift Maintenance Services when you work with Lift Dynamics, not just a service provider. Our priorities are straightforward: client happiness, dependability, and safety..
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