#How to automate Twitter

[sociocosmos]

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[showtimebarrage]

..

He's been gone for so long - I still don't know why I feel like this . It's not normal - Am I starting to go this fucking out of line -??

I have to fix this stupid fucking feeling . And I need to soon .

[leidensygdom]

Commission scams: A guide on how to avoid them and find legit artists

Hello! I am writing this guide in order to hopefully help people spot scammers and art thieves, to teach people how to deal with them and to give people ways to actually get real artists for commission work.

For those who do not know, there is a recurring, extremely widespread type of scam where someone will advertise their commissions using stolen artwork, or (sometimes) traced or AI-generated pictures. This started (as far as I know) on Twitter, but it is currently in all sorts of social media (I have found them in Twitter, Instagram, Bluesky and Tumblr) and also on Discord servers, often large Discord servers requiring no invites or that are easy to find through Discord advertisement places.

These do obviously hurt both, the people seeking to buy a commission (who will either get their money stolen, or given a product that is not of the quality that was advertised), and the artists whose work is being stolen, who are not getting the work themselves. It is important for people to learn how to identify these people, and to quickly take action when possible. This post is kind of lengthy, so please press the Keep reading button below for the full guide! (And please do share this post around if possible- This is a very common scam and I have met far too many people who have fallen to it or have got their art stolen due to it, including friends and myself.)

So, how do they work? (in Social media)

In my experience, a lot of these scammers either run multiple accounts or are part of a larger scheme, operating in organized groups that follow similar tactics. They will very often use automated means to advertise en masse. Those in social media will make accounts that post some example artwork, often with a myriad of tags, in styles that do not match (see first example, featuring my stolen art :'')). They very rarely post anything that isn't stolen artwork, or have any actual real following they interact with properly. They will then very often spam heavily through replies (such as it happens in Twitter), posting hundreds of really similar messages in a short period of time. In the second example, you can see an account from one of these scammers that is using automated posts to garner attention, which are shared by similar accounts (notice the same exact wording between the first and third post). The third example (in the Replies tab) shows how one of this accounts replies "Hi" to every single message they get.

They will often seek posts from people who are searching for commissions, answering them (often with a "I do commissions, DM me") or other variants of that. (They often only share their "art" on DMs to not be caught stealing by the original authors.) You can see an example of that on the first screenshot below. On Twitter, Instagram and pretty much any place where you can DM people, they may also come to your DMs, often starting with a "Hello" or something so you answer to them, and then they will suddenly share their commission information (as seen in the second picture).

In any case, they rarely have publicly available commission sheets, and will only disclose their prices on DMs. They may share more stolen artwork in there. From there on, they will often speak in fairly broken English, and try to lead you to commission them. They will haggle the prices if they can- But they tend to be fairly steep, with them going up to $300 a fullbody, which tends to be unusual in people without a fairly established following or popularity.

They will often give you a payment method that does not allow for refunds- Such as sending the money to "Friends and Family" in Paypal. This is actually illegal for commercial work, so if you get an artist telling you to pay them through such a method, please do be incredibly wary: Professionals will use methods that do have an option for refunds.

2. How do they work? (on Discord)

On Discord, they will often enter in servers where there may be a place for them to advertise, or servers available through Disboard and other Discord-community searchable sites. Then, they will often not interact at all with the community itself, but they will jump to advertising channels and post about "seeking for work". I have found out that scammers operating on Discord do only very rarely also have socials, so look out for that. Do reverse searches if you can. Legit artists don't tend to join Discords solely to advertise, so look up "from: [name]" on Discord and check how they have interacted in the server, if they have done that in any way. See the first and second example for an example on how they behave. First example has art from @ydteus (in the second message, the dragonborn's source is unknown.) Second example is from one of these accounts who entered on a Streamers' Discord. Streamers and VTubers are very popular targets for these scammers. Third example (with art from absent_lambeth on instagram, and unknown for the second picture) shows another important point, which I'll explain below.

Many of these scammers do not have solid commission sheets showing examples and prices for them. The third one even mentions "it is under construction", fully knowing a commission sheet is expected. Not every professional artist has them, but most do. It is often expected that people who do commissions will have some sort of Terms of Service at the very least, even if they do not have a commission sheet.

3. What do they do?

They scam you. You may never get any art from them. You may get traced art, or art that is not of the quality they advertised, because the art they used for promotion wasn't theirs on the first place. Or you may get an AI-generated picture, too. In either way: You will find yourself with +$200 less in your pocket and no way to seek a refund. So, it's very important you know how to spot them BEFORE they scam you. I have known people who have lost their money

4. How do I actually spot them?

Simply put, they do not act like normal artists would. Let's make a handy list of suspicious behaviours to look for, though.

Most people who draw commissions won't directly DM you unprompted to ask you to pay them for work. If you get such a DM- Report as spam and block.

Most of them don't act like bots, either. If you're on Twitter or similar pages, seek for extremely repetitive posts, hundreds of Replies in their Replies tab that are copypasted or very similar. If you see that, report as spam and block.

Reverse search is sadly very unreliable nowadays, but it does not hurt to try. A lot of them will modify the picture so it doesn't show in reverse search, but try it- And seek if it links to a different account with a different name.

As an ESL, I hate to say this, but the grand majority of them have really broken English, so look out for that. Not every person with broken English is a scammer, but it is something common amidst them. You will notice they fail to communicate general information. Try to ask them for Terms of Service, for example: They will probably be unable to provide you anything (if they do even understand you.)

You will rarely find them on your own unless you frequent specific tags, such as "commission" or "openforcommission". Or even using completely unrelated tags in their posts. I found one of them using a tag about someone's death to cop violence on their anime art. These people mostly only interact with their fellow scammers, but not with artists you'd find through other means.

As mentioned above, they won't provide you a payment method that allows for refunds the grand majority of the time. If someone tells you to send them money "as friends and family" in Paypal, or through something life Ko-fi's donations (although this one is rare), do not pay them. This is a general advice: Do not use payment methods that do not allow refunds for people you don't know.

Ask them for a commission sheet, a webpage, their Terms of Service and other things. Professionals should be able to provide at least one of these, usually.

5. What do I do if I find out they have stolen art/if my art has been stolen?

If you have found stolen art, let the original artist known ASAP if you can find them. Ask for help from friends if you cannot find them.

If you're the artist, DMCA claim. Every page has it, it is required for them to have it. If you search "dmca form (and the website's name)", it should show up. Bsky only has it in mail form right now, but it's there. A DMCA claim is a Copyright claim, and as long as you can show that you posted your picture somewhere before they did, you can do it. The form may seem scary, but it is not all that much. They will ask for your legal full name, address, a mail + a telephone, the url of the post stealing your art, an url to where you posted it first, and to sign/agree to some terms. DMCA claims tend to be processed swiftly (in about a day) because websites can get in trouble if they allow for copyrighted content to be stolen. And you actually do have rights to any picture you have created without needing to trademark it or anything.

You may also want to ask your friends to help you report the account and/or posts. Often, reporting it for spam will give you the best results. DMCA claims will take down the offending posts, but sadly, reports in most major places are rarely taken seriously, but they may limit an accounts' reach or auto-flag it as spam in DMs, so it is still a fairly effortless option to follow. DO still DMCA claim them though.

6. Where do I actually find real people to commission?

Your best bet is through other real people. Let me explain some good methods for this.

Do you have friends who are artists? Ask them if they have commissions open, or if they know other people who take them. Artists almost always know other artists, and they can quickly find you someone you can trust.

Did a friend of yours get a commission? Ask them who was it from if you like the style, and they may be able to get you a link to their social media!

Do you follow artists for any sort of content you're interested in? (General art, fanart/fandom stuff, people you look up to, etc). You can check their work first and see if they have commissions, or if they share art from other people, and then check those.

Scammers really don't partake in fandoms or have art-related posts go viral (some get some follower-begging bait going viral, but that's it). Chances are that, if you found a cool art in your dashboard or timeline, it is from a real artist.

I think places such as VGen need verification for artists and have ratings. I am not personally experienced with it, but you may want to check that out.

You can always ask people to double check with you if you found someone but are doubtful about them being legit. If you are part of any community, do ask there! If you have artist friends, tell them! A lot of artists are acquittanced with the scam issue.

I have seen people do lists of artists available for commissions in places such as bsky, too. These can be an option, but always do verify that the people doing the list in the first place do seem like an actual person.

Ending notes

This is a very long post, but I really wanted it to be very thorough. I would greatly appreciate if you could share it around, as it is a very widespread issue that not many know how to identify. If you do find out scammers in Discords, please DM the servers' admins and link them to this post so they can get banned, in order to prevent scamming and art theft.

If you have any question or you need someone to help you verify an artist being legit or a scammer, my DMs are open for that too. I have talked about this a bunch in other places and I am fairly experienced with these cases, and I would be very happy to be able to lend a hand and find you an artist, if you do need the help. Thank you for reading!

[confessedlyfannish]

Writing Prompt #11

It's an innocent ("please," Jason sneers, "there's nothing innocent about a plagiaristic propaganda machine encouraging minors to dance for sick ol' pervs while it spews misogynistic hate speech.'"

"okay, boomer,"

"the fuck did you just call me, replacement?") TikTok, one of those ones that kind of simmers in the background for a few weeks until someone with a decent enough following posts it on the Platform Formerly Known as Twitter and from there it seriously catches traction, blowing up until Tim knocks on Bruce's office door, phone in hand. Damian stands behind him, arms crossed and clearly simmering.

Bruce, fresh off a series of zoom conferences, raises an eyebrow.

"Okay, so you haven't seen it," Tim decides, striding forward.

Bruce's eyebrow jumps a smidge higher, on the edge of concern, as Tim thrusts his phone into his grasp.

"So," he begins, reaching over to refresh the mobile page "there's a video that's been making the rounds on Twitter and—well you should probably see it," He sighs over Damian's scoff as he clicks through the pop-up asking him to sign in or join TikTok, and presses "Watch Again", unmuting the video.

🎶 "Doo, badoo-badoo-badoo Badoo-badoo-badoo-badoo,"🎶 an upbeat background song hums as someone, presumably a student, films a school hallway with their phone. They walk past students talking near their lockers, some of whom flash peace signs and silly grins as the camera swings their way before continuing on.

But the main point Bruce gets stuck on is the all lowercase white text at the center of the screen that an automated woman's voice awkwardly narrates:

"when you go to school with bruce wayne's other long lost lovechild"

The student filming comes up behind a much taller student who faces away from him, in conversation with a black haired pale teenaged girl. She spots the cameraman and shoots him a confused, disgruntled look, saying something to the boy who then turns around.

Bruce quietly observes as the camera zooms in on a boy around Tim's page, possibly older. Tall and broad-shouldered, with a strong jaw, he raises an eyebrow at the one filming, looking beyond the camera, pitch black hair with blue undertones falling into his blue eyes. The camera momentarily zooms too far into those eyes then abruptly pulls back as he quirks a puzzled smile at the viewer, mouthing out an easily understandable "hi?".

The TikTok ends and seamlessly transitions to a person balancing their cat on an exercise ball with minimal success and this time Bruce presses the Watch Again button. The heart on the right side claims 750k likes.

Damian scoffs, louder, as it ends. "Clearly it is a hoax, but it has been popular among my classmates."

"The board hasn't made much noise about it—" Tim starts.

"And they won't," Bruce says, lifting his eyes from his phone. "Wayne Industries doesn't give statements on videos like these, no matter how viral they become. I've been getting lovechild claims since before I adopted Dick."

Which Tim knows, which is why his insistence on showing Bruce this one raises his hackles. He pins Tim down with a stare and despite Tim's perfected PR mask, he can see Tim is unsettled.

"B...he really, really looks like you." Tim admits. Damian scoffs for a third time and Tim shoots him a glare, "I get it, you don't see it, but you haven't seen the pictures of Bruce when he was younger."

"I don't need to!" Damian says angrily. "You're all being ridiculous!"

"All?" Bruce asks. Tim shifts awkwardly. "The family group chat has been talking," he says.

"I see," Bruce says. Because he does. Many claim Damian to be his doppelganger, but the boy actually favors Talia not just in skin tone but in the shape and color of his eyes, as well as the soft slope of her mouth and ears. Whether those features will sharpen once he goes through puberty is anyone's guess.

But this young man has Bruce's eyes. Martha's eyes.

That night they have a suspiciously full house for dinner, with even Jason dropping in, but no one says anything until Barbara wheels in for dessert, carrying a manila folder on her lap.

"What?" she says, when everyone stares. "Dick told me it was crème brûlée today!"

Bruce extends a hand wordlessly, and Barbara sheepishly hands the folder over.

"Bruce," she says, before he can open it, "I wouldn't have looked into this normally, but,"

"Just say it," Jason says, leaning back in his chair. "Take away the gray hairs, the receding hairline, and the wrinkles and the kid's a dead match."

"Take it back, Todd," Damian growls, "Father has a very full head of hair!"

"Not to mention a failed track record at keeping it in his pants, Exhibit A," Jason continues, pointing a fork at Damian, "oh wait," he says gleefully, "kid is definitely 18, so I guess that would make you Exhibit B!"

The table erupts, cutlery tinkling as Damian gets a knee up on the table to hurl himself at a cackling Todd, Dick jumping up to grab him as the others lean out of the way—

"Ahem!" Everyone stops cold as Alfred stands in the doorway, porcelain ramekins of crème brûlée stacked perfectly on a silver tray. Under his gaze, everyone sits back down, Damian and Jason both quietly uttering a "Sorry Alfie/Alfred," as they straighten up.

Bruce is oblivious to the chaos, Barbara biting her lip beside him as he stares blankly inside the folder at the printed copy of an adoption certificate.

Two days and several million likes later, another TikTok goes viral from the same user. Caught in the moment as whoever is filming runs up to the group, the same young man is chatting with a blonde in a red letterman jacket, a partially formed crowd around them. Even with one leg still in the cafeteria table, he towers over everyone.

"—sh. Look, we're all possibly Bruce Wayne's son!" the boy snarks. He has his hands out, palms up as if he's making a great point, and as he looks around he catches sight of the cameraman and his smirk drops.

"Ah Mac, c'mon dude not again—" and the TikTok ends.

[ninamodaffari]

the sheer disappointment i felt yesterday when I saw another artist i used to talk to and try and help with their portfolio and resume turn around and become a ai slop creator, turning their entire instagram, linkedin, bluesky, etc into a neverending stream of ai products and seo nightmare optimization was heartbreaking, ESPECIALLY since their art before they fell into the ai rabbithole was GOOD.

genuinely, it was so bad that my friend's and i thought it had been hacked. thats how automated and 'fake' it felt. like when someone's blog is hacked and turned into a endless stream of reblogging fake products.

they were a good 3d artist, and if they had simply honed their skill and worked on building their portfolio, I think they would have eventually found themselves a job.

on top of that, they'd also done the thing on linkedin that you see sometimes where they say they 'worked' at twitter simply by having a twitter account. they had over FIFTY entries spanning more years than they've been alive. what solidified it for me is that they were linking videos on how to make 100k a year 'get rich quick' schemes and its just...

its so disappointing to see someone fall of the wagon that hard for literally no reason.

[collapsedsquid]

If you squint, you can make out versions of the same story — people bypassing the mainstream media to their own ends, the importance of social media in determining public perceptions of protest movements. There’s also an unmistakable tone shift from gently awestruck condescension to gently horrified condescension. (Disclosure: I was a reporter at the Times from 2016 to 2022, where I sometimes wrote about this subject.) In a far more significant sense, though, something is different. This week’s protests have been visible on social media, but their portrayals are fragmented, strange, and to people on the ground, often absurdly divorced from reality. If social media used to work for activists, or at least could,now it’s more effectively used against them. This sort of narrative role-swap isn’t new. For all the attention Twitter got as a factor in the 2011 Egyptian revolution — a story embraced by the company’s leadership — the story of social media’s role in Egypt’s politics since has mostly been one of suppression, surveillance, and harassment. An American version of this story has been taking shape for a while. The most significant factor isn’t really about tech — it’s that the current administration is proudly hostile to protest and has cited social-media posts as thin pretexts for no-process arrests and deportations. An administration that both routinely threatens activists with imprisonment, deportation, or worse is more than enough reason for activists to regroup in spaces where privacy can be maintained, not just traded for attention.

But social media really has been transformed, too, in ways both explicitly ideological and technical. Twitter, the platform people are most often referring to when they talk about these things, is owned by Elon Musk, who bought the platform with the explicit goal of disempowering its “woke” users and has more than accomplished his goal. Meta is still run by former BLM supporter Mark Zuckerberg, who more recently embraced Trump and pivoted to military contracting. TikTok, which is legally banned, is still online because the Trump administration promised not to enforce the law under vague and suggestive circumstances. Before its legal ban, TikTok’s rise set in motion industry trends that would alter social media’s relationship to activism in material ways. Meta, X, and Google reoriented their platforms around TikTok-style algorithmic video feeds, which relied less on users following one another and more on black-box per-user recommendations. For the platforms, this meant more engagement. For activists, it meant there were no longer coherent public conversations in which to intervene, against which to push back, or to join in any meaningful sense at all. Platforms that were once useful for understanding and following the news became venues for pure spectacular consumption. In some ways this was novel and strange, with hundreds of millions of people consuming individualized feeds determined by automated recommendations. In other ways, it was familiar, since it was a reversion to pre-social-media power dynamics. The platforms were no longer social, in any meaningful sense of the word, but rather centralized and exercising constant (algorithmic) editorial discretion. At least as much as the mainstream media that’s now been twice replaced, TikTok-ified social media rewards decontextualized spectacle. This can be useful for activists to bring attention, generally, to their causes — at least some of the large swing in support for Palestinians can surely be credited to the endless stream of horrific videos from Gaza, which are plenty powerful without further context and don’t require the authority of a trusted follow. More often, though, the lack of a common chronological feed — the crude social-media proxy for a “shared reality,” I guess — produces disorientation, uncertainty, and the ability to retreat completely into ideological safety, pure fantasy, or both.

[almalvo]

hi guys sorry ive been gone

hey yall. i hope youre doing ok.

so many of these, right? im sorry...

i know i have been silent on this platform, its because life hit another road bump and i just wasnt able to focus on more than one platform for a while due to the stress and pressure, so i took a hiatus on everywhere but twitter. i was focusing on twitter and suddenly out of nowhere got hit with an erroneous suspension (twitter's automated system thought i was a bot, so im trying to get this appealed so we will see, fingers crossed smh...)

but yeah, i havent forgotten my other platforms - i just needed a break and was barely able to focus on one for a time.

with this wild false suspension on twt, i realise i really do need to focus on keeping alive my other platforms simultaneously in case stuff like this happens. it was devastating to find out what happened to my twt in the morning because i have SO many very important contacts connections and clients on there from small to big names and industry professionals, im taking a huge blow to my financial survivability and my work as a creator and im not sure how to deal with this as it has been my main lifeline during this very unstable time in my life due to irl circumstances.

i apologise, i shouldve announced a hiatus on my other platforms but i didnt bc i didnt know it would go that way. please forgive me.

i will start returning to tumblr and instagram this week. all content will be updated. my one concern is my art deals with mature themes and twitter ngl has been the only place where such content has been allowed without me having to be too concerned with the TOS of the site. obviously thus is not true on IG and tumblr. i do have a bluesky, i plan to boost myself on there as best i can but it is still an infant social media site where theres just simply NOT enough people on there. if you guys want to also follow my bluesky, please do so here.

i am really really working hard on top of irl life to build a name for myself so i can approach doing big projects and things and actually have my silly art go somewhere. the recent events have been very detrimental to that. i think it is time i rebuild on here, IG, and bluesky, regardless if my twt main comes back or not. if it doesnt, i may have to make another twitter. hopefully it doesnt come to that, hopefully twt support, however shoddy, will pull through this time. but i will keep you guys updated.

i dont think my content is really gonna fly very far on these three other platforms, but ill try my best.

im very sad, but in the end, i wont give up, and the goal was only ever to enjoy posting whatever silly ideas i have that people can also find some value in and enjoy too.

to those who have found me and stuck around, thank you so much for your patience.

i will return.

almalvo

[ponett]

it’s kind of ridiculous how much we like gimmick blogs here whereas gimmick accounts seem to be Tolerated at best on Twitter and other sites?

Depends on how you define "gimmick account," I guess. There used to be a lot more automated gimmick accounts on Twitter that were well liked, things like bots that would tweet out random quotes from a TV show every hour or tiny_star_field that would post random arrangements of unicode characters that would look like a starry sky on dark mode, before changes to the Twitter API under Elon killed most of them. (Though we still have things like the Every Breaking Bad/Better Call Saul Frame In Order account here and there.)

As far as other gimmick accounts go, though, I feel like the environment is just very different, especially today. To me at least, your Animals Going Goblin Modes and your ____ With Threatening Auras and whatnot often feel very cynical on Twitter. The exposed follower counts combined with the blue checks that boost them in the algorithm and allow them to earn ad revenue off their tweets make them feel like a grift. Just people reposting unsourced content en masse to game the algorithm, gain a ton of followers, and make a quick buck. The absolute worst is when these people straight up just sell their popular accounts to scammers or advertising vibrators or whatever.

You don't get any of that on Tumblr. Nobody can see your follower count. Nobody's approaching you for product placement deals. You aren't making a fucking cent off of your gimmick blog in 2024. You have to be in it for the love of the game.

[boringkate]

I've seen you say that one of the biggest barriers to making OF/whatever work was people not being good at social media, do you have any advice on how to actually do that? It's something I want to try to make work since I have no real hope with normal employment (disability + tranny + no degree + no long term work experience), so it's the last thing I can think of that might possibly give me some independence. I know it's probably not my biggest problem since I also got basically no attention in body positive tgirl nude sharing discords even when I tried to appeal to common fetishes in there but uhhhhh. Anything helps I guess? 🤷‍♀️

Make an OnlyFans or ManyVids account.

Accumulate a massive pile of promo pics and short video clips (just excerpts from whatever you're selling). You're gonna need em for all the following steps. Upload the video clips on redgifs.

Post on like a dozen trans porn subreddits every single day. It doesn't matter if most of the posts flop. All that matters is the ones that do kinda okay. Reddit has some degree of discoverability, so it's the one rare case where you actually can just post and then walk away.

Post every day on bluesky. Don't flood your account (or especially your media tab) with nonsense though. You want people who are checking your account out to immediately actually see pictures of you. Follow SEVERAL HUNDRED other trans porn performers. Reply to their posts so that they have a better chance of noticing you and following you back. Don't be annoying or overtly promote your stuff in their replies. Don't be kayfabe. Just authentically be a t4t chaser and spend all day telling the hot girls how hot they look. If you don't already have followers and you aren't interacting with anyone then you're just posting into a void, so you NEED NEED NEED to interact.

Do all the same types of stuff that you're doing on bluesky on twitter too.

Do all the same stuff that you're doing on bluesky and twitter on tumblr too, but with sfw pics. I don't bother with hashtags on other platforms, but I think tags can sorta kinda matter on tumblr. Just don't use tags that tumblr classifies as porn tags.

Using instagram is probably worthwhile too idk???

Have all of your social media accounts link to all of your other social media accounts. Have them link to your OnlyFans and/or ManyVids pages too.

Continue doing this for years.

Maybe eventually automate the most rote parts of the process. I have self written scripts posting random pics or vids on reddit, bluesky, twitter, and tumblr (go follow @selfiekate if you wanna get spammed with random old selfies). Save that until you're already established and have burnt yourself out on doing it manually though.

Try not to take it personally when you do all of that and it still doesn't pan out. The market is flooded, everyone is broke, and social media is in a weird place rn (the early pandemic boom is over and everyone hates every platform with twitter in particular in hardcore decline).

[probablyasocialecologist]

“So, relax and enjoy the ride. There is nothing we can do to stop climate change, so there is no point in worrying about it.” This is what “Bard” told researchers in 2023. Bard by Google is a generative artificial intelligence chatbot that can produce human-sounding text and other content in response to prompts or questions posed by users.  But if AI can now produce new content and information, can it also produce misinformation? Experts have found evidence.  In a study by the Center for Countering Digital Hate, researchers tested Bard on 100 false narratives on nine themes, including climate and vaccines, and found that the tool generated misinformation on 78 out of the 100 narratives tested. According to the researchers, Bard generated misinformation on all 10 narratives about climate change. In 2023, another team of researchers at Newsguard, a platform providing tools to counter misinformation, tested OpenAI’s Chat GPT-3.5 and 4, which can also produce text, articles, and more. According to the research, ChatGPT-3.5 generated misinformation and hoaxes 80 percent of the time when prompted to do so with 100 false narratives, while ChatGPT-4 advanced all 100 false narratives in a more detailed and convincing manner. NewsGuard found that ChatGPT-4 advanced prominent false narratives not only more frequently, but also more persuasively than ChatGPT-3.5, and created responses in the form of news articles, Twitter threads, and even TV scripts imitating specific political ideologies or conspiracy theorists. “I think this is important and worrying, the production of fake science, the automation in this domain, and how easily that becomes integrated into search tools like Google Scholar or similar ones,” said Victor Galaz, deputy director and associate professor in political science at the Stockholm Resilience Centre at Stockholm University in Sweden. “Because then that’s a slow process of eroding the very basics of any kind of conversation.” In another recent study published this month, researchers found GPT-fabricated content in Google Scholar mimicking legitimate scientific papers on issues including the environment, health, and computing. The researchers warn of “evidence hacking,” the “strategic and coordinated malicious manipulation of society’s evidence base,” which Google Scholar can be susceptible to.

18 September 2024

[sociocosmos]

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[justanotherblonde]

I don’t think Ne Zha 2 used Ai because I have seen behind the scenes videos on how the movie was made.

https://youtu.be/v7malQgDT_U?feature=shared

But this person on twitter/X is claiming the film used Ai (this person is a Disney fan so maybe that’s why)

https://x.com/CjstrikerC/status/1891468055114387869

https://x.com/CjstrikerC/status/1891483998448234894

this X user is doing exactly what i predicted and trying to scaremonger about something rather insignificant. the link they provide in their first post to iWeaver, an "AI-powered knowledge management tool", states that AI was used in the following ways in Nezha 2:

Question: What key roles did AI play in the production process of “Nezha 2”? Answer: AI played significant roles in the production of “Nezha 2”. It accurately predicted the box – office trend through AI, foreseeing the record – breaking moment 72 hours in advance. In the production process, it carried out automated complexity grading for 220 million underwater particle effects, generated resource allocation plans based on the profiles of over 3,000 artists, and could also track the rendering progress of 14 global studios in real – time, helping to improve production efficiency and quality. (Source: iWeaver)

now, if that's true, it's probably something the studio will keep on the DL simply because they don't want people to turn it into "they used AI? they made the whole thing with AI??!!! Terrible!!" (which, if you ask me, might be a dumb approach because in a lot of circles it will look worse if their "cover" gets "blown"). but even tho iWeaver says "significant roles", the first "role" of AI was just in predicting box-office gains, not in animation. the second "role" is what i suspected from having watched the movie: that AI was used to help render some scenes (one scene?). this makes perfect sense, and if you ask me is a really legit use of AI tech. dare i say it, perhaps even something the studios should be proud of.

OBVIOUSLY they did not use AI to create this whole movie. 14 animation studios were involved, thousands of animators, SO MUCH more work than "just" throwing some prompts at an algorithm and telling it to "make a movie". there are a ridiculous number of small details that can only be attributed to human work. a couple of my favs: when Li Jing [Nezha's father] lies in front of Shen Gongbao's little brother on Shen's behalf, the soldier behind him gives him a look of mild shock😲; when Nezha's parents have Shen Gongbao over for dinner during the siege, one of the Guardian Beasts is snoozing 😴.

use of AI always opens up the floor to discussion of what is "Art", but that's a debate humans will have for as long as we exist and are still making art. hell, people used to say it was cheating to try and paint something from a photograph, rather than a live model. they're ALWAYS going to be like that. critics are a necessary evil. haters are always gonna hate.

making art is about creating with integrity. artists use the tools available to them, and some artists are better at using tools than others. AI is also a creative tool. that's the world we live in in 2025.

consider this: i'm a teacher at university level, and obviously we've got loads of students trying to use AI to complete their assignments. what we're moving towards is having an "admission of AI use" declaration for them to make, because we acknowledge that this tool can be helpful! for example, SPELLING AND GRAMMAR. i'd LOVE if my students used AI to fix those mistakes. then i could smoothly read their work. AI can also help you get a basic understanding of concepts (thus improving your ability to write about them), but you still have to check the sources it provides you. that's what makes you look dumb at university level: citing imaginary sources and authors that the AI generated for you. AI tools are also pretty crap at actually "understanding the assignment", so it's easy to tell when a student used AI to write the whole essay because it won't be the right format, and thus can't get a good score. but if a student is smart enough to figure out what's required according to the rubric, what parts of the essay are needed, what arguments they need to make to get points, and they use AI to help them write those out, i see no reason to penalise them for using assistance - as long as they admit they used it. lying about one's abilities doesn't serve anyone, least of all the person themselves.

i think it's really easy for some armchair critic to look at a "fact" like "AI was used in the production of this film" and get angry about it. but i'll bet they haven't even been to see the movie, or spent any time looking for "behind the scenes" reports like you did, and that means we can ignore that idiot, because they don't know what we know 😌

thanks for reading!!

[bpod-bpod]

Face Off

On the face of it, an MRI brain scan might not look much like a recognisable person, but removing facial features (pictured, bottom, with full scans above) is an essential step in ensuring that privacy is maintained when people’s scans are used in research. Altering images inevitably risks influencing their reliability, so researchers investigated how ‘defacing’ impacted human and automated quality assessments of a set of scans in an openly-available database. Trained human raters ranked the images as being of different quality when defaced – on average slightly higher – especially on lower quality scans. The bias was most pronounced in the most experienced ranker’s judgements, suggesting preconceptions that have accumulated over time. But automated computer quality assessment was unaffected by defacing. The researchers suggest ensuring quality checks happen before images are defaced to avoid bias creeping in at the early stage of processing that might affect analysis and research outcomes later.

Written by Anthony Lewis

Image from work by Céline Provins and colleagues

Department of Radiology, Lausanne University Hospital and University of Lausanne, Lausanne, Switzerland

Image originally published with a Creative Commons Attribution 4.0 International (CC BY 4.0)

Published in PLOS Biology, April 2025

You can also follow BPoD on Instagram, Twitter, Facebook and Bluesky

[haropro-confessions]

One thing people forget is that this is Rio's THIRD leak. The first happened when she was announced as a new member and her twitter bashing her classmates, complaining about classmates that blocked her and wishing death on her parents just because they said she can't use their credit card anymore. How the hell can you reform someone who's this bad?

Similar/Related Confessions:

I didn't get who's the "senior gossiping behing my back". Ikuta, Oda, Makino? If it's Makino, at least that'd explain why Kita talked badly about her like she did. It's a shame though because when she just joined, Makino was one of the members she followed. She'd also kinda be doing the same thing that she complained that senpai was doing.

Kitagawa’s scandal has reached unimaginable proportions lmao I’m a spanish speaker fan and believe me when I tell you scandals from jpop idols never make it to asian entertainment FB fanpages from this side of the world unless they’re AKB, Starto (former Johnny’s) and so on I saw a known Kpop page post about Rio’s drama and I was surprised ngl, yk big jpop idols, even more the ones that make it to kpop, are often pointed and dragged on social media (Miyawaki Sakura for example) so seeing the post about Rio shocked me Btw I saw her apology blog shared on MM official FB with lots of angry faces and kinda rude comments I’m curious to see what’s coming for her, it would be completely unfair if she ends up with no consequences at all just bc she’s pretty and has a pretty meh voice, good overall considering current members that sound breathless no matter tenure

I dont agree w/evthng Rio said during her rants but atp I'm getting evn more annoyed w/fans. Why is is autom. racst that she compares someone to that Xiaoxiao person? If anything it's because the person she's ref. to looks strange and her pigtails do too. Years ago, that Jpanese sculpture Momo was a thing and people would use it for comparisons because it looks strange, not because they have something against Jpn ppl. More like thoughtless to someone with a health condition. Not ev is R-related.

Note: On April 17, it was announced that Kitagawa Rio has been suspended from all activities for an indefinite amount of time due to rule violations.

[bittysfoodbaby]

ok so on top of me being a diet film major at school i'm also on the executive staff of my school's college radio station and that combined with omgcp means it's headcanon time!

you're listening to 91.7 WSMU-FM. don't turn that dial!

lardo started doing radio to keep up the promise to do something technical to her parents after becoming an art major. she chose radio tech ops and programming because it was a chill and easy gig that didn't take too much time out of her day. she ended up being pretty decent at her job and later became known for her cable management skills.

jack first met lardo when he was dating camilla and eventually got involved with the station as a graveyard shift dj to hang out with camilla more as friends (#studentathletethings). lardo often took on the late-night shifts for tech ops, which is just making sure the station doesn't go down in the middle of the night, and noticed that Jack wouldn't use the automated software and do everything manually from spinning tracks to doing his talk breaks live. eventually they became friends over "the old days of radio" and jack referred lardo to becoming the smh team manager.

holster acted as a consultant to the promotions and PR team for one of his finals and observed a morning shift as part of the project. the "bro, we should start a podcast" part of his brain was promptly activated and convinced ransom to do a morning show with him. they mostly talk about college sports and get very heated over college hockey and how much cornell has fallen as a hockey team.

shitty grew up listening to wsmu and used radio as another way to be rebellious against his family. he appreciates the community service and outreach the station does and is ranked the best voice on the station. he hosts a show about local music in samwell and the greater boston area.

bitty joined the promo team after smh found out about his blog and convinced him to join radio after they all realized they did radio together. eventually he became the webmaster of the station's website because he was the only one other than shitty that knew how to use wordpress. his ego grew after he forced hosts to write blog posts during their shifts for the station website and be active on twitter.

chowder used to dj local events in high school and was a pretty decent dj and producer back in the day. when he found out the rest of the team was pretty much doing radio he convinced a radio show about live dj sets boiler room-style.

(side note: farmer finds out about chowder's secret life as a dj through a girl on the volleyball team who's friends with a wsmu sportscaster who knows holster.)

dex found himself working in tech ops after a freak accident involving the station's backup recording software went down. he ended up staying because it's the only non-hockey or non-school thing he had.

nursey was approached to be on the station's student spotlight show for his poetry and found out that the whole team was working on the station. he then romanticized the image of analog radio in his mind and what being a late-night DJ was like. he immediately switched to a mid-day jazz shift the next semester.

i swear i have more but i still have fics i need to write before posting more LMAO

[aspiringwarriorlibrarian]

I’ve always had a fondness for The Dispossessed’s concept of kleggich.

For context, in the ambiguously utopian novel The Dispossessed by Ursula K. LeGuin, the anarcho-syndicalists all moved to their planet’s moon and started speaking Pravic, an invented language designed to promote their anarchist ideals, and in which the words “work” and “play” are the same thing. But since LeGuin knows enough about linguistics to know that wouldn’t actually happen, another word has arisen: “kleggich”, roughly meaning “drudgery”, meaning work that is too tedious or hard or unsatisfactory to ever be mistaken for play.

For something that arose by accident, kleggich became a key part of Anarresti society. All people take shifts of kleggich work, like agriculture or mining or construction, the sorts of things that people need to do but no one enjoys to do, or that are dangerous to do long-term. A computer system makes sure that no one is worked too hard or too long, and most people take pride in their kleggich work. In fact one of the recent controversies that gives Anarres its “ambiguous” moniker is the possibility that kleggich could be abused by the customs developing around it.

Remember that old meme about how “what’s your job in the leftist commune?” And how those blue haired pronouns people all said they wanted to be tarot readers? (Ignore the fact that the actual Twitter thread had things like cooking, teaching, welding, crops, manual labor, and the only tarot reader was the person who said it as a joke after people began claiming that her ‘planning and logistics’ wasn’t a real job. Otherwise people will notice that the original joke was that their commune will of course fall apart since those are feminine jobs and clearly only real masculine jobs like welding and manual labor actually contribute to society.) What if instead of giving into the right-wing stereotype of useless liberals with their useless jobs, we took that and said “Yes, and?”. Iris brews tea for her regular job and for her kleggich. Isaac does tarot and likes doing agriculture for his kleggich. Sophia has kleggich work as her primary job because she finds it meaningful to pick up shifts when others can’t do kleggich themselves. And so on and so forth.

Since I’ve been introduced to it, kleggich has found its way into my idea of utopia. A reminder that we don’t need to wait for full automation to make odious and dangerous work less exploitative. When there is difficult work to be done, we can do it together, make the work light with many hands. We don’t need an underclass to be broken in our stead.