#I can finally work on their human designs properly now that I finished this...
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mooneggtarts · 6 months ago
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I finally... finished the comic akdbehfhshd it wasn't suppose to be so long but hey, typical me amirite /lh
Anyways, MORE JUMPJNG SPIDER AU!! I am suddenly gotten so attached to their dynamic akdbdjfjd
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moonsun2010 · 8 months ago
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I'm mad Tumblr ate my anon asks (it's not appearing in my Drafts????) but luckily I have a copy saved to my email so:
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HEY YOUR DRACULA ANIMATIC IS SO SO GOOD I can't comment on youtube (bc I have no account) but I've watched it like 10 times now, the song fits so well and the art is incredible, I love all your character designs and the way you portray all the scenes is so spot on!
I just finished re: dracula and idk how you managed to tell the whole story so well in under 4 minutes but it was amazing I love the way you use color in the animatic, the use of mostly black/white/grey is so good for evoking the specific type of horror story this is, and it makes the red in the blood and in dracula's eyes stick out in a way that is absolutely brilliant and that last shot with the sunset is GORGEOUS and then the epilogue!!! I love that you did the epilogue to and having the gentle piano music and doing it in full color gives it such a peaceful and comforting feeling, the drawing of quincey and lucy in it in the afterlife together is so sweet <3 the detail that went into this is amazing, like the captain of the demeter having the rosary even though we only see it for a second, I keep wanting to pause on every single frame so I can properly admire all the cool art lol, also the things like jonathan's beard growing out after dracula breaks the mirror, and the rosary hanging above his bed, and dracula still having the scar from the shovel in the final showdown
AND THE PART WHERE DRACULA CATCHES THE LETTER... literally the way you tell the whole story with (almost) NO WORDS in not even 4 minutes and the whole thing flows so smoothly is incredible I love the way you do like the zoom out thing on some places, it adds a whole new dimension to it visually also the way you draw mina and jonathan after the october 3rd bit is lovely, your jonathan looks so cool with the white hair and i love how you did mina's scar, and the part where her scar disappears at the end was such a cool way to depict that and the difference between human lucy and vampire lucy is done so well, like it's so clearly the same character but you can really see how she's not herself anymore, and the way you used that when they kill vampire lucy and show arthur's resolve to use the stake bc he's now seeing her as a monster who replaced and essentially killed the woman he loved and he wants revenge, literally I will never be over how much story and emotion you managed to fit into a single music video and the way you did quincey's death? crying at that part tbh.
AND THE FRAME OF DRACULA GETTING BEHEADED WITH THE RED BACKGROUND.... IS JUST *chef's kiss* I was going to say I have no words for how much I love this but clearly I have quite a lot of words lol, thank you tumblr for not having a character limit anyway have a good day/night :)
Anon I'm so sorry for this delayed reply,,, I kept rereading this in awe and didn't want to release it into the wild (and it still got eaten anyways-)
I'm so glad you enjoyed the character design!! It's not my strong suit at all so that's reassuring. The colour scheme lowkey started out as a timesaving measure, but it also allowed for me to render scenes with detail that I otherwise couldn't've with the tight time frame I had, since at the time I was also juggling university assignments. I'm glad the sunset scene hit as hard as it did, since I had also just discovered Disco Elys/ium, so it was an attempt to emulate Rostov's illustration of Harry on Filippe III's statue). It worked out in the end anyways, since the grayscale + red accent combined with a colourful epilogue gave a "the horror is now in the past, and we are in a (literally visually) livelier future)" <3
I've seen so many people say they want to pause on each frame to examine it in detail, and guess what, you can get a zip file of them all as watermarkless pngs in my kofi! For free! It's pay-what-you-want since I just really wanted to get as many eyes on this as possible, but any tips would definitely still be appreciated.
It was fun mapping out the match cuts and transitions e.g Dracula catching the letter, Mina and Dracula with Lucy in the churchyard, since the previous semester I'd taken a storyboarding class that taught that, so I HAD to include it. Zoom outs helped add visual interest to otherwise still shots, so I'm glad they didn't come off as overdone haha.
It was tough mapping out what storybeats to include, but I'm super happy that the angst for all the key moments in the video hit right :D Was worried about losing momentum after leaving the Jonathan in Dracula's castle bit, and so I really wanted the ending of each verse(?) to correspond with a red screen injury— notice that "you'd better let yourself off and, while you still have strength in your legs, escape from this horrible hell/你最好放过自己 趁双脚还有力气, 快逃出这可怕地狱" always ends with some character harming another, and when the verse repeats again but with the ending lyrics changed "you’d better let yourself off, rather than crying out to another, “Save me!”... Save me!/你最好放过自己 胜过跟谁叫救命... 救命!", it still ends with Van Helsing staking the 3 vampire women. And of course, the ending "escape from this horrible hell/快逃出这可怕地狱" ends with the sunset, its red now replacing that of the blood the characters had to spill previously, signalling an end to their necessary monstrosity (and also a literal monster with Dracula dying).
Like with the frame of Dracula getting beheaded, the timesaving measures, limited skills (plus lack of any sort of storyboarding software, I was just ""animating"" the movements with Shotcut) forced me to find creative workarounds. I could fill at least 3 pages with writing dissecting all my choices lol but idt therell be much interest in me analysing my own art. Thank you so much for watching my animatic :)
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someinstant · 1 year ago
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So I turned my ankle taking out my trash this evening and it's swelling up beautifully-- I did a number on that ankle back in college and it regularly betrays me because of the Dumb Things I did without seeking medical attention when I was twenty-- so I've decided to prop it up on the couch and ice the hell out of it and watch the special features on my ANDOR Blu-Ray.
Here's a short list of Cool Things I've learned:
Diego says that it was important to show Cassian being nice to B2EMO in the first bit of episode one, because you needed to see Cassian show care and kindness for someone-- because he's not a particularly awesome guy at the beginning.
The set designer for the Andor house on Ferix made macrame door curtains out of metal scrap and bolts because they wanted a 1970s feel with an industrial twist. Also, the set designer pronounces "macrame" with the accent on the second syllable, and I've never heard it that way before? British folks, is that standard on your fair isle? Because hereabouts it's MAC-rah-may, or maybe mac-rah-MAY if you're fancy. But it sure as hell isn't mah-CRAHM-eh.
Just so many gorgeous shots of Ferix, man. And all the costumes and details-- it looks SO GOOD, even when it's clearly just a set and not the finished version. The actors all clearly adored working in the physical space.
During the Aldhani arc, the Aldhani rebel cell actors worked extensively together with the director to train, rehearse, and develop chemistry-- and they deliberately didn't bring Diego Luna in until they were ready to shoot for real. So the Aldhani squad had this rapport and inside jokes and relationships, and THEN they dropped Luna in so he would feel properly like an outsider.
And they did the SAME THING on the Narkina 5 arc. All the prisoners rehearsed together well before they brought in Luna, so he wouldn't have the same understanding of the space or tools or way the actors related to each other. Love it. Really smart decision, and it paid off.
The visual reference for what the Eye would look like when you were flying through it was a close-up of a human iris, and actually-- yeah. They did that really, really well.
They made the prison on Narkina 5 the same shape as the planetary shield generator on Scarif, and I have no idea how I didn't notice that before.
Stellan Skarsgard was clearly DELIGHTED by Luthen's big speech in "Nobody's Listening." He talks about how when he read it, he was like, "Absolutely, this is the dilemma, isn't it? How far can you go in the name of change?," followed immediately by, "Now, how in the world do I SAY that?!"
The musicians in "Rix Road" are really playing on set-- they did ADR over top for sound quality but in order to give the actors the right feel, the musicians are really playing and the instruments all are fully functional. The musicians are a mix of studio musicians who are on the final recording and some talented amateurs who also work as background actors, so you get the imperfect, community-band style tuning, which is what they wanted.
And there's a bunch of other cool stuff, but my ankle is throbbing, so I'm going to go take a painkiller and go to bed I think.
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thecurioustale · 1 year ago
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My New Book Is Out! | Tokens of Zeal
My new book is out!
Buy it! Buy it now!
That's right: In secret, on January 2 of this year I began writing a book of essays. Some of you may know that I have an online journal, which I created in the summer of 2003 when I was just 21 years old and have kept up with ever since. For my new book I went back to the journal and read through it, entry by entry, drawing out excerpts of interest that became conversation pieces for 81 various and sundry essays reflecting on my past life and past thoughts.
The essays are short, often very short. They are less challenging than my usual writing, I would say. My purpose was not to advance my personal frontier of philosophy and intellectual thought in 2024, or to reach a niche audience of deep thinkers, but instead to reflect sincerely on some things I've seen along the way and muse upon how my thoughts have changed and stayed the same over twenty years.
I mention this to you because I am a bit worried that anyone who reads this book might think there's not much to me as an author, and might be dissuaded from reading my works of fiction when those books eventually come out, so I'll lampshade that by adding that I wrote this book in two-and-a-half months. Make of that what you will. I told myself I wouldn't self-sabotage the book by needlessly saying negative things about it, and I am proud of it, not only the fact that I finished it at all, let alone so quickly, but of the actual contents too.
This book is "Volume 1" in a hypothetical series, as it doesn't cover the entire twenty years of the journal but only the first four months, from August to November of 2003—at which point the essays had reached "book length" (lol). So really this book is a snapshot of my life in the latter half of 2003. At that time, I was fading out of college due to financial hardship and other issues, and did not realize that I would never (as yet) return.
I have been wanting for years to go back and reread my journal, and writing a book out of it was the perfect impetus to finally do it. I think a few things stand out about the Josh of 2023:
First, my principles have remained remarkably consistent, but my awareness and understanding of the world has grown drastically, and so those same principles have led me over time to some different policy views and worldviews on some things.
Second, I was a 21-year-old arrogant block of cheese, full of hormones and self-conviction, and that definitely shows up at times in ways that I simultaneously am not proud of and yet which I admire for their sheer gall. There is something very magnetic about the old me which doesn't exist anymore.
Third, following up on that point, it was pretty inspiring and encouraging to revisit the old me, with all that native optimism and drive. I don't express those qualities anymore because life has worn me down and also because I have come to recognize that humanity's problems are a lot more stubborn and irremediable than I thought. By glimpsing into the past, I couldn't help but be cheered on by the old Josh's proud, utopian sense of human inevitability. It lifted my own spirits in the here and now!
I made the mistake of announcing the book on Patreon right after I finished writing it, i.e. back in mid-March. Then I had to wring my hands every week about how post-production was taking longer than expected. Between the irritating realities of formatting a book in software not properly equipped to format a book (never write a book in Google Docs), the complexities of my detail-oriented manner and strong vision regarding the cover design (and engaging for the first time ever with modern generative AI, and having to learn those ropes), and sustaining illnesses and other life priorities and so on, it would take me another two months in all to finally reach today, where I can now publicly declare:
The book is done! It is for sale right now. It is called:
Tokens of Zeal: Words from a Vanished Age
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(Caption: Book front cover of Tokens of Zeal: Words from a Vanished Age, by Joshua Calars.)
You can buy it through Amazon in either paperback or e-book format. (I recommend the paperback version for aesthetics as it is much truer to my design vision for the book's layout and appearance, but my profit margin is actually a dollar bigger with the e-book version, so really just go with whichever version you prefer.) It is available in the US as well as in basically all the other countries that Amazon has expanded its publishing service into. If you need help finding a link to a particular version, give me a ping and I will point you there (if there is a "there" to be pointed to). This is my second published book, following Prelude to After The Hero in 2015, and the first book to be published in print.
If you do read it, first of all thank you! It's an honor that you would take the time. Second of all, I would love any feedback you care to offer. That's not a platitude either; feedback is hard to come by and I really would be interested in anything you have to say, good or bad. You can e-mail me, DM, reblog this, drop an ask, or tag me in an independent post. Whatever you like! Feedback will help me greatly when I eventually get around to writing Volume 2. And feel free to leave a review on Amazon, whether good or bad (though hopefully you enjoy the book); I am told it pleases The Algorithm. But most of all, if you enjoy the book, tell someone about it! Your word-of-mouth is currently 100 percent of my advertising budget, lol.
That's all. I wrote a book; it took four-and-a-half-months; it's done now; and it's the first time I've ever gotten to hold a book that I wrote in my hands as a physical thing, and that's pretty neat.
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Introducing my jaytim fanfiction series Chained!
This is the largest writing project I have ever attempted! Currently (March 29th, 2024) it sits at a length of 153,000 words published and some back of the napkin math puts the final product in the ballpark of War and Peace’s 500,000+ words. halp lmao! This post is designed to serve as an introduction to what the story is about, what my Tim and Jason are gonna be like, and what parts of canon I’m sticking to
"So, what’s the premise ya dorkus malorkus?”
Jason is set in front of a contract that will grant near omnipotence over every facet of reality. The catch is that it requires the person who actually gains the power to be permanently bound into the service of someone else. Afraid of what this could do in the wrong hands, Jason asks Tim to be his new Master.
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(a picture of Jason with the halo and armor the contract grants him that I drew :3 also, have a link to the fics!)
After many hours of intense negotiations (the entire first fic in the series), they produce a subcontract designed to maintain Jason's basic rights as a person while still granting them enough power to overcome whatever whatever caused the contract to be written in the first place. Now all that's left is to destroy the evidence, win the fight, and start remaking the world in their image...
Expect to read about: extensive theological discussions complete with readings of the Bhagavad Gita, shape shifting, hijinks, Harley Quinn being a menace to society really good therapist, redonkulous amounts of time travel and time loops, murders most foul, webs of lies and deceit as Oracle works to uncover their secrets, angst, fluff, hurt, comfort, and I’m gonna stop there before I overpromise myself, turn into a puddle, and never manage to finish the damn thing, lol
The draw of the premise for me is exploring the constant renegotiation of boundaries between Jason and Tim as they navigate a truly terrible idea of a romance. This is slow burn in that it takes them a really long time to get together properly due to the aforementioned terrible idea part, but they know they’re in love very early on.
“Lay out the dynamics there hoss”
I reserve the right to fuss with these, but my intention is:
Jason/Tim = the genius fragile human made of pure spite and determination and their sentient bodyguard/servant monster who they like lowkey have a thing with. Think Integra Hellsing and Alucard.
Barbara Gorden versus Tim Drake = genius versus genius 5D chess headgames war. Think L and Light with Jason as Ryuuk. But like if Light was into Ryuuk.
Tim/Jason versus [MAIN VILLAIN SPOILERS] = warring Gods. The source of a new mythology.
Honestly, just mark down Hellsing Ultimate and Death Note animes as major influences.
“What’s a folk gotta do ta get some headcanons and characterization in this joint?”
For Tim I’m going mainly with him in his Red Robin run where he finds Bruce, blows up the League of assassins and shit like that. I love how absolutely arrogant this man is, and I find the way he struggles with the ethics of the job really neat. This version of Tim seems perfect to act as the commander: always tempted to do more, tempted to go further into the dark with power, but also having a lot of self control and dedication to doing right.
In terms of personal headcannons I am making him trans (cause I can), ADHD/Autistic (because it makes sense), and a dabbler in mild, lowkey amphetamine abuse (The coffee chugger who never sleeps of fanon intrigues me, but also caffeine kinda doesn’t do that, whereas adderall definitely does. He’ll use both stimulants as available and needed. I like a man who knows he badly overworks himself but who can’t realistically say he shouldn’t be overworking himself.)
Jason is a much harder cat to herd because writers have long been playing tug of war with his characterization, dragging him over the line to unhinged villain then back to just another bat over and over. I always like Jason, but I think he’s at his weakest at both extremes of the spectrum. He’s a good villain/antagonist in general, but a phenomenal one when he has real goals and morals. He’s a good anti-hero/tenuous ally in general, but a phenomenal one when he and the family have serious disagreements and Jason is still a killer.
I’m keeping this fic as canon compliant as possible, but there is a bare minimum amount of rearrangement necessary to make Jason consistently morally grey rather than an ethical checkers board that looks grey when you turn it sideways and squint.
Headcanons for Jason include chronic pain (I just think being blown up should screw with a guy’s nerves), trans (cause I can), and having schizophrenia (cause I see some possible canon evidence and he’s had a LOT of ableist stuff thrown his way and I don’t really like ‘well I’m not actually mentally ill’ as a resolution point to that. I am leaving it ambiguous if this has anything to do with the Lazarus Pit, but I intend it to be very unambiguous that it has nothing to do with why he has beef with the rest of the bats. His grievances are not delusions. His moral positions are not delusions. He will hallucinate and I may have him develop delusions, but he’ll also take medication for that and employ coping mechanisms like real life people with schizophrenia do. The mental illnesses are something he deals with, not something that controls him into being evil, no matter their source.)
Oh and it should go without saying that everyone has so much PTSD!
“Cut ta the chase already jabrony, give us da timeline”
Crisis on Infinite Earths, Final Crisis, Infinite Crisis, Flashpoint, Convergence, and the Rebirth changes happened in this fic's canon. We are dealing with multiple multiverses. If you’re familiar with the concept of ‘Hypertime’ used to facilitate the Elseworlds series and elaborated on during the Dark Knights: Metal stuff, I’m building off of that. If you’re not, don’t worry about it, there will be a far better explanation in the fic as the characters discover this shit for themselves.
This takes place during the "Rebirth" era of DC comics canon in a fanfic universe I made up within that canon multiverse called Earth 69. Earth 69 is my idea of what the pre-flashpoint timeline might have looked like if flashpoint never happened. Essentially I'm taking the post crisis stuff and extending it by acting as though that timeline just kept going, with plot points from New 52 and Rebirth canon welded onto the end of it. Keep in mind though, Earth 69 only coincidentally mirrors pre-flashpoint events; that canonical pre-flashpoint multiverse still exists!
Now lets go through just Earth 69′s timeline, focusing on Tim and Jason
Based on the letter Jason sends to Kid Devil, I put the year of his death as 1985. Ten years have passed since then at the start of this fic, making Tim 23 and Jason 25. The influence of alien tech and supergeniouses accelerated cultural and scientific growth such that while the fic takes place in 1995, every bit of tech and culture from 1980 to 2024 is fair game to show up. I find it fun to play around with laser turret drones and microfiche spy tactics all in the same story, so our heroes listened to My Chemical Romance on their smartphones while watching the fall of the Berlin Wall on live TV.
Batman (1940) issues #419 - #429 aka Jason’s post-crisis Robin years happen almost identically to the comics, except that Jason is a trans man and it was the Penguin that got Willis Todd locked up for life and then killed instead of Two Face. Bruce eventually finds out he’s trans and is supportive if understandably clueless. He raises Jason as his son. It’s important to me that Jason’s beef with Batman not leave either side objectively correct. Their relationship and hurts are a lot more compelling to me if Bruce isn’t transphobic.
A Place of Lonely Dying and the Robin (1993) series happen with very few deviations, with the understanding that I've read less of this than would be ideal and might get some things mixed up as I go along. Those deviations include Tim also being a trans man. Because he was looking into transition care for Jason, Bruce already knows about puberty blockers and HRT and supplies them to him. That becomes a big part of why Tim’s Dad is so freaked out by Tim being Robin. In this timeline, one of the major reasons Tim is so attached to the role of Robin is that it’s the first role in his life where he gets to be himself.
Lost Days happens as it did in comics except for two changes. Firstly when Talia sleeps with him, it's not sex, it's fully clothed cuddling and actual sleeping. I think this compromise preserves the important emotional conflict that I identified in this reading of her motivations, while sidestepping some of the problems the sex caused. The second change is that Jason won't have ended Lost Days by going to talk to Hush...
Because I HATE Thomas Elliot as a character. I hate how he was implemented. I hate that he kept showing up. I hate that they killed off Harold. I hate Hush. So it never happened on Earth 69! Instead I'll be emphasizing Tim and Jason's later fights, which have some similar emotional beats.
Now, whether or not Jason held a knife to Tim’s throat is kinda fucking important to how their relationship is interpreted! Most people, understandably, make this a serious event between the two. However, in all the comics I’ve been reading, I have seen zero characters ever acknowledge that Jason was involved. Tim hasn’t thought or said anything about it, even when it really seemed relevant. Jason technically tells Batman he did it in UtRH, but it's never brought up again and at this point it feels almost like Judd Winick tricked DC into publishing a headcanon that applies nowhere else lmao. Therefore I feel fine with just ditching this and putting more emphasis on their later fights which have similar emotional beats.
Under the Red Hood happens, with one modification. He knows about Stephanie's death and treats it with the gravity she deserves. He is targeting Black Mask because of Steph's death, and something very similar to the excellent fanfic 'hangman is coming down from the gallows' by nex_et_nox happens.
Young Justice (1998) happens, except for some of the mythological encounters. They did watch Santa get blown up, but I will be taking liberties with how the Greek Pantheon operates, and holy fucking shit, no they did not meet the goddess Kali like that, what the fuck, did no one even try to do a basic level of cultural sensitivity research?!? Anyways.
Jason does fight Batman, Green Arrow, and Mia as told in Green Arrow (2001) #69 - #72. Roy does hear about this, but he hears about it the way that Mia herself tells it when asked about it in the comic, i.e. “He didn’t hurt me. We just talked.” So he's not exactly all that freaked out about it.
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Roy Harper and Jason first meet in Outsiders (2003) #44 - #46 where he helps Roy and Dick exonerate Black Lightning with no ulterior motives, as in the comics.
Teen Titans (2003) #29 (The Titans Tower fight) happens as it did in comics. i.e. It was a fair one on one fight in which both participants understood that the other was not trying to kill them and both combatants walked away with nothing more than superficial injuries. Tim came away from that with a black eye and a grudge; Jason came away from it thinking Tim was pretty alright in his book. The writing on the wall was either Jason’s own blood, or red paint, because there is simply no earthly way that was Tim’s blood.
Teen Titans (2003) in general happens to Tim, though there’s a lot that connects to Countdown to Final Crisis (which can only have happened in the canonical pre-flashpoint multiverse) that may or may not need to be edited and removed.
The combination of events from Countdown to Final Crisis and Teen Titans (2003) #47 also happens, in which Jason attempts to save Duela Dent from murder, fails, connects with Donna at her funeral, and then is interrogated by Tim and Dick who suspect Jason murdered her. Oh and also it's where Tim kicks him in the pants lol. Obviously the reason Duela died and who murdered her has to be different, but all that should be details that don't matter for the fic's purposes.
I've already mentioned that Robin (1993) was being considered canon to Earth 69′s timeline, but make special note here of issue #177, in which Tim sends Jason to jail (his first prison stint, yay :D). One modification here: Jason's plan is to manipulate the established mob families into fighting the cops, leaving the local communities to govern themselves, not to use "kid gangs" to soften up the cops and the mob like happens in the comic. Because like... the on panel plan makes no sense, either logistically or for his character, and idk why but the way the author uses the concept of “kid gangs” leaves a bad taste in my mouth.
Nightwing (1996) #118 - #122 aka Brothers in Blood aka the one where Jason becomes a tentacle vore monster happens exactly as depicted in comics. Exactly. As. Depicted. Well okay not exactly, I need him to not have threatened to bomb a building full of innocent people, that is a bridge too far, but everything else stays!
The Red Robin series happens as depicted, except for how Tim got the costume. The Red Robin costume that Tim wears in the pre-flashpoint multiverse was from that multiverse’s Earth 51. On Earth 69 the Red Robin costume was what Bruce made for Jason in anticipation of him wanting to outgrow the Robin mantel one day, like Nightwing did (tho uhhh great job reframing why the Nightwing mantel exists there Bruce lmao). When Dick gave the Robin role to Damian, Tim took the Red Robin outfit for himself from it’s pedestal next to The Memorial Case. There was a considerable amount of spite towards multiple people involved in that decision.
Battle for the Cowl is where it gets trickier. I am going to gut most of the plot of BftC and combine a few plot elements from it with the Batman and Robin (2009) series in order to create a much longer lasting conflict that preserves Jason as an anti-hero and his partnership with Scarlet/Sasha as a competing vigilante force to Dick and Damian.
After Bruce’s “death” Dick super does not ever want to be Batman. No one does really. Jason hears Bruce's post-death message and is understandably fucking devastated. He decides to say fuck that noise, Bruce is gone now, and I'm gonna be Batman since no one else seems willing to do it, and I'm gonna do it my way! Another Batman running around shooting people dead forces Dick’s hand and he takes up the Batman mantel to fight him. Batman and Robin (2009) #3 - #6 happen roughly as depicted, but with Jason still claiming to be Batman, and he doesn’t have red hair. (I’m so sorry white suit + pill helmet costume, but I must leave you behind for the sake of continuity). Jason's stint in Arkham and then Blackgate happens. Batman and Robin (2009) #23 - #25 happen as depicted, minus the part where Jason rigged the entire fucking civilian tram line to explode. After Jason and Scarlet fly off into the sunset together, they come back to Gotham and keep fighting.
Sometime after he's free again he does Roy a favor. I haven't decided what exactly, but it's big. I’ve toyed with the idea that he broke him out of prison because he doesn’t want to see Liam grow up without a dad in a move very similar to the Outsiders thing and roughly analogous to how he meets Roy in Red Hood and the Outlaws (2011), but that seems a lil repetitive and why would Roy even be in jail, so idk.
By this point the events of Red Robin are over and Tim has joined Dick and Damian in fighting Jason. Sometime before the climactic battle, Scarlet leaves for [FANFIC SPOILERS] reasons, so it becomes just Jason again. He goes through with something like the plan from Battle for the Cowl, luring Tim to his Batcave and offering him a place as his Robin. As in comics, Tim's answer is to pick up a crowbar and wack Jason across the face with it! Jason wins the fight and stabs Tim in the chest, knowing it's not gonna kill him, but fine with it leaving one hell of a scar! Dick's fight with Jason afterwards, and Jason jumping from the train into the harbor, happens as it did in BftC #3 with the exception of Dick wearing the Batsuit instead of Tim.
Starfire contacts Roy for help with a lengthy, off planet mission - one that absolutely needs a Bat on board. Every single Bat is up to their eyeballs in fires to put out and projects to run... except for Jason. Roy knows a lot of other Heroes with very good reasons to hate him, but in his personal experience, Jason’s always been a reliable if shady and asshole-ish guy working for the greater good. Ya’know. A Bat. It helps that they both think Bruce treats Dick like garbage sometimes and thus are inclined to be sympathetic towards Jason's beef with him. Roy vouches for him and brings him on board. They work well together, they save the days in outer space, and after a particularly dangerous mission they have a "thank fuck we're not dead" threesome together. This replaces the New 52 version of Red Hood and the Outlaws.
During the trip back to Earth, Jason confides in them about his woes and they encourage him to sort his shit out and get his life back together. Jason agrees and after considering it for a while he asks Roy and Starfire to help negotiate a truce between him and the rest of the Bats. They agree and thus begins two years of ceasefire and getting more friendly with the other Bats.
During those two years, the events of Dark Knights: Metal occur. The Source Wall is broken, and all the peoples of all the earths are plunged into a nightmare world. No one really remembers what happened, it’s all very vague and drifty, like remembering a dream, unsurprisingly. People have been referring to this event as The Nightmares.
This two year period also contains my version of Rebirth Red Hood and the Outlaws. Jason attempts to infiltrate Black Mask’s gang because the real Black Mask should be super dead and super unwilling to work with him. He’s a LOT more competent about it than in comics tho.
The biggest change is what goes down with Cobblepot. Jason’s original intention was to fake the penguin’s death and take all his power and assets from him, as he did in comics. However, he loses Artemis and Bizzaro before he goes through with that plan instead of after. At the last minute he switches the blanks out for lead. The Penguin is super dead.
He fights back when Bruce confronts him, but it's still a brutal fight and ultimately Roy has to separate them. Then Jason follows his father’s trail to the experimentation prison thing like in comics. Roy doesn’t die along the way, we don’t have the scene with Bruce at the diner, but in the end it turns out that his father is actually dead. No one survived that place. He only found boxes of dusty, decaying files, a grave out back, and Dr. Fate. Once he was convinced there was nothing more to find, Dr. Fate took him to John Constantine and The Contract, and that’s just about where our story begins!
Have another link, and I hope some of y’all enjoy what I’ve got so far!
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snek-panini · 1 year ago
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At long last, I have a new book to share! Feels like forever since the last one. This is Vita Nova, a fantastic Good Omens fic by @philoomenaa that I asked to bind way back in October. It took me a while to get here and I learned several new techniques for this bind but it was so very worth the wait. It's an excellent pre-season 2 story from 2019-2020, involving the fandom's favorites dealing with an unexpected bout of both humanity and memory loss. It's just...really really good and I love it.
More photos and process talk under the cut! There are a lot of details to see with this one.
One of the things I learned for this bind was homemade book cloth. I used the heat n bond method and had pretty good results with this satiny bronze cloth that I found in the Joann's remnant bin. The making of the cloth was fairly straightforward but it handles very differently to regular book cloth. The satin is really slippery and absolutely would not hold a crease at the hinge. I think it also shrank a little at the gluing stage? Which sounds weird but I left my usual amount of space for the corner turn-ins but still had teeny tiny gaps on three of the corners, which has never happened to me before. I also had an issue with glue seepage when I applied HTV to the cover and spine. You can see this in the images above, and here in the spine photos:
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Part of the reason it has that fancy art nouveau frame on the cover is an attempt to hide this. I think it's the heat press re-activating the heat n bond to cause it. I found out two things here: that fabric requires less press time than book cloth or cardstock, and that if you move the heat press slowly but constantly like an iron it is way less likely to do this. I was super disappointed that it happened but now, a few days later, it doesn't seems so bad. I guess some items just come with a little personal history already baked in.
Here, have some more glamour shots:
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The geometric endpapers were chosen specifically to go with this cloth. I found them at the same craft store and knew I had use them together, they look so incredible. And I learned edge gilding for this project! It was very annoying. The final result here is with heat transfer foil, and I did about six tests on scrap text blocks before I got a result I was at all satisfied with. I tried rub n buff (great coverage, not shiny enough, kept coming off on my fingers even after curing for 2 days) and an actual gilding kit (flaked off as soon as I separated the pages). The heat foil still has some patchy spots but was by far the best-looking result. I also learned double-core end bands for this project! Because I wanted some kind of match for those opulent endpapers and didn't want to settle for just two colors. I think they came out pretty well for a first try and I'll definitely be doing them again.
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Couple of photos of the ribbon I chose for the bookmark. It's probably a little too wide for a book this length; you can see in the end band photo that I had to fold it in half to get it to lay in the spine properly. But it looks so good with the other design elements that I couldn't resist. Luxury all the way on this one.
Speaking of luxury, have a look at the interior:
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From left to right, we have the title page, the ornament I chose for the chapter numbers, and the scene break divider. All the images came from rawpixel with just the lightest amount of editing from me. The chapter image is the same as the star on the title page, but I made it gray and took out the center to turn it into a frame for the numbers. The cloth and endpapers really set the tone for this one all the way through, and all the other design choices followed from there. It's really gorgeous, guys. I love it so much.
And that's it! That was the last work in progress I had from 2023, and I'm so pleased to have finally finished it. Hope you like it, AMidnightDreary!
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mysticstarlightduck · 1 year ago
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POMEGRANITE - Which myth would they relate to most?
JAM - Can they cook?
CANDY - Do they have a sweet tooth?
Thank you for the ask, @zackprincebooks!
I'll go with some of the cast of Supernova Initiative, namely Jack Tithus, Kye Thalax and Deimos Soll!
POMEGRANATE - Which myth would they relate to the most?
Jack Tithus - Prometheus
"[...] One day, Zeus distributed gifts to all the gods, but he didn't care much for humans. The Titan Prometheus, however, because he loved and felt sorry for humans, climbed up on Olympus and stole the fire from Hephaestus' workshop, put it in a hollow reed, and gifted it to the humans. This way, humans could create fire, warm up, and make tools. Zeus became very angry when he heard about this. He took Prometheus to a high mountain, the Caucasus, and chained him on a rock with thick chains made by the smith god, Hephaestus. And every day, Zeus would send an eagle that ate Prometheus’ liver. For thirty years Prometheus remained bound in the Caucasus, until the great hero Hercules, Zeus’ demigod son, released him finally from his torment. [...]"
Kye Thalax - Icarus
"[...] The labyrinth in King Mino’s palace was designed by a famous inventor and engineer, Daedalus. It is said that Athena herself taught Daedalus. King Minos commissioned to Daedalus and his son Icarus the construction of the labyrinth that would held the monster Minotaur. After finishing their work, King Minos imprisoned father and son inside the labyrinth, in an effort to prevent knowledge of his labyrinth from spreading to the public. Father and son were thinking hard on how to escape until Daedalus came up with an idea. They gathered a lot of feathers from birds and glued them together with wax thus, making four large wings. They tied the wings to each shoulder and fled from the island of Crete. Daedalus had warned Icarus not to fly close to the sun because the wax would melt. After passing the island of Delos, the boy, forgetting himself, flew high towards the sun. The hot sun softened the wax that held the feathers together and Icarus fell in the sea and drowned. Daedalus named the place where his son fell Icaria, in his memory. [...]"
Deimos Soll - Pandora's Box
"[...] After Prometheus gave the fire to humans, Zeus decided to take vengeance. He ordered Hephaestus to create the first human woman out of soil and water. Each god gave the woman a gift: Athena gave her wisdom, Aphrodite beauty, Hermes cunning, and so on. The name of the woman was Pandora (meaning “all gifts” in Greek). Zeus gave Pandora a jar, warning her not to open it under any circumstances, and sent her to Prometheus’ brother, Epimetheus. Prometheus had warned his brother not to accept any gifts from Zeus. However, Epimetheus accepted Pandora who, although tried hard to resist the temptation, opened the jar and released all evils upon the world. Hatred, war, death, hunger, sickness, and all the disasters were immediately released. [...]"
JAM - Can they cook?
Jack - Yes, he can! And quite well at that! Though - as I usually say - his usual (and favorite) dish consists of basically the space version of dino nuggets with hot chocolate lmao. He knows how to cook because he has been his little sister's guardian for years now, and so he had to learn how to properly look after her, and that includes preparing food.
Kye - I'm not sure lol. Since he is good at survival, I would assume that he knows how to prepare a dish or two for himself, but I can't say if it would be tasty or not lmao.
Deimos - He knows, especially the basics, and his dishes are quite decent. But he does remark that he is nowhere near as good at it as Jack, and quite honestly, Deimos is right lol. Still, his dishes aren't bad, they're just average. And he's fine with it, to be honest!
CANDY - Do they have a sweet tooth?
Jack - YES. Yes, he does. His favorite beverage, to this day, is hot chocolate, for a reason after all. He also loves candy and all kinds of desserts. Since sweet things were quite expensive in the moon where he grew up - and he was a street urchin who rarely had enough money to stay alive - desserts and candy were rare, sweet treats that he grew to adore whenever he got the rare chance to have some. And now that he is a rich intergalactic thief, he can have all the candy that he wants!
Kye - Hates sweets, but mostly because they remind him of someone from his past (who loved desserts) that he couldn't save. Because of it, candies and desserts kinda became something he associates with sadness, so he kinda just avoids those so as not to feel the emotional whiplash.
Deimos - Eh. I mean, he likes sweets, but he doesn't like eating sweet things all the time. An occasional bag of candies or a platter of cookies? Sure he loves those, in moderation. But if it is too sweet it makes his stomach turn. He prefers a milder amount of sugar.
Supernova Initiative Taglist (-/+): @ray-writes-n-shit, @sarandipitywrites, @lassiesandiego, @smol-feralgremlin, @kaylinalexanderbooks,
@saturnine-saturneight @diabolical-blue @oh-no-another-idea
@cakeinthevoid, @clairelsonao3, @sleepy-night-child
@thepeculiarbird
Let me know if you'd like to be added!
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yanisdoingstuff · 1 year ago
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UT:E MCS SKETCH DUMPSTER
I've finally finished those tiny breakdowns of their current designs. Feel free to peek in. Images have descriptions 'cause of my poor writing. ^^
Warning: a lot of yapping
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Joy Wonder and The Human aka C. You know a little bit about Joy by now. He's a skeleton whose family are the descendants of one of the skelebros. He's adventurous, clumsy, caring and protective. He's a typical not-like-other-kids quirky guy, which clearly shows. He's bright. (Yeah, very obvious on this monochrome image right there. You'll see colored versions one day, I promise.) And also childish. His thick glasses, dirty sneakers and fingerless gloves give off the impression of a nerdy explorer fixated on his goals.
C, on the other hand, is calm and thoughtful. His outfit is partially practical, partially fitting the small heroic spark he has. Every cool hero has a torn scarf and an old-fashioned coat! Can't forget about earrings too. Chill vibes overall. I admit, I was at first inspired by ManlyBadassHero 'cause he's the chillest hero I know. ✨
Don't ask about the Genocide route though-
I don't have much to say about them, but you'll follow them on the adventure and discover a lot yourself.
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Haru Deepwaters and Trev Blackamore-Deepwaters aka ✨The Fishboys✨ (not official). These two are cousins. Alphys and Undyne were an absolute power couple long ago, hehe. Haru's side is more leaning towards their fishy fish side. They're pretty poor, but determined to survive. As you can see, Haru is a bit of a metalhead. He's a careless fighter and a ladies man. He works for the Royal Guard just because his muscles and a desire for justice are his strongest advantagess. But don't think he's stupid. He's just ignorant... sometimes on purpose. His outfit says one word: COOLNESS. And Haru likes when his clothes speak for themselves.
Trev got more of the lizard percentage in his mix. He's a part of a rich noble family close to the Queen herself. Because of that most of the time the position of The Royal Scientist is inherited, and Trev is currently in practice for it (though he basically does all the work at this point). He's the oldest of the group and the most responsible and intelligent as the result. Although his curiosity and lack of empathy may sometimes get the best of him. His clothes are layered as Trev is very sensitive to cold, and reflect his busy job. He's also quite rebellious inside, and if he had the opportunity and no status to keep, he'd look pretty scene/emo. He likes acting like a generic anime villain to scare Joy or look swell. Though he swears he doesn't watch any anime... Guess that's just how it goes when you grow up in this family. Haru is literally anime-inspired name, lol.
Also, he may or may not be on the aroace spectrum. Just the vibes.
The two don't meet much since childhood and often get into arguments due to Haru's air in the head and Trev's snobbish attitude, but they work well as a team. Sometimes.
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Lorianne Dreemurr. She is a young queen who closed herself off soon after the coronation and began rebuilding this hostile environment for any human that Asgore once had. She tries to show herself as an independent leader, unlike any the monsterkind had before, that will put an end to their life in the Underground. But she might be misguided. Or is she just that tyrannical and violent? What I can say now is that she's very protective of her beliefs, to the point of sacrificing one to prove she's right and hold her power. She's short-tempered, arrogant and sensitive about failures. And strangely, she's incredibly similar to C when they're properly compared at some point. Woohoo, the main conflict of the story! Her thoughts are something to be explored in the story if I can properly explain them.
Her style is official and formal. That's all. That what she wants to be. The true politician with no feelings behind the mask of confidence. I also can assure you, her outfit may seem restrictive, but is pretty comfortable in combat. Hehe.
That's all for now! I've got a few more panels to finish before animating and finally uploading. If you have any questions about my sillies or the process, ask away! I love talking, as you may have noticed. 🌸
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reni-reads · 1 month ago
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Reni Reviews
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Cryptos by Ursula Poznanski
Finished: 27th August, 2024
Genre: Thriller
May be for you if you like: Virtual reality, discussion of climate change, discussion of corporate greed, Black Mirror
Synopsis
Kerrybrook is Jana‘s favourite virtual escape. An idyllic fishing village with beautiful nature and, every now and then, a breeze of fresh air from the nearby sea. Jana, is this world‘s designer and person in power, she’s satisfied with her masterpiece. Best job so far.
Until one day, a dead body is found, in both, ’Virtual Reality‘ and the real world. In times of climate change, VR is the only safe place for humankind. That‘s why Jana needs to solve the crime, she’s responsible for stopping the destruction.
Review
Having been a long-term fan of Ursula Poznanski, I went into this book with pretty high expectations, and they were mostly fulfilled! However, there were a few things I did have some issues with, so let's dive into it, shall we?
The Story
is what peaked my interest in the book in the first place, and I was not disappointed, though it did feel a bit too ambitious for me personally.
In a not-so-far-away future, earth has become practically inhospitable for humans due to extreme climate conditions. This is "salvaged" by worldbuilders like Jana, who create virtual escape worlds for other people. When people get murdered in her worlds, though, Jana uncovers a whole conspiracy behind her company and the state of the world.
So the initial murders are basically just a ruse to get the 'actual' plot going, and I don't know if that was really the smartest choice. I'm generally not the biggest fan of these "snowball-plots" where a small-scale issues kick off global conspiracies, and I did feel like the intricacies of the whole corporate greed/climate change issue couldn’t be honored properly over the course of this standalone novel.
The resolution of the plot felt a bit out of left field and lacked true impact for the serious topic. Overall I did like the plot, I just wasn't completely blown away by it, which also had largely to do with
The Characters
who really lacked, well, character. Our protagonist Jana is basically a blank slate and we don't learn much about her apart from her being prideful about her job and rather intelligent. She starts off as pretty content in her life, but then suddenly does an 180 and becomes a leading figure in the rebellion, which I didn't buy at all. Her love interest Tivon was so bland that I have nothing to say about him (the book would have been better without the love story), and the only likeable side character was Jana's older brother.
So if you're a big character reader, you might be disappointed, but if you can see past that you'll be rewarded with
The Worldbuilding
which was absolutely fantastic! The first act of the novel introduces the concept behind the virtual worlds, and the system is actually much more intricate than I would have initially thought! The impacts of climate change on the actual world were described in grim detail, and it was both unsettling and realistic, and the whole concept felt very complete. It was great!
The Narration
is also pretty good - Poznanski's style is rather fast-paced and straight to the point, which I really appreciated for this book. The one thing she does take her time on is describing the novel's work, so the dialogue was a bit on the small scale, which I didn't mind too much as it fit the general theme.
Final Thoughts
Sooo yeah, I finally read it and I'm not disappointed at all! I absolutely loved the worldbuilding and the idea, but I will say that the characters could have been a bit more developed.
All in all, this is a huge recommendation for me!
Rating: 🧁🧁🧁🧁
Plot and Storylines: 🧁🧁🧁🧁
Characters and Relationships: 🧁🧁🧁
Writing Style and Narration: 🧁🧁🧁🧁
Setting and Worldbuilding: 🧁🧁🧁🧁🧁
Entertainment: 🧁🧁🧁🧁
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mi4012thameenahallaldeen · 10 months ago
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Concept Art
Just a sketch for now because I cannot come up with character design sheets to have the characters fleshed out in the concept art. (on character design block because I based my design on Morgan Freeman and Brad Pitt)
Sketching a few ideas so I can pick one to complete.
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"Put the lamp down Mills"
The next one is a comic page style idea I wanted to go for. From my previous feedback I was asked to try to come up with concept art that has all 3 characters. I can’t think of a frame with all the characters where their faces are visible. So I came up with this comic panel idea. The movie would actually fit a comic book adaptation.
Update : There actually is a comic book adaptation of the movie, written by Richard Dyer.
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Decided to go with the second idea.
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Process pics.
Final concept art
It's not perfect and a bit rushed. But I tried using more references this time. I also need to work more on proportions (human body) and perspectives. I was unable to go to the perspective drawing workshop so I missed out on brushing up on my skills which I only had a chance to properly practice during portofolio. I try to incorporate what I learnt into my submissions since that's the only chance I get to practice my drawing skills.
I had trouble with Detective Mills A LOT. Even in the character design sheet. I had trouble with the proportions of Somerset and the Police Captain in the second panel. I had trouble measuring how tall they're supposed to be in comparison with the table.
I noticed I'm reluctant to use references because I fear ending up tracing or making my drawings too similar to the original source. I should've used the rectangle tables at uni for reference. I didn't think to use references. At this point I just wanted to finish it up and get it over with so I can focus on my other modules.
I referenced the backgrounds from the photos of my set for the backgrounds and elements for my storyboards and concept art. That's probably why I kept feeling like something is off since the set measurements aren't 100% accurate.
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lindsayschrctrillstrion · 1 year ago
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this is the moodboard for my character design, taking influence from mythology and videogames depicting warriors/soldiers\
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this is the first sketches that i worked with with the perspective and shape. i struggled most with the perspective of the snout and overall anatomy of the drawings
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this is my final sketch for my character which i put alot of detail into with the head
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this is the 2nd sketch on top of the previous, i recieved critiques of needing to make the pose stand the features out more, creating depth and perspective along the scales and overall work on the proportions
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this is the main reference i used continuing on with my design with heavy inspiration of werewolves
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i then refined it to make it more dynamic in the pose by rotating and moving each limb also added fluff and shoulder plates. following some touch ups, i found it now more looks like a lynx, which could actually work as a cool idea of a character, A WereLynx!
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added a cape and changed the tail
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these are the references i began to use to further develop a more lynx like creature as the face began to unintentionally look like one.
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To begin with the final Line Art Layer, i started off with creating the head using the mix of the werewolf and the lynx head reference particularly in the ear, mouth and fluffy jaw area
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i then went with making the fluff around the character's neck a less angular and more rounded and poofy art style. at this point i was really trying my best at getting the position, perspective and shape of the body right so it didnt look weird or off
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i then went and added a little more detail around the mouth, added the mostly hidden other shoulder, some more fur detail and more clean up of the forearm
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i then began with the leg proportion, perspective and placement. this was a particular challenge as i mainly draw heads more than i draw any other part of a body. it took many tries of readjusting and resizing of the thighs and calf muscles
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as you can see, the foot in particular was the biggest challenge for me as i was still trying to figure out how i wanted the feet to be shaped. either closer to that of a human or more furry and wild like a traditional lynx foot. the perspective was difficult as well because i didnt know exactly how to position the foot along with the knee at this point.
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to make things a little easier, i duplicated the foot to the left to the foot to the right as a starting point on where to begin with drawing it and how i can modify and rotate it to fit the perspective and the flow of the werelynx's body. i also fixed the knee area to be facing the direction as the thigh.
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i then redrew the foort to the right to fit the direction of the knee better.
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following the process of cleaning up and refining the foot to the right, i realized that the foot to the left was angled wrong compared to the knee above so i changed the perspective to make them consistent together
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following the finish of connecting the feet and legs together, i created the cape and connected the fluff properly to the neck and shoulder
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i then put together some gray values to figure what scheme would work out, i considered making him mostly dark so he didnt stand out too much but didnt blend in too much either.
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to make his features distinct, i created white on his front and inside of his body similar to lynx fur colour scheme pattern.
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this is the colour scheme i began with but i felt it just didnt work well and the shades and colours just were too dark or bright
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i then changed the lightness and brightness of the colour palette. my main colours were shades of red, orange and red, red being the cape and fluff, blue being the shoulder armor and pale fur and orange being the main fur colour.
to reflect on the creation of this character thus far, i am happy with how it turned out and it took alot longer to put together than i had initially expected. i do feel it does need fix ups though with in terms of exaggeration of size and features. such as the ears, upper body and teeth.
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felassan · 4 years ago
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Article: ‘Mass Effect 3 Could Have Had A Completely Different Ending’
The Mass Effect 3 ending has been a controversial subject for nine years. As it turns out, it could have been completely different.
This article is part of TheGamer’s Mass Effect week. 
Highlights:
This [the RGB endings] wasn’t always the case. According to Mass Effect 3 writer Chris Hepler, the end of Shepard’s story could have been radically different. 
Hepler started working on Mass Effect right at the beginning. Although he wasn’t formally part of the team yet, he did additional design, chipped in for playtesting, and offered a fair amount of writing feedback during development of the first game. He had a much more active role on Mass Effect 2, writing the Codex entries, the Galaxy Map, and spearheading the Cerberus Daily News initiative. By the time Mass Effect 3 rolled around, Hepler was writing EDI, Thane, Citadel missions, and was generally considered to be the project’s “loremaster.”
“The ending relies on space magic, and the lead writer, lead gameplay designer, and executive producer all just embraced that and owned it from the get-go,” Hepler tells me. “‘Any sufficiently advanced technology’ and all that. They wanted and got a really big decision that affects the whole galaxy. If you give it a moment's thought, none of the three options are perfectly moral or the ‘right’ answer for everyone. Destroy may not solve the problem of AI and organics; Control rewards the Reapers; even Synthesis, which is harder to get than the other two and sounds like it'd be permanent peace, basically violates the entire galaxy's bodily autonomy without consent. So that part, I think, works.
“Did it satisfy the fans? Hell, no, not at first, and I found a lot of the criticism to be legitimate. The Extended Cut gave us a second chance to make an ending that acknowledged many more of the players' choices, and was about as good as we could reasonably make given the decisions we'd already made. I felt a lot better about myself and us as a team after the EC came out.”
Hepler explains that fans had observed several hints throughout the trilogy that pointed in completely different directions. For example, there are aspects of the lore that actually lean towards the Citadel species allying with the Reapers in order to collectively tackle a dark energy anomaly, as opposed to the Reapers remaining as the Big Bad right up until credits roll. Hepler confirms that there are explicit lore details that lean into this idea, but that he never personally heard about capitalizing on them. Remember, this is coming from the Mass Effect loremaster - if he says there is lore to back up a dark energy anomaly that only the Reapers can save us from, it certainly exists.
“Now, what would I have done?” Hepler asks. “I wouldn't have done space magic at all. I planned to write three Codex entries on the Crucible rather than one, reflecting on what scientists think it is at first, what it appears to be once construction has really made progress, and a third detailing how it will kill the Reapers, readable right before you return to Earth.”
Hepler explains that he wanted to take inspiration from Nancy Kress’ novel, Probability Moon, in order to have the Crucible use a strong nuclear force as a weapon. Kress’ superweapon is designed to create a massive burst of energy that is completely harmless for objects that have a low atomic weight, like organic flesh made of carbon chains. This means that the vast majority of Citadel species would be virtually unaffected by a blast from this weapon.
Objects with a much higher atomic number, however, would be annihilated by the beam. This weapon is constructed in such a way that it emits life-killing radiation for anything made up of heavy metals. “So cybernetic creatures like the Reapers and husks would have their organic parts fried because they're right next to the heavy metals, but the organic creatures a safe distance away, like a civilian population, would be just fine,” Hepler says.
“The rebuilt Shepard, who had a fair bit of cybernetics, would die heroically, but that was always likely to be on the cards. In talking with Ann Lemay, another writer on the project, we theorized that the metal most likely to be the atomic weight cut-off-point was niobium, which today is used in piercings and surgical implants because it doesn't rust and you can embed it in flesh without ill effects. It's even blue when exposed to oxygen, like the glowing blue husks we've been fighting since [the first] Mass Effect. So it would make sense as a building block for the Reapers and their ultimate weakness.”
So, what happened? Unfortunately, Hepler never got to pitch his ending. The design leads moved lightning quick with their Destroy/Control/Synthesis trifecta, to the point that the whole premise had been approved before Hepler even got around to finishing his second Codex entry. As a result, he hadn’t got a full description of how this pertained to the entire galaxy yet - although looking at it now, it could have borrowed from the best bits of each ending. The Reapers would be neutralized, but the tech would be there. Given that Mass Effect is largely about the coexistence of humans and cybernetic creatures, it would also have had an impact on other aspects of the universe - what would happen to EDI?
“I [also] had some concern that Nancy Kress might notice and sue us if I didn't do my homework,” Hepler says. “And there was no time to do that homework, which would be me telling all the leads to hold off for a week while I exchanged a crap-ton of emails with my subject matter experts. ‘Sufficiently advanced technology indistinguishable from magic’ was far easier and had much more project momentum. “I recycled some of the strong-force-as-a-weapon tech into the Reaper infantry weapon, the Blackstar. In retrospect, I wish I'd spoken up more, or thought it all out faster, but them's the breaks.”
As well as Hepler’s own ending - which obviously never made it into the final game, despite sounding as if it had a lot more hard science behind it - Hepler is a big fan of the popular Indoctrination Theory. However, he was pretty open about the fact that this wasn’t something BioWare consciously designed.
“The Indoctrination Theory is a really interesting theory, but it's entirely created by the fans,” Hepler says. “While we made some of the ending a little trippy because Shepard is a breath away from dying and it's entirely possible there's some subconscious power to the kid's words, we never had the sort of meetings you'd need to have to properly seed it through the game.
“We weren't that smart. By all means, make mods and write fanfic about it, and enjoy whatever floats your boat, because it's a cool way to interpret the game. But it wasn't our intention. We didn't write that.”
[source]
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tomtenadia · 4 years ago
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My knight in shining armour
Rowaelin month Day 2 - University AU
I literally just finished this. I wasn’t going to write for this prompt but then an idea finally hit me.
The title as usual is bad... sorry
2k words
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Aelin had days in which she hated men. That was one of those days. 
After finishing high school she decided to took a challenging course at the University of Terrasen. Her dad, before he retired, had been an airforce pilot. She had grown up going around his base, visiting him when he was back. In doing so, she had become obsessed with planes. As she grew up, her dad had let her get friendly with his engineer and the man had started teaching her all she needed to know about aircrafts. From the basic physics to the more obscure detail of how the jet worked. Aelin had been fascinated. She had started reading all the possible books, and as she got older, her dad’s engineer had also started having her to actually help her in the hangar. In the summer when school was out, she would actually get a part-time job as an apprentice at the base and she had loved every moment of it. She had also become very close with the two female pilots and together they had spent time talking about the life of a woman in a boys club. The two women had become her role models very quickly.
Terrasen was quite and open minded country but some ideas were still quite obsolete.
In high school at the question “what you want to be when you grow up?” She always answered an aircraft engineer for the airforce. She never faltered or never doubted. That’s what she wanted to, that was her path.
But when time for uni arrived and she applied for a degree in aeronautical engineering, that’s when she realised that the boys club extended far more than she expected.
She was basically the only woman in the class. None of the guys had approached her and on the first day she had walked in the classroom, one of them had the guts to tell her that the humanities department was in the annex c. She ignored the bastard and sat down at the front. She belonged in that room and she would prove it to every single one of them.
Day after day she had shown her knowledge and surprised her professor who was amazed at the fact that she could answer such in depth questions. Last time it happened, she had turned to Chaol - the asshole who had told her about the annex c, and gave him a smirk. That had removed his stupid grin from his face. It felt amazing.
During a private one-to-one with her professor she had confessed to him she had been working at the airbase as an apprentice during the past three summers. Her teacher had luckily been very supportive and encouraged her to keep up the good work.
Now, six months in, she still hated with a vengeance the arseholes she had to study with. Some of them even had the guts to ask her for some help after they realised she was actually good. She had answered that surely they didn’t want the help of a woman, and walked away.
After another class it was finally lunch time and she was meeting Rowan down at their spot on the grass. They were a couple. He had asked her out in the summer after high school was over and they had been together ever since. He was a med student and he knew her pain about choosing a challenging degree. Both their degrees were very intense and required a lot of time so they would just try and spend as much time together as they could. They had a flat together but the public library was were they spent most of their time.
And when their schedules allowed it, they would enjoy lunch together, venting about their academical choices.
“I fucking hate that bastard.” She raged, dropping her bag on the grass and sitting at his side, depositing a kiss on his lips. She felt better almost immediately, being in his arms was all she needed to feel okay again.
“What did he do now?” Asked Rowan knowing of her struggles in her classes.
Aelin grabbed her bag and pulled out her food, the dinner that Rowan had prepared the previous night and then packed away for both of them.
“The teacher gave us an exercise where we had to design an aircraft with what we had learned so far.” She told him, while munching away her food “He was up first and his project was a effing disaster. Seriously, I’d wouldn’t want to fly on a plane designed by him.” She took a sip of her water “the teacher asked us to say what was wrong and it took me ten minutes to stop. I mean, a two year old would have done a better job with lego bricks.”
Rowan giggled at her side “then my turn came and the bastard had the guts to tell me that the aerodynamics of my plane were off and that my ailerons where wrong as well and would not allow the plane to function properly. I took my laptop and shoved it in his face and told him to find the error in my math. He had no clue.” Her face turned smug “then the teacher took over and said that actually my project was, among all, the only one that could actually fly. I felt smug as fuck.”
Rowan pulled an arm around Aelin’s shoulder and pulled her to him. He was proud of her. Every damn day.
“Then after class, he threw me a paper plane and inside it had a message saying this is the only plane you will ever build or work on. I swear, the guy is still alive only because I am not looking forward to finishing my degree via distance learning from a prison.”
She calmed down “how was your day?”
Rowan leaned back against the tree “I had anatomy and physiology. Today we covered the endocrine system and it must be one most boring of them all.”
“Well,” she added with a big smile “when you cover the reproductive system you are welcome to practice with me…”
He laughed and squished her to her chest “I am a very big fan of your… bits.” She kissed him deeply not caring that they were in public, she wanted him and hated that they had more classes before being able to go home and then alas, study more. Maybe for one evening they could study something different.
“Aelin?”
“Yes, buzzard?”
His tongue gently teased her and she opened for him while his hand brushed off a rebel strand of hair.
He pulled back “Nothing, you had tomato sauce on you lips. I was just wiping it off. Did you think I wanted to kiss you?” 
Aelin gently punched him on the shoulder, in return he gave her a massive grin. Rowan was a very reserved man who struggled with stranger, but she had her own version, the goofy one, the one who made jokes and loved to cuddle with her. She would treasure that version forever. That was just for her.
They were busy chatting away and she was showing him on her laptop the exercise she had been working on and her plane prototype and although what she was saying was greek to him, he still listened to her in fascination.
She was telling him how a plane flew and the four forces when a figure stopped in front of them.
“It must be exciting to brag with your boyfriend about your hopeless projects.” Said the man.
Rowan raised his eyes and finally saw the face of the man that had been making Aelin’s life miserable.
“What did you just say?” Rowan stood and towered on the brown-haired man by twenty centimetres. Chaol also looked frail compared to Rowan’s muscular frame.
“Chaol, you’d better go.” Not that she cared about the man, she just didn’t want Rowan to get into trouble for a petty man.
“You’d better give up while you still can, Galathynius. Aeronautical engineering is not a field for a woman.” He crossed his arms at his chest trying to look intimidating but the look in Rowan’s eyes told her it was a useless attempt. Her boyfriend was ready to attack. She knew he had never hit anyone, but had a feeling that if Chaol didn’t stop it could be a first for Rowan.
“Chaol,” she stood as well and growled his name in warning.
“Oh, so you are one of those arseholes who believes that certain jobs can be done only by those who were born with a penis. It’s the fucking 21st century. Grow up, idiot.”
Rowan swore, alarm bells rang in Aelin’s head. He only swore when he was extremely mad, something that her unflappable boyfriend rarely was.
“Oh look, Galathynius, you have a knight in shining armour.”
Aelin moved between Rowan and Chaol, trying to separate them when her boyfriend moved a step closer to the other guy.
Chaol chuckled “Did you sleep with every professor—” but Chaol never finished his sentence. She saw the scene develop in slow motion in front of her. At those words Rowan’s face had turned feral and as on instinct his arm moved and a second later his fist found its target in Chaol’s face. 
Rowan then grabbed Chaol by the collar and lifted him up slightly “You take it back, immediately or I’ll smash all the twenty two bones in your skull.”
“Go on,” said Chaol, nursing a broken lips.
Aelin stopped in between and grasped Rowan’s hand gently “Put him down, Ro, he is not worth it.”
Her gaze then turned to Chaol “now you go back to whatever shithole you came from and perhaps go back working on your project and design a real aircraft.” She moved closer to him “I know what the fuck I am doing. And I know I will have a job in the airforce after this. You will just go back being daddy’s little spoiled boy.”
Chaol glared at her and Rowan finally let go of him, bur before he fully released him he pulled the man close enough that his mouth was near his ear “you disrespect her like that one more time and you’ll finish your degree from a hospital bed while sipping your food from a straw.” Rowan flashed his teeth in a threatening gesture “you leave her alone, because if I hear you have been a bastard to her one more time, I will make your life a living hell.” And eventually released him. Chaol shrugged his t-shirt back into place and walked away without adding another word.
Rowan sighed and then turned to her, his expression back being soft as soon as she looked back at him.
“You didn’t have to punch him,” she said while snuggling against his chest. His arms quickly around her.
“Yes I had to. What he said….” She felt him tense up again “he made me so mad, fireheart.”
“Seeing you thump him was very sexy,” she kissed him gently on the lips “my knight in shining armour.”
Rowan chuckled and looked into he blue eyes “you don’t need a knight. You are fierce, brave and strong and do not need any protection,” he added, his lips on her head. Nesting under his chin was her favourite position. They fit perfectly “I, on the other hand, as a male who is hopelessly in love with you, felt the desperate need to avenge the sullied honour of my amazing other half.”
Aelin giggled hard “you really sound like a knight.”
“Come on, Sir Rowan Whitethorn of Wendlyn, let’s finish our lunch, I have an hour of mechanics of flight coming up and I need sustenance.”
“Yes, my queen,” he said kneeling in front of her.
Aelin laughed and kissed him deeply “maybe I can be your queen tonight in bed as well.”
His smirk grew wider and Aelin felt heat pool at her core at his expression.
“Whatever m’lady commands.”
They finished their lunch in peace without any more interruptions and eventually they parted ways, going to their respective classes.
Chaol did not bothered her anymore. He didn’t even met her gaze and him ignoring her was all she asked. She was there to learn, he could just go and sulk in the afterburner of a jet, perhaps while on, for all she cared.
Aelin texted Rowan a thank you and his reply was a simple To whatever end.
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coreybass84 · 3 years ago
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That Hole Was There When I Got Here or “My Problems with A.I. Generated Images.”
A.I. Generated Images are...yup.
To be honest, I don’t really have a problem with A.I. generated images.  I don’t think they’ll be much more than what they are now, but I don’t have a problem with them in general.  They would be best used by people who want to commission art to give artists a rough example of what they want illustrated by the artist, or by artists as thumbnail “sketches” or underdrawings to make a more elaborate piece.  And I think that’s where all of this is going to end up once the noise dies down and the trolls/tech bros stop shilling for this like they do Crypto (hopefully.)
If anything, my problems with A.I. generated images is that none of this should be open sourced and it should have never crossed anyone’s mind to make it open source.  Because I do believe that a lot of the stuff with the wonky hands/tiny details, bad anatomy, and screwed up perspective issues and whatnot are things that should have been worked out well before they released this in any stage.  And they should have been worked out away from the public with dedicated teams of properly compensated testers and artists working the prompts and feeding the programs the right kind of images to do it’s job properly and legally.
By putting this out as open source, by obscuring where the feeder images are coming from and how much of it is copyright work and how much of it is free-to-use, the people who came up with these programs took the majority of the burden off of their hands and put it on the public to work out.  They get free labor from you to do their jobs for them.  To do the fine tuning that they should have been doing to work out the issues that shouldn’t be there in working version of these programs.  And they don’t care about the quality of the images or the results of said images so long as they get what they want.  
And if you paid the people who made these programs to use the programs, they just made money on top of getting a steady stream of free feedback/free labor they wanted to make a finalized version of these programs.
I can’t stress this enough.  Just like you shouldn’t buy a First Person Shooter game that needs you to teach it how to shoot, you shouldn’t give your labor or pay to labor for a product that struggles with perspective, anatomy, figure placement, and small details like fingers.  That still needs significant human intervention even after it generates an image that’s good enough to display to the public, one that may be riddled with copyright images or images in general that should not be used to “train the program”.  Especially when the program is used to generate the kinds of images that they wouldn’t want to be out there, in a way that would get them and the person putting in the prompts, in trouble with law enforcement (hint: it rhymes with “wild born”).  Just that alone should have made keeping these programs closed sourced.  
It makes no sense to give the people who wrote the code the ability to use your labor for their own ends and use the feedback to make a better program.  It makes no sense to do their job for them in making those programs.
Programs that, if or when the bugs are worked out, they will charge you outrageous prices for to use the “full version.”  And leave you with the copy you see now that still can’t figure out hands, adds muscles, and does not understand that people don’t clip through walls.  And is still only capable of barely passible, generic art that still needs a human hand to finish the job.
Granted, the people who fear that these programs will destroy jobs are correct.  These programs, if they’re able to get to where people think they can and go beyond being a meme or the shiny toy of the moment, will destroy huge chunks of the graphic design industry and anything that relies on digital art to produce a product.  They will downsize and push out artists, put prompters in their place, and demand that said prompters, regardless of skill, to do the job of multiple people while expecting to pay even less for the barely passable images that will be produced and at a completely unreasonable pace.  
The problem is that the automation and devaluing of commercial art and art in general has been going on for a long time, at least since the creation of the camera.  The fight to bring compensatory value to art as a public good and a consumable object is an ongoing one and a crucial one if art is to be a industry where one can find work and express one’s self creatively.  A.I. generated images only brings that fight to stark contrast, as we can now see what the stakes are and have been.  
But none of this is new.  The only thing new is that the people doing the damage are Tech-bros and people who want low-effort porn and memes.  And if they get their way, all they’ll do is just create another facet of the Gig Economy where you’re expected to produce labor at any time for anyone for peanuts, with no regards to skill or quality so long as the bare minimum is met.
Where the bare minimum is praised as exceptional because any other viable option has been buried for the sake of the bad option.
...So yeah...that wacky A.I. generated image stuff is sure something...
And that’s what bothers me the most.
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drinkrust · 3 years ago
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heaven knows you postmortem
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hi! i’m drinkrust. i made a kinetic novel called heaven knows you back in july together with my dear friend Enzo. it was the first time i ever made a game, even if some don’t consider a visual novel with no choices a game (i kinda do). now that i’m a few months removed from the process of making it, i feel like i can better look back at my experience with the project.
heaven knows you was made in 15 days for VN Cup, which was a yuri game jam that had some people from team cpu behind it. it was because of them that i ended up hearing about it. i love archangel:nemesis and instantly got interested when i saw the jam announcement. even better: it seemed like something feasible. i was surprised to see a bunch of artists i really admire were also going to make a VN for it, so the pressure started to build up. it was especially frightening since our artstyle was pretty different from the other projects in there. it's kinda traditionally cartooney with thick lineart and angular faces. even though i was nervous, i think it made me more compelled to actually finish the game.
VN Cup had few restrictions: the VN had to be less than an hour long, have no choices and be yuri as hell. that was it. for someone with absolutely 0 programming experience, it was also helpful to know that the engine we’d be using was ren’py, which is made for babies like me to understand without much trouble. that was it. why not make my first game there? my main problem was that i was a completely awful artist. like, really, i’ll show a few of my pieces in a few paragraphs. so i talked to my friend Enzu which is an extremely talented artist with many cool potential artstyles and he agreed to help out. during the 15 days we had to develop hny, he had work and college and i had some freelancing stuff to work on and also college, so we had less than ideal free time.
still, we managed to pull on with only one or two days of crunch!! i mean, that could’ve probably been avoided, but i personally did not know what the hell i was doing most of the time… so i can prolly avoid it in the future if i can help it. Enzo had a lot of work to do as well: multiple backgrounds and 7 character sprites, three detailed ones and four silhouettes, all with a full range of expressions. he also did the logos and part of the graphic design.
i got a bit ahead of myself. what is heaven knows you?? well, it’s the final manifestation of an idea that had been floating around my head for a long while. it’s first draft in my head was that of a first person dungeon crawler where you played as an adventurer that got stuck in a castle with witches that were waiting hundreds of years to seal a person there to execute a spell to open one’s mind. so, basically the same idea that ended up on the final game. but the tone was drastically different, and it was going to be more of an adventure-puzzle dungeon crawler thingy. the witches were going to be unhelpful and barely talk, and there was *probably* not going to have any romance.
so i started thinking about ways to make it work as a yuri VN, and it kinda just wrote itself. one of the witches is Selena, and she even had some sprites already done that i could use for inspiration for the eventual redesign. in the original dungeon crawler version she was going to be a mysterious character that forgot how to comunicate properly with humans because she was stuck in the upper section of the castle without talking to the rest of her coven. brace yourself for her icon below.
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her hair was supposed to look withered and her face scary and pale because of how recluse she was. a perfect fit for the love interest of my newly conceptualized VN! Enzo redesigned her with his style while inspired by Deep Sea Prisoner’s games and my insane references, which gave her a more welcoming and charming look. i think her design in hny makes her come off as clumsy as well which is nice.
as for the protagonist, Inno, i wanted her to be androgynous and represent the culture and look of the people of the fictional city she came from, Calandria. her and Tara’s outfit were inspired by the weirdo retrofuturistic take on clothing from the early Phantasy Star games.
i wanted Inno to be a little annoying at first. someone who’s ghosted her friends and justified to herself that abandoning most of her connections in order to forge a path alone was worth it. one of the themes is making her realize that, you know, that was a mistake and all. she’s that kind of simple and curious protagonist that works well for this kind of story, but with a little dumb edge that (in my mind at least) makes her a bit more active in the plot.
her and Selena are kinda similar in how they aren’t thaat great at talking, but each have their own quirks. writing their interactions was pretty easy because of their dynamic. but then there’s the rest of the coven, which is made of extremely ambitious witches that dealt with their situation stuck at the castle way better than Selena, and started to bully her.
they were all completely created by Enzo, and i like their presence in the story! they’re mean out of boredom, mostly, and i tried to make the way they teased Selena to not be completely awful. they’re not bad guys, but they do fuel some conflict throughout the plot. i wish i had written more for them…
then there’s Tara, a character that i won’t really talk about much because she only shows up near the end. she’s a weird one.
writing the whole thing was an extremely fun endeavor, but damn it was tiring. there are many pieces which i constantly altered up until the last day before the deadline, and i cut a bunch of stuff out to streamline it a bit. if i had known more ren’py before starting, i would’ve done some fancier tricks to shake up the visuals, but i had already spent a couple days just trying to figure character portraits out, so that was probably way out of reach.
honestly, i’m extremely happy that i could get one of my stories out there. i have a bunch just lying on my mind, and i wish to make them all one day. in my mind, heaven knows you was a great success. more than 60 people downloaded it!! like, getting people to take time out of their day to download my game was something i was straight up not expecting. i’ve made a bunch of art in different disciplines over the last eight years or so, and never before had this much attention to one of my first projects on it. it’s crazy.
now i really feel like digging deeper into the development side of videogames and making more stuff. first of all, i’ll update heaven knows you. there aren’t that many songs on it, so i’ll add a couple more. also, maybe better programming on some of the particularly barren sections. maybe more art as well? i wanna make a “post-jam” edition so that it becomes a more polished experience.
after that’s done, i’ll get deep into work on my next game project, which is a unity thing. i also wanna do a sequel to heaven knows you. it’s already mapped out, so maybe i’ll work on it before the unity project? oh no, this postmortem is turning into a diary. thanks for reading. bye!!! here’s an extra Selena artwork i did on my own weirdo artstyle a few months back!!!
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deltawrites · 4 years ago
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Courtship: Together
Fandom: Twisted Wonderland (Malleus x GN!reader)
Author note: Thank you all for your patience and happy reading!
Warnings: Mentions of alcohol and alcohol consumption.
Previous chapter | Next Chapter
AO3 version
“Really, I insist.”
“And I insist you sit down and relax while we finish preparing your party,” Lilia says as he pushes Malleus back down in his seat; the grand stone throne at the top of the double staircase in Diasomnia’s main lounge room. “We’re nearly done, anyway!”
Malleus tries to argue that setting out a few plates of food or lighting a few candles himself is no big issue, but Lilia skips away before he can get another word in. He continues to watch as the rest of his dorm mates decorate and rearrange the lounge into a grand venue befitting a birthday bash. Every so often, he checks his phone and rereads the last few messages you sent to him. You wrote you would arrive soon and would inform him when you were outside. He was getting antsy the longer he waits. There was even a moment where he was unsure if you knew the way to his dorm and panic-offered to escort you just in case. He snuck out for you once, and he’d do it again if you only asked.
The somber doorbell rings, and he immediately shoots up onto his feet. Lilia excuses himself so he can answer the door, but Malleus quickly descends the stairs and catches him by the shoulder before he can leave the room. “I’ll get it,” he says, leaving no room for a rebuttal from his caretaker. He hears several shouts of his name and approaching footsteps, but no one completely follows him into the halls, most likely thanks to Lilia holding them back. Even as he puts more and more distance between him and the venue, he swears he can hear the elder fae’s playful giggles echoing in the distance.
He picks up his already hurried pace at the sound of the bell ringing again. He’s a bit out of breath by the time he reaches the door and takes a few moments to straighten up and calm his pounding heart before welcoming you in. His efforts to appear calm and collected are all for naught, as he feels his breath being taken away when he opens the door and sees you. While you’re always wonderfully dressed, seeing you dressed in attire that is just a smidge more formal and fanciful strikes a carnal chord he didn’t know existed till this very moment. Black and green are the signature colors of Diasomnia. While your dress shirt isn’t the traditional vibrant green, instead it is a dark and rich hue, he can’t help but wonder if it would be too rude or outright ridiculous to ask you to wear it more often.
“Hey!” you greet with a bright smile on your face. “See? I made it here just fine.”
“Thank goodness,” he lets out a relieved sigh. “I thought I may have had to pick you out of a thorn bush.”
You let out a hearty laugh at his comment as he ushers you inside. He observes you as you look around and take in the decor of his dorm. While the architecture of Diasomnia is a typical design within the Valley of Thorns, his own home especially, he knows from a few off-handed comments that some students find the dorm gloomy and even downright unwelcoming. He supposes the green flames that bathe the walls and windows in an ominous glow can be a bit intimidating to those not used to them, but you don’t appear bothered by it at all. In fact, you’re dragging him in the opposite direction of the lounge and insisting that he show you around his dorm.
“I’m not leaving ‘till I see your room,” you firmly state.
“Why would you want to see my room?” he asks.
“Y’know?” You point back and forth between him and yourself. “You’ve seen my room, so now I get to see your room.”
That sounds awfully familiar.
“What is your name, child of man?”
“Depends on who’s asking,” you answer nonchalantly, completely unintimidated or disturbed by his presence. “What’s yours?”
His eyebrows furrow with annoyance. “It is proper to give your name when asked.”
“That isn’t how mutual introductions work where I’m from,” you scoff. “You’re supposed to give me your name, and then I give you mine.” you point back and forth between you and himself to better emphasize your explanation. As if you were trying to make sense of the difference between right and wrong to a child.
He feels the urge to growl in the back of his throat. “You’re rather ill-mannered, human.”
“I don't think any reasonable person would feel safe giving out their name to a tall guy with horns, wandering around an abandoned dorm that’s seen better days,” you bite back. “You aren’t making a great case for yourself either.”
After his mind finishes playing back the very first memory and conversation he has of you, he gently grabs you by the shoulder and leads you in the opposite direction. “Very well,” he concedes.
He guides you down several long halls, past the other standard-sized dorm rooms and other empty rooms. The large double doors of his room eventually come into full view, and when you turn and ask him if that was his room, you give him a giddy smile when he confirms it is. His room is rather plain. The only personal items he has are a few pennants above his desk given to him by Lilia many decades ago, and a giant statue shaped as the Witch of Thorn’s dragon form. While there isn’t anything in particular that he’s embarrassed by you seeing, he worries you might find the lack of personal decor boring, upsetting even. You have little else in your room as well, but compared to his it may as well be a treasure trove.
“Huh,” you step in and look back and forth, taking in his private space in all its unassuming glory. “So this is what a dorm leader’s room is like!”
The first place that catches your interest is the bed, which you unashamedly fall back on, arms spread out to bask in the space underneath you. If seeing you on his bed wasn’t enough to stir his heart, it would be the fact that another one of your shirt buttons came undone, exposing more of your collarbones and the middle of your chest to his obsessive gaze.
“Damn, I’d kill for a bed this big,” you grumble. “Do you know how much of a pain it is, sleeping with a bunch of full-grown wolves, four newborn pups, and a steadily growing deer?”
“You can always order them out of your room at night,” he suggests.
You fall back on his bed again with a groan. “Believe me, I’ve tried! They nearly scratched my door off and kept me up all night with their loud howling.”
You and your deep, unspoken love for animals. It seems it’s coming back to bite you in small ways. “You’re much more pliable than I thought!” he says, laughing behind his palm.
“Whatever,” you lift yourself and give a dismissive wave with your hand. Something catches your eye, as you look him up and down before tilting your head inquisitively. “Aren’t you supposed to have a sash with your outfit?”
He is, but what you don’t know is that he purposely left it in his closet, hoping you would notice and bring it up as you did just now. The reason and overall style of this birthday suit perplexed Malleus, but he’ll admit that it wasn’t an unwelcome surprise when the headmaster dropped it off the other day. He was actually hoping it would be you that presented it to him as you did with Lilia’s identical outfit on his birthday. However, that one time was because the headmaster had another obligation and handed the task to you last minute. It was the first time Malleus saw you since the end of the winter break, when his love confession went awry. It was awkward and nerve-racking, as to be expected considering how things went. But when you smiled and called him “tsunotarou” (much to Sebek’s disdain), it helped affirm the words the two of you had been exchanging over the phone, that you and he are still friends and that you still cared about him.
As he had hoped, you quickly offer to put the sash on for him when he mentions it still being somewhere in his wooden wardrobe. Your movements are swift and unassuming, but he can’t help the way his shoulders tense up when you put your arm around him to wrap the sash around his torso. Once the strip of fabric is properly secured, you run your hands over his clothes to smooth out the small wrinkles and bunched-up fabric. Your actions feel like a burst of electricity against his skin, even though there were several layers of clothes separating your bare flesh from his.
You casually wipe your thumb over the purple gem on his lapel pin before saying, “White suits you.”
“Is that so?” He timidly raises his hands to button up your dress shirt, just the one button that was undone earlier. He knows you hate having it buttoned up all the way. “I thought you said red suited me best?”
“I still think it does!” you chuckle. “But I’ve never considered you in something white until now. I guess I have to make you a white coat now.”
“You don’t have to,” he insists. “The one you made for me is fine as it is.”
“That’s good,” you smile. “All those years of helping my aunt sew and mend clothes for my cousins finally came in handy.”
“That would be your second aunt, correct?”
You’re visibly surprised at his comment, but you quickly give him a rather adorable smile. “That’s right!” you chant. When he asks you why you’re smiling so sincerely, you answer, “You’re the first person who’s been able to tell which of my aunts I’m talking about without naming them.”
“You speak of them often, so it’s expected that I’d be able to distinguish who you’re referring to after some time.”
“Well, shut me up if I mention them one too many times,” you insist, eyes averted from his own as you fidget with the ribbon tails of his celebratory bow near his breast pocket, his birth month and day were written with shimmering gold foil.
“Nonsense,” he frowns, redirecting your gaze to him so he can look you in the eyes. “They’re your family. If they’re important to you, then they are to me as well.”
While it’s true that you speak or make a frequent mention of your aunts during your many late-night strolls with him, Malleus’s ability to tell which one you’re referring to is mostly due to him carefully listening to each of your stories like they were gospels, writing seemingly rudimentary information down in his private journal to later read back by himself. Initially, he kept a record because your stories about the life you’ve lived alongside your rather rambunctious human family intrigued him. As his infatuation for you grew, he hoped that by showing you he remembers these moments of your life that you’ve shared with him, it would be a clear sign that he deeply cared not just about you, but also the family you deeply care for.
“Honestly,” you sigh and give him a playful look. “You really know how to tug on my heartstrings, don’t you?”
Malleus has done his best to remain calm and composed in your presence ever since he came to terms with his feelings towards you. As always, you shatter his efforts completely just by being your genuine self, open and honest with your thoughts. You seem to relish his red-faced meltdown, pulling him into a comforting hug while also laughing at him. He hopes you don’t think it strange, the way he seamlessly leans against you and melts in your arms. There’s a pleasant fragrant he picks up in your hair, fresh and floral, specifically like roses. He knows you like to make and use rose water every once in a while to keep your skin moisturized and your hair healthy. His heart is on the verge of bursting through his chest, thinking about you using it specifically with him in mind.
Is this your way of enticing him? It’s not much, but it’s working.
You pull away from him when your phone briefly rings. “Looks like they finished,” you announce as you skim over the newly received message, most likely from Lilia. “We should probably head there now before Sebek gets impatient and hunts you down like a rabbit.”
At the mention of his well-meaning, but loud retainer, Malleus and you leave his room and walk back to the venue together. Along the way, he acts bold and grabs your hand as you hurriedly walk side by side. You don’t pull away when his fingers interlock with yours. Instead, you squeeze and swipe the callus pad of your thumb over his knuckles, a silent assertion that his gesture is okay with you. A shy smile adorns his face. When he spares a glance over at you, he sees one as well.
“I know it’s only been 5 days,” he nervously mentions aloud. “But is it safe for me to presume that you already have an answer?”
“Pretty much,” you casually answer, but you still sounding quite sure of yourself. It sends his heart, mind, and body into a hopeful frenzy. “But as you said, it’s only been 5 days. I still have 2 more days left before my deadline hits and I’m taking all the time I’ve given myself.”
That cheeky tone of yours doesn’t go amiss. In normal Ramshackle fashion, you’re going to keep him at his wits’ end for your own amusement. He doesn’t know if he should feel more annoyed or more enchanted by you. Perhaps a mix of both? Truly, only you can make him feel this way.
“Honestly,” he shakes his head in disbelief. “You are by far the most troublesome human I’ve ever met.”
He halts his hurried pace. And you do as well. He grasps your still intertwined hands together with his other hand, holding it carefully like they were as fragile as glass. Your skin is covered in scars, both recent and old, that came from years of foraging and enduring the natural difficulties of mother nature. However, to him, these permanent markings are more precious than the rarest gem or the finest silk. Your hand is neither too large nor too small within his. It sits just right within his grasp like they were made for him to hold and caress as he is doing now.
“I suppose that makes you the person that you are,” he smiles down at you after letting out a curt laugh. “and it is you who I love and cherish immensely, with all that I am and ever will be.”
Perhaps it is in poor taste to repeat the same words he first told you during his initial confession, but there are no other words he could weave together that can equally convey to you the extent of his feelings other than these. He knows he’s getting ahead of himself. He knows that he’s agreed to abide by the time you’ve asked of him. His words are his bond, literally and figuratively.
He’s just so damn in love with you. He’s willing to act a bit more reckless than he usually is just to expedite the days where he can have you by his side and be together with you at last.
He barely catches it, but thanks to the quiet halls, he’s able to pick up the mumbled words you speak. “You’re making me lose my sense of patience, dammit.”
“Young master!” Sebek’s booming voice echoes down the hallways before Malleus can press your comment further on. His impending presence is enough to make you let go of one of him and take a step back to set some space between you and him. “Where are you?!”
He was much closer than he sounded, as you and Sebek nearly topple over each other when you both turn down the same corner. Thankfully, Malleus acts quickly enough and catches you before you could fall to the ground, and you thank him shortly after you’ve righted yourself up.
Malleus looks up at Sebek and asks, “Why on earth are you sprinting down the halls?”
“The human has failed to respond to Sir Lilia’s message, so he sent me to retrieve you both!” Sebek states, a bit too loudly for your liking as you click your tongue and rub your temples to relieve the growing headache. Malleus has assured you that Sebek’s volume is something you’ll grow accustomed to. It seems the day has yet to come.
“Well, we’re here,” you halfheartedly try to reassure the boy. “So can you please use your inside voice?”
“You!” now it was Sebek’s eyes nearly pop out of their sockets. “Did I not give you an hour-long lecture on proper attire for the occasion?! Today is Master Malleus’s birthday, and you look no different from what you look like any other day!”
“What?!” you look at his retainer with utter bewilderment. “I am dressed up! I even went out and bought a damn blazer just to fall in line with your strict rules!”
“You’re not wearing it properly!” Sebek gestures to your rolled-up sleeves and the two undone buttons of your dress shirt. “Honestly, I expected better conduct from you, prefect!”
“Just shut up and walk, Zigvolt!” you fume and push the young fae down the hall, ignoring his continuous strings of scoldings and high expectations of you. “I’m not in the mood!”
You turn back to Malleus, who silently follows a few steps behind Sebek and you ahead of him. Malleus has to bite his tongue as you make a choking gesture, most likely directed towards Sebek, with one of your hands. He puts his hand up in defense, not wanting to get involved in your ongoing argument with his retainer. Whenever you and Sebek are together, willingly or otherwise, the two of you often butt heads. Your arguments are never too serious. Malleus knows that if he gives you two some space, you’ll both work out whatever it is you’re arguing about and go back to respectfully tolerating each other as per usual.
He wants to ask you about this supposed lecture Sebek gave you about how you should dress. It sounds equally intriguing as it does ridiculous. Unlike Sebek, he thinks you’re dressed rather well tonight.
The scent of roses in your hair is proof enough that you’ve taken some of Sebek’s words to heart, even if he says otherwise.
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The food is delicious despite its unusual colors. The cake, although baked by Lilia, was fluffy and not overly sweet like you expected it to be. Your biggest fear of the night was walking into a dorm full of faes who are just as headache-inducing and strict as Sebek is, but thankfully there’s only one of him in the entire dorm! Some students were still standoffish and threw you a few too many nasty looks than you would normally tolerate. Thankfully, there were some students you remember helping out of their dubious contract with Azul during exams week and welcomed you with open arms. They followed you around like a bunch of ducklings, eagerly insisting you try some dishes they specifically made for tonight’s festivities. Whether they genuinely admired you or simply wanted to make even with you for your help, they are a pleasant distraction from your interactions with Malleus earlier.
Love is a strange thing. Unlike a deer, you can’t predict its next movements or manipulate it to a point of disadvantage. Whether you love someone poorly or properly, love isn’t the same across the board. The love you have for your ghostly dorm mates back in ramshackle is comparable to the love you have for your family, precious and irreplaceable. You can share the same sentiments for your flourishing entourage of forest animals you take care of. You even have a bit of love for Grim, even if he wears your patience thin every other day with his dim-witted cockiness.
You’ve been in a few relationships before, but they went nowhere meaningful. They were relationships built upon a foundation of opportunity and convenience, not of mutual affection and a desire for lifelong companionship. You’re also a creature of habit, so the idea of breaking your hard-fought routines puts you on edge, even if it’s for someone you care about. There’s also the fact that you’ve sworn to yourself to not get too involved with the people in this strange world. You don’t want anyone, or even yourself, to feel saddened or at a loss when it comes time for you to depart. You don’t want to inconvenience anyone if you can avoid it. When you return home, you just want to brush this entire experience off as a long and complex dream.
But how can you brush someone like Malleus off as a figment of your imagination? How can you simply forget all those nights you spent talking with him, laughing with him, genuinely connecting and bonding with another person outside your immediate family for the first time in a long while? How can you continue to tell yourself that you won’t get too involved or become attached to anyone in this twisted world after you’ve gone and fallen in love with one of its inhabitants?
You love Malleus, truly, wholeheartedly, and for far longer than you initially thought. You love him, but not to a blind point where you cannot realize that loving him isn’t as simple as acting upon your innermost desire. Even if the feelings you have for one another are mutual, what then? What will a relationship with a fae, a royal fae, entail? Few think highly of humans. Sebek is a living example that there are even faes who actively dislike and look down upon humans. Malleus is at the very top of the social hierarchy, while you are on the very bottom; a magicless human from a completely different world. That’s another problem! What happens once the way back to your home is finally unearthed?
You love Malleus, but no matter how you look at it, a relationship with him sounds nothing more than an outlandish fairytale. Your friendship with him is still a rather delicate issue. You aren’t particular about what others think of your involvement with him, but he can’t exercise the same amount of dismissal of public opinion as you do. He  has  to worry about what others think of him, because eventually he’s going to be king, and a king can’t flourish if his people think ill of him.
It makes you wonder why he fell in love with you, the most perilous person he could have ever met and involved in his delicate lifestyle.
“Having fun over here?” A playful voice interrupts your deep thinking. Lilia has one of his arms thrown over your shoulder, a gloved hand firmly squeezing you for comfort and bringing you closer to his side.
Despite his petite stature and his boyish looks, you knew from the moment you locked eyes with him on the first day of the school year that he was much older and wiser than he let on. In fact, he’s old enough that he’s been mentioned in a few footnotes in a history book or two. You even cited him as a source for a thesis essay just for a few laughs. He even has a copy in his room. It wouldn’t surprise you if he has it framed and hung on his wall. He’s a very sentimental man.
“Do you need a moment to breathe?” he asks, concern discernible in his voice.
“If it’s not too much trouble,” you plead.
“Not at all,” he nods assuringly before excusing him and yourself from the small group of boys you’ve been entertaining for the past hour. He leads you out to a quiet balcony and you bask in the cool night air once the doors behind you are closed. Once outside, you take in a much-needed deep breath and lean yourself against the balustrade railing. He quickly excuses himself again and returns with two flutes filled with a bubbly drink.
“What is this?” you ask, swirling the contents around with caution.
“It’s champagne,” he answers.
You give a quick sniff. It certainly smells like it. “Isn’t everyone here too young to drink?”
“Yes.” He clinks his glass against yours before throwing you a cheeky wink. “But we aren’t.”
That’s good enough of an explanation to have you down the much-needed alcohol in one shot. Lilia takes careful sips instead, but once he finishes his drink, he heads back and brings the entire bottle of bubbly wine for you to finish with him. It’s been a while since the two of you drank together. Lilia has an expensive palette, so you’ve quickly learned to cherish each selection he brings for these monthly get-togethers.
You gesture to the dark bottle. “How old is this?”
“Half a decade. Nothing too fancy,” he tells you while pouring himself another glass. “It’s certainly better than whatever it is you brought last time we got together.”
“Unlike you, I like a little kick in my drinks,” you explain.
“Well, I’m not exactly fond of the sensation of my throat burning up with searing pain,” As if you emphasize his point, he massages around his small Adam’s apple. “No wonder you’re so rough around the edges.”
“That’s a low blow and you know it Vanrouge,” you pour the last bit of champagne in your glass before setting the bottle down by your feet.
“How low?”
”Right in my gut.”
“Then I suppose I’ll need to make it up to you over another bottle,” he subtlety suggests. “Are you in the mood for anything in particular?”
“Not really,” you shrug. “Nothing too strong. I’d rather not get hammered in front of a bunch of teenagers.”
He offers a bottle of red wine he’s been meaning to pop open for a while and you accept without a fuss. He takes the empty bottle of wine and tells you to hang tight while he gets the next one. You’re left alone for a few minutes before someone enters the area and settles right next to you. It’s Malleus, who looks just as out of sorts as you certainly look and feel.
“Needed a moment to breathe?” you ask.
“Yes, but I also noticed you were missing and came to find you,” he admits. “Are you alright?”
“I’m fine,” you smile reassuringly at him. “Just out of my element a bit.”
“I’m sorry,” he looks so downtrodden that it makes your heart sink. “I had every intention of being close by you for most of the evening, but I’ve been busy speaking with the others that I-“
“Hey, relax!” you stop him before he can devolve any further. “Today’s your day, not mine. Besides,” you lift your empty glass for him to see. “Lilia is keeping me company.”
“Why is it that whenever I see you two together, there’s alcohol involved?”
“In my defense, he’s the one who offered,” you explain, but he doesn’t seem that convinced or assured. “It’s been a while since I’ve had champagne! And it’s a special occasion!”
“I’m not opposed to you drinking, but after what happened last time, I can’t exactly trust you two to pace yourselves or get your hands on something far too potent than either of you can handle.”
He’s talking about the last time you and Lilia drank. You’re not sure what it is the old man brought, but whatever it was, neither of you could stop drinking it even after you two were well past your limits. You both blacked out early in the evening and woke up with one of the worst hangovers in your life. Malleus knew well beforehand that you and his caretaker drank together. He’s even joined a few of your drinking sessions, despite not being fond of alcohol himself. But he certainly did not expect to deal with not only one, but two easily agitated and out of touch individuals the next day.
You still don’t know what was in that bottle.
“Malleus!” A newly arrived Lilia perks up when he sees the man of the hour next to you. “Have you come to drink with us?”
“I’m afraid not,” he answers, immediately followed by the two of you whining in disappointment. “Seriously, what is it with you two and alcohol?”
“You make it sound like we’re alcoholics. Which we aren’t!” you protest, eagerly watching as Lilia opens the bottle and pours you both the first glass of many more to come. “We only get together like this once a month.”
“We used to share a few glasses once a week at some point,” Lilia says as he hands your drink. “But that’s a bit too frequent for these old bones.”
“Says the man that downed half a dozen bottles of beer back in September,” you purposely bring up.
“I didn’t know it was alcohol!” Lilia shrills. “If I did, I would have paced myself better.”
You look over to Malleus and shake your head in disapproval. Your action makes him chuckle, and the urge to fidget with the stem of your glass comes down on you. He really does a great laugh. You’re not sure if it’s your genuine feelings or the alcohol that’s making your heartbeat faster after hearing it. For the sake of your sanity, you’re just going to blame the wine for making you feel more infatuated than usual.
As you and Lilia steadily empty another bottle together, the older fae feels compelled to tell you a story or two about Malleus when he was younger. Despite the latter’s protests, you insist and listen intently about the many times Malleus singed Lilia’s hair as a baby with his fire hiccups or the few instances he’s gotten lost on his quest to sightsee every single gargoyle around the castle. It’s never a proper birthday party without a relative sharing embarrassing baby stories with random guests.
After the second battle goes empty, Malleus suddenly asks you if you would like to walk around the dorm grounds for some much-needed air, Since he’s the birthday boy, you agree right off the bat, only after you get a glass of water in you to help stave off the wine a bit. Lilia gently reminds you both not to stay out for too long, otherwise, Sebek’s worrisome nature might get the better of him and he’ll put together a makeshift search party. If you hadn’t had a few glasses of wine, you wouldn’t have found Lilia’s comment as funny as you did at the moment. You’re a tad tipsy, but not drunk enough that you feel yourself acting or thinking too out of character or lose your sense of balance and trip over your own two feet.
“So, where are we going birthday boy?” you nudge him with your elbow. “Are you going to push me into that thorn bush now?”
“But of course,” he laughs. “I just wish for further respite, that’s all.”
Just as you’re about to mention that people usually like to step away from a crowd by themselves, you feel his smooth fingers interlock with your hand once again. He takes you around the back of the dorm where the expansive and well-attended hedge garden is located. The dark-colored bushes are blanketed in blankets of snow, and more green fires are flickering atop the lantern poles lined along the stone pathways. It’s been a while since the two of you went on a nightly stroll like this. They started out as either you or Malleus running into each other by pure chance and just going along with the lucky encounters. Soon your run-ins became much more intentional and a regular part of your schedules.
He’s the first to break the silence. “May I ask you a strange question?”
“Of course you can,” you nod your head, admiring the wooden gazebo the two of you have now settled underneath for a moment. “Isn’t that why we go on these walks, to ask each other a bunch of odd questions?”
It goes without saying that, due to your racial differences, there were a lot of questions burning in each of your minds about your differing ways of life and upbringings. Most of your questions were innocent and came from a place of wanting to learn and take into consideration his boundaries as a fae. As you grew more comfortable with each other, thus more open and honest, the more comfortable you felt to ask him more personable questions. However, you usually have to answer your own question first before he gives his response in return. You find that this is usually the case when conversing with a Fae. They won’t give until you give back something of equal value.
“In my defense, your blunt answers are refreshing,” he admits, almost gratefully. “No one other than Lilia speaks to me with such genuine honesty. Yet even then, he tends to shroud his words in some layer of vagueness.”
“My aunts were like that when I first moved in with them. Something about ‘learning things on your own,” you recollect. “But I was really quiet and withdrawn when I first moved in with them. They had to lead me by the hand and pummel me with lots of encouragement just to get me to do basic things.”
“You and the concept of quietness don’t mix well together,” Malleus laughs. “In fact, much of how you describe yourself as a child doesn’t seem to match up to how you behave now.”
His comment, while true and most likely just a casual observation, is treading into somewhat dangerous territory for you. “You really pay attention to everything I say, don’t you?” you comment in an attempt to divert the conversation elsewhere.
“I do,” he admits with an unashamed expression “But seeing as you now know of all of my embarrassing mishaps as a child, I think it’s only fair that I get to hear a story or two about yours.”
He leans closer to you, something you normally do to him whenever he gets all quiet and reluctant to say what’s on his mind. You don’t exactly mind telling Malleus about your early childhood, but it’s not as grandiose or as pleasant as he may think it is. What’s a friendship without revealing a few stories about your crappy childhood to each other? What happened to you is unfortunate, and you’re not ashamed to talk about it, not anymore at least. Considering the state of your friendship with him and the ongoing issue about whether you’re going to pursue something more with him or not, you’re not too sure if sharing stories of your past should be preserved for later or if doing so now is alright.
“Can I ask you something first?” you hesitantly ask.
“Anything.”
You turn your body towards him more, easily noticing the way he sits up a little more straight. The faint chirps of crickets and windswept leaves fill the silent void you’ve set in place. He remains quiet, tightening his grip around your hand, still interlocked with his, brushing the back of it with the thumb of his other. The gesture is small, but it’s obviously his way of letting you know that he’s patiently waiting and encouraging you to take all the time you need to sort your thoughts out. He’s looking at you with that concerned expression of his. The one he makes when he feels as though he’s made some sort of mistake or said something that was ill-spoken against you.
He tends to critical of himself, only because there is a lot of expectation set upon his shoulders for someone of his station. It is during moments like this that you understand what Lilia meant when he says Malleus still has much to learn and experience before he can truly take on the mantle of a king. He may be many decades older than you, but his maturity is probably not too far from your own; well put together than most, but still in need of opportunities to grow and learn some more.
That’s the purpose of these walks, to learn and grow from each other. All it takes is a question. But your question, the one that has been swirling in your mind for days, isn’t as innocent as wondering if his horns have nerve endings or not.
Your teeth are on the verge of biting your tongue hard enough to draw blood when finally, you will yourself to ask the burning question on your mind.
“What do you plan to get out of a relationship with me?”
He’s visibly taken aback by your question. If you squint really hard, your question is almost an affirmation that his feelings towards you are mutual, but it is only a minuscule part of a much greater whole. There can not, will not, be any do-overs for either of you. Before you pass a point where there is no return, you need to make sure neither of you is setting yourself up for disaster later down the line. You love Malleus, but you will not tell him what your genuine feelings are just to make him feel better. If word gets out about your relationship and it’s ill-received by his family or, heaven forbid, his own people, you’d never forgive yourself. Becoming King of the Valley of Thorns is his only desire in life. You couldn’t possibly understand why he would want to put himself into such a demanding position. You still don’t understand, but he remains firm that becoming king is what he truly desires in the entire world.
You’d rather die with these unpursued feelings of yours than to allow yourself to be the reason he loses his unwavering purpose in life.
“A relationship, with you,” he tests the words, the very concept, out loud. As if he’s trying to gauge the reaction of the world itself. “It certainly wouldn’t be a dull one.”
That look he gives you, the one that is so painstakingly painted in so much love and affection that can give you several tooth-rotting cavities, directed to none other than you, makes your heart do all sorts of acrobatic twirls and lunges. Your hands seek out the nearest object to fidget with, a piece of hair that fell out of place from your hairstyle. There’s a moment of panic that overcomes him and he goes to pull his hand out of your firm grip, but you tighten it just before his hand can slip away. You like holding his hand, you realize.
“Something’s troubling you,” he remarks. “Whatever it is, tell me.”
“This isn’t the best time to bring it up,” you argue. It really isn’t. Not when there’s alcohol in your body that makes you incredibly pessimistic and impulsive. And it’s his birthday. You really don’t want to make this day suddenly about you. You’re slowly regretting having that second bottle.
“Perhaps not, but it’s going to be brought up eventually, I imagine.” He gently cups the side of your face and forces you to look up at him, right into those green eyes that have always mesmerized you. “Speak to me,” he insists once more.
“I…” you start, but the words die in your mouth before you can speak them. There’s an instance where you nearly pull away from him and are ready to just book it back to your dorm and forget this ever happened, but he keeps you in place almost desperately. He wants you to speak your mind. He wants to know what’s eating up inside you. He wants you, all of you.
But like his desire to become king, you can’t understand why it’s you sitting across from him.
The edges of your vision wobble, and you know that if you’re pushed over the edge enough, you’re going to start sobbing. You hate crying, especially when you feel you don’t deserve to. Who are you to get all emotional when you’re the one who’s overcomplicating things? You’re the one who kick-started this conversation, so why are you the one getting all emotional? Shouldn’t Malleus be the one on the verge of breaking down? He’s the one with the most to lose. The most suffering you’ll likely be subjected to is a bunch of scrutinization and disapproval.
“You know this isn’t going to be easy, right?”
He reaches up with a folded handkerchief in hand, dabbing the corners of your tear-stricken eyes. “I know.”
“I can take a judgemental comment or two. I just don’t want you to be on that receiving end of it because of me.”
“People will always find something to pin blame on or direct their judgment towards, even if the detail is as insignificant as my decision to be with a human.” he calmly explains. It almost pisses you off that he’s remaining calm through all this while you’re going through many ranges of emotions. Malleus is a prince, and it's fragile moments like these that he’s been carefully taught how to navigate and work through. Now you’re just mad at yourself for forgetting something so obvious and vital. Damn that second bottle of wine!
“I’m the worst human you could have picked,” you proclaimed with utmost certainty. “I’m not even from the same world as you. What the hell can I possibly offer you?”
“Well,” He leans even closer to you, closer than he’s ever purposely been and you’re almost compelled to move away from him due to your nervousness. There was a brief moment where you thought that he might kiss you, that’s how little space there is between you and him. While a kiss from him sounds both amazing and absolutely terrifying, you let out an audible sigh of relief when he stops at pressing his forehead against yours. “What are you willing to give me?”
Oh, he’s slick and he knows it. The answer is so obvious now. You’ve made it obvious well before your first glass of champagne. You’re practically wearing your heart on your sleeves, but it’s not enough for him. He wants you to say it out loud so that what he assumes is mutual is in fact irrefutable. He won’t settle for anything less, you’re sure of it.
“All I can give you is my love,” you offer, in a hushed, almost embarrassed manner. “If you’ll have it. If it’s what you want.”
“It is,” he answers immediately, without a shred of doubt or hesitancy. “It’s all I’ve ever wanted from you.”
If this is truly all he wants from you, then he can have it. He can have every bit of it.
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“Are you sure you can make it back to Ramshackle without issue?”
“I’ll be fine,” you reassure him for likely the 20th time. “I’m not that buzzed, and you look just as tired as I am.”
You’re right. Malleus is well beyond himself now. His social batteries are thoroughly drained. He needs a nice, long rest to fully process this long evening.
As he thinks about his conversation with you under the gazebo, he reaches out and tenderly caresses the side of your face. Your hands immediately reach up to tug and twist one of your shirt buttons. He once thought your habit to fidget with the nearest object meant you were uncomfortable. A dainty smile etches into his face now that he knows that this habit of yours was a sign that you were flustered by his actions.
He thinks it’s an adorable habit and very befitting of your person.
“What?” you look up at him with a nervous gaze. “Is there something on my face?”
“No,” he shakes his head. “Your face is all clean.”
Despite his statement, you wipe at your puffy eyes to ensure there are no visible tears left. Would you think him strange if he told you he finds you endearing like this, your eyes somewhat droopy and your voice hushed despite the lack of need to control your volume? You probably would, but your presumed disdain wouldn’t stop him even if you told him off. He can’t help it. He’s drunk as well, though not because of any wine.
“Are you busy this weekend?” you say into his open palm.
“Not particularly.”
“Good,” you smile against his skin. “I have a surprise for you.”
“Do you now?” He looks at you, intrigued by the sudden presentation of a surprise for him. “Is it safe to assume this surprise is my present?”
“Yup, it’s your birthday present,” you admit. “I found something on the island that you’ll absolutely love. The walk is long, but trust me, it’ll be worth it.”
“I’ll take your word for it,” he says, beaming as he thinks about where exactly you’re going to take him. You have a knack for finding interesting spots on the island. Whatever this hidden wonder is, you seem quite confident that it’ll trump all the others.
“Meet me early in the morning, and dress warmly. It’s going to snow a bit.” you disclose before regrettably pulling away from him. “Goodnight, and happy birthday!” you call out to him one last time.
“Thank you! Please be careful on your way back!” he pleads, but you’ve already passed through the mirror back to the college’s main campus. Hopefully, you heard him. If not, he can always send you a letter through his charmed envelope or message you over the phone.
When he returns to his room to dress down and ready himself for bed, he finds that his desk is occupied by a hefty pile of presents that he had yet to open. While they vary in size, most are wrapped in identical gift wrapping and bows. Presents on the larger scale are fully exposed and have a card set over top of it or tucked in between the gift wherever possible.
He opens some gifts before calling it a night, specifically the smaller-sized ones. Most of them are centered on his skill for stringed instruments; new violin strings, fresh rosin for his bow, and even some sheet music for songs he’s never played before. If it weren’t so late, he’d practice a few stanzas. It’s probably best if he saves his awkward first time playing for another day.
Perhaps he can play for you someday? However, the mere thought of more physical activity causes a surge of tiredness throughout his body and he lets out a deep, bellowing yawn. Playing as host for his own party required much more listening than conversing than he had initially expected. He was also juggling his attention from his guests to you, who was always across the room from where he found himself. There’s a great divide in opinions regarding your friendship with him that, unfortunately, skews more negatively rather than positively. He cannot speak for all faes, but he did not want you to develop any poor opinions or experiences with his people, especially his dorm mates. Seeing the small group of first years keeping you company and even show a bit of reverence towards you was assuring.
You deserve as much praise and admiration as he receives, for you are someone who has well earned his respect and his love.
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You weren’t exaggerating when you told him to dress warmly. Malleus doesn’t hate the cold, but he can’t say he likes the way it bites and numbs his minimally exposed skin. Thankfully, the coat you made for him helps stave off the cold rather well. Now if only his gloves could do the same for his needle-pricking fingers.
“Your master sure has the gall to leave me waiting outside in this weather.” He looks down at Gunter, the pack leader of your small bunch of wolves. He doesn’t seem bothered by the snow at all, what with his thick winter coat protecting him from the cold air and the scarf he wears around his neck. Not only did you think to make and put on a scarf for the rugged canine, you even secured it by tying the ends into a neat bow. “I wonder where exactly they’re taking me. Perhaps you have a clue?”
Gunter turns away from Malleus, as if to tell him he’s sworn to total secrecy on your behalf. Malleus can’t help but reach down and pat him on the top of his head. Loyal without a fault. He can see why you keep the wild dog around.
“Are you trying to interrogate my wolf?” He jumps a bit at your unannounced and undetected arrival. He didn’t even hear the crunching of snow and rocks from your heavy boots as you snuck up behind him. If he were wild game, he’d likely have a bullet lodged in his heart by now. “Whatever you promise him, it won’t work. He’s pretty tight-lipped.”
“I can see that,” he quips back. “Are the others staying behind?”
“They can’t stand the cold. Not like this one can,” you explain to him while proudly scratching behind the wolf’s fluffy ears. “The woods are still dangerous, even during the winter. He’ll scout ahead and let us know if we need to change directions and chase off any predators. I also promised I’d share some of our food if he came along, so there’s that.”
“You prepared food for us?”
“Of course I did!” you jostle your pack basket to reiterate your statement. “Did you really think I wouldn’t feed you?”
“You never fail to stuff me with food, so no, I didn’t think you wouldn’t,” he laughs. “Besides, without me, you’d end up with more leftovers than you’d know what to do with.”
“I lived with 11 people back home,” you grunt as you push open the metal gates that enclose the front of the Ramshackle dorm. “So what if I make too much food? You’re really pushing it for someone who gobbles it up all the same.”
“I rather enjoy the way you flavor your meals,” he remarks. “And you know that I’m very particular about my food.”
“Is that why you want me around?” you inquire with a cheeky grin. “So I can satisfy that silver-spooned appetite of yours?”
“What about you?” he questions back with just as much playfulness. “Without me, you’d have no gardening partner.”
“Damn,” you kick a twig and it tumbles down a small incline and into the half-frozen stream at the bottom. “and I thought I was being stealthy about it too.”
Malleus erupts into a loud fit of laughter, with you joining him as he sputters out how strange your shared senses of humor are. This right here. This is why he loves you. You just make him so damn happy! Your companionship and the bond you and him have built with each other is all he’s ever wanted, all he’s ever dreamed of since he was a young boy. There was a point in his life where he had nearly resigned himself to a life of loneliness. Now, look at him, out on a stroll with one of his closest friends. Although now you are not only his friend, you are now his partner as well.
His partner. His.
He involuntarily reaches over and squeezes your hand in his small bout of prideful possession. His enamored smile must have caught your attention as you reach out and poke the side of his face with your free hand.
“And just what are you thinking about, your highness ?"
He has to hold back the snort that he nearly lets out. How kind of you to layout the perfect opportunity to tease you. “Why, I’m thinking about you, of course,” he says, throwing a wink in for added measure.
You let out a huff of air that turns misty as your warm breath mixes and condenses in the cool air. “You should think of something else,” you retort, pulling the hood of your dark cloak closer to your face to cover the side that Malleus can see without strain.
“You seem a bit flustered,” Malleus continues to tease you.
“And you sure are talkative this morning,” you harshly say, but he knows it’s only because he’s “pushing your buttons" as you would say. You do it plenty of times towards him and your friends. This is nothing but well-deserved revenge for all those times you push him and get him all flustered. He’ll need to watch his back in the future. You won’t let him get away with this, not without avenging yourself first.
Oh, if only humans and Faes could get along as well as you two have. Malleus was born right at the end of the last war between his people and many defunct human nobility houses. Relations with the remaining human nobility are better with passaging time, but there is much room for improvement before there can ever truly be a declared peace between both species. A relationship between a human and fae is hardly anything new, the interaction between the two races as old as time itself. As overly optimistic and opportunistic as it surely sounds, he hopes that his relationship with you, no matter how it works out in the end, can be a proper example to his people and onlookers of any other kind than the harmony they once had with humans is still obtainable.
“What you said the other day,” he suddenly mentions. “I feel it would be in poor taste if I didn’t fully address the concerns you clearly have about us regarding my status as a member of the nobility.”
At the mention of your conversation a couple of days ago, your hand grips around tight around him for a moment. “I don’t like facing too many uncertainties,” you admit. “It probably sounds weird, but I do better in situations I have some control over. Being with you. Well, for lack of better words, it scares the living daylight out of me the more I think about it. I don’t even think you know what’s in store for both of us the further we get into this.”
“I have some idea, but to say that I fully understand what’s at stake would be untruthful,” he admits as well. When the court eventually finds out about who he has taken as his partner, he will receive some amount of scrutiny and his decision will be heavily questioned. "However, that would happened no matter who I chose to be with, so long as the person was not someone the court saw as diplomatically advantageous."
“Have you even told anyone about us yet?”
“No. Not even Lilia knows, but I'm sure he has an inkling by now,” he expresses. “As childish as this may sound, but I’d like to keep our relationship a secret as long as possible.”
“And when people start to connect the dots, what then?”
“The only way they’ll confirm their suspicions is to confront either one of us,” he answers matter-of-factly. “But whatever difficulties may be lined up for me in the future. So long as you’re by my side to support me, I'll endure whatever it is that is put forth in front of me."
“You’re right, you sound really childish,” you sigh. “But you also sound so damn sure yourself,” you grumble under your breath, but his pointed ears pick up on your comment despite your hushed volume. “I can’t say I feel the same way just yet. But I hope that, whatever comes up, we can do what we always do and just… talk it out.”
“I wouldn’t have it any other way,” he smiles. “After all, isn’t that the purpose for these walks of ours? So we may work through these difficult conversations with each other?”
“Yeah,” you sigh, a clear lopsided smile on your lips despite you not facing directly towards him. “I guess they are.”
Just as Malleus is about to say something else, you suddenly stop when a distant howl sounds. “We’re close,” you tell him.
“Now, where exactly are you taking me?” he finally asks you.
“Sorry,” you shake your head. “I can’t tell you just yet.”
“Not even after I asked so politely?”
“Nope!” you beam.
Still curious about this supposed wonder you’re escorting to, he continues to pester you with questions, trying to pull some sort of hint out of you. You’re not usually as tight-lipped as you are now. Your persistent secrecy only excites him the further you two travel.
Apparently, what you constitute as nearby is much further than what he would consider close. While still within the woods, he can faintly hear ocean waves crashing and a few seabirds cawing about. You’re taking him towards the southern part of the isle, clear by his now unbutton coat because of the warmer temperatures and the tuffs of green grass poking out through the half-melted snow the further you take him. The place finally appears before him, with tall brick walls and a metal gate, both of which are covered in thick, frosted ivy leaves. He can make out of a few shapes past the gate, but not enough to confidently guess what they are exactly.
“Will you tell me now?” Malleus asks once more while you busy yourself by giving Gunter some well-deserved ear scratches.
“What do you think?” you look down and ask Gunter. He makes a deep grunting sound in response to your question. “I guess you’re right,” you nod in understanding before looking up towards Malleus and saying, “The locals call it a gargoyle graveyard.”
“Gargoyles?” he says with clear excitement, like a young boy being told that a pile of candies and toys awaits him in the other room. "You took me out to see gargoyles?"
“Yes, but also no,” you say. “They would have been if they weren’t sculpted incorrectly.”
“So it’s a place where inoperable gargoyles are put?” he asks, still intruiged.
“The family who owns this piece of land mentioned that they also put gargoyles in here that were made purely for art’s sake,” you added. “But can it really be called a gargoyle if they weren’t made to act as a gutter in the first place?”
Malleus’s heart always skips and beats faster whenever he’s around you. That last comment you made nearly stopped his heart altogether. He once had a conversation with Silver regarding the stark difference between gargoyles and statues. The boy couldn’t fully grasp the difference, but it seems you can right out of the blue. By the Great Seven, is your ability to tell the difference between a purposeful gargoyle and a mere decorative grotesque really what’s making him go red in the face?
Yes. Yes, it is.
You easily notice this as well, as you comment how his complexion is almost the shade of a ripe tomato, although you’ve been busying yourself with undoing the many locks and chains secured around the front gate and didn’t even look over to him since. “I can see the tips of your ears getting all pink in my peripheral,” you explain with a hint of laughter arising in your voice. You’re clearly amused by all this. “Who knew my basic understanding of gargoyles is enough to set a fire in your loins!”
“Must you tease me at every opportunity?” he groans. "And so crudely too."
“What? Are you having second thoughts about me?” you jokingly ask.
“Somewhat,” he answers back, though it’s only a half-serious answer.
You toss aside the last chainlink and rusted lock keeping the front gate secured before saying, “I won’t be mad if you bail out now. It’ll save Sebek the future anguish when he finds out.”
“Sebek is already at odds with our friendship as it is,” Malleus clarifies. “Besides, I think the boy is rather endearing when he’s upset.”
“Endearing,” you mockingly repeat. “More like a pain in my ass.”
“Give him some time. He’ll grow on you,” Malleus encourages.
“For your sake, he better,” you glare at him for a moment. “Alright, that’s enough relationship talk for the day. These gargoyles won’t ogle themselves!”
No, they won’t, and it’s music to his ears that you want to appreciate them together.
Together, with him.
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