#I promise ill explain just need to write out the plot
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Brotherhood mansion au
Hector is a zoo vet and won't stop adopting animals that live on the property. Adira and Edmund hate it bc they just wander around a won't leave.
#Tts#tts edmund#tts adira#tts hector#Idk where adira would#I promise ill explain just need to write out the plot#And maybe draw the house
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How to Write a Sick Character
╰ First of all — being sick is boring as hell
Nobody tells you that. You think it’s gonna be poetic and tragic and emotionally moving, maybe a few tears on the windowpane and a soft piano soundtrack? Wrong. It’s pacing in a waiting room for two hours to be told to come back next week. It’s reruns of trash TV because your brain fog is so bad you can't even process a podcast. It's Googling "why do my bones hate me" at 3 a.m. and finding nothing helpful, only vibes. So if you're writing a sick character and every scene is Deep and Heavy and Symbolic, I love you but no. Let them be bored. Let them be over it. Let them fall asleep halfway through someone’s big speech.
╰ Second — sickness is basically a toxic relationship with your own body
And wow, the drama is unmatched. One day your character wakes up and thinks, “Maybe today will be normal.” Their body: “Plot twist, bitch.” Now they’re sweating through a hoodie, canceling plans, and pretending they're “just tired” because explaining the truth is somehow more exhausting than the illness itself. Let your character hate their body sometimes. Let them feel betrayed by it. Let them mourn the version of themselves that used to just do things without needing a three-day nap after. But also—let them fight for their body, too. Advocate. Adapt. Try again. Because it’s not all despair. Sometimes it’s really freaking brave just to get out of bed and put on pants.
╰ Third — it’s not cute
Hollywood loves to write illness like it’s an aesthetic. Clean blankets, sad smiles, a gentle cough. Yeah… no. Sometimes it’s vomit in your hair. It’s medical tape pulling off skin. It’s being too tired to shower but still scrolling through memes like your life depends on it. Give us the gross stuff. The embarrassing stuff. The human stuff.
╰ Fourth — let them be funny
Sick people are hilarious. Mostly because we have to be. You’ve got two choices when your body is a disaster zone: laugh, or fully unravel. So we joke about our failing organs. We flirt with the nurse while on IV fluids. We name our medical devices. We send memes from the ER. Let your character joke. Let them be sharp, sarcastic, absurd. Not because they're “taking it well,” but because that’s their armor. Humor is one of the most honest forms of pain. Use it.
╰ Fifth — sick ≠ broken
Please hear this: your character is not less than. They are not just here to suffer and die and inspire others with their angelic perseverance. They’re a person. Maybe a chaos goblin. Maybe a genius. Maybe a mess. Maybe a lover, a fighter, a giant emotional raccoon with a heating pad. Let them live and have goals. Let them chase things. Let them screw up. Let them be loved and desired and complicated. Their illness is part of them, not all of them.
╰ Lastly — don’t wrap it up too clean
Recovery isn’t linear. Some illnesses don’t “end.” And that’s okay. You don’t need a miracle cure in the third act. Sometimes strength is just learning to exist in a different way. Sometimes it’s re-learning how to hope. Sometimes it’s finding a new rhythm instead of forcing the old one to work. Let your character find peace, not perfection. So yeah—if you’re writing a sick character, you’re doing something important. You’re making space for people whose stories rarely get told with truth and teeth and tenderness. Just promise me you won’t turn them into a symbol. Let them be a person. A funny, scared, strong, exhausted, hopeful person. Like the rest of us.
@katrein05 I Hope This Helps a little... :)
#writing#writerscommunity#writer on tumblr#writing tips#writing advice#character development#writer tumblr#writblr#writing help#oc character#sick character#character analysis#how to write#aspiring writer#writer community
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Odd question.
What hypothetical plots would you want to see tackled in future halo novels?
I’ve got a few which I’ll list numerically.
1. An Epitaph-style novel for Cortana. Sort of explains itself tbh. I think that would be QUITE interesting.
2. A novel focusing on Mendicant Bias, which I do think Epitaph is slowly setting up Tbf. Like I said.
3. Anything more that serves to continue the recent trend of following up on the forerunner trilogy tbh. (There will be some overlap). Epitaph, Renegades, Point of Light, Promises to Keep and that untitled story at the end of Fractures all did this. And I love seeing it.
4. A story detailing how Jun escaped from Reach and what happened afterwards. Maybe with a few allusions to A Fistful of Arrows too.
I can say this much.
Plus I think there ought to be another short story anthology book akin to Evolutions and Fractures. I have TONS of ideas for such a book.
What about you?
I absolutely love this question, thank you.
Loved all your listed plots, some of those definitely intersect with mine. Ill expand on some
I did some brainstorming here's what I've come up with so far:
1. Got to say I'm extremely biased and Spark still being my number one means I'm dying to know what happens next in Bastion. That "are you ready reclaimer, this is how my story begins ..." got me excited to say the least. Precursors!!!!!
I don't really have a particular order for the rest so Im bulleting it
• go way back and give us the nitty gritty details of Human forerunner wars (with UrDidact and Forthencho leading ofc) I know it's been touched on, but further develop it. Set the book completely in the past.
• more on Bornstellar's son. What happened to him? The one that has Chakas and Riser's straw hat 🥺 (Like you said continuation to Fractures)
• agreed we need Mendicant Bias to return
• who crashed on installation 04 in that one terminal from halo cea? What's their story?
• can we get another unggoy focused story like Dadab and Yayap? Doesn't matter when in the timeline. And make it funny!
• since we probably are not getting halo wars 3 I want to know what happened to Prof Anders
• continuation to ferret team (-1 😭) and red team at the ark
• whats happened to the infinity? Where's Palmer? Lasky?
• more on Castor and Gadogai especially now that Castor has been enlightened
• who are the other monitors? We have Guilty Spark's backstory fleshed out, give the rest a backstory, not just name drops. I'm directly looking at Abject Testament and his "we deserve to be forgotten" quote
• I'll take more stories with "the big guy" or how he's actually called, Spartan Novak. I liked him.
• kig yar focused story? I really liked Nor Fel and I forget the other kig yar ladies name.
• wasn't sure to include this because it's very self serving, short story on Chakas and Riser's adventures together before Bornstellar showed up.
If I think of any others I'll definitely include them 😊 I'm sorry my lore desires are very weird 😅
this was incredibly fun to write 💗
* I didn't mention our boys Rtas or Thel because I think they both will be in Empty Throne ofc
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Okay dead reckoning spoilers ahead ill put a cut just in case also if you like the movie maybe don’t read either 👀😬 but if you do please read the whole thing or at least the last paragraph because that in my opinion is the most important thing i have to say
Before i say anything i know im in the wrong here, i have a really personal issue with the movie that i dont feel comfortable sharing but its one of the names used A LOT in the movie, so that definitely plays a part in my opinion whether i like it or not. That being said, usually i can ignore stuff like that, ive done it with other movies but there was nothing else to grasp my attention so i got stuck on things like that.
Also wanna say this first because i feel like it explains why i hate a lot of the things i do. I could really be reaching here but i think they’re trying to set up hayley as the new face of these movies and dead reckoning part 2 is gonna be the end for tom. She was the main character, Ethan was not. She was a part of 2 stunts out of the 3 big ones in the movie and Toms solo stunt (the cliff jump) was maybe a minute of the movie and correct me if im wrong but thats never happened before, Toms always had a big stunt thats just him that takes up a good, MEMORABLE, chunk of the movie, and that just wasnt in this.
I didn’t like it at all. Up until the airport i loved the movie, i really liked the way it was shot, i liked the mi1 callbacks, i really liked ethan and ilsa and everything was good, i could ignore the AI plot (which i knew i wasnt gonna like going into it i hate AI villains) and just watch the movie but after the airport i started to not like the movie anymore. During the fiat car chase i realized i was gonna really not gonna like the movie. That was one of the three big stunts of the movie and i hated it, it just felt really rushed and there were so many characters who i didnt know and didnt know why they were there, WHICH IS OKAY i love not knowing things thats part of my brand im all about that but it just did not work here, sometimes not knowing anything about character works and other times it doesnt.
I dont remember a lot from the middle chunk of the movie, i wasnt enjoying it but trust me i was trying. Not even benji and luther made the movie enjoyable and to top it all off ilsa died and im getting mad again but that was one of the worst deaths i think ive seen. If shes not actually dead then thank god but also im sorry mcq but awful writing unless something got cut because she was free? She was dead? There was no bounty on her head anymore, that was why she “died” at the start of the movie and correct me if im wrong but she really didnt need to be in Venice with her face showing either. It really feels like she just died so hayley could be in the spotlight with ethan and there were too many characters so they had to get rid of her along with benji and luther who arent dead but may as well be with their 10 minutes of screen time.
But all of this i can look past, i dont like the plot? whatever, thats not why i, personally, watch mission impossible movies, i watch for the stunts, i wanna see tom cruise do some crazy shit but i didnt even get that. Im really mad about the lack of stunts in this movie i feel insane idk if anyone else is complaining about this but i didnt like a single one of them. Im so let down and i hate that im so upset over something like this but i am. Thats the promise thats being made when you go see these movies and in my opinion they didn’t deliver. All the fighting was really good i loved the fight in that tight alleyway with ethan and paris but i hated the car chase, the cliff jump could’ve been better? i dont even know what to say about that one tbh, and the train, ohhhhhh the train, i dont even wanna talk about the train, i was trying so hard to like it i wanted it to redeem the whole movie for me but it just didnt, i feel so bad but it didnt and im so disappointed.
#if anyone wants me to go into more detail i can try#im really tired so im gonna sleep and try and go for a run in the morning to clear my head too and maybe come bsck to some things#but this is how i feel#mi7 spoilers#sorry everyone#im also mad that i think this but what am i gonna do#not to bring john wick 4 into this but this movie feels like a joke after seeing that#i know theyre so different and i dont like comparing movies but they got it right and this kovie just did not#sorry mcq no makeout session 😔
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the books are genuinely batshit, yeah, but mostly not in a fun way (barring a few exceptions). like, even beyond the myriad technical problems or the L O R E, they're just the written equivalent of junk food -- empty calories you gorge on not for their contents, but the joy of it. and the joy of it is almost entirely derived from Special Interest Dopamine over anything actually in them. truly, seriously, they're some of the most soulless garbage i've ever read, while still managing to be so, so fucking cruel in some of the worst ways possible.
eleanor, for example, is originally from a story about a tweenage girl with body dysmorphia caused by, y'know, The Horrors, and the story -- rather than examining what external factors would have made her feel this way, or why she feels such an intense need to be a palatable objection of consumption, or any of that shit -- instead ends with this being Her Fault; when eleanor tricks her into secretly replacing her body parts with scrap, it's framed as a kind of karmic retribution for her own failings, which is just an utterly unhinged thing to write at all, let alone about a 13 year old girl. (she realises her mistake, has her face stolen by eleanor, and then collapses into a pile of trash to be discarded without anyone realising what happened.) particularly when the story prior was about the time travelling ball pit, and the following is fearmongering about goths being obsessed with death?? and that is the frights experience. (minus the writer's thinly disguised fetish.png, ofc, which only really come into play after book 1)
people focus on the actual interesting shit that comes out of The Ghostwritten Hellpit because trying to actually explain literally any of it makes me sound crazy. like. frights was originally supposed to end after #7, right, which is when frights!afton has his big final boss battle and dies! and it's a pretty cool sequence except eleanor is also there just kind of hanging out in lines very obviously added in later, setting her up as secretly behind afton somehow and also the true big bad, definitely. except they now no longer have a plot, because their fucking main antagonist is dead and none of the protagonists have ever spoken with each other before, so instead -- and i'm going to sound like i'm shitting you here, but i promise you i am not -- jake the stitchwraith (our main ghost kid who stuck around to end the hauntings) finds evil drug dealers threatening a homeless girl and murders them because he remembers that drugs are bad. and he burns 'SAY NO TO DRUGS' into one of their foreheads. and that homeless girl is eleanor, who pretends to be the real homeless girl because uhhhhhhhhhhhhhhhhhhhhhhhhh. and they then spend several entire epilogues just sitting around a warehouse doing nothing. concurrently to this happening, our main adult character, detective larson, has been having visions of the time travelling ball pit calling to him to come find it, so he's off investigating the HALLUCINATIONS OF THE SUPERNATURAL BALL PIT. at one point he is aided by a fellow cop who dresses and speaks like a cowboy. he appears twice and is never mentioned again.
eleanor's master plan was to pretend to be the daughter of this scientist researching remnant so he'd try to inject her with remnant which would do uhhhhhhhhhhhhhhhhhh because uhhhhhhhhhhhh anyway so larson falls into the ball pit and starts time travelling across the various previous stories, revealing that he had secretly been there the whole time as he chased eleanor away from the shit she was doing because uhhhhhhhhhhhhhhh and while they're doing that jake seals her inside one of her memories and she dies. and it turns out she exists in the first place because scientist guy's actual druggie daughter, renelle, was ill and he -- terrified of losing her -- made her a locket out of remnant, which just made eleanor, because uhhhhhhhhhhhhhh. and then jake goes off to exorcise the ball pit, which was actually the source of eleanor's power and also everything that happened because uhhhhhhhhhh. and -- again, i'm not joking -- all of the balls in the time travelling ball pit are actually the souls of its victims, and jake goes in and frees every single one from the bad memories they're stuck in because uhhhhhhhhhhhh. yippee!
"oh but eleanor is afton--" no she isn't. she is afton's creation (in the vaguest sense), the same way that elizabot and charliebot are; they are the remnants of a legacy, the shadow cast by the looming spectre of tragedy. It Is A Fucking Metaphor
#speaking!#discourse#theoryposting#this isn't even touching on the things that actually make me lose my shit laughing#like fucking blackbird#just everything abt it#or that this happy ending#where everyone goes free#forgot abt the dumpster of trapped kids#whose souls got swapped with fake copies#it's so bad. it's so bad.
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If you can take a solid guess of what chapter Sindria’s prophet would end what do you think it would be and how would it end (I’m sorry if this was rude to ask)
I've answered this type of question a few times and my answer hasn't changed. I have no idea how many chapters this is going to take;;;; I thought the current Announcement Arc would happen around chapter 20, but a lot of things I planned for after it moved to in front, and the end of the Announcement arc changed to match the emotional beat I planned for what was going to be the original arc planned for ch30. I can't tell if things are moving as planned or not. In universe I thought we'd be hitting the Sindria Arc from the og around ch30 but I probably won't get there until ch45. But emotional progress is still being made close to what I expected???
If you want a number, my current guess is 100-125 chapters??? That could be very off in either direction.
I'm not going to say anything too spoilery but I'm still putting my answer about what happens in the ending under the cut so those that don't want to see it, don't have to. There's a bit of rambling because I struggle with explaining my writing in general.
So... The ending is Mori learning to feel safe in a relationship and the world not having to deal with one king on top. I know that's not much of answer & I've basically said this before;;;; It won't end when Mori and Sin get in a relationship, that's for sure. I know I did that one request for what their kids might look like, but I don't want to ever get pregnant so I know that won't happen probably. Might them adopt if I end up wanting to make them parents. (I've considered adopting or fostering if I ever make enough $$ to feel like I can actually support a child's needs. But in general, I do not want children of my own for a variety of reasons.)
I don't have anything resembling a solid plan past the Sindria Arc, and a few scenes for the Magnostadt arc (in case Mori fails to prevent Aladdin making that promise with Kouen, but I hopefully won't need to use them). I have a few things planned after that regardless of how the war ends, but there's a very strong possibility that none of them will happen, so I feel weird saying they will definitely happen.
My original ch4 ended very differently and by the ch8 that came from it I couldn't figure out what to do to keep the plot moving. It just felt wrong, so I went back to the last scene I wrote that I still really liked and rewrote the chapter to prevent it from happening. But I kept hitting a block so I kept going back farther until I ended up back at ch4. I was even more happy with the new ch4 than the og to the point I decided to post my fanfic. And the og ch4 had a kiss scene at the end, but that's also why it became a problem (I figured out later).
That's been my style of writing ever since and why I normally write several chapters ahead of where I'm posting. (I'm currently working on chapters 37&38.) Since I have no idea what road blocks I'll end up hitting, I have no idea what I'll end up changing. I can say that I plan to never have Mori capture a dungeon, but I have also designed a few dungeons and Djinn in case they end up needing one. Mori was supposed to meet the Generals with a meeting after recovering from illness, but the meeting and what happened afterwards wasn't flowing until I went back and split the meeting in 2, so now it's the meeting in the court yard, and the dinner with the Generals. I'm still not super happy with that dinner but they aren't things I can easily fix after posting. I just have to accept that my ability to write at the time wasn't up to the task of what I was trying to do. It did it well enough to get the idea across, and didn't break my ability to keep the plot moving, so it is what it is. Gosh there are so many doomed deadends where Mori ended up spilling the beans about the end of the series, or Sinbad or Ja'far ended up pressuring or guiding the conversation in that direction -_-;; There's also a bunch that more directly play into my trauma in ways that many won't seem as in character for the canon cast involved. And I do still intend to have those traumas and fears addressed but those ways were wrong.
For the record, Sinbad and Ja'far were not supposed to talk and figure out that Sinbad causes the 2nd Calamity. They did that without my permission and I could figure out a way or reason to stop them. So much my future plans have changed since they did that that I don't want to pretend that something like that won't happen again -especially since it happened again while working the Announcement Arc.
The only thing I know for certain is that if I reach the end, it will be a happy one for Mori. Most of my stories have tragic endings (including the mc dying) and I promised myself I wouldn't do that this time. I want to prove to myself that I'm allowed to have a happy ending.
(I have been considering posting the versions of chapters that turned into deadends in the Simpbad collection, so let me know if you're interested in that. Most are very edgy by comparison to what the final versions are, and often ooc so I can't guarantee the quality)
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hi! i absolutely adore your account! if you’re taking requests right now, can i ask for something robby x reader that’s like angsty, but has a sweet ending? anything you feel like writing, i don’t have a specific plot in mind. thank you!!!
thank you for the request love <3
ill wait for you | robby keene x reader
warnings: just swearing :)
summary: robby’s in juvie after the school fight and he doesn’t answer your emails. (robby is your boyfriend, not sam’s)
word count: 1627
Hi Robby. How are you? I’m sorry, that’s probably a dumb question. I haven’t been able to reach you in a while, I assume you threw away your phone. I heard you stole a van too, huh? Nice. But now that you’re, you know, there, I hope you get to see this. Mr. LaRusso said I could email you and maybe even call if you’re up for it? Only if you want. Let me know.
I miss you. A lot. Look, what went down was not your fault. It was an accident. It could’ve easily been the other way around. I know how hard you can be on yourself and this whole situation is just so fucking shitty. But you’ll get out soon and I’ll be waiting for you.
I’m here, okay Robby? Forever. If you feel lonely, just think of us. Think of how it feels when we’re together and the rest of the world just goes away. We’ll have that soon, alright? You and me against the world, always.
I love you.
-Y/N
-
Hey Robby, it’s been a week since I sent my first email. I hope that you’ve read it, even if you don’t feel like answering. That’s fine and I understand.
School is weird now. They have these security guards at the entrance to check our bags like we’re at the airport. It’s not like they’ll find karate in there, so I don’t get the point.
I get lonely in Physics without you. There’s no one to keep me awake during Mr. Miller’s lectures. I think he misses you too by the way, you’re the smartest person in that class.
I have to go, but I love you and I think of you everyday. Hang in there.
- Y/N
-
Hey. How are you, Robby? I’ve gotta be honest, I’m losing hope that you’re even reading these. I mean, it’s been 10 emails and I would think that you’d at least reply by now?
I’m not mad though, I really don’t know what it’s like to be where you are now. We could call if that’s better? How about this: I’ll schedule for a call tomorrow at 3 and you can pick up if you want.
Miss you,
-Y/N
-
Hello Robby. I want you to know that it’s okay you didn’t want to call. Or that you don’t want to talk.
I love you.
-Y/N
3 months. 30 emails. Deafening silence. After 3 months and 30 emails, you gave up. You figured that there’s no use if he wasn’t answering and that he probably wasn’t even reading what you wrote.
For a while, you’ve been stuck between moving on and waiting for Robby. He practically ghosted you and you don’t know if it means you’ve broken up.
But you also want to be there for him. He has no one, really. And giving up on him would just make you another person who’s disappointed him. It would be shitty of you to leave when he needs you most.
The inner conflict haunts you for the following months, and you decide that you’d just wait until Robby gets out to see what happens.
That day comes sooner than you thought, and the truth you’ve been avoiding is coming at you like a train at full speed.
Mr. LaRusso is the one who lets you know that Robby is out. The car salesman sensei was fond of you, since you hung around the dojo frequently to walk home with Robby after training. He tells you that he doesn’t know where Robby is staying, but that he’ll update you if he hears anything.
The anticipation torments you knowing that you could see him any second, or even maybe never again. The next few days keep you on edge, and you drown yourself in schoolwork as a distraction from the constant turning in your stomach. But still your mind swarms with anxiety about what you’ll say when you see him. If you see him.
It’s been a week after Robby’s release, and you’re walking home from school. You have to pass the Cobra Kai dojo on the way, which always makes your palms sweat. As usual, you put your hood up and keep your eyes ahead.
You take a quick glance at the dojo, then freeze in your tracks. Chills trail up your spine when you meet a pair of emerald eyes. The eyes you love.
For a few seconds you’re both stuck with stares locked on each other, waiting for the other to make the next move. But you’re unprepared. You thought you would have more time to get ready to see him, but the truth is no amount of time would be enough.
Robby’s hair is much shorter and he exudes an aura of exhaustion and pain. He’s different and you can see it even from the good amount of distance between you two.
“Y/N,” he interrupts the silence, and you snap out of the shocked trance you were in.
“Robby,” you echo back with a dry throat. He hesitantly walks towards you with careful steps and with every inch forward, your heart pounds faster.
It almost doesn’t feel real. You haven’t seen his face in only months, but it’s felt like years. And you don’t know how to feel or react. Should you cry? Or smile, or hug him or kiss him or yell at him? All of the conversations you’ve played out in your head to prepare for this moment... you can’t even remember them.
Once he’s in front of you, there’s another awkward minute of quiet and he doesn’t seem to know what to say either. There’s a thick tension in the air, neither of you wanting to address what happened.
“I like your hair,” you break the ice.
“Thanks,” Robby offers a small smile, scratching the back of his neck.
“So... Cobra Kai?” you gesture to the dojo he was just standing in front of. You try your best to not sound judgmental; you feel like you have to be careful with your words as if he’s a stranger.
“I have nowhere to go,” he says dryly, not meeting your gaze.
“You know that’s not true. Mr. LaRusso cares a lot about you. Your dad cares,” you say. Robby flinches at the mention of the two men and you know you’ve struck a nerve.
“They don’t give a shit about me, Y/N. Mr. LaRusso’s the one who put me in that place. And Johnny hates me because I’ve broken his precious new son,” he scoffs and you can hear the hurt in his voice.
“That’s not true. Mr. LaRusso did what was best for you. Do you really wanna be on the run your whole life?” you question, almost scolding him like you’re his mother.
Robby shakes his head. “You don’t know what it was like in there.”
“Yes Robby, I don’t know, because you never answered any of my emails or calls,” you snap, getting frustrated. But immediately you feel guilty. “I’m sorry. I- I was just really worried about you, okay?”
There’s a pause and Robby frowns. “Y/N... I wanted to answer. At one point those emails were the only thing that kept me going. But I wanted you to move on. From me.”
“W-What are you talking about?” you furrow your eyebrows in confusion.
“How was I supposed to let you wait for me all of those months? It’s not right. You deserve the world, Y/N. You’re too good to wait for someone to get out of juvie,” he explains. You search his green eyes and they’re sincere.
You hate it, but you understand. It’s the most Robby thing that could ever be done. Selfless and sacrificing for other people’s happiness, even if it means that he’ll suffer. But he also gave up on you. He took a route to leave you behind, even when he vowed to stay with you forever. You start feeling emotional; the long awaited truth is a lot to take in.
“That isn’t fair. You don’t get to decide for me what I’m “too good for” and just cut me off. You hurt me more than you spared me pain. You broke every promise you made to me,” you pour your heart out.
He thinks for a moment. “I-I’m sorry, I thought it was right. I didn’t want to be selfish and make you put your life on pause for me,” Robby says, his eyes turning glassy like yours.
You don’t even think about it before you get closer to wrap your arms around him. He freezes in momentary surprise, then recovers and embraces you.
Tears trickle down your cheeks before you can stop them, leaving stains on his shirt where you lay your head. His scent, his warmth, his hold on you; it’s all overwhelming and you missed everything about it. You miss him.
“I love you Robby. And I don’t care what you think, I would’ve waited for you for forever. You deserve the world too,” you mumble into his chest, hugging him tighter.
You pull away for a moment to hold his face in your hands and look at him. It’s like you can see his guard go down as he takes in your words. “I love you. I’m sorry. I’m so sorry Y/N.”
You don’t answer, you just pull his neck down to meet your lips with his. As you kiss him, your heart swells with a joy you haven’t felt in months. The feeling of being strangers is a distant memory because Robby is yours again and kissing him reminds you that no amount of time apart could make you strangers.
“You and me against the world,” he says, repeating the words you wrote to him.
#cobra kai#cobra kai imagine#cobra kai x reader#cobrakai#robbykeene#Robby Keene#Robby Keene x reader#Robby Keene imagine
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In Regards Of My Ex
Pairing: Niklaus Mikaelson x Female!Reader
Warnings: Swearing, angst
Words: 2,125
Summary: Niklaus believes deceitful gossip from Aurora De Martel about his wife and takes his anger out on her. As a result, Y/n leaves and finds comfort with Cami and Davina, who call in backup to confront the big bad hybrid about his big bad dumbassery.
Note: I’ve been in a fluffy mood as of recently HOWEVER this idea was sparked when I was feeling angsty™ so...sorry but also not sorry?
Taglist: @matth1w, @redspaceace-writes, @fandom-puff, @simonsbluee, @darling-i-read-it, @jenepleurepasbaby, @sebastianstanslefteyebrow, @dpaccione
Masterlist | The Originals Masterlist
Part One. Part Two. Part Three.
“That wife of yours has been sneaking around with my brother. Breaking more hearts than just yours from what I can see.”
“I suppose some people just can’t see the worthiness of the king in front of them. If I were your wife, I wouldn’t be like Y/n. I’d be committed you and never give you fib tales like her.”
“You are aware that Y/n has been plotting something nefarious against you, aren’t you?”
“I know you wanted to marry someone just as sinister as you, but perhaps you should’ve checked where her loyalty lied before tying that knot.”
Aurora fed him stories such as these, and many more, each conclusion of the lies spewing from her mouth something appalling about Y/n. At first, Klaus didn’t listen, but as her stories grew worse and worse, the faux feeling of treachery intensified. He knew it was unwise to believe anything that came from the spiteful, jealous woman...yet, his distress caused pain to strike his heart and he yearned to know the truth.
Although, in this case, the “truth” wasn’t actually very truthful.
She often told him things like that Lucien was going after his girl for the second time, first with her when she had her chance and now, his beloved wife. Klaus merely brushed it off with an honest “he tries and I’ll stake him first chance I get”. However, Aurora wasn’t finished yet. She continued to lie and deceive Niklaus about the woman who she accused of replacing her in his life. The envy and loathing Aurora felt for Y/n was her motivator, but the woman was too far up a wall to need one in the first place.
“Are you telling me the truth?” He growled, keeping his eyes trained at the wall in front of them.
“Why do you ask?”
“I need to know I can trust your bold claims. So answer me, Aurora, are you telling me the truth?”
That smug little grin, masking her deluding ways. “Of course, Nik. I would never lie to you.” Her welcome into his trust was unsurprisingly taken advantage of when she traced her finger down his arm and then brought her hand up his abdomen slowly. Klaus shoved her invasive hand off of his chest though, giving her a warning glare.
“Thank you for informing me.” That was all he said to her before he made his way out of the room in the most hurry she’d ever seen him in.
Aurora smiled conceitedly. Her plans were on the right track. Whilst Nik didn’t have the same feelings for her now as he did way back during the beginning of their story, but Aurora was determined to stir those feelings from the dead as vampirism did him and her.
She drawled under her breath, “I will have you again, Nik.” her mischievous smile grew wider, “I will have you again, and nothing can stop me this time.”
“Blasphemy!” Niklaus shouted, veins popping out from the rage coursing in his system. He neared Y/n again, the slight fear in her eyes drawing a pause for a second, guilt stilling him, but his anger took the reigns once more.
“It’s not blasphemy! I would never lie to you!”
“The falsity of your deception proves otherwise, love.” He smirked, raising his brows as to question if she would battle his words yet again. Proof was what he needed, but his vexation had drowned out all logic, including his ability to see the proof he wanted so desperately.
“What deception? What falsehood do you believe to have come from my mouth? When I married you, I vowed to be truthful and loyal. You of all people on this fucking earth should know I always keep a vow.” She narrowed her eyes at him. The betrayal he thought he felt was temporary and fabricated, but hers was 100% genuine and seething within her.
“You say that but if you were indeed an untrue person, your answer would be no different.”
“Why do you insist on proving me a traitor!? What has pushed you so far past your breaking point that you actually accuse me, your wife, as a viper?”
“Don’t you pretend like you don’t know the malicious schemes you’ve plotted against me or the affairs you’ve had with men who obviously aren’t your husband!” He couldn’t stop himself now; “I’ve loved you for centuries and you decide to be disloyal and ill-natured?!”
“Says who?!”
“Says Aurora!” After the words flew from his mouth, a tiny part of him realized just how fucked up it sounded. Just how fucked up it was that he believed her over his wife, but the hybrid was stubborn. He was too stubborn to change his belief or admit his fallacious accusations were unjust without proper evidence.
Y/n knew Aurora and Klaus’ story. Her knowledge of the ancient and long forgotten tale made her reaction thousands of times worse. “Aurora? ...Huh. You choose to believe her- that manipulative, lying bitch, over me? I thought you knew me better than that.” She wiped away a rebellious tear, “I thought I knew you better than that.”
Disappointment hung heavy on her features, drawing a feeling of shame from Klaus. Y/n glared at him one last time, her knitted brows and vaguely teary eyes evidence of the heavy-heartedness that overwhelmed her. She bit the inside of her mouth and shook her head disapprovingly before turning and walking out the front gate-doors of the Mikaelson mansion. Klaus was alone.
The sounds of Davina’s giggles echoed, Cami sitting in front of her and chuckling heartfully as well. Their laughter died off when they noticed Y/n sulking through the front doors of Rousseau's. The place was empty aside from the two women having drinks and a friendly chat. Then Y/n entered and found a seat. The atmosphere, once cheery, suddenly felt melancholy.
“Hey, Y/n, you alright?” Camille’s smile was wiped from her lips. She felt empathy for Klaus’ wife and, as a friendly person in general, she felt overcome with the need to help solve the complication that made her feel so down in the dumps.
“I’m-” She was ready to say fine, Davina and Cami knew it, but she broke down in tears before she could even shape an “o” with her lips. Both women jumped up immediately and sat in the seats beside Y/n. Though Davina couldn’t stand Klaus, she actually liked Y/n and seeing her hurt sent searing pain into her own heart.
“It’s okay, hun,” Cami wrapped an arm over Y/n’s shoulder, her other hand rubbing her other shoulder and arm comfortingly, “take as long as you need, there’s no pressure, no rush, none of that. We’ve got you.”
And so they did. The two women took turns holding Y/n as she cried, and before long, she was ready to talk. She explained Klaus’ anger and the source of their fight, the source of the fake news he’d lashed out because of. Davina and Cami shared a glance when Aurora was mentioned, both women already hating her but equally despising her even more now. Y/n sobbed, crying into Cami’s shoulder about wanting Klaus to just believe her. She said she loved him and because of that, she felt pained by his lack of belief in her.
“He’s not worth it if he can’t see how wrong that decision was-”
“I know, but he’s my husband. I vowed to love him always and forever, to never leave his side, and I intend to keep that vow...so long as he doesn’t do anything to fuck it up any more than he already has.”
The sun began to sink into the dark, not fully quite yet, but still creating it’s beautiful array of colors as a final act before disappearing for the night. About halfway through Y/n’s rant, Cami called Hayley and gave her a summary of what she knew so far. A promise of arriving as soon as she could was returned on Hayley’s end before the line went dead and Cami returned to the table.
Still not entirely after sunset yet, Hayley swung open the door to Rousseau's, catching Davina and Y/n off guard. Despite being the one who called her, Cami stayed seated. Y/n and the witch beside her exchanged confused expressions.
“Are you just gonna sit there or are you gonna tell me what the hell I need to do to Klaus?”
Y/n chuckled softly, wiping away more of the salty tears, before standing and walking over to Hayley, greeting her with a hug. “You don’t have to get involved if you don’t want to-”
“No, trust me, I have to and I want to.” She pulled away and dropped her warm smile, giving Y/n the most serious look she could muster. And as she was Hayley Marshall, it was effortlessly pretty fucking serious. “Now, I want you tell me everything,” the mom voice came out to play, “don’t leave a single detail out. Then, we can discuss what we’re going to do about it.”
“Where is he?”
Rebekah had been informed by the pissed off werewolf and bartender everything that had happened, resulting in her becoming equally upset. She welcomed Hayley inside the gates and nodded her head up the stairs. “I haven’t said anything to him, so you’ll be lucky enough to catch him by surprise.”
The werewolf nodded in understanding before pacing toward the stairs irritability. “Thanks.”
“Make it hurt!” Rebekah’s voice faded away as she walked out the gates, leaving Hayley alone to find Niklaus.
Atop the stairs, she found no sign of anyone whatsoever, but that was only on the outside. If Klaus happened to be inside on of the many rooms, she wouldn’t waste her time searching. Instead, she waited, leaning against the railing and doing a breathing exercise Y/n taught her during one lonely full-moon.
After minutes of waiting, Klaus finally walked out of a door and started for the stairs. It wasn’t longer than a minute before he stopped in his tracks and realized he’d missed something. He shot a double take in Hayley’s direction, a puzzled expression quickly finding way to his face. It seemed as though he was contemplating whether or not her unexpected appearance was a good thing or a bad thing.
When he seemingly couldn’t make up his mind, staring a few minutes longer, a heavy sigh left her mouth. She was ticked off with him before, but after hearing everything Y/n had to say, she was furious. No, more than furious. The blood boiling rage was incessantly pounding in her head, all she wanted was cause destruction and pain. A rare thing for her.
But now was not the time to lash out, not yet. She inhaled and exhaled, Hayley shifted on her feet and looked around before turning her head to Klaus and beckoned him over to her with a come-hither motion of her index finger.
“What is it?”
She looked at him, flabbergasted that he’d even ask a question as stupid as that, “What is it? What is it, Klaus?” Hayley slapped him, the man doubling back and blinking in astonishment. And not the good kind.
“How dare you lay your hands on me, you-”
“So you’re gonna yell at me now?” She crossed her arms, and unimpressed look resting upon her face. “You know, personally, I think Y/n is better off without you but she’s broken and has been bawling her eyes out nonstop for hours on end, drinking away all the pain that you’ve formed into a stake and shoved into her chest.”
He stopped, fury fleeing his face as he experienced what felt like her words body-slamming into him.
“And guess who’s been there to pick out the splinters?” She poked her finger against her chest over and over again. “Me!” Her eyes never left his, telling him just how sincere about this she really was. “Me! Cami- even Davina!” Hayley threw her hands in the air, emphasizing the shock that came with the information. “Rebekah’s on her way over now, and I’m sure Elijah will see to it that he comforts his sister-in-law as much as he can, but you?”
“I-”
She cut him off, temper still unquenched, thirsty for vengeance. “Let me finish.” She growled. Hayley looked around the room in attempt to calm herself, but it was to no avail.
“You got her into this mess. I just hope you get both of you guys out of it.” She flicked her eyes back to his, giving him her infamous dead eyed glare. “I really hope you do. And you better do it soon. Because I won’t be there to pick the splinters out for you when she realizes she doesn’t need your sorry ass.”
#klaus mikaelson x reader#niklaus mikaelson x reader#joseph morgan x reader#klaus mikaelson imagine#imagine klaus mikaelson#niklaus mikaelson imagine#joseph morgan imagine#joseph morgan#the originals#tvd#tvd x reader#tvd imagine#the originals imagine#the originals x reader#the vampire diaries#x reader#zodiyack#all readers#reader insert#imagine#klaus mikaelson#niklaus mikaelson
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Hiya! I'm trying to find an rp partner! Pls message me if you're interested in chatting about it.
About me: Hi, I'm Cherri, I'm 20 and go by they/them. I work part time right now and I will try to be as fast as possible when replying, but I do tire socially, so if I need a break I will let you know!
My style: Don't let my usage of shortened versions of words and general dumbness fool you; I'm semi-literate to novella when it comes to writing. I like being descriptive even in the most minute of details. What can I say? I love really getting into the guts of a world and it's characters! I'm a huge nerd when it comes to story analysis and character analysis, if that's not your thing exactly that's cool, but I am a big planner when it comes to this stuff, so if you aren't I may not be your cup of tea. Also I only work in third person, any other way just feels weird for me.
What I look for in a partner: Preferably someone who can match me in both enthusiasm of the world, the characters, writing length and style. And I know that can be a tall order for some, so if you can't write a whole five paragraphs and just stick to one, or maybe prefer first person; again it's fine but I will let you know if ultimately I'm not feeling it. Also pls be 18+ in case there is ever eventually nsfw, I don't generally feel comfortable if minors talk about those subjects with me considering my age, but I understand since I was a teen not too long ago that nsfw topics can come up in conversation. If you are a minor, please keep these subjects to a minimum.
Boundaries: I'm okay with a lot of dark topics, heavy gore, torture, horror elements, etc. Granted they aren't what I'm going for in the roleplays I'm pitching, but for future reference they are fine. I'm not looking for any smutty plotlines either. Eventually maybe one can be worked out for a different story, or even added eventually between characters in an rp, but I'm more interested in building up chemistry between characters. Also a big trigger for me is sexual assault or csa mentions or otherwise. Granted in some context it's not as bad, but as a general rule please avoid mentioning this as a part of a character.
Rp Ideas!
MHA: I would really love to do an ocxcanon or ocxoc with double ups. By this I mean either our OCs can date a canon character, or if the chemistry is good enough, then each other! But the basics of this rp is plopping our two OCs into this world, whether it be a foreign exchange student program, Isekai situation, or some other circumstance. The plot will be similar, but paced down, and will be more character driven instead of action driven, and exploring the social commentary of the universe. I know, nerd shit, but I do want to explore topics of inequality, idolism of celebrities, how society pushes people to extremism, stigma around mental illness, and a number of other topics. Oh and a critique of the capitalist system overall. We can discuss details on things in DMS, preferably over discord!
Fantasy Gothic School: This one is loosely based on Wednesday considering it takes place at a school for the occult. No characters from the show would be used however and all characters would be OCs. This one would also be more involved with mystery, world, and character building. Each of us trying to make and somewhat keep mysteries from each other and having control of up to three OCs if either of us wish. It's hard to explain without adding a wall of text, so I'll explain further if you express an interest in it!
Please dm me if you're interested, or interact with this post. Dming is easier for me so there's no mixed signals, and I promise I am pretty nice, if a little strange.
#1x1 roleplay#1x1 rp#mha rp#mha roleplay#rp search#pls its so hard to find people#i just want to roleplay
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About the current (last?) arc of AnY and going full circle
Sorry if some fans already mentioned those ideas but I’ve been rereading the current arc, because it’s been quite long and the pace has its flaws sometimes, so I wanted to broaden my perspective on the story.
First of all, as an introduction can I just say that I’m, as always, impressed by Hak’s character. He had so much cliché and shallow potential when the story started (I really used to roll my eyes at him), but he became one of my absolute favorite by how deep and strong-hearted he actually is, once he allows people behind the walls he built around him. Anyway, my love for his character & development knows no boundary. I had to say this, ok. I’ll explain why later in the post. Moving on.
A conflict of generation
If there is one thing I love about Kusanagi-sensei, it’s the feminine touch she adds to her writing. For example, when she naturally addressed periods during the Xing arc and it fit perfectly, because that’s just how her writing goes. In this arc, it shows through the initial bold move to tell us readers about the past through the thoughts and words of a character we’ve never met, that is to say, Yonhi, Yuhon’s wife and Suwon’s mother.

And yet, it made absolute sense, because Yonhi was the reason behind the cataclysm that eventually led to Yuhon killing priests, as well as the falling-out between him and his younger brother, Il. All along, Yonhi was the silent but pained witness to this feud, watching as the ego of two brothers destroyed everything when none of the two backed down, leading to first Kashi’s death, then Yuhon’s murder and finally Suwon’s coup.
So, in a way, even if I think Suwon makes a far better king than Yuhon or Il, his circumstances kinda precede the logical decision to get Il out of the picture before he completely annihilated his own kingdom in poverty and war, because there is too much resentment and hatred that fueled Suwon while growing up, even if we readers know that his motivations are primarily about saving Kouka from war against the Kai Empire.
Don’t get me wrong, I absolutely despise both Yuhon and Il but, unfortunately for Suwon, Yona growing up sheltered and mostly unaware of the horrible truth highlights her own decisions throughout the series to be completely selfless and wanting to own up to her father’s misjudgement, rather than trying to get back at Suwon, effectively breaking the cycle of hatred amongst the royal family.
Why the Wind Tribe kept on supporting Il when everyone else could notice that he was betting on his daughter as the reincarnation of King Hiryuu to save his country is beyond me (Mundok plz explain). Not that Yuhon was better, preaching wars, and I’m glad that Il eventually reconciled with Yonhi, telling him that he would accept Suwon’s judgement but...

...I can’t forgive him for his words.
Like Yonhi, I’d rather he would have hoped that his conflict with his brother did not reach his children than entertaining it the way he did.
Hopefully though, now that Yona read Yonhi’s memoirs, she will work towards achieving that goal. Not that I have any doubt, since she never really managed to hate Suwon.
Speaking of the past generation, reading the latest chapters I couldn’t help but wonder about Yona's sad dream... could it be that she inherited Kashi’s gift? Kashi did say that she had these prophetic visions since very young which doesn’t seem to be Yona’s case, but I’ll keep the idea in mind, because it’s interesting. I mean, from Yonhi’s memoirs, it seems that Kashi envisioned that the child she would have would be Hiryuu’s reincarnation (whoever the father was going to be), so Yona inheriting the same prophetic gift from her mother would make sense.
What an ironic parallel to Suwon inheriting the Crimson Illness from Yonhi if that’s the case, am I right?
Yona as Kouka’s next Queen
And by that I do not mean Keishuk’s plan to marry her to Suwon, because of her popularity with Kouka’s people. Obviously, the story always was to conclude in Yona getting her throne back and that’s even easier to imagine with Suwon’s disabling illness, but becoming a ruler is tough work and Yona had no real experience acting as a leader for an entire country.
She didn’t know much before her father’s murder and, even after she became a runaway with Hak and the rest of the HHB, she finely dealt with crises affecting some parts of the kingdom but never the whole kingdom at once, like it’s doomed to happen with the war against the Kai Empire.
So I really appreciated her stepping up when Suwon couldn’t, because that’s definitely good training and we see the results in the latest chapters:
To be fair, I always thought that Keishuk would be the biggest thorn in Yona’s side during this arc but, as many characters have said in this arc, he’s rather clever and honest about what he intends to achieve, which is why it’s not in his interests to get in the way of Yona if they share a similar goal.
Looking forward to her facing even greater challenges. Good luck, Yona. <3
War against the Kai Empire: there is strength in unity
The Kai Empire has been depicted as the story’s big bad for a long while now and the common goal for which Yona’s faction and Suwon’s allies could unite, but I’m glad to get more specifics and new characters to explore that part of the plot.
Namely, Mei and Vall. With Chagol, they seem like the perfect foil trio to Suwon, Yona and Hak, except that Chagol seems like a real thorn in the other two’s backs, when a strong bond still ties our main trio in spite of the sad circumstances of the beginning. I particularly love the mirroring reflection between Mei and Yona...
&
...except that Mei is not at odds with one kingdom but with two and that she also deals with the Crimson Illness. :/
Now that war has started, the big threat that South Kai represents will obviously be dealt with, but Kouka kingdom will need more than its five tribes to win this. That’s where I’m sure we all expect to see old “enemies” come back, namely Xing Kingdom, since Kouren signed a military agreement with Suwon, thanks to Yona and Tao. I would bet that this won’t be enough either, but Xing are the only known allies that Kouka kingdom has.
There is another “enemy” we know from the previous arc though, who have strong feelings against the Kai Empire, specifically about rulers treating their women badly and they are...

...Ying Kuelbo and the Tully tribe.
The big difference between Xing Kingdom and the Tully tribe is that Suwon never met or dealt directly with Kuelbo the way he did with Kouren and Tao. The Tully tribe lost and Kuelbo ran away, betrayed and having to find a new way to take on the Kai Empire. That’s why I think the Tully tribe would eventually make for a good ally in this war: it showed good promises when Yuran and Yona got along and I think Yona understood where Kuelbo was coming from, especially now that Mei is with them and can probably tell them in details about Chagol.
Not saying this will happen soon, but since there is someone who met and fought against Kuelbo, probably gaining his respect, if this person was to seek the Tully tribe to make them Kouka Kingdom’s ally on Yona’s guidance, I think Kuelbo would give it a thought. That’s right, I’m talking about Hak, who’s currently on his way with Yoon to the Earth Tribe to fetch a drug that will not be able to save neither Suwon nor Mei, thanks Zeno for spoiling us.
That’s what I meant when I said that Hak slowly became one of my favorite characters throughout the story. While the Sky Tribe seems to be taking bets on who between Yona and Suwon will eventually sit for good on that throne, there is a good chance that Hak will be one of the key players when it comes to winning that war against South Kai. Not that we should expect any less from the Thunder Beast. <3
To be very honest though, I expected this arc to be very tough for his character, because the truth behind Il’s death and Suwon’s coup would never be easily understandable to him (Yona’s own words, not mine):
Yet, surprisingly he was able to at least listen and, no matter if he will ever understand Suwon’s choice or not, he decided to trust in Yona’s decision to back Suwon in the rising political issues.
In general, I love how Hak is the least bound by the past before Suwon’s coup. He did respect Il as his king, but he did not protect Yona in the beginning for anyone else’s sake but her own. Just like Kashi once asked him to always protect Yona (which is sweet since she could see the future) but, considering he never even thought about her words once in the story, it’s likely he doesn’t remember that at all, making the choice to be by Yona’s side defined as solely his own.
It’s this strength of his that eventually led him to say recently that he would go fetch that drug with Yoon, knowing that it was for Suwon’s sake (surprising Suwon himself), just like he will definitely fight for Kouka Kingdom, not because Yona wants him to but because it’s clearly his own desire (see ch211 where he let Yun go alone so that he could help the Earth Tribe fight):

All that makes Hak the wildest card of every agency in the plot, not simply because he’s strong and reliable and the biggest worry of the Sky Tribe, but because...
...Yona and the four dragons will never give him up.
Through Hak, Yona will be able to assert her political weight and he will be there for her, like he always was, making it impossible for their little group to lose. What a power move, I love it.
I think I should stop there because I already rambled so much. Looking forward to the rest of the arc, it’s going to be a wild ride!!
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Spoiled [Ukai Keishin x Reader] - 2
Word Count: 5.1k
Genre: Smut with plot. The plot can be find in part 1 lmao
Warnings: NSFW, degradation kink, breeding(?) kink (creampie and more of a possessive thing ig), choking kink, creampie, dumbification, rough sex, pussy spanking, fingering, there’s probably more it’s just filthy. Like me.
Summary: Ukai isn’t sure what to make of Sugawara’s step sister and her constant financial support for the volleyball team. However, he’s not one to look a gift horse in the mouth, especially when Y/N makes a lot of money as an accountant.
Author’s note: This is my first time writing smut so if it’s inadequate... I’m so sorry. I don’t shame those who are actual sugar babies at all. I just love being degraded. Love y’all... keep doing what y’all need to to secure the bag. Also, I lied. There’s going to be a part 3 which is just gonna be short and fluffy.
[Part 1 here] | [Part 3 here]
You weren’t an accountant. You were a Sugar baby.
The realization makes Ukai flush, a hot sensation overtaking his senses. Whether from embarrassment or jealousy he couldn’t tell. You were out right now. Were you spending time with another man?
He would have never guessed if the boys hadn’t pointed it out despite it now being painfully obvious. You always had so much money and your business always resulted in you coming back with expensive things that you just conveniently got given.
He froze when he realized you had been giving him the gifts you had gotten from other men making him flush painfully even more.
Were you playing with him? Taunting him? Was this some kind of sick game where you got off on being the giving end instead?
Ukai didn’t know.
Fingers tapped his shoulder and he turned around, only to see Sugawara standing there with a slight frown on his face.
“Sugawara,” Keishin greeted, as though the silver haired setter hadn’t just accidentally told him about your job, “Did you need something?”
Sugawara played with his fingers, “Coach, don’t judge Y/N too harshly,” he mumbled, “It’s not my place to explain why she does- did it but don’t judge her.”
“Did?” Ukai questioned.
Sugawara nodded, “Yea, I caught a glimpse of her phone, “This week was her last week since she’s going to be in Miyagi for good. Don’t jump to conclusions, just ask her?
“She’s the one who paid for this trip and all the new stuff we got right?” Sugawara continued.
“That’s correct,” Ukai confirmed.
Sugawara nodded, “I had my suspicions... I promise she didn’t have ill intentions. Just hear her out yea?” Sugawara requested, “You two need to have a little talk anyway.”
Sugawara pulled a face, thinking about the obvious attraction the two adults held for each other.
“What-” Ukai’s jaw dropped slightly at how straightforward Sugawara was being, “I don’t-”
“The whole camp literally knows,” Sugawara shook his head, “Just, remember.”
With that, Sugawara left the hallway and Ukai was standing alone in the hallway of the training camp again. He sighed, running a hand through his hair before returning to the gym where dozens of sweaty teenage boys were playing volleyball.
It’s evening when you return from your last honey baby session for the rest of your life.
For the rest of your life.
The tingles that went up and down your body felt euphoric as you thought about those words over and over again.
You were done.
You had saved up enough money to buy the the bakery in Miyagi from the old married couple and last you a long time after the purchase. Worst comes to worst, you would sell some of the gifts you had gotten but you were finally done. You wouldn’t have to worry financially anymore- at least not like that.
For your last session, the man you had kept company took you out for a fancy dinner so you had missed dinner. Your stomach was full and in your hand was a few slices of cake you had conveniently ordered but had been too full to eat.
You were making your way back to your room to change out of your sugar baby get up. The heels you wore were starting to get uncomfortable and the tight black dress was even tighter after the dinner you ate.
However, before you could make it back, a hand latched around your wrist and yanked you into a room.
You thrashed at whoever had gotten a hold of you, fearful that someone had snuck into the training camp with impure intentions. In doing so, you stumbled, tripping on the ground as your heels made you lose your balance.
However, you’re caught before you can hit the ground and are spun around to face whoever had grabbed you.
“Oh,” You sighed a breath of relief, shoulders sagging, “It’s just you, Ukai.”
However, you grow nervous when you see the crease in his eyebrows. His face looks serious, more so than usual, and his mocha eyes pierced into skin.
“Ukai?” you repeated his name. You held up the bag of sweets in your hand, “I got cake! Do you want some? Let me just go get changed first.”
However, his hold on you didn’t let up despite your gentle pulling.
“Sugar baby.”
You stilled, hearing the two words that had left his mouth. You stared back at him now, wide eyed.
“Huh?”
He sighed, “You were with a man tonight right? You’ve been with one everyday of this trip.”
“Ukai let me go,” you said, pulling your hand.
“You’re not denying,” he said, low voice rumbling in his chest, “You were, weren’t you?”
Heat rose to your cheeks as shame flooded your body. You weren’t exactly ashamed but you felt very vulnerable in front of this man. Being a sugar baby, you hadn’t been attracted to one in a long time.
But here you were.
Was he judging you? Was he about to tell you off? Was this what this was?
More shame flooded your body.
“Was this some sort of sick power play to you?” he asks, making you freeze up even more.
“Huh?”
He looked distressed as he let you go to run a hand through his hair, “You wanted to see what it felt like being the giver? You pitied me. And giving me the gifts other men got for you, fuck.” Ukai laughed humorlessly, “You were taunting me right? You knew I liked you and you thought it was funny that a poor boy from Miyagi was pining over a rich city girl, huh?”
What? He liked you? He wasn’t judging you?
He pinched the bridge of his nose, moving away from you, “Forget it, I shouldn’t have said anything.”
“W-wait,” you called out to him, “What are you talking about? You like me?”
He gave you a flat look, as if asking, really?
“I didn’t know,” you mumbled quietly, “But! It’s not like that at all! I wasn’t taunting you and I wasn’t having some sort of ‘sick power play.’“
He scowled, “Yea? Than why did you keep spending your money? Why did you lie?”
“I was spending money because I knew how it felt,” you confessed quietly, “to barely make ends meet. I went through that too and I don’t wish it upon anyone. Plus, Sugawara’s my younger brother and I want to make an effort into supporting his interests.” And you. I wanted to support you.
Ukai looks perplexed, “You? Ends meet?”
You chuckled humorlessly, “You couldn’t tell, huh? Why else would you think I started doing this? Sugawara’s dad and my mom are married now but that means there was a divorce. Coincidentally, that divorce left us not so well off,” you winced.
“Oh.”
The both of you stood in silence, not knowing what to say now. Ukai felt bad, and a but stupid for accusing you with baseless evidence. However, knowing that you weren’t playing him gave him a sense of relief.
You too, were feeling a bit relieved. It was getting harder to lie, and now that it was out, he didn’t seem to be judging you too harshly. He just sounded... hurt.
“Wait,” you blurted out, “you like me?”
Ukai’s eyes bugged out of his head at your inquiry, remembering he had accidentally confessed his feelings in his rant, “I- yes. I’m sorry if it makes you uncomfortable.” He looked around, remembering that he dragged you into his room, “Actually, you must be pretty uncomfortable. I just dragged you into my room, accused you of things, and pushed my pipe dream feeling onto you. You can forget I said it.”
“What if,” you took a deep breath, “what if I told you I didn’t just want to support Koushi?” you ask quietly, making him snap his head towards you.
“Huh?”
“What if I said I wanted to support you too?”
Ukai stares at you again incredulously, “Are you serious? It’s not a funny joke.”
“Why would I be joking?” you countered, crossing your arms, “Unless it was a heat of the moment thing and you didn’t actually mean it.”
He smirked, “It was definitely not a heat of the moment thing.”
“Then it’s definitely not a joke,” you replied back in the same tone, “I like you too.”
He walked closer to you, looking down at your face, “Then this should be okay, right?”
Ukai’s scent overtook you. A mix of cigarettes and some other scent, you couldn’t tell.
You moved your face close to his, standing on your toes, “I would say it’s definitely okay.”
With your permission, Ukai smashed his lips onto yours, capturing you in a heated kiss.
You smirked against his mouth and he tangled his fingers into your hair, tugging slightly in warning. However, being you, you took it as a challenge and bit his lip lightly.
Ukai growled. Growled, a low, rumbling noise that vibrated in his chest. This time, he yanked on your hair, forcing you to look up at him.
He was about to ask if you were okay with him doing it, but then you moaned and all other thoughts flew out the window.
You impatiently pulled him back into the kiss by his collar, moving your lips against his as your kisses left both of you breathless.
This time, he was the one who pulled away to study you. Your lips were a bit swollen and your cheeks were a bit flushed and with the black ensemble you had on and messed up hair in his hands he thought you looked hot.
He tugged on your hair again, this time watching your reaction with hooded eyes as you moaned again.
He put his lips on your again, this time whispering things in between each kiss.
“Mmm, you’re so pretty like this aren’t you,” he murmured, his breath tickling your skin.
You keened at the praise, pressing your lips back onto his greedily, “Just for you,” you whispered breathlessly.
“Oh?” Ukai pulled away, a glint in his eyes, “You said just for me but didn’t you put this on to go meet another man?’
You flushed, “I-”
“How naughty,” he pressed a kiss to your jaw, “Lying to me like that.”
You breath hitched as he moved his mouth from your jaw to your neck, biting lightly. He sat onto his bed, moving you to his lap as he began sucking harshly.
“You were teasing me this whole week,” he said in a low voice, breath tickling your skin, “Dressing up all nice in these tight dresses. Fuck baby girl, I almost burst walking in on you today.”
You moaned at his words, flattered that he thought of you like that, “Ukai-”
“Call me Keishin,” he pressed another kiss onto your lips. He then stared into your eyes, a teasing smirk on his face, “Did you call all those men by their last names too?”
You moaned when he sucked on your neck again.
His hand danced lightly on your body before settling onto your tits. You moaned more as his hands started to squeeze and then tweak at your nippes through your dress.
“No bra?” he asked you, pinching them more, “Slut.”
The name made your lower half flood with heat, as if it wasn’t already hot enough.
Seeing your reaction, Ukai continued, “Oh? You like being called that? What a slut.”
You rubbed your thighs together, wanting to create some sort of friction on your cunt, desperate to be touched.
“K-keishin,” you moaned as his hands started going lower.
He smirked, seeing your flushed cheeks, “What was that? Do you want something, slut?”
“Want you to touch me,” you sighed breathlessly, feeling his fingers ghost of the hem of your short dress.
Ukai gently tugged up your dress, revealing your panties, “Fuck, lace? You were planning on getting fucked, weren’t you whore?”
“N-no,” you shook your head.
Ukai tilted his head, “Oh really? What a shame, I guess we should just stop here then.”
“N-no!” You exclaimed, alarmed at his words.
Ukai shook his head in mock laughter as he parted your legs with his large hand. You mewled when you felt fingers start moving up and down your slit through the fabric of your panties.
“You’re cunt’s soaking wet,” Ukai told you, continuing to tease you through the fabric, “I can smell you from up here and I’ve barely touched you. What, did you like parading around in all these short little dresses that barely cover your slutty pussy? You like knowing that one wrong move and everyone would see?”
“Ah!” you cried out when he brushed over your clit.
He made a face of amusement seeing your reaction, “Oh what’s this? You like that?”
He pressed down more on your nub, making you moan again, “Yes! Yes, I like it!”
“What an honest little slut you are,” Keishin grinned, “Answering all my questions like that. Your pussy’s honest too, yeah?”
“Y-yes,” you moaned as he starting rubbing your harder.
Keishin smirked victoriously, seeing your flustered state, “Well even if you’re being honest now, you’ve been bad all week. Going out with another man, I need to teach you a lesson.”
You whimpered as you were suddenly flipped, bent over his lap. You only grew warmer as you felt Ukai slide your panties down your legs and he groaned seeing the string of your arousal break as he pulled the flimsy cloth down.
“See? I knew you were sopping went down here, whore. Now, be good and I might give you what you want.”
You squirmed, feeling exposed as cold air hit your lips. You bit your lip shamefully, being able to feel your own slick drip down your thighs.
Smack.
You jerked and threw your head back, mouth open in a silent moan. Your eyes rolled to the back of your head as Ukai landed another harsh smack onto your other cheek.
Smack.
Smack.
Smack.
Smack.
You squirmed as he gave you little to no recovery time between each smack. Ukai had no pattern, leaving you anticipating when the next hit was going to be.
“Shhh, you’re doing good,” Ukai rubbed the globes of your ass soothingly as you kicked and moaned, “I just need you to remember this the next time you decide to be a little slut.”
Smack.
“But you like it don’t you?” he asked.
Smack.
“You like being a whore.”
Smack.
“See? You’re this wet from being spanked.”
Without warning, he shoved to fingers into your heat with ease, making you moan loudly. His fingers were long and much thicker than yours, deliciously stretching our your walls as he moved them in and out at a dizzying pace.
“Listen to the noises this slutty pussy is making,” Ukai smirked, “This cunt is damn tight for a whore.”
You couldn’t come up with a reply and only moaned at the sensations he was giving you. It only got better when eh curled his fingers slightly, hitting the spongey spot in your walls.
“There, right there- ah!” you moaned, moving your hips along with his hand to reach your release.
However, Ukai slipped his fingers out of your pussy before you could, making you whine at the loss of his fingers.
Ukai groaned as his erection pressed up against your stomach. His fingers were glistening from your slick and he popped them into his mouth, licking it off.
“You taste good,” he commented, “I’ll have to eat you out next time too, huh?”
At the promise of next time, you mewled, “Y-yes-”
“But first I’m going to fuck you into the mattress,” he promised, “I’m going to carve the shape of my dick inside of this tight pussy and destroy it until mine is the only one who will make you feel good.”
His lewd words made you pant in anticipation and Ukai shifted you off his lap onto his bed. He smirked down at you as he pulled off his own clothes. This is better than what he had imagined earlier with his dick in his hand. The actual sight of you on his bed, tits popping out of your dress that was pulled up to reveal your barely covered pussy while panting was almost enough to make cum all over you then and there.
“Strip,” he said simply, as he pulled his cock out of his restraints.
However, you froze as you saw the sheer size of his member. His dick was standing up on its own, veiny, and most importantly, big. There was no way it was going to fit.
“What did I say, you slut,” he growled, smacking your clothed cunt, “Strip. Or does the sight of a big cock turn you into a stupid little whore?” He threw his head back in a laugh, “You’re already a stupid cock whore though, aren’t you?”
You whimpered as his degrading words reached your ears and scrambled to pull of your clothes.
“Finally deciding to be a good girl, are you?” he grinned down at you predatorily, “Too bad you were acting like a little slut. If you’re good now, maybe I’ll make it up to you.”
“U-ukai,” you mewled, tugging his wrist towards your now bare body, “Please-”
“Uh uh,” he said teasingly, pulling his wrist away, “That’s not how good girls address me.”
“Hah~” you panted, frustrated from the lack of friction between your legs, “Keishin?”
Smack. You keened as Ukai landed yet another smack to your core, making a wet squelching noise echo throughout the room.
“Wrong.”
You moved your thighs together, desperate for some sort of pressure on your clit, “C-coach?”
“Bad girl,” he growled, forcing your legs apart to bare your glistening lips to him, “Be patient, whore.”
You squirmed under his grasp, “Ah, daddy? Sir? Master?” you spit out names one by one, abandoning any sense of dignity you had left.
“Good girl,” he said soothingly, planting his lips on one of your nipples, “You can call me any of those, I don’t mind,” he said, teeth grazing your hardened bud as he spoke.
Your body tingled at the sensation of his bare body being so close to yours, “Daddy, please- don’t tease.”
“Oh?” He hovered over your face again, grinding his dick against your pussy, “But you’ve been teasing daddy all week haven’t you? Walking around like a slutty cockwhore.”
“I’m sorry,” you whined, “Won’t do it- ah!” You moaned as his length ground particularly hard on your swollen nub, “-again.”
Ukai clicked his tongue and shook his head, looking disappointed, “Not good enough,” he murmured, pulling away completely, “How do I know you’re telling the truth?”
Tears pricked your eyes at the loss of contact and you desperately grabbed his wrist, “No!” you sobbed, “Please, I promise.”
“Beg for it,” he ordered you sinisterly, “Tell me what you want.”
“Please,” you gasped, “Please touch me.”
“Not good enough, princess,” he smirked, “I’m touching you right now. Do you not want it? Or are you such a dumb whore that you can’t even ask correctly?”
“Want your cock,” you whimpered.
Ukai shook his head, “You already have my cock right here,” he said, gesturing to his dick.
“No, I want it inside,” you begged, more desperate, “I want you to make me forget anyone else.”
Ukai smirked in approval, “Yea? You want me to fuck you so good you forget everything else? Become my dumb little cockslut?”
“Yes,” you agreed, “Want you to ruin everyone else for me. Want you to fuck me so good. Please sir.”
Ukai smirked, finally bringing his hand to your sopping cunt, “Good girl. I’ll reward you with my fingers first then.”
Your breath hitched as he started rubbing tight circles on your clit while thrusting his fingers into your hole at a brutal pace that had you seeing stars. You were already close from his earlier ministrations and his touch only made you more so.
“D-daddy,” you choked out a moan as your toes curled from the overwhelming pleasure, “Fuck- daddy right there!”
“Cum all over daddy’s fingers,” he growled.
Ukai quickened his pace- something you thought wasn’t possible- and soon you were arching your back off the bed as you gushed all over his thick fingers.
“I can’t wait until we have more time and I can eat you properly,” he said, sucking on his fingers while you were coming down from your orgasm.
He then brought his hand to his erect cock and started pumping, slathering your juices onto his length. He then brought the tip over your pink lips, coating it in your slick.
“Daddy please,” you whined as the tip brushed against your sensitive clit, “Need you inside- ah!”
You threw your head back as Ukai easily entered your heat without warning. His cock filled you up and your walls stretched and fluttered around you.
“Shit,” Ukai hissed, as he hit your cervix, “You’re so damned tight for a cockslut. You can’t even fit all of me in you. Look at your pretty little pussy creaming all over my dick.”
You whimpered as you looked down to see an inch and a half of his dick left despite being stuffed.
“I’m- ahn, so full,” you moaned, still trying to adjust to his length, “You’re so big. So good, ah-”
Ukai smirked in satisfaction at your little babbles, “You look so cute like this,” he murmured, looking at where you two were connected, “Being split open on my cock like this. It’s squeezing around me so well like it’s pulling me in.”
He then pulled out slowly, dragging along your walls to let you feel every inch and vein on his dick before slamming back into you. You gripped at the sheets below you to ground yourself as you wiggled underneath him.
“You want more baby?” he grinned, whispering in your ear, “Tell me what you want.”
You licked your lips, “Please, ah, sir go faster. I want more.”
“Alright, remember you asked for me to go faster,” he nodded, grinding down against your clit.
He then set a brutal pace, this time bottoming out as he snapped his hips against yours. Every time he entered you, you felt your toes curl in pleasure as he reached spots other people you had been with couldn’t even dream of reaching.
“Ahn~” you moaned particularly loud as he hit a certain spot within your cunt.
Ukai swallowed harshly, positioning himself to hit your sweet spot again repeatedly as he continued to kiss your cervix deliciously. He’s so thick, every time he moves you can feel pleasure in every inch of your body and soon all you can focus on is him.
His scent, his body, his cock pounding in and out of your tight cunt, and the pleasure he gives you.
“So good, there, big, ah-” moans left your lips in babbles, causing him to pick up the pace.
“What was that, slut?” he asked mockingly, “I couldn’t understand. Could you repeat that?”
Your face flushed as you tried to form a coherent sentence at his order, “Daddy, there- ah! So good, ah, ah, more, deep-”
“That wasn’t a sentence,” he chuckled, “Little cock whore’s been fucked dumb hasn’t she? You liked acting all smart, saying you’re an accountant right? But in reality, you’re just a stupid little cockslut who wants to be fucked until she can’t think any more.”
Ukai’s words only added to your arousal as your brain turned to mush under his body. Ukai noticed the slightly dazed look in your eyes as your lips parted and your eyes rolled back in pleasure.
“I really have fucked you dumb. Can’t think with anything other than your slutty pussy. You really It doesn’t matter who’s fucking you, right? As long as you have a cock to fill this hole.”
You whined as he brought one hand down to toy with your clit again, bringing you closer and closer to your release.
“No- ah!”
“I’m going to ruin you for anyone else,” Ukai promised you, “I’m going to carve the shape of my dick into your tight little cunt every night until you’re a stupid drooling mess.”
Without warning, your orgasm washed over you and your walls squeezed around his dick. You threw your head back into a sharp mess of moans as your chest heaved up and down.
“Fuck!” Ukai swore, “That’s right, whore. Tighten your cunt for daddy. Better yet-” Ukai paused momentarily, giving you a sense of relief as you rode out your high only to bring your legs onto his shoulders.
“Daddy, too much!” you squealed as he rut into you again before you could come all the way down.
The new position allowed him to go even deeper into you, driving himself in and out at a brutal pace that had you coming up again all to quickly.
“Too much!” you gasped out, writhing underneath him, “Too much!”
Ukai landed a slap onto your tits, causing them to jiggle, “Shut up and take it,” he ordered you, “All you have to do is open your legs and give me your slutty cunt. You said you wanted more, didn’t you?”
“Ah, ah,” you moaned, tongue rolling out of your mouth as you weren’t able to respond.
He grinned, “That’s right. You look like such a dumb, fucked out whore,” he told you, causing you to squeeze tighter which made him groan, “But after today, you’re going to be my whore.”
“Yours,” you choked out, agreeing with him as he continued to pound into you.
Ukai moaned at how compliant you were being, reveling in finally being in control, “That’s fucking right. I’m going to cum inside of you, paint your walls white, and make you mine.”
“Yes!” you moaned, “yes, yes yes yes yes-”
Ukai growled, “Yea? You wanna be my little cum dump? I should have known, a slut like you always needs to have her cunt stuffed with cum. You better not waste any of it then.”
His thrusts became sloppier as he felt his own release building up. He grabbed your shoulders to anchor himself as he continued to plow into your sopping cunt.
“Yes, yes, yes,” you chanted, babbling.
You felt yet another orgasm coming that only came quicker as his fingers found your clit again, toying with it until you were gasping for air.
“Cum, slut,” he ordered you, thrusting in to meet your sweet spot again. As his own release approached, it felt as he was swelling inside of you and getting even bigger.
At his words, you finally came again, sobbing as he fucked you through your orgasm. Ukai shuttered as he felt your walls flutter around him, giving him the push he needed to cum. He snapped his hips into you one final time, pelvis catching your clit to add to your simulation, and finally emptied himself inside of your spasming pussy.
You mewled as you felt ropes of cum paint your insides, your sensitivity making you feel everything in a heightened sense. Ukai groaned, pulling out of you slowly.
You felt empty as he did so, walls clenching around nothing. Cold air hit your swollen lips, making you squirm a bit and Ukai watched as his cum mixed with yours trailed out of your abused hole. He clicked his tongue before bringing his fingers to stuff it back into you.
“Ah!” you whined from oversensitivity.
He raised an eyebrow at you, “I told you not to let it spill,” he said simply, “I’ll get you a plug to help you next time.”
Soon, he pulled his fingers out and simply stood up, pulling his pants over his hips.
“Stay here, I’ll be right back.”
He left momentarily and you lay there, thinking about what just happened. Your body was still hot and flushed from the intense fucking Ukai had given you and the fact that you were surrounded by his scent in his room was not helping you.
The blonde man soon returned with a wet rag and some warm water and proceeded to wipe you down clean. He then set the things in the corner of his room before grabbing one of his shirts and helping you into it.
“Ah, so am I staying or?” you asked him, feeling shy despite just being vulnerable to him moments before.
He laughed as he settled into the bed next to you, the sound reverberating throughout his chest, “I thought that was a given.”
You flushed, covering your face with your hands.
“Don’t get shy now,” he teased you, feeling more at ease in your presence than ever before now knowing you had mutual feelings, “I just fucked you into the mattress.”
You whined, feeling even more embarrassed, “Stop!”
He just chuckled, moving your hands away from your face and pulling you flush against his bare chest.
“So uhm,” you hesitated, “Just to let you know, today was my last time being... you know.”
He hummed, “Mhmm? So how are you going to do now?”
“Actually, I bought the bakery down the road from your store from the old couple that owned it,” you confessed.
Keishin paused slightly, tilting your head up to look at him, “Really? Culinary?”
“Yea,” you nodded shyly.
“So it looks like we’ll be seeing each other more often now,” he smirked.
You grinned, “I thought that was a given,” you mimicked his earlier words, “Unless?” you asked, faltering.
“No unless,” he said quickly, almost tripping over his words, “You, me, dating? I mean, I don’t have that much but uhm, well, I guess you have more than me but I think you’re neat and the sex was pretty great-” Ukai felt himself flush as he rambled, feeling a bit awkward again.
You only giggled, settling into his chest at the familiar, slightly awkward behavior he displayed, “No unless,” you agreed, “I don’t care about what you have and all of that.”
“Okay,” he said, calming himself down, “That sounds good.”
You hummed in agreement, feeling sleepy, “It sounds good.” You then poked his cheek, “Sorry I won’t be able to spoil you anymore.”
Ukai smiled softly at you, shaking his head, “With you, I’m already spoiled.”
@kacchanori @0cielo0
#haikyuu#hq#haikyuu!!#hq!!#haikyuu smut#tw.breeding#tw.degradation#smut#scenario#reading#text#ukai#ukai keishin#hq smut#ukai x reader#ukai smut#fluff#spoiled#ukai scenario#ukai drabble#ukai headcannon#ukai fluff
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Zero is Null
A discussion of Zero’s love-hate-relationship with RvB and struggling independence; including a hotdog too big for the bun, tragic backstories, a single bow-chicka-bow-wow, and a cookie at the very end.
Welcome to what will be a lot of text. Basically, it will explore why Zero fails as an RvB (with emphasis on RvB) season. I will not be the first one to bring forth some of the points, and I promise to be fair and civil and fun. This isn’t supposed to be a piece of hate – in fact, I’m writing this because I love Red vs. Blue.
Okay, first of all, to increase your fun – take a guess on just how much of Zero is spent on fight scenes. You see, I’ve calculated the exact amount, and I will reveal it later, but for now, take a guess and remember the number. Maybe you are the winner!
Alright, time to share my thoughts. Wait! Since I suffer from anxiety and have this one annoying voice pretending to be all those critical statements my opinion could be met with, let’s give it an actual voice and address the points throughout this review.
“Why would I care about your opinion, Ria?” – I don’t know, you’re the one who clicked Read More.
“Your opinion doesn’t matter!” – Of course, it doesn’t! Geez. Do you think your opinion matters, though? Listen, we’re on Tumblr, the actual equivalent of screaming into the void. And it’s fun, too!
“If you don’t like it, don’t watch!” - *activates Uno Reverse Card* “You can’t talk about something you haven’t watched!”
“You’re just a Hater” – Actually, this is a point I’ll come back to. Like a cliffhanger. Also, at the end of this, there’ll be a cookie. But this will also include me talking about the stuff I like, because, surprise, Zero is not without talent!
“You just don’t like it because the Reds and Blues aren’t in it!” – Actually, that’s a good point, so instead, this review will start with a sole focus on Zero and discuss the problem that lies within that story. Then we can address why the lack of OG cast is understandable and problematic and weird.
But first! Backstory.
When the first 5 second teaser dropped back in spring (you know, when we were young and innocent and the world didn’t feel like an apocalyptic movie yet), I held onto that one image of what I thought (hoped) to be Grif and Simmons in the sunset, hopefully addressing Grif’s hateglue arc, but boy was I wrong because a) that’s not Simmons, that’s Sarge, and b) the image was from a PSA since the Reds are not in Zero.
Actual face-reveal of me below:
Admittedly, when I heard that the Reds and Blues were not going to be the main characters (or even show up), it felt like a gut punch. However, I actually found myself getting excited due to the creators’ hype. I want to praise them for this. It’s been a while since an RvB season was talked so much ABOUT before its release; it had advertisements, it had creators and voice-actors talking about it. Please. More of that in the future. Their passion rubbed off on me, and that deserves recognition. So it pains me that this was clearly a passion-project, and then when I gave it a try, I didn’t want to touch it again for weeks.
Here’s the thing. I cannot whole-heartedly say that Zero is bad. It’s not gonna melt your eyes. It’s not even so-bad-it’s-good. For me, it’s meh. It’s a Saturday-morning-cartoon aimed for a younger audience with a rushed plot and clichéd characters. The problem is that it calls itself RvB, and with that title comes something to live up to – but more importantly, something to continue.
My main issue is that Zero forces its story into existence by ignoring established content rather than adjusting to it. Let’s call this for the hotdog-too-big-for-the-bun syndrome solely for the sake of the bow-chicka-bow-wow that’s coming now. Bow-chicka-bow-wow. Many of the separate issues I will dive into all add to this hotdog-issue, so I will scream “Hotdog!” whenever this is the case so we can all keep track of my argument.
You can continue the story of Red vs. Blue without the Reds and Blues. While that would personally crush my heart, it can be done. There’s a story of Red vs. Blue that can be continued. The world can be expanded, the previous actions of the Reds and Blues can be explored from another angle.
So.
How does Zero do this? It doesn’t.
I just want to make it clear that new elements can definitely be added when it comes to worldbuilding. That’s literally the point of sequels. But Zero’s settings are presented with so little grace and with no connection to previously established worldbuilding. We get Alliance of Defense and GLASS thrown in our face as very big important organizations – yet we’ve never heard of them before. A big central plot point of RvB is the UNSC and Project Freelancers, and those were introduced naturally with the plot. We already have big established intergalactic organizations. What is AOD’s connection with those? We aren’t told. We are just told they exist and expected to accept it, no questions asked. If this was a whole new world and story – fine. But when you need to build on an already established worldbuilding, you need more grace than this. Chorus was a whole new setting, but it was explained, and it was connected to the previous plot. Same with Iris. Same with Desert Gulch. In Zero, it feels lazy. It feels forced. These organizations are just there because the story is built around them (HOTDOG).
This vagueness when it comes to wordbuilding is also reflected in the settings - we have a desert, a training base, a lab, temples, Tucker’s workplace, and we do not know if all those are set place on the same planet. If that is the case, what is this planet’s relationship with Chorus? Is it Earth? And most importantly, what is the deal with the temples? Why are they connected to Tucker’s sword if it isn’t the same planet. Are they made by the same aliens? Are people okay with this? Why haven’t these temples been explored before? Chorus makes sure to establish this, while Zero doesn’t, adding to a growing amount of confusion.
Okay, so no connection with previous worldbuilding. What about characters? I mean, we got Wash and Carolina and Tucker! So we have RvB characters, it gotta be RvB! Technically – yeah. But it feels dirty. These three characters are not here to be characters. They are here to be props to the new cast. They are not given any development. Their presence isn’t even that important, and if this was a whole new show, they could easily have been replaced with an unknown face. Worst of all, they feel miswritten.
Carolina and Wash are working at a new military organization? Leaving the Reds and Blues behind? To help people? First of all, fucking bad idea, Carolina, the last time you left the Reds and Blues alone, they changed the timeline. But most importantly – Carolina and Wash just joined this new super elite military organization? After being mistreated and manipulated by such an organization in the past?
Carolina is there to introduce the characters. That’s it. We are force-fed their personality by having her literally read out loud their personality. There is no gentle introduction to the new cast. We are not allowed to get to know them naturally. Why show when you can tell, huh? That’s Carolina’s role. That’s why she is there. To introduce the cast and explain their story. That’s it. (HOTDOG).
How about Wash? He is there to get beat up and be a damsel in distress so that the new cast has a reason to explore the plot. Oh, and that brain damage that was the consequence of previous seasons – gone now. The guy who literally has trauma from having an AI explode inside his head is fine with having a computer inserted into it instead. Because that’s needed. To explore his brain damage wouldn’t work now when his role is to be a prop to lure the new cast for one episode and then be put onto the bench for the rest of the runtime (HOTDOG).
And Tucker – he is there to die for a second and have his sword taken from him. That’s literally it. And for the few moments he is there, he feels like old super flirty Tucker, which erases the character development he went through in previous seasons. Okay, so Tucker dies, and then not dies, and then he is put on the bench with Wash where they can sit and talk or whatever (‘cause holy shit, the new cast is not allowed to that), because he isn’t important. The sword is. Tucker is just a prop, even more than his sword is (HOTDOG).
Damn. Wash gets beat up. Tucker gets beat up. Dies. Gets his sword taken away. Almost seems like a Red’s wet dream. Sorry not sorry, Blues, you were done dirty.
So there are miswritten old characters. Even worse is the retconning. The plot needs a “normal” Wash, so, bam, magic computer solution. Never mind Wash’s trauma and character traits. Never mind the logic of the new worldbuilding which also includes a character suffering for years to heal an illness. But the brain damage that was such a big consequence that it became the main part of the plot of the last two seasons – gone. I mean, a gunshot to the head can be healed by CPR. That’s canon. But no one gave Wash CPR so it’s a big thing, okay. It was canonically a big thing, and Zero erased that. This is not me saying that a Cerebral Enhancer couldn’t work in the RvB universe. Imagine it being done right. Wash struggling with the choice of getting used to his disability or accepting the possibility of help - at the cost of reliving his trauma. The struggle between what to choose - what should he choose when he wants to help as many as possible, the sacrifices he thinks he has to make, the way it could have been used as a part of his character growth. But in Zero, the enhancer isn’t a part of Wash’s character. It’s there so the story can work without having to deal with the previous plot’s consequence (HOTDOG).
Same with the sword thing. They sorta explain it by having Tucker flatline, but it’s weak. Honestly, I find it sorta offensive. What about Locus’ sword as well? It’s twisting previous lore to make the new plot work (HOTDOG). (Also, are we not gonna talk about the ultimate power being Spencer Porkensenson’s helmet? Have the writers forgotten Spencer Porkensenson? Have we as a community forgotten Spencer Porkensenson?)
If you have Red vs. Blue in your title, you cannot ignore what you inherit from it. You need to respect the worldbuilding, the established characters, and the previous plot. Zero does not do this.
Let’s talk about the Triplets. No, really, let’s do it. I don’t think I’ve ever talked about them before, because season 14 was a mixed bag for me (that I have now learned to appreciate. Thank you, Zero.) because I have heart at the size of the Grinch and can only love a few characters at a time, and that did not include the Triplets. Can’t even remember their names. Well, I can, but I can’t for the love of me remember which state is which, and my tongue is twisted every time I try to say Ohio, Iowa, and Idaho, and I know it’s on purpose. I know it is. And it got me good. That being said, the fandom actually embraced them really, really well! Seriously, I’ve seen more content for the Triplets than for Zero as a whole.
Why talk about the Triplets? (Was Iowa the lesbian? Or was it Ohio? Fuck.) Because like Zero, they introduced new characters with a story of their own. The Reds and Blues didn’t play a role. But here’s what I feel like the Triplets got right. They didn’t change the settings to force their narrative. They used stuff already established (Project Freelancer), added their own story as a continuation of that. They even included old characters in the beginning (Wash and some other Freelancers) but it felt natural and it didn’t feel like it happened at the expense of the old characters. Wash’s writing felt natural, and his presence wasn’t needed to tell these new character’s stories. He wasn’t a prop to them. He was there to establish the setting and to establish the relationship with these new characters, and then he and the other familiar faces (helmets??) left, and we as the viewers were left with these new characters. And the new characters told their own story by themselves. It felt like, hey, here’s something you know – remember Mother of Invention, and remember Wash’ lower rank, but now, try to imagine being even lower rank than him, aren’t you curious about those fates? Now let’s hear their story! It was new, it was something else, but it didn’t wreck what came before it, and it stayed true to the classic vibes of RvB.
As I said before, the hotdog-issue is my biggest problem with Zero. It infuriates me. I will return to this. But there are more issues, even if we try to look past the title-related problems.
If we try to imagine Zero as its own story and universe (as it should be, in my opinion), it still earns the meh review from me.
These isolated issues include awkwardness, the writing, lack of self-awareness, and pacing. First of all, holy shit, this is a tell, don’t show. Nothing is subtle, nothing is allowed to develop. It’s like the show thinks you are six years old with an attention span of a goldfish. You are not just led by the hand – they have literally pulled off your arm by the end of the show. We are force-fed every bit of information, every bit of personality from these new characters.
The voice-acting is a mixed bag for me. Sometimes it’s pretty good, sometimes it’s not. Some of the problems can definitely be blamed on the dialogue that you can only do so much with. It’s not good. I can’t remember any good jokes (the one joke I really appreciate was the cast on armor, and that was freaking visual humor. That was so RvB. Kudos to that. It was fun. More of that, please.), and RvB is known for having memorably good lines. This is a show built on good, clever, funny dialogue. Zero does not deliver. You have to sit through clichéd lines – “You’re not my dad”, “I trusted you”, “Come with me”, “It can’t be!”, “She’s way too powerful”, and “We have to do this together” – performed unironically. I cringed more than I laughed. Worst thing is that Zero could be a good parody. Sometimes, it feels like it is. One-dimensional characters, a villain wanting ‘the ultimate power’, very overpowered characters, bad one-liners, etc. But Zero takes itself seriously, and I was one of the people rooting for Jax to show up at the end and yell “Cut”. That would have been a funny-as-fuck twist. A spin-off parody. If I can’t have “Sarge the Movie”, I would have taken that and loved it. I would have forgiven everything. “We put so much info into finding that power, but we had no idea what it was” is really a line in the finale, and I cannot believe this is real in a show that somehow still tries to present itself as serious. What a plot.
We have to talk about pacing. God, first of all it should be stated that RvB is a mess when it comes to pacing. I honestly get what they were going for. Sometimes, RvB has come across as a bit boring when you get three episodes stretched over three weeks without much going on. I know season 11 did not have the warmest welcome because it was seen as boring until the finale. But when you see season 11 as a whole, as a movie, as a part of a trilogy, it works so well. Zero is more focused on being episodic. They want something to happen all the time so we will stay tuned. The thing that will happen – a fight. Oh god. The fight scenes.
I have done the math. I have run the numbers. I deserve a freaking cookie for this. Are you ready?
If you put all the episodes together, you have a runtime of 106 minutes. HOWEVER, with the introduction of credits in every episode, you gotta account for this. Removing the credits, this gives us 94 minutes of actual runtime. Out of that, 45 minutes are dedicated to fight scenes. That means 48% of the show is fight scenes.
If I wanted that many fight scenes, I’d watch Death Battle. Except the actual RvB Death Battle episode has a runtime of 20 minutes, and out of that, 5 minutes is dedicated to the actual battle. For the people who hate math – that’s 25% of the actual runtime.
RvB Zero has more fight scenes than a show called Death Battle. Take that in.
The pace suffers from this. Where’s the time to explore the characters? Where’s the time for good dialogue? All I can think of is this:
I get that RvB is a show that’s literally making fun of itself by acknowledging all their characters do is stand around and talk. I get that you want characters to do more than that. But for the love of Church, would it kill the new characters to stand around and talk? For just a minute? Stop fighting, I am begging you, stop fighting! Am I a pacifist now? Am I purple? Have I joined Doc’s team? What has Zero done to me?!
The good thing though is that fight scenes are very good. They’re entertaining. However, they seem to deconstruct themselves when we need to get a fight scene in every episode. Usually, the few fight scenes in an RvB season were in some of the most climatic episodes. In Zero, I can hardly keep up with the pace because they won’t stop moving. Fight scenes aren’t plot. They aren’t character development. You need more than just fight scenes. They entertain, but there’s a limit to that.
Noël Wiggins, the co-writer, stated the inspiration was a Saturday-morning cartoon. They nailed that vibe. If that was their goal, hurray, they have accomplished something! Because of the poor plot and constant fight scenes, it feels like you could just switch on the TV and drop in at any moment and let yourself be entertained by the cool and colorful soldiers punching and kicking each other. I will admit that the fight scenes entertained me. But they don’t make it a good season.
If I were the six-year-old with the attention span of a goldfish that the show believes I am, I honestly would enjoy it. The stiff dialogue and the constant tell-don’t-show makes you feel like an audience that’s not supposed to do anything else but admire the flashy fight scenes. I miss the cleverness of RvB. I miss the characters I get to connect with as I see them grow.
I miss the tone of RvB. Because this isn’t RvB to me.
It’s not that RvB hasn’t changed its tone before. Holy shit, I sorta do want to experience the absolute shock the RvB fandom went through when s6 aired and they were given new characters and serious plot. I would have loved to experience that, but I was too busy being ten years old. The Freelancers seasons also introduced a new tone and more fight scenes with very talented fighters compared to the Blood Gulch gang, but a balance was kept by having half of the season still revolving around the Reds and Blues. But Zero – Zero is so much change. And it’s on purpose. At least this has been made very clear from the beginning.
They constantly seem to appeal to new fans, rather than be directed towards older fans of the show. If you want an entirely new audience with a season with a new cast, new worldbuilding, and new tone, I’m confused as to why they don’t just make a new show. The hotdog-problem begs for this solution. This story and environment and characters feel so out of touch with the original RvB, that with a few rewrites and lack of Halo-armor, it could just be a new show. Problem solved.
If not this, then present it as a spin-off. In all ways, it feels like a spin-off (again, see everything marked HOTDOG). But the creators refuse to do this, and I don’t understand why. I could forgive many of these issues, had they officially separated themselves from canon.
Ah, what’s the idiom? You can’t both swallow and blow? (You can hear the Bow-chicka-bow-wow in the distance). Something about eating cake and having it. Forgive me, English isn’t my native language. POINT IS why are you calling yourself RvB while actively fighting against the core essence of RvB? In my humble opinion, you can’t be both. Marketing it as a spin-off would have granted it some defense when changing, well, literally everything, and I just, would someone please properly describe why it isn’t a spin-off? Isn’t this season marked by its association with the plot of RvB rather than a continuation of it? Zero presenting itself as not a spinoff feels like a toddler clinging to the hem of its mother’s dress while forcefully running away from her, ripping the dress in the process.
When they do connect with the original RvB, it leaves a bitter taste in my mouth. When they let Carolina, Wash, and Tucker appear for a moment, it feels like luring viewers in with the RvB title. Look at me. Look at me! I’m not saying this is the case. I say that it gives me the annoying vibes of being lured, rather than letting the characters be a part of the show for their own development, rather than having RvB in the title to continue its story. I should not be getting these vibes at all. But I am.
If you want to use RvB in the title, something from the core of RvB needs to be embraced. Things can be changed. They should. Something new should be brought in. But there’s a limit to how much you can change and replace and twist until it would have been better with an original show. As a season of RvB, it should tell the story of Red vs. Blue.
From my perspective, Zero fails to do so.
It pains me that the old cast has been replaced, but as stated earlier, a season could have worked without them. However, I do not like the take that one should be excited about all the new characters. That it isn’t a big thing that the OG cast got replaced. That we should just deal with it. Just, try to imagine another show suddenly replacing the main characters with characters we’ve never met before. Imagine RWBY suddenly only focusing on a new team of huntresses with the previous main characters reduced to an Easter Egg presence, or Camp Camp suddenly being about a new team of campers, no warning given. Can you imagine the outcry? So maybe let’s agree that a replacement of the main cast is a big thing and should be addressed and it’s valid to be upset about this change.
Could Zero have worked? It’s hard to answer this. How can I accept something as RvB if the season actively pushes away the core of RvB aside for an isolated story that could have been told in any other media? As a spinoff, I could have ignored it. To enjoy Zero, I have to fully separate it from RvB in my mind, and then it’s alright. S’not good. But it’s not bad. It’s entertaining enough. I really ended up liking Raymond and Tiny, and there were a few good jokes, and the fight scenes were admirable (but too much) and I love the creators’ passion. But it’s not RvB. I also wish that the new characters had been attached to previous worldbuilding, for example soldiers on Chorus or agents from Project Freelancer. That way we could build on familiar lore which would have decreased the confusion and added a much needed connection with the previous seasons of RvB.
God, the anxious voice is back (by the way, it sounds like Tutter from “Bear in the Blue House”).
“You’re racist” – I hope not. Literally, I do not want to be. Tell me if I’ve ever crossed some lines, because I swear, that is not my intention, I will apologize and most of all, change and do better. I included this because I’ve seen this take thrown around in the big ugly mess that is the fandom clashes regarding Zero. And racism is problem within RT community (this includes AH and RvB, sorry, I just use RT as an umbrella term for the latter), and I’m not saying it hasn’t been a problem with this season. Writers should never be harassed, and never-fucking-ever because of their skin color, and voice actors shouldn’t be treated like they are responsible for the choices of the show. But I was legit nervous to post this review, and I hope it’s been factual without feeling like personal attacks on the creators because that has never been my intention. I was delighted to hear about the diversity behind this project, and Torrian’s passion legit blew me away because it’s been a while since I’ve seen that for an RvB project. I’d hoped for it to be good, and when I feel disappointed, it’s for the reasons stated in this analysis. That said, Zero is made by a diverse cast and it’s made with love, and both of those things are so, so great, but it does not mean that Zero cannot be criticized. It can, and it should. It’s a product, just like all the other seasons, and fans are allowed to discuss it – both what they loved, and both what they found troublesome. And to repeat previous points, and be respectful, always, fuck racists, and never-fucking-ever harass the staff behind a season, what the fuck is wrong with you if you do this.
“Don’t you get it, it’s different because it’s trying something new!” – Hey, remember the philosophical question: if you replace all the parts of a ship one-by-one, is it still the same ship when you’re done? If it doesn’t include the Reds and Blues, if it ignores previous plot, if the old characters feel miswritten, if it values animation over dialogue, if it values fight scenes over comedy, if it wants to be Fast and Furious instead of Red vs. Blue – is it still Red vs. Blue? Because it doesn’t feel like it to me.
“It's been 17 seasons, it’s time to let the Reds and Blues go so someone else can shine!” – I simply do not understand us having been with the Reds and Blues for 17 seasons should be an argument to let them go, rather than be an argument as to why their absence hurt like hell.
“The Reds and Blues ran out of things to do!” – Did- did they, though? I mean, if we were discussing pretty much any other show, I’d probably agree that they were running out of content. But for the Reds and Blues… I think the PSAs nailed it this year! I’m not kidding, I had more fun watching the Reds and Blues discuss how to do laundry than watching Zero. You could literally give me an hour of the Reds and Blues trying to bake a cake or clear a gutter or simply settling down with an ordinary life, and I would trust them to make it worth the watch.
“The flaws were due to the fact it’s only 8 episodes long!” – Look, I can only judge a product the way it’s presented to me. I cannot come up with excuses for it. If they had 8 episodes to work with, they need to come up with a plot that works with this runtime. Seriously, this excuse cannot work when 48% of the season is spent on fight scenes. They could have used more runtime, sure, but the show needs to be able to pace itself and be planned accordingly.
“The OG cast couldn’t be a part of this year, hence Zero!” – That might be true. But. Would one year without RvB kill it? Is Zero necessary? Again, I just can’t judge excuses for the show. But trouble with the cast has been an issue before. Season 15 solves Geoff’s sabbatical by actually making Grif’s absence a part of the plot. Zero’s lack of Reds and Blues just feels like this excuse to tell a story that needn’t be a part of RvB.
Am I a hater? I guess? I greatly dislike Zero for the critique stated above. I do, however, not harass the creators and no one should ever do that. However, I have to admit that I feel there’s been this weird rejection of any critique of Zero where everything’s been brushed off as haters gonna hate, including the critique stated above. And I think that’s a problem because critique, as hard as it can be to hear (and I know this. I’m an author of original works. Weird flex, I know), is valid and necessary and shouldn’t just be shrugged away. As always, both sides of the fandom should always be respectful, but my own opinion is that addressing the flaws of Zero should not be controversial.
Does this super long rant/critique/whatever mean you cannot enjoy Zero? Gods no! I almost envy you if you enjoy this season, but holy shit, feel free to love it and tell the creators that you love it! Me pointing out the issues I have with the season shouldn’t be stopping you. I loved (and still love) s15 when it came out, and it was majorly rejected by the fandom. There were many, many critical posts, people were going on about how RvB should have ended with s13, and it evolved into the writer receiving death threats (me, once again: never ever harass the creators, assholes). But I didn’t tell people to stop being negative. I actually agreed with many of the flaws that were pointed out, and I enjoyed the season despite this, because that is possible. We, as RvB fans, should agree that RvB, is... I mean, it’s not the greatest, most flawless of shows, but we love it nonetheless. So go ahead and love Zero. This is not a stop sign. This is my opinion that you chose to read.
Wait, I promised you a cookie, didn’t I? Well, you’re not getting one. Why? Because I’m a Red and this is my chance to piss off a Blue. As Caboose wisely said: “Well, at least I don't go around... knocking on people's non-doors... and promising them cookies... and then NOT. GIVING. THEM. COOKIES!”
Blue Team sucks.
End speech.
#rvb zero#rvb#rvb zero critical#rvb critical#rvb0#my rvb stuff#pls dont hate me for this#this is my honest opinion that people apparantly wanted to hear#as a standalone story zero isnt totally bad#as an rvb season it is
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Sparktober Bingo 2021!
Back for a new generation: Sparktober Bingo!
Instead of coming up with an Atlantis-specific list of prompts, I compiled a bunch of 2021 -tober prompt lists into one google doc here. (Links to original prompt lists are on the google doc.) Add in a list of Atlantis episodes and...
How to play:
Choose a “flavor” from the prompt sets below the cut, then paste it into this fandom bingo card generator.
Adjust your browser size til it looks right and take a screenshot, or use the html script if you’re familiar with using html on tumblr. Tag @sparktober if you want us to reblog it so everyone knows you’re playing!
Sparktober Bingo Rules:
Complete a row/column, corners, or a blackout of your card by November 1, or not! Update as you go.
All fan-works are allowed: art, edits, fic, meta... bonus points to anyone who picks the “sprinkles” flavor and goes full mid-aughts by filling their bingo cards with 100x100 pixel icons.
You are allowed to pull multiple cards until you get one that inspires you, and you can also go through the prompt list of your choice in advance to pull out squicks or things you absolutely won’t write. I recommend not googling unfamiliar words from your work computer.
Use the prompts liberally! Episode titles can be treated as the episode or as generic prompts (e.g. “Epiphany” can be for an episode-related fic or a prompt for an epiphany of your choice).
Flavor descriptions:
VANILLA: Gen prompt lists from Fictober, Inktober, Trektober Gen, and Trektober Trek.
CHOCOLATE: Zesty prompt lists from Trektober NSFW, Kinktober, and Whumptober. The multiple-prompts-per-day from Kinktober and Whumptober have been broken into individual prompts.
CANDY CORN: Fall / holiday themed prompts from TUA-tober.
SPRINKLES: Atlantis episode list (in order, in case you only want to copy certain seasons), along with characters and a few Atlantis-specific prompts.
TWIST: All of the above! (You can also manually mix and match different flavors, of course.)
Text blocks to copy into the bingo card generator are below the cut. Enjoy!!
VANILLA
“I need you.”; “You have no proof.”; “I’ve waited for this.”; “Fine, I give up.”; “I’m not saying I told you so…”; “Didn’t we already have this conversation?”; “That could have gone better.”; “This is it, isn’t it?”; “There’s no right side to this.”; “It’s so quiet.”; “I swear, it’s not always like this.”; “You keep me safe.”; “The things you make me do…”; “Your information was wrong.”; “I like that in you.”; “Not this again.”; “I’m with you, you know that.”; “This was not part of the plan.”; “I feel strange.”; “That’s what I’m known for.”; “What did I say?”; “No promises.”; “This time, do what I say.”; “Is this supposed to impress me?”; “Do you know what time it is?”; “I’m sure this has never worked, ever.”; “You could have died!”; “I don’t have to explain myself.”; “Why are we whispering?”; “Don’t ruin this.”; “Take me with you.”; Crystal; Suit; Vessel; Knot; Raven; Spirit; Fan; Watch; Pressure; Pick; Sour; Stuck; Roof; Tick; Helmet; Compass; Collide; Moon; Loop; Sprout; Fuzzy; Open; Leak; Extinct; Splat; Connect; Spark; Crispy; Patch; Slither; Risk; Meet-Cute; Amnesia; Age Difference; Pining; Sick Fic; Fake Relationship; Accidental Meeting; Epistolary; Secret Identity; Historical AU; Nightmares; Monster Hunter; Reunion; Soulmates; At Pride; Angst; Seasons; Fix-It; Coffee Shop; Movie Plot AU; Kid Fic; Actor's Other Crossover Work; OT+; Getting Together; Only One Bed; Pirates; Making Up; Forbidden Relationship; Tattoos; Halloween; Prime Directive; Lower Decks / Background Characters; Away Mission; Ship's Bar; Aliens Made Them Do It; Observation Deck; Crew with Family; Holodeck; Science Crew; Character Survives; Headcanons; Diplomacy; Decontamination; Trek Crossover; Replicator; Worldbuilding; Redshirts; Sex / Love Potion; Medical Crew; Transporters; Medbay; Interspecies Relationship; Mirrorverse; Uniforms; Mutiny; Stranded on a Planet; Rec Room; Academy Era; Second Contact; Command Crew; Off-Duty
CHOCOLATE
A/B/O; Soft; Anonymous Sex; Penetration with Object/s; Sleeping; Intercrural Sex; Restraints; In/Under Water; Group Sex; First Time; Possessive Behavior; Dry Humping / Grinding; Overstimulation; Roleplay; Rimming; Stretching / Fisting; Power Imbalance; Food Play; Fingering; Body Worship; Sex Work; Voyeurism / Exhibitionism; Safewords; Technology; Oral Sex; Omorashi / Wetting; Crying; Underwear / Lingerie; Friends with Benefits; Pain Kink; Dirty Talk; Trick or Treat; All trussed up and nowhere to go; Talking is overrated; Sticks and stones may break my bones...; Trust fall; I've got red in my ledger; Touch and go; My spidey-sense is tingling; Coughing up a lung; Rumors of my death are greatly exaggerated; Oops, I did it again; Just keep swimming; It'll be fun, they said; That's gonna leave a mark; Under pressure; Feed a cold, starve a fever; On a need-to-know basis; Field care 101; The doctor is in; Just a scratch; Lost & found; That's where the blood's supposed to be; They made me do it; You break it, you buy it; One down, two to go; Hide & Seek; You will go down with this ship; “I'm fine, I prom...”; It's (not) just in your head; All work and no play; Digging your grave; Hurt & Comfort; “You have to let go.”; Garotte; Taunting; “Do you trust me?”; Betrayal; Bruises; Helplessness; Pneumothorax; Presumed Dead; Hospital; Adrift; Torture; “This is gonna suck.”; Crush injuries; Delirium; Recovery; “Please don't move.”; “Now smile for the camera.”; Bitten; Trunk; Bleeding through bandages; Cursed; Auction; Self-induced injuries to escape; Escape; Fallen; Passing out; “Good, you're finally awake.”; “You're still not dead?”; Major character death; Disaster zone; Barbed Wire; Choking; Insults; Taken Hostage; Misunderstanding; Touch Starved; Numbness; Exotic Illness; (Blind) Rage; Flare-Up; Drowning; Made To Watch; Burns; Beaten; Fever Dreams; Scars; Hemorrhage; Doctor Visit; Bleeding; Trapped Under Water; Pressure; Demon; Ransom; Flashback; Flight; Waterfall; Vertigo; Nightmares; Too Weak To Move; Left For Dead; Trauma; Bound; Gagged; “Who Did This To You?”; Pushed; Broken Nose; Hunger; Blindness; “Definitely Just A Cold”; Tears; Ice Chips; Dehydration; Begging; Cauterization; Force; Bees; Aftermath; Dread; Cpr; Stabbing; Solitary Confinement; Blood-Matted Hair; Obsession; Pursuit; Revenge; Hiding; Trap Door; Collapse; Panic; Overworked; Ghosts; Prisoner; Losing Control; Threats; Caning; Mercy; Forgotten; Head Injury; Screaming; Comfort; Self-Sacrifice; Trapped; Near-Death Experience; Regret; Tragedy; Battlefield; Anxiety; Gore; Petplay; Bimbofication; Panties & Lingerie; Bondage; Double Penetration in 2 Holes; Breeding; Humiliation; NTR; Incest; Emeto; Omorashi; Free Use; Crossdressing; Public; Three (or more) some; Daddy & Mommy; Double Penetration in 1 Hole; Distention & Cockbulge; Xenophilia; Shotgunning; Watersports; Pregnancy; Lactation; Waxplay; Grooming; Human Furniture; Feet; Prostituion; MacroMicro; Spanking; Cockwarming; Glory Hole; Somnophilia; Body Modification; Temperature Play; Leather; Size Difference; Sounding; Stockings; Tentacles; Medical Play; Stripping; Orgasm Denial; Master & slave; Scissoring; Titfucking; Frottage; Knifeplay; Formal Wear; Breathplay; Fisting; Pegging; Scat; Beastiality; Fucking Machine; Tickling; Boot Worship; Bukkake; Collaring; Foodplay; Non or dubcon; Feederism; Sensory Deprivation; Oviposition; Clone & Selfcest; Exhibitionism & Voyeurism; Impact Play; Sadomasochism; Bloodplay; Praise Kink; Body Swap; Sweat; Branding; Massage; Role Reversal; Armpit; Masturbation; Inflation; Sex Toys; Burnplay; Menophilia; Stuck in Wall; Deepthroating & Facesitting; Dacryphilia; Hate Sex
CANDY CORN
Birthday; Sick Day; Autumn; Candles; Plaid / Flannel; Leaf Piles; Sweaters; Baking; Cinnamon; Pumpkin Spice Latte; Carnival; Movie Night; Candy; Graveyard; Black Cats; Goosebumps; Pumpkin; Party; Monster; Ghosts; Witch; Vampire; Traditions; Magic; Mask; Haunted House; Trick; Treat; Costume; Monster Mash; Halloween
SPRINKLES
Rising Part 1; Rising Part 2; Hide and Seek; Thirty-Eight Minutes; Suspicion; Childhood's End; Poisoning the Well; Underground; Home; The Storm; The Eye; The Defiant One; Hot Zone; Sanctuary; Before I Sleep; The Brotherhood; Letters from Pegasus; The Gift; The Siege Part 1; The Siege Part 2; The Siege Part 3; The Intruder; Runner; Duet; Condemned; Trinity; Instinct; Conversion; Aurora; The Lost Boys; The Hive; Epiphany; Critical Mass; Grace Under Pressure; The Tower; The Long Goodbye; Coup d'Etat; Michael; Inferno; Allies; No Man's Land; Misbegotten; Irresistible; Sateda; Progeny; The Real World; Common Ground; McKay and Mrs. Miller; Phantoms; The Return Part 1; The Return Part 2; Echoes; Irresponsible; Tao of Rodney; The Game; The Ark; Sunday; Submersion; Vengeance; First Strike; Adrift; Lifeline; Reunion; Doppelganger; Travelers; Tabula Rasa; Missing; The Seer; Miller's Crossing; This Mortal Coil; Be All My Sins Remember'd; Spoils of War; Quarantine; Harmony; Outcast; Trio; Midway; The Kindred Part 1; The Kindred Part 2; The Last Man; Search and Rescue; The Seed; Broken Ties; The Daedalus Variations; Ghost in the Machine; The Shrine; Whispers; The Queen; Tracker; First Contact; The Lost Tribe; Outsiders; Inquisition; The Prodigal; Remnants; Brain Storm; Infection; Identity; Vegas; Enemy at the Gate; Ronon Dex; Teyla Emmagan; John Sheppard; Carson Beckett; Elizabeth Weir; Rodney McKay; Jennifer Keller; Samantha Carter; Aiden Ford; Radek Zelenka; Kate Heightmeyer; Evan Lorne; Laura Cadman; Kolya; Chuck; Peter Grodin; Steven Caldwell; Lantea; Ocean; Ancient(s); Richard Woolsey; Athosians; Daedalus; Wraith; Nanites; Asurans; Genii; DHD; SGC; Stargate; Earth; Antarctica; Ascension
TWIST
“I need you.”; “You have no proof.”; “I’ve waited for this.”; “Fine, I give up.”; “I’m not saying I told you so…”; “Didn’t we already have this conversation?”; “That could have gone better.”; “This is it, isn’t it?”; “There’s no right side to this.”; “It’s so quiet.”; “I swear, it’s not always like this.”; “You keep me safe.”; “The things you make me do…”; “Your information was wrong.”; “I like that in you.”; “Not this again.”; “I’m with you, you know that.”; “This was not part of the plan.”; “I feel strange.”; “That’s what I’m known for.”; “What did I say?”; “No promises.”; “This time, do what I say.”; “Is this supposed to impress me?”; “Do you know what time it is?”; “I’m sure this has never worked, ever.”; “You could have died!”; “I don’t have to explain myself.”; “Why are we whispering?”; “Don’t ruin this.”; “Take me with you.”; Crystal; Suit; Vessel; Knot; Raven; Spirit; Fan; Watch; Pressure; Pick; Sour; Stuck; Roof; Tick; Helmet; Compass; Collide; Moon; Loop; Sprout; Fuzzy; Open; Leak; Extinct; Splat; Connect; Spark; Crispy; Patch; Slither; Risk; Meet-Cute; Amnesia; Age Difference; Pining; Sick Fic; Fake Relationship; Accidental Meeting; Epistolary; Secret Identity; Historical AU; Nightmares; Monster Hunter; A/B/O; Reunion; Soulmates; At Pride; Angst; Seasons; Fix-It; Coffee Shop; Movie Plot AU; Kid Fic; Actor's Other Crossover Work; OT+; Getting Together; Only One Bed; Pirates; Making Up; Forbidden Relationship; Tattoos; Halloween; Prime Directive; Lower Decks / Background Characters; Away Mission; Ship's Bar; Aliens Made Them Do It; Observation Deck; Crew with Family; Holodeck; Science Crew; Character Survives; Headcanons; Diplomacy; Decontamination; Trek Crossover; Replicator; Worldbuilding; Redshirts; Sex / Love Potion; Medical Crew; Transporters; Medbay; Interspecies Relationship; Mirrorverse; Uniforms; Mutiny; Stranded on a Planet; Rec Room; Academy Era; Second Contact; Command Crew; Off-Duty; Soft; Anonymous Sex; Penetration with Object/s; Sleeping; Intercrural Sex; Restraints; In/Under Water; Group Sex; First Time; Possessive Behavior; Dry Humping / Grinding; Overstimulation; Roleplay; Rimming; Stretching / Fisting; Power Imbalance; Food Play; Fingering; Body Worship; Sex Work; Voyeurism / Exhibitionism; Safewords; Technology; Oral Sex; Omorashi / Wetting; Crying; Underwear / Lingerie; Friends with Benefits; Pain Kink; Dirty Talk; Trick or Treat; All trussed up and nowhere to go; Talking is overrated; Sticks and stones may break my bones...; Trust fall; I've got red in my ledger; Touch and go; My spidey-sense is tingling; Coughing up a lung; Rumors of my death are greatly exaggerated; Oops, I did it again; Just keep swimming; It'll be fun, they said; That's gonna leave a mark; Under pressure; Feed a cold, starve a fever; On a need-to-know basis; Field care 101; The doctor is in; Just a scratch; Lost & found; That's where the blood's supposed to be; They made me do it; You break it, you buy it; One down, two to go; You will go down with this ship; “I'm fine, I prom...”; It's (not) just in your head; All work and no play; Digging your grave; Hurt & Comfort; “You have to let go.”; Garotte; Taunting; “Do you trust me?”; Betrayal; Bruises; Helplessness; Pneumothorax; Presumed Dead; Hospital; Adrift; Torture; “This is gonna suck.”; Crush injuries; Delirium; Recovery; “Please don't move.”; “Now smile for the camera.”; Bitten; Trunk; Bleeding through bandages; Cursed; Auction; Self-induced injuries to escape; Escape; Fallen; Passing out; “Good, you're finally awake.”; “You're still not dead?”; Major character death; Disaster zone; Barbed Wire; Choking; Insults; Taken Hostage; Misunderstanding; Touch Starved; Numbness; Exotic Illness; (Blind) Rage; Flare-Up; Drowning; Made To Watch; Burns; Beaten; Fever Dreams; Scars; Hemorrhage; Doctor Visit; Bleeding; Trapped Under Water; Demon; Ransom; Flashback; Flight; Waterfall; Vertigo; Too Weak To Move; Left For Dead; Trauma; Bound; Gagged; “Who Did This To You?”; Pushed; Broken Nose; Hunger; Blindness; “Definitely Just A Cold”; Tears; Ice Chips; Dehydration; Begging; Cauterization; Force; Bees; Aftermath; Dread; Cpr; Stabbing; Solitary Confinement; Blood-Matted Hair; Obsession; Pursuit; Revenge; Hiding; Trap Door; Collapse; Panic; Overworked; Ghosts; Prisoner; Losing Control; Threats; Caning; Mercy; Forgotten; Head Injury; Screaming; Comfort; Self-Sacrifice; Trapped; Near-Death Experience; Regret; Tragedy; Battlefield; Anxiety; Gore; Petplay; Bimbofication; Panties & Lingerie; Bondage; Double Penetration in 2 Holes; Breeding; Humiliation; NTR; Incest; Emeto; Omorashi; Free Use; Crossdressing; Public; Three (or more) some; Daddy & Mommy; Double Penetration in 1 Hole; Distention & Cockbulge; Xenophilia; Shotgunning; Watersports; Pregnancy; Lactation; Waxplay; Grooming; Human Furniture; Feet; Prostituion; MacroMicro; Spanking; Cockwarming; Glory Hole; Somnophilia; Body Modification; Temperature Play; Leather; Size Difference; Sounding; Stockings; Tentacles; Medical Play; Stripping; Orgasm Denial; Master & slave; Scissoring; Titfucking; Frottage; Knifeplay; Formal Wear; Breathplay; Fisting; Pegging; Scat; Beastiality; Fucking Machine; Tickling; Boot Worship; Bukkake; Collaring; Foodplay; Non or dubcon; Feederism; Sensory Deprivation; Oviposition; Clone & Selfcest; Exhibitionism & Voyeurism; Impact Play; Sadomasochism; Bloodplay; Praise Kink; Body Swap; Sweat; Branding; Massage; Role Reversal; Armpit; Masturbation; Inflation; Sex Toys; Burnplay; Menophilia; Stuck in Wall; Deepthroating & Facesitting; Dacryphilia; Hate Sex; Birthday; Sick Day; Autumn; Candles; Plaid / Flannel; Leaf Piles; Sweaters; Baking; Cinnamon; Pumpkin Spice Latte; Carnival; Movie Night; Candy; Graveyard; Black Cats; Goosebumps; Pumpkin; Party; Monster; Witch; Vampire; Traditions; Magic; Mask; Haunted House; Trick; Treat; Costume; Monster Mash; Rising Part 1; Rising Part 2; Hide and Seek; Thirty-Eight Minutes; Suspicion; Childhood's End; Poisoning the Well; Underground; Home; The Storm; The Eye; The Defiant One; Hot Zone; Sanctuary; Before I Sleep; The Brotherhood; Letters from Pegasus; The Gift; The Siege Part 1; The Siege Part 2; The Siege Part 3; The Intruder; Runner; Duet; Condemned; Trinity; Instinct; Conversion; Aurora; The Lost Boys; The Hive; Epiphany; Critical Mass; Grace Under Pressure; The Tower; The Long Goodbye; Coup d'Etat; Michael; Inferno; Allies; No Man's Land; Misbegotten; Irresistible; Sateda; Progeny; The Real World; Common Ground; McKay and Mrs. Miller; Phantoms; The Return Part 1; The Return Part 2; Echoes; Irresponsible; Tao of Rodney; The Game; The Ark; Sunday; Submersion; Vengeance; First Strike; Lifeline; Doppelganger; Travelers; Tabula Rasa; Missing; The Seer; Miller's Crossing; This Mortal Coil; Be All My Sins Remember'd; Spoils of War; Quarantine; Harmony; Outcast; Trio; Midway; The Kindred Part 1; The Kindred Part 2; The Last Man; Search and Rescue; The Seed; Broken Ties; The Daedalus Variations; Ghost in the Machine; The Shrine; Whispers; The Queen; Tracker; First Contact; The Lost Tribe; Outsiders; Inquisition; The Prodigal; Remnants; Brain Storm; Infection; Identity; Vegas; Enemy at the Gate; Ronon Dex; Teyla Emmagan; John Sheppard; Carson Beckett; Elizabeth Weir; Rodney McKay; Jennifer Keller; Samantha Carter; Aiden Ford; Radek Zelenka; Kate Heightmeyer; Evan Lorne; Laura Cadman; Kolya; Chuck; Peter Grodin; Steven Caldwell; Lantea; Ocean; Ancient(s); Richard Woolsey; Athosians; Daedalus; Wraith; Nanites; Asurans; Genii; DHD; SGC; Stargate; Earth; Antarctica; Ascension
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Giving SF9 Cuddles
Hai hai!! I know i’ve been gone for a while
lets just act like that never happened
Buttt, I’m back and recently I’ve been watching the new series of Kingdom and I am so hype to see my babies sf9
currently sobbing
also my mom was very upset when they came in last place
anyways they’re all working so hard and I’m so proud of them so I decided to write this for all the Fantasy and new Fantasy who are getting into my babies.
so here is sf9 wanting cuddles, enjoy
~Kim Youngbin~
this man
uggghhh
i love him so much i might cry
moving on
being a father of eight children is hard work
but my best baby does everything he can and is the best leader he can be for those boys
butttt
being a little is hard work and he needs to be taken care of as much as they do
insert the love of his life
thats you
youre good at telling when hes stressed and do everything you can to help him
so when he looks at you with doe eyes asking for cuddles you don’t hesitate to say yes
so now your laying on your bed youngbins head on your chest
youre running your hand through his hair softly and humming to him
he lets out a peaceful sigh and lifts hiss head looking up at you
“i love you so much”
he looks so sleepy and you couldn’t stop yourself from cooing at him
he eventually falls asleep and you just lay there quietly admiring him
he’s the love of your life and you’ll never understand how you got so lucky to have someone like him in your life
#toptiercouple
~Kim Inseong~
this man
DORK ALERT
he will ask for cuddles in the most dramatic way
you’re at the dorm visiting him before he starts filming for his new show
you know that you wont be able to see him for a while and youre a little sad
inseong of course knows this
so he wants to make today extra special
he surprised you with flowers and your favorite snacks
he even bought you a penguin plushie that was almost the size of you
so now youre sitting on the couch waiting for him to come back so you could start the movie you wanted to watch
inseong was watching you from the kitchen
you were playing with the sleeves of his sweater that you were wearing staring blankly at the screen in front of you
he smiled softly to himself before skipping into the livingroom
“____, dont look so sad, cuddle me instead!”
his loud voice nearly made you jump out of your skin
he plopped onto the couch next to you and wrapped his arms tightly around you
he pulled you into his chest and slowly rocked you back and forth
a smile came to your face as you rested your head on his chest
“it wont be long, i promise ill call you everyday, okay?”
he assured you that he’ll come see you as soon as filming was over
you knew that he would and you were more than willing to wait for him
because you love him and there was nothing that would ever change your mind
even if he is a major dork that makes you cringe more often than not
~Lee Jaeyoon~
bias wrecker number 1
did you guys see how hard he practiced for the jealous stage on kingdom
i might cry
i hope he got enough time to rest after hurting his knee
you were at your apartment when youngbin called you letting you know that jaeyoon was on his way to the hospital
of course you were worried but he assured you that he was okay he just hurt his knee
sObBiNg
of course you told him that you would meet him there and quickly got dressed
once you finally reached the hospital your boyfriend was staying at you found youngbin who was waiting for your outside
“is he okay? hes not too hurt is he?”
“he’ll be okay, he just has to rest for a while, i told him you were coming”
as quickly as he could he led you into the room where jaeyoon was lying restlessly
when he heard the door open his head shot over to you and he smiled sadly
you quickly composed yourself and smiled, walking over to him
you sat in the chair next to him and the two of you talked for a while
he told you about coming in last place, feeling like he didn’t work hard enough
it hurt you to see him like that and you did everything you could to reassure him that you were proud of him and he did the best that he could
he began to grow sleepy while talking to you and you could tell
“can you spend the night here with me?”
you almost squealed out loud as he sleepy state but you just nodded and agreed
he scooted as far as he could to the side of the bed to make room for you
you laid down next to him and he immediately wrapped his body around yours hugging you as closely as he could
he easily fell asleep to you petting his hair and whispering sweet nothings to him
i squealed
~Lee Sanghyuk~
bEaNnnnN
hes so adorable i cant handle it
he also may be my moms favorite she doesnt know yet
although he is a dork he is very serious when it comes to his relationship with you
you are the light of his life and he will treat you as such
but youre still not safe from his pranks and constant jokes
he came to your apartment in his next attempt to bug you
but when he noticed that you weren’t your normal bubbly self he placed himself next to you on the couch
you immediately reacted and rested your body against his
he leaned back into the cushions and pulled you into his lap
he would occasionally kiss your forehead letting out small hums
he would listen intensely as you tell him about you day
you explained why you were sad and he acted as if it happened to him
giving you advice on how to deal with the situation
it was rare for you to see him so serious but you loved that he was willing to help you with whatever problem that you had
even if it was something small a small trivial matter that didnt have any meaning
once he was sure that you were okay and they two of you would joke around
being the little shit that he is he would pin you down on the couch and began to tickle you
“yah, knock it off!”
you tried your best to push him off of you
but our man is swole and was not letting you off that easy
once he finally decides youve had enough flops down and lays on top of you
“youre lucky youre cute”
you couldn’t stop the growing smile on your face as the two of you continued to joke around
~Baek Ju Ho~
bias wrecker number 2
hes so precious and i cant handle the cuteness
aaaahhhhh
excuse me ill calm myself
the boy
whether he admits it or not
he will drop anything and run the minute you call his name
and if youre sad or if you pout
lord you better believe hes right there plotting the death of whoever made you sad
one day you and zuho are out walking around doing couple things
you know, being adorable
when all of a sudden you see a group of girls pointing and laughing
you werent sure what they found funny but you began to grow self concious
it didnt even have to be you that they were laughing at, but your mind got the best of you
zuho noticed the sudden change in behavior and immediately took your hand
he pulled you into a hug and rocked you back and forth slightly
he caressed the back of your head and whispered to you about how much he loves you and how beautiful you are
you looked up at him and smiled softly
he chuckled to himself before placing a soft kiss to your lips
he continued to press light kisses all over your face as he hugged you tighter
you giggled and hid your face in his chest
the people that surrounded you couldn’t help but smile as they watched the two of you
even the girls who you thought were laughing at you they had large smiles on their faces as they all talked about wishing to have a boyfriend like him
~Kim Seok Woo~
i swear i feel like he would be the best boyfriend ever
i know im not the only one who sees it
C U D D L E B U G
he won’t be able to live if he doesnt touch you at least once every ten minutes
ten seconds
he loves your touches
lets be honest he loves everything about you
i am not kidding
after a stressful day of filming schedules and whatever other plans he has
his favorite thing is to come home and have you waiting for him
there were a lit of times where you would fall asleep waiting for him
he knew that it was late and you wouldnt be awake so he didnt bother to call you
he walked into his dorm tired from the long day that he had
after getting a bottle of water he walked into his room and a large smile came to his face
you were lying on his bed bundled up in his blankets sleeping peacefully
he got ready for bed as fast as he could wanted to lie next to you as fast as he could
once he was ready he carefully and quietly lifted up the blanket covering up your body
he laid down next to you and slipped one arm underneath your body
he slowly rolled you over so your body was lying on top of his
once the two of you were cozy he covered your body back up with the blanket
letting out a peaceful sigh he relaxed his body against yours closing his eyes and letting your quiet breathing quickly lulling him to sleep
you woke up a little later noticing that you werent lying in the same position you fell asleep in
your eyes fluttered open and a smile came to your face as you stared at your sleeping boyfriend
you placed a small kiss on his nose before settling back down and once again falling into your slumber
~Yoo Taeyang~
baby
i love him so much
literally no words can explain it
uggghhh
anyway
his favorite thing to do outside of his idol life
iiisss
*YOU*
so when he FINALLY gets a day off
guess what hes doing
hanging out with the love of his life of course
duh
he spent the night at your apartment the day before and now the two of you are lying in bed
youre both lying on your sides just staring at each other with cute smiles on your faces
the aura around the two of you is peaceful, quiet, and intimate
to anyone looking in you could see the love pouring off of the two of you just by looking
you lifted your hand and brought it closer to taeyangs face, trailing your fingers up his jaw
you brought your hand up to his hairline and gently caressed his hair
“i love you”
a red hue came to taeyangs cheeks as he buried his face in your neck
“yah, you cant say stuff like that out of no where”
you giggle as his breath tickled your neck
you draped your arms loosely around his neck as he shifted to hover above you
“but its true”
“i love you”
he buried his face in your neck again and attacked you with kisses
you squealed loudly and the two of you spent the rest of your day just like this
and neither of you would have it any other way
~Kim Youngkyun~
this dood
A W K W A R D
seriously please help him
no one really knows how the two of you got together
youre both so awkward that people dont understand your relationship
but lets be honest the two of you are perfect for each other
hwiyoung is a sensitive lil gentleman and he totally understands you
buttt sometimes it doesnt come out how he wants it to
you know, him being awkward and all
he does love your affection but he just has a hard time showing it
so a lot of the time youre the one that has to initiate it
“youngie come here”
his head shot over to look at you the minute that he heard you whine
he stood on his feet and walked over to his bed where you were sitting
“are you okay? whats wrong?”
you just smiled and grabbed his hand pulling him onto the bed
he let out an exclaim of surprise as he landed with an oof on the bed
you acted quickly and wrapped your arms around his waist
you laid half of your body on top of his and stared down at him
his face was red as he stared up at you
“i hate it when you do that”
you laughed again as you rested your chin on his chest
“you love it and you know it”
he just rolled his eyes and the two of you continued to talk to each other while lying like that
hwiyoung locked his hands around your waist while you talked about your idea of getting a new puppy
“will you name it after me?”
you gushed at his pout and squished his cheeks together
“youre too cute”
you loved how adorable he was and you hoped that he stayed this adorable forever
~Kang Chanhee~
fluffy fluff boy
deserves all the love in the world
supes awk
but tries to act confident around you because well
the boys make fun of him about you
our lil actor boy will be super chill about it as long as youre in the room
but the minute you leave
will whine and complain to his members
so one day when you randomly walked into the dorm and they were all there
you didnt hesitate to walk over to chani on the couch and plop down next to him
you wrapped one arm around his waist and rested your head on his shoulder
you let out a small sigh and relaxed yourself into his body
the boys didnt say anything but they all had smiles on their faces as the two of you were in your own little world
chani slipped his hand into yours as the two of you continued to talk about your days
“when are you going to teach me your new routine?”
chani laughed and kissed the top of your head
“whenever youre ready”
he smiled when you let out a little yawn
“come on, lets go to bed”
you sat up and stood on your feet following him into his room
you plopped onto his bed and he laid down next to you
“will you sing for me?”
he let out a tiny giggle before nodding
once the two of you were comfortable he began to sing quietly until your head lulled to the side
once he knew you were sleeping he hugged you closer loving the fact that you were so close to him
#sf9#kingdom#legendary war#hwiyoung#chani#youngbin#rowoon#zuho#inseong#jaeyoon#dawon#taeyang#kpop#kpop fluff#fluff#cute#squealed
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All right, since I’m in the middle of a flare and have to work manual labor for the next four days despite it, I figured I would make myself -- and hopefully other people -- laugh by talking about one of my favorite OG Captain Marvel stories. Namely, from Whiz #50, with a cover date of January, 1944, meaning it was probably produced sometime in late 1943.
I want to share it because why not, this is some absurdly charming stuff.
I’ll get more into why it’s one of my favorites as we go, in the form of running commentary. So, full story (with said commentary) under the cut. If you wanna just read the story without my commentary, stick to the pictures. XD
First, let me say that the cover and splash page definitely live up to the story, though the cover’s a bit more sensationalized. But the premise is pretty damn simple: Our intrepid hero and his newsboy alter ego are on vacation. Cap decides to go swimming. It goes hilariously wrong and thus ensues a bit of a madcap adventure, no puns intended.
Second, the fact that Cap and Billy are depicted as essentially different entities makes what Billy does next the ultimate trolling:
Gee, airing out the stolen laundry on the radio? Really? I’ll leave it up to you, gentle reader, whether Billy actually was trolling his own alter-ego for ratings or whether he was just innocently sharing the story while his other-self winced quietly in whatever ether-space he exists in when not front-and-center.
Either way, I love it.
Continuing on...
I get a kick out of the fact that Billy’s monologue is that he’s no dare-devil. One, because that’s so obviously not true in any way -- (that kid is awesomely, sometimes recklessly brave on the regular even without Cap) -- but two, because the bridge is actually named Dare-Devil Bridge. We aren’t given any reason why this dangerous potential death-trap is there, hanging without so much as a gate or a warning sign or anything, because we don’t need one. It’s there specifically for what happens next.
Which, of course, is Billy calling in Captain Marvel, who does some light complaining about the situation Billy left him in. There’s no bite to it, which I find adorable -- Cap actually does get frustrated once or twice in other issues with Billy calling on him for mundane stuff, though he’s never mean about it -- but there is a bit of the sense of being put-upon there that’s just-- I dunno, cute. It’s something I miss a lot in the various post-crisis takes on the character: That duality, that difference in personality, and the way each of them responds to different situations. Often, they’re on the same page, but notably, sometimes, they aren’t.
Someday, I promise, I need to sit down and write how I think that works between those two without being a truly frightening mental illness manifested, what with them being the same person but not the same person. Because I have so many ideas, and I’ve only had since the early-2000s to percolate them. LOL! But until then, just enjoy this.
Here is another reason why I love the Golden Age Captain Marvel books and why I love this specific story: This is an absolutely normal, mundane thing to do. It’s the human thing to do. These aren’t the actions of some super-serious superdude. These are the actions of a pretty shockingly normal guy doing something mundane. And a whole story is built around that normalcy.
It’s cute. It’s funny. It’s the reader already knowing that he’s getting himself into a situation that he absolutely could have avoided, but also completely understanding how it happened anyway. It’s pretty brilliant writing: I say this as a pretty damned good writer myself.
So much of the reason why, I think, Cap was so endearing as a hero is that humanity. He’s got pretty much god-tier power in the Golden Age, once his powerset is established. He’s utterly invulnerable to all physical harm while powered up. But-- he’s human. He knows he’s human. He acts like it, and decides, “You know what? I’m going skinny-dipping.”
He and Billy are both characters it’s so easy to empathize with.
Also, a reminder that the art under Chief Artist C.C. Beck is really, really good. (He had a whole stable of artists to help produce this stuff!) Ignoring registration issues on the printing press, the actual line art is amazingly good; proportion and perspective and consistency.
But anyway--Cap does get to enjoy his swim. But, then, oh no.
I love the idea of a world where the prime hero -- and he definitely is in that world -- can take off his suit and go swimming, and where someone else is bold enough to steal the damn suit off of him. The first time I read this, I started laughing here. Not at him, but at the situation he’s found himself in. At the idea that some random passer-by saw Captain Marvel’s costume and went yoink!
Another thing I love about this particular story is how much Cap and Billy have to work together, just by necessity. Like-- it’s just really good. But anyway, thank everything Billy Batson is on the ball, coming to the rescue.
Sheer bad luck via the weather keeps this story rolling along in hilarious misdirections. Realistically, that uniform probably wouldn’t be all buttoned together (we see Cap take off pieces of it aside the pants in other issues, including socks!), but who cares? The point of the story is that giant bear rug on the floor’s gonna get put to use.
Man, when have you ever seen Superman creeping naked through some stranger’s house wearing nothing but a random polar bear because he went skinny dipping? No wonder these comics sold so well. This next panel is when I start wheezing, though, and pretty much keep wheezing.
“A lady, too! I’ve got to get away from here!”
I’m dying at this point. That’s such a characteristic response, and yet, I think that’s why it’s funny.
Anyway, because this is an excellent story (I mean this without an ounce of irony, too), our dynamic duo stumbles across a plot in play to rob the hotel they’re staying at.
Here’s a big part of why this is such a good tale: Everything fits. Even when it isn’t explained, like Dare-Devil Bridge, it still fits. Why is the tree down? Because there was just a thunder storm, the same one that blew Cap’s suit into the room with the gangsters.
I don’t know if this is Otto Binder’s story, but I wouldn’t be surprised in the least. It’s a complete story told in relatively few pages that accomplishes everything it’s meant to.
Anyway, using foliage as cover, Cap gets to be heroic----then Billy gets to get back to the business of trying to stop the robbery of the hotel and get his heroic alter-ego dressed again. Which leads to a rather adorable and funny scene of Billy not only trying to describe what Captain Marvel wears, but what size it would need to be tailored in.
(Cap is supposedly a 44 for a suit coat, we find in some earlier appearance, which would refer to his chest size. So, an XL for shirts and suit-coats. He’s a big guy, but he’s actually not a hulking huge guy. But more on that later.)
I love the fact Billy tries to like-- use himself as a model. Maybe in another ten years, kiddo. Billy’s actually pretty buff for like a 12-14 year old, he’s not a scrawny kid at this point, but yeah, no. LOL!
Another thing I also really, really love about this style, though, is that they draw Captain Marvel as being strong, as having a powerful build-- but not as a dehydrated body-builder with deep cuts. He’s got human proportions, regardless of his strength; he’s got a human build, not a superhuman one.
C.C. Beck had a lot of things to say about superheroes who were just muscles on top of muscles, all clearly defined, and he didn’t like it. As someone who first got into comics in the early 90s with Jim Lee’s X-Men--
I do get Beck’s point. I not only get it, but I really highly approve of it. He maintained to the end that he drew (and oversaw) the Marvel family to look like high school and college athletes, and I can see that. I think the one person who’s gotten it right in the modern era is Evan “Doc” Shaner, who did Convergence: Shazam! He not only nailed that strong-but-not-hulking build for Cap, but also how young he looked. College-age, in fact.
But anyway, enough digression into art and why I like this better than most modern takes on the character. Also, that’s just a cute set of panels.
I also like that there wasn’t an easy fix there. Cap’s still in his not-birthday suit, and Billy’s still stuck running around trying to solve the issues at hand. Next comes some other really good panels:
-snorts- He’s locked in. Yeah, that’ll hold him.
Anyway, what I really liked here was again that tandem working; Billy can’t punch through a wall, but Cap can. Cap can’t crawl out while he’s au natural -- well, he could, but he’d probably rather die first -- but Billy’s got no such issue. It’s just fun when you get to see them doing something like that. You have to really think for a minute about the trust each of them must have in their alter-ego.
ANYWAY, we get the rare treat then--
--of Captain Marvel not only yoinking a dude into a dark room, but then stealing his clothes. Except, not his underwear. Because that’s nasty. LOL!
I love that in this series, you do actually get to see him wear other stuff. Go incognito. Get his red suit messed up enough to take it to a dry cleaner’s, wherein he ends up dressed like a musketeer after. Jerry Ordway’s series is, I think, the only other time we see Cap not wearing his famous suit, but it happened enough in the Golden Age that it wasn’t a shock.
Like, I hate to be the one to say this, but I do think DC drops the ball often on just how much you can do with Captain Marvel (or Shazam, depending on timeline, but that’s the wizard’s name to me so mostly I’ll stick with the original name) if you unbend enough to. It’s not just the costume change, or the duality of him and Billy being the same but not, but also his inherent, essential humanity.
But I am digressing again, sorry. XD I just feel strongly enough about these versions of these characters to spend hours writing this.
Anyway, only a single panel later:
And that’s that! Billy Batson has just outed his own alter-ego’s most embarrassing moment to whomever’s listening to WHIZ radio -- thank everything podcasts and the internet weren’t available then, ha! -- and we get to see a recounting of a very fun story.
Like I said earlier, I love this one for its essential humanity. The hero got himself into this mess, he and Billy got him out of this mess, and stopping the criminals was actually just kind of a lucky stroke thrown in there. But even though Cap got himself into this, the story never treats him like he’s stupid. It never treats him like he’s some kind of idiot. You’re laughing, but-- not in a mean way.
I love how human it is. How complete it is. How genuinely funny it is. It’s a thousand times more funny when you genuinely love and respect Captain Marvel and Billy Batson, too.
Anyway, I hope you enjoyed this dissertation on a skinny-dipping hero. LOL! I enjoyed sharing it with you.
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so you’ve been roleplaying for years... things change, the way the community does things shift, and sometimes there’s new skills you need to pick up and adjust to in order to make your time rping as creatively rich and fulfilling as it can be. one of those things that’s become extremely important is plotting & hcing. either in groups, in indie, or doing 1x1s, these two are the foundation to your interaction (unless you’re the type to wing it). sometimes when i interact with people, it seems they don’t really click with this process, so in the guide below, i’ll help to explain why these are so important, and how to do it in a way that not only gives you a rich plot, but helps inspire and keep your writing partner engaged with you.
disclaimer --- this is just my personal experience and opinions being shared. i am not the end-all-be-all on how to interact with writing partners. this is just here to get people to begin thinking about things they otherwise wouldn’t have thought about.
questions regarding this help post can be found here. let’s jump in!
WHY IS PLOTTING & HCING SO IMPORTANT?
firstly, rp has changed a lot since the days of launching into an rp or writing a random starter for a new follower. things are a lot more established and regardless of if you’re in a bio/skeleton rp with pre-written connections, or you’re in a new plotless group or indie and you’re coming up with them on your own, it’s a major foundation to your writing experience, so don’t treat it lightly!
secondly, regardless of format, and with the shifts in rp culture, behind the scenes plotting & hcing is crucial to the development of your plot & characters. as writers, we take more time with our replies so development on dash happens a lot slower. personally i don’t mind that, but i don’t want that to hinder my writing experience so i like taking things behind the scenes to help build up dynamics and situations so the whole relationship isn’t based off one or two threads/instances.
lastly, it helps to keep things inspiring. sound dumb? you bet, but that’s the way the cookie crumbles baby. so many times i have plotted ships, sibling relationships, best friends, or other core relationships, and wanted to sink my teeth in relationship lore and background and dynamics, only to be returned with “hahah yes! i love that!” now i understand this is never ill-intentioned, but it does suck the muse right out the situation. if you do not validate & expand on your partner’s ideas, it’s not going to make that writer’s ideas feel appreciated or loved. the way to tell them you love their ideas? sink your teeth right back and send an equally meaty response right back!
PART ONE: SO YOU WANT TO PLOT
you don’t need this post to tell you how to come up with plot ideas, that’s a whole different guide, but let’s say you’re in the brainstorming process. you’re throwing ideas back and forth based on your muse’s two backgrounds and seeing what sticks. what is SUCH a downer, is when a writing partner is just ... not contributing. yes, we are all guilty of the line “i’m open to anything!” but try and limit yourself to using that line once in a conversation. hell, i prefer it when a person doesn’t even say it at all and they’re HONEST. if i come in guns-a-blazing and i ask ‘what plots do you need filled?’ if a person responds with ‘i need someone who hurt my muse’ there’s two option, i fill that plot, or i don’t. it’s that simple. don’t be afraid to say what you want, the worst that can happen is the person says ‘eh, i don’t really think that fits my character’ and you come up with something else! but when you’re already passionate about the idea, you’re setting yourself up for such great success!
so what do you do when your one (1) braincell isn’t working and you can’t come up with any connection ideas? two options, you can either go to one of the dozens of guides for basic connection ideas and give your partner something, or you can look at the other person’s bio, and your muse, and try and find connections between them. both of these are painfully easy! i’m a personal fan of the latter as it seems a bit more grounded and juicy than the former, but those can be twisted into something great too! **if you’re in a group setting, even asking what that person’s other connections are, and piggybacking off of that. these create super spicy connections. example: you find out muse a is muse b’s ex, and your muse, muse c, is best friends w muse b, so it’s safe to assume your muse c will probably not get along with muse a.
this important thing is not to make your partner feel like they’re doing all the work. because that’s never fun, and truthfully, it doesn’t make that person want to write with you if you’re not also putting in the elbow grease. plotting is fun, not a chore! make it a party!
PART TWO: NOW YOU HAVE TO BACK IT UP
you’ve got your plot now, congrats! and you’re so excited. but now you need that plot to be fleshed out a bit. there’s some history there so you’ve got to establish it. in comes the powerhouse--- my favorite part to this whole thing: HCING. it’s the most laid back, and in my opinion, creative part of the rping process. truthfully, i enjoy it more than threads because of the absolute insanity you can dig up. but i only love it if my partner can hand it back just as i can serve it.
maybe you’ve never quite thought that this part was that important, but i can assure you, if a person is giving you 3+ sentences about the dynamic of your characters, they’re trying to hc with you, and if you don’t enrich them, your dynamic is going to wither away.
i brought up an idea in the first part of this guide that’s extremely important to how you hc with your writing partner: VALIDATE & EXPAND. it’s the idea that no matter how much or how little your rp partner gives you in terms of an hc, you respond to it with a validation, which can range anywhere from ‘i LOVE that’ to as simple as a key smash and the pleading emotion, or even repeating a fraction of what they said to show you understand their vision. but then you have to back that up with expanding on that idea. hcs could be about a situation or about your writing partner’s character, so expand on how your character feels and reacts to things. it’s beyond discouraging when i write a whole idea out, explaining how my character feels in this emotionally intense setting, and my writing partner only gives me the validation portion, and now i have no idea how my opp’s character thinks, feels, or interacts.
see, a point i mentioned above is the fact that threads don’t work like they used to. and that’s fine! but hcing is an easy and fun way to make up for the fact that we take time with our threads now. if you’re rping to find rich, in-depth, satisfying dynamics, it’s going to take many many months to get your understanding of your opp’s muse, and the relationship they have, hcing fast tracks that process. i’m writing with you, i love your muse, give me the dirty details, i promise it’s not obnoxious. the more your give back, the more you will receive. so why wait around, sitting on our thumbs for me to fully get a grasp of your character’s voice, and your character’s thoughts, when we could do that on chat and have a grand time.
but now you’re thinking to yourself: okay, but how exactly do i validate and expand? and for that, we go to EXAMPLE-BOT 3000 !! not a real bot, unfortunately, but example bot has dug up a personal interaction i’ve had hcing. for context, this is a 1x1 writing partner i’ve had for years. we have an excellent dynamic and they are perfect. they have also given me permission to use our convos as example.
here is my message [ CONTEXT: this is a sandbox-star-wars-esque verse]
Okay but I had a thot in the shower,,, where the best thoughts are had. And what if,,, after this meeting and they part ways and such and it was just another weird occurrence in their lives, blastis gets a mission and it’s either to protecc salia or like guide salia across the galaxy to do something smth and save some lives or whatever. And ofc not because she couldn’t take care of herself but he has smth she doesn’t that gives an edge or just a close loved one of her’s didn’t want to see her get hurt. So you have these two traveling across the galaxy,,, sometimes arguing bc she can manage herself but he’s just fulfilling the mission. And them both kicking but. And all the steamy tension and cliches.
let’s break this message down before we get into the response. first, hcs don’t have to be formal. they are the most fun when they’re less together and don’t rely so much on “sounding good”. you’re just rolling off the top of your brain, chatting like you would with a friend, don’t worry too much on formalities because this isn’t the place for that.
i am also presenting my idea in a way that is confident, and with plenty of ideas to work on. i am involving my partner’s character but not godmodding. i am taking things i have learned from character introductions (like salia being independent and empowered, and wanting to do good/help others) and not disrespecting them, but having her take part in the plot. there are also small bits at the end of this idea that are little nuggets to build off of.
let’s look at my partner’s response.
AAAAH okay i love the idea!!! however shes a v. freelance kinda healer and doesnt really take official things. and she doesnt have loved ones that would know if there was danger - she can telepathically communicate with her own people but if she doesnt want them to know things they cant just. force their way in its a Closed Communication line not an open invitation into her thoughts asdfghjsh. But i could imagine that some guy or family hire her to find their children maybe who were lost on their adventure/mission with friends and the last message sounded like one was hurt,,, badly. and the other cant help for some reason. and they hire blastis to both protect her and later the people shes supposed to heal??
but anYWAY the Important part is ofc. the tension. and his big ass in her ship bc why would she?? take another if hers is right there. so hes gonna take that single bed and not complain. but ooof those two?? just kicking ass and being amazing. growing on each other more and more.
right off the bat is validation. and validation doesn’t have to be as direct as it is in this message. the validation is important here specifically, my partner showed they were interested and supportive of the idea i presented, but needed the plot to fit in their character’s story better. we see them making adjustments--- this is a collaborative experience so i alone shouldn’t be the one coming up with the plot, nor would i want my idea taken just as is. instead they mold it to fit what makes sense, getting more specific than my idea with a “mission purpose”. this is where the bouncing off of each other begins.
they then take the “bait” and start building on the tension our muses will experience (this is a ship afterall). while this is the beginning of our conversation, and there’s aren’t specific moments we’re working off of, this is setting the ground for future headcanons (see: the focus on sexual tension, living in a ship together, kicking butt), we are both mutually giving each other little tethers to take hold of. this is a very good start to begin working out the dynamic and situations these two characters are found in, with multiple different launch-off points.
CONCLUSION
there’s no right or wrong way to rp. even the tips listed here might not be applicable to your style, just having the idea in the back of your mind helps. the important thing is you and the person you’re writing with are having fun. you both are respecting each other’s time and ideas and creating a beautiful dynamic or world or relationship. this is a collaborative experience, and it’s important not to leave your partner feeling like they’re doing all the heavy lifting creatively.
hope this helped! as always, you can send me any questions you have in regards to this topic HERE. you can find a tag of answered questions in relation to this topic HERE.
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