#I should get around to fixing that

[royalarchivist]

Fit: ...Listen, Pac–

Pac: I should take the pills. No, it's been so long, I should–

Fit: No, you don't need to take those. I know you think that you're not strong, but you're incredibly strong. I mean, the fact that... Mike is gone, Richarlyson's gone, Walter Bob is gone, but you're still standing here–

Pac: Everyone is gone...

Fit: –You're still standing here. That makes you tough, that makes you strong, Pac, you have no idea.

Tubbo: You're as hard as nails, boy! You're as hard as nails.

Fit: Yeah! You're tougher than a $2 steak!

Pac: Are you sure...?

Fit: Yeah, 100%.

Tubbo: Yeah! I didn't even know steaks could be that cheap, but, yeah!

[anxiousapplepie]

After 4 painful Acts and at least a dozen traumatizing experiences that will haunt them forever, Traveler!Bonnie gives the friendship quests a try! And discovers new and terrifying interesting information about the Researcher.

[tallykale]

a bit of my postcanon vision

i heart people arguing

[welcometomybraincomics]

Came back wrong (or smth)

Weeeeee! My first ever DP Fanart! Technically, it's a sketch for another piece I was planning on doing, but I feel like it looks cool enough as is

[kit-screams-into-the-future]

assorted weredoc doodles for @bttfjanaury! seeing as i’m the one who submitted it i might as well do it also hahaha.

bonus weremarty (au of au lmao):

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[aure-entuluva-2407]

king of fools

original

[theunconcernedembalmer]

Purple sop purple sop purple so

[localgardenweed]

They are taking over

[sleepsucks]

[welovethecloudboytoomuch]

Hawks takes one look at the naruahta vigilantes (people who want to do good but are willing to go against the established rules to do so) and lets out a relived sigh. Finally... his peer group.

[coolnonsenseworld]

A little promo with my little obsession on the side...........

Reminder all items are shipped from Poland - for details on shipping times check out FAQ or send me a private message!

 mmezzy.bigcartel.com

[allseeingharlequin]

thinking about joelthur... thinking about john being stuck in a body that doesn't age and doesn't die unless killed

i need to stop thinking about this

[ganondoodle]

honestly cant stand how technically important demise is and yet how he doesnt actually matter or exist in peoples minds as a character, the only thing that matters is his stupid "curse" thing and its the only thing why he will ever be brought up, theres never really any thought around him that isnt related to the "cuuuurse", otherwise he basically doesnt exist in the fandom

to some extent its understandable given how little he actually is in the game but it still makes me sad and a little frustrated imo he shouldnt be treated like soemthing so unimportant given hes involved with the literal start of the timeline

and worst of all is how he and ganondorf make each other worse, like their link is completely deniable yet its like more often than not treated like gan is to demise what zelda is to hylia, but even that isnt used interestingly no, its only ever to write off gan as "well, hes just a demon, demons need no motives or character, they are jsut evil" WHICH IS SO BORING, and people will be HAPPY about that??? they go yippie gan is jsut an evil demon yaaay like the fuck???

it goes around to that other post i made about how not wanting a better written gan is wanting everything to be worse, bc a better written villain is a better written everything and there is only winning in that

demise specifically is just a sore spot for me since hes my blorbo, and the way even gan fans hate him for introducing the "cuuurse" thing just makes it hurt doubly, i get why, still its just so .. man i wish BOTH gan and demise were allowed to be characters, at least gan was a character at some point, demise has nothing ;__;

[starflungwaddledee]

I couldn't help but notice you color your line art sometimes. Do you have any tips on colored line art?

hiii there! thank you for asking!!

just a heads up that i'm notoriously bad at "teaching", and i'm assuming an amount of general knowledge of art programs + layer modes!

i actually don't often "colour" my lineart, at least not in the way a lot of other folks do! i'm used to working as streamlined as possible and developed quick-fire workarounds for most steps during my time in webcomics!

i also have multiple lineart styles! a more textured one with thin lines which i typically use for more polished pieces, and a soft-brush sketch style (inspired by my pal @moonverc3x's lovely lines) that i generally use for less detailed works, though i sometimes get carried away 😅💦

my textured lines don't lend themselves well to those nice and thoughtful coloured lines most folks do. but here's a quick breakdown of my techniques using the soft-brush style!

lines and flats 1) make lineart + flat colour it. my lines are never at 100% opacity, so already some of the colour shows through them anyway! 2) set the lines to multiply mode. because my lines are typically in a colour and not black, this usually works well enough for me, as you can see in the second image! i frequently just call it done here!

hand coloured lines a) if i do want to take the time to colour the lines individually- often things like metals, especially warm golds, require this added detail to really help them pop- i'd just lock the layer opacity and pick a colour that suited and apply where needed. this is fairly standard! b) a second version of the same technique, with higher contrast/more saturation to suit my tastes and a little extra finessing (especially around the eyes). this is very much a "to taste and time/energy" thing! sometimes at this stage i'll add high contrast slaps of colour such as bright purple or blue

my overlay-lines technique a) the second technique that i use is actually very fast and usually gives an okay-enough look. it's what i use for high-speed professional webcomic work (with my textured lines) to give the illusion of individually coloured lines for basically zero effort. so starting with the base lines set to multiply, as seen in (2), then, b) duplicate both the lines and the colours (with shading, if you have it). clip the colours to the duplicated lineart layer, ostensibly "colouring" the copied lines the exact same colour as the colours. set this duplicated layer to overlay, and adjust opacity as needed

you can kinda see that the overlay lines method is not as specific in colour as the hand-picked ones above, and it will suffer from overlap based on where your flats come to underneath the lines. but i find it helps especially when you have high contrast light colours in the work (ie starstruck's face mask) as the lighter colours brighten up the linework in those places significantly.

for highly polished works i would come back and still pick out areas to finesse individually. there's ultimately no quick substitute for spending more time on your work!

there's about a thousand and one other combinations of these effects you can do, such as using the duplicated lines on multiply instead, or further painting over the top, etc etc. but duplicating the colour layer and clipping it to the lineart is one of the techniques i developed that sped up my work process most significantly over the years!

[arcade-confetti]

I just think that if people are allowed to have Jason liking Jim Gordon or Bruce than I should be allowed to make Jason friends with 80s Harvey Bullock. Yes yes acab- we're literally in the copaganda comic fandom and your fav is Batman. I think I should have this win. for me