#ICA Baltimore

[whatsonmedia]

5 Music of Monday: Geordie Greep Unleashes "Blues" New Single

Geordie Greep of black midi drops his electrifying new single "Blues," blending rock and dance vibes with classic blues. Check out the vibrant live video from TV Eye in New York and don’t miss his upcoming tour dates to experience the magic live! Geordie Greep (of black midi) shares new single 'Blues’ from forthcoming album 'The New Sound' (out now) + share new live video filmed at TV Eye in New York a couple of weeks ago If you've ever wanted to know what a Blues song with singing and rich bass that are equally as fast sounds like and just so happen to be a Blues fan then you're probably going to like this track. Ironically also called Blues. I openly confess that even though I'm not much of a fan of Blues this rock/dance-esque sounding track gets my vote. Live Video of ‘Blues’ filmed at TV Eye https://youtu.be/gNGlbB4Gbyo New Single ‘Blues’ FORTHCOMING TOUR DATES - Fri-Oct-4 – London, ICA – SOLD OUT - Sat-Oct-5 - London, ICA – SOLD OUT - Sun-Oct-6- London, RT East, Instore – SOLD OUT - Thur-Oct-10 - Cardiff , Llais Festival @ WMC (w/ Squid) - Sat-Oct-19 – Budapest, Isolation Festival - Tue-Oct-22 - Bristol, Fleece - Wed-Oct-23 – Falmouth, The Cornish Bank - Fri-Oct-25 – Cambridge, Storey's Field Centre - Sat-Oct-26 – Liverpool, Arts Club - Sun-Oct-27 – Glasgow, Classic Grand - Mon-Oct-28 – Newcastle, The Cluny - Tue-Oct-29 – Leeds, Brudenell Social Club – SOLD OUT - Wed-Oct-30 – Nottingham, Rescue Rooms - Fri-Nov-01 – Brussels, Les Nuits Botanique Weekender @ Orangerie - Sat-Nov-09 - London, Pitchfork Festival @ EartH - Tue-Dec-03 – Paris, Point Ephemere - Thu-Dec-05 – Berlin, Lido - Fri-Dec-06 – Amsterdam, Bitterzoet – SOLD OUT - Sat-Dec-07 – Nijmegen, Doornroosje - Mon-Dec-09 – Milan, Magnolia - Tue-Dec-10 - Düdingen, Bad Bonn - Thu-Jan-16 - Philadelphia, PA Johnny Brenda's - Fri-Jan-17 - Philadelphia, PA Johnny Brenda's – SOLD OUT - Sat-Jan-18 - Baltimore, MD Ottobar - Sun-Jan-19 - Raleigh, NC Kings - Tue-Jan-21 - Asheville, NC Eulogy - Wed-Jan-22 - Atlanta, GA The Earl - Fri-Jan-24 - Nashville, TN The Blue Room @ Third Man Records - Sat-Jan-25 - St Louis, MO Off Broadway - Mon-Jan-27 - Minneapolis, MN 7th St. Entry - Tue-Jan-28 - Madison, WI High Noon Saloon - Thu-Jan-30 – Chicago, IL The Empty Bottle - Fri-Jan-31 - Chicago, IL The Empty Bottle – SOLD OUT - Sat-Feb-01 - Kalamazoo, MI Bell's Eccentric Cafe - Mon-Feb-03 - Toronto, ON Axis Club Theatre – VENUE UPGRADE - Wed-Feb-05 - Montreal, QC Bar Le Ritz - Thu-Feb-06 - Brattleboro, VT The Stone Church - Fri-Feb-07 - Boston, MA Brighton Music Hall - Sat-Feb-8 – Brooklyn, NY Warsaw - Mon-Apr-28 Phoenix, AZ Crescent Ballroom - Tue-Apr-29 Santa Ana, CA The Constellation Room - Thu-May-01 Los Angeles, CA Regent Theatre  - Fri-May-02 San Diego, CA Soda Bar - Sat-May-03 Pioneertown, CA Pappy and Harriet's  - Mon-May-05 Santa Cruz,C A The Catalyst Atrium - Tue-May-06 San Francisco, CA Great American Music Hall  - Wed-May-07 Sacramento, CA Harlow's - Fri-May-09 Portland, OR Aladdin Theatre  - Sat-May-10 Seattle, WA The Crocodile - Sun-May-11 Vancouver, BC The Pearl - Website - Instagram - X London show 12th Oct: Zkeletonz bring their hyperfunk party to Oslo, Hackney! Zkeletonz bring their own style of music to a one-off gig in Oslo, Hackney in London. If you've never heard of these guys before check out the video for the single, Lonely. I've heard some of their music before and already know what they're about. If you're already a fan, you're going to have a good time. Watch - Lonely  https://youtu.be/WYYpqsfnbHw?si=GPa4XF4yfNWraWgw Join the party and catch Zkeletonz at the following dates in 2024. Tickets and more info here:  https://youtu.be/ZyR4ut8Vjdo?si=eL99sMl7a-_pkCkL - Sat-Feb-8 – Brooklyn, NY Warsaw - Mon-Apr-28 Phoenix, AZ Crescent Ballroom - Tue-Apr-29 Santa Ana, CA The Constellation Room - Thu-May-01 Los Angeles, CA Regent Theatre  - Fri-May-02 San Diego, CA Soda Bar - Sat-May-03 Pioneertown, CA Pappy and Harriet's  - Mon-May-05 Santa Cruz,C A The Catalyst Atrium - Tue-May-06 San Francisco, CA Great American Music Hall  - Wed-May-07 Sacramento, CA Harlow's - Fri-May-09 Portland, OR Aladdin Theatre  - Sat-May-10 Seattle, WA The Crocodile - Sun-May-11 Vancouver, BC The Pearl - WEBSITE - Instagram - X Kate Bush - 50 Words for Snow Originally released back in 2011 legendary music maestro Kate Bush called upon another British legend, Stephen Fry, to put together this somewhat rather interesting track. The majority of the lyrics are 50 actual words for as Stephen goes through the list with Kate providing vocal backing  Watch https://youtu.be/_8Aytn3Fcu0?si=x_5ZvJUzg_pewDh5 All Seeing Eye ft Tony Christie - Walk Like a Panther  Originally released back in 1999 for their Pickeld Eggs & Sherbert album, All Seeing Eye teamed up with singing legend Tony Christie for this, what I can only describe as a dance/rock-esque track that still holds on today. Co-written by Jarvis Cocker (of Pulp), Walk Like a Panther is a song on how things have changed but not for the better and things losing their value  Watch https://youtu.be/ZyR4ut8Vjdo?si=eL99sMl7a-_pkCkL Cal White - Tell Me What You Want  I came across this incredible artist recently, and by that I mean very, as in the same day I wrote this. He's been active on the local scenes since 2017 and has been gaining a following ever since. Tell Me What You Want is a great song about trying to know what that someone in your life wants and holding on to it. If this song alone is anything to go by I'm keeping my eyes and ears on this guy. Great potential ahead  Watch https://youtu.be/SvpCcX5FoK0?si=F5Bs4B244aQlqkn8 For more music updates visit WhatsOn Geordie Greep (of black midi) shares new single 'Blues’ from forthcoming album 'The New Sound' London show 12th Oct: Zkeletonz bring their hyperfunk party to Oslo, Hackney! Kate Bush - 50 Words for Snow All Seeing Eye ft Tony Christie - Walk Like a Panther  Cal White - Tell Me What You Want  Read the full article

[isabelleguimond]

Borderline, installation des Filles Debouttes! dans l'exposition La track présenté au ICA de Baltimore. Avec Christine Major et Gabrielle Lajoie-bergeron. • • • #isabelleguimond #christinemajor #gabriellelajoiebergeron #borderline #baltimore #ica #latrack #galerieb312 #artinbaltimore #contemporaryart #contemporarypaintings #watercolor #installation #isaguimond (à ICA Baltimore) https://www.instagram.com/p/B4_gUWOnyTc/?igshid=1krgjbxjbonef

[treuallahtreuvulieou]

Dad I need A Business Partner York County Pennsylvania Middleswarth Potatoes or Potato chips..

Senior

Junior

Middle's Warren Association Romero Terry Hawkingson Hawkins

IRS & ICA .... Baltimore Hopkins place Hawkins Place Hawkins Square to Hawkins Point

Hawaii or Haa Wii secured listen for like Hawaii 5 0 GO O. Graduated operational operatives .

Facebook literature title name corresponding author Terry i

Booper or emperor reigning

[burpenterprisejournal]

JD ZAZIE AT IMAGINARY NETWORK TOPOLOGIES

2021/03/26 Imaginary Network Topologies #24 BONNIE JONES JD ZAZIE ALLEN MOORE BANETORIKO ABDUL HAMID SHERZAI twitch.tv/2xmono

Imaginary Network Topologies is a streaming concert series featuring synthetic noise and non-standard creative music curated by Jeff Carey and presented on twitch.tv/2xmono.

On March 26th JD Zazie will join this virtual concert tour sharing the night with Bonnie Jones, Allen Moore, Banetoriko and Abdul H Sherzai. She will present Plattentektonix, her live set based on corrupted audio data. The realization of the video, recorded at Multiversal Studio, has been possible thanks to the wonderful collaboration with BUSS: Big & Ugly Sound System, Allegra Solitude/Liebig12 and Burp Enterprise.

The concerts will be streamed at the following time: EUROPE 8:30 pre-show / 9pm show Greenwich Mean Time THE AMERICAS 8:30 pre-show / 9pm show Eastern Daylight Time JAPAN 9:30/10AM (MARCH 20) Japan Standard Time

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

BONNIE JONES Korean-American improvising musician, poet, and performer working with electronic sound and text. She performs solo and in numerous collaborative music, film, and visual art projects. Bonnie was a founding member of the Transmodern Festival and CHELA Gallery and is currently a member of the High Zero Festival collective. In 2010, she co-founded TECHNE, an organization that introduces young female-identified women to technology-focused art making, improvisation, and community collaboration. TECHNE’s programs are delivered through partnerships with grassroots organizations that share an aligned commitment to racial and gender equity. She has received commissions from the London ICA and Walters Art Museum and has presented her work extensively at institutions in the US, Mexico, Europe and Asia. Bonnie was a 2018 recipient of the Foundation for Contemporary Arts Grants to Artists Award. Born in South Korea she was raised on a dairy farm in New Jersey, and currently resides in Baltimore, Maryland and Providence RI on the lands of the Susquehannock, Piscataway, Algonquian, and Narrangansett. 

JD ZAZIE Experimental DJ, avant-turntablist, sound artist and curator based in Berlin. Coming from a DJ and a radiophonic background JD Zazie has explored different approaches to real-time manipulation of fixed recorded sound. In her work she redefines DJ and electroacoustic activities. As a solo performer, in small groups, and in large ensembles, she works in an area which is constantly stretching the borders of what could be defined as DJ mixing, free improvisation and composed music. 
She is a member of the Reanimation Orchestra, plays regularly solo and duos with Heidrun Schramm and with Henrik Munkeby Nørstebø. She is the art director of the “misrule - women in experimental music festival”, a member of the Burp Enterprise collective and now, after a long collaboration with Staalplaat radio, she broadcasts monthly on Colaboradio and on Reboot.fm.

ALLEN MOORE Black American interdisciplinary artist, educator and curator born and raised in the small South Side Village of Robbins, IL. Allen holds a Bachelors of Arts from Chicago State University, a Masters in Arts from Governors State University and a Masters of Fine Arts from Northern Illinois University. His work converses with the signifiers of African American and popular culture, bringing to view the underlying themes of racial, emotional and socio-economic conditions. His work examines both visual and experimental music, emphasizing the importance of nurturing the Black Imagination with social activism and representation. His educational and curatorial practices focus on building spaces for advocacy, creative representation and healing, working/volunteering with organizations such as Comfort Station in Logan Square and A.C.R.E. in Pilsen. Allen implements the Maker Mindset while working as a STEAM Mentor and Instructor for Youth Opportunity United in Evanston IL, Teaching Artist at Marwen in Chicago IL.

BANETORIKO is Tamaki Ueda's solo noise project, seeking dreamy, anxious noise-scape using loops and a self-made metal instrument, Banetek. Her solo work is metal noise inspired by yokai. Yokai is Japanese term for supernatural creatures, including monsters, demons, ghosts, and spirits. She released her works from Japan, U.S., Czech, and Greece.

ABDUL H SHERZAI creates sound and art in Worcester, Massachusetts. He’s made noise under various monikers and in various groups since 2006. Some collaborative projects in that time include NxCx, Floating Shapes, Gnärds, Swamp, Ovary-Z, Native Crust and Linda. He has had releases on labels such as Moss Archive, Ayurvedic Tapes, YDLMIER, CDDL, Baked Tapes and HEC Tapes.

Suggested donation +/- $10 https://paypal.me/pools/c/8xWA9jA7og

fb events: Europe: https://www.facebook.com/events/923402688394531 Americas/Japan: https://www.facebook.com/events/2918389011712922

[lu-zhang]

GPL TYPEFACE

2016 / Blind Letterpress Print  / 20 X 15 inches / Edition of 30

Produced in collaboration with ICA Baltimore and Baltimore Print Studios, GPL Typeface depicts 31 impressions made in polymer clay of architectural details found in the George Peabody Library. Each impression corresponds to a letter of the alphabet. Additionally, the typeface was made into a usable font which can be downloaded here. 

[tigerstrikesasteroidnetwork]

CHI / Make sure I’m there when you open your eyes

Make sure I’m there when you open your eyes: Karen Dana Cohen, Jaclyn Jacunski, Cydney Lewis March 4–April 15, 2023

Opening Reception: Saturday, March 4, 1–4pm

Tiger Strikes Asteroid Chicago is proud to present Make sure I’m there when you open your eyes, featuring work by the three newest members of TSA CHI: Karen Dana Cohen, Jaclyn Jacunski, and Cydney Lewis. The exhibition is organized by fellow TSA CHI member, Teresa Silva, and will be on view from March 4–April 15, 2023. An opening reception will be held on Saturday, March 4, 1–4pm.

Make sure I’m there when you open your eyes is a group exhibition conceived in tandem between the artists and curator. As members of a cooperative, they share an incisive and affirming relationship that embraces affinities and differences in the thinking and creating processes. 

This exhibition presents new works in sculpture, drawing, and assemblage by Dana, Jacunski, and Lewis respectively. The pieces build upon and ripple out from previous works in the artists’ ongoing practices, which are rooted in concerns with material and affect. Make sure I’m there when you open your eyes is an offering to the viewer, an exhibition that is a container for energy, actively holding synergies to effect a greater aesthetic charge.

Above image:  Jaclyn Jacunski, Another Place Another Way, 2023, Later-cut acrylic, canvas, silicon, wax thread

About the artists

Karen Dana Cohen b. 1982 in Mexico City is an artist, educator and independent curator based in Chicago, IL. She received a BFA from The National Institute of Fine Arts in Mexico City (2005) and earned her MFA degree at Hunter College, New York (2011). Her practice acts as process-based research where she shows her complex identity as a Syrian Jew growing up in Mexico and more recently, as an immigrant mother. She has participated in national and international exhibitions, showing her own work as well as been a curator and organizer. Her must recent curatorial project Circularities showed the work of two contemporary female artist mothers that build paintings in a process that requires destruction and reconstruction. She is an active member of Tiger Strikes Asteroid Chicago and

teaches Studio Courses at Lillstreet Art Center. For the last five years she has been a leading mentor in a critique group of artists who are also caregivers.

I paint as a performative practice; to explore how we inhabit our bodies in a foreign context while making bridges to meet the viewer halfway. I aim to reclaim the meaning of home and place, and the consistent looming threats of erasure, removal and cultural legacies imposed on immigrants like me. The gestures on the pieces explore displacement, belonging, translation, and power dynamics. I treat painting as an expression beyond language, confronting a rhetoric of exclusion. Work that embodies and gives voice to the lived immigrant experience as

testimony of longing, migration, and shaping new identity. As Gloria Anzaldúa said: “To survive the Borderlands, you must live sin fronteras, be a crossroads.”

Jaclyn Jacunski is an interdisciplinary artist who exhibits both locally and nationally. She earned her MFA from SAIC and BFA from the University of Wisconsin–Madison, and she has taught at SAIC and Harrington College of Design. Jacunski’s practice stems from involvement in social and political causes, and she seeks to find understanding in political controversies that surround the land and community acts of resistance. Jacunski was a BOLT artist-in-residence at the Chicago Artists Coalition, and she has exhibited at ICAs in both Portland and Baltimore. Her work has been featured in the Chicago Tribune and Hyperallergic.

Cydney Lewis is a Chicago-based multimedia artist with a distinguished multidisciplinary background. She began in architecture at the University of Illinois Urbana Champaign, where she received a BS in Architectural Studies; she also attended the L’École D’architecture de Versailles, France. The fluidity of her ability to transform materials reflects her mastery of ballet as well as her endeavors in film. Her art is held in private collections around the world and has been exhibited widely, at venues including the Union League Chicago, Hyde Park Art Center and The Ukrainian Institute of Modern Art. She has received various honors, among them residencies with Chicago Public Schools and Lyseloth Musikerwohnhaus Basel, Switzerland, as well as awards including  3Arts Make A Wave, Best in Show at Governor State University and the Black Creativity/Green Art Award from the Museum of Science and Industry. Currently, she is a member of Tiger Strikes Asteroid of Chicago.

Walking through my community inspires me to imagine multidimensional landscapes created from everyday objects.  These unconventional artifacts reflect the world we live in, consume, and fill with things.  Printed material and imagery document our existence.  Discarded objects reveal what (and who) our society values, and what gets thrown away. Through drawing, sculpture, and installation assembled around these materials, I discover their stories, their beauty, and endless adaptation.  They create worlds that seem familiar and surreal.

About the curator

Teresa Silva is a writer, curator, and member of Tiger Strikes Asteroid, a non-profit network of artist-run spaces, since 2016.

Her writings have appeared in Obsidian and Left Coast Press Inc. Recent exhibitions have been presented at Mana Contemporary, Chicago Cultural Center, and 6018North, and were featured in Art Papers, Chicago Tribune, Chicago Reader, Newcity Chicago and WBEZ 91.5.

In 2017, Silva was a Diversity + Leadership Fellow with the Artist Communities Alliance; in 2018, an artist-in-residence at The Rauschenberg Residency on Captiva; and, in 2020, a visual arts panelist for the National Endowment for the Arts. In 2022, she was listed at #5 in Newcity's Art 50: Chicago's Visual Vanguard for her contributions to making the city’s arts ecosystem more sustainable and equitable. Currently, Silva sits on the board of directors for Heaven Gallery. 

Prior to 2023, Silva was the executive and artistic director at the Chicago Artists Coalition, where she created supportive spaces for artists to advance their creativity and career by connecting them with leading art professionals and audiences through presentation and dialogue.

photos by Tom Van Eynde

[piuswong]

(The K12 Engineering Education Podcast)

The education system can change top-down, or bottom-up.  Author Suzanne DeMallie wrote “Can You Hear Me Now?” – a book about how parents and teachers might change our schools from the bottom-up.  She draws on her own experiences in Baltimore County Public Schools as an elementary math teacher from 2011 to 2019, a parent of children in BCPS, and an advocate for sound enhancement technology in classrooms across the country.  She also talks about how COVID has affected her opinions on testing, 1-to-1 device policies for elementary schools, and more.

Related to this episode:  

• Suzanne DeMallie: https://suzannedemallie.com/

• Can You Hear Me Now?: https://suzannedemallie.com/book

• Improving Classroom Acoustics (ICA): A Three-Year FM Sound Field Classroom Amplification Study: https://eric.ed.gov/?id=ED463640

• Common Core: http://www.corestandards.org/

• PARCC: https://osse.dc.gov/parcc

• UT-Austin won't require SAT or ACT scores for 2022 applications due to COVID-19: https://www.texastribune.org/2021/02/25/ut-austin-texas-sat-act-application/

• STAAR: https://tea.texas.gov/student-assessment/testing/staar/staar-released-test-questions

Subscribe and find more podcast information at: http://www.k12engineering.net.  Support Pios Labs with regular donations on Patreon: https://www.patreon.com/pioslabs. You’ll also be supporting projects like the Engineer’s Guide to Improv and Art Games, The Calculator Gator, or Chordinates!  Thanks to our donors and listeners for making the show possible.  The K12 Engineering Education Podcast is a production of Pios Labs: http://www.pioslabs.com.

[christineharrington1994]

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[qrckys]

Thank you @icabaltimore #repost • • • • • • ICA Baltimore Check out @qrcky dropping off his pieces for the inaugural BADAS art documentation session. Painting titled "mind-forged manacles", a 30"x40" oil painting on canvas. Check back here as we post more work from our BADAS artists. #BADAS #icabaltimore #baltimoreartists #blackartist #instaartist https://instagr.am/p/CHZCVHMMM33/

[artsandsciencesprojects]

Note posted April 10, 2020: the Arts & Sciences Projects website will be transitioning entirely to Tumblr as of May 1, 2020 due to our web host shutting down. We are posting images and texts from previous exhibition, events, and publications. 

Cookbook Dreams and Inflatable Futures

Antoine Lefebvre, Robin Cameron, Cybele Lyle, Luca Antonucci, John Bohl, NOWORK, and Lauren van Haaften-Schick

On view: March 8, 2014 through April 19, 2014

Opening Reception: Saturday, March 8, 2014, 7-10pm

Selected works seen here. Installation images here.

Guest Spot at THE REINSTITUTE (Baltimore) is pleased to present Cookbook Dreams and Inflatable Futures, a group exhibition organized by Arts & Sciences Projects. Opening Saturday March 8, 2014, the works will be on view through April 19, 2014. The show will feature artists’ books and works in other media by Antoine Lefebvre, Robin Cameron, Cybele Lyle, Luca Antonucci, John Bohl, NOWORK, and Lauren van Haaften-Schick.

Inspired by Ant Farm's 1971 Inflatocookbook, which envisioned a utopia of DIY inflatables within its humble photocopied pages, Cookbook Dreams and Inflatable Futures brings together artists who concoct varied approaches to circulating and advancing concepts and ideas central to their practice through innovative means of book making and distribution. For these artists, books are conceived as alternative spaces in which to exhibit works to a broader audience; they embrace a process-oriented approach to book making, where dialogues are revealed between books and works in other media, including photography, prints, video, and painting. The assembled artists in Cookbook Dreams and Inflatable Futures not only utilize the book as a vehicle for their ideas, they also position the book as an art object, thus challenging notions of assigned value in contemporary art. In making a diverse range of books, these artists assert agency by choice of content, form, materials, and production values. What unites the artists in the show is the realization of the boundless possibilities of books as they enter circulation, free to establish a life of their own.

Antoine Lefebvre initiated La Bibliothèque Fantastique (LBF) in 2009 as an artist’s book virtual publisher. Free and downloadable from the internet, LBF books are made of excerpts of other works, with pages, sentences and words realized in new editions, thus developing a discourse on the ontology of the book. Robin Cameron's The Book That Makes Itself exposes its own production through its content and form. By personifying the book itself, Cameron articulates her artistic practice as the subject (The Artist), agent and author. The collaborative practice of Cybele Lyle and Luca Antonucci reveals itself in their Space, Time + Architecture project, which includes the titular Sigfried Giedion tome in a highly redacted state, collaged photographs that imagine new conceptions of space, and a revised, letterpressed Space, Time + Architecture that unites their ideas into a new form. John Bohl uses painting and sculpture to examine utopia, kitsch, and romanticism. Typically produced in collabration with other artists, his books may be seen as sculptural objects dialectically engaged with his paintings and works in other media. NOWORK is a platform for collaboratively produced, anonymous projects that relate to New York City, with a focus on photographic material in public spaces. Not citing individual authorship for their work has allowed them to treat their source material, whether taken or found, as part of an act of re-circulation. The problem of artistic agency features prominently in Lauren van Haaften-Shick’s curatorial practice, which considers a selection of art exhibitions manifested in alternative forms, such as publications. van Haaften-Schick’s work highlights the book form (and printed matter) as a crucial means of disseminating artworks and ideas, potentially in ways that are more historically accessible and lasting than a traditional exhibition would have been.

BIOS

Luca Nino Antonucci lives and works in San Francisco, California. He received his MFA from the San Francisco Art Institute in 2010 and is a resident artist at Basement. He is editor and co-founder of Colpa Press, an independent publishing company specializing in art books. He has exhibited his work widely in San Francisco, New York and Berlin. With Carissa Potter, he founded and previously operated Edicola, a re-purposed newsstand kiosk on San Francisco’s Market Street, selling artists’ books, fine art prints, independently published periodicals, and records.  itwillbeok.com

John Bohl was born in 1983 in New York. Bohl graduated with a BFA in painting from the Maryland Institute College of Art and currently lives and works in Baltimore. Recent exhibitions include ICA Baltimore (solo), Nudashank, Baltimore Liste at the Contemporary Museum (solo), Guest Spot, and Current Gallery. In 2012 he was a Sondheim Award Semi-finalist and a resident artist at the Vermont Studio Center.   john-bohl.com

Robin Cameron, (b.1981, Canada lives and works in New York) studied at Emily Carr University in Vancouver and received an MFA at Columbia University, New York, NY in 2012. She has had solo exhibitions at Art Metropole and Room East, with a recent show at Lefebvre & Fils. Her work has been promised as a gift to the Whitney Museum of American Art. A comprehensive selection of her books are held in the Library of the Museum of Modern Art. Library presentations of her books have been included at the ICA in Philadelphia, Art In General, the New Museum's Resource Center and the Museum of Contemporary Art Chicago. She has been a jury member for Printed Matter's grant Books For Artists and she has attended a residency at the Banff Centre, Banff, Alberta. She is currently represented in New York by Room East. robincameron.org

Antoine Lefebvre, founder of La Bibliothèque Fantastique, is an artist-publisher based in Paris. He recently completed a one-year residency at New York University in a joint exchange with the Sorbonne, where he is a PhD candidate in Fine Arts. Lefebvre’s work has been exhibited at Printed Matter; the NY Art Book Fair at MoMA/PS1; Miss Read, ABC Berlin; Peanut Underground, New York; and Palais de Tokyo, Paris, among others. www.antoinelefebvre.net

Cybele Lyle holds an MFA from Hunter College in New York City, where she received the Tony Smith Award upon graduating. She received a BFA in printmaking in 2001 from California College of the Arts. Cybele has been an artist in residence at the Bemis Center, Atlantic Center for the Arts and Ox-Bow. She was selected as a finalist for the 2012 SECA award and is a current Kala Fellow in Berkeley. Cybele has a studio at Real Time & Space in Oakland and lives in San Francisco. She is currently represented by Et al. Gallery in San Francisco. cybelelyle.com

NOWORK started in 2011 in New York City. Certain NOWORK publications are conceived serially, while others function independently, sometimes in conjunction with an installation. Their published works and installations have been exhibited at Ed. Varie, 8-Ball Zine Fair, New York Art Book Fair, LA Art Book Fair, and Open Space Baltimore, among other venues. nowork.us

Lauren van Haaften-Schick is a curator, artist and writer from New York. Her current research and artistic interests concern the legal and economic factors that influence the conceptual and material manifestations of art. Recent and upcoming exhibitions include Canceled: Alternative Manifestations and Productive Failures at the Center for Books Arts (NY), Albright College (PA), and Smith College (MA), and Non-Participation published by Half Letter Press (IL/Denmark), and presented at the Luminary Center for the Arts (MO). She was the founding director of Gallery TK in Northampton, MA from 2004-2006, and AHN|VHS gallery and bookstore in Philadelphia from 2009-2010.  www.laurenvhs.com

Guest Spot is located at 1715 N. Calvert Street, Baltimore, MD 21202

Hours: Saturday 1pm-4pm Wednesdays 5pm-7pm or by appointment unless otherwise noted.

[16thstreet]

The Hebrew Immigrant Aid Society: Its Organizational History and Internal Historiography

By Elizabeth Hyman, former Assistant Processing Archivist, HIAS Archives Project; current Photo & Reference Archivist, American Jewish Historical Society

Over the course of three years, in a project funded by HIAS in partnership with the American Jewish Historical Society, archivists at AJHS will organize, describe and make available to the public more than a thousand boxes of historical administrative files (primarily 1955-1990s). These files document the work of HIAS staff and lay leadership as they fulfilled the HIAS mission to rescue and resettle refugees and migrants. In addition, this project includes the creation of a database of clients who registered with HIAS between 1955 and 2000; it is  accessible via a search screen, through which former HIAS clients, genealogists and family members are able to determine whether HIAS holds restricted case files on specific people. Learn more at the HIAS Project Page: http://www.ajhs.org/hias-home.

HIAS Letterhead from the 1952 Annual Report

The Hebrew Immigrant Aid Society, or HIAS, is an amalgamation of the many Jewish immigrant aid societies which operated between about 1880 through 1950—from the mass emigration of Eastern European Jews to the United States, to the crises in Europe, the Middle East, and North Africa before, during, and after World War II.

HIAS, in its official reports and publications dating from 1911 onward, claims to have been founded in years ranging from 1870 to 1884. An Annual Report from 1911 set the founding date at 1888, while an annual report from 1914 gives 1908-1909. Documents from 1948, 1954, 1959, and 1964 all claim 1884 as the founding date. Yet, 1884 does not correspond to any identifiable late nineteenth century Jewish aid organization. HIAS presently—according to their website—uses 1881 as their founding date. 

The HIAS Archives team—tasked with processing the last 60 years of HIAS’ institutional archives—looked back through our records, along with the earlier HIAS records in the custody of the YIVO Institute, and secondary sources, to determine the veracity of these dates. Through our research, we determined that 1882 is the most accurate date of the organization’s founding; our conclusion is corroborated in historian Mark Wischnitzer’s Visas to Freedom: the History of HIAS.

To arrive at this conclusion, we had to look very closely at the immigrant aid societies formed by (primarily German) Jews to receive the ever-increasing numbers of their Eastern European coreligionists. And the picture which emerged from our research is not of a singular organization working to aid new arrivals, but an ad-hoc collection of groups, quickly forming and merging and re-merging in response to the unique challenges encountered by the new arrivals. The earliest of these organizations was the first Hebrew Emigrant Aid Society, established in 1870. The Russian Emigrant Relief Committee was established in 1881, and the second Hebrew Emigrant Aid Society formed out of said organization later that year. The Hebrew Emigrant Auxiliary Society—which Wischnitzer refers to as “the nearest approach to a parent organization of HIAS”—was founded in 1882.[1]

HIAS continued on, absorbing related immigrant aid organizations in Baltimore, Boston, and Philadelphia. In 1927 it joined forces with the Jewish Colonization Association (the JCA and/or ICA), and the Jewish Emigration Committee of Europe, known as Emigdirect, to form HICEM. HICEM acted as HIAS’ international arm, and was instrumental in their work conducted during the Second World War.

After the war, HICEM dissolved, and individual overseas HIAS offices took over the complex task of resettling the Jewish survivors and Displaced Persons of Europe, and later, of the Middle East and North Africa. In 1954, HIAS merged with the United Service for New Americans (USNA), and the Migration Department of the American Jewish Joint Distribution Committee to form the United HIAS Service.

Today, it is simply “HIAS.”

[1] Other organizations founded in this period Hachnosis Orchim in 1889—which changed its name to the Hebrew Sheltering House Association in 1907; and the Voliner-Zhitomer Aid Society in 1902, which quickly changed its name to the Hebrew Immigrant Aid Society. In 1909, the Hebrew Immigrant Aid Society merged with the Hebrew Sheltering House Association, calling itself the Hebrew Sheltering and Immigrant Aid Society.  

[isabelleguimond]

Borderline, installation des Filles Debouttes! dans l'exposition La track présenté au ICA de Baltimore. Avec Christine Major et Gabrielle Lajoie-bergeron. • • • #isabelleguimond #christinemajor #gabriellelajoiebergeron #borderline #baltimore #ica #latrack #galerieb312 #artinbaltimore #contemporaryart #contemporarypaintings #watercolor #installation #isaguimond (à ICA Baltimore) https://www.instagram.com/p/B4_gUWOnyTc/?igshid=1j2vm96942p6a

[thefranklinoutdoor]

THE FRANKLIN is proud to present: 

Alberto Aguilar

Jacklyn Jacunski 

Kahlil Robert Irving 

On view at the Front Yard, 24 / 7

October 1st - November 17th Opening weekend: October 4th - 7th, 2019

City Break Up

by alberto aguilar

Measure front windows of home in front of the Franklin.

Make drawing of broken window in shape of cities of Chicago and Havana.

Send to sign painter to make to scale of actual windows.

Affix broken window signs to actual windows.

Broken window signs will also be affixed at Terrain Biennial site in Havana, Cuba.

alberto aguilar is a chicago based artist who uses whatever materials are at hand as a way to connect with the viewer. he recently had a survey exhibition at gallery 400 in chicago titled ‘moves on human scale. he has exhibited at the museum of contemporary art detroit; palo alto art center; national museum of mexican art, chicago; museum of contemporary art chicago; minneapolis institute of art; crystal bridges museum of american art, bentonville, ar; and the art institute of chicago. his work is in the collections of the national museum of mexican art; crystal bridges museum of american art; soho house chicago; and the office of the mayor of chicago, lori lightfoot. aguilar is the recipient of the 3arts award. he purposely got rid of all caps on this bio in order to create a minor disruption.

We Are Not Really Strangers

by Jaclyn Jacunski

This work plays with a rainbow spectrum of colored plastics and melted mirrors layered onto a chain link fence to transform an examine the sheer density of chain fencing on the west side an area bifurcated by development, and disinvestment. It as an architectural material creates a psychic mass that is distinct from other parts of city acting as and overlay that can sometimes be very tense as citizens, contend and participate with every day.

The vibrate, reflective color and material aims to entertain the neighborhood residents who pass by in hopes to give a sort of release with the unexpected environmental change with the moment of visual play that abstracts and reflects the materiality of the street. At the same time, the work probes the social and economic systems that shape communities, and issues of class, race, and gender that lie beneath its pattern repeat mapping out local migrations and economies of our urban life. The work investigates the conditions of new urban landscapes, including the effects of gentrification, renewal, and violence in the city.

Jaclyn Jacunski (jaclynjacunski.com) is a Chicago-based artist. Her works take on various formats from printmaking, installation, and sculpture using themes of community and its boundaries. Known for using materials scavenged from building sites, often in gentrifying neighborhoods, Jacunski reveals how neighborhood landscapes become expressions of a lived experience resisting powerful cultural systems such as gentrification, environmental threats, and state violence. She is the Director of Civic Engagement for the School of the Art Institute of Chicago where she creates platforms for the arts and social practice in the North Lawndale. Jaclyn works closely with local residents on the Westside to develop art programming from and with the community. In her work, she promotes community engagement in the arts with the aim to build equity and social justice in Chicago. She is interdisciplinary artist who exhibits locally and nationally, she earned her M.F.A. from SAIC and a B.F.A. from the University of Wisconsin- Madison. She has taught at SAIC and Harrington College of Design. She has been an artist in resident at Chicago Artist’s Coalition’s Bolt, exhibited at the ICA in Portland and Baltimore and recently highlighted in the Chicago Tribune and Hyperallergic.

Are You Ready

by Kahlil Robert Irving

Previously exhibited at Wesleyan University Center for the Arts, “Are You Ready” is a flag sculpture that connotes the relationship of a surrender flag and a racing flag. There is always a struggle and reality to face. So to use the flag with its complex usage past and present is a symbol I find relevant. “Are You Ready” is a response to the call that Tracy Chapman narrates within her song “I’m Ready”.  She is singing for passage, for love, for health, for life. So I am responding to her call. This flag flying is a message for Black life and the perseverance of Black people through the constant pressures faced while living today.

Kahlil Robert Irving (b. 1992, San Diego, Ca) is a multimedia artist, currently living and working part time between Saint Louis, Missouri and Brooklyn, New York. Irving completed his BFA in art history and ceramics at the Kansas City Art Institute. In May of 2017, Irving earned his Master of Fine Arts at Washington University in St. Louis. At Washington University in St. Louis Irving was a Chancellor’s Graduate Fellow. Irving was awarded the 2017 Alice C. Cole Fellowship from the studio art department at Wellesley College in Wellesley, Massachusetts. Recently, Irving completed the Turner Teaching Fellow at the New York State College of Ceramics at Alfred University.  His work is in the collections of the Riga Porcelain Museum, in Riga, Latvia; Foundation for Contemporary Ceramic Art in Kecskemet, Hungary; The RISD Museum in Providence, Rhode Island; The Carnegie Museum of Art, Pittsburgh, Pennsylvania; The Nerman Museum of Contemporary Art at Johnson Community College in Overland Park, Kansas; The Whitney Museum of American Art, New York, New York. Most recently, his practice has involved making objects that are to challenge constructs around identity and culture in western civilization. He wants to challenge realities of Racism and objects that exist within the history of decorative arts and contemporary life.

THE FRANKLIN 3522 W. Franklin Blvd, Chicago IL 60624 (312)823-3632 Hours: Saturdays 2-5PM and by appointment http://thefranklinoutdoor.tumblr.com/ Instagram #thefranklinoutdoor

[showspace]

October 15-21

Monday:

Flynt Flossy, Turquoise Jeep, Dre Thompson, DJ Mills, and Ea$¥ Pr0phyt @ The Ottobar 

Tuesday:

Crumb, Orion Sun, and Alfred & Pockets. 7 pm @ Metro Gallery

Wednesday:

Thursday:

Pardalince Bird, Param Anand Singh & the Wilderness, Sweatpants, and 50' Woman. 8 pm, $5 @ Metro Gallery

Gut Fauna, Teton, The Crenshaw, and Nerftoss. 8 pm. $5 or $10 @ True Vine

Yatra, Salt Trader and Vorrh. 8 pm @ Joe Squared

Mountain Piques: music by Adam G. Holofcener and Elliott Grabill with puppeteers. 8 pm, $12 @ Black Cherry Puppet Theatre

Friday:

Ed Schrader's Music Beat, Emmanuel Lulu Moss, Queeneta Allen, and Nerf Toss. 7 pm, ye$ @ Current Space

Real Talk. 7:30 pm @ The Crown

Tim Barry, Rodney Henry, and Andrew Grimm. 8:30 pm @ The Ottobar 

Saturday:

Chiffon, Black Bear Combo (IL) Orchester Pračevica, and Bedlam Brass. 8 pm, $12 @ Mobtown Ballroom

Night Birds, Radioactivity and Spiritual Cramp. 9 pm @ The Ottobar

The Ottobar's Shrunken Head--Flying Faders Take Over. 10 pm, free @ The Ottobar (Upstairs)

Guise II: a costume party benefitting Maryland Art Place @ MAP

Yamantaka // Sonic Titan and Joseph & The Beasts. 8 pm, $10 @ Metro Gallery

Opening reception for The Mirror and Suburban Gothic. 7pm, free @ Current Space

Sunday:

Bonnie Lander & John Dierker, and Departure Duo. 8:30, free @ Red Room

Anna Webber's Simple Trio. 7:30 pm, $10-$15 @ An Die Musik

Proficiencies for Living in Ruins: Reconciliation: a Sound-Based Performance by Carrie Fucile. 2pm ICA Baltimore at Lovely Lane United Methodist Church (2200 St Paul Street) 

[micaramel]

Artist: Trevor Shimizu

Venue: Kunsthalle Lissabon, Lisbon

Exhibition Title: Trevor Shimizu: Performance Artist

Date: November 20, 2019 – February 1, 2019

Curated By: Alex Klein, Dorothy & Stephen R. Weber

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

Images courtesy of the artist, Kunsthalle Lissabon, Lisbon, and ICA Philadelphia, Philadelphia. Photos by Bruno Lopes.

Press Release:

Trevor Shimizu: Performance Artist presents an overview of the artist’s videos, video paintings, and online interventions, offering a prescient and poignant commentary on affect and identity in our socially mediated moment. While Shimizu is recognized primarily for his paintings and drawings, the artist’s media works help to reframe his broader practice as an expanded form of performance. Often produced using lo-fi and off-the-shelf digital technologies, his time-based works resonate with strategies employed by an earlier generation of video artists with whom he found himself in direct dialogue through his former job as technical director at Electronic Arts Intermix (EAI) in New York. Just as those artists first produced work using Sony Portapaks and camcorders, Shimizu uses the technological tools at hand both to record actions for the camera and to employ the visual language of mass media for other means.

For Shimizu, video in its expanded sense has a provocative relationship to painting. From mid-twentieth century films about Pablo Picasso and Jackson Pollock, where the process of the “heroic genius” male artist is documented by the marks made directly on what appears to be the lens of the camera, to the touch screens of our contemporary moment, the intersection of painting and the moving image has increasingly conflated the stroke of a paintbrush with the swipe of a hand on a screen. In his ongoing series of video paintings, Shimizu pairs his existing videos with large unstretched canvases with holes that have been cut out to fit a device. These painterly frames for video are usually produced in one of two distinct genres: monochromes or gestural abstractions. While his videos and paintings are different in delivery, Shimizu sees both modes of working as coming “from the perspective of a character,” which in turn can be understood as a kind of performance of the role of the artist. (1)

Within these works, his deadpan delivery sometimes makes it difficult to discern the Trevor Shimizu the individual from the artist as character. The dry humor that permeates much of his work thus acts as a kind of mask for his critical investigation into identity and the presentation of the self. Although there is no singular character depicted in Shimizu’s work, he often gravitates to the figure of the lone “beta male.” Contrary to the negative associations often conjured by angry internet subcultures such as incels, edge lords, brogrammers, Shimizu offers a more vulnerable depiction of mediated masculine subjectivity. Instead, his self-conscious and often self-effacing portrayals– from the passive fan to the rejected romantic, as well as his idealized fantasies of other possible selfies–speak to shared insecurities and a collective need to belong.

— Alex Klein, Dorothy & Stephen R. Weber (CHE’60) Curator

(1) “Confusing and Accurate and Deadpan: Trevor Shimizu Interviewed by C. Spencer Yeh,” BOMB, February 19, 2019.

  Trevor Shimizu (born 1978; lives Long Island City, NY) has had solo shows at the Rowhouse Project, Baltimore; and Kunsthal Charlottenborg, Copenhagen. His work has been exhibited at Electronic Arts Intermix, New York; the White Columns Annual, New York; the Whitney Biennial, New York; the Queens Museum of Art, New York; and the High Museum of Art, Atlanta.

  Link: Trevor Shimizu at Kunsthalle Lissabon

from Contemporary Art Daily https://bit.ly/2X6sbkl

[tigerstrikesasteroidnetwork]

CHI / Artist In Residence: Latham Zearfoss

Artist In Residence:  Latham Zearfoss Residency Dates: December 17, 2022 - February 18, 2023

Tiger Strikes Asteroid Chicago is pleased to announce that Latham Zearfoss will be our next artist in residence. This residency will allow Zearfoss the opportunity to execute a new iteration of his ongoing “Stalagmite Creamsicles” project, a seasonally-iterative body of work comprised of ice sculptures dyed with natural dyes that contain seeds for a native garden that will bloom where they are left to melt.

Zearfoss produces time-based images and objects about selfhood and otherness. Often collaborative, these works ask: how do we come to know ourselves as social human subjects? Across media, Zearfoss’s work is anchored in the belief that identity is a cumulative, political effect, inherited through a kind of collective bargaining. These themes find evocative, sensual resonances through dramatic shifts in color and light, reverberating soundscapes populated by disembodied voices, queer iterations of the not-noticed and everyday, and “soft borders”—spatial markings of undetermined significance that invite participation, transgression, and even penetration.  Zearfoss’s residency is organized by Jaclyn Jacunski.

Above image credit:  Latham Zearfoss with latex molds, 2021

Artist Bio:
 Latham Zearfoss works in Chicago, where they produce time-based images, objects, and experiences about selfhood and otherness. Outside of the studio, they contribute to collective motions toward joy and reflection through social projects such as a queer dance party (Chances Dances), a critical space for white allyship (Make Yourself Useful), and an itinerant conference on socially-engaged art (Open Engagement). Latham graduated from The School of the Art Institute of Chicago with a BFA in 2008 and the University of Illinois at Chicago with an MFA in 2011. They have exhibited their work, screened their videos, and DJ’d internationally and all over the U.S.

Organizer Bio: Jaclyn Jacunski is an interdisciplinary artist who exhibits both locally and nationally. She earned her MFA from SAIC and BFA from the University of Wisconsin–Madison, and she has taught at SAIC and Harrington College of Design. Jacunski’s practice stems from involvement in social and political causes, and she seeks to find understanding in political controversies that surround the land and community acts of resistance. Jacunski was a BOLT artist-in-residence at the Chicago Artists Coalition, and she has exhibited at ICAs in both Portland and Baltimore. Her work has been featured in the Chicago Tribune and Hyperallergic.