#Less ridiculous things to do. ?

[listen-to-the-inner-walrus]

so in an attempt to actually use positive thinking, anytime i fuck up and my brain reacts as if ive cause a minor apocalyptic event, i compare my fuck up to the 4 minute fuck up committed by the crew of the uss william d porter.

and only today, as i was having to explain what happened to my mom when i was explaining the whole comparison thing, did i realise that most people dont know about it and ive decided that needs to change because its objectively hilarious.

...which is a weird thing to say about an event that occured on a warship in 1943, specifically november 14th.

see the uss william d porter was a fletcher-class destroyer but you dont need to know what that means, just that she had guns that went bang bang and that she was escorting another ship, the uss iowa, to cairo.

while they were on their way there, they performed some gun trials like testing the anti-aircraft guns or the torpedos. and while they were running a torpedo drill, the crew of the porter managed to fire a live torpedo straight at the iowa which you know, in terms of a list of things to do while escorting a ship, shooting a torpedo at them is not on that list.

especially if the president of the united states is on board.

yeah so fdr was on board and the gun trials were actually his idea, and part of the trials was that they were conducted under radio silence.

and that means the crew of the porter couldnt just call the iowa to be like "move out the way, we accidentally shot a torpedo at you."

but they did have signal lamps and you know, the signalman on board was trained to signal this exact kind of message.

...and uh never mind, the signalman did manage to successfully tell the iowa that a torpedo was coming toward them but wasnt as successful when it came to the direction the torpedo was coming from.

not all hope is lost though because the signalman could still use the signal lamp to correct his previous mistake and-, never mind, he announced that the porter was reversing, which she wasnt.

yeah so at catastrophic mistake number 3, they broke radio silence to warn the iowa and she managed to turn out of the way just in time which meant no one got hurt. and even though the inquiry into the incident led to chief torpedoman (fantastic job title btw) lawton dawson being sentences to hard labour, fdr intervened and waved away his sentence, saying it was all an accident.

but yeah, so thats my new measure for "how much did i really fuck up?" and when i compared accidentally picking up a pencil case without a tag on it in wilko, turns out it was a very minor fuck-up. yes, the cashier had to ask another worker to grab a duplicate so they could scan the barcode, but i didnt nearly kill the president during wartime via accidental friendly fire

[triglycercule]

imagining this very funny totally amusing bit where dust (despite having a lot of pockets) makes horror carry a lighter for him (only because he can't be bothered to remember to bring one on him all the time) and horror keeps it in his head

but horror's a dick so everytime dust wants to smoke and he needs a light horror's always like "whats the password :3" (he actually said the emoticon i was the quotation marks) and dust has to guess. because horror changes it every time. and its never something predictable. and then he either just totally gives up on that cig or he has to forcefully dig into horror's head to get the lighter because horror's being a PRICK

now dust is shoulder deep into horror's eyesocket while horror is clawing and screaming and killer's just standing there behind them watching this unfold with that fuckass smile on his face (he can't get this type of entertainment anywhere else)

[kitnita]

victoryplustv: job's not finished

[holyshit]

.

[gouinisme]

idk if it's fair to blame the chronically online brain (or the expectation thereof from writers) for recent movies being as subtle as a sledgehammer to the temple but i will either way. first the substance and now mickey 17 seem to have absolutely no faith in their audience's comprehension skills and just, hand you the metaphor and then make sure you got it about 80 billion times. maybe it's good to have such an obvious message in these times, especially given people's habit to interpret satirical characters as role models, but when your main antagonist looks about 2 foundation shades away from an snl trump impression it feels like you're just making bad art

[wonder-worker]

"[Elizabeth Woodville] was the only member of [Crown Prince Edward of Westminster's] original 1471 council not already on the king’s council and her name headed the list of those appointed as administrators in Wales during Edward’s minority. [She remained on the council after it was expanded in 1473 and granted new governing and judicial powers]."

"In 1478 Prince Richard married the Mowbray heiress. Like his elder brother he had a chancellor, seal, household and council to manage his estates. His council, like that of Prince Edward, comprised the queen [Elizabeth Woodville] and a group of magnates and bishops, few of whom were Woodville supporters. [...] It was Elizabeth who mattered, for Richard resided with her and Rivers treated his affairs as their own."

— J.L. Laynesmith, The Last Medieval Queens: English Queenship 1445-1503 / Michael Hicks, Richard III and his Rivals: Magnates and their Motives in the Wars of the Roses

[greypetrel]

The next prompt I have is "Underwater kiss" and I'm here like:

[mandizo]

woike up and remembered hiow artists are treated in chinese fandom spaces and i threw up all over the floor

[cosmogyros]

I dislike it so much when a documentary has somebody speaking one language and then another language is overlaid on top of the same audio WITHOUT DELETING THE BACKGROUND AUDIO COMPLETELY ARGH

(edit: like this)

I'm watching this (very interesting) Arte documentary right now, and first there was a Dutch scientist speaking English, while a German narrator spoke the translation of his words into German in the foreground. Then a few minutes later there were a bunch of people speaking French in the European Parliament while it was, again, dubbed into German for the documentary.

But like... my ears are compelled to listen to both things at once! I can't help but listen to the interesting accent the Dutch guy has in English, or recognize words and phrases the people are saying in French, at the same time as I'm trying to focus on the German foreground dubbing.

It's so overwhelming, I hate it, and I so intensely wish documentaries would blank out the background audio completely when dubbing over it >:(((

[lokh]

if you tell me we have to do some kind of chore or errand and then near the end of it suddenly drop that we have to do even more of course im going to be pissed off

[maryasmorevna]

why are you, as an adult in 2024, still hung up on reylo. why are you still mocking the shippers. why do you believe yourself to be superior only because you dislike a stupid ship from a fucking space fairytale. girl (gnc) get a grip

[bitegore]

god i met this dude today and he was so fucking hot like. god DAMN. i will be thinking about him

[icewindandboringhorror]

Recent-ish things ~

[kindaorangey]

as far as audio/visual digital stuff is concerned i think part of the reason people romanticise the past so much is a very genuine anxiety about perfection. a fuzzy camera lens or botched audio is cringe and offputting, but when you frame it as something retro, the imperfections come across as deliberate and become integral to the aesthetic

[ersatz-introspective]

bcs i'm aware of how i automatically percieve people, i earnestly try to give the benefit of the doubt a lot. i tend to believe people are Actually Just That Dumb™ when they're joking about something, so i try to get ahead of that & tell myself people are joking when they say something stupid, so that i don't look stupid

all i've learnt in doing that, is most of the time, people aren't joking. they actually did mean what they say, & i made the situation 10× worse by laughing at what they said.

not only does it reinforce the idea in my head that people are Dumb so i need to take the reins on literally Everything, but it also leads people to believe i'm making fun of them for saying something silly & talking to me less, when, if i knew it were a genuine thing they thought, i would have gladly explained it without judgement

but i don't really know how to stop treating them as jokes, because what if they ARE joking so they laugh at me for how Stupid i am for taking the bait? i can't handle being made a fool of, i think i'd rather die

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.