#Love reading some of the and go

[tawnysoup]

Finally now that the comic is fully public on comicfury, I get to share it with all of you here, too <3

If you enjoyed, please consider supporting by buying a PDF of the comic on itch.io: https://tawnysoup.itch.io/home-in-the-woods

[beepboopappreciation]

Is this anything

[gibbearish]

love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[candiedfright]

me when my head hurts a lot and i start seeing the rashomon man

[firefox-enthusiast]

The best part about conspiracy theorists is that they throw so many numbers and three letter acronyms out there that the lack of sources for any claim is sort of forgotten because of antisemitism. Or the opposite, they'll just word soup their way into getting someone on board, numbers or not.

There's this vibe behind any good conspiracy that is only based on feelings, like you'd expect. Because there isn't any merit to most of them, like: this is so bad because it cost a bajillion of taxpayers' money ever single day! Or just think what that might cost and what if all of that enormous cost, I mean it must cost right? What if that cost went into education?

Another great corner stone of any conspiracy is to look into the past and link unrelated events together. Classic.

[yallstar]

more art for the last chapter of differential burdens in displacement! i couldn't resist the siren call of viktor teasing jayce at the end~

[spirkbitch]

one more opinion about star trek fashion

it actually shouldn’t look like stuff you would wear (or at least a lot of it shouldn’t)

i’ve seen a lot of praise for modern trek fashion being better than classic trek because ‘people would actually wear that’

look at what people wore as everyday fashion 200-300 years ago, would you wear it? probably not, maybe for the novelty of it, but definitely not every day.

like, yeah this stuff looks crazy

it’s 300 years in the future. some of them are aliens, makes perfect sense to me that they would wear ridiculous extravagant clothes that look strange to my 21st century eye

similar to how if you showed modern fashion (especially alternative fashion/runway fashion) to someone dressed like this,

they would probably think we’re crazy.

yet for some reason modern trek wants us to believe that hundreds of years into the future people still just wear zip up hoodies?

(idk if the spock fit actually is a hoodie or not but come on man, the zipper? nothing more futuristic than a zipper?)

or this dress that looks like i could buy it in a 21st century target?

(not to hate on chapel, she’s just the only one i can find decent pictures of out of uniform)

also why is everything so grey now? when was it decided that people don’t wear colors in the future? i can not find out of uniform pictures where any of these people wear color, all black, white, grey, and maybe a bit of muted green.

tldr

clothing design in star trek should be just as important as clothing design in a period piece. i don’t think a screencap from any star trek should look like it could just as easily take place in the 21st century, i should see some crazy outfits. the clothes can do a lot of the heavy lifting to remind us that this is supposed to be far in the future.

[happyheidi]

｡ﾟﾟ･｡･ﾟﾟ｡ ﾟ. May will bring blessings.

ﾟ･｡･ﾟ

[stump-not-found]

A Lifetime Served in a Little Cup

pt.1 / pt.2 / pt.3 / pt.4

---

bill, babygirl, the red flags get outta there

[flowercrowngods]

when ao3 is back up i want all of you to leave comments on the fics you were interrupted from reading, the fics you were looking to find, the fics you were thinking about re-reading, and the fics left open in your tabs for months now.

when ao3 is back up, i want you all to show some love to your favourite writers, favourite fics, or even just the 600 word one-shot that brought a smile to your face that tuesday three weeks ago.

when ao3 is back up i want you all to remember that comments and explicitly voiced appreciation are what keep writers going.

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[hinamie]

unconditionally

[kettle-bird]

Don’t be Fran-tic… If you're Jones-ing for a good time... Remember to Bea... Joyful!

(This update was so good it finally got me to do fanart for this project I LOVE these guys)

[lazylittledragon]

what if i broke all the bones in your legs actually

[prlssprfctn]

The first time, Tim notices someone observing them from afar, it is when they are all settled for a brief dinner together. It is the middle of the week, and Bruce gathered all of them together to... relax. Which is strange but not unwelcome. Everyone is so involved in chattering and bantering that they don't notice a lingering gaze through the window; they don't, but Tim does.

It takes him a few seconds to figure out that it is Jason.

He is not sure if Bruce reached for him to invite, and Jason just declined, or there was no offer to begin with, but Tim knows for sure Jason lurkes behind windows for a few minutes before disappearing in the night.

And the funniest thing? Tim understands him.

He thinks he is not Jason's replacement — never truly was, despite what the other thought — but in a way, they did swap their places. Because in the past, it was Tim, who hid on the rooftops, staring at Bruce and his family, listening to the snippets of their conversations. And now it is Jason.

It is still different, of course. Tim had a choice, and it was his... enthusiastic project, if anything — Jason doesn't really. But if anyone understands the feeling of standing far away from everyone, it is still Tim.

That's why the next time in happens, Tim reaches out.

It is after the particularly easy mission, when Tim spots the red motion on the rooftop. He slips away from Nightwing and Robin, who debate about something with Batman through the comms, and finds himself standing behind Red Hood.

The way Red Hood taps his fingertips on the balustrade makes Tim remember that he is not included in their comms anymore. He wonders how lonely it is, to hear the voices of his brothers, but never being able to grasp the whole conversation they have.

'Hood,' he calls for him.

To Jason's credit, he doesn't scramble in panic, even if it seems that he is surprised by his appearance.

'Red,' he mutters back, instantly defensive. 'What, came to mock me?'

Tim rolls his eyes; he wishes things would be easier with Jason, but they are not, and he can't really blame him for that.

'Had I ever mocked you?' He copies his stance, arms folding in the chest. When Jason tilts his head, almost asking, "Really now?" Tim rolls his eyes again. 'Okay, I did a few times. But it mostly were jokes about your death.'

Jason chuckles.

'Good one, punk. It changes everything.'

'You like jokes about your death,' Tim protests. 'And I know you allow Arsenal to joke about it, so it is not entirely closed topic.'

'I don't remember allowing you to joke about it, though.'

...

This conversation is so fucking stupid. Tim didn't even came here for this, but-

But fine. He still can win.

'So, you only allow it to your friends. Fine. Let's be friends,' Jason chokes on his own exhausted sigh. 'Do you need some friendship questionnaires to fill to be my friend? I can arrange that.'

Jason kindly flips him off under his breath before disappearing in the night, leaving him alone with whining Nightwing and irritated Bruce in his ear.

The next time he stalks down Jason, who in turn is stalking Damian and Bruce, he shoves in his hand twenty three papers filled with bunch of friendship questions — half stripped from internet, half made by Tim that involve the specifics of their jobs.

He doesn't expect anything to come after it, but in two weeks after Jason returns to the city after his mission with Outlaws, Tim finds these papers filled with surprisingly neat, calligraphic answers.

And he gets the printed copy of the same questions, with one page of an additional one, written in the same handwriting, and with a little sticky note atop of it.

Your turn, Timbo.

Tim smirks.

Oh, he will so drag Jason back in the family, somehow.