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mostlysignssomeportents · 6 months ago

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Happy Public Domain Day 2025 to all who celebrate

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/17/dastar-dly-deeds/#roast-in-piss-sonny-bono

In 1976, Congress set fire to the country's libraries; in 1998, they did it again. Today, in 2024, the flames have died down, and out of the ashes a new public domain is growing. Happy Public Domain Day 2025 to all who celebrate!

For most of US history, copyright was something you had to ask for. To copyright a work, you'd send a copy to the Library of Congress and they'd issue you a copyright. Not only did that let you display a copyright mark on your work – so people would know they weren't allowed to copy it without your permission – but if anyone wanted to figure out who to ask in order to get permission to copy or adapt a work, they could just go look up the paperwork at the LoC.

In 1976, Congress amended the Copyright Act to eliminate the "formality" of copyright registration. Now, all creative works of human authorship were copyrighted "at the moment of fixation" – the instant you drew, typed, wrote, filmed, or recorded them. From a toddler's nursery-school finger-painting to a graffiti mural on a subway car, every creative act suddenly became an article of property.

But whose property? That was on you to figure out, before you could copy, publish, perform, or preserve the work, because without registration, permissions had to start with a scavenger hunt for the person who could grant it. Congress simultaneously enacted a massive expansion of property rights, while abolishing the title registry that spelled out who owned what. As though this wasn't enough, Congress reached back in time and plopped an extra 20 years' onto the copyrights of existing works, even ones whose authors were unknown and unlocatable.

For the next 20 years, creative workers, archivists, educators and fans struggled in the face of this regime of unknowable property rights. After decades of well-documented problems, Congress acted again: they made it worse.

In 1998, Congress passed the Sonny Bono Copyright Act, AKA the Mickey Mouse Preservation Act, AKA the Copyright Term Extension Act. The 1998 Act tacked another 20 years onto copyright terms, but not just for works that were still in copyright. At the insistence of Disney, Congress actually yanked works out of the public domain – works that had been anthologized, adapted and re-issued – and put them back into copyright for two more decades. Copyright stretched to the century-plus "life plus 70 years" term. Nothing entered the public domain for the next 20 years.

So many of my comrades in the fight for the public domain were certain that this would happen again in 2018. In 2010, e-book inventor and Project Gutenberg founder Michael S Hart and I got into a friendly email argument because he was positive that in 2018, Congress would set fire to the public domain again. When I insisted that there was no way this could happen given the public bitterness over the 1998 Act, he told me I was being naive, but said he hoped that I was right.

Michael didn't live to see it, but in 2019, the public domain opened again. It was an incredible day:

https://archive.org/details/ClosingKeynoteForGrandReopeningOfThePublicDomainCoryDoctorowAtInternetArchive

No one has done a better job of chronicling the fortunes of our fragile, beautiful, bounteous public domain than Jennifer Jenkins and James Boyle of Duke University's Center for the Study of the Public Domain. Every year from 2010-2019, Boyle and Jenkins chronicled the works that weren't entering the public domain because of the 1998 Act, making sure we knew what had been stolen from our cultural commons. In so many cases, these works disappeared before their copyrights expired, for example, the majority of silent films are lost forever.

Then, in 2019, Jenkins and Boyle got to start cataloging the works that were entering the public domain, most of them from 1923 (copyright is complicated, so not everything that entered the public domain in 2019 was from that year):

https://web.law.duke.edu/cspd/publicdomainday/2019/

Every year since, they've celebrated a new bumper crop. Last year, we got Mickey Mouse!

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

In addition to numerous other works – by Woolf, Hemingway, Doyle, Christie, Proust, Hesse, Milne, DuBois, Frost, Chaplin, Escher, and more:

https://pluralistic.net/2023/12/20/em-oh-you-ess-ee/#sexytimes

Now, 2024 was a fantastic year for the public domain, but – as you'll see in the 2025 edition of the Public Domain Day post – 2025 is even better:

https://web.law.duke.edu/cspd/publicdomainday/2025/

So what's entering the public domain this year? Well, for one thing, there's more of the stuff from last year, which makes sense: if Hemingway's first books entered the PD last year, then this year, we'll the books he wrote next (and this will continue every year until we catch up with Hemingway's tragic death).

There are some big hits from our returning champions, like Woolf's To the Lighthouse and A Farewell to Arms from Hemingway. Jenkins and Boyle call particular attention to one book: Faulkner's The Sound and the Fury, its title taken from a public domain work by Shakespeare. As they write, Faulkner spoke eloquently about the nature of posterity and culture:

[Humanity] is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance…The poet’s voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.

The main attraction on last year's Public Domain Day was the entry of Steamboat Willie – the first Mickey Mouse cartoon – into the public domain. This year, we're getting a dozen new Mickey cartoons, including the first Mickey talkie:

https://en.wikipedia.org/wiki/Mickey_Mouse_(film_series)#1929

Those 12 shorts represent a kind of creative explosion for the Disney Studios. Those early Mickey cartoons were, each and every one, a hybrid of new copyrighted works and the public domain. The backbone of each Mickey short was a beloved, public domain song, with Mickey's motion synched to the beat (animators came to call this "mickey mousing"). In 1929, there was a huge crop of public domain music that anyone could use this way:

Blue Danube, Pop Goes the Weasel, Yankee Doodle, Here We Go Round the Mulberry Bush, Ach Du Lieber Augustin, Listen to the Mocking Bird, A-Hunting We Will Go, Dixie, The Girl I Left Behind Me, a tune known as the snake charmer song, Coming Thru the Rye, Mary Had a Little Lamb, Auld Lang Syne, Aloha ‘Oe, Turkey in the Straw, My Bonnie Lies Over the Ocean, Habanera and Toreador Song from Carmen, Lizst’s Hungarian Rhapsody No. 2, and Goodnight, Ladies.

These were recent compositions, songs that were written and popularized in the lifetimes of the parents and grandparents who took their kids to the movies to see Mickey shorts like "The Barn Dance," "The Opry House" and "The Jazz Fool." The ability to plunder this music at will was key to the success of Mickey Mouse and Disney. Think of all the Mickeys and Disneys we've lost by locking up the public domain for the past half-century!

This year, we're getting some outstanding new old music for our public domain. The complexities of copyright terms mean that compositions from 1929 are entering the public domain, but we're only getting recordings from 1924. 1924's outstanding recordings include:

George Gershwin performing Rhapsody in Blue, Jelly Roll Morton playing Shreveport Stomp, and an early recording from contralto and civil rights icon Marian Anderson, who is famous for her 1939 performance to an integrated audience of over 75,000 people at the Lincoln Memorial. Anderson’s 1924 recording is of the spiritual Nobody Knows the Trouble I’ve Seen.

While the compositions include Singin' in the Rain, Ain't Misbehavin', An American in Paris, Bolero, (What Did I Do to Be So) Black and Blue, Tiptoe Through the Tulips, Happy Days Are Here Again, What Is This Thing Called, Love?, Am I Blue? and many, many more.

On the art front, we're getting Salvador Dali's earliest surrealist masterpieces, like Illumined Pleasures, The Accommodations of Desire, and The Great Masturbator. Dali's contemporaries are not so lucky: after a century, the early history of the works of Magritte are so muddy that it's impossible to say whether they are in or out of copyright.

But there's plenty of art with clearer provenance that we can welcome into the public domain this year, most notably, Popeye and Tintin. As the first Popeye and Tintin comics go PD, so too do those characters.

The idea that a fictional character can have a copyright separate from the stories they appear in is relatively new, and it's weird and very stupid. Courts have found that the Batmobile is a copyrightable character (Batman won't enter the public domain until 2035).

Copyright for characters is such a muddy, gross, weird idea. The clearest example of how stupid this gets comes from Sherlock Holmes, whose canon spans many years. The Doyle estate – a rent-seeking copyright troll – claimed that Holmes wouldn't enter the public domain until every Holmes story was in the public domain (that's this year, incidentally!).

This didn't fly, so their next gambit was to claim copyright over those aspects of Holmes's character that were developed later in the stories. For example, they claimed that Holmes didn't show compassion until the later stories, and, on that basis, sued the creators of the Enola Holmes TV show for depicting a gender-swapped Sherlock who wasn't a total dick:

https://www.theguardian.com/books/2020/dec/22/lawsuit-copyright-warmer-sherlock-holmes-dismissed-enola-holmes

As the Enola lawyers pointed out in their briefs, this was tantamount to a copyright over emotions: "Copyright law does not allow the ownership of generic concepts like warmth, kindness, empathy, or respect, even as expressed by a public domain character – which, of course, belongs to the public, not plaintiff."

When Mickey entered the public domain last year, Jenkins did an excellent deep dive into which aspects of Mickey's character and design emerged when:

https://web.law.duke.edu/cspd/mickey/

Jenkins uses this year's entry of Tintin and Popeye into the public domain to further explore the subject of proprietary characters.

Even though copyright extends to characters, it only covers the "copyrightable" parts of those characters. As the Enola lawyers wrote, the generic character traits (their age, emotional vibe, etc) are not protected. Neither is anything "trivial" or "minuscule" – for example, if a cartoonist makes a minor alteration to the way a character's pupils or eyes are drawn, that's a minor detail, not a copyrightable element.

The biggest impediment to using public domain characters isn't copyright, it's trademark. Trademark is very different from copyright: foundationally, trademark is the right to protect your customers from being deceived by your competitors. Coke can use trademark to stop Pepsi from selling its sugary drinks in Coke cans – not because it owns the word "Coke" or the Coke logo, but because it has been deputized to protect Coke drinkers from being tricked into buying not-Coke, thinking that they're getting the true Black Waters of American Imperialism.

Companies claim trademarks over cartoon characters all the time, and license those trademarks on food, clothing, toys, and more (remember Popeye candy cigarettes?).

Indeed, Hearst Holdings claims a trademark over Popeye in many traditional categories, like cartoons, amusement parks, ads and clothes. They're also in the midst of applying for a Popeye NFT trademark (lol).

Does that mean you can't use Popeye in any of those ways? Nope! All you need to do is prominently mention that your use of Popeye is unofficial, not associated with Hearst, and dispel any chance of confusion. A unanimous Supreme Court decision (in Dastar) affirm your right to do so. You can also use Popeye in the title of your unauthorized Popeye comic, thanks to a case called Rogers v Grimaldi.

This all applies to Tintin, too – a big deal, given that Tintin is managed by a notorious copyright bully who delights in cruelly terrorizing fan artists. Tintin is joined in the public domain by Buck Rogers, another old-timey character whose owners are scumbag rent-seekers.

Congress buried the public domain alive in 1976, and dumped a load of gravel over its grave in 1998, but miraculously, we've managed to exhume the PD, and it has been revived and is showing signs of rude health.

2024 saw the blockbuster film adaptation of Wicked, based on the public domain Oz books. It also saw the publication of James, a celebrated retelling of Twain's Huck Finn from the perspective of Huck's enslaved sidekick.

This is completely normal. It's how art was made since time immemorial. The 40 year experiment in life without a public domain is at an end, and not a minute too soon.

You can piece together a complete-as-possible list of 2025's public domain (including the Marx Brothers' Cocoanuts, Disney's Skeleton Dance, and Del Ruth's Gold Diggers of Broadway) here:

https://onlinebooks.library.upenn.edu/cce/

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chrisshields18 · 1 year ago

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They say they got their own wave, but it seems to me that they are following my lead. That ain’t none of my business though.🤙🏽 🫖🏌🏽

#top golf #lifetime membership #nine plus nine #legacy #love #legendary #legend #american history #expansion #cottonwood #san diego #make San Diego great again

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whoevenisjavier · 2 months ago

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EROTICA

part 1 | part 2

pairing: no outbreak!joel x reader

The plan was to finish your thesis. You didn’t actually want to meet a neighbor with a past you can google and a history caught on tape. Or did you?

a/n: the adult content t-shit gave me ideas. btw, my first story here and I swear this is not a TED talk about morality. critical thinking? yes, bc the story needs it. moral lectures? absolutely not. porn? you'll see. this is just for fun — enjoy, i guess. the storys finished already, so I'll post the next chapter soon.

additional tags/warnings: 18+, mdni. reader is 26, joel is 50ish. no outbreak. joel is a dad. conversations about porn. inaccuracies about joel miller (I know his parents aren't chilean but bear with me). javier peña is there too. do I have to add anything else here? I don't know how to do these things.

wc: 9k

This time, your parents aren’t waiting for you at the bus terminal like they’ve done every year for the past three. It’s a good thing, a sign you’re standing on your own now, with your own car, but you still miss seeing their smiles through the fogged-up bus windows.

That moment always made you feel like you belonged somewhere.

Driving through the streets of Lake Placid on your way home feels like walking through your childhood memories. The stores look almost the same, sometimes with a fresh coat of paint, and the people, though not exactly familiar, are the daughters and grandsons of the adults you grew up around before moving to New York. Their faces carry just enough resemblance to make you do a double take.

When you park in your parents’ driveway and pick up your phone for the first time in two hours, there’s a message from your mother.

“We’re in the backyard having a welcome barbecue for the new neighbor! You can go up to your room and rest if you want some time alone or come eat. Can’t wait to see you. X.”

You smile as you step out of the Jeep, the door creaking behind you, and breathe in the cold, clean air rolling down from the mountains and the lake that wraps around the village where you were born. Your parents’ house sits above Mirror Lake Drive, right at the edge of the hill on the northeast side of the village, and from your bedroom window on the second floor, you can see the lake and the distant peaks of the High Peaks.

A far cry from the view outside your New York apartment: nothing but gray swallowed up by buildings. It’s the perfect setting to finally finish your thesis.

As you grab your two suitcases from the back seat, your eyes wander to the house next door, which had been empty for the past three years, mostly because the previous owners were asking too much for it.

Buying real estate in Lake Placid takes careful thought, since turning a profit is unlikely even with upgrades and expansions – the village is just too isolated. So if you’re buying here, it’s not for the money. It’s because you want a life far away from the city.

The house in question is a larger and more luxurious version of your parents’, made of gray stone, with cute white-framed windows, and for the first time in months, you see the lawn freshly trimmed and a new pickup truck parked in the driveway.

Probably the new family your mom mentioned.

The house is empty when you walk in, but you can hear laughter and voices drifting up from the backyard. You head the opposite way, climb the stairs to your room, drop your bags, take a shower, and spend a good while debating whether to sink into sheets that smell like home for the first time in ten months or go downstairs and find something to eat.

Hunger wins.

You throw on a warm sweater and go down. When you open the back doors, six pairs of eyes turn toward you, but it’s your mother’s squeal that makes you smile, followed by the tight hug she and your father give you.

“There’s our girl,” your father says to the others, wrapping an arm around your shoulders as he says your name. You give a small wave. “She always comes home for the holidays.”

The couple sitting together you recognize. They’ve been friends with your parents for years.

But you don’t know the woman who smiles sweetly at you, and you definitely don’t recognize the man, at least twenty-five years older than you, who keeps a neutral expression as he sips from a beer can. He doesn’t seem particularly friendly, but maybe that’s just the impression left by the slightly graying mustache and broad shoulders.

Two minutes later, you’re settled into a lounge chair with everyone in the backyard, a warm burger on your plate and a cold beer in your hand.

“I told Joel he’d have trouble with the house,” says the sweet-smiling woman to your parents, continuing the conversation they were having. “But he really wanted a place here, so I just supported him.”

“What kind of trouble are you having with the house?” your mom asks Joel — the mustached man, now officially identified.

“Nothing major,” Joel replies in a deep, firm, polite voice. “Had to redo the plumbing in two of the bathrooms and fix the heating in the kitchen sink, but it’s all fine now.”

“And are you liking it here?” you venture. You glance at the woman. “You and... your wife?”

Joel gives a faint smile.

“Tess isn’t my wife. And yeah, I’m liking it. It’s peaceful. Not too many teenagers. Feels like paradise.”

“What’s with the teenage hate?” you ask, half-joking, half-serious, silently filing away the Tess isn’t his wife detail.

“Fewer teenagers means fewer cell phones.”

Your response is a light laugh that earns a slight eyebrow raise from Joel, but you go back to your burger and let him be.

The conversation between the adults shifts to Fleetwood Mac, Lake Placid families, suggestions for places Joel should check out, and gossip about someone’s daughter who apparently got knocked up by the neighbor’s grandson, or something like that. You listen in, partly because you’re curious about the latest news (true or not) in the town you grew up in.

Your parents mention that you’re staying longer this time to get a change of scenery and finally work on your thesis, and that’s when the dreaded question comes. From Tess.

“And what’s your thesis about?”

Your mother holds back a laugh, because despite the seriousness of the topic, the initial reactions are always the same.

“I study anthropology,” you say. “My thesis is about the influence of pornography on male behavior over the years.”

That’s because the way men acted around you had always bothered you. When you were ten, wearing a cute chiffon skirt to the grocery store, they stared. When you were fifteen, walking home from school in your uniform, you heard disgusting things shouted at you on the street.

It wasn’t until you got older and realized that behavior like that isn’t natural (and why would it be, if women don’t do it?) that all your anger turned into the foundation for your research.

Tess raises her eyebrows and smiles slightly while the older couple gasps in surprise. Joel doesn’t react at all, except for rubbing the condensation on his beer can with his thumb.

“That’s a very interesting topic,” Tess comments, glancing at Joel, who briefly looks at her, then back at you. “Do you have any conclusions yet?”

“A few,” you say, though you already know the core of your research is the objectification of women’s bodies for the industry’s gain. “But I don’t want to bore you—”

“What’s your research method?” Joel cuts in before you can finish.

“Sorry?”

“Your research method. The system you’re using for the thesis.”

“Mixed methods,” you say, but you sense something more behind the question. Something slightly aggressive that you can’t fully pin down. “I did some fieldwork in New York.”

“Did you interview anyone from the industry?”

You shake your head.

“No one agreed. At least not the newer actors and actresses. The more established ones charged absurd fees just to answer ten questions.”

Joel says nothing, and the silence is broken when your father makes a joke about the topic. Everyone laughs—including you.

The barbecue lasts another hour at most before people start saying their goodbyes. Your mom wraps up two burgers for Joel, and he thanks her sincerely.

Then he turns to you and says:

“Good luck with the thesis, sweetheart.”

You nod, and you could swear you catch a faint smirk at the corner of his lips before he waves goodbye and walks off.

You run into Joel again at the market three blocks from home, standing in front of the fruit display, looking stuck between red grapes, green grapes, and oranges.

Joel’s voice comes suddenly from your left.

“What deep philosophical truth are you hoping those grapes will reveal to you?”

You startle, turning toward him with your hand over your heart as if that could slow it down. Joel raises one eyebrow as he begins placing seedless green grapes into a plastic bag.

He’s wearing worn jeans and a plaid flannel shirt over a white T-shirt. Thin-rimmed glasses rest on the strong bridge of his nose.

He smells like pine and something expensive that you guess it’s aftershave.

“Hi,” you say first, then quickly add, “I was trying to decide between grapes and oranges.”

“Grapes are sweeter this time of year.”

“But I like sour fruit.”

“Then go for the oranges.”

“But grapes are easier to eat. More practical.”

Joel gives you an impatient look, and you answer with a laugh. You grab a plastic bag and start selecting oranges.

After a short silence, while Joel ties off his grape bag and begins picking oranges too, you ask:

“Are you liking it here?”

Joel murmurs:

“There are some interesting things. Sarah likes it.”

“Your wife?” you ask quickly. Too quickly.

“My daughter. Just turned fifteen.”

Oh. Great. He’s a dad. You glance at his hand but see no ring. Joel notices.

“What’s with the marriage obsession?” he asks, although not rudely.

You shrug.

“I’m just curious. And you’d better brace yourself. The older ladies in Lake Placid are going to eat you alive with questions about your relationship status.”

“Really? Why do you think that?”

You freeze with your fingers wrapped around a particularly juicy orange. Without meaning to, you basically confessed that you think he’s a catch: attractive, polite, middle-aged, apparently wealthy, and tall. What other reason would the ladies have to shift their attention from their knitting?

You avoid his eyes.

“You bought the house that had been on the market for years. They’ll want to know who the buyer is,” you say, a half-truth.

He grunts, as if to say he doesn’t care about any of that, ties his orange bag, and places it in the cart. He glances at your basket, scanning the hygiene items (specifically the pads) and the chocolate bars.

“Did you drive here?” he asks.

You shake your head. He does too.

“Then let’s go. I’ll give you a ride home. It’s raining.”

His tone doesn’t invite objection and you don’t want to argue. Silently, and after grabbing a bag of green grapes too, you follow him through the market. He picks up a box of chocolate cereal, milk, kale, and oats, and then you both head to the checkout line.

You pay for your items first, so you end up waiting under the automatic doors, arms crossed beneath the blasting air conditioner.

People come in shaking umbrellas, mumbling about how unexpected the rain is or how cold the drops feel.

Older women walk in, spot Joel, and start whispering to each other with that smile every woman — no matter her age — immediately recognizes. The universal woman-smile.

He, seemingly unaware to all of it, pays with his card, grabs the bags with one hand, and walks over to you.

“Need help?” he asks, motioning toward your three bags.

You shake your head. He nods once and tilts his head toward the door, signaling for you to follow him across the crowded parking lot.

His pickup truck is parked near the exit, looking big and sturdy. You both get in at the same time. The inside smells good but feels stuffy from the rain, so he turns on the A/C and runs his hand through his graying hair to shake off the water.

“It rains a lot here,” he mutters as he starts the engine and buckles his seatbelt. You do the same. “Not sure I like this humidity.”

“Where were you living before?”

“Los Angeles.”

Your eyebrows rise. You can’t picture him with the stereotypical California vibe. It doesn’t fit.

So you ask the million-dollar question:

“What did you do there?”

The sound of the windshield wipers is your only response for a few seconds. Long enough for you to wonder if you crossed a line.

“A bit of everything,” he finally says, and you understand that he doesn’t want to talk about it. Yeah. You were being nosy.

Weird. Joel is weird, and everything about him makes you feel like you should think he’s an assassin, or a retired California mobster, anything that would kick your survival instincts into gear. You probably shouldn’t be sitting in a closed space with him like you’ve known him for years.

“Nothing illegal,” Joel adds when your silence starts to stretch.

That makes you laugh.

“Very reassuring.”

He smirks. At a red light, his fingers tap lightly on the leather steering wheel.

“How’s the thesis going?” he asks.

“Honestly? I haven’t opened the file since I got here.”

“Procrastinating?”

You hum in agreement, resting your head against the seat.

“I think I’m stuck.”

“Yeah? Why?”

“I need to watch some films to move forward.”

He freezes. Then he lets out a low chuckle. You defend yourself:

“I’m serious. I need to understand which narratives work best and why, and connect that to how they influence real-life behavior.”

“Makes sense,” Joel says.

“It does,” you reply, a little proud. You glance at him. The shape of his nose, the mustache, the gray-streaked beard. Then you add, “But it feels weird watching porn in my parents’ house, even if it’s for educational purposes.”

“Porn isn’t always for educational purposes?”

You gasp in horror.

“No!” you exclaim. “Porn is not educational. People don’t have sex like that in real life.”

“Hm…”

“You disagree?”

“I do,” he says plainly. “People do have sex like that.”

“I didn’t mean physically, Joel. Sex is easy: a good position, one thing inside the other, and done.” You catch yourself, because not all sex involves penetration, and something about Joel makes you think he wouldn’t mind sitting through a lecture on inclusivity if it came to that, but you add: “What I meant is that sex doesn’t happen like that. It’s not normal to open the door for the pizza guy and two seconds later be bent over the couch.”

“Says who?”

The frustrated growl that escapes you seems to amuse him. You know he’s teasing, and his grin proves it, but you can’t resist continuing.

“Not to mention the incest plots or the underage fantasies. Do you really think sex happens like that?”

His smile disappears instantly.

“You’re changing the subject.”

“No, I’m not. You can’t separate porn genres like some are less harmful than others, because even the ones that seem ‘harmless’ fuel the same industry that writes those sick scripts.”

“We’re here.”

He cuts you off with that simple phrase, and when you look out the window, you realize he’s right. You’re in front of your house. You turn your gaze back to him, and he meets it firmly, returning all the intensity you just threw his way.

You swallow and reach for your bags.

As if you hadn’t just delivered a monologue on the ethics of pornography, you simply say:

“Thanks for the ride.”

He doesn’t respond. You step out of the truck and walk to the door of your house, feeling like a kid who just got scolded, which is ridiculous. But even more ridiculous is the fact that Joel only drives away after he sees you walk safely inside, even though he literally lives next door.

You meet Sarah — Joel’s fifteen-year-old daughter — the next day.

After running along Mirror Lake Drive, you get home with your lungs burning and your body drenched in sweat, the elastic band of your pink sports bra stuck to your back. As you’re kicking off your sneakers at the door, you spot a pair of pink Converse, way smaller than anything anyone in your family would wear.

In the kitchen, there’s a skinny, unfamiliar girl sitting at the counter, two open books spread across the marble, her curly hair pulled up into two puffs.

She lifts her head, and her brown eyes hit you with a soft echo of familiarity.

“Hi,” you say, as if it’s totally normal to have a stranger in your house.

She waves back. Before you can ask “who are you?”, your mom walks into the kitchen and calls your name.

“This is Sarah, Joel’s daughter. Sarah, this is my daughter I was telling you about.”

Sarah gives you a shy little smile, and you smile back, a bit frozen by the fact that you’re standing face-to-face with Joel’s daughter. You’re not even sure why it freezes you.

“Joel had to spend the night out because he needed to go to New York, and he asked if Sarah could stay with us,” your mom explains.

“I’m old enough to stay alone, but my dad’s crazy,” Sarah chimes in, and you laugh.

You don’t think she’s old enough to stay alone, especially in a new town, but you don’t say that.

What you do say is:

“So, Sarah... what are you studying?”

Sarah needs help with her social studies homework, so after you shower and change into something comfortable, you sit down next to her and go over the assignments together. That’s when you realize she’s ridiculously smart and funny, slipping little jokes into the conversation, blending internet memes with historical facts, and talking to her turns out to be genuinely easy and fun.

Your mom serves dinner, you both eat, and then you settle onto the couch with your Kindles, each of you leaning against an end and your feet meeting in the middle of the cushions.

You’re in the third chapter of Ghost Radio when she calls you.

You peek over the top of your Kindle to let her know you’re listening.

“How old are you?” she asks.

“Twenty-six.”

She looks up at the ceiling as if doing mental math. Then, reaching some conclusion, she raises her eyebrows.

“Why?” you ask.

“No reason,” she shrugs, turning back to the book she was reading. Another question follows, this time without looking at you. “Are you dating anyone?”

“No. I ended my last relationship six months ago.”

“Was he older?”

“No,” you say with a laugh. “I mean, yes, but only by about three years. Why do you ask?”

Sarah wiggles her feet like she’s a little too excited about something.

“Just scientific curiosity,” she says, but her tone sounds more like a villain plotting something mischievous.

The next morning, Joel comes to pick her up at eight o’clock. You’re the one who opens the door since your parents left early to go to the farmers’ market to buy honey and vegetables.

He’s standing on the porch, wearing a thick leather jacket, jeans, and heavy boots. He looks exhausted, and the two-day beard growth makes him even more intimidating.

“Good morning,” you say.

Joel looks you up and down in your pajamas: heart-printed pants and a tank top. You realize too late that you’re not wearing a bra.

“Good morning,” he replies, lifting his eyes back to your face. “I’m here to get Sarah.”

“She’s finishing breakfast. Come in.”

Before he can protest, you turn on your heel and walk away, leaving him no choice but to step inside and follow you to the kitchen. You hear his slow, hesitant footsteps as he returns to the room filled with the smell of butter and coffee.

Sarah is sitting at the counter, devouring pancakes. Joel walks over, presses a kiss to the top of her head, and they exchange a few quiet words before he says something that makes her nod and hop down from the stool, leaving the kitchen.

You hear her going upstairs, probably to grab her things.

“How was the trip?” you ask, filling a mug with coffee and placing it in front of him on the marble.

Joel stares at the pink mug like it’s a threat but eventually wraps his big hands around it. You take a sip from your own cup and look at him over the rim, just the counter between you two.

“Good,” he says simply. He gestures toward the coffee. “Thanks. I needed that. Drove back and forth without stopping to rest.”

“Just thinking about it makes my back hurt.”

“I want my bed.”

You watch him over your cup, blowing on the surface of the coffee. You imagine him in the silence of his own house, in his bedroom, in his own bed. You wonder what color the walls are, what the sheets look like, and whether he sleeps clothed or not.

“Sarah’s really smart,” you say, pushing away the mental images.

That earns a small smile from him.

“She’s fantastic, my girl. But she’s cocky, so don’t tell her that.”

“She takes after someone.”

“I’m not cocky.”

“I’m joking,” you say lightly, offering peace because you don’t want to relive the animosity from the last time you saw him. “Is the coffee good?”

“Very.”

“Want to take some pancakes? Bet you’re hungry. I’ve eaten, Sarah’s eaten, and my parents always grab breakfast out when they leave early.”

Joel drums his fingers against the ceramic, looking like he’s fighting an internal battle, as if accepting food from you would be a terrible crime. Still, you take his silence as a yes and start stacking the remaining pancakes into a thermal container.

When you’re done, you walk around the counter and hand him the container with both hands.

“Here.”

Joel takes it with his left hand. With his right, he reaches out and gently pinches your chin between his thumb and forefinger.

“Thanks, sweetheart,” he says quietly, and you freeze.

He walks past you, saying something to Sarah, who apparently has come back downstairs. Feeling a warm flutter deep in your belly, you turn and follow them to the living room. You hug Sarah goodbye, promise to send her books for her Kindle, and then walk them to the door.

You smile when Joel thanks you for looking after Sarah and asks you to pass his thanks to your parents as well.

You watch them cross the lawn between your gardens, and just before Joel enters his house, he turns to look back at you.

You could swear he deliberately and slowly sweeps his gaze over your body, from your feet to your head.

And then he goes inside.

And you have to mechanically force yourself to close the door.

That same night, you start watching the films.

As you work through your research, you put together a report listing the names of the ten most famous stars from each decade between 1970 and 2020, five male, five female.

You already have a pretty clear idea of what defined the main point of pornography in the ’70s: the start of structured scripts and absurd, fantastical narratives that, one way or another, tied a woman’s pleasure directly to a man’s. Like in Deep Throat, where they came up with a story about a woman whose clitoris is located at the back of her throat. You can already guess what the most "effective" method of stimulation would be.

Porno chic was created to make adult content more palatable to the general public, especially as debates about the legality and morality of filming started to gain traction during that decade.

Sitting on your bed with your laptop open in front of you and your tablet resting on your lap for notes, you watch the films at 1.5x speed while eating green grapes.

You knew you might get aroused watching them, because dopamine responses are inevitable, but apparently there's nothing about '70s pornography that even remotely stirs your body. It feels like you're watching a National Geographic documentary.

You can't push away what Linda Lovelace wrote in her autobiography about the most famous film of that time, the one that made millions of dollars: There was a gun pointed at my head the entire time, she said.

You swallow hard and return to your notes.

By the end of the first week of this stage of your thesis, you finish watching the films from the '90s. You note the radical shift in the female body ideal — all the actresses with breast implants — and the peculiar aesthetic of VHS tapes, since this was the era when films started being widely distributed in that format.

What stands out most, though, is the shift in perspective. Gonzo-style pornography centers the camera exclusively on the man, making him the sole focus, and by extension, reducing women to mere tools for male pleasure. The camera's focus on women's bodies is restricted almost entirely to their genitals, which explains a lot about the birth of violent pornography during that time.

If women exist solely for male pleasure, then it’s no problem if they’re violated, right?

And just like that, the normalization of male domination in pornography begins, which, of course, spills over into social behavior.

You shut the laptop in front of you and lie down on the bed, closing your eyes. You doubt even a sixteen-year-old boy has seen as much porn as you have in the past few days, and there’s still so much left to do.

You reach for your tablet and pull up the list of male stars from the 2000s.

Tyler Cross, Javier Peña, Max Thunder, Ryder Grey, and Clint Fury.

Is there someone in the industry whose only job is coming up with these ridiculous pseudonyms?

You get up, leaving everything behind, and head toward the kitchen to find something to eat. It's already past eleven at night, your parents are asleep, and the only light in the living room comes from the lamp. On tiptoe, you’re halfway to the kitchen when the doorbell rings.

You freeze like you're in the middle of a crime scene.

A doorbell ringing at eleven at night in Lake Placid? Something must be on fire.

When you open the door, it’s Joel standing there on your parents' porch, looking anxious.

“Hi,” he says. Another meeting where you're in pajamas and he's fully dressed. “It's dangerous to open the door in the middle of the night like that.”

“Great way to start a conversation. I'm calculating how many seconds it'll take me to get to the kitchen and grab a knife.”

You get a somewhat tense smile.

“I’m still not used to these small-town habits.”

“I get it. I would never open the door for anyone after eight p.m. in New York, but here it’s normal.”

He nods, then asks,

“Were you sleeping?”

You wrap your arms around yourself as a cold breeze sweeps by.

“No, I was studying. Is everything okay?”

“I need a favor,” he says bluntly. “Sarah’s asleep, and I have to head back to New York. Can you stay at the house tonight?”

“Is everything okay?” you repeat.

“My brother’s wife just went into labor. He asked me to be there. I should be back tomorrow night.”

Your eyes widen, and Joel nods as if to say, “Exactly, got it?” You hold up a finger to ask for a minute, then run upstairs to grab your slippers, your robe, and your phone. When you come back, Joel is still on a call but waits patiently until you close the door before leading you to his house.

He lets you step inside first, and even with the urgency of the situation, it feels a little like you’re a twenty-year-old girl walking into a guy’s house for the first time, especially when Joel shuts the door behind you, finishing up his call.

The house is warm, clearly lived in by a family. There’s a big rug in the living room, a brown leather couch, and pictures of Sarah hanging in the hallway: lifting a soccer trophy, carrying a skateboard, the two of them at the beach. A line of photos shows her growing up, from a baby all the way to now.

The last photo is of her at Jewtraw Park, right here in Lake Placid.

“You can sleep in my room if you want. If that’s too weird, the couch is really good too. I left some blankets and a pillow right there,” he says, pointing to the armchair. Then he adds, “Everything’s clean. The guest rooms aren’t ready yet.”

You roll your eyes.

“I know, Miller. Relax. I’ll manage.”

“Okay. Give me your number. I’ll text you so you have mine. And if you need anything, call me.”

You say your number, and he types it into his old, barely-hanging-on iPhone.

“Thanks,” Joel says, genuine. “Really.”

You smile and give his arm a quick rub without even thinking about it.

“No problem. Just let me know if you need anything.”

After showing you where Sarah’s room is, where the extra blankets are, and telling you about ten times you can eat whatever you want, he leaves. You quickly text your mom, explaining the situation and letting her know you’re staying at Joel’s, then settle down on the couch.

Little signs of Joel are scattered around the house. The reading glasses forgotten on the coffee table, the suede jacket hanging by the door, the boots by the entryway, the faint smell of the same lotion you caught on him at the store.

You feel a little like a criminal as you get up and start quietly wandering through the rooms.

The kitchen is beautiful and organized, but there are a few dishes left in the sink. Since you’re still awake, you start washing them.

You move on to the dining room, all wood furniture and a classic chandelier, and then to a small office off to the side. It feels almost too empty except for the bookshelves. Just a desk with a laptop sitting on it, making you think it doesn’t get much use.

You head upstairs.

Sarah’s door is closed, but you walk softly down the carpeted hallway to the room at the end.

You push the door open, heart pounding like you’re about to find a monster or worse: Joel sitting on the bed saying, “Snooping where you shouldn’t be?”

Instead, you find a huge bed neatly made with gray sheets, dark curtains, and matching desks on either side. There’s a closet and a door leading, you assume, to a bathroom.

It’s empty in the way you’d expect a fifty-year-old man’s bedroom to be.

You almost give in and crawl into his bed but force yourself back downstairs, turn off the main lights, and curl up on the couch, which really is pretty comfortable.

It takes a while to fall asleep in a strange house, but when you finally do, your dreams are filled with gray beards and gray sheets.

You wake in the middle of the night to the ping of your phone. You rub your eyes, still dazed from sleep, and grab the phone from the pillow beside you.

4:47 a.m.

It’s a text from an unknown number:

“Hi. Joel here. Sorry for the hour, I hope you’re sleeping. I just got to New York. Please let me know when Sarah wakes up. I’ll need to call her.”

A sleepy smile tugs at your lips at how formally he writes, no abbreviations at all. You save his contact as Miller.

You type back:

“hey. don’t worry. I’ll let you know. everything ok over there?”

“Why are you awake?”

You don’t tell him it was his text that woke you.

“New place… light sleeper.”

“I see.”

An “I see” with a period and everything. Then another message:

“Yes, everything’s fine. I’m in the waiting room, and Tommy’s with his wife. She’s been in labor for seven hours.”

You type: “ouch. hoping all goes well. lmk if u need sth”

“What kind of vocabulary is that?”

“don’t you have bigger things to worry about, grumpy?”

The impossible happens: Joel Miller sends you a smiling emoji.

You reply with one sticking its tongue out.

His next message comes in text again:

“Tell me about your thesis.

“you’re really curious about it.”

“It’s an interesting topic.”

“sure… men and their obsession with porn.”

“I’m not obsessed with porn. I don’t even remember the last time I watched it.”

Your fingers freeze over the keyboard. This sounds way too intimate.

You type back:

“last time I watched was this afternoon.”

You get a single question mark in response: “?”

You clarify:

“for my thesis. I’m at the stage where I have to watch films.”

“Oh. How are you doing that?”

“picking stars from each decade and watching two movies for each. starting with the 2000s tomorrow.”

Joel reads your message but doesn’t reply right away, which is odd. He had been responding immediately. You wonder if something’s happened at the hospital, if everything’s okay with his sister-in-law.

You stare at the screen until it goes black. Three minutes later, his reply pops up:

“Who are the stars from the 2000s?”

“looking for suggestions?”

“No.”

You open your report from iCloud and copy the list of male and female stars from the 2000s. You send it over.

He reads it. Another little pause.

“I see.”

Then another question:

“And how are you watching? Like a documentary?”

“yeah, pretty much. I put on the films, watch them critically, and take notes.”

“And they don’t affect you?”

“in what way?”

He reads the message but doesn’t answer. After ten minutes of staring at the ceiling, you take a deep breath and type courageously:

“are you asking if I get turned on?”

Again, no response.

Still, you type back:

“i do. it’s inevitable and natural. but only starting with the '90s films. the ones from the '70s and '80s were way too gross for that.”

This time, a reply comes.

“Gross?”

“yeah. the men were really disgusting. it’s obvious they had no idea how to have sex to actually please a woman.”

“I see.”

You picture Joel Miller, tall and broad-shouldered, sitting in a sterile hospital hallway, texting you about porn while waiting for his nephew to be born.

The thought makes you smile to yourself. You burrow deeper under the blanket and decide to be a little bolder.

“do you have a favorite genre of those movies?”

“To watch?”

You frown. What else would it be for?

“yeah”

“I don’t watch them.”

“okay, but if you were going to watch one today, what type would you choose? one with a storyline, straight to the point… what? help me out for the research.”

You almost chew on your lower lip as you watch the little “typing” bubble appear and disappear three times. Finally, he sends a simple response:

“No storyline, not a lot of talking. Something filmed in the morning, in bed, right after waking up.”

“morning sex?”

“Yes.”

Before you can stop yourself, your mind fills with images of Joel’s bed, the same gray sheets now rumpled and tossed aside. The cold morning light pouring through the window, the scent of him still on the fabric, the warmth of sleepy skin, the scratch of his beard against the sensitive part of your neck.

A big hand adjusting and lifting your leg into the right position, low, sleepy moans filling the space.

You snap your eyes open wide.

“got it,” you type back, heart racing.

“Do you have a favorite genre?”

“i hate porn,” you reply.

“Okay. But if you were going to watch one today, what would you pick?”

He’s throwing your own question back at you, meaning you can’t dodge it.

You type the whole answer at once but hesitate a dozen times before finally pressing send, knowing Joel will understand exactly what you mean and exactly what you like. It’s probably not right to tell your parents’ neighbor, who’s at least twenty years older, but you don’t take it back.

“in the car. an age gap where he looks a little older than her, slightly graying, and he’s desperate for her, desperate to do things to her in the backseat.”

“Things?”

“you know what I mean.”

“Say it clearly.”

“desperate to go down on her.”

And again, he responds:

“I see.”

Your cheeks burning, you turn off your phone screen.

But another message buzzes through:

“Good choice.”

You cross your legs and lock your phone again.

The next time you wake up, it’s to Sarah poking your cheek with an insistent little finger. She’s standing over you by the couch, looking at you like you’re a science experiment.

The sunlight pouring through the living room windows makes you wonder if it’s already past ten.

“What are you doing here?” she asks, still poking your cheek.

Yawning, you answer,

“You’re about to have a baby cousin.”

Sarah squeals.

Joel calls her twenty minutes later, right after you text him—carefully avoiding rereading the messages you sent each other during the night—that she’s awake.

Afterward, you eat breakfast together, and Sarah gets ready for school, where she’ll stay until six in the evening. You wait until the bus picks her up before going back to your house, crawling into bed, and sleeping a little more.

When you wake up again, it’s time to log onto a video call with your boss, even though you’re technically on vacation.

You help your mom with some work in the garden, bake muffins, and by late afternoon, you lock the door to your bedroom, find a cozy spot in bed and open your laptop again.

2000s.

Now all the actresses definitely have implants, bleached hair, heavy makeup, thin eyebrows, and elaborate hairstyles: exactly the fantasy for any guy with a DVD player and one hand free.

But it’s also the beginning of the internet era, meaning access to all of it is even easier than it ever was with VHS tapes.

Roleplay everywhere. Boss and secretary, student and teacher, best friend's mom, best friend's dad. A fantasy world that definitely fried a lot of men’s brain circuits.

You start with the male stars.

First up is Tyler Cross. He's a tall actor with spiky, gelled hair, a tribal tattoo on his left bicep, and a defined six-pack.

You watch a POV movie, new at the time, and another where he plays the older brother’s best friend. It’s set in a girl’s pink-walled bedroom, teddy bears thrown to the side, and it’s all absolutely disgusting.

You glance at the clock after finishing Tyler Cross’s films. 5:55 p.m. You figure you’ve got about fifteen minutes before Sarah gets home, so you decide to at least start Javier Peña’s movies.

You type his name into the search bar.

The results flood in. One of the first titles you see: No Overtime for the Babysitter: Daddy Comes Home Early!

You roll your eyes. Great, now they’re coming for babysitters’ labor rights too.

You click the movie. It takes a moment to load.

The cover stares back at you while the loading icon spins.

The actress is gorgeous, with breasts you immediately envy and long black hair. Her lips, glossy and slightly open, look like she’s mid-moan. She’s one of the first actresses you’ve seen who isn’t drowning under a pound of makeup.

The scene starts with her dusting some furniture in the living room.

She’s wearing a mini-skirt and a light blue crop top made of thin fabric that shows her stomach. Definitely very appropriate attire for her job.

The sound of a door unlocking fills the room, and then it swings open.

The actress sighs:

“Oh! Mr. Peña! You’re home early!”

The camera pans to Mr. Peña. You blink at the screen.

Javier Peña has that classic '80s kind of handsomeness. He’s tall, lean but broad-shouldered, his dark hair messy in a way that somehow suits him. The thick mustache above his tight lips and the long sideburns give him the look of an old-school movie star, and you have to double-check the release date of the film. 2002.

He’s wearing a button-down shirt and a loose tie, his gray blazer slung over his left shoulder. But it’s his brown eyes that catch you, because they’re familiar. It feels like you know them.

“The meeting was canceled,” Peña says, tossing the blazer onto the couch. “My daughter’s asleep? You can go now.”

The gasp that escapes your mouth is quickly muffled by your hand when Javier Peña’s voice fills your ears through the headphones, because you immediately realize where you know it from.

The voice is a little softer, younger, with more of an accent, but it’s the same voice.

Joel Miller’s voice.

“She is,” the actress says sweetly, crossing the room. Javier looks her up and down, from her bubblegum-pink painted toes to the way her chest strains against her top. “Are you sure, Mr. Peña? You seem really stressed out. Can’t I help you with something?”

You freeze where you are, heart hammering against your ribs. Holy shit.

“Help how?” Javier asks, raising an eyebrow, pretending to be disinterested.

She smiles, grabs his hand, and leads him to the couch, urging him to sit.

You’re almost ready for her to drop to her knees in front of him, because that would be the obvious next step, but that’s not what happens. The actress — Mila, her name — circles behind the couch, leaning over him to start unbuttoning his shirt.

“You’re so tense, Mr. Peña,” she says, pouting as she undoes each button. “Taking care of the house by yourself, your daughter…”

The shirt falls open, revealing a firm, broad chest.

“So responsible… No one to help you out…” She leans in and whispers against his ear: “No one to suck your cock.”

The shocked laugh that bursts out of you is immediately covered by your hand again.

Javier’s shirt falls completely open, and he takes Mila’s hand, guiding it straight to his pants, her long red nails vivid against the gray fabric.

“I’ve got you for that.”

“Mmm…” the actress moans, massaging him through the fabric. She runs her hands back up his shoulders. “That’s right. You do.”

She moves to kneel in front of him, but Javier clicks his tongue and says:

“Take off your clothes.”

You feel a pulse low in your stomach. The actress smiles and obeys.

Once she’s fully naked, she starts to kneel again, and Javier spreads his legs wider, tossing his shirt aside.

She massages him through his pants for a few more seconds before tugging the zipper down and pulling his pants down with both hands. He’s not wearing underwear, of course he isn’t, and suddenly, you’re staring straight at Joel Miller’s cock.

Large, hard, slightly veiny, every inch of it.

Javier shifts on the couch, gathers all of Mila’s soft hair into one hand, and with the other, guides himself to her mouth, and—

Someone knocks on your bedroom door and you nearly slap the laptop closed.

“Honey, I think Sarah’s getting home from school. Aren’t you going to greet her?” your mom asks.

“I am,” you say, but your voice comes out too soft. You clear your throat and try again: “I’m going, Mom. Just a second.”

“Okay!”

Your mom leaves you sitting there, staring at the wall with wide eyes and a racing heart, so much slick between your legs you have to stand up, clean yourself, and change panties before going downstairs to greet Sarah.

She gets home, you both go into Joel’s house, you make her a sandwich, and she heads upstairs to shower. You stay on autopilot, your head still completely full of Javier Peña... and Joel Miller.

Holy shit.

The man was a porn actor.

And apparently, a very successful one, because you distinctly remember seeing that his films topped the charts for years. Is he still doing it?

You rub your eyes and fight the urge to shove your fist in your mouth and scream.

The irony is almost too much. Fate is throwing a former porn star into your lap when it knows all too well the thesis you’re writing, and all your hatred for the industry.

You order pizza for you and Sarah. You eat while watching a cheesy teenage romance movie that keeps her glued to the TV. When she’s yawning hard, you ask if she has any homework (she doesn’t) and send her off to brush her teeth and get into bed.

She hugs you goodnight and heads upstairs. You hear her brushing her teeth, then the door to her room closing.

You take a deep breath. Pull your phone out of your pocket. You type in the search bar: Javier Peña. The image results flood the screen.

Joel Miller in a thousand different styles. At industry parties in clothes that scream early 2000s, at photoshoots with other actresses, even holding up a trophy that reads—

You lean in closer to make sure you’re not misreading it.

Longest Cumshot of 2006.

Wow. Congratulations.

The Google summary confirms it: Joel Miller, born in 1981 in Arlington, Texas, to Chilean parents. Porn actor, best known as Javier Peña. Joel Miller became an advocate for porn actresses’ rights, one of the main reasons he left the industry in 2010.

One of his last public appearances as Javier Peña was in 2016, co-hosting an adult film awards show alongside Tess Servopoulos, his former career agent. Since then, very little is known about Joel Miller, though several producers have tried to lure him back with massive paychecks, even for solo work.

You hear the key turning in the lock.

You lock your phone at record speed and sit up straight on the couch, eyes wide open. Joel will probably think that you’ve been doing cocaine on his coffee table.

He walks in, shrugging out of his coat, and looks at you.

“Hey,” he says, kicking off his boots. “Everything okay?”

You nod, then try to use words:

“Hey. Yeah.”

Joel gives you a strange look, glancing up the stairs.

“Sarah’s asleep?”

You nod again.

Oh, Mr. Peña. You must be so tired. Can I help you? My God. You’re the babysitter working overtime.

“Are you really okay? You look like you’ve seen a ghost.”

“Um… I…” you rub your hands over your thighs. “I’m just tired. That’s all. Is everything okay with your sister-in-law?”

“She’s fine. I’ve got a nephew now,” Joel murmurs, collapsing onto the couch across from you, legs spread, hands over his eyes. “And he’s so small. I almost didn’t have the nerve to hold him. I don’t even remember Sarah being that tiny.”

“Ha ha.”

At your awkward laugh, Joel drops his hands and studies you carefully, narrowing his eyes. He watches you for a moment, like he’s seeing right through you.

Joel says,

“You found out who Javier Peña is.”

You freeze, hands clenched in your lap. Joel rubs his temple with a heavy sigh and sits up straighter.

“Which one did you watch?”

You swallow hard.

“The babysitter one.”

“You’re gonna have to be a little more specific than that, sweetheart.”

“The film’s from 2002. I think the actress’s name was Mila? She was trying to comfort you about being a single dad.”

Joel raises both eyebrows.

“I know the one,” he says with a dry, humorless laugh. “Right. Here it is. I was Javier Peña for ten years. I guess I still am, when the paycheck’s good enough. I made porn movies. They’re out there.”

“Still are?”

“Not for films. Just for appearances or special gigs at awards shows.”

“Oh.”

He says your name firmly.

“That industry is your thesis. You know those actors and actresses are real people. I’m one of them. Are you going to stop treating me like a normal person now?”

“It’s weird,” you say softly. “Sorry, Joel, but it’s weird seeing you like… that… and then coming here and seeing you being Sarah’s dad, being… Joel Miller.”

“Okay.”

“Don’t be mad at me.”

“I’m not,” he sighs, collapsing back onto the couch. “I’m way too tired to be mad, honestly. We can talk more about it later if you want. I’ll even help you with your thesis if you need. But not tonight.”

“Okay.”

“Thanks for staying with Sarah, seriously,” he says, shifting back into Dad mode. “Let me pay you.”

“No way,” you say quickly.

He opens his mouth to argue, but you cut him off:

“You said you’d help me with my thesis, right?”

He just looks at you. You explain,

“I’ll take that as payment.”

Slowly, he nods. And just like that, you have a deal.

That night, you head upstairs again and lock the door.

You open your laptop, type Javier Peña into the search bar, and scroll through the films. One title catches your eye: Neighbors: The Lust Lives Next Door.

The irony.

The title is ridiculous, sure, but the movie isn’t. He’s the married woman’s neighbor, and when her husband goes out of town, Javier shows up at the door asking if everything’s alright because he heard a noise and got worried.

He’s wearing tight jeans and a short-sleeve, light pink button-down shirt.

They head upstairs to check the bedroom.

She sits at the edge of the bed while Javier kneels down to look under it, but when he straightens up again, he sees the actress isn’t wearing any panties. Of course.

Two minutes later, Javier spreads her legs and goes down on her for a good while, his dark eyes locked on hers. And you could swear the moans are real. Either that, or she’s a damn good actress.

It’s when Javier starts whispering in her ear, loud enough to be picked up by the mic, but low enough to sound private, that your own fingers hover at the waistband of your pajama shorts.

He grips her thigh firmly, legs wide open, about to sink into her, both of them watching where they meet.

“Like this?” Javier asks.

She nods.

He licks his fingers and touches her clit. Her left leg trembles slightly.

“Sensitive? You’re not gonna come again for me?”

You swallow your shame and remind yourself that no one will ever know about this.

You slip your hand into your panties.

You close your eyes, listen to Javier whispering filthy things into the actress’s ear, and feel your pulse thudding in your ears and the slickness between your fingers.

#joel miller x reader #joel miller #joel miller x you #pedro pascal x reader #pedro pascal #the last of us #joel miller imagine #joel miller fanfiction #mine

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wiisagi-maiingan · 9 months ago

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1) The reason why Christianity and languages like English, Spanish, and French are so spread out in the world (primarily in the West but not entirely) is because of colonialism and violence. People rarely mass convert and give up all their own languages, beliefs, and traditions by choice.

2) If you can understand the above statement, then you also need to learn to apply that to other religions and languages that have spread massively in parts of the world and give space to people who need to talk about the kinds of colonialist violence in their cultures and communities that you aren't personally familiar with, like the Islamic conquests throughout Asia, Africa, and parts of Europe.

3) This also applies to massive countries. We can understand how Canada and the US grew so large through colonialist expansion and by displacing, absorbing, and killing the original inhabitants of the lands, but we also need to apply that to countries like Russia and China that have also become so large through expansionism and violence.

4) These things do not make any religion/language/nationiality/etc inherently bad or violent, because anything and everything can be used to justify atrocities, but we need to recognize and acknowledge these realities to avoid repeating and contributing to them. We also need to boost the voices of the religious and ethnic minorities under these colonial and imperialist powers, especially as those powers work harder to silence those monorities and repaint their violent histories as just peaceful and respectful expansion.

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zvaigzdelasas · 10 months ago

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New York University led by troubling example when the school shared an updated code of student conduct last week. Ostensibly aimed at curtailing bigotry, the new language instead shuts down dissent by threatening to silence criticism of Zionism on campus. Students who speak out against Zionism — an ethno-nationalist political ideology founded in the late 19th century — will now risk violating the school’s nondiscrimination policies.[...]

Tucked into a document purportedly offering clarification on school policy, the new NYU guidelines introduce an unprecedented expansion of protected classes to include “Zionists” and “Zionism.” Referring to the university’s nondiscrimination and anti-harassment policy, known as NDAH, the updated conduct guide says, “Speech and conduct that would violate the NDAH if targeting Jewish or Israeli people can also violate the NDAH if directed toward Zionists.”[...]

“Using code words, like ‘Zionist,’” the guide says, “does not eliminate the possibility that your speech violates the NDAH policy.”[...]

The entire premise of the guidance — that “Zionist” must be functioning as a “code word — is a flaw egregious enough to reject the entire document outright.

The language here is of utmost importance. The text does not say that “Zionist” can and has been used by antisemites as a code word, which is no doubt true. Instead, it takes it as a given that, when used critically, “Zionist” simply is a code word.[...]

According to NYU’s guidance, then, Zionist and Zionism are either antisemitic dog whistles when invoked critically or a protected category akin to a race, ethnicity, or religious identity. Ethically committed and politically informed anti-Zionism — including the beliefs of many anti-Zionist Jews like myself who reject the conflation of our identity and heritage with an ethnostate project — is foreclosed, and the long history of Jewish anti-Zionism, which has existed as long as Zionism itself, is all but erased.[...]

“For many Jewish people, Zionism is a part of their Jewish identity,” the NYU guidance says. And this is of course true. That does not, however, make Zionism an essential part of Jewish identity.

There are conservative Christians for whom the damnation of homosexuality is a key part of their Christian faith too, but Republican lawfare to see homophobic positions enshrined as protected religious expression have been rightly and consistently condemned by the liberal mainstream.

“The new guidance sets a dangerous precedent by extending Title VI protections to anyone who adheres to Zionism, a nationalist political ideology, and troublingly equates criticism of Zionism with discrimination against Jewish people,” NYU’s Faculty for Justice in Palestine said in a statement in response to the updated conduct guide.[...]

“Furthermore, the new guidance implies that any nationalist political ideology (Hindu nationalism, Christian nationalism, etc.) that is integrated into some members of that group’s understanding of their own racial or ethnic identity should be entitled to civil rights protections.”

27 Aug 24

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sobbingscripter · 3 months ago

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Tags: [mdni][mlw][slight humiliation][praise][implied age gap][fingering][squirt mention][porn][clit play][drool][petnames][mdom][female orgasm]

"Ooh, what movie are we watching?"

Nolan watches as you glance towards the TV screen, cotton nightie brushing along your thighs, manicured feet padding across the carpeted floor and you crawl onto the bed, creeping beneath the covers.

Muscular thighs rest on either side of you, his chin resting on the crown of your head before Nolan presses a kiss to your tresses, a muscular arm wrapping around your midsection and pulling you closer. You're snugly pressed against his chest, your eyes trained on the screen of the TV and Nolan hums.

"It's called 'my wife's search history'."

He responds with a hum, lips brushing against the hollow of your temple and you're trying to wriggle free. But it's damn near impossible.

His bicep bulges, and Nolan's free hand continues to push at the buttons of the remote, your search history displayed on a 70 inch screen.

"Baby, no. This is—" You're interrupted when Nolan tuts you, the corners of his brilliant blue eyes crinkling with amusement at the way your cheeks begin to flush.

"I wanna know what kind of things you're into, sweetheart." He coos, before clearing his throat.

"Okay, first one, 'how to fold an origami chihuahua'." Nolan snorts. "Did you learn how to do it?"

He glances down at you, your lips pursed before you nod your head. Almost reluctantly and he hums, a low rumble of approvement in his broad, burly chest.

"My nimble fingered girl."

And he diverts his attention back to the screen. You're not even sure what to be more embarassed about.

Your trips to Oxford dictionary, your dawdling spent on Urban Dictionary or the stupid things you look up for on WikiHow.

"Ohhh... A Cosmo article." Nolan hums. "You wanna learn how to squirt?"

And your cheeks flare up, and you try to slide lower, but he's got one of those stupidly muscular arms tucked beneath your arms, and he's keeping you anchored.

"You know, everytime you come close, you start crying and make me feel bad." Nolan hums, mocking you and you let out a disgruntled whine.

"Literally, what's the point of you doing this?" You complain. "It's embarassing."

"Is it so wrong of me to wanna learn about my wife and her interests?" Nolan huffs, almost dramatic as he stares down at you, inky moustache raising with his grin as he spots the way your eyes narrow.

"Especially since, you know, I'm never really at home and you feel all," he lets out a heavy sigh, "neglected and all."

And your eyes widen.

"Were— were you eavesdropping on my conversation?" You question, brows scrunching into a frown and Nolan leans down, pressing a kiss against the crown of your head once again.

"Focus on the part that I'm improving my schedule." Nolan chides you gently and he gently uses the hand that's not wrapped around you, to guide your face back towards the TV.

You'd complain and gripe, if you weren't so acutely intune to the way he touches you. Almost reverently.

His hand splayed across the expanse of your belly, his thumb swiping gently at the soft skin just below your breast, tracing the flesh through the fabric of your nightie. And he's just so warm and burly. It feels like you're curled up against a furnace and you're not even mad about that.

"You looked at our house eighteen times on Google Earth."

The laughter in his voice isn't hidden, dimples appearing in his sculpted cheeks and full, dark brows raise in surprise at your next search.

"Omni-Man... Up cape?" He reads, mulling the words over before letting out a breath. "You are shameless."

"I'm plenty ashamed now." You argue and he snorts.

"You weren't ashamed when you were trying to find pictures of my ass on the internet."

The glow of the TV is the only light in the room, the door shut and the light of the ensuite is dimmed, the door slightly ajar. The covers are heavy, weighted blankets that make you feel just a bit more secure in Nolan's arms and his head dips occasionally, pressing ticklish kisses to the curve of your neck.

And he hums. Low and rumbly.

"What's this?" He muses, before scrolling further.

"You watch a lot of porn." He comments. "Like... A lot."

"I'm very particular." You defend, eyes downcast to where his muscular thighs press against yours on either side, bracketing you against his body and your chest heaves as you let out a breath.

"I'll bet." He mumbles. "Guess that's why you went to page 113."

And you press your face against Nolan's bicep, your cheeks burning and your ears tinge red when the screen goes down, a little arrow forming a circle appears for a brief moment before one of the videos show.

Showcasing the exact timestamp where you stopped.

"Hm..." He hums softly. "S'that where you came?"

His voice is so quiet, a husky sound that sends chills up your spine and you weakly nod your head, peeking at the screen and you're watching a girl get her back blown out. Eyes shut, brows furrowed and mouth parted to let out pitchy moans that seemed a bit too loud for your comfort right now.

Especially since it's on a huge ass TV.

Nolan's hand moves between your thighs and you open them willingly, shifting your legs until they're spread salaciously, suspended over his own, thickly corded legs. And he lets out an amused huff of laughter, fingers sliding over the swell of your folds, pressed so snugly against the cotton of your panties. You bite your bottom lip, tilting your head back enough to peer at Nolan through your lashes.

"Keep your eyes on the screen." He instructs you so gently, guiding your head back to focus on the screen of the TV, and he hums softly, dragging a calloused digit along your soaked gusset, tracing your slit. He narrowly dips his fingers into you, just to feel the way your panties cling to your slick, before they move back into place.

Before you breath can stutter, Nolan's ripping your panties at the sides with ease, pulling the fabric out from beneath you and discarding it to God knows where.

And he glances back towards the screen. Tight circles being rubbed around your clit, his blunt digit nestled between velvety folds and he listens to the way your heart pounds in your chest. Breathy sighs slipping past your lips and your brows scrunch in that way that makes his heart sputter just a bit, and he brushes his tongue along his bottom lip.

"That's it..." He whispers softly. "Just keep watching TV."

You keep your eyes glued on the screen. Not because you necessarily want to, but because you know Nolan's spiteful enough to pull away and ruin the orgasm that's creeping up your legs in that steady rhythm.

And you swallow.

"Does it feel good?" He coos softly and you nod weakly, muttering the sweetest 'uh-huh' as your eyes don't even move from the TV screen, lashes fluttering and cheeks flushing.

You look like the cutest thing right now.

A little doll in his lap.

You're just so pretty. Big, blown out eyes, plump lips that are parted to let out the sluttiest sighs and he feels the way your clit throbs beneath the pressure of his finger.

"You almost there, sweet girl?" He hums softly and you nod your head.

Biting down on your bottom lip and your brows scrunch.

Your belly dips inward and that tightly wound cord in your belly snaps.

You're coming at the soft, gentle stimulation so easily, your toes curling against the sheets and your legs attempting to close but his infallible thighs keep them from doing so.

Slick coats Nolan's fingers but he's not really paying too much attention to that, focused more on the way you shift and wriggle in his grasp, and the arm around you tightens it's grip.

One meaty finger pushes into your cunt, the squelch is lewd and your lips are parting in an 'o' shape that makes him dizzy.

Your head lolls and you feel like a whore when drool trickles down your bottom lip, swiped away by Nolan's thumb as his finger curls, pressing against that sweet, spongy spot that makes your vision dot.

Nolan feels the way your nails dig into his forearm, watches the way your brows knit and his head dips, tongue dragging along your pulse. Lingering just long enough to feel the thrumming hidden beneath the curve of your jaw, and he laps up the perspiration speckled across your skin.

"You gonna start clearing your cookies, sweetheart?" He teases you, slowly pushing another thick finger into your drooling pussy and your eyes nearly cross, head tipping back and you can feel the way your brain melts with each pump of his thick fingers.

You feel each callous, each knuckle, you feel the cool band of his wedding ring kissing your plump pussy with each pump.

And you nod weakly.

"Uh huh..." You're lying.

You both know you are and a large, powerful hand grasps your jaw, tilting your head to meet his gaze and Nolan presses his lips against yours.

The kiss is desperate, needy, his tongue dragging against yours, claiming each inch of your soft mouth, your lips slick with your drool and he swallows each of your moans. Each whine you let into his mouth, is an unforgiving thrust of his fingers.

When you're coming around his fingers, you melt into a pliable puddle in his grasp, and you feel the way he presses kisses to the side of your face, gently bringing you down from your high. He pushes your cum back into you, slick fingers dragging against your walls and he lets out a soft breath.

Handing you the remote.

"Pick the next video."

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