#Manual Ads
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What causes Manual Ad Management to fail in a Digital World?

Did you know about 60% of businesses depend on manual ad campaign management, even in this digital age? While the conventional method may have worked wonders in the past, it doesn’t cope well in today’s digital world. The constraints of manual ad campaigns will result in operational challenges, inefficient expenditures, and missed possibilities for growth.
We need to discover the fundamental causes behind the failure of manual ad management and understand why contemporary approaches like Strique are necessary for growth.
1. The Complications of Multichannel Advertising.
Challenge: Manual processes get overpowered when broadening to multiple platforms.
Various digital mediums, from web search engines and online social websites to marketplaces and mobile applications, are used by today’s consumers to communicate. Each platform has distinctive guidelines, bidding methods, and target audience specifications. If we manually handle campaigns across all these channels:
Possibilities for mistakes in bidding or targeting will rise.
More time and resources will be utilized.
Satisfactory and reliable performance will become challenging to sustain.
Solution: By incorporating data from multiple platforms, automation tools like Strique specialize in multichannel ad management, facilitating smooth evaluation of campaigns and optimization under a single dashboard.
2. Poor Response to Real-Time Data.
Challenge: Failure to take quick action on insights.
The online advertising world changes within a short span of time. It takes a few hours for keyword trends, customer tastes, and competitive bidding dynamics to evolve. Manual ad management is naturally reactive and prolonged:
Data becomes obsolete even before required steps are performed.
Possibilities to profit on current trends are missed.
Slow and delayed modifications result in wasted ad expenditure and decreased ROI.
Solution: Evaluation of real-time data and instantly modified strategies are some services provided by Strique’s AI-powered algorithms, making sure campaigns remain profitable and budget-efficient.
3. Human Mistakes and Oversights.
Challenge: With complicated campaigns, there’s a greater possibility of errors.
When handling larger campaigns manually, even the most competent marketers can make mistakes. Here are a few popular errors:
Overestimating or underestimated budgets and bids.
Neglecting negative keywords or campaign clashes.
Targeting incorrect audience sectors.
These oversights can stall campaigns, leading to wasteful expenses and missed growth opportunities.
Solution: With less human input, the risk of errors also decreases because of automation, making sure campaigns meet high standards.
4. Insufficient Application of Data.
Challenge: It’s more difficult to capitalize on significant data via manual processes.
Significant amounts of information are produced by modern digital campaigns, which include impressions, clicks, conversions, and consumer behavior statistics. Nevertheless, manually analyzing this data usually:
Restricts the capability to manage and comprehend data efficiently.
Profound conclusions concealed in large datasets are often missed out on.
Greater priority is given to instincts over data-driven decisions.
Solution: Powerful AI and machine learning are utilized by platforms like Strique to evaluate complicated datasets immediately, providing practical insights to improve the process of decision-making.
5. Inefficient Labor Allocation.
Challenge: Significant time and diligence are invested in monotonous tasks.
Valuable time and focus are required by manual ad management, from tracking outcomes to modifying bids and enhancing campaigns. Due to this reason, marketers have:
Less or no time to prioritize strategy and innovation.
More obstacles to deal with in campaign flexibility.
Solution: Strique saves precious time for marketers to devote to intense operations, like enhancing creative resources or creating long-term development strategies, by streamlining repetitive tasks.
6. Ineffective Budget Management.
Challenge: Poor distribution of expenses and excessive spending.
Manually handling budgets often results in:
Lower investments in successful campaigns.
Higher expenditure on poor performing ads.
Trouble in redistributing budgets constantly.
Solution: Each dollar is utilized effectively, enhancing ROI simultaneously with Strique’s AI-driven budget distribution strategies.
Why Strique Is The Best Solution.
Strique is an innovative tool customized for retailing companies and marketers, managing the complications of digital advertising. This is how it deals with the constraints of manual ad management:
Features and Advantages:
AI-Driven Campaign Management: Reduces speculations with real-time adjustments.
Multichannel Advertising Techniques: Works smoothly with platforms like Google Ads, Facebook Ads, and marketplaces.
Practical Recommendations in Seconds: Extensive reports and suggestions can be produced by Strique’s AI within a few seconds.
Minimal Product Rejections: Ad adherence is guaranteed and rejections are prevented without requiring internal modifications.
Flexible for Development: Strique evolves with your business, whether it’s handling a few campaigns or thousands of them.
Conclusion.
Traditional ad management is inadequate for the complexities and requirements of contemporary campaigns in today’s digital world. Companies require sophisticated platforms to stay ahead, from handling data-driven strategies to quickly adapting to trends. Strique’s cutting-edge platform reinvents ad management, offering the insights and flexibility in a constantly developing world.
Don’t let manual shortcomings hinder your progress because the current digital world waits for no one!
Welcome the future of advertising with Strique and discover incomparable accomplishments!
Experience Strique today or request a demo to get started.
#Digital Advertising#Ad Automation#Manual Ads#AI in marketing#Meta Ads#Facebook#Marketing Trends#Digital trends#Business efficiency#Marketing
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Team Dark Week Day 7 - Live and Learning Experience
If he can pull this off he'll earn himself a wayfinding badge for his scout sash 👌
And that's a wrap on Team Dark week!! Bit quicker with the shading and background this time because 4 panels in this style takes forever actually h a h - that said I'll be touching them up before I post this whole week of panels as a master post soon (which will include some extra little doodles I didn't get to add to the main plotline), so keep an eye out for that!
And for those of you that have been following along daily, I hope you all enjoyed this silly little hiking story!
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#team dark week#teamdarkweek#rouge the bat#shadow the hedgehog#sth#For those of you following me long enough the little sketchy compilation of jokes when I masterpost this should be quite familiar haha#I plan to touch up a lot of the panels first like adding actual backgrounds to this one and shading it properly lol#shadow's wearing hiking boots here so he's gonna have to hoof it manually wish him luck!#he'll definitely be leaning nonchalantly on the car by the time rouge gets there#(he only made it there 10 minutes before she did and was certainly not at all panicked he'd miss it no siree)#(rouge just so happened to be admiring her new jewels nearby for a cool 20 minutes so the timing worked out well~)#omega has gps but it's more honorable for shadow to win this fight to understand maps on his own#(it's funny)#comic#my art#doodles#realizing I inadvertently made rouge Way taller than shadow here lmaO#i'm leaning into it by this point she's tall and that's the canon I'll live by#okay time to sleep for 48 hours whOO
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Good Omens 2 props by Micaela Ralph.
The Bullet Catch pamphlet.
plus some more
celestial chart
Some Whickber Street shops decor
#good omens#ineffable husbands#crowley#aziraphale#terry pratchett#good omens 2#behind the scenes#props#set decor#good omens behind the scenes#micaela ralph#some of these had been shared previously but the whole manual was added and I know some of you might like to see it
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[ids in alt]
i saw someone drawing their lines using the lasso tool only so i did some sillies to try it out
#no shidous were harmed in the making of this (he's just playing along)#twas fun! especially for speech bubbles and stuff#and shidou's har but white lineart is kinda hard to read unforch#bllk brainrot doodles#blue lock#bllk fanart#my art#itoshi rin#shidou ryusei#ryurin#the specific artist i saw went in and added texture manually but i could not be bothered so weve got . this!
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you should find another guiding light, guiding light, but i shine so bright~ // adrien agreste doodle
#i listened to dear reader and well#me: you have a lot of things to do you should focus!!#brain: do you mean: get suddenly inspired and do your bi-monthly drawing?#by doodle i mean i just threw in a whole concept and didnt bother with the rendering#my art#miraculous ladybug#adrien agreste#also i had to manually lasso all the window frames to blur the bg because i refuse to paint in separate layers#(i am forgetful and disorganized)#angst#<- my strange addiction#i also didnt bother with rendering the ads but that was purposeful and it has meaning and it definitely doesnt mean that i just got lazy#something something our boy is detailed the ads are all abstract#the bg is why i will never pursue architecture
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is this meme still relevant
#danganronpa#sdr2#danganronpa goodbye despair#i love tumblr because i can add as many tags as i want and not be a loser because of it#fuyuhiko kuzuryu#sonia nevermind#ibuki mioda#akane owari#teruteru hanamura#nagito komaeda#mahiru koizumi#video#meme#also yes i manually made all of this i had to compose it from the bottom up#adding the sound effects was my favorite part#crossposted on tiktok
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Like the original Monster Manual, the AD&D Monster Manual II had a long "D" chapter with new demons, devils, dinosaurs, and dragons, adding the cloud dragon, faerie dragon, mist dragon, and shadow dragon (Jim Holloway and Harry Quinn, 1983)
#D&D#Dungeons & Dragons#Jim Holloway#Harry Quinn#dragon#dragons#cloud dragon#faerie dragon#mist dragon#shadow dragon#Monster Manual II#AD&D#dnd#Dungeons and Dragons#TSR#1980s
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Monster Manual 1st ed. 1977
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There are legends of people born with the gift of making music so true, it can pierce the veil between life and death, conjuring spirits from the past and future. In ancient Ireland they were called Fili. In Choctaw land they call them Firekeepers. And in West Africa, they're called Griots. This gift can bring healing to their communities, but it also Attracts Evil.
Sinners (2025, Dir. Ryan Coogler)
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HERE IT IS I DID IT
#okay so funny thing#i lost the coloring + painting over details process#its just gone i dont have it anymore lmao#so thats why he magically gains colors at one point#its just me manually painting over him with an overlay layer#plus another layer where i paint stuff like hair strands and polish some stzff#i did also go in after and added some stuff like glow#my art#spoiledmilks art#digital art#speed drawing#genshin impact#venti
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I’m going to finish this later but. Playing with the very, very first concept i had for a character in this dnd campaign layered with Adam. Why not also use him for military propaganda
#[.art]#[.oc]#adam#dnd#<- only kind of this is more his original strain#and also yes. both the manual and the little ad on the side have ‘v’ in place of ‘u’#it’s a surprise tool (imagery of fascism) that comes with his themes
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All I do nowadays is draw Geminitay <3
I wanted to draw elf Gem but with real big pretty curls but it did end up looking a tiny bit werewolfy? or maybe vampirey? idk the fangs were a lot more visible in the sketch lol.
I do think wolf gem would have fuzzy ears tho... 🤔
Also, I've been trying out a new drawing program (hipaint) because I'm sorry ibispaint but I still can't get you to have a decent soft pencil effect 😭
anyways it has made the drawing a lil bit blurry (might have just drawn too small tho)
#tomatoart#fanart#hermitblr#hermitcraft#hermitcraft 10#tomato art#myct#geminitay fanart#geminitay#also hipaint has a gradient tool and it's so nice to not have to manually paint in a gradient every time aha#and there's no ads wahoo
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the hoes are asleep post this
#tommatt#eddsworld#tom eddsworld#matt eddsworld#tom ew#matt ew#do you guys know how freakishly hard it was to edit the fucking colors. at the time i didnt know#of like line extraction or anything else i couldve tried and i wasnt smart enough to use#the bucket tool with no pixel expansion so i had to fucking manually adjust this myself#with the brightness scale and i got the EXACT colors ty edd for not adding a bit of blue in your grays like i do
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@bladekindeyewear asked: Quote asker: "Feferi is the one who set up the dreambubbles" -- Mild correction there, what she said was, "CC: Soon I will go to sleep and speak to t)(e gods. CC: I will convince t)(em to establis)( a series of stable dream bubbles, w)(ere we can meet in our sleep!" Emphasis on "stable" and "meet" - the dead might end up in the dream bubbles regardless for all we know, from what Aradia said, but their respective bubbles likely wouldn't have INTERSECTED as frequently without Feferi's request.
I think the key word here is stable.
We've occasionally seen more fluid, abstract dreamscapes, such as WV's shared dream with Vriska, or Jade's chaotic post-death nap. These, I think, are the Dream Bubbles as they naturally occur, without the Horrorterrors keeping them coherent. They're unstable, liable to mutate or collapse without warning.
The Bubbles might always have existed - but, thanks to Feferi, they're solid now, and can be used as a medium for consistent communication.
#homestuck liveblog#full liveblog#act 5.2#asks#netherite seed update: I experimented a bit. turns out it doesn't actually matter that they don't multiply#i manually crafted 10. tossed them in an incubator and added fertilizer. now they grow so fast I have more netherite than I'll ever need#so we don't actually require that many seeds for a given resource.#anyway we're past that now. resource management is OUT. building fusion reactors is IN.
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lays on the ground
#pigeon screens#odette hollows#HAVE YOU SEEN HER AHHHHHHHHHHHHHHH#I LOVE HER#i'm on my hands and knees weeping#i love#i love!!!!!#anyway#i finally just caved because i was getting antsy about her makeup mod of all things (':#I had no idea what one I actually used for it because the one I THOUGHT it was was updated and is so different#so I went digging through my old files for stuff and got the png and updated it#and it looks!!!#ok#but maybe i'll bite the bullet and try and grab a commission for a custom makeup#maybe...... see if she can get her dimple added#I know it would be visible *all* the time instead of when she grins a certain way so maybe it would be easier to figure out how to#draw it on manually?#many thoughts to think#many things to rotate#but i am confident in updating olds things now at least#there are some weird spots right under her lower lip (hidden by tea cup) that I'll have to poke at#but!!!
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"Green dragons prefer to locate their underground lairs in or near woods or forests of the bleaker wilder sort if possible." (David Sutherland, AD&D Monster Manual by Gary Gygax, TSR, 1977)
#D&D#Dungeons & Dragons#David Sutherland#dragon#Monster Manual#AD&D#green dragon#dnd#Dungeons and Dragons#TSR#1970s#monster
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