#Near and Mello are like

[lizardbethparson]

There’s always a duo in the trio

ship or platonic idc

[galgali]

it is absolutely true that every character in death note is in a completely different piece of media from every other character. light thinks he's in law and order. L is in columbo, as columbo. misa is in a sabrina carpenter song and rem is in a chappell roan song. to ryuk this is all the three stooges. soichiro is in taken and matsuda is in brooklyn 99 and aizawa is in disco elysium. this is mikami's silence of the lambs and you're living in it. mello will either make this whole situation into twilight or die trying, and near? well. near is in death note.

[horreurscopes]

dude your intricate ritual just fucking bit me

[yaolmao]

they should work together idk guys

[theoldworldsrunnerup]

Death Note Characters as eyeshadow palettes

[ponury-grajek]

matt, mello and near in their natural habitat (near the other sillies <3)

Commission for @nachtyr-haus-comics ~

[sublimerences]

Just a burning memory

[alien-grave]

“tHiS ApP nOrMaLiZeS SmUt oF _” “ThAtS NoT A KiNk ThAtS nOrMaLiZiNg _”

SHUT UP.

ITS FANFICTION.

LITERALLY EVERY PSYCHOLOGICAL PROFESSIONAL OUT THERE DISAGREES WITH YOU.

OH NO FANDOM ACTS LIKE…LIKE…A FANDOM?!

There will be smut of everything. There will be fics with all sorts of kinks. Stop misusing terms like normalization and romanticization to describe FANFICTION. FANTASY. HARMLESS FICTION.

Don’t like something cuz you find it icky?

Filter it like a NORMAL PERSON.

Block it. Easy. Stop being a big baby. We will write about whatever we want with whatever character we want. Doesn’t matter how much y’all wine about it, it’s still gonna be there because that’s what a fandom does and if you don’t like it then put on your big boy pants and curate your own internet space. Go outside. Touch grass. Talk to a therapist cuz you clearly need it.

[that1notetaker]

Did anyone ask for... *squints* ...a domestic Death Note fix-it in these trying times with Near at the center of my rotating mind? No secondary intentions I swear

they're people-watching you rn

[smallsinger5901]

Look at these BABIES

[kiyomitakada]

in which L's successors engage in riveting debate (post source, B sprite source)

[applestorms]

L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.

his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...

this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.

this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.

one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.

imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.

[eightspringdays]

The Boys

[yaolmao]

these boys should’ve gone to college GODDAMN

[biggiesizeyourcombo]

my genderbent au!

[jessaerys]

from a longer thing i may or may not finish