#PLEASE DONT SAY THAT AGAIN

[stemmmm]

more people gotta try this shit where bill has not improved and will not change but he's just chilling so its fine probably. its great

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[arcade-confetti]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[angelcake10023]

Twilight (from Spy Family) and Yor are so aroace coded and that’s very special to me hfkdhdkdhdksk

Loid hasn’t figured it out yet of course

[pyrotechnicdarts]

[applecranberryjuice]

My only Morro predictions

Secret third option: he just doesn't show up at all. The leaks were wrong, everyone was wrong, he's not even in the script notes, mass deception.

Awful hand writing transcriben under the cut:

1. Hey guys, MORRO here to show you how even good, or the people we look up to make mistakes BUT ALSO to remind you that the mistakes of the student aren't also the master's and that relationships between LEGOTM are complicated .

2. So glad we are on good terms after that one special everyone watched anyways I'm here to bully this stinky loser teacher Mcvisions into an accurately depicted panic attack bcz hes stupid dum dum and even HE couldn't break the cycle

[torglives]

can i stand up and say that ros AND yellow are completely irredeemable from lukeys pov or will the audience not like that one. because it’s honestly just been something that’s been bothering me a little bit. the way they talk about him like he’s less than human gets under my skin. can i just rant for a minute. is this okay with everyone.

like imagine you’re thrown into this new world and someone you’ve never met hates you for hearing your voice in a pocket dimension. and then murders you for it like an hour into your life. and then everyone acts like it’s okay because she’s going through a real rough time. and yeah she is, but how does that make it okay? they defend it, because she was scared, but you were scared too. what about your fear? you didn’t even do anything. she keeps threatening to kill you, and you can’t do anything, and you’re powerless. and then you join the opposing faction, because why wouldn’t you. and then her factionmate kills you a few days later. and it’s all one big joke. the entire faction hates you and they believe you’re evil, because they have to justify themselves somehow. no enemy of the kingdom can be innocent, so you must be evil, but you don’t even know who you are yet. and the king takes responsibility for all of it, willingly.

and you’re not perfect, but you try to remain kind. you ask her if she’s comfortable with you attending her event, and as you’re leaving, she calls you back and tries to murder you. again. and she’s friends with the guy you’ve sworn your life to, who’s likewise sworn to keep you safe. and she tells him it was just a little tap, like it was nothing. later, you try to stick up for yourself, defend your innocence, and she tells you that she doesn’t view you as an equal, much less a human being. your death does not matter to her because she doesn’t believe you deserve to live. she doesn’t believe you’re anything at all. "you’re nothing to me, lukey," and everyone lets it happen.

she continues to berate and belittle you, and threaten your life, and so does everyone else, because they’ve decided you’re evil. and it’s funny. and you’re weak. sneeg, and ros, and tina, and zam—and foolish lets them. and then ros dies. and she comes back weird and wrong, and people say to you try to start over, so you try, bitterly. but you’re evil. she calls you a dog. a pet. mocks you. says you make her want to be violent.

"like, i hardly touched lukey, and he hasn’t stopped whining about it."

and something’s got to give. someone has to take responsibility, so,

"i didn’t plan this, foolish. but i’m letting it happen. much like you did."

and everyone screams, see! we knew he was evil all along! we were right! — but this was never your decision to begin with. it’s never mattered what you truly are, because they’d already decided for you.

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[wanderingibon]

if you thought i'd introduce my rooksona with something epic and cool with immense lore... here's lucanis with cookie rook instead. i hope it captures the energy, and more

[canon-gabriel-quotes]

wear headphones :)

Transcript:

As much as I'd love to witness more of your prowess, I'd very much like to have that body of yours.

Is that a strap-on?

Machine, I'll cover you in more than blood.

Fuck. *exhale* Shit. Fuck-God! mmmm-ohohoho. fuck. fuck. h-Harder, Machine. Mph! *whimper* Hah... Come on!

End transcription

Sorry for this. I promise this is the worst thing I'll ever post. Unless he somehow manages to do something worse.

I can't really provide the audio sources in a neat way because this is 6 clips stuck together.

[stargalaxyshooter]

We have surely lost the plot if we're now trying to claim anyone in the furin trio isn't close to the other because of shipping purposes

[robbinggoodfellows]

”all my marriages were so crappy that i spent all my time with you.” WILSON WHAT

[coledbrrrvrrr]

Glitchy vers. + doodles under the cut!!

(Doodles have slight spoilers for the movie mayhaps...)

[instarsanddyke]

[citycrows]

At least my rage is red, it's the closest to love that you'll ever get.

Yuuji is more than a ray of sunshine. He burns with a hatred that's just for Sukuna. A hatred just for himself.

How terrible, this side of him he can never share with anyone but Sukuna. How fitting, since Sukuna made him this way.

[queen0fm0nsterz]

I really like how Little Nightmares explores masculinity and femininity.

The experience of a female presenting LN protagonist (and even character, if you want to extend to the antagonists, notably the Pretender) is generally one of survival induced solitude, where companionship can be sought but ultimately denied due to circumstance - especially among each other. Six, Noone, Alone and Raincoat Girl all display different degrees of longing for someone to understand them - Six being an extreme on the side of isolation with the occasional source of comfort (the Nomes), Alone being a comfortable middle where she is indipendent and curious while also having a companion, and Raincoat Girl being the other end, an helpful force who seems to desire companionship. In Little Nightmares 1 especially femininity is displayed as the painful experience it can be. It's raw, visceral, and worst of all it's isolating both when you conform to it until it destroys you, like the Lady does, and when you reject the standard of what is expected of someone like you, like Six.

The pain you feel, physical and emotional, doesn't seem to be as important no matter how deep it cuts you. Noone's tumor being hidden and neglected, her headaches being dismissed... and of course Six's hunger, unforgettable in how much it hinders her, but I could also point to her monster form and the physical and mental toll the entire ordeal in the Tower has left on her.

The conflict between Six and the Lady becomes especially poignant under the lens of this argument because it is a confrontation of the two opposing sides of the spectrum, metaphorically. It's a little girl who has yet to experience the devastation of conformity performed as a means of survival facing a woman who lived all her life so set on following these rules that anything outside of them is perceived as a threat.

(One can't ignore the more obvious point of the class difference with Six being at the very bottom of the chain and the Lady being at the top, which certainly influences the dynamic, but I digress.)

Femininity is hyperindependance in the Little Nightmares world. It's the desire to be left alone while also longing for understanding. It's ambition and curiosity, but it's also the loss of identity both in the pursuit of it and in defiance of it. You end up being alienated either way; you can't really win.

On the other hand, I find that generally, masculine Little Nights protagonists tend to be driven by sentimentalisms and emotion. They are often defined by what community surrounds them, be it a single friend, family member or group; the most lampant example of this are, of course, Mono and the Thin Man, but the same argument can be made for the Runaway, whose story ends up leading him into finding a genuine community with the Nomes, something that no female protagonist experiences. You could argue it was clever foreshadowing, and it was! But does it make the observation any less valid? Personally I don't think so. Low also seems to be pretty set on keeping Alone by his side, although it might be too early to tell; however we do know he's a dreamer who dreams of a future where he and Alone can escape the Nowhere. You could call him a romantic.

Masculinity in this world can be care and fortitude, but it's also singlemindedness. It's the ability to find companionship and meaning while also letting one's own hubris destroy it.

Otto himself is an incredibly interesting example of this because we can hear how his desires, his emotions, are eventually what ends up driving Noone into the arms of the Ferryman. It's a prime example of how masculinity and femininity clash with one another -how his emotional wounds and eventual loss of clarity caused a little girl to fall prey to that hyperindependance where she refuses to be helped by him even when he does mean it.

(Along with his vaguely misogynistic remarks, but again, I digress...)

This singleminded focus on one's own emotions is what I think makes the Thin Man and Mono as relatable to many as they are. His is an endless cycle of violence caused by his own hand; by his own inability to process his emotions in a way that can allow him to progress and move forward. It's not a justification of Six, whose eventual exhaustion was what caused her to react the way she did, but rather it is an observation through again metaphorical lens.

The Thin Man is stuck in a dark room that gets progressively smaller because his inability to understand his wrongs causes it to shrink. He's locked in a bubble that is not entirely of his own making, but it is his responsibility to burst. But how can you burst it when you have no conscience of the fact that the room has been getting smaller to begin with? How can you care, when all you can think about is the emotional hurt that brings out the worst of you, the part that you don't even realize is the worst of you?

Masculinity can be just as isolating as femininity not because it's visceral but because it's fragile. It's unaware of itself while also being incredibly concentrated on the self. It's based entirely on how one is perceived and treated and thus easily destroyed once one is left alone to their own devices, which is why it requires community. Once that community is taken from you, it shatters, and leaves one without the tools to rebuild it.

I suppose the true difference here is that, at their worst, while one is self aware to the point it is actively damaging to the self and everyone around you, the other is so out of touch with itself that it can cause unintentional hurt to the self and others which can't be processed properly.

At their worst, they're monsters that help make each other, you could say. At their best, they're companions who help each other.

(This is in no way an attempt to diminish one or the other, by the way, nor does this reading apply to every single character. Both social constructs have their good sides and bad sides. The main quartet of Six, Lady, Thin Man and Mono are very strong cases, but I was simply making a general observation.)