#POOR WORDING

[andrew5073]

"Granted...and redundant."

"What?"

*smile* "There 'was' a time when there was no afterlife; thus, your wish has already been granted."

*indignant* "What happened to 'no funny business' then, huh?"

*smile drops* "You tried to erase everyone who has ever died from existence, and condemn all future generations to oblivion. Does that strike you as funny?"

Moral of the story: if they can play cards for actual stakes, they can probably lie to you.

“Congratulations, you have won a single wish.” The Angel said dejectedly placing his hand of cards on the table. “No catches, no funny buisness. What ever you wish I will make true and I will make the wish beneficial to you”.Your plan had worked “I wish there was no afterlife”.

[luetta]

[mischievous-thunder]

It's a special skill set, Logan. Wade wants you to make good use of it over and over again!

[sixth-light]

Not adding this onto the post that keeps crossing my dash because it's not really relevant to that discussion, but: anytime the phrase 'nobody was living there' comes up as a form of justification for something or other, it is worth keeping in mind that in literally the last ten thousand years or so the only major areas of the world to have been settled by humans for the first time are Greenland, Iceland, Aotearoa New Zealand, and Madagascar. (We shall not count Antarctica on the grounds that nobody lives there permanently or is ever likely to.) Everywhere else has been inhabited by humans for tens of thousands of years. Even when Homo sapiens left Africa our ancestors were encountering (checks notes) our other ancestors, Neanderthals and Denisovans, not to mention other human species now extinct.

The myth of the unpopulated frontier, open for expansion, is just that: a myth, and one that generally serves a specific purpose in terms of justifying settler-colonialism. The question the phrase 'nobody was living there' demands is - who are you calling 'nobody'?

[ladyofthecreeddraws]

Two freaks at the club: the dry-humping prequel~*

And a close-up <3

Also on Bsky!

[apatheticsunday]

Fatherless Behavior

AKA "Danny Fenton is actually Batman and Catwoman's son. He likes his bio mother a lot more than his billionaire furry bio father, and Bruce is just trying to be a good dad to another surprise kid" prompt idea!

I like the idea of Madeline and Jack Fenton being good parents who love their kids so much. Maybe Danny still got zapped by the ecto-portal and died, but he immediately went to his parents and they helped him adjust to being Half-Dead. So, obviously, if he's old enough to die, he's old enough to be told the truth. Maddy and Jack adopted Danny from a woman named Selina Kyle, who's contact information state she's in Gotham City and willing to re-connect with Danny when/if he's comfortable.

Maybe Danny says he's okay, doesn't need to know who his biological parents are, because Maddy and Jack are enough for him. But it's also okay to be curious, right? He's like... seventeen or eighteen at this point. So, he says he's going to tour Gotham-U and maybe, possibly hunt down his birth mother if he has some extra time.

Fast forward to him standing in front of a very posh apartment complex, the doorman refusing to let him in, and he's incredibly embarrassed. There's an older couple coming out the doors. The older man looks like he's going to walk over, possibly intervene, so Danny just begs asks the doorman, "Can you please just call Selina Kyle? I'm her son."

And Bruce, who's having date-night with Selina, nearly passes out. Because under the bright lights of Selina's apartment lobby, this kid looks exactly like the perfect mix of Bruce and Selina. He's got his father's unruly black hair, Selina's catlike blue eyes, and has several dark freckles on his neck like Damian. So... this is a Not Great situation because Selina had a kid behind his back?? Selina's gripping his wrist like a panther with an antelope's jugular and says, "Not in front of the child, Bruce." And if there's one thing Batman is good at, it's keeping his cool (or pretending to).

They all end up in Batburger with Selina and Bruce looking comically overdressed while Danny's in ripped jeans and a NASA hoodie.

Selina is kind. She got pregnant and then Bruce was presumed dead (Batman's Time Stream incident lasted how long?? I feel like 9 months is reasonable, right?), and she wasn't prepared to be a single mother. She also hadn't wanted Danny to have a criminal for a mother ("Wait, what??"), but didn't feel comfortable aborting.

"Our relationship can be whatever you want it to be, Danny. I'm not trying to replace your mom. I'm just here to help if you want." She doesn't try to touch him, doesn't treat him like a kid, just speaks calmly and respectfully to him.

Bruce, unfortunately, isn't as tactful. He begins with: "And I have an extra room in the Wayne Manor. I can pay for your tuition at Gotham-U, get you a job at Wayne Enterprise, and introduce you to my kids. Tim would like you, you're about the same age-" before Selina shoves an elbow into his side. The damage is already done, though. Danny practically shoves from the table (after slipping two Batburgers into his hoodie pocket since clearly Mr. Money-Bags can afford it, the presumptuous asshole).

"I came here to talk with my mother, Mr. Wayne. I don't want your money or to be a nepo baby at your company." Danny snarls a sarcastic little thanks before hauling ass to his hotel, muttering about rude-ass rich folk.

(Selina, still at the diner with Bruce: Look at what you've done! You've scared our son off!

Bruce: Maybe if you told me I had a son, I could've been more prepared for a surprise visit!

Selina: Maybe if you stayed dead like everybody thought you were, you wouldn't be surprised that I had a son. You weren't there!

A squeaky noise can be heard. It's a waitress trying to quietly write on a whiteboard that says "Days Without a Wayne Argument". The tally is changed from 4 to 0.)

Anyway, I want Selina to be more like a Cool Aunt instead of a mom. She gets that Danny already has a maternal figure in his life, doesn't really want someone Mother Henning him, so she becomes a safe space for him to let go. Watches the Neil deGrasse Tyson docuseries, offers him wine during girl's nights, lets him rant about how unsure he is of the future without giving unsolicited advice.

Danny pretty much sees Bruce and is like, it's on sight, old man. Bruce sends an expensive telescope to his house. It gets sent back with a book that says "How to Know When to Give Up: For Dummies". Bruce tries to catch Danny while going to Selina's apartment and Danny screams stranger danger so loudly that Bruce is momentarily worried he accidentally accosted the wrong teenager. Danny makes a comment about "another billionaire frootloop wanting to keep me in his basement" and Bruce is even more concerned now. He responds with, "Daniel, I would not keep you in my basement." Yeah... that definitely didn't help.

Oddly enough, Danny is now also being harassed by Batman and his Bat Cult.

[kaktusjin]

After training with Bernard

[mournfulroses]

Fyodor Dostoevsky, tr. by Hugh Aplin, from "Poor People," originally written in 1846

[aroaceleovaldez]

Nico referring to his mom as "Mama" implies he most likely at least used to refer to Hades as "Papa" and i 100% headcanon he still does but mostly in the manner of him having the entire Underworld wrapped around his finger for being the baby of the family

[nakialli]

Read the oathbreaker by @lesbianherald y'all. At this point if you see medieval jayvik by me just assume bee is responsible for it

[callizinc]

Ena in Dream BBQ and Work Culture

HELLO Dashboard!! Ever since i first played DBBQ i've found the entire game endlessly interesting (as have most people, LOL) But one of the most interesting, and in my opinion, most Potent things, is Ena's character and how she relates to the game's commentary on modern work culture.

So for anyone as much of a #SICKO as me 😭 Here's an embarrassingly long analysis of just that! There's SO much to talk about with this game, and even when I'm trying to focus on one specific idea with this post, I'm sure I'll still miss things, so just stick with me best you can OK? 😭 😭

My aim for this post is to allow you to understand Just how deep in the torment nexus Ena is, and to want to say "she should be at the club" Only to realize she can't even go to the club. She can't even go to the club. Because of Job. (Among other, hopefully more intelligently articulated things!)

SO, Let's just jump right in :D

First, to state the obvious—Ena's literal entire life is her job. The only moods she expresses under normal circumstance are "smooth talking salesperson where every line is about working or trying to sell something" and "Stops keeping up the veneer and gets frustrated and pissed because she hates her stupid job."

This permeates every aspect of her character—I don't think there's a single line in the game so far where she says like, Anything about herself. There's nothing about what she may want or what she may like. It's all about her fuckass job or the fuckass Boss.

And of course, even in gameplay aspects, you literally don't get a chance to choose whether you accept a job or not, like the thought of doing anything besides giving her time and energy for other people or her job's benefit doesn't even occur to her (Or, it can't occur to her—I doubt the Boss would want to allow her reprieve from anything at all, and I'm sure Ena would know this).

(^ Ena's reaction to being told to find a mythical figure that she maybe didn't even know existed cause Froggy sure as hell didn't to do a stupid job for Froggy's stupid ass. Like)

Maybe i'm reaching here, but I even find it interesting how her red hand has no fingers (besides a thumb). I feel like that represents a lack of individuality she has when she's in Salesperson mode, or at least, a lack of individuality she's been allowed. A lack of having a defined being cause it's all about this stupid job.

There's lots of avenues to go from here, but let's start with another big point of the game: Everybody hates her. Except for like, three characters, every NPC in the game either insults her, talks down to her, blatantly doesn't respect her, or Literally tells her nobody should be punished for being born except her. Typical day for Ena.

I'm not going to get into why I think this is—for me there's not enough evidence to speculate with surety right now—but I think this does tie strongly into her commitment to her job. Ena working her ass off in every aspect of her life and earning nothing but disrespect for it is very reminiscent of real life work environments.

Think of how almost every NPC claims they are "the Boss" in such a way that many of them seem to want to be the Boss, like he's some kind of well-known or respected figure. The description for the game on Steam even says as much: "Play as ENA as she searches for the Boss that everyone wants to be."

(eg: "I am the B-O-S-S!"):

People wish they were the Boss, they want to be some kind of rich capitalist with power and fame, but when looking at someone who actually works for him, and probably is the reason the Boss has profit and success in the first place, they insult her and demean her no matter how much she gives herself to them and the Boss. I'm sure you can see the real life parallels here.

It's even possible one of the reasons Ena works so hard in the first place is as an attempt to earn respect from these people, or to make up for whatever everyone thinks she did that made everyone hate her so much. Especially considering...

Our society is one that tells its people that Work is unequivocally Good. Committing yourself to work is what everyone, no matter who they are or what they face, is what you have to do to be a valuable member of society, and to have any respect from other people in the slightest. It tells its people that you only have value as a living human being at all if you give your life to work.

Even though this blatantly isn't true. If people think you're the Wrong type of worker, or if people think your work isn't valuable, helpful, or that it doesn't require skill, you can work as hard as you want but you'll still be treated like shit. But, hey, work is still your duty as a member of society, right? Stop bitching and whining and pull yourself up by your bootstraps, right?

Needless to say, it's easy to see how this whole idea is being represented in DBBQ. She even knows how much she's sold herself to this, she just... Seems to have extremely casually accepted it all LOL, which, I mean... What else does she have the power to do?

This very casual and nonchalant acknowledgement of her lack of autonomy connects to another big point: Ena doesn't value herself, nor does she even know how to exist without being in a constant state of working.

Let's talk about the Purge: There's a LOT to get to here in terms of Ena herself LOL, but the intrigue starts before she even enters the party. Literally Froggy just saying she's about to enter an "Event" stops her in her tracks and worries her. Not to mention the next line...

This feels like an indication that despite how much she commits herself to it, Ena does "crave freedom" from her shitty job, although she can scarcely admit this anywhere else so far. Then, if you talk to this slime guy, you get some strange text.

As far as I know, the text for interacting with things doesn't look like this anywhere else in the game. And given that it looks exactly the same as how Ena's lines do in the Purge, it's seemingly the only peek we get into her internal monologue, and it is. Quite worrying! She literally can climb up a hellish freezing floating mountain and yet this is by far the most freaked out she gets in the entire game.

And then to actually get into the Purge, an Evil eye Ball tells her that she needs to give a literal arm or a leg to get in. And she just does it. Like no hesitation no further questions she just gives it away to the evil eye ball. Presumably for Good? Because the only reason she regains the arm later is because of Genie magic? Like Ena. Girl. Are we gonna talk about this at all.

But so many real life work environments expect you to give every part of yourself in order to be allowed to exist and live in society, including your physical being and critical parts of your personhood at all.

(Let me also say I find it intentional that she gave away her white arm. Whereas her red hand literally doesn't have fingers, the sharp claws she has on her white hand represent the individuality and unique identity she Does have. However, it's also the part of herself that's in conflict with her ability to be a Good Worker, that always does exactly what she's supposed to do, and never complains, and never gets in the way of her duties.)

She was already very distressed here, but it's a clear indication of how little she values herself. It was a motion to lose a part of herself just to reach the Genie, both for her stupid job, and possibly for the possibility of "freedom" from it all. And your average job these days—no matter how important you are to your cause—will drill it into you that your ability to be a good worker is infinitely more important than your existence as a person. It's easy to see how Ena may have internalized that.

And then she goes to the club one time and this happens

I won't get too deep into her dialogue with the NPCs here because I think their intention is pretty clear; Being in a place so antithetical to a work environment, and a place where she's supposed to let loose and have fun, is so distressing and impossible to even fathom for her that This Happens.

(see: "H-How can I leave this stupid event? M-my lame schedule is full,")

Like, everything at the Purge is insane, but this is a particularly heartbreaking line for me. One because of her job's shitty environment that's broken her down so much—do you think she EVER gets a break, because I sure don't—but also because of how it's conditioned her to not even believe she can "afford another minute of joy." Ena :[

Note how she's covered in these branches that started growing during Froggy's phone call, which look very similar to how she looks in this gag with the Shaman—it's literally her nervous system. In her scene with Mitu she even says she's feeling "sick," She's literally freaked out of her flipping Gourd with her goddamn Nerves On The Outside

Hell, even though Meanie's speaking (which, I mean, no shit, in another line she literally describes her job as "deplorable" 😭), these sprites in the files are actually labelled "Anxiety", suggesting that she's SO freaked out by being somewhere supposed to be so opposite to her work she's become another variant of herself, a la Drunk Ena from Season 1.

I won't get much more into this, because @cube-cumb3r has a PHENOMENAL post I'll link in the notes that goes deeper into this stuff from the Purge and the "Anxiety" thing, And also gets more into theory territory than I do here! Please please go read that post, it is so damn good.

In any case, I think the scenes with the Purge NPCs are the biggest examples in the whole game of how much she hates her fuckass job, yet she can't be allowed to be anything besides a wage slave to it. And just as she's internalized everybody in her world's dislike of her, she hates herself for it.

So:

We've established that Ena's shitty job parallels the real life work conditions that plague our world, and that these conditions have caused her to devalue herself and believe she can't have any reprieve from them... but, what even is her job?

Apparently she's a salesperson, but what is she even selling? She tries to offer a "divestment opportunity", and tells the Witches she can show them how to "grow [their] own [boss]" which definitely falls in line with the Sales thing, but besides that it's still not clear, even when she talks to Froggy.

I suppose the "grow their own boss" line does sound a lot like the phrasing used in MLM schemes, with how they lure people in by telling them they can "be their own boss." The Receptionist also calls Ena a scammer and a conman, so maybe she is a sort of scammer, but, I also don't exactly think the Receptionist think she has the most reliable opinions of Ena LOL

She also calls her a "pink-collar slug", pink collar meaning a job traditionally associated with women, which. ??? I don't fully know where to go with that.. like ...Nothing she does harkens to... Any kind of job expected to be done by women, imo?? Um. Yeah idk i just thought that may be significant??/ 😭😭😭😭 Listen man I can't know it all

Anyway. Maybe I'll be proven embarrassingly wrong when we receive more information in future chapters, but I think the lack of clarity on what she's supposed to be is representative of the games themes. The constant disrespect Ena receives makes her seem likely to be a low-tier worker, someone at the bottom of the ladder that people have no problems walking all over.

Because these types of jobs will treat you the same no matter who you are or what you're supposed to be doing. She's doing what the world tells her she needs to do in order to be a respected member of society, and yet she's also someone people feel comfortable treating poorly because she's at the bottom—because has no power of her own. It doesn't matter what she's supposed to be doing, it matters that she's the Wrong type of worker.

And how is she supposed to ever say anything for herself? It seems virtually baked into her Salesperson side to completely ignore past all the rude things these assholes say to her. After all, not only would that probably just make most people ruder to her (and impede her ability to complete jobs for them) isn't the customer always right?

...OK I will say her whole "Understood! Aim for the target!" line DOES seem like her overall job here is to fucking kill the Boss, but this is long enough already and the likely theme of Ena having a violent streak and whatnot is another beast entirely that I am NOT getting into here 😭😭

Besides, maybe she has no clearly defined job because we've already seen exactly what it is. To sell her life, time, and emotions to whatever all these clowns ask of her, and to receive no reward besides another goddamn job to do.

I think future chapters may delve more into Ena's true feelings on her situation, and possibly even how she'll get freedom from it. Allow me to mention the scenes with Theodora, wherein if you try to "aspire to receive a blissful life" Theodora just tells Ena "You can't aspire for more than what you are capable of." (LIKE OKAYYYY.... RUDE MUCH????)

Until, finally:

How is her mind—containing a desire for freedom—supposed to be in harmony with the letters it spits out, when she's been so conditioned that the only thing she's allowed to be is a worker?

Now, even I still have a lot of questions after this. Like: What has happened in Ena's past that made her this way? How and why did she take this job in the first place? What is up with the "Guys wait, I'm not doing what you say I'm doing" scene I literally didn't even mention that once here. Why should nobody be punished for being born except poor damn Ena, and does it relate to any of the themes I just talked about?

I... don't know. Like I actually truly have no idea. But I have confidence, even if it's in a delightfully vague and abstract Ena-typical way, that we'll find out eventually.

[k0ushii]

Imagine this

nrc confessions board where theres this online space you can anonymously post confessions into

one day someone posts like "to that one magicless student in 1-A, you're kinda cute i like you/have a crush on u" or something

then everyone except yuu sees that starts freaking out

a bunch of ppl trying to find out who this mf is (its a mob/npc)

and at one point ace comments "STAY AWAY FROM THEM GET A JOB"

the poor guy probably gets doxxed at one point. it got so out of hand that they had to close the confessions board lmao

as for how my yuu reacts to this:

yuhei doesn't look at the confessions that much so he wont know until someone tells him about it like "hey did you see the confessions? someone was talking about you" then when yuhei sees it he would just brush it off lmao

he DOES notice ace's "STAY AWAY FROM HIM GET A JOB" comment tho

he would tease ace about it for sure but its more like "bro why are you getting so heated over this?"

then he sees the rest of the comments doxxing the poor guy and he's just baffled like "?????? ITS NOT THAT SERIOUS??? WHY ARE WE DOXXING THEM 😭"

[mossypidder]

YOUTUBE SHORT CAN BE FOUND HERE (showing all their little details is just easier in video format)

@canisalbus i made your silly little dog men as a gift for a friend (we frequently scream at each other about them because they are precious and we mutually adore them) and yeah. That’s all. Here they are- Small beans that they are.

[jibberjibbsart]

Supernatural “Power Hour” Part 16

Dean is a rated R character in a PG world

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[rizahawkais]

POOR THINGS + Bella's Outfits

[harquebuse]

@/ornithyristor on twitter rec'd @mtheland-lockedmartian’s

<<from the inside out (drink the rest)>>

earlier this month and i wanted to draw it but now it's christmas so... sweaters