#Rustling
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finch · 2 years ago
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kael-writ · 2 months ago
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watching @veryimportantpeopleshow and this is the second time in the past couple weeks Ive seen a new Dropout release where Brennan Lee Mulligan shoves food down his pants and Im wondering if that's ok
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smbhax · 4 months ago
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From "Mission on Earth" in Journey into Mystery #22, February 1955. Pencils by Art Peddy.
Info from @grandcomicsdatabase
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and you are that honeysuckle breeze
Daylily by Movements
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dfl-inc · 10 months ago
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AI image generation
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whats-in-a-sentence · 1 year ago
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The roads through the countryside are long, the villages are bathed in a grey light, the trees are rustling, and the leaves are falling, falling.
"The Way Back" - Erich Maria Remarque
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oh-dear-so-queer · 2 years ago
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But when they looked like trees, it was like strangely human trees, and when they looked like people, it was strangely branchy and leafy people – and all the time that queer lilting, rustling, cool, merry noise.
"The Chronicles of Narnia: Prince Caspian" - C. S. Lewis
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fizzseed · 11 months ago
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season four!!!!!!!!!
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slowlygoingnowhere · 2 years ago
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This is one of those images you can hear. (PS. They still have prints for sale in 2023!)
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Roaming
Purchase a Print over on my Etsy!
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bingo-a · 8 months ago
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ultraweathercoremax · 9 months ago
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Already got a solid breeze this morning, and a bit chilly. Definitely sacrificed some finger warmth to take this video of grass, the moon, Mars and Jupiter (volume UP if you like listening to wind)
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dinosaurwithablog · 5 months ago
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I love Hermann Hesse, and I love trees. 🌳
“TREES By Hermann Hesse “For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like ‘lonely’ persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow. Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life. A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail. A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that 'God’ is in me. I trust that my labor is holy. Out of this trust I live. When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all. A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one’s suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother. So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.”
— Hermann Hesse
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elinekeit-artstuff · 1 month ago
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He is super articulate like that. 100% no notes!
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yelloartt · 3 months ago
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jonmartin week day 2: role swap
@jonmartinweek
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fernandapietragalla-blog · 1 year ago
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noughticalcrossings · 1 year ago
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Put thee not on Silent
[ID: A 4 panel comic made of digital paintings of a zoom meeting between the knights of the Round Table.
Sir Galahad, Queen Guinevere, Sir Gawain, Sir Lancelot, Sir Bedivere, have their own individual screens, and one screen shows a conference room with King Arthur, Sir Mordred, and others who are not named.
Both Sir Lancelot and Queen Guinevere have their cameras turned off, and microphones muted, the entire time.
Panel 1 shows King Arthur with a few of his knights, with Sir Mordred brooding beside him in shadows, and a hand reaching from offscreen to steal snacks from a bowl.
Sir Galahad has his microphone muted, and is in a forest, looking up and to the side. He has brown hair up above his head and very pale skin.
King Arthur asks, "Sir Gawain, canst thou see the PowerPoint slides?"
Panel 2 shows Sir Gawain, who has brown skin, black hair, green clothes, and heterochromia, with one green eye and one dark, replies, "Verily I cannot, I think it be a miasma of the sight."
Behind him for the background is a section from the Green Knight manuscript, showing faded lettering and a green knight on a green horse standing in front of someone with a large axe while a crowd of spectators watch from the sides.
Sir Galahad's screen is now slightly motion-blurred, showing a reddragon's open mouth in front of Sir Galahad's face.
Panel 3 shows Sir Bedivere, labeled Tech Support, who wears a blue shirt and a plumed knight's helm, looking exhaustedly into the camera, pushing his helmet visor up with one hand. He is lit by blue light and has bags under his eyes, asking: "Hast thou sharest the screen?"
His background is of a library. Sir Galahad's screen is now taken up by the motion-blurred side of the dragon that is attacking him.
Panel 4 shows Sir Gawain turned slightly to the side, looking derisively at the camera, saying: "Yea, but I cannot hear Sir Galahad."
The only thing left in Sir Galahad's screen is the motion-blurred, spade shaped tail tip of the dragon chasing him.
End ID.]
Description very kindly added by @describe-things
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