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softlypaintedseafoam · 5 months ago

Text

織姫

synopsis. "do you want to protect nayuta? then follow two rules. stay away from major cities and don't join the public safety devil hunters." you're 19 years old when you technically break only one of kishibe's rules.

pairing. makima x f!reader (afab)

word count. 13.5k | masterlist

content warning. part 1 spoilers (manga spoilers), canon divergence (makima never meets denji), man is a blazing star (series), canon-typical violence, amoral protagonist, character death, established relationship, dissociation, non-linear storytelling, use of y/n

reblogs & interactions appreciated.

the finale of man is a blazing star and probably my love letter to the entire series as a whole, so i'm especially proud of it. i really wanted to make a piece where the reader, now older, despite maintaining key aspects of her previous incarnation is also starkly different and i hope it shows!

Dawn is a time of day you appreciate more when you don’t have work.

While you ordinarily complained how the hours in those days vanished before you could enjoy them, dawn has always been the exception. Your early mornings have always moved slower compared to the rest. It’s a slow, quiet whisper you value fully, especially now as you enjoy the sound of the waves as you walk your assorted mix of pets on the beach. You’re sure the two of you look like quite the pair with your seven dogs on their leashes and one of your two cats in a leashed harness.

Makima is a woman bathed in the light of dawn.

You release a sigh of satisfaction, watching your girlfriend go ahead of you as your dogs stretch their legs.

It’s in how the morning rays dapple her form in near perfect circles. In the hues of her pale carmine hair that cascades across her bare skin. It’s even in the gold of her eyes, much like the yellow sun that peeks through the horizon.

It’s strange to think that this time two years ago, Makima had been a colleague you couldn’t stand to be around. Now you’ve willingly allowed a string of fate the exact shade as her hair to bind you both in the most irrevocable of ways.

“I won’t use my power on you, in exchange, we have to stay together forever. We’ll eat a lot together, sleep together, and live a happy life together.”

The contract of a lifetime ー marriage in its own right.

Gone are the days of patrols, weapons and putting your life on the line to ensure the safety of the general populace.

How peculiar this entire journey has been.

You will never pretend your reasons for joining the Bureau were pure of heart; you’d never dreamed of glory or protecting others.

For Makima, you’d gladly put your entire being on the line.

It goes against the nature of the Control Devil to have equal relationships.

Makima has one with you.

Moral ambiguities be damned. I believe in you. It’s a vow you know you will take to your grave as you watch your lover pause, wondering what has caught her excitable dogs’ eyes. Bagheera’s crooked tail tip twitches in interest, bounding forward with clumsy footsteps and you chuckle as you increase your pace so the cat can see it too. Tora, on the other hand, is comfortable in her backpack carrier. This is how mornings are done in your family. “What’s got the troublesome octet so excited?”

“They’ve found a crab,” her voice is amused and mellifluous. Crab sounds like a wonderful idea for dinner and you’re sure she has the same idea when you hear dulcet giggles slip from her person. Like a child, Makima turns to face you with her lips stretched into a delighted smile.

It’s then that carmine suddenly becomes jet and there’s a mole underneath her left eye that wasn’t there before.

Ah.

“[First], I want crab for dinner!” Nayuta beams brightly.

“Damn you have expensive taste,” you tease in spite of your stupor. Right. Those memories aren’t mine.

The dogs you walk remain but all but two of five of them are different from the seven you could have sworn were with you just a moment ago. Bagheera isn’t with you either, succumbing to his health issues years ago when you were still a child. All that remains of the cats you adopted is Tora, an old lady you left at home to snore on the couch with the Power’s new kitten.

“Have ‘em,” Himeno told you shortly after you moved in with her in the quiet town of Shonai. “They were yours anyway. Oh, but Meowy’s always been Power’s.”

The ringed eyes are the only part of Nayuta that is the same as the woman from your memories. The eyes and the braid you know she’ll twist her hair into later.

You wish the image of that woman would disappear.

Thankfully Nayuta is seemingly unaware of your dilemma. “I’ll get some in a few checks,” you promise and you receive an impish grin in return. You smile instinctively, your earlier troubles assuaged.

It’s a magic only Nayuta possesses.

The magic is disturbed when one of the dogs yelps in pain and Nayuta guffaws at the display of a small crab latched onto its nose.

You wonder if you had grown up surrounded by humans if you would find her reaction unsettling. As one raised among devils and fiends, however, Nayuta’s reaction is only standard even as she yanks the crab away with ease and tosses it into a returning wave. “That’ll teach you not to play with crabs,” Nayuta laughter subsides into chuckles as she pets the pup’s head.

You love the dawn.

How the wind runs its invisible fingers through Nayuta’s hair much like a musician strumming the strings of a harp.

How the light of the sun crests Nayuta’s head much like a halo although you’re sure the god of such beings will likely you spurn you for the comparison. How ironic that a devil is the closest comparison you have to the opposing pole.

When it’s like this, it’s easy to pretend you and Nayuta are the last ones on earth on this beach.

There are no devil hunters, no other humans and there are no other devils either.

You digress that the truth of your reality is fine, however.

You work 6 out of 7 days in a week at a local convenience store all the while Nayuta pursues a degree through online courses at Tohoku University. Himeno goes to the pub once or twice every other week to indulge in the non-alcoholic beverages her sister allows her to drink. Even Power somehow manages a steady job helping Ichika sell the vegetables she grows in the garden. A well-placed hat and even a Fiend can blend in to some extent.

Work is limited for a Fiend in hiding from the government.

Everything is limited when it’s the Control Devil remaining out of the government’s sight.

“Do you ever wish you could actually go on campus?”

“Not particularly.”

Nayuta’s never really been a people person though, so you suppose it truly doesn’t matter to her whether she can physically attend Tohoku or not. So you subsequently deduce that she likely won’t care that she’ll be limited to working remotely for the rest of her life either.

Nayuta fingers dug into the back of your shirt, body tense. Her abilities required she believe one was lesser than her for her to order them, that was impossible when you were both scared out of your wits cornered with nowhere to go.

The woman kept an eye on you both, weapon drawn in one hand, phone in the other. “I found the C-”

Unwittingly, your mind drifts back to the red-haired woman as you watch the loose strands of Nayuta’s hair dance in the wind. Makima.

You don’t know much about the previous incarnation of the Control Devil save for what tidbits you allowed Himeno and Kishibe to tell you. Himeno did her best to sugarcoat it but blunt as Kishibe was, you know for certain that Makima wasn’t the kindest individual.

“ー kept her on a tight leash when she was alive,” the drunkard raised his flask to his lips for the tenth time in the three minutes. Every fiber of your being burns with a hatred for a man that isn’t wholly your own at the comment. “But even with that leash, she was a ticking time bomb. So keep this one on a leash that’s even tighter. Otherwise, she’ll turn out like Makima again.”

Makima is Makima, Nayuta is Nayuta.

ー is ー, you’re you.

“Hey, Nayuta, pick a country,” you call for the one you love. The one you love. The proof is when she turns and Nayuta is all that remains. You don’t hate Makima. You don’t think it’s possible to hate any incarnation of the Control Devil. But Makima is who ー loved and their sun had long since fallen. “One that doesn’t have a devil hunting association in it.”

“Seychelles,” Nayuta doesn’t miss a beat, grinning the devilish grin you adore all the while. “We still need to have our honeymoon.”

A dirty sheet turned into a veil rests on jet black hair while you recited your on-the-fly vows.

“Yeah,” you chuff as you rest your hands in your pocket. “I owe you one, huh?”

A honeymoon and the whole wedding too.

ー

“What’s this new job of yours again?”

“I got a gig cashiering the next town over,” you pinch the green collar of your uniform as a physical display of your employment.

Himeno’s one eye closes as she hums thoughtfully into her mug, “what about your job at the konbini?” Her smile is as plastered as wet cement.

“It doesn’t pay as much,” you shrug. It isn’t the first time Himeno has made some sort of stir about your sudden change in employment, it likely won’t be the last. “If I’m gonna get paid to kiss ass all day, I at least wanna get paid more than chump change.”

“You make chump change as a cashier no matter where you work,” you choose to ignore Himeno’s comment. When her sister’s sharp stare of disapproval lands on the former devil hunter, you know the conversation will be dropped for now. Thanks, Ichika.

Ichika smiles kindly, always a touch too gentle and understanding. It’s easy to appreciate the woman’s soft-hearted nature. “Well, I for one, am glad you have a pay raise even if it’s somewhere else,” the dark-haired woman tells you. “We both are,” her soft blue eyes dare her sister to disagree with her sentiments. Himeno is smart enough not to voice against them. Gentle as Ichika is, Himeno will always crumble at the threat of her anger. “What time will you be home? We should eat something special to celebrate!”

“Crab sound good this weekend?” At your suggestion, Nayuta perks with interest for the first time since breakfast began. You bump your knees together lightly. With what you’ll be making now, you can afford to buy her crab every night. “I can pick some up before I head back after my last shift of the week.”

On the other side of the table, Power is just as interested in the suggestion. “Crab,” the horned woman inquires with a fiendish grin. “Finally something worthy of my taste buds! Servant,” the Blood Fiend’s strawberry-colored locks whip around in her excitement. It’s only barely doused by the unamused look Himeno shoots in her direction. Barely. “Human,” an improvement. “Make a crab dish for us!”

Ichika takes Power’s demands in stride, “I think crab would be a nice treat. Don’t you?”

Matching blue gazes share a quiet conversation before Himeno relents with a tired smile, “I guess crab isn’t that bad an idea.”

Power guffaws with prideful glee as Nayuta’s expression twists into impish satisfaction. Her few-weeks-old dream of crab will finally be fulfilled. A peaceful glow washes over you as you take in the sight of her drinking miso soup from a finely polished bowl.

Himeno’s house is a far cry from the abandoned building you both once called home.

The wooden floor is clean, not dirtied from even filthier shoes and haphazardly drawn images made with sharp rocks used as chalk. In this house, you have three meals a day. The limit to what you can take is no longer reduced to only what you’re able to carry.

It’s a life you always dreamed you’d one day share.

Although admittedly you never accounted for the additional humanoid bodies living in it.

“Well, I gotta get goin’,” you slurp the last of your black tea before wiping your lips with the back of your hand. “See you guys later,” you stack your dishes neatly atop one another, waving off Ichika’s attempt to take them from you. “See you later,” you tell Nayuta warmly, pressing your lips against hers for only a moment to spare yourself from feeling one of Power’s dirty napkins hitting your shoulder. “Have a good day at school.”

“Call me for lunch,” to the untrained ear, it’s a demand. To one as experienced as yourself in the language of Nayuta, it’s a request.

It’s an uncannily peaceful morning for a household of humans, fiends and devils. One that religious zealots would lose their minds over.

On an ordinary morning you yearn for the comfort of your and Nayuta’s bed and letting the hours roll by as you embark on your quest for work. This time, your stomach twists with discomfort as you hit the freeway.

It’s nearly an ordinary morning.

As you promptly pass the exit that actually would have led to the town next door, you know the last chance for ‘ordinary’ has sailed. The nearly three hours long drive it takes to get to Sendai is long enough for you to stew in your guilt. You park inconspicuously near the woodsy outskirts of the city, thumbs resting on the steering wheel.

It’s too late to turn back now, you remind yourself. I’m doing this for us.

Two adult passports.

Visas.

Housing.

Food.

Permanent Residency.

You’d never be able to save for it all with the chump change you’d been making at the local konbini. Nor would Nayuta ever be able to live a free life under the restrictions placed on you by those who took you in. There is no major country in the world Nayuta can be free in.

Nayuta had been a stranger, once upon a time. A stranger who never existed in your conscience and whose life you never perceived.

Then your eyes met and you experienced the birth of a universe.

You’ll gladly put your entire being on the line.

“Do you want to protect Nayuta?” Your grip tightens for a moment longer before finally reaching for the duffle bag you hid underneath the passenger seat.

“Well yeah, obviously.”

“Then follow two rules. Stay away from major cities and don’t join the Public Safety Devil Hunters.”

You’ve technically broken only one of Kishibe’s rules.

ー

Your parents used to take the first day of school very seriously.

It was always a momentous time when you went up a grade level. Photos were snapped constantly and after the first day ended successfully, there’d always be some sort of celebratory dinner. When you saw Ichika tearfully take in yours and Nayuta’s uniforms, you can tell things in this household were going to go the same way.

“The two of you are starting to become young women,” she smiled sappily, polaroid camera already in hand. “It feels like it was only yesterday you two came here and now you’re already going to school! You’re both so beautiful!”

Nayuta certainly was, you wanted to say. Her chin-length black hair now stretched to the upper middle of her back, framing her gold-colored eyes perfectly. But that would only make Ichika gush further about how you both were equally gorgeous like a proud mother.

You’d have thought you and Nayuta were infants when you were brought to this house with how Ichika coo’d and aww’d. Except the two of you were already thirteen when you’d come to the Nagano household and a year later, the school term had been going on for a few months. It had been unclear if you’d be starting high school or being held back. Donned in the dark brown uniform of Higashi Middle School, you knew the answer.

Even Power had on a uniform, refusing to be left out of the celebrations.

“That’s right, our little women,” Himeno laughed, holding an energy drink like it was a beer can. “Smile for the camera!”

You were able to turn the corners of your lips into a smile but, if anything, Nayuta’s scowl only deepened.

“Nayuta,” Himeno sighed in frustration. “I know you’re upset that you and [First] are in different classes but we’ve been through this. It’ll be good for you. Ichika,” she looked to her sister for support, blue eyes pleading. “back me up on this.”

Nagano Younger placed the camera down with an empathetic smile, “don’t you want to make friends?”

Ringed yellow eyes practically glowed as Nayuta sharply looked at the woman, “what do we need friends for? All [First] needs is me.”

The Nagano sisters shared a look that was a mixture of concern and exasperation. The primary debate of the weekend had finally reared its ugly head just before you were due to leave. Before either of them could say anything to placate their youngest ward, however, Power’s manic laughter filled the air. When she had her fill of amusement, she rubbed the bottom of her nose as her laughs faded into chuckles. “The Great Power was once this immature,” Once? “Nayuta!” She points a sharp nail in the direction of the only other non-human in the house. “Stop behaving like a child! You’re reflecting poorly on my teachings!”

“Bark like a dog.”

Power dropped on all fours and barked the moment the demand left Nayuta’s mouth. The actual dogs in the house went into an excited frenzy, barking alongside with her.

“What did I tell you about taking your powers out on people because you’re upset,” all hints of playfulness left Himeno’s body in favor of displeasure. “Nayuta,” she placed her energy drink on the table at the young devil’s silence. Ichika sighed quietly, placing her camera down before she quietly turned to the kitchen.

“The two of you need to learn how to interact with people. Outside of the house,” the former devil hunter took a glance at the barking fiend. When she sighed, you knew Himeno likely thought that even the interactions within the house needed some work. “Now hurry up and turn Power back.” Nayuta directed her gaze to the nearest window instead. “Nayuta, I’m not asking.”

“Just wait a moment,” Ichika’s lark-like voice rang from where she went about her business. Hurriedly, she arrived with two bowls of ice cream in hand. With her sharp sense of smell, it captured Nayuta’s attention immediately and she held out her hands expectantly. “Don’t you have something you need to do first, young lady?”

Nayuta blinked, seemingly confused as she followed her gaze to where Power crawled on the floor. In the blink of an eye, the barking stopped. “Thank you,” Ichika nodded in satisfaction before she finally handed you both a bowl each, winking at you knowingly.

Power returned to her feet, cheeks hot with anger but whatever she was going to say, she stopped in her tracks the moment you held the bowl of ice cream Ichika gave you directly under her nose. It only took a beat before the Blood Fiend grinned, lifting the bowl as if it’s her newest kill. “Gahahaha! I suppose I can accept your humble offerings,” you snorted quietly at the display. If anyone was the child in this house, it was her.

Himeno threaded her fingers through gray and navy blue hair with a whiny sigh, “everyone in this house wants me to age, Ichika. And we can’t just use ice cream to bribe her into behaving! Why does she get ice cream if I don’t get to keep beer!”

“Because your doctor said to either quit or be placed on a liver transplant list so you’d have a head start,” Himeno withered under her sister’s less-than-amused glare. “And I hope you savor that energy drink. Remember what we agreed on - one can per month.”

“And it’s always the smallest size possible,” Himeno grumbled, looking much like a child herself. If you hadn’t known who the older sister was, you would have assumed otherwise. “And low in sugar so it tastes absolutely disgusting.”

Ichika ignored the jab, knowing her sister would drink the disgusting low-sugar drink regardless. “Nayuta,” she began thoughtfully. “I know how important it was for you that you and [First] be in the same class. But there are going to be times when you have to interact with other people and we want you to be able to navigate those times with ease. There are going to be more opportunities for you both to be in the same class, we just want you to be okay with times where you aren’t.” When Ichika looked to you for assistance, Nayuta’s golden gaze turned to you as well.

We can socialize and be in the same class at the same time, can’t we? Truthfully, you hadn’t been thrilled with the class assignments either. It had been you against the world before you met Nayuta when you were left alone on the streets of Beijing. Not knowing what would happen to you with your parents gone, school didn’t seem all too important. You think you might have liked school, you truthfully can’t remember. You even had friends, good friends. You couldn’t seem to remember their faces either. Too much had happened to hold onto those memories.

The last time you’d been in school, you were seven.

It took a fair bit of home study for you and Nayuta to be ready for even middle school. If you had to go to school again, you wanted it to be by each other’s side. The school administration had different thoughts, it seemed. But underneath Ichika’s hopeful eyes, you couldn’t bring yourself to spurn her goodwill. You liked Ichika, she was kind. “If we’re in different classes, we can go on dates for lunch. And I can walk you to class each day, like in the movies.”

It’s only when she heard those words that Nayuta looked even remotely enthused about your separation.

“See?” Ichika’s smile widened in her appreciation.

“Alright,” Nayuta leaned against you, not entirely pleased but no longer entirely upset.

It was a solid victory as far as Ichika was concerned.

The rest of the morning went smoothly. Nayuta and Power indulged in their ice cream and when they were finished, Ichika indulged in getting her celebratory photo. Power held her peace sign while yours and Nayuta’s arms were linked tightly. Lunches packed and promises of an extravagant dinner made, the two of you finally left home hand in hand.

ー

“I know damn well that a Fish Devil costs more than that,” you scowl at your employer. “I didn’t drive over two hours to Sendai for you to stiff me on the price. I’ll take this to Yamaguchi if I have to.” That’s the problem with these underground devil hunting jobs. If someone wants to short change you, they will short change you. It’s been five months since you’ve begun your dealings with Nishida and the oaf never ceases trying to pull the wool over your eyes.

“Come on now, [Last],” the slimy businessman raises his hands as if placating a child. He looks more like a Pimp Named Slickback with his crinkled purple suit than someone who works in devil hunting. You suppose one working under the table can’t complain. “We’re old friends, aren’t we?”

“Tell me that when we’ve known each other for a decade,” you point your gloved finger against the desk two, three, four times. Each thudding strongly against the tabletop rattling the bloody axe you’ve placed on it. “550,000 yen. I don’t want even a decimal less.”

Nishida’s lips curl in dismay, “have I ever told you that you’re a real bitch to work with?”

You’ll continue to be one until you’ve gathered all you could, “acknowledgement from the queen of bitches is a real honor. I want my check.”

He rolls his eyes and calls you a few more choice swears under his breath, but he finally complies in writing a check with the correct amount. If you had been anyone else, perhaps Nishida could have paid you the 230,000 yen without issue. Perhaps you’d have even considered that a steal. Your training under Kishibe and Himeno taught you more about pricing devils than you were prepared to admit.

What are the ethics to killing devils when you are dating one?

You decide to follow the devil code of ethics. Kill or be killed, it’s that simple.

It’s never been a question if Nayuta would spurn you for such acts if she were to ever learn of them. It’s the fact you know Nayuta would follow you to Sendai in a heartbeat.

“I found the C-”

You will never bring those unfinished words to reality.

Carefully you remove the gloves on your hands to even more carefully extract your wallet from the ziplock bag you keep it in, placing your check within its pockets. Then you tuck it all away once more before donning a clean pair of gloves instead.

“Ugh, I’m getting hot just looking at you,” Nishida groans, eying you as if you were equal parts insane and excessive. You wonder if he’ll ever get used to the lengths you go to make sure no trace of blood and the smells of other devils touch your person. You don’t even put your axe in the car, it hasn’t been there since it had been a new purchase. No, you keep the rusting thing right here in Nishida’s crappy building in Sendai’s slums.

Trying to hide something from Nayuta’s nose is like trying to rob a bank blindfolded. “I told you already, I don’t want the blood getting on me. Killing devils is gross,” you wave the man off. Five months you’ve been doing this and you haven’t slipped up yet. Your ritual is the same each time ー before you start hunting, you dress in what is practically a glorified hazmat suit. Once work is done, you take it all off with gloves covering your hands and dump it in the trash.”

“It just seems like a lot of hassle,” Nishida scratches the back of his head, nonplussed. “If this ever gets in the way of your job, don’t come crying to me.”

“This coming from the man who doesn’t do the hunting himself is crazy,” you click your tongue in unsurprised annoyance. If it means keeping your proclivities a secret from the house, you’ll wear the hazmats again and again. “I’m not coming in tomorrow, I have a date with my girlfriend. Something you know nothing about. Well, you did. Until about a month ago, right?”

The look on Nishida’s face almost makes you feel better about his attempt to scam you. Almost. “Just go home before I decide to take my offers of employment elsewhere!”

You chortle with pleasure as you finally exit his dusty office.

When you arrive home, the wind must have blown your scent through the door or a cracked window because you walk into Makima’s arms the moment you pass through the door. “Welcome home, [First],” Makima greets you adoringly, red tresses brushing against your jaw. Her arms are as warm as her voice, wrapped around you as loose as one called the Control Devil will allow.

It’s instinctive, how quickly you return the embrace. “That professor finally off your ass?” Strange. Since when has Makima been a student?

Nayuta pulls away from you slightly, just enough to look you in the eye as you converse. Nayuta is the student, you remember. Business management is what she studies. “I don’t know why he-” Nayuta blinks as she takes all of your visuals in. “[First], what’s wrong?”

Your smile falters, “it’s nothing, I’m just tired.” Tired of the memories that don’t belong to you. “Management just really loves working their best employee.” You’re happy tonight is Himeno and Ichika’s pub night where they never drink alcohol but do engage in the card games with the locals. Himeno’s been trying to catch in the midst of a lie you’re sure no one can detect.

“Want me to talk to them then?” Nayuta is too quick to offer her services. I’m earning more than enough now. “I’ll get you a manager’s salary too.”

“Nah,” you shake your head. “I just want it to be tomorrow for our date already.” You’ll be dying silk scarves in town and then you’ll head to a restaurant. If it weren’t for the restrictive life forced upon you by the world you live in, maybe the two of you would live somewhere more exciting. Somewhere with more than enough novelties for you to gawk at in awe.

Nayuta snorts at your dramatic lament, “you’re so cheesy.”

“You’re the cheesy one,” you blow a raspberry against the juncture between her jaw and neck and Nayuta squeals immediately.

“Gahahaha!” Nayuta ducks away and you giggle in return. She’s always been a bit ticklish, you’re simply the one lucky enough to do so without repercussions.

“I know ways to make tomorrow come much faster,” Power’s snark cuts through your flirting like a dull knife. The Blood Fiend rarely ever sits still unless it is mealtime or she is watching something thrilling enough. The evening news normally is usually not something that makes Power lay down in the middle of the living room floor on a throw pillow yet here she is. “Being stricken with blunt force guarantees many hours to pass you unknowingly.’

You raise an eyebrow at Power’s unwarranted attitude, “what’s got you in such a shitty mood?”

“They mentioned the Chainsaw Devil on the news earlier,” Nayuta recounts as if telling you the weather report. She looks over her shoulder at where Power lays coolly. “It’s the anniversary of when the Bomb and Chainsaw Devils showed up in Tokyo.” Right, I forgot. They only showed up once however many years ago and still the news would cover it like it could happen again at any moment. You secretly believe Hayakawa Power hopes for the same. You never met Hayakawa Denji, you only heard the stories. He sounded like an even bigger handful than Power.

Power is all that remains from everyone who once claimed the Hayakawa name as their own.

“Don’t mention that name in front of me!” Power snarls without looking in your direction. She doesn’t move to change the channel regardless.

“Pitiful,” Nayuta comments but her grip around you tightens in spite of it as she rests her ear against your chest.

Pitiful.

You open one too many bags of popcorn while Nayuta puts on one of the Inazuma Eleven DVDs Power got on her birthday last year. The five dogs excitedly run around the house to the sound of Power obnoxiously singing "Stand up! Stand up! We love football!” Tora is content to rest on your lap and Meowy the Second takes off with her second popcorn kernel.

To wait this long for someone who ran away and never looked back is pitiful.

A Power who isn’t living up to her proudly chosen name is even more so.

You breathe in the scent of Nayuta’s shampoo as she rests her head on your shoulder. It really is too damn pitiful.

ー

“You ever wonder why there are devils but no angels?”

One of Nayuta’s classmates’ words piqued your interest from the other side of the room. Nayuta’s eyes followed yours in vague interest at the students piled in the corner. The only one you personally recognized was Yamada Moe, your class’ president. True to your word, you were on a date for lunch.

As much of a date it could be at school, anyway.

Everyday the lunch hour reared its delicious head, you’d make your way to Nayuta’s class to eat with her. “I mean, think about it. If devils are physical manifestations of the things we fear, why are there no physical manifestations of the things we love? Like, there are plenty of people who love snakes. So why’s there no Snake Angel?”

“A Chicken Angel would be pretty damn powerful then,” a different girl, likely the class clown, chirped. “But would angels be biblically accurate?” Her eyebrows move mischievously at her suggestions.

“Don’t say that,” Moe covered her mouth with her hand as she giggled. Her deep dark brown hair, the color of charred wood, is pulled back into a ponytail and her green eyes sparkled at the thought. “I’d love to see a Hamster Angel then.”

“Or even a Mermaid Angel! That would be so pretty!”

“Mermaids aren’t real, Rika.”

“Neither are zombies but there’s still a Zombie Devil,” ‘Rika’ sputtered in her defense, cheeks pink. “Everyone’s afraid of zombies and everyone loves mermaids, so both would exist by that logic!”

You considered their words with a silent hum. Himeno said she met an Angel Devil once, I think. I wonder how strong he is.

“ー and Makima had promised me to protect him if anything ever came out about him but, well,” Himeno trailed off before vaguely gesturing towards you. You remembered the discomfort of it even as the woman brushed it off with a warm palm placed on your head. “It’s fine though. Kishibe’s given me no updates concerning him and in our business, that’s a good thing. That twerp is doing just fine.”

If an Angel Devil is the manifestation of humanity’s fear of angels, you wondered what a Devil Angel would be like.

“Rika, Tomoko,” Nayuta placed her chopsticks atop her empty lunch box before resting her cheek on her hand. “Give me your desserts,” she yawned. Beneath the table, her legs twined with yours.

“Sure thing, Nayuta,” Rika beamed, holding up a pudding cup enthusiastically.

Tomoko nodded, looking relieved, “my mom packed me too many things anyway.”

Moe glowered in your direction.

It was almost reminiscent of the times you were both street urchins and Nayuta used her powers to ensure you’d be able to eat that day. The only difference is, as Tomoko and Rika walk the moderate distance to your half of the room, that you no longer are that desperate to eat. Nayuta smiled when she saw, among their treats, was an anpan roll with roasted black sesame seeds. Sweets were the secret to this young girl’s heart, all hints of disinterest washed away. Cute. “It’s one of your favorites, [First],” enthusiastically she opened the packaging before raising it to your lips. “Does it taste good?”

You relished the mixture of bread, sesame and adzuki beans on your tongue, “yeah, this is pretty nice.” You looked over at the unsuspecting girls who are too happy to help. Too happy and unaware of the reality of the situation. “Thanks.”

“It’s no problem,” Rika brushed off your gratitude with a dispassionate wave of her hand. “What kind of angels would you guys be excited to see? Mermaid Angels would be pretty cool, right?”

You shrugged, not wanting to reveal your inherent bias, “I can’t really imagine what an angel would be like. We’ve never seen one.”

“I just think if we had angels, they would be the ones fighting devils,” Tomoko sighed wistfully, light years away from where you were gathered in class 3-C. “Love is the strongest thing in the world, right?”

“The power of love is cheesy,” Nayuta scoffed.

The three of you ー Tomoko, Rika and yourself ー shared a look of varying degrees of disbelief.

“Since you find it so cheesy, maybe you can finally stop blocking the halls when you makeout and cuddle in the hallway,” Moe rolled her eyes from where she still sat, nose scrunched in equal measures of disgust. Her eyes held your own with a look of annoyance and you couldn’t hold back a snort.

“We are pretty annoying, huh,” you snickered, winking at how Nayuta was still holding the pastry near your lips. Laughter of agreement followed your admission from those sprinkled across the room save for two individuals. If Nayuta had been someone else, perhaps she would have withered under the scathing eyes of class 3-A’s president. Because she wasn’t someone else, though, she met the glare with her own. “Even the Love Devil would hate us,” you bit into the roll once again, stealing Nayuta’s attention.

“The Love Devil is probably ugly anyway,” Nayuta replied with a petulant smirk.

Lunch continued without further hiccups, much to your relief. The desserts were eaten and the desks were back in place and it was time for you to head back to class. Nayuta still wasn’t entirely pleased at your class assignments, but she got better about it the following months. The ‘dates’ and walks had kept her placated.

“Thanks for that, [First],” Himeno sighed gratefully when Nayuta was in the bath after your celebratory dinner. “When are kids supposed to stop having temper tantrums? We really don’t need her having one at school. You have to be her anchor.”

You’d have done that even if Himeno didn’t want it. “I’ll pick you up after class,” you told Nayuta unnecessarily but you knew she liked the reassurance. You’d always come back for her even if there was distance standing in the way of that.

“You can make out with Nagano later,” Moe scoffed as she walked past you to room 3-A.

Nayuta glared over your shoulder at the brunette, “she’s ugly.”

“I do gotta get to class though,” you sighed heavily, throwing an arm over Nayuta’s shoulder. She returned the gesture with both arms thrown around you. “My adoring fans in 3-A await me.”

“You don’t need your adoring fans when you have me,” Nayuta hugged you tighter and you don’t find yourself disagreeing.

You tucked a stray lock of hair behind her ear, “that’s pretty true. Those guys mean nothing. You’re my number one.” Gold eyes looked at you like you were a dream before you had to turn around.

“Why do you even like her?” Moe scoffed as you caught up lazily. “She’s awful.”

“She’s cute,” your lips curled at the waves of irritation directed at you further.

Moe’s expression contorted into one of disgust at your answer, storming ahead of you. “People like you disgust me. You’re bullies.” We still sit next to each other so you’re not really doing anything, you know. Knowing it would be pointless telling the girl that, you looked over your shoulder to wave at Nayuta one last time before ducking into class.

“At least pretend to pay attention,” a quiet whisper from your right caught your attention. You shrugged, unbothered. You’ve withstood more terrifying things. Whatever you failed to do, that only seemed to upset the class president even further. “Follow along with the text before the teacher calls on you.”

“I forgot my textbook,” you whispered back, directing your eyes forward.

“You didn’t think to ask someone to look at theirs?” Moe asked incredulously.

You thumbed in the direction of the empty desk to your left. Kinomiya wasn’t there to mooch off of that day. “And it isn’t like you like me, or anything. I’ll just get the notes from someone else.”

“Unlike you, I’m a good person,” Moe muttered, raising her desk just enough that it wouldn’t make a sound as she pressed it against yours. “I’d have shared if you asked.”

“There are no good or bad people, just good or bad actions,” you countered her belief with one of your own. There aren’t even any devils that are purely bad. They only become bad to you because they killed someone you care about. Or because they destroyed something you considered precious. But if there was a devil that killed other devils and rescued people, you’d say they were good.

This philosophy could be applied even to angels.

Angels would only be considered good if they did help humanity fight against devils. If there were angels in an unseen place known as Heaven, they definitely didn’t feel called to fight against the apparent wicked. They didn’t feel called to defend the apparent helpless humans of Earth. And by that definition, that would make them bad creatures. Angels would be bad to you. “And if you have to say you’re a good person, you’re probably not as good as you think you are.” Moe gasped, brow furrowed in her offense as you leaned closer to read the page. “Thanks.”

She couldn’t have made it more apparent how much she hated you with how quickly she separated her desk from yours at the end of the day. You shrugged, not particularly bothered by the reaction.

Some people never meshed with each other and that was that.

Moe hated you and you were indifferent to her existence.

You initially believed Nayuta’s thoughts were the same as yours until she started wiping your arm as if it were filthy after school.

“You stink,” Nayuta’s nose scrunched in obvious displeasure, rubbing your arm as if she could scrub the smell of Yamada Moe away. Even now you were in awe of how strong her sense of smell was; Moe hadn’t even been wearing perfume. “Why do you smell like her?” If she meant to be intimidating in her glare, she failed before she could even try. Her furrowed brow was more cute than nerve racking.

“I forgot my textbook so we had to share,” you recalled the glares and looks of dismay. “She was not happy about it. I think Bags was lying on it so I didn’t see it when we were leaving.” You’d simply remember to check your book bag more thoroughly tomorrow morning. When you were a sizable distance from campus, you recalled the earlier discussion from lunch. “What did you think about all that angel talk at lunch today?”

“That humans are dumb,” as if realizing how that sounded, Nayuta pressed against you as you walked down the path apologetically. “99% of them.”

“You can say it, a lot of humans are dumb,” hands still woven together, you side step away just long enough to playfully tug Nayuta against. Power’s characteristic ‘gahahaha’s slip from Nayuta’s lips again, you aren’t sure when she started unconsciously mimicking her. It’s cute though. “Angels are just angels, even if they did exist. And it wouldn’t be like there’s a guarantee they’d want to just help humans either.”

“That’s because humans are arrogant,” Nayuta didn’t hold back her criticism with her concerns of offending you assuaged. “And they want to control the nature of everything. Fish swim, plants photosynthesize. Hurting is fine for devils.”

You chuckled at her choice of words, “I’d be the Pride Devil.” You took ownership of the inherent arrogance you possessed as a human of this good year.

“You’d be the [First] Devil,” Nayuta argued head tossed back joyously at the thought, giggling all the while.

“I don’t think enough people hate me for that to happen,” you chortled as you swung your hands back and forth. “Class Prez might, though. Maybe I should watch out. What if a [First] Devil does show up, am I gonna be replaced?”

Nayuta snorted affectionately, gold eyes bright like the sun, “you’re so dumb.”

A peaceful silence fell over you both and you released a satisfied breath. You wanted moments like this to last forever. “One day,” you looked at the orange-red sky above. “I’m gonna get old. At least, if I don’t die before then. But whatever ends up happening, we’re gonna be different,” you promised before Nayuta could protest what you’d begun to announce. “We’re not like them.”

ー and Makima’s time was too short; you’d heard that enough times since living with the Naganos.

That wasn’t going to be you and Nayuta.

“We’re not gonna be like them,” you promised, squeezing her hand tightly. “We’re gonna live forever.”

ー　

When was it when the image of Makima began to haunt you like a ghost?

You remember now, it had been in October of your first and last year of middle school when Nayuta finally started braiding her hair. You’d been fine that morning up until she came to the kitchen and you dropped the jar of pickled radishes, quietly sobbing until you caught a fever.

“Do you hate my hair being like this?” Nayuta asked in the quiet of the room you shared. It’s large and spacious, fit for three people. You never understood why the third bed in the room was kept when Nayuta never slept in any bed that wasn’t your own. The dogs and cats got a kick out of it, at the very least. So did Power who was shuffling about in the kitchen, banging pots and pans.

“I think it’s pretty. You’re pretty no matter how you do your hair.”

“I found a picture of the old me in Himeno’s room. The old us. She had her hair like this in all of Himeno’s memories too.”

“You used your powers on Himeno?”

“When she took a nap the other day. I wanted,” Nayuta trailed off, arms wrapped around her knees and eyes downcast. You were too hot to cuddle but she sat on the floor by your side anyway. “I wanted to know what the old me was like. Himeno didn’t like her very much. She liked the old you better. She liked that Aki person more though.”

Power’s Aki, you recalled from the photos in a photo album Ichika made for Power’s birthday. “Himeno likes you though. I told you before, we’re not ー and Makima. It doesn’t matter if she didn’t like her.” Maybe Himeno had a thing against redheads.

“She thinks it sometimes. I can tell.”

I know.

“The old man said I was selfish when he met us.”

“I like that you’re selfish. We both get to be selfish at this point. Do you know how long we were in that dump?” You shared a laugh at the memory of the dump in question. The mattress was old as sin, rock hard and the blankets you owned couldn’t keep crickets out let alone the cold. “I miss robbing that one guy with the dolphin apron. He made the best dumplings. Wish we could have found the secret formula so we could still make them.”

“Humans can be dumb but the food is really good,” Nayuta’s lips turned upright.

You shift a bit so you can lay on your side, facing her more clearly, “do you remember what it was like in Hell?”

Nayuta shook her head, braid dancing to the motion. “Only little bits and pieces, but it’s blurry,” she disclosed, words soft. “I only remember wanting to leave soon.”

“When I was a kid, I always thought I was missing something,” you hold out your hand and Nayuta’s fingers slip into your own. You never knew another hand could be this warm, not even when your parents were alive. You don’t think you’d truly been warm until you met the girl who changed everything. You wanted to hold onto this life; hold it for as long as you could. You disavowed that there’d be a day you’d stop being you and Nayuta stopped being Nayuta and the new versions of you would run into the dawn hand in hand. You and Nayuta would live forever. “I’m really happy that I found you.”

Any sentimentality in the room was immediately blown away by the sound of Power kicking open the door.

“We have a doorknob, Power,” you groaned. Then you caught a whiff of the smell of broth, chicken and vegetables and raised yourself into a sitting position. Taking note of your realization, the strawberry-haired fiend puffed out her chest proudly as she presented the tray to you. The bowl was filled to the brim with soup, sloshing over the lip as she stepped forward and the crackers were worse for wear because of it. “You cooked?”

“Homemade! Straight from the can!” Power placed the tray on your lap, hands resting on her hips. “You humans are fragile creatures, so I decided to grant you my assistance.”

You had to purse your lips together to prevent yourself from laughing. “You know what, thanks, Power,” you let the fiend have her moment. Her homemade straight-from-the-can soup smelled pretty damn good.

ー

“Ichika, are you dating anyone?”

“What brought that on so suddenly?”

You shrug from where you sit at the kitchen table. “Because you never go anywhere unless it’s the farmer’s market,” you point out deftly. Work and home, that’s all either Nagano sister seems to have time for, save for the occasional pub night. No one in this house has much of a social life when you ponder it for more than two seconds. “We were kids before but it’s not like you don’t have a life now.”

“You’re all still kids to me,” Ichika’s laugh is light and playful, like she’s daring you to protest otherwise.

“Power might be,” you lean back in your chair with a quiet snort. “She’s always been a handful.”

It’s rare for the house to be this quiet between the dogs and Power. The former are on a walk with Nayuta and the latter tagged along with Himeno to the market. Power has a child-like nature you doubt will ever fade. If something happens to Ichika and Himeno, what’s going to happen to Power?

“I recall all three of you being handfuls,” Ichika continues washing away at a plate with a laugh. “I’m not sure how you remember it but you and Nayuta had your moments too.” You remember your last first day of middle school and how Nayuta turned Power into a dog. You can recall many instances of Power falling prey to Nayuta’s power, truthfully. Himeno hated it. “Well, you had the least amount of tantrums, so I suppose I can give you that.”

You snort, lips curling in amusement, “name one tantrum I had.”

“I distinctly recall the time you were upset Himeno ate your leftovers.”

“That was different,” you cross your arms resolutely. “I counted everything I had left and put the numbers on the box!” If Power has a child-like nature, Himeno is a permanent child at heart. “I told her if she wanted something, to let me know. But she didn’t! She just wanted to mooch off my plate!” How many times has she put me through this? She hasn’t changed since I quit working at the Bureau.

“Himeno, I’m getting something to eat. What do you want?”

“It’s okay, I’m not hungry.”

“Himeno,” you eyed the woman with your lips pressed together and eyes narrowed. “I’m getting something to eat. What. Do you want?”

“Nothing, ー, geez! I’m not even hungry!”

“Liar, because I know damn well the moment I get back you’re going to want whatever I’m having! You know what, at this point, get your ass up. We’re leaving.”

“Wow,” Himeno held a hand against her chest, mockingly crushed. “This is how little you trust your best friend? I thought we had something special.”

“I trust you as much as I trust Nanaka not to poison me the first chance she gets,” you’d only been working for Japan’s Public Safety Devil Hunters for a month and the brunette still hated you. Apparently the transgressions of being assigned the partner of her beloved Makima was too heavy a crime. “I think I saw a new Italian place open up by the convenience store ran by that Brazilian couple I told you about.”

“Are you alright, dear?” You rub your forehead as if the motion will chase away ー’s memories with a vengeance.

“Yeah, I’m fine.” I never worked at the Bureau, you remind yourself. And I don’t want to. I’m no hero. That was ー’s desire. You only desire that which is most simple. “But you never answered my question. We’re not kids anymore.”

Ichika sets aside her wet rubber gloves on the drying rack, wiping the remnants of moisture onto her apron. “You don’t have to worry about me, [First]. I’ve never been the social butterfly, my sister’s always been the brave one.” You wonder what memories Ichika recalls as she takes a seat in her usual spot across the table. “That’s why she became a devil hunter. But even when we were in school, she got along with everybody.”

“You said you were in the tea ceremony club, right?”

She perks up in pleasant surprise, “that’s right! I’m surprised you remember!” The summer before you started high school, Ichika pulled out their old yearbooks from when they were students. “It feels like just yesterday both of you were in high school.”

“It basically was just yesterday.” It hadn’t been long at all since graduation and your classmates flocked out of Shonai to various major cities across the country. Everyone but the two of you. “High school was… better than middle school.”

“That it was,” you know from the slight frown on Ichika’s face she is remembering exactly how much of a mess your time at Higashi Middle School had been. So much so you transferred to Kitahoro Middle halfway through attendance. “It was hard for the two of you.”

ー

“[Last]?” A voice that twinkles like a bell calls for you. “[Full name] is that you?”

It’s a little past lunch that Saturday afternoon and the day is sleepy for both humans and devils. You hadn’t seen so much as even a trace of devil activity, deciding to have an early lunch after tossing your weapon of choice underneath a dumpster in a back alley.

You turn around at the sound of your name, fearful it is Himeno who has found you.

Thankfully, this person is Himeno’s opposite in every way.

Their eyes are green instead of blue and their hair is a dark brown instead of navy.

I know this person.

“Oh, Class Prez,” you blink in realization. Yamada Moe, in the flesh. “It’s been a while.”

ー

On a school day like any other it announced that Kiritani Tomoko had been killed by a devil. Rare as that was in a small town like Shonai, everyone had been shaken up.

“How ironic,” you heard the whispers from the adults around you. “It was the Rooster Devil. How ironic when her family raises chickens. Even here in Shonai, devils are everywhere.”

Adults who in the same breath greet Power and Nayuta with warmth whenever they are seen walking down the street.

Hypocrites.

Tomoko’s death is unfortunate but you won’t pretend it was something that impacted you personally. To the president of 3-A, Yamada Moe, it was an unforgivable blow. You didn’t see her during lunch in 3-C, nor did she come back from lunch despite leaving her bookbag and pen on her desk.

“Rika’s not here, either,” Nayuta told you when you pointed out the empty desk.

You aren’t saddened by the death of Kiritani Tomoko but you know of a death you couldn’t recover from.

So you don’t fight it when your teacher tells you to find where Moe has slipped away to and you don’t drag her back from the ponytail when you find her crying on the rooftop either. “Hey,” you closed the door behind you.

“Just go away,” Moe shuddered, holding herself tighter. “Why are you even here?”

“Hori-sensei wanted me to come find you.”

Moe raises her head with hot anger, eyes red and weary, “like you suddenly care about being a good student.”

“I told you before, didn’t I?” You plopped on the ground in spite of Moe’s protests, hands resting on your lap. The autumn wind is comforting against your skin and the rolling clouds are fluffy. An unsuspecting day to learn someone from school died. “I don’t believe in good or bad people. People just do good or bad things. But I get it,” you shrugged lackadaisically. “Nayuta does a lot of bad things. It isn’t like I’m a saint either, we’ve done plenty of bad. If that makes us bad people to you, that’s fine. But I get what it’s like to lose people too.

“My parents were good ones. But some asshole hit them with their car when I was seven and I was stuck on my own until I was thirteen,” what would have happened to you next if you had left things to the authorities around you? You’re unsure. At seven years old, running away seemed like the best option at the time. No princes would be coming to save you so you became your own prince. “Devils. Cops. Figuring out what to eat. The other people out on the streets could be the worst too. I got into a lot of fights back then.” All to lie in a building the government had yet to demolish. “I thought the world ended. Or at least my place in it had. If I never met Nayuta, I’m not sure how much longer I could have kept going like that.”

Spotting movement to your left, you looked to Moe and your eyes caught one another.

Red as her eyes were, they were wide at your confession with her mouth slightly ajar. “It’s corny but when she’s here, I feel like I can do anything.” Survive on the streets for months or even fight devil hunters that were planning to kill you before you could blink. “So she gets to do awful things. Nayuta can do the most awful things in the world. She’s perfect.” She’d been perfect the moment you met her. “So I can’t say much about being sad about Tomoko, because I didn’t know her like that. But I know how it feels to lose someone and I know what it’s like to be terrified it’ll happen again. So for what it’s worth, I’m sorry about your friend.”

“Sorry,” Moe murmured. “Thank you.”

“You don’t have anything to apologize for, you’re the one upset.”

…

“Aren’t you supposed to make me go back to class?”

“I’ll just tell Teach I got lost or something,” you yawned. “It’s none of his business.”

“You’re actually a good person, aren’t you?” Moe sniffled, resting her forehead against her knees. “You just pretend to be mean.”

“Good people don’t exist,” you sang, watching the clouds roll by. “Now mean, that I can be.”

“Now you’re being stubborn,” Moe muttered under her breath, sniffing again. “You’re good. It’s just being with Nagano Nayuta makes you act like a jerk.”

“It’s fine, you don’t have to like her,” you close your eyes with a light smile. “The less people realizing all her positive sides, the more Nayuta there is for me.”

“I don’t know how you stomach being around her,” you shrugged. “She’s like poison. The two of you together doesn’t feel right. She doesn’t feel right.

You open one eye, “what do you mean?”

“It’s just a feeling I get,” Moe explained vaguely, twisting her hands together anxiously.

“Nayuta, don’t use your powers at school for a while.”

“Why not?”

“I found the C-” “Yamada thinks there’s something off about you and everyone else is still on edge about that last devil attack. So it’ll be better to lay low until everything calms down.”

“Who’s that?”

“My class’ president. You know her, you think she’s ugly.”

“… Do you like her?”

“She’s alright, I guess. She’s just a classmate.”

“What about me?”

“You’re everything.”

Nayuta leapt onto your back in her satisfaction, legs wrapped tightly around your waist. “I’ll leave the humans at school alone then.”

“Don’t use them no matter what, alright? We can just get extra snacks on the way home from school or something.”

“I won’t.”

ー

“You cut your hair, it looks good!”

“Thanks,” Moe plays with a lock of curly hair, boyishly short. It suits her rather nicely. You look freer. “It’s surprising seeing you here. What are you…?” She glances quickly at the hazmat-style onesie you’ve dressed yourself in, plastic visor raised above your head.

“Got a janitorial job and I’m taking no chances,” you lean against the cold bench lazily. “I never mocked a janitor before but I damn sure am never going to now. Those guys are the unsung heroes of our society.”

“Janitori-” Moe snorts in her shock, looking like you’ve grown two heads. “I always figured you’d become a philosophy teacher considering how you were back in middle school”

“Nayuta’s signed up for classes but I’m taking a couple years off to save,” what you plan on majoring in when the time comes is unknown even to you. Perhaps Moe is onto something with philosophy. “We can’t mooch off our benefactors forever.” What’s going to happen to Power if anything happens to Himeno and Ichika, you find yourself pondering once again. A third passport shouldn’t be that hard to forge. Kishibe got me and Nayuta into the country without any problem, didn’t he?

“Oh, where is she going?”

“She’s at Tohoku too,” you nod at the Tohoku University tote bag resting on Moe’s hip. “She’s doing everything virtually. Business Management major.”

There’s little surprise on Moe’s part when she hears that, “Business Management sounds like something that suits her.”

“She is pretty bossy, I can give you that,” you huff with an airy sigh. Management is something Nayuta will definitely thrive in. “She’s a damn good student though. What about you? What have you been up to? Majoring in law?”

“Philosophy, actually!” She laughs at how your eyebrows raise. “Surprising?”

“A little,” you nod and Moe rolls her eyes in playful exasperation. “But with all the arguments we had, philosophy or law honestly made the most sense. So I wasn’t that far off.”

“Those weren’t arguments, those were debates,” Moe corrects you needlessly, arms behind her back. It’s almost like all the tension left her when she cut her hair.

“You’ve mellowed out, Prez,” you whistle, impressed.

A younger Moe would have asked what you meant with a furrowed brow. The Moe of the present day accepts your words with a hearty laugh. “I was a bit high strung back then,” she lets out a nostalgic sigh. “Maybe more than a bit,” she admits sheepishly. “But middle school really feels so long ago. I guess I changed without noticing.”

“Sorry about middle school,” your lips curl into a grimace. “The stuff with Nayuta I mean.”

Moe’s eyebrows knit together with an empathetic curl of her lips, “it’s okay, I get it now. You were under a lot of stress back then.”

“How’s Rika doing?” You vaguely remember that girl who Nayuta would pawn snacks off of. “She going to Tohoku too?”

“Oh,” Moe shuffles nervously.

“What, did she drop out or something?”

“No, um, she never went to university,” Moe fiddles with a bracelet on her left wrist.

You raise an eyebrow at the odd behavior, “is she… dead?”

“No!” Moe answers quickly and you cock your head to the side, shrugging your shoulders. Okay then what is she then? “It’s just that she… became a devil hunter after we graduated.”

“Okay,” Good luck then, Rika. If you’re in Tokyo maybe Kishibe’ll be the one in charge of your training. As much as you hate the man, everything he’s taught you has kept you alive so far. You see green staring at you. “What?”

“I’m just surprised that you took that so well,” Moe breathes in disbelief. “Considering everything with Nayuta, I was afraid to bring devil hunters up in front of you.”

Your blood runs cold. “What do you mean ‘considering everything with Nayuta’?”

“Did-” Moe blinks once before she covers her mouth in horror. “Did you not know? I’m- I’m so sorry-”

“I found the C-”

“How did you know Nayuta wasn’t human? When did you figure it out?”

“When… that time back in middle school. She didn’t look human to me and when you went to her I just thought… in that moment Nayuta being a devil is why you were always so protective of her,” Moe’s head looks around the alley you’ve brought her too cautiously. It’s deep, deep within the darkest crevices of Sendai. “Where are we? Why are we here?”

You look at Moe and then the dumpster beside you, “I have to tell you the truth about something.” Your thumb brushes against your middle and index fingers for a moment. “I’m not really a janitor. I’ve been killing devils for the past seven months now. It’s underground work though.” You tell Moe this news as one might tell their friend they decided to plant tulips in their garden, reaching for where you slid your axe underneath the grimy trash heap.

“Devils?”

“Yeah.”

Moe looks at your rusty blade, caked in the blood from those you’ve killed thus far. “… But Nayuta,” she is unable to bring herself to say the rest.

You laugh, leaning against the wall for half a second before deciding you can’t stand the feel of it against your back. Nor do you wish to feel the eyes of Moe upon you. “Yeah, it’s sick isn’t it? She’s a devil but I’ve been out here for the past seven months killing ��em. But Nayuta,” black hair and red rings fill your memories. “she means everything to me; I was alone for years until I met her. I have never cared that she was a devil. She was perfect, she’s still perfect. If anything ever happened to her, it would feel like the entire world was ending. I used to be a cashier, you know, but try making enough money to sneak a devil out of the country at your local 7-11,” you laugh humorously. “And I know you’ve never liked Nayuta but for me, Nayuta is everything. So please… please don’t tell anyone.”

“I won’t, [First]!” A foot steps towards you, voice full of emotion. “I didn’t like Nayuta before but I get it now! There are good devils out there and I’m going to prove it. That’s why I’m studying philosophy! If humans and devils can understand each other, we wouldn’t have to kill each other anymore!”

“She means everything to me,” your fingers dig into your palms as you repeat yourself weakly. She’s the best thing you knew you needed in a world that had nearly beaten you down for good. The one you would find repeatedly no matter the time and distance that separated you. “What am I doing? Killing devils for money like this when I know…” your shoulders sag. “But I can’t do anything else for her. I can’t earn money fast enough otherwise and I don’t have time to wait. I’m sure… this makes me a bad person, doesn’t it?”

“You are not a bad person,” Moe’s hand is warm on your back even through the layers you wear to keep yourself from being bloodied. “It’s not you that’s wrong, it’s the world itself. If enough people just realized that, things would be better.” A world where humanity and devils lived together in harmony? It seems like an impossible dream; perhaps it is one not within reach. Not within the lifetime you currently possess. And that’s okay, I’ll make my own happiness even with that fact. “You’re just trying to do what you can for the one you love in a shitty situation. Nayuta would understand that. So… so don’t beat yourself up about this. I never told anyone about Nayuta and I’m never going to.”

There was nothing familiar about her black hair, nor the mole under her left eye. You were sure you couldn’t say you’d ever met anyone with golden eyes with red rings in them either. There was no reason to feel like your senses had been set ablaze and the universe shifted.

You didn’t know this girl.

This girl was a stranger.

You knew this and yet you still fell to your knees as warm tears flooded your eyes without your permission.

You breathe.

“By the way,” you yawned, as it dawned on you that you never once asked for your new companion’s name. “what’s your name?”

When there was no immediate response, you thought the girl fell asleep. “Nayuta,” you finally heard the feathery light reply. Nayuta pressed herself closely to your chest, listening to your heartbeat.

“I’m [First],” you squeezed.

Nayuta squeezed back.

You breathe.

“I didn’t, [First], please believe me! Don’t leave me!”

You slide down your visor.

“We can get married for real when we grow up,” you vowed once more as you clumsily led each other in your dance.

Nayuta’s smile was saccharin, “promise?”

“Promise.”

And you breathe.

“Hey, Nayuta, pick a country. One that doesn’t have a devil hunting association in it.”

“Seychelles,” Nayuta didn’t miss a beat, grinning the devilish grin you loved all the while. “We still need to have our honeymoon.”

The back of your fist strikes Moe’s throat before she has time to react.

“Don’t worry at all, Prez,” you kick the woman to the ground, grip on your axe tightening as you sit atop her. “I know you won’t tell anyone.” You wonder what those forest green eyes see when they look up at you, eyes wide as she gasps for air. You hold her jaw in place, gloved fingers digging into her skin.

“Stop-” her words come quiet, hoarse. “I won’t tell! I really won’t tell!”

She won’t say anything. No. She might. She hasn’t snitched in all these years. She could change her mind. Cut off her tongue. Her fingers too. And the toes. All of it needs to go.

“I could cut off your tongue,” you feel her breath hitch from she freezes under your touch. You feel the beat of a pulse, pounding like a drum. “but you could still use your fingers. I could cut your fingers and you could use your toes. I could cut off everything and you’d still probably find a way to get out a message with the stumps too.” Tears swell in Moe’s eyes and you barely feel her fists beating into your shoulder. I’m glad I hit her in the throat, you finally take note of her barely audible, ragged whispers.“You can say you won’t talk until you’re blue in the face but there is nothing that can stop you from ever changing your mind. I’m sorry. I really did like you.”

See? I became a bad person to you just now, didn’t I?

The weight of your axe is heavy as it follows the push of gravity guiding your hand into soft flesh below. There’s a quick breath, a gurgle, that slips from Moe’s lips and you raise your axe again.

Red droplets strike your visor and you raise your axe again.

Muscle and sinew decorate the dirty earth around you and you raise your axe again.

Again and again even when what you strike is hard rock instead of flesh until you raise your axe a final time, and you hear metal clink that isn’t your own.

Your neck cracks from the force you whip your neck and the devil flinches when your eyes meet, not daring to press its raised hand to the ground. When you look closely, you see a twisted green soda can wobbling underneath it. Your shoulders steadily heave from your fatigue, neither of you moving a centimeter. You can’t hold back a tired laugh from the absurdity, resting a hand on a knee as you push yourself up. “Sorry,” you titter, neither of you blinking as you step to the side. “You’re hungry, aren’t you,” you gesture to the body, still warm. “It’s okay. Eat it.”

The devil’s mouth trembles, eyes flittering between you and the still lumps on the ground. It takes a step back.

You blink, letting your hand hang loosely against your leg. “What are you waiting for? I said eat it.”

As if coming back to life, the devil on all fours takes one step forward - then another - until it rushes past you to begin its feast. You raise your visor when the devil turns its head, jowls soaked in blood, eyes narrow. It eats stiffly, eying you and the axe in your hand. You smile reassuringly, eyes soft.

The Rat Devil should be about ¥600,000 right?

ー

Nayuta squeals when you lift her feet off the ground as you laugh maniacally, arms safely tucked underneath her back and legs.

An evening walk on the beach is just what you need after a trying day at work. The moon is full and the evening Shonai air is sweet unlike the stink of the city, heavy with exhaust and blood. Thanks for not being a bitch this time, Nishida. The Rat Devil cost as much as you estimated it would, if not a bit higher.

The life you lead isn’t perfect but it has its moments.

“We’re going to fall!” Nayuta shrieks but her grin is wide and shining under the moonlight. She’s almost like a siren, you think, as the waves accompany her voice. The sand squishes underneath your toes, kicking up the waves as you spin and spin. One day when you carry her like this, she’ll be in a beautiful dress and veil just like you talked about when you were kids.

“Relax,” you tilt your head back, tasting the ocean spray on your lips. “I’m never gonna drop you!”

ー

“[First],” Himeno calls in a sing-song voice as you walk out the door. “Wait for me, kiddo! I need you to give me a ride!”

Your hand grips the car handle as you tilt your head back with a loud groan, “Himeno, I’m going to work.” The sun hasn’t risen yet nor have the morning birds begun singing their songs. Eight months you have been able to successfully stave off this conversation.

Eight months.

You hope to make it nine.

“Wow,” Himeno jeers, undeterred and you know your stomach will be heavy with dread if you’re unable to shake her off your tail. Eight months you’ve been able to successfully avoid this conversation with Himeno and you don’t plan to break your record. “Someone gets a job and the moment she starts moving up in the world she forgets about all the people she met along the way.”

“Yep,” you click your tongue. “I’m one of those people. So it looks like you’ll have to wait until someone else decides to be your chauffeur. I’ll call Sebastian to retrieve you later.”

“So they’re paying enough at 7-11’s for you to afford Sebastian’s rates?” Himeno whistles, impressed and awed as she rests a large stack of ¥10,000 on top of the car. “Can you recommend me a position? If I’d known that, I’d have left Himeji’s ages ago.”

Blue stares into [color].

Wordlessly, you sit in the car and Himeno follows suit, quiet as you pull out of the driveway and far from the coziness of home. She waits nearly ten minutes to the hour before she opens her lips, a smile in her voice that is frigid. “You have the look of a killer now,” your eyes flit to your reflection in the rearview mirror. “I wonder how many things you had to kill to get eyes like that.”

“What’s the issue with killing,” you mutter, eyes on the empty road. How she found the money is of little consequence. She has it and that’s all that matters. “Why did you make me learn how to kill them if you didn’t want me to do it?”

“Those skills were for protecting yourself,” you scoff at her answer. What’s self-defense to her will never accommodate your ambitions. “Not going out of your way to get yourself killed. As long as you’re living under my roof-”

“Oh don’t worry, we won’t be living there for much longer,” you cut off your benefactor.

“We?”

“We!” The car comes to an abrupt halt as your glares turn on one another. “You and Ichika aren’t going to be here protecting us forever! You think Power actually has the ability to live on her own in a world of humans? You’re not going to live forever!”

“And you think you are?!” Himeno laughs at the ludicrous presumption.

“I’m going to figure things out by then!”

Three adult passports.

(I’ll need the forgeries too.)

Visa.

Housing.

Food.

Permanent Residency.

(Can’t believe I forgot about ticket costs. Where do I go for illegally flying devils out of the country, huh? And the pets. What do I do to bring-)

“[First]-”

“And I don’t need your help to do that! And I don’t need to be under your roof either, I’ll move out! I have enough!”

“ー stop!”

“I’M NOT ー!” Himeno balks as you scream, slamming your hand against the driver’s window. The glass cracks but it does not shatter. “ ー isn’t coming back and the one you’re stuck with now is me! And I know you hate that and you have to be reminded that your best friend died every time you look at me but I am not her! I’m never going to be her!” Those memories would never be yours. Makima was never going to be yours. Makima is Makima, Nayuta is Nayuta. The difference is night and day. “I’m not like her! I hate her! I hate,” your voice cracks and you rest your head on the steering wheel, squeezing the handle tightly. “I hate it. I hate that you only want to see her. You never want to see me.”

“When Kishibe brought you both to me, I wanted to take you in immediately. And I have to be honest, a good portion of it was because of who you used to be. But I know you, [First],” a hand rests on your back, warm, but you’re too tired to brush it away. “You’re brave and kind and you look out for the people you care about even if it means you have to take the brunt force of everything. Nayuta has no idea about this and it’s because you want to keep her safe.”

“I don’t want her to come to the city and be discovered again,” “I’ve found the Control Devil.” The five words you fear hearing the most. “A life where Nayuta can be free. That’s all I want.”

“I see you, [First]. I see you and I see Nayuta and I’m very proud of who you’ve become and the people you’ll grow into for as long as I get to see it. I just haven’t been doing a good job showing that and for that, I’m so sorry,” her voice is cloyingly thick and in spite of yourself, your eyes feel hot. “Even if I could go back and stop ー from dying, I wouldn’t. I would never give up having you in my life, not even for her. You, Power, Nayuta. All three of you are precious to me, younger sisters I’ve always wanted.”

“You already had a younger sister, idiot,” you wipe your nose against your sleeve, disregarding your disgust for the trail of snot it leaves on the fabric. “Does Ichika mean nothing to you?”

“More younger sisters,” Himeno laughs wetly. “The four of you give me a life that’s worth living. I love it when Power plays her anime at the loudest volume possible. I can even look back on Nayuta and Power’s fights with a smile, isn’t that funny? At the time those situations weren’t funny but that’s how sisters are, I guess. And you always thought you could be slick hiding that you could be as much of a brat as the rest of us. Well, except for maybe Ichika. You should have seen her when she was four.”

You laugh despite yourself, “Ichika was probably the most well-behaved four year old on the planet. You probably made your parents want to send you back to the hospital.”

Himeno chortles, “only half the time.”

A pleasant silence falls over the vehicle.

“I think it’s time to call Grandpa Kishibe and finally move from this place. The house is getting too small,” Himeno leans back in her seat and stares at the leather ceiling. “The geezer should foot the bill for everything, he never even sent me child support.”

“Nayuta wants to go to Seychelles,” you follow Himeno’s example, resting against your seat. It’s dawn now, you note the fingers of the sun peeking behind the clouds and painting the sky hues of rose, indigo and vermillion.

You love the dawn.

“I know a place even better than that,” it’s supposed to be a wink but with the eyepatch, who can tell. “Remember that Angel Devil I told you about? The place he lives is pretty damn snazzy and warm all-year round. A place where even devils can live freely.”

ー

You barely had time to dry your hands on your skirt when Rika burst through the bathroom door, chest heaving. “[First], come quick,” the girl’s eyes were wide with fear. “Moe and Nayuta got into a fight!”

You bolted through the door, shoving Rika to the side.

Class 3-C was a mess by the time you arrived and calling what likely happened was a disservice to what you were welcomed to. Desks were skewed to the side as if a tornado had blown through it, food strewn across the floor. No one noticed your presence, not when Moe sat on the floor holding her jaw, battered and nose dripping with blood and Nayuta’s short form towered over her with silent menace.

“Nayuta, stop,” you stand between the devil and the human foolish enough to invoke her wrath.

“Why?” Gold eyes glowed harshly.

“You’ll kill her.”

“Why do you care if she dies? You said she didn’t mean anything to you. So I don’t understand,” Nayuta appeared to stand perfectly still but you could hear the tremor in her voice. From rage or from wanting to cry, you didn’t know. “Why are you protecting this girl? I’m all you need. Aren’t I?” Taking a half-step forward, Nayuta gripped your arms as if they were her lifeline. “Aren’t I?”

One year ago, not long after you turned thirteen, a blazing star sought refuge in your chest.

The birth of the universe.

Within that birth, you willingly took a devil’s hand and ran across the playground of the divine welcoming all damnation.

You’d do it for as long as she wanted you.

“From now and forever, we are going to stay together. We’ll eat a lot together, sleep together and live a happy life together,” you hold Nayuta to your chest, closer than what is possible between devils and man. “More than anyone in the world, you’re the only person I need. And I’ll never want anyone else either,” you whispered, brushing your fingers against her silky hair. “I told you before, didn’t I? We’re not like them. You and me are gonna live forever.”

“You want to be with me?”

“I want to be with you.”

“You’ll stay with only me?”

“I’m always gonna stay with only you.”

“You promise?”

“I promise.”

“Let’s go home, okay?” When you felt the weak nod of your beloved, you wrapped Nayuta’s legs around your waist. Your initial steps were shaky, pacing backwards for a few seconds before you caught your balance.

“I love you, [First],” Nayuta’s arms trembled around your shoulders and you hear the telltale signs of hiccuping.

“I love you too,” you held her closer if it was possible.

Warm droplets fall against your neck.

ー

Nayuta looks beautiful in her white dress, veil trailing delicately along the white sand.

translation notes.

織姫　「orihime」ー weaver princess

<- part 2

#romance dawn ー 🌅#chainsaw man x reader #csm x reader #makima x reader #series: man is a blazing star ー 💫

55 notes · View notes

ofoceansandtombsanew · 1 year ago

Text

織姫

cw. f!reader (afab), canon divergent, manga spoilers, established relationship, dissociation, canon-typical violence, non-linear storytelling

pairing. makima x reader

notes. part of the man is a blazing star universe so i would give the two previous fics a read before diving into this one as it is key to understanding everything here. in a way, orihime 「織姫」 is a love letter to what was originally a duology so i hope old readers enjoy spotting the references! i had a lot of fun experimenting with detailing, when not to use it and even when only relying on only dialogue to carry a scene and i hope the payoff works in my favor.

Dawn is a time of day you appreciate more when you don’t have work.

Makima is a woman bathed in the light of dawn.

You release a sigh of satisfaction, watching your girlfriend go ahead of you as your dogs stretch their legs.

“I won’t use my power on you, in exchange, we have to stay together forever. We’ll eat a lot together, sleep together, and live a happy life together.”

The contract of a lifetime ー marriage in its own right.

Gone are the days of patrols, weapons and putting your life on the line to ensure the safety of the general populace.

How peculiar this entire journey has been.

You will never pretend your reasons for joining the Bureau were pure of heart; you’d never dreamed of glory or protecting others.

For Makima, you’d gladly put your entire being on the line.

It goes against the nature of the Control Devil to have equal relationships.

Makima has one with you.

It’s then that carmine suddenly becomes jet and there’s a mole underneath her left eye that wasn’t there before.

Ah.

“[First], I want crab for dinner!” Nayuta beams brightly.

“Damn you have expensive taste,” you tease in spite of your stupor. Right. Those memories aren’t mine.

“Have ‘em,” Himeno told you shortly after you moved in with her in the quiet town of Shonai. “They were yours anyway. Oh, but Meowy’s always been Power’s.”

The ringed eyes are the only part of Nayuta that is the same as the woman from your memories. The eyes and the braid you know she'll twist her hair into later.

You wish the image of that woman would disappear.

It’s a magic only Nayuta possesses.

The magic is disturbed when one of the dogs yelps in pain and Nayuta guffaws at the display of a small crab latched onto its nose.

You love the dawn.

How the wind runs its invisible fingers through Nayuta's hair much like a musician strumming the strings of a harp.

How the light of the sun crests Nayuta's head much like a halo although you're sure the god of such beings will likely you spurn you for the comparison. How ironic that a devil is the closest comparison you have to the opposing pole.

When it’s like this, it’s easy to pretend you and Nayuta are the last ones on earth on this beach.

There are no devil hunters, no other humans and there are no other devils either.

You digress that the truth of your reality is fine, however.

Work is limited for a Fiend in hiding from the government.

Everything is limited when it’s the Control Devil remaining out of the government’s sight.

“Do you ever wish you could actually go on campus?”

“Not particularly.”

The woman kept an eye on you both, weapon drawn in one hand, phone in the other. “I found the C-”

Unwittingly, your mind drifts back to the red-haired woman as you watch the loose strands of Nayuta’s hair dance in the wind. Makima.

Makima is Makima, Nayuta is Nayuta.

ー is ー, you’re you.

“Hey, Nayuta, pick a country,” you call for the one you love. The one you love. The proof is when she turns and Nayuta is all that remains. You don't hate Makima. You don’t think it’s possible to hate any incarnation of the Control Devil. But Makima is who ー loved and their sun had long since fallen. “One that doesn’t have a devil hunting association in it.”

“Seychelles,” Nayuta doesn’t miss a beat, grinning the devilish grin you adore all the while. “We still need to have our honeymoon.”

A dirty sheet turned into a veil rests on jet black hair while you recited your on-the-fly vows.

“Yeah,” you chuff as you rest your hands in your pocket. “I owe you one, huh?”

A honeymoon and the whole wedding too.

ー

“What’s this new job of yours again?”

“I got a gig cashiering the next town over,” you pinch the green collar of your uniform as a physical display of your employment.

Himeno’s one eye closes as she hums thoughtfully into her mug, “what about your job at the konbini?” Her smile is as plastered as wet cement.

Ichika takes Power’s demands in stride, “I think crab would be a nice treat. Don’t you?”

Matching blue gazes share a quiet conversation before Himeno relents with a tired smile, “I guess crab isn’t that bad an idea.”

Himeno’s house is a far cry from the abandoned building you both once called home.

It’s a life you always dreamed you’d one day share.

Although admittedly you never accounted for the additional humanoid bodies living in it.

“Call me for lunch,” to the untrained ear, it’s a demand. To one as experienced as yourself in the language of Nayuta, it’s a request.

It’s an uncannily peaceful morning for a household of humans, fiends and devils. One that religious zealots would lose their minds over.

It’s nearly an ordinary morning.

It’s too late to turn back now, you remind yourself. I’m doing this for us.

Two adult passports.

Visas.

Housing.

Food.

Permanent Residency.

Nayuta had been a stranger, once upon a time. A stranger who never existed in your conscience and whose life you never perceived.

Then your eyes met and you experienced the birth of a universe.

You’ll gladly put your entire being on the line.

“Do you want to protect Nayuta?” Your grip tightens for a moment longer before finally reaching for the duffle bag you hid underneath the passenger seat.

“Well yeah, obviously.”

“Then follow two rules. Stay away from major cities and don’t join the Public Safety Devil Hunters.”

You've technically broken only one of Kishibe’s rules.

ー

Your parents used to take the first day of school very seriously.

Even Power had on a uniform, refusing to be left out of the celebrations.

“That’s right, our little women,” Himeno laughed, holding an energy drink like it was a beer can. “Smile for the camera!”

You were able to turn the corners of your lips into a smile but, if anything, Nayuta’s scowl only deepened.

Nagano Younger placed the camera down with an empathetic smile, “don’t you want to make friends?”

Ringed yellow eyes practically glowed as Nayuta sharply looked at the woman, “what do we need friends for? All [First] needs is me.”

The Nagano sisters shared a look that was a mixture of concern and exasperation. The primary debate of the weekend had finally reared its ugly head just before you were due to leave. Before either of them could say anything to placate their youngest ward, however, Power's manic laughter filled the air. When she had her fill of amusement, she rubbed the bottom of her nose as her laughs faded into chuckles. “The Great Power was once this immature,” Once? “Nayuta!” She points a sharp nail in the direction of the only other non-human in the house. “Stop behaving like a child! You’re reflecting poorly on my teachings!”

“Bark like a dog.”

Power dropped on all fours and barked the moment the demand left Nayuta’s mouth. The actual dogs in the house went into an excited frenzy, barking alongside with her.

Power returned to her feet, cheeks hot with anger but whatever she was going to say, she stopped in her tracks the moment you held the bowl of ice cream Ichika gave you directly under her nose. It only took a beat before the Blood Fiend grinned, lifting the bowl as if it's her newest kill. “Gahahaha! I suppose I can accept your humble offerings,” you snorted quietly at the display. If anyone was the child in this house, it was her.

The last time you’d been in school, you were seven.

It’s only when she heard those words that Nayuta looked even remotely enthused about your separation.

“See?” Ichika’s smile widened in her appreciation.

“Alright,” Nayuta leaned against you, not entirely pleased but no longer entirely upset.

It was a solid victory as far as Ichika was concerned.

ー

Nishida’s lips curl in dismay, “have I ever told you that you’re a real bitch to work with?”

You’ll continue to be one until you’ve gathered all you could, “acknowledgement from the queen of bitches is a real honor. I want my check.”

What are the ethics to killing devils when you are dating one?

You decide to follow the devil code of ethics. Kill or be killed, it’s that simple.

It’s never been a question if Nayuta would spurn you for such acts if she were to ever learn of them. It’s the fact you know Nayuta would follow you to Sendai in a heartbeat.

“I found the C-”

You will never bring those unfinished words to reality.

“It just seems like a lot of hassle,” Nishida scratches the back of his head, nonplussed. “If this ever gets in the way of your job, don’t come crying to me.”

The look on Nishida’s face almost makes you feel better about his attempt to scam you. Almost. “Just go home before I decide to take my offers of employment elsewhere!”

You chortle with pleasure as you finally exit his dusty office.

It’s instinctive, how quickly you return the embrace. “That professor finally off your ass?” Strange. Since when has Makima been a student?

“Want me to talk to them then?” Nayuta is too quick to offer her services. I’m earning more than enough now. “I’ll get you a manager’s salary too.”

Nayuta snorts at your dramatic lament, “you’re so cheesy.”

“You’re the cheesy one,” you blow a raspberry against the juncture between her jaw and neck and Nayuta squeals immediately.

“Gahahaha!” Nayuta ducks away and you giggle in return. She’s always been a bit ticklish, you’re simply the one lucky enough to do so without repercussions.

“I know ways to make tomorrow come much faster,” Power’s snark cuts through your flirting like a dull knife. The Blood Fiend rarely ever sits still unless it is mealtime or she is watching something thrilling enough. The evening news normally is usually not something that makes Power lay down in the middle of the living room floor on a throw pillow yet here she is. "Being stricken with blunt force guarantees many hours to pass you unknowingly.'

You raise an eyebrow at Power’s unwarranted attitude, “what’s got you in such a shitty mood?”

Power is all that remains from everyone who once claimed the Hayakawa name as their own.

“Don’t mention that name in front of me!” Power snarls without looking in your direction. She doesn’t move to change the channel regardless.

“Pitiful,” Nayuta comments but her grip around you tightens in spite of it as she rests her ear against your chest.

Pitiful.

You open one too many bags of popcorn while Nayuta puts on one of the Inazuma Eleven DVDs Power got on her birthday last year. The five dogs excitedly run around the house to the sound of Power obnoxiously singing "Stand up! Stand up! We love football!" Tora is content to rest on your lap and Meowy the Second takes off with her second popcorn kernel.

To wait this long for someone who ran away and never looked back is pitiful.

A Power who isn’t living up to her proudly chosen name is even more so.

You breathe in the scent of Nayuta’s shampoo as she rests her head on your shoulder. It really is too damn pitiful.

ー

“You ever wonder why there are devils but no angels?”

As much of a date it could be at school, anyway.

“Or even a Mermaid Angel! That would be so pretty!”

“Mermaids aren’t real, Rika.”

You considered their words with a silent hum. Himeno said she met an Angel Devil once, I think. I wonder how strong he is.

If an Angel Devil is the manifestation of humanity’s fear of angels, you wondered what a Devil Angel would be like.

“Rika, Tomoko,” Nayuta placed her chopsticks atop her empty lunch box before resting her cheek on her hand. “Give me your desserts,” she yawned. Beneath the table, her legs twined with yours.

“Sure thing, Nayuta,” Rika beamed, holding up a pudding cup enthusiastically.

Tomoko nodded, looking relieved, “my mom packed me too many things anyway.”

Moe glowered in your direction.

“It’s no problem,” Rika brushed off your gratitude with a dispassionate wave of her hand. “What kind of angels would you guys be excited to see? Mermaid Angels would be pretty cool, right?”

You shrugged, not wanting to reveal your inherent bias, “I can’t really imagine what an angel would be like. We’ve never seen one.”

“The power of love is cheesy,” Nayuta scoffed.

The three of you ー Tomoko, Rika and yourself ー shared a look of varying degrees of disbelief.

“We are pretty annoying, huh,” you snickered, winking at how Nayuta was still holding the pastry near your lips. Laughter of agreement followed your admission from those sprinkled across the room save for two individuals. If Nayuta had been someone else, perhaps she would have withered under the scathing eyes of class 3-A’s president. Because she wasn't someone else, though, she met the glare with her own. “Even the Love Devil would hate us,” you bit into the roll once again, stealing Nayuta’s attention.

“The Love Devil is probably ugly anyway,” Nayuta replied with a petulant smirk.

“You can make out with Nagano later,” Moe scoffed as she walked past you to room 3-A.

Nayuta glared over your shoulder at the brunette, “she’s ugly.”

“I do gotta get to class though,” you sighed heavily, throwing an arm over Nayuta's shoulder. She returned the gesture with both arms thrown around you. “My adoring fans in 3-A await me.”

“You don’t need your adoring fans when you have me,” Nayuta hugged you tighter and you don’t find yourself disagreeing.

“Why do you even like her?” Moe scoffed as you caught up lazily. “She’s awful.”

“She’s cute,” your lips curled at the waves of irritation directed at you further.

“I forgot my textbook,” you whispered back, directing your eyes forward.

“You didn’t think to ask someone to look at theirs?” Moe asked incredulously.

“Unlike you, I’m a good person,” Moe muttered, raising her desk just enough that it wouldn’t make a sound as she pressed it against yours. “I’d have shared if you asked.”

This philosophy could be applied even to angels.

She couldn’t have made it more apparent how much she hated you with how quickly she separated her desk from yours at the end of the day. You shrugged, not particularly bothered by the reaction.

Some people never meshed with each other and that was that.

Moe hated you and you were indifferent to her existence.

You initially believed Nayuta’s thoughts were the same as yours until she started wiping your arm as if it were filthy after school.

“That humans are dumb,” as if realizing how that sounded, Nayuta pressed against you as you walked down the path apologetically. “99% of them.”

You chuckled at her choice of words, “I’d be the Pride Devil.” You took ownership of the inherent arrogance you possessed as a human of this good year.

“You’d be the [First] Devil,” Nayuta argued head tossed back joyously at the thought, giggling all the while.

Nayuta snorted affectionately, gold eyes bright like the sun, “you’re so dumb.”

ー and Makima’s time was too short; you’d heard that enough times since living with the Naganos.

That wasn’t going to be you and Nayuta.

“We’re not gonna be like them,” you promised, squeezing her hand tightly. “We’re gonna live forever.”

ー　

When was it when the image of Makima began to haunt you like a ghost?

“I think it’s pretty. You’re pretty no matter how you do your hair.”

“I found a picture of the old me in Himeno’s room. The old us. She had her hair like this in all of Himeno’s memories too.”

“You used your powers on Himeno?”

“She thinks it sometimes. I can tell.”

I know.

“The old man said I was selfish when he met us.”

“Humans can be dumb but the food is really good,” Nayuta’s lips turned upright.

You shift a bit so you can lay on your side, facing her more clearly, “do you remember what it was like in Hell?”

Nayuta shook her head, braid dancing to the motion. “Only little bits and pieces, but it’s blurry,” she disclosed, words soft. “I only remember wanting to leave soon.”

Any sentimentality in the room was immediately blown away by the sound of Power kicking open the door.

“Homemade! Straight from the can!” Power placed the tray on your lap, hands resting on her hips. “You humans are fragile creatures, so I decided to grant you my assistance.”

ー

“Ichika, are you dating anyone?”

“What brought that on so suddenly?”

“You’re all still kids to me,” Ichika’s laugh is light and playful, like she’s daring you to protest otherwise.

“Power might be,” you lean back in your chair with a quiet snort. “She’s always been a handful.”

You snort, lips curling in amusement, “name one tantrum I had.”

“I distinctly recall the time you were upset Himeno ate your leftovers.”

“Himeno, I’m getting something to eat. What do you want?”

“It’s okay, I’m not hungry.”

“Himeno,” you eyed the woman with your lips pressed together and eyes narrowed. “I’m getting something to eat. What. Do you want?”

“Nothing, ー, geez! I’m not even hungry!”

“Liar, because I know damn well the moment I get back you’re going to want whatever I’m having! You know what, at this point, get your ass up. We’re leaving.”

“Wow,” Himeno held a hand against her chest, mockingly crushed. “This is how little you trust your best friend? I thought we had something special.”

“Are you alright, dear?” You rub your forehead as if the motion will chase away ー’s memories with a vengeance.

“You said you were in the tea ceremony club, right?”

ー

“[Last]?” A voice that twinkles like a bell calls for you. “[Full name] is that you?”

You turn around at the sound of your name, fearful it is Himeno who has found you.

Thankfully, this person is Himeno’s opposite in every way.

Their eyes are green instead of blue and their hair is a dark brown instead of navy.

I know this person.

“Oh, Class Prez,” you blink in realization. Yamada Moe, in the flesh. “It’s been a while.”

ー

On a school day like any other it announced that Kiritani Tomoko had been killed by a devil. Rare as that was in a small town like Shonai, everyone had been shaken up.

“How ironic,” you heard the whispers from the adults around you. “It was the Rooster Devil. How ironic when her family raises chickens. Even here in Shonai, devils are everywhere.”

Adults who in the same breath greet Power and Nayuta with warmth whenever they are seen walking down the street.

Hypocrites.

“Rika’s not here, either,” Nayuta told you when you pointed out the empty desk.

You aren’t saddened by the death of Kiritani Tomoko but you know of a death you couldn’t recover from.

“Just go away,” Moe shuddered, holding herself tighter. “Why are you even here?”

“Hori-sensei wanted me to come find you.”

Moe raises her head with hot anger, eyes red and weary, “like you suddenly care about being a good student.”

Spotting movement to your left, you looked to Moe and your eyes caught one another.

“Sorry,” Moe murmured. "Thank you."

“You don’t have anything to apologize for, you’re the one upset.”

...

“Aren’t you supposed to make me go back to class?”

“I’ll just tell Teach I got lost or something,” you yawned. “It’s none of his business.”

“You’re actually a good person, aren’t you?” Moe sniffled, resting her forehead against her knees. “You just pretend to be mean.”

“Good people don’t exist,” you sang, watching the clouds roll by. “Now mean, that I can be.”

“Now you’re being stubborn,” Moe muttered under her breath, sniffing again. “You’re good. It’s just being with Nagano Nayuta makes you act like a jerk.”

“It’s fine, you don’t have to like her,” you close your eyes with a light smile. “The less people realizing all her positive sides, the more Nayuta there is for me.”

“I don’t know how you stomach being around her,” you shrugged. “She’s like poison. The two of you together doesn’t feel right. She doesn’t feel right.

You open one eye, “what do you mean?”

“It’s just a feeling I get,” Moe explained vaguely, twisting her hands together anxiously.

“Nayuta, don’t use your powers at school for a while.”

“Why not?”

“Who’s that?”

“My class’ president. You know her, you think she’s ugly.”

“... Do you like her?”

“She’s alright, I guess. She’s just a classmate.”

“What about me?”

“You’re everything.”

Nayuta leapt onto your back in her satisfaction, legs wrapped tightly around your waist. “I’ll leave the humans at school alone then.”

“Don’t use them no matter what, alright? We can just get extra snacks on the way home from school or something.”

“I won’t.”

ー

“You cut your hair, it looks good!”

“Janitori-” Moe snorts in her shock, looking like you’ve grown two heads. “I always figured you’d become a philosophy teacher considering how you were back in middle school”

“Oh, where is she going?”

“She’s at Tohoku too,” you nod at the Tohoku University tote bag resting on Moe's hip. “She’s doing everything virtually. Business Management major.”

There’s little surprise on Moe’s part when she hears that, “Business Management sounds like something that suits her.”

“Philosophy, actually!” She laughs at how your eyebrows raise. “Surprising?”

“A little,” you nod and Moe rolls her eyes in playful exasperation. “But with all the arguments we had, philosophy or law honestly made the most sense. So I wasn’t that far off.”

“Those weren’t arguments, those were debates,” Moe corrects you needlessly, arms behind her back. It’s almost like all the tension left her when she cut her hair.

“You’ve mellowed out, Prez,” you whistle, impressed.

“Sorry about middle school,” your lips curl into a grimace. “The stuff with Nayuta I mean.”

Moe’s eyebrows knit together with an empathetic curl of her lips, “it’s okay, I get it now. You were under a lot of stress back then.”

“How’s Rika doing?” You vaguely remember that girl who Nayuta would pawn snacks off of. “She going to Tohoku too?”

“Oh,” Moe shuffles nervously.

“What, did she drop out or something?”

“No, um, she never went to university,” Moe fiddles with a bracelet on her left wrist.

You raise an eyebrow at the odd behavior, “is she… dead?”

“No!” Moe answers quickly and you cock your head to the side, shrugging your shoulders. Okay then what is she then? “It’s just that she… became a devil hunter after we graduated.”

“I’m just surprised that you took that so well,” Moe breathes in disbelief. “Considering everything with Nayuta, I was afraid to bring devil hunters up in front of you.”

Your blood runs cold. “What do you mean ‘considering everything with Nayuta’?”

“Did-” Moe blinks once before she covers her mouth in horror. “Did you not know? I’m- I’m so sorry-”

“I found the C-”

“How did you know Nayuta wasn’t human? When did you figure it out?”

“Devils?”

“Yeah.”

Moe looks at your rusty blade, caked in the blood from those you’ve killed thus far. “... But Nayuta,” she is unable to bring herself to say the rest.

You laugh, leaning against the wall for half a second before deciding you can’t stand the feel of it against your back. Nor do you wish to feel the eyes of Moe upon you. “Yeah, it’s sick isn’t it? She’s a devil but I’ve been out here for the past seven months killing ‘em. But Nayuta,” black hair and red rings fill your memories. “she means everything to me; I was alone for years until I met her. I have never cared that she was a devil. She was perfect, she’s still perfect. If anything ever happened to her, it would feel like the entire world was ending. I used to be a cashier, you know, but try making enough money to sneak a devil out of the country at your local 7-11,” you laugh humorously. “And I know you’ve never liked Nayuta but for me, Nayuta is everything. So please… please don’t tell anyone.”

You didn’t know this girl.

This girl was a stranger.

You knew this and yet you still fell to your knees as warm tears flooded your eyes without your permission.

You breathe.

“By the way,” you yawned, as it dawned on you that you never once asked for your new companion’s name. “what’s your name?”

“I’m [First],” you squeezed.

Nayuta squeezed back.

You breathe.

“I didn’t, [First], please believe me! Don’t leave me!”

You slide down your visor.

“We can get married for real when we grow up,” you vowed once more as you clumsily led each other in your dance.

Nayuta’s smile was saccharin, “promise?”

“Promise.”

And you breathe.

“Hey, Nayuta, pick a country. One that doesn’t have a devil hunting association in it.”

“Seychelles,” Nayuta didn’t miss a beat, grinning the devilish grin you loved all the while. “We still need to have our honeymoon.”

The back of your fist strikes Moe’s throat before she has time to react.

“Stop-” her words come quiet, hoarse. “I won’t tell! I really won’t tell!”

She won’t say anything. No. She might. She hasn’t snitched in all these years. She could change her mind. Cut off her tongue. Her fingers too. And the toes. All of it needs to go.

“I could cut off your tongue,” you feel her breath hitch from she freezes under your touch. You feel the beat of a pulse, pounding like a drum. “but you could still use your fingers. I could cut your fingers and you could use your toes. I could cut off everything and you’d still probably find a way to get out a message with the stumps too.” Tears swell in Moe’s eyes and you barely feel her fists beating into your shoulder. I’m glad I hit her in the throat, you finally take note of her barely audible, ragged whispers. “You can say you won’t talk until you’re blue in the face but there is nothing that can stop you from ever changing your mind. I’m sorry. I really did like you.”

See? I became a bad person to you just now, didn’t I?

Red droplets strike your visor and you raise your axe again.

Muscle and sinew decorate the dirty earth around you and you raise your axe again.

Again and again even when what you strike is hard rock instead of flesh until you raise your axe a final time, and you hear metal clink that isn’t your own.

The devil’s mouth trembles, eyes flittering between you and the still lumps on the ground. It takes a step back.

You blink, letting your hand hang loosely against your leg. “What are you waiting for? I said eat it.”

The Rat Devil should be about ¥600,000 right?

ー

Nayuta squeals when you lift her feet off the ground as you laugh maniacally, arms safely tucked underneath her back and legs.

The life you lead isn’t perfect but it has its moments.

“Relax,” you tilt your head back, tasting the ocean spray on your lips. “I’m never gonna drop you!”

ー

“[First],” Himeno calls in a sing-song voice as you walk out the door. “Wait for me, kiddo! I need you to give me a ride!”

Eight months.

You hope to make it nine.

“Yep,” you click your tongue. “I'm one of those people. So it looks like you’ll have to wait until someone else decides to be your chauffeur. I’ll call Sebastian to retrieve you later.”

Blue stares into [color].

“Oh don’t worry, we won’t be living there for much longer,” you cut off your benefactor.

“We?”

“And you think you are?!” Himeno laughs at the ludicrous presumption.

“I’m going to figure things out by then!”

Three adult passports.

(I’ll need the forgeries too.)

Visa.

Housing.

Food.

Permanent Residency.

(Can’t believe I forgot about ticket costs. Where do I go for illegally flying devils out of the country, huh? And the pets. What do I do to bring-)

“[First]-”

“And I don’t need your help to do that! And I don’t need to be under your roof either, I’ll move out! I have enough!”

“ー stop!”

“You already had a younger sister, idiot,” you wipe your nose against your sleeve, disregarding your disgust for the trail of snot it leaves on the fabric. “Does Ichika mean nothing to you?”

You laugh despite yourself, “Ichika was probably the most well-behaved four year old on the planet. You probably made your parents want to send you back to the hospital.”

Himeno chortles, “only half the time.”

A pleasant silence falls over the vehicle.

“Nayuta wants to go to Seychelles,” you follow Himeno's example, resting against your seat. It's dawn now, you note the fingers of the sun peeking behind the clouds and painting the sky hues of rose, indigo and vermillion.

You love the dawn.

ー

You bolted through the door, shoving Rika to the side.

“Nayuta, stop,” you stand between the devil and the human foolish enough to invoke her wrath.

“Why?” Gold eyes glowed harshly.

“You’ll kill her.”

One year ago, not long after you turned thirteen, a blazing star sought refuge in your chest.

The birth of the universe.

Within that birth, you willingly took a devil’s hand and ran across the playground of the divine welcoming all damnation.

You’d do it for as long as she wanted you.

“You want to be with me?”

“I want to be with you.”

“You’ll stay with only me?”

“I’m always gonna stay with only you.”

“You promise?”

“I promise.”

“I love you, [First],” Nayuta’s arms trembled around your shoulders and you hear the telltale signs of hiccuping.

“I love you too,” you held her closer if it was possible.

Warm droplets fall against your neck.

ー

Nayuta looks beautiful in her white dress, veil trailing delicately along the white sand.

translation notes.

織姫「orihime」 - weaver princess

“If I became the monster to everyone but us and made sure we got home again, who would care if we’re unjust?”

#look she's writing #csm x reader #chainsaw man x reader #makima x reader #makima #nayuta #csm fic #makima fic #red-dyed string

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sedehaven · 8 months ago

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Octet

throb and thrum of long strings, rumble like thunder over polished wood, the harp steps lightly, delicate

plink of rain or prayer beads falling, falling -- as violins soar, buoyed on the strong necks of cello and bass,

eight friends dancing together, a whirl of sound, dropping delicate as a waterspout, flinging notes (like raindrops)

from strings and bows and fingertips

#poetry #spilled ink #inkstay #poetryriot #writerscreed #poem #poets on tumblr #twcpoetry #allpoetry

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justforbooks · 19 days ago

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David Watkin

Cellist who co-founded the Eroica Quartet and won awards for his recording of Bach’s six solo Suites

In 2013 David Watkin, who has died aged 60 from complications caused by the autoimmune disease schleroderma, recorded the six Suites for solo cello by JS Bach. The following year his illness compelled him to step back from a distinguished performing career to become head of strings, and later professor of chamber music, at the Royal Conservatoire of Scotland in Glasgow.

When the CD set of the Suites was released in 2015, it proved to be an instant success, winning awards from Gramophone – which this year rated it as one of the 50 greatest Bach recordings – and BBC Music Magazine. His rhythmically alive, tonally beautiful and scholarly playing was realised by using a baroque bow by John Waterhouse and two historic cellos, one by Francesco Rugeri from around 1670 for the first five Suites, and a five-stringed instrument by the Amati brothers, Antonio and Girolamo, for the Sixth Suite.

As well as teaching, he continued to conduct such ensembles as the Royal Scottish National Orchestra, Academy of Ancient Music, Swedish Baroque Orchestra and Scottish Chamber Orchestra.

Born in Crowthorne, Berkshire, David came from a musical family. His parents, Christine (nee Horney) and Ken Watkin, were violin teachers, and his elder brother, Simon, gravitated to the viola. When the family were living in Beckenham, Kent, he began taking cello lessons with a local teacher, eventually enabling the family to play quartets by Haydn and Mozart.

When David was nine, the Watkin family moved again, to Pembrokeshire, where his mentors were Bridget Jenkins and the recitalist Sharon McKinley. He became the star cellist of the West Glamorgan Youth Orchestra, and went on to be a member of the National Youth Orchestra, and its principal cellist for two years.

At 15 he won a scholarship to Wells Cathedral school, where he studied the cello with Margaret Moncrieff and Amaryllis Fleming. There he encountered historically informed recordings directed by Nikolaus Harnoncourt and Frans Brüggen, and a friend’s father made him a baroque cello.

Vocal lessons from the tenor Kenneth Bowen led to his seriously considering a career as a singer. His gap year was spent as a lay clerk, singing in the choir at St Catharine’s College, Cambridge, where he went on to take a music degree (1984-87). He continued cello studies with William Pleeth and played in the Cambridge Baroque Camerata.

As a full-time performer he led the cello sections of the Orchestre Révolutionnaire et Romantique, English Baroque Soloists, Orchestra of the Age of Enlightenment, Philharmonia Orchestra and Scottish Chamber Orchestra. Other ensembles he conducted included the Malta Philharmonic and Manchester Consort, and he had a stint as assistant conductor at Glyndebourne.

While working with John Eliot Gardiner in the Orchestre Révolutionnaire et Romantique, he and three colleagues – Peter Hanson, Lucy Howard and Gustav Clarkson – felt they should adapt the orchestra’s authentic styles for Romantic music to quartet playing. Thus in 1993 the Eroica Quartet was born.

youtube

Watkin adopted a transitional approach with this ensemble, playing with an endpin: until the mid-19th century cellists had held the instrument unsupported between their legs. The quartet’s recordings of Beethoven, Mendelssohn (the quartets and the original version of the Octet), Schumann, Debussy and Ravel brought fresh perspectives to listeners. Characteristic of their approach for the Mendelssohn quartets was studying the bowings and fingerings adopted by Ferdinand David, the first performer of the composer’s Violin Concerto, for his own ensemble, and the selective application of vibrato for expressive effect. Tours took them to France and the US, and they gave Beethoven cycles in the UK and abroad.

With various colleagues, Watkin recorded concertos and sonatas by Vivaldi and sonatas by Boccherini. He and the fortepianist Howard Moody recorded three sonatas by Beethoven (1996), and to the book Performing Beethoven (2011) he contributed an essay on those works. In an article in the journal Early Music (1996) Watkin pointed to how Corelli allowed for the possibility of violin sonatas being accompanied by a string bass without a keyboard, by filling out the chords indicated by the numbers of the figured bass, and extended the principle to recitative passages in opera.

As a teacher he aimed to lead students to think for themselves. An extract from a masterclass on Bach given at Kings Place, London, in 2017 can be seen on YouTube. In choosing Watkins’ Bach recordings for its 50 best, Gramophone commented on the “warm, expansive, generous and friendly” character of the playing, and many found the same qualities in him as a colleague.

In 2002 Watkin married Sara Burton, and they had two sons, Noah and Sandy. They separated, and he is survived by his partner, Lisi Stockton, his sons, his parents and Simon.

🔔 David Watkin, cellist, conductor, musicologist and teacher, born 8 May 1965; died 13 May 2025

Daily inspiration. Discover more photos at Just for Books…?

#just for books #David Watkin #in memoriam

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mdesk · 5 months ago

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tuesday, feb 11th

i survived! today was exciting but really stretched my brain. this week is really big for my research- i'm doing my first self-designed experiment tomorrow and i'm excited/scared/uncertain. i'm trying to remind myself that fear and excitement feel the same to our body, it's just how we think about those physical feelings that changes the mental feelings.

i’ve also been grappling with…why i do what i do. like, ultimately we’re all little specs of matter and energy that are so small in the grand scheme of things. and it’s been hard lately to not just give up and let god take the wheel.

but we’re all here for some purpose. ultimately god (whoever they are) has HAD the wheel for a while and we’re all just…going along for the ride. we’re lucky to have the resources, opportunities, and people that we have, and should always work for more.

while it doesn’t seem like it, it’s a blessing to be stressed about school. it’s a blessing to worry about grades. because at least we CAN worry about grades. at least we CAN worry about school.

education is a human right—but right now it feels like a gift.

to do:

finalize experiment for tomorrow

start working through data analysis for instrumentation lab

modeling homework

🎧: mendelssohn string octet

#bme #student life #studyblr #engineering #study motivation #uniblr #biomedical engineering #research #science #food #study aesthetic #stu(dent)dying #studyspo #study blog #study inspiration #study notes #studying #studyblr community

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opera-ghosts · 8 months ago

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OTD in Music History: Legendary composer, conductor, organist, and pianist Felix Mendelssohn (1809 - 1847) tragically dies of a stroke, at the age of just 38, in Leipzig. A living legend in his own lifetime, Mendelssohn remains one of the most frequently-performed composers of the early Romantic Era. Mendelssohn's varied compositional output encompasses symphonies, concertos, piano music, organ music, art songs, and chamber music. His best-known works include the "String Octet" (written when he was just 16) the "Overture To A Midsummer Night's Dream" (written when he was just 17), the "Italian" (1834) and "Scottish" (1842) Symphonies, the "St. Paul" (1836) and "Elijah" (1846) Oratorios, and his 1st Piano Trio (1839) and Violin Concerto (1844). Mendelssohn's voluminous collection of "Songs Without Words" also remain perennial solo piano classics, and his Christmas carol "Hark! The Herald Angels Sing!" is always a popular favorite. Mendelssohn is also generally credited with having helped to spark revived widespread interest among the concert-going public in the music of Johann Sebastian Bach (1685 - 1750), thanks in large part to his landmark performance of (a highly-edited and completely-rescored version of) Bach's “St Matthew Passion” in 1829. One of the most influential and important conductors of his time, Mendelssohn’s ten visits to Britain exerted a particularly profound and lasting impact on the development of musical culture in that country. PICTURED: A modern plaster copy of the "death mask" that was made shortly after Mendelssohn passed away. The creation of death masks was a common practice throughout much of Europe until the early 20th Century, and particularly so before the advent and widespread popularization of commercial photography.

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sinceileftyoublog · 23 days ago

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Roger Clark Miller Interview: Finding the Philosopher's Stone Under a Rock

Photo by Debra McLaughlin

BY JORDAN MAINZER

A punk always challenges the status quo. For singer-songwriter and multi-instrumentalist Roger Clark Miller, usurping the intellectual authority of the lauded extends beyond the ear-splitting tendencies of Mission of Burma, the legendary Boston post-punk band he co-founded in the late 70s. In fact, his long-running series of experimental "dream interpretations" albums sprouted from his pre-Burma, college kid snotty desire to topple André Breton's theories that dreams are the ultimate manifestation of surrealism and that music could never be surreal. When Miller, attending CalArts, read Breton's claims, he grabbed a journal--like any good punk would--in which to record, in detail, his nightly dreams, so that he could compose based off of the dreams' structures, from their vibes and dialogue to their scenery and topography, and make truly surrealist music. I'm not sure Miller cares anymore about proving wrong a preeminent thinker of the 20th century, but he's been making dream music for 50 years, an accomplishment in and of itself.

Miller has primarily concentrated on chamber music since the initial disbanding of Mission of Burma in 1983 (including during their almost-two-decade run of reunion albums and shows, from 2002 to 2016). Even within those comparatively traditional confines, he's found ways to turn inside out our schemas of chamber music and foster a DIY approach to music-making. Miller first explored looping on Mission of Burma's "Nu Disco", the band hiring Martin Swope as their audio engineer for performances so they could tackle the loop live. It wasn't until his solo career, though, that Miller used looping on a full album: before the technology arrived where it is now, with Maximum Electric Piano, prepared piano with loops, on 1987 album The Big Industry. He utilized a similar system on 1995's Elemental Guitar, an album that contains a couple dream interpretations in addition to a cover of Jimi Hendrix's "Are You Experienced?"

Solo Electric Guitar Ensemble; photo by Jack Fraser, alterations by Joanne Kaliontzis, Courtesy of Cuneiform Records

Fast-forward to 2018, and Miller decided to combine dream interpretations with his DIY approach and most advanced form of looping so far. Solo Electric Guitar Ensemble consists of three lap-steel guitars, two of them prepared and one tuned, and a Custom Stratocaster 6-string, along with foot pedals and a Boomerang III Looper. Such was the setup for his debut SEGE record, simply titled Eight Dream Interpretations for Solo Electric Guitar Ensemble, released on 2022 via Cuneiform. The extensive possibilities of this solo ensemble allow Miller to represent the narratives of his dreams through instrumental music; that he can pack it in a suitcase lets him travel from city to city, conveying his dreams to a wider audience.

In February, Miller shared his second SEGE record, Curiosity for Solo Electric Guitar Ensemble. 4 of its 5 tracks are dream interpretations, and ironically, the track from which the album gets its title is the only non-dream interpretation. Instead, that song employs yet another Miller-invented technique: Natural Phenomena, wherein he composes based off of the shape of entities in nature. He first used the technique on Vines for Music, written from a picture of vines on his garage in Massachusetts, for an octet to perform at the New England Conservatory. Here, Miller wrote from five photographs taken by the Curiosity Rover on Mars, following the shapes of the rocks and the differing textures of the close-up minerals and far-away mountains. Knowing the context of the songs, it's a fun exercise to compare the dream interpretations with "Curiosity on Mars". The former group exudes a sense of chaos, constant variances in mood and tempo in contrast to the consistency of the latter. Nature, after all, follows more rules than dreams do.

When I spoke with Miller over the phone in April, and asked him why he chose to include "Curiosity on Mars" on a mostly dream interpretations album, he responded that he wanted to try something new with the SEGE. What's more punk than a "fuck it" attitude? Furthermore, listening to Curiosity for Solo Electric Guitar Ensemble, I can't help but notice that a lot of its instrumentation delves into the punk-adjacent genres for which Miller is most known. "Russian Spy Canisters" juxtaposes wah wah pedal psychedelia with bluesy riffing and syncopated stabs. "I KNOW YOU"'s pulsating drone and tactile effects give way to more clear superimposed riffs that border on funk and metal. "Post-Godzilla Interrogation Dinner" probes like a pebble in your shoe before becoming metallic, wobbly, and echoing. "Aztec War Club" lurches until it goes full brute. "I'm bringing into it my experiences as a guitarist, and occasionally there are rock sounds and elements, post-punk and psychedelic," Miller said. "But it's serving a different kind of purpose. It's an interesting blend, writing a serious composition and being a rocker."

Below, read our full conversation, edited for length and clarity, in which Miller touches on the duality of his music as well as his dream patterns, process, and live shows. You can catch Solo Electric Guitar Ensemble at the Brattleboro Museum & Art Center in Brattleboro, VT on July 25th, Dromfest '25 in Catskill, NY on August 29th, in Newfane, VT on 9/6, and in October throughout the Midwest.

Curiosity for Solo Electric Guitar Ensemble album art

Since I Left You: Where did the idea for making dream-style interpretation albums come from?

Roger Clark Miller: I started using dreams to structure music in 1975. I was going to music school, and I was studying surrealism, and André Breton said music couldn't be surrealist, because it didn't give you clear enough imagery to become surrealist. [In] the Second Manifesto [of Surrealism], he also claimed that dreams were the essence of surrealism. I figured if I could use music by dreams, I would have bypassed Breton's arrogance [laughs] to make surrealist music.

I've done a lot of looping stuff, [including] my solo performance Maximum Electric Piano, specifically The Big Industry album in [1987]. I did another dream interpretations album called Elemental Guitar for SST Records in [1995]. They came out pretty good, so I thought I'd combine my excessive use of loops in Maximum Electric Piano and put all that together and use dreams again, and this time, the looping device is more elaborate, and technology has come a long way since [the 80's]. I have four guitars, three lap steels I can prepare that are on legs, and I have a strap around my neck, so I can generate a wide variety of sounds from electric guitar, all these different types of guitars and slide and stereo devices I have. It's like a chamber orchestra of solo electric guitars: a solo electric guitar ensemble.

SILY: Have you kept a dream journal since the 70's?

RCM: Yes. I had dreams I wrote down that I remembered from childhood, but I have two journals every year: a dream journal, and a real life journal. I write dreams down on a regular basis. The first dream interpretations album, [Eight Dream Interpretations for Solo Electric Guitar Ensemble,] I went through my last couple years of dreams. I didn't want to go too far back because I wanted them to be related to where I am now. I just looked through my dream journals and thought, "This one has a really good storyline," and, "I can develop that musically."

SILY: Have you found that over the years, you've become a "better" dreamer, in that you're able to have more detailed dreams that have a story to them that you can remember better?

RCM: No, and here's why. When I first started writing my dream journal down, I was like 19. I was an irresponsible young adult for a long time, including the first round with [Mission of] Burma. [But] when you have a child, your brain is a little more crowded. When you have no responsibilities, [it's easier.] In '71 or '72, I would write down 3 or 4 dreams a night that would be elaborate stories. Now, I remember 1 or 2 a night, sometimes none. They're very short, but sometimes they have a long story or feeling to them [from which] I can generate music. I haven't gotten to be a better dreamer per se. If I had no other responsibilities, I'm sure I could remember 5 dreams a night without much trouble.

SILY: Do you lucid dream?

RCM: A little bit. When you become an adult, your responsibilities become greater and the real world has more demands. I've read a bunch of books on lucid dreaming, and I find that when I make a decision [that I'm going to lucid dream,] within a week, I get one or two that are semi-lucid or quite lucid, and then, the same tricks that I use to generate those dreams don't work after a while. By the second week, I've caught up with life again, like booking a tour and making sure my gal has dinner when she works late.

SILY: Do the compositions you generate from dreams share one or two consistent qualities?

RCM: Yeah, the fact that they're structured by dreams--most people think dreams are just flowers and sunshine. In dreams, very peculiar things happen. My most developed version of it has been the Solo Electric Guitar Ensemble. Everything that happens in one of these compositions comes directly from the dream. "Russian Spy Canisters", which is the opening track from my Curiosity [for Solo Electric Guitar Ensemble] album, there's a long sequence, [and then] there's layers of fuzz tone guitar melody and the old ones disappear. That's because in the opening of the dream, I became conscious in the dream. I was in the Boston Harbor and had just swum the Atlantic from Europe to Boston. In my dream, I thought, "Wow, that's really quite an accomplishment." There's a long sequence in the beginning of the dream where I'm meandering, but in a very forward movement with my path decaying, which is what gets me to the Harbor. Then, you get to the events with the Russian spy canisters. Things start getting chopped up more.

SILY: In contrast to the Natural Phenomena technique you used on the final track, "Curiosity On Mars", when you make music inspired by dreams, are you more doing what you just described, where you're telling a story through the instrumentation, or is there a language you've made or a technique you've had for dream music, too?

RCM: The technique would be more the Solo Electric Guitar Ensemble where I've prepared altered guitars. I'm definitely following the dream exactly. When I'm at the top of a mountain looking down below, I'll hit the octave down indicating I'm way high and now looking way low. In a way, it's impressionistic, but nothing happens in this music without the dream telling it to happen.

SILY: Sometimes, musicians talk about making music inspired by a dream, and they're really just going for an abstract vibe as opposed to following a definite story.

RCM: That's totally valid, too. In this case, it's really detailed. Every single thing that happens, I might have to go back to the dream to remember, "Why did this happen at this minute, at 3:27," and I'll figure it out. On "Post-Godzilla Interrogation Dinner", there's a period where there's a low-key groove going on because I'm being interrogated by these men in black, and it's a dinner, and we're standing in line for food, and this guy goes up to me and says, "You're three years old." I say, "How old are you?" and he says, "21." I divided 21 by 3, and wrote 7 little loop changes, then a pause, 7 little loop changes, then a pause, 7 little loop changes, and then I'm back in line. That's how I translated the 21 versus 3 aspect.

SILY: Have you documented how you relate the dream to the song structure for each of these songs?

RCM: When I'm composing, I'm looking at the dream I've written down. Dreams are usually in sections. Me and a friend were going somewhere, and Godzilla was threatening two young girls, and later, they were 10-year-olds, and later, they were 5, and then interrogation. It's a very big change. The first part was more mysterious, with a gigantic Godzilla sound coming out of the guitars, and the second was low-key but tense, because I didn't know what these guys wanted from me. But I'm looking at the dream when I'm composing. When I got to the part with 3 versus 21, I thought, "How am I going to resolve this?" It's very different than when you write a rock song and think, "God, that felt cool!" It's more like a series of problems to resolve. It's an interesting way to compose.

SILY: How long does it take you to write using the Natural Phenomena technique?

RCM: It depends. In this case, there were 5 pictures taken by the Curiosity rover on Mars. I went to the website and found 5 of them I thought were cool. A couple of them, I composed differently: I composed one way, and it didn't work out very well. Sometimes, they're very quick. Sometimes, it takes longer. Natural Phenomena was [originally written] for [Vines for Music]: two violins, two cellos, and a viola, and three pianists did it with one prepared piano at the New England Conservatory. That one was gridded, like a caged grid with 7 octaves and 7 minutes, and I put the photographs over it. That took me weeks to do. [laughs] This one was more like an hour to get the basic idea and then five hours to figure out how to play it.

SILY: Do you ever find yourself in nature and looking at something and hearing it, because you're thinking, "What if I wrote off of this structure?"

RCM: I don't necessarily hear the music, but I'll think, "The structure of those clouds is amazing," so I'll make sure to have my camera with me, take a picture, and use the clouds later. That's what Vines for Music is. I took this photograph of these vines on my garage in Somerville, and thought, "That looks like I could really do something with it." It's more of a connection, and I have to figure out the instrumentation afterwards.

SILY: Nature is full of rule-based, mathematical forms. But when I was listening to "Curiosity On Mars", so many of the parts were unlike the abstract dream sequence songs. The instrumentation almost sounded like rock instrumentation. Did you, too, notice that?

RCM: It is very different because dreams have these irrational shifts that this one doesn't have as much. I will say that the first and the last movements, which are chord progressions, the first time I've ever done real chord progressions, are more impressionistic. It's a long shot of a peak or mountain in the distance. But it opened up with sounds of outer space, and the three middle sections were all tightly structured by a line in the rock that went straight up really fast, so it's a slide guitar going up really fast. There's a chunk of abstract rock that [yields] a more noisy section. These sections were very specifically following the photograph, the way the rocks were shaped and formed, while the first and last were more impressionistic looks at these mountains on Mars. It's a trip, the very fact that we're seeing these photographs.

SILY: What made you decide to use these photos? Did you, for instance, know you wanted to do rocks, then decide to use photos from NASA?

RCM: It's out of this world, you know? It's one of the tips of what humans are doing right now, going to Mars. It's one of the frontiers of human knowledge. I wrote a piece for solo cello called Rocks Music for Solo Cello, which is because it's structured by rocks, but it's also a pun because the cello player [Benjamin Schwartz] was a big fan of the Minutemen and Mission of Burma, so I gave it a more rock kind of vibe. There's all sorts of cross-pollination going on.

SILY: Are there other natural entities you want to use for the Natural Phenomena technique in the future?

RCM: There's something completely different, but there's one piece I've been working on for a long time with a big string section, about 15 minutes long. [It's] divided into three sections of different colors. The top would be white noise, the middle would pink noise, the bottom would brown noise. But the frequencies would be filtered according to a grid, constantly altering. I just haven't had the time to develop.

SILY: What made you want to include "Curiosity On Mars" with these four other tracks as part of a cohesive record?

RCM: [laughs] That's a good question. I think I wanted to do something with the Ensemble besides just purely dreams. I've used the Natural Phenomena with my chamber music and with the Conservatory. I thought, "What if I apply that to my solo electric guitar ensemble and see what happens?" It's fairly interesting. It's got a different vibe than the four dream interpretations, but it doesn't stick out like a sore thumb.

SILY: When you play live, do you take this same set-up with you?

RCM: Yes. I'm doing a Midwest tour in October. It sounds pretty much like the record. I'm doing it all live. There's nothing pre-recorded. It takes a little bit longer sometimes to get from one section to the other. Sometimes, I'll finish a thing, but I've got to change the loop, turn on and off two devices, add three devices, change my guitar, and look at the score and figure out what I'm supposed to be playing. But that's what intrigues me about it besides the music on its own: I can go out and actually perform these pieces. That's unusual.

SILY: Many folks in the experimental music realm would come up with something like this but not attempt to capture it live. They might be wanting to use it as a launching point to improvise.

RCM: That could be. I've done various sets of improvisation with different ensembles. But when I'm composing this, I'm composing it to perform it. When I'm two minutes into the piece, I'm thinking, "What do I have in my looping machine right now?" I can change the octave, make it fade out, make it go backwards, turn it off and open up a new loop. How are these things going to interact with each other? When I get going, I always have to take into consideration in the composition what I had done previously.

SILY: Do you think someone listening to the record or watching you live with no concept of the story behind it can still fully appreciate it?

RCM: Yeah. Usually, when I'm playing, I mention something about it, and I know one woman at one of my shows a couple years ago told me there was a period [of the performance] where she started to freak out. There was a scary moment in the music. She said she felt like she was tripping. This is good, to me. This music is based on the unconscious, and it's translating into their unconscious. It means I'm successful to some degree.

SILY: You've conquered Breton.

RCM: The philosopher's stone! I found it under a rock.

Photo by Jesse Kreizer

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