#Tags take to long

[weirdoartsy]

All alone

Chap 1 | page 0

All alone in this world without my sensei I fake it.

Oh boy finally starting this god forsaken comic I've been talking about 🥲

This is mainly a test page to see how y'all will react but I kinda hate how I drew leo😭

[neostellarjpg]

i like ralsei hes so regular and nothings going on with him

[crumb-crumblet-s-crumbington]

do you even remember the lives that you threw away like trash

continuation of this

[turtleblogatlast]

Leo learns something about himself 🏳️‍⚧️

Based roughly on this old post.

Bonus:

[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]

[aerialworms-art]

Lifespans.

(ID under cut)

[Image ID: A three-way venn diagram floating against a starfield. The circles are coloured; one yellow, one light blue, one a darker shade of blue. The yellow is the smallest, the two blue ones over double its size, with the darker blue the biggest. The yellow is half covered by the two blue circles, while it takes up a small amount of the two blues. The centre overlap between all three is labelled "the precious few years we three were together".

There is very little overlap between the yellow and the darker blue without the lighter blue.

The work is signed 'aerialworms'./End ID]

[poorly-drawn-mdzs]

Just your average male living space.

[First] Prev <–-> Next

[cozylittleartblog]

i thought naming myself this would be really funny. and it Is. every time i get into a match i think about gabriel playing Miku Rhythm Game

[forgettable-au]

FORGETTABLE-AU (page 86-89)

* Where it all started.

[BEGINNING] [PREVIOUS] [CONTINUE]

[miikpal]

we should explode them Bad

[several-mice]

Y’all dig my hesitant alien shirt 🗣️🗣️

[rainscenes]

I'm here. What can I do? What you always do. Just talk to him.

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[asooffa]

dump pt. 6 ft some twt requests

[umblrspectrum]

happy solvermas

[stevebabey]

pre-steddie (its rly scratching the itch atm), steve harrington being a sad drunk :(, angst with a happy ending, 1.4k

If you asked him how it transpired, Eddie couldn’t tell you — but somehow, there’s a drunk Steve Harrington on the Munson’s couch.

Physically, he’d hazard a guess Steve walked all the way from whatever party he’d been at. Which is a concern in itself—either Steve wandered through the woods or he wandered quite some way, but that’s a whole other can of worms.

The why of why Steve’s here—why he chose to sought out Eddie in particular—is another mystery altogether.

If Eddie had to guess, he’d say somewhere between the commonality of crashing at each other’s place to keep the nightmares at bay and a night of drinking is how Steve ended up here.

It’s nearing midnight the clock tells him, blinking red from the microwave. Steve’s holding a glass of water that he’s sipped from only once.

And he’s sad.

Considering it, Eddie hadn’t thought Steve would be a sad drunk. Especially if you consider the sheer amount of parties he threw as a teenager.

It just doesn’t quite fit into his ever changing picture of Steve Harrington. Like a puzzle piece the wrong shape that doesn’t fit with the rest. Happy drunk? Horny drunk? Those made better sense than this.

But then again, Eddie stopped trying to make sense of Steve a couple months after the Vecna-episode of their lives.

(It’s sort of something he really likes about Steve, that he can’t ever really pin him down — that he’s always surprising Eddie.)

Either way, the fact remains that Steve is drunk and Steve is sad.

Eddie just doesn’t know about what.

“C’mon,” Eddie nudges the glass in Steve’s hand gently, the second time tonight. “Gotta drink up, Stevie, lest you risk the wrath of tomorrow’s hangover.”

Steve’s slumped sideways on the couch, not too drunk to be out of it, but evidently rather physically beat. He’s leaning his head up against the ratty leather of the couch, his eyes closed.

Eddie sits opposite him, enough distance to keep it friendly, but close enough to catch the glass if Steve suddenly decides he doesn’t feel like holding it anymore.

He wants to sit closer, wants to maybe even hold Steve’s hand. Cup his face and murmur sweet nothings until sad drunk Steve is replaced by someone happier.

Eddie swallows the desire down, away.

By all accounts, there’s nothing Steve’s said or done to give away his sadness. Eddie only knows he’s sad from that slight downturn of his mouth — the slight jut of his lip. The world’s most adorable pout if it wasn’t being caused for bad reasons, Eddie thinks.

He knows what it looks like because it’s what Steve looks like when he wakes from a nightmare. When he’s properly distressed, thrust to the verge of tears. Eddie knows the sight well. (And Steve knows his.)

On the couch beside him, Steve makes a little noise in response to the nudge. His eyes crease open.

He looks tired. It’s not the exhaustion that comes with terror, with having sleep chased from you, but… bone-deep tiredness.

Eddie’s lip part, unsure if it’s to urge Steve to drink some water again or just to ask what’s wrong when—

“No one wants it.” Steve says, in the smallest voice. It’s barely a whisper.

Eddie’s brows draw together. The sadness in Steve’s words travel out, pushing an ache into his chest.

“Wants what?”

Steve is silent. He’s not looking at Eddie — he wasn’t before, but now his gaze is downcast, studying the glass in his hands. His finger traces the rim.

“Wants what, Steve?” Eddie tries again.

This time, Steve sighs and it looks like it takes the wind out of him completely. “My…”

There’s a crack in his voice. Steve clears his throat and closes his eyes again, this time scrunched up as if he’s resisting the emotion that tries to take over.

“My stupid love. Keep… keep tryna give it, but no one wants to take it.” He inhales jaggedly, turning an inch and pressing further into the couch, like he’s hiding. His voice is muffled and wrecked. “No one wants it.”

Something splinters in Eddie’s chest, slivers of agony burying beneath his skin. He’s speechless.

How can Steve think that? How can he believe that?

“I do,” Eddie says, before realising what’s he’s saying.

Steve stiffens on the couch, tentatively digging his face out from hiding. His downturned eyes still have that warbling sadness and Eddie just needs to make it better — even if it means throwing his pathetic crush under the bus.

“Eddie-” Steve says, wary and tired all at once, as if he’s saying don’t do this, don’t lie to me.

“I do. It sounds lovely,” Eddie insists, completely truthful. “If you want someone to give it to, I’ll take it. I want it.”

Steve eyes him. Some of that melancholy in him has turned to apprehension. He sniffles a bit and sighs again.

“Not- not like that.” Steve murmurs, eyes falling back to the glass in his hands. He speaks with a lilt of embarrassment, as though he thinks it’s shameful to care this much. “Not as a friend, Eddie.”

A stone grows in Eddie’s throat. It’ll hurt like hell to swallow it, to speak, but Steve has always been worth it.

“I know,” Eddie breathes. He can’t quite keep all his nerves out of the words and they jam up in his mouth for a moment. “Not like that, Steve.”

He desperately wants to grab his own hair, to fiddle with it, release some tension, but he also doesn’t want to break the quiet softness between them.

The fridge hums in the silence. The clock on the microwave blinks back midnight.

Wishing hour? Maybe in some myths and stories. Eddie clings it anyway.

Steve’s hazel eyes are a little wider now. A little more awake. He’s picked his head up, no longer leaning against the couch cushions.

“You…”

Freak. Fag. Eddie’s brain helpfully supplies every awful way this could roll, entirely too late. He tenses up, shoulders curling in, a minuscule motion.

But Steve doesn’t look disgusted, he looks a little in disbelief.

“You… want it?” He asks, that same quiet whisper.

And that does a number of Eddie’s heart—the enormity of Steve’s disbelief that someone would want his love, that the rest of it—the semantics, the fact that boys can’t kiss boys—doesn’t even matter to him.

“Yeah,” Eddie croaks. He nods jerkily, the nerves still there, even with Steve’s easy acceptance. “I do. I’d love to have it.”

“Oh,” Steve says. He’s laid his head back down, his hair scrunched up against the leather, but his eyes are still on Eddie. Not scrutinising, just studying. There’s still that hazy look to them, no doubt the alcohol still in his veins.

“I never… didn’t think…” He’s murmuring more to himself. From the concentration of his gaze, he’s thinking hard. He sniffles again, nose twitching and then frowns, eyes cast to the side, before,

“Okay,” Steve says finally, voice quiet. “If you… if you mean it.”

Then he unfurls his hand, the one that had been tracing the glass, and puts it forward. Between them on the couch.

Eddie eyes it, stomach swooping, pulse thudding, and then does what he does best; throws caution to the wind. Steve might hate him tomorrow but tonight, Eddie won’t hide.

Their fingers slot together easily, two perfect puzzle pieces.

Eddie wonders if him in Steve’s life, him like this with Steve, is one of those things that would work—would make sense. If he wants to make sense with Steve or instead be another surprising thing about him.

(That Steve Harrington might like boys. Might like Eddie.)

Steve is gazing at their joined hands. For the first time since he got to Eddie’s trailer, his lips turn upward, a very small yet happy smile. He gives a very light squeeze with his hand, the lack of strength evidence of his sleepiness. Eddie squeezes back nonetheless.

Then Steve’s eyes are closed and in a few deep breathes, he’s out like a light.

It’s a careful process to extract the glass of water from Steve’s clenched hand, but Eddie manages it. It sits on the edge of the coffee table and when Steve wakes up, mouth dry and in need of water, it will be there.

And so will Eddie.

The burning possibilities of what happens come tomorrow—when Steve’s sober and actually thinking straight (ha)—filter through Eddie’s mind, but he can’t find it in himself.

There’s no regret of he’s done. What he’s said, what’s been revealed.

It’s tomorrow’s problem (or tomorrow’s fantasy come true…?), but til then, Eddie burrows into the couch and readies for a sore neck tomorrow morning.

He should really get up and turn the lamp off, Eddie thinks to himself. Then Steve snuffles in his sleep, uses their intertwined fingers to bring him closer, and he forgets all about it.

[monoversemaker]

you want this type of reaction image? For every major character in deltarune? Here.