#They could have had everything..

[billygaysanguine]

anyone else mourning what could have been😛

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[theartingace]

Murderbot meets ART (who knew transports could be smart enough to be MEAN)

[silosbears]

i think alphonse would still experience depersonalization and dysmorphia even after getting his body back

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[tiniest-hands-in-all-the-land]

Carry me home

[starry-bi-sky]

on a completely separate note; shizun luo binghe with a disciple shen yuan who fell into the abyss??? *thinks about LBH canonically stealing SQQ's corpse for 5 years* he'd hallucinate i think. like, like visual and audial hallucinations.

Keeps thinking he's seeing SQQ in the corner of his eyes, or wandering between the trees, amongst a group of disciples. Thinks he hears him calling for him, but its just the wind or another disciple.

Gets Xiu Ya reforged but patently fucking refuses to make a sword mound. Because his disciple Is Not Dead :))) There was No Body. He's Not Dead. And If You keep Insisting That He Is, He's Gonna Skewer You :). He's holding onto Xiu Ya so he can return his most favored disciple's sword when he returns. It's on his hip right next to Zheng Yang where it's supposed to be.

Also this motherfucker?? does not sleep btw. He has the image of SQQ, wide eyed and hysterical and standing at the mouth of the abyss burned into his fucking eyelids. Can't use the dreamscape to escape it either because he keeps trying to save him and either he does and it's an incredibly cruel trick to wake up to, or he doesn't and he gets his heart broken in several different pieces again.

There is no convincing this man that Shen Qingqiu is dead. Absolutely nothing at all. He is buried so deep in denial that moles would be jealous of how deep he is. He keeps making tea for two in the bamboo house only to remember that it's just him. SQQ's fans are hiding everywhere, little reminders of his presence. He goes to wake up SQQ on the mornings he sleeps in-- only to find the room empty.

[jenanigans1207]

What I wanted so badly was for Mary to learn about her boys from Cas. Like that night where Cas finds her when she can’t sleep and she expresses that she just doesn’t know anything about her sons since she missed so much?? All I wanted was for Cas to sit down with her at the table and just start telling her about them. Basic stuff at first: their favorite foods, their sleeping habits, the stuff he’s just observed by being their passenger for years.

And then I want him to say something totally Cas, like “Dean always wears more layers but that’s because his body naturally runs two degrees colder than Sam’s. But that’s normal for him and not indicative of any illness, so it’s nothing to worry about.”

And as they talk, it starts to get a little deeper, and Cas tells her more. He tells her about what she missed, about all the horrible things that happened to her sons and how they coped; how it changed them. And he tells her about Sam, he does, but really it ends up being all about Dean.

He’ll tell her about how Dean clenches his fists when he’s upset, even as he tries to keep his face impassive. About how Dean drums his fingers on the steering wheel when he’s anxious. He’ll tell her about Dean’s nightmares, about the ways he’s chosen to cope. He’ll tell her how to know when to approach Dean and when to give him space, how to gently acknowledge what he’s feeling without pushing him too far.

And with every word he says, Mary’s curious head tilt from when she’d seen them hug in reunion turns into a bone deep type of certainty. Because Cas is telling her things that only someone who paid special attention would notice. He’s telling her things that only someone very, very close to her son’s heart would know.

Cas will tell her the cliff notes of what they’ve been through; will tell her how the whole world looked to Dean and he rose to the occasion over and over again. He’ll tell her about Dean’s doubts in himself and then vehemently declare them as wrong and explain, at length, why. He will tell her about the people Dean has loved— the people who loved him like he was their own— and lost. He will tell her about Bobby, Ellen, Jody, Donna, and Charlie. He’ll tell her about Claire, too, and how Dean stepped up.

And the whole time, Mary will have this realization that oh, she may not have been around to guide and protect her sons, but there was always someone there to care for them and support them when they needed it. She will realize that she and John may have left them, but they were never alone.

But more than that, there was someone there for Dean. Someone picking Dean over and over again while Dean picked Sam, or the world, over himself. There was someone fighting for Dean when he wasn’t fighting for himself. There was someone who saw Dean, and loved him unconditionally.

Sitting across from her, at the asscrack of dawn, filling her in on all the things she missed was every mother’s dream: someone who loved her child with the kind of devotion that would break the world. And from the sounds of the stories she was being told, it did break the world. Someone whose love is entirely untainted and comes without any strings attached.

It’s so clear to her as she listens to Cas talk that Cas loves Dean with no expectations. That loving Dean is something he just does, like he doesn’t know how not to love Dean, like the possibility of not loving him never occurred to Cas. He loves Dean in a way that Mary knows can and will soothe Dean’s sharp edges and battered heart. He loves Dean in the kind of pure way that tells Mary that it will continue to endure and overcome everything without ever diminishing, even the littlest amount.

Mary, through tears, will tell Cas how she always told Dean that there were angels watching over him. And before Cas can make some comment about Dean being the Righteous Man and the interest of most of Heaven, she will place a hand over his and give him a motherly look that will convey all the things she’s not sure how to say— and the things she’s not sure Cas is ready to hear yet. And Cas will flush and look away, mumbling about how her son is very special to him.

And when she pulls him into a hug and murmurs thank yous into his shoulder, she will be comforted in the knowledge that her sons turned out to be wonderful men, and that they managed to stay together through everything. She will be comforted to know that no matter what happens, no matter her shortcomings as she tries to fill a role she never meant to leave, Sam will have Dean and Dean will have Cas.

And this time, when Cas tells her that she belongs here, she will believe him. And she will tell him that he belongs here, too.

And when Dean wakes up a few hours later and wanders in to find Mary and Cas still chatting over the table, he’ll be surprised— but pleased— to find Mary looking more at ease. He’ll be pleased when she gives him a warm hug and pats him on the cheek and tell him with all the sincerity that only a mother can muster that she’s glad that he met Castiel. And when Dean agrees, a little confused, Mary will just smile at him.

“I always said I’d like a third son.” She says, “so give him a reason to take our last name, won’t you?”

And Dean will splutter and turn fifteen shades of red as he steadfastly doesn’t look at Cas but mumbles something that suggests he’s not against the idea at all.

And Mary will laugh again and wink at an equally red Cas before heading towards the kitchen like “Cas said waffles are your favorite, so I hope you’re hungry!”

[dykepaldi]

homestuck was so perfect for autistic teenagers bc it took characters being sorted into categories and having Attributes to its absolute extreme. forget four hogwarts houses, every character has their associated colour their zodiac sign their associated animal their dream planet their god tier class and aspect their typing quirk their pesterchum handle their weapon their planet of x and y, as well as each of them having a handful of other very quantifiable Personality Traits and Interests (e.g. this one is a clown this one is angry this one likes fashion this one is just rufio from hook for some reason) and THEN they all also have their respective ancestors and dancestors(?)(plucked that word from my memory) who have all of those things as WELL

and god not to mention the fucking quadrant system

as a 13-15 year old autistic kid i didnt even need homestuck to have a plot i just happily made a big big spreadsheet of character attributes in my brain

[noxcheshire]

I am sick, dizzy, and can barely think but you know what would be WILD?

If the DC universe was an echo of Danny’s world. What if the continents of their planet shifted enough where Amity is now in New Jersey and had then become Gotham.

And when Danny died underneath the portal a part of his death fractured and imprinted itself into those various worlds. One of them being Gotham, where Danny’s home ironically used to be where Wayne Manor used to be.

So just imagine it, you’re coming back from patrol, grimy, sweaty, and with questionable intentions by dressing as an overgrown bat when suddenly the lights dim. It dims and brings darkness, only enough light to catch the beady marble eyes of the bats you fear.

And then electricity jumps in the middle of the room, flinging itself around like an agitated snake in wide open circles.

Everyone is backing away, some weary, some cursing, some just half way out of their own suit.

And then a child — barely as old as your youngest now, flickers to life before you, screaming and screaming, wailing in pain as the scent of burning flesh mingles into the air. You can see the boy, black hair and blue eyes that underneath the bright light that burns them is causing black to turn white, and blue to turn green.

The electricity crackles and when the boy is about the drop, limp, certainly lifeless, he vanishes as if nothing had ever been there.

But he comes back, he always comes back, in the moment of calm and in the moment of despair, echoing that painful wailing of death.

It’s so wrong.

It’s very, very wrong.

It didn’t even matter anymore why the boy showed up, only that this moment of pain continues to haunt the cave of heroes.

Continuously haunting, even as some whispered apologizes when the boy appeared. Continuously haunting, even as some provided songs of comfort when the boy appeared. Continuously haunting, even as stories of Gotham are told and promises (though uncertain and flimsy at best) are spoken to the wailing boy who always drops fast and disappears just as quickly.

Always, it was the same.

Until one day it wasn’t.

The electricity crackled like it always did. A spark, and then a calamity of light. And the boy would be there, uncurling himself into a tense position as he would wail.

But not this time.

Instead the boy curled himself in the air, calm as can be, almost as if he were sleeping. Even the electricity that they have learned to dance away from was calm, gentle, like ocean waves.

And when the electricity vanished, the boy did not, instead dropping to the floor where Dick was quick to catch him, grunting in preparation of weight only to show alarm at how thin the boy truly was.

On that face that has haunted them all for months is just a boy, sleeping, and scarred. A boy breathing very slow, slower than what they would like, but here in the physical realm with them.

Dick brushed back bangs of black hair, and slowly, ever so slowly, glazed blue eyes stared back.

[shanastoryteller]

i know supernatural is the show of missed opportunities but man. the trials really get to me - what a perfect way to reboot and reset this show that you're artificially extending for ratings. it could have been really, really good, actually

so the trials of god is a way for someone to gain the ability to seal the gates of hell and the gates of heaven

they have the translation for hell, they know that slamming the gates of hell shut means calling all the demons back home and locking the key. it's logical, then, to for them to believe the same is true of the one for heaven - that it calls all the angels back home and locks them away where they can't do any more damage

peace, for the people of earth, outside of the influence of angels and demons. that's got to be worth it, right?

so while sam is completing the hell trials, they get the angel tablet, kevin gets translating, to figure out the angel trials. or maybe metatron helps nudge them along to figuring it out, since him being the big bad here isn't really relevant and they are in a bit of time crunch

canon doesn't tell us what the heaven trials are, except that the first one involves a ritual using the heart of a nephilim. they make it sound like they're carving it from their chest, but what i would do is

have a nephilim offer you their heart from their chest (gain their loyalty in a binding ceremony)

create grace from freshwater (there is no rain that falls anywhere on earth that is safe to drink and god said let there be a firmament in the midst of the waters)

find a human soul to guide you to heaven (babel fell but the stairway was built and those with wings have no need of stairs)

so sam is in the midst of the hell trials when dean sort of accidentally on purpose completes the first heaven trial and then the brothers are on parallel train tracks heading in the opposite direction

sam works to close the gates of hell

dean works to close the gates of heaven

demons and angels both working to stop them

sam completes the trials. he restores crowley's humanity and he dies and the gates of hell are closed

but that's not the end

metatron says they can close the gates if they're willing to pay the price. canon says the price is sam's death, but frankly that doesn't make any sense. what's the death of one human against the horrors of hell? and remember, metatron doesn't know the winchesters. maybe another angel would make this comment, knowing how the winchesters have weighed the safety of the world against their brother and left the world out to dry, would think this a price worth warning for. but metatron wouldn't bother, wouldn't even think of it, if that was the only price

the gates of hell close and malevolent spirits explode across the globe, evil spirits and angry ghosts causing death and destruction everywhere

hell serves a function and now the gates are closed and every evil human soul is forced to stay on earth, causing as much destruction as it can

that's the price for closing the gates of hell

except. except. aren't the hell trials interesting?

kill a hellhound. rescue an innocent soul and return it to heaven. purify a demon and restore their humanity.

the trials are not to prove if someone is worthy of closing the gates of hell. it's to prove they're capable of setting hell to rights

the trials are if things got too out of hand, if things were taken too far, and hell had to be put back in it's place. sam dies and ends up exactly where azazel wanted him - ruler of hell. all the demons and souls are trapped with him and what he has to do, while he has them all there, while they can't escape, is exactly what he did to get there

he kills the hellhounds, leaving only those meant to patrol hell. he releases every innocent soul bound there. he purifies the demons one by one, who he either releases as innocent souls or who to pledge to do their job as demons of hell - punishing evil, containing evil - in penance for what they did before (how do i even begin to make up for what i've done, crowley had asked, and this is the answer)

meanwhile, dean, heartbroken, completes the heaven trials and dies

and the gates of heaven slam shut and all the angels are stripped of their grace and expelled from heaven and dean finds himself in charge of an empty heaven

the trials are for when things have gone too far and heaven must be rebuilt, after all

good souls pile up, no one who dies able to truly leave earth, and given enough time they become twisted things that must be hunted along with the spirits of evil men and women who cause chaos from their last breath

dean has work to do. he has one angel - the nephilim whose loyalty he earned in the first trial - and this is what he has to do. he recruits more, to replace the ranks, he creates grace and hands it out judiciously. he sends them to guide the good souls home, using the stairway that the former angels wouldn't be able to use even if they wanted to, and each good act and deed earns them a little more grace. former angels throw themselves into the fight for humans, because they know it's the only way that dean will return their grace to them and lift them back into heaven

and in fighting for them, in living like them, they learn to love these creations of their father that they'd despised. they see what he saw and the thought of destroying this place in a civil war becomes unthinkable to them. they are once more the angels god intended them to be

in this, dean and sam fulfill their destiny as lucifer and michael's vessels. not in letting them in, but in pushing them out, in doing the work each was intended for but refused

only when there is only evil human souls being punished and caged, only once the demons are once more working to run hell and earn their release to heaven, does sam reopen the gates of hell

only when there's a full choir of angels once more, committed to their cause, only once there are souls working with reapers as it once always was, does dean reopen the gates of heaven

they're called the god trials for a reason. above and below, sam and dean act as god, putting things back in their intended places

they could stay. they should stay. keeping house, making sure it all goes smoothly, eternally keeping earth safe from angels and demons both

they're called the god trials for a reason. not even god could resist the paradise inbetween that he'd created

dean doesn't know if sam is going to return to earth. he might stay in hell, and if dean becomes human once more, then what's the point? he'll live and die a human, get stuck in heaven, and be forever separated from the brother he loves

sam doesn't know if dean is going to return to earth. he migh not be able to, might be stuck doing his work - sam assumes if the hell trials did this to him, then the heaven trials did the same to dean, and the idea that dean could have failed the heaven trials after he dies doesn't even cross mind. if he returns and dean's not there then he loses it all, he never again gets to see the brother he loves

but when, exactly, haven't they been willing to risk everything for each other?

dean falls as lucifer fell, throwing himself towards earth

sam rises as michael did after the fall, pulling himself towards earth the same way michael once pulled himself to the top of heaven

what's the use of being a god without his brother, after all?

dean and sam are reunited on earth, human once more

no more angels, no more demons, heaven and hell functioning once more as they should. we're back to basics, a clean slate, all of the rest remade and set aside by their own hands (it's literal and a metaphor, the way the show could have remade itself with the trials, after setting aside kripke's plan while at the same time recognizing that the design of it - two brothers who love each other going across america and fighting evil - is the thing that made it worth watching to begin with) and now it's them again, brothers forged in blood and sacrifice and love, and a new appreciation for the humanity they gave up and returned to

and then we get my beloved monster of the week with no stupid too high stakes, convoluted bullshit involved, beyond the occasional angel who dean refused to reinstate and demon tracking down miscreant souls and, every once in a while, a person or creature or something in between squinting at them and going - weren't you two gods?

nah, they say, all corn fed grins and the dimples their momma gave them, we're brothers

[keferon]

Did you think I was done? Ahahahaha no, I have more.

Because chapter 70 of MOMU gave me the very dynamic between them that I missed so much, I just blacked out and started drawing uncontrollably lmao

Also. ALSO. I noticed a while ago that Prowl has the habit of..like…constantly frowning. So. I did a bit of research and made this graph.

In 70 chapters, Prowl frowns rougly 104 times. And the intensity of this gesture is very clearly correlated with the development of his relationship with Jazz, as you can see ahahahahah It might be wrong tho don’t take me seriously I’m not good with graphs

[curiositeath]

consumed by thoughts of eliot spencer, small farm owner, minding his own business—both his actual modest bi-weekly market stall and keeping to himself—when a wild storm rolls in outta nowhere, careening his whole plan to peacefully live out his days alone buckass sideways when he discovers the 20 pounds of crazy in a 5 pound bag blonde sheltering in his barn—specifically the rafters, literally hanging from them like a god damn bat, the hell—at 2 in the freaking morning.

naturally, chaos and shenanigans ensue. all of which somehow leads to eliot saddled with parker, the thief-cum-farmhand he did not want or hire, who will not leave because his barn's loft and rooftop are so much more fun than a warehouse, and I love love love warehouses, don't you?! who insists on riding on the roof of his tractor, poking every bruise he gets—some that come from her poking—and keeps attempting to "be his alarm clock" (somehow sneaking into his bedroom to sit cross-legged on his bed crunching dry cereal).

when the next storm barrels through and brings another stray—a tech geek whiz kid with a smart car that ain't so smart after going 3 rounds with freak weather—at least it's to his doorstep this time, so eliot's slightly more prepared for handling a stranger in his space. progress.

what he's not prepared for, of course, is falling in love with them both.

update: nvm I had more thoughts y’all can read part 2 here and find the masterpost here

[poorly-drawn-mdzs]

The musical episode.

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[tommygotwrittenoff]

i literally do not care about big emergencies on abc's 911. i want to see my characters talk to each other and have stories that are parallels to small, everyday (everyday for first responders) emergencies

[inamindfarfaraway]

At what point do you think Ashlynn fully processed that her mother doesn’t have to die in a few years? When the book she signed was revealed to be fake? When Raven fused everyone with their destiny pages to confirm their free will? The next time she saw or talked about her mother? Was it a random moment, like she was reading in class or stocking shoes at the Glass Slipper or trying to get to sleep when it struck her that her mum could see her marry Hunter. Her mum could see her with grey hair. Her mum could be the first Cinderella ever to meet her grandchildren. No wicked stepmother. No years of abuse and servitude. No need for the happiness to be a reward at the end of the narrative. It’s over. They’re safe.