#Writing exercise

[luna-azzurra]

I don't know if you've already been asked this, but what are some clever ways to describe a person's beauty in a sense that is more indirect. Instead of words like 'pretty, beautiful, alluring, shining, etc.'

Oh, I love this. The easiest way to show someone’s impact without describing them outright is to show how other people respond to them. Maybe...

Conversations softened when she entered the room, like the air itself had shifted to make space for her.

His presence was the kind that made people sit up straighter, like they wanted to match whatever energy he carried without even realizing it.

She had a way of making people lose track of their own sentences, blinking mid-thought like they had forgotten where they were going with it.

Or Instead of saying what they look like, describe what sticks in people’s minds afterward. Something like that...

Her voice stayed with you, low and slow, like a song you��d heard before but couldn’t place.

He smelled like rain on pavement, something sharp and clean and impossible to forget.

She had this way of looking at people, like she was already a few steps ahead in the conversation, waiting for them to catch up.

Maybe you want to drop something unexpected about them that makes the reader pause...

There was something reckless about his smile, like it had broken hearts before and would do it again without a second thought.

Her laughter didn’t just fill the room, it rearranged it, drawing people toward her like they didn’t even realize they were moving.

His face wasn’t the kind you described in features. It was in the way he existed, effortless and certain, like he’d never once questioned his place in the world.

Or through Movement...

She moved like she had time to spare, like the world had always been kind to her and she had no reason to rush.

His hands told a story when he talked, painting shapes in the air that made people watch even when they weren’t listening.

She didn’t walk. She arrived, like the moment had been waiting for her to catch up.

Or through Unintentional Impact... This is my personal favorite, describe the way a person changes the space around them.

People didn’t just look at him; they adjusted, leaning in without meaning to, like gravity had shifted in his direction.

She wasn’t loud, but somehow, silence belonged to her. When she spoke, it felt like the world quieted just to hear what she had to say.

He wasn’t the kind of person you noticed immediately. But once you did, he was impossible to ignore.

Let me know if you want more! I could go on for days with this. 😍

[charitysstories]

Fun fact! This was posted on my birthday! 🎂

words for your fight scenes

Breathe

draw, expire, heave, inhale, puff, suffocate

Catch

intercept, tackle

Climb

arise, ascension, mount, scale, surface

Cut

amputate, ax/axe, bisect, chisel, cleave, crop, cut up, dent, dissect, engrave, etch, fell, hack, lacerate, mangle, molt, mutilate, notch, peel, scar, scratch, shave, shred, slash, slit, trim, whittle

Dispose

boot, chuck, disposal, dispose of, do away with, elimination, kick out, rejection, scrap, throw away, void

Drop

alight, crash, decline, descent, dive, droop, duck, fall, flop, fumble, go under, keel over, light, percolate, plumb, plunge, sag, settle, sink, slump, stoop, submerge, suspend, thud/thump, tumble, wilt

Hide

ambush, bury, camouflage, conceal, cover, cover-up, cringe, disguise, dissimulate, embed, ensconce, envelop, isolation, lurk, masquerade, palliate, screen, seclusion, sequester, shrink, shut off/shut out, sneak, withhold

Hit

applaud, bang, baste, batter, beat, blindside, boot, buffet, bunt, chip, clash, clip, clout, collide, concussion, crash, cuff, deflect, drive, flail, glance, hammer, jab, jostle, knock, lick, nail, peck, plaudits, pound, punch, rap, scourge, slap, smack, sock, strike, swipe, tap, thud/thump, tip, whack, whip

Hold forcefully

apprehend, cage, clasp, clinch, confinement, constriction, cramp, detain, embrace, enslave, fetters, grasp, gripe, hold, incarcerate, overpower, press, shackle, snatch, strangle, throttle, wrestle

NOTE

The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.

It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary.

Source ⚜ Writing Basics & Refreshers ⚜ On Vocabulary Notes: Fight Scenes (pt. 1) (pt. 2) Word Lists: Fight ⚜ Pain

[novlr]

Writing Exercise: What They Carry

Make a list of everything a character leaves the house with when they go about their daily lives. What’s in their bag, their pockets, wallet, car, etc?

What do these objects say about that character? How do they set them apart? Are the items practical? Sentimental? Suspicious? Inconsistent? Do they suggest a job, a secret, a relationship, a history?

This exercise is designed to help you define your characters through things you can show, rather than things you need to state outright.

[scealaiscoite]

‧₊˚ 🌒 ✩ dark/moody prompts

¹⁾ rusted barbed wire 

²⁾ a closed fist 

³⁾ blood swirling down a shower drain

⁴⁾ an open grave 

⁵⁾ a blank envelope left in a mailbox 

⁶⁾ false negative 

⁷⁾ bound ankles 

⁸⁾ a sniper’s crosshairs 

⁹⁾ a black eye  

¹⁰⁾ boot prints in the dirt outside a bedroom window 

¹¹⁾ a chair jammed under a doorhandle 

¹²⁾ a jail cell 

¹³⁾ no caller id 

¹⁴⁾ the sound of glass breaking in the middle of the night 

¹⁵⁾ bloodied knuckles 

¹⁶⁾ proof of life 

¹⁷⁾ banging coming from the inside of a car boot 

¹⁸⁾ a makeshift tourniquet 

¹⁹⁾ a split lip 

²⁰⁾ slashed tires 

²¹⁾ a broken lock 

²²⁾ a hand clamped tightly over a mouth 

²³⁾ the sting of whiskey at the back of your throat

²⁴⁾ incessantly trembling hands 

²⁵⁾ cold mortuary slabs 

[creativepromptsforwriting]

Writing Motivation

Set a writing time

By setting aside a specific time for writing, you can train your mind to more easily shift into the right mindset. You could write just after waking up, just before going to bed, or at some point in the middle of the day. Alternatively, you could choose a specific day, such as Sunday, to make it your official writing day. Try out different options and see what works best for you.

[ladylaviniya]

okay wait hold on.

walter checking his watch like “yeah i’ve got 15 minutes to absolutely ruin my life” had me immediately unwell. like sir?? you couldn’t even wait until the end of your shift?? he just pulled out his dick with purpose.

and the REASON???

her outfit. just… her outfit. she didn’t even do anything except wear a skirt and exist near him and now he’s in full mental spiral mode like “welp time to rawdog my memories.”

and i’m sorry, but the ripping the fishnets open??

the skirt riding up???

her thick thighs and the idea of her already wet when she slides onto his lap???

i read that and had to sit there in silence for a second like. yeah. okay. i see the vision.

the fantasy was SO vivid too. like i wasn’t reading it — i was watching it. you can feel how obsessed he is with her, the way he just focuses on the tiniest details. her hands in his hair?? the kissing??? her voice in his ear??? he’s deranged about her and i love that for him.

and then it hits a whole other level when she says:

“daddy, come inside me. give me a baby.”

HELLO?????????????

you know he was not ready for that. man short-circuited on the SPOT. like his soul left his body. his balls tightened??? he’s clutching his sweater and blasting off into the astral plane 😭

and the ending too — the mess he made, the fact that he came so hard he was seeing stars??? and now he’s just… sitting there. covered in it. struggling to come back to earth. like okay king hope you brought wet wipes 😭😭

Fifteen Minutes

I was tagged by the lovely @peyton-warren for this amazing writing challenge thought up by @mantorokk-writes.

Title: Fifteen Minutes

Character: Walter Marshall x Unnamed Black!OFC

Rating: Explicit, 18+, Minors - DNI

Word Count: 374

Summary: What Walter does with 15 minutes of his time.

Warnings: male masturbation, creampie, swearing (gasp!), use of Daddy as a pet name

A/N: And you aren't seeing double, this has been posted before but I wanted it on its own.

Dividers: @firefly-graphics

Support/Reblog banner by me

My Masterlist 

Walter looks at his watch and decides that fifteen minutes is more than enough time to crank out a quick one.

He sets his phone on vibrate and sets it aside. Any other day, he would pull up some kind of something on his phone to watch while he gets in the mood. But with what she was wearing today, he doesn’t need to do much mental gymnastics to get right back there.

He takes his dick out and closes his eyes to think about her.

He imagined her sitting in his lap, her black denim skirt riding up her thick brown thighs. The sound of her fishnet tights ripping as he tore a hole in the crotch of them was music to his ears. His dick was already out, full, and sitting up out of his open jeans.

He would reach down between them and make the head of his dick nice and wet with her juices as she moaned in his ear. Sliding inside, they both his at the tight squeeze. He grabs her hips and begins to move her in a slow and steady rhythm up and down his length. Her arms around his neck and her hands in his hair leave her lips to connect with his.

He loves when her hands are in his hair. Her little obsession drives him wild.

He grabs a handful of her ass before smacking it loudly. Growling into her mouth as she answers with a moan. 

“Oh, fuck, Princess. You feel so fucking good, babygirl.” 

“Fuck, Daddy, you feel even better.”

He begins to move his hips, fucking up into her tight pussy as she takes everything she gives him. 

“Daddy, come inside me. Give me a baby, Daddy. Please, fuck a baby into me.”

He thinks he hears wrong at first but the way she keeps saying it has him realizing he did in fact hear correctly. His hips stutter as he can feel his balls tighten.

“Have my kids, Princess. I’m gonna make you a Mommy…ugh, fuck!”

He can feel every spurt of cum as his dick shoots deep inside her. 

His eyesight is struggling as he comes back to himself. His hand and sweater were covered in thick, creamy ropes.

No pressure as always: @milknhonies @cardierreh15 @headcannonxgalore @thirstnotes @shewriteswhenthewordscome @deandoesthingstome @mayloma

If you already reblogged or liked or posted your drabble on the other post, awesome!!!

[enlightenedfeline]

Daily prompt #68: ≽^• ˕ • ྀི≼

A person with a family of addicts studies their family members habits and thought processes so they can become a successful drug dealer.

[yyprompts]

#38 🌙❤️🤍

lovesick prompts

"All I want is to come home to your pretty little face, more than anything in this world..."

"I know you love me back, somewhere deep inside you. You have to feel it, when I've waited so long just for a little sign that you might be interested in me!"

"Would I be insane to say you are my reason for living, my catharsis and my end?"

"I'm utterly smitten for you, I don't know why you're acting so surprised."

"All my thoughts are of you, all you do is bother me...but I like it."

"Waiting for you torments my heart, but if you ask that of me, I'll suffer as long as I need to..."

"All I'm asking is to be loved senseless, is that too much?"

"I don't think I'm too much to handle, I can just be a little desperate and stare for too long."

"You make me want to give up everything I've ever had, just to touch your face with my hand."

"On cold nights like these, the need for you gets worse, because you'd be so warm if I held you close."

[artifacts-and-arthropods]

Child's Writing Exercises and Doodles, from Egypt, c. 1000-1200 CE: this was made by a child who was practicing Hebrew, creating doodles and scribbles on the page as they worked

This writing fragment is nearly 1,000 years old, and it was made by a child who lived in Egypt during the Middle Ages. Several letters of the Hebrew alphabet are written on the page, probably as part of a writing exercise, but the child apparently got a little bored/distracted, as they also left a drawing of a camel (or possibly a person), a doodle that resembles a menorah, and an assortment of other scribbles on the page.

This is the work of a Jewish child from Fustat (Old Cairo), and it was preserved in the collection known as the Cairo Genizah Manuscripts. As the University of Cambridge Library explains:

For a thousand years, the Jewish community of Fustat placed their worn-out books and other writings in a storeroom (genizah) of the Ben Ezra Synagogue ... According to rabbinic law, once a holy book can no longer be used (because it is too old, or because its text is no longer relevant) it cannot be destroyed or casually discarded: texts containing the name of God should be buried or, if burial is not possible, placed in a genizah.

At least from the early 11th century, the Jews of Fustat ... reverently placed their old texts in the Genizah. Remarkably, however, they placed not only the expected religious works, such as Bibles, prayer books and compendia of Jewish law, but also what we would regard as secular works and everyday documents: shopping lists, marriage contracts, divorce deeds, pages from Arabic fables, works of Sufi and Shi'ite philosophy, medical books, magical amulets, business letters and accounts, and hundreds of letters: examples of practically every kind of written text produced by the Jewish communities of the Near East can now be found in the Genizah Collection, and it presents an unparalleled insight into the medieval Jewish world.

Sources & More Info:

Cambridge Digital Library: Writing Exercises with Child's Drawings

Cambridge Digital Library: More About the Cairo Genizah Manuscripts

[the-most-humble-blog]

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🧠 FREE WRITING LESSON — THE MOST POWERFUL CHARACTER DEPTH TRICK YOU’LL EVER READ.

Let’s say your character sucks.

She’s flat. Predictable. “Strong” in all the wrong ways. Let’s call her Nicolle. Or Carol. Or whatever name Hollywood gave her.

She’s a superhero. She’s got powers. She’s got sarcasm. She takes no shit. She leads the squad. She’s admired by everyone — and loved by no one.

You’ve seen this character before. Now watch what happens when you give her one secret she doesn’t brag about.

Nicolle has two sons.

She’s raising them alone — to become men like her late father: A man who sacrificed everything to raise her after her mother disappeared, broke, or gave up.

The world sees Nicolle as the apex of visual empowerment. But the world doesn’t see:

The arguments with her boys’ father — about what being a real dad means.

The prayers whispered in the dark over a fevered forehead.

The way she ghosted the only man she maybe wanted, not because she’s flaky — but because she doesn’t know if wanting love makes her a bad mother.

The nights she tucks her boys in, then collapses into her bed, staring at the ceiling, heart full of ache, because she gave the world her strength but kept no one to hold hers.

They don’t see the days her sons cry after watching her get slammed through buildings on TV.

Held by the throat. Left for dead. Motionless for seconds too long. Until she rises — because she has to.

They don’t see the breakdowns. They don’t see her flinch.

They assume she doesn’t feel fear. But the truth?

She feels it every single time.

She’s not fearless. She’s never been. But fear is a luxury she doesn’t have.

That’s a luxury for men. She is a god. And she will make any threat scream that truth — as she crushes it beneath her bleeding hands.

Because when demons invade, tyrants rise, and monsters descend, She suits up.

Not for hashtags. Not for feminism. Not for attention.

She suits up because the idea of her sons growing up in a world she could’ve fought for and didn’t — is more terrifying than death itself.

And she will not let the universe teach her boys that their mother ever cowered.

🔺 THE TRIFECTA THAT MAKES ANY SUPERHERO NEXT-LEVEL:

Intimacy. Contradiction. Duty.

Intimacy gives them a soul — something they protect more than their own body.

Contradiction gives them depth — because perfection is forgettable, but conflict creates memory.

Duty gives them immortality — because we remember those who bled for more than applause.

Give a character that trifecta — and suddenly:

She’s not annoying. She’s haunting. She’s not fanfiction. She’s canon. She’s not shallow. She’s legend.

✍️ That’s how you fix a weak character. You don’t soften her. You give her something to fight that fists can’t touch.

And suddenly?

She’s not a girlboss. She’s the last myth your enemies ever tell themselves before they die.

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[docescene]

List of Types of Kisses

This list is divided by category, kiss type, emotion conveyed, and description. You can do whatever you want with this information.

More prompts!

Location

[BELLY KISS] Love, care: a gesture of affection and protection;

[CHEEK KISS] Respect, affection: gesture of greeting, friendship, or affection;

[CHIN KISS] Passion, desire: an intimate and sensual gesture.

[EAR KISS] Desire, intimacy: a sensual and provocative gesture;

[EYELID KISS] Love, affection: a delicate and romantic gesture;

[FOOT KISS] Adoration, devotion: a gesture of submission or adoration.

[FOREHEAD KISS] Love, care, comfort: a gesture of affection, protection, and tenderness;

[HAIR KISS] Affection, tenderness: a gesture of affection and care.

[HAND KISS] Admiration, reverence: a gesture of respect and admiration;

[KNEE KISS] Passion, desire: an intimate and sensual gesture;

[MOUTH KISS] Passion, love, desire: the most common, can vary in intensity and technique;

[NECK KISS] Desire, passion: a sensual and provocative gesture;

[NOSE KISS] Affection, complicity: a gesture of affection and intimacy;

[SHOULDER KISS] Passion, desire: an intimate and sensual gesture;

Intensity

[CHASTEN KISS] Friendship, affection: a light touch on the lips, expressing affection and friendship;

[OVERWHELMING KISS] Passion, desire: a strong and urgent kiss, expressing intense passion;

[PASSIONATE KISS] Passion, love: an intense and desire-filled kiss, with tongue and light bites;

[SHY KISS] Insecurity, desire: a hesitant and delicate kiss, expressing insecurity and desire.

Type

[CINEMATIC KISS] Romance, idealization: a long and passionate kiss, idealized in movies;

[BUTTERFLY KISS] Romanticism, delicacy: kissing with eyelashes, expressing delicacy;

[ESKIMO KISS] Affection, friendship: rubbing noses, a gesture of affection in cold cultures;

[FISH KISS] Sensuality: kissing with lips slightly open;

[FRENCH KISS] Passion, desire: exchange of saliva and tongue movements;

[INVERTED KISS] Passion, adventure: kissing with bodies inverted, like in Spider-Man;

[LIZARD KISS] Sensuality, playfulness: licking the other person's lips;

[PECK] Friendship, affection: a quick and light touch of the lips;

[VAMPIRE KISS] Sensuality, mystery: kissing the neck with a slight suck.

Context

[APOLOGY KISS] Regret, forgiveness: expressing regret and seeking reconciliation;

[COMFORT KISS] Compassion, comfort: expressing compassion and comfort;

[FAREWELL KISS] Longing, hope: expressing longing and hope for reunion;

[THANK-YOU KISS] Gratitude, recognition: expressing gratitude;

[WELCOME KISS] Joy, happiness: expressing happiness at seeing someone.

[choshashio]

12 Writing Exercises to help develop your character and their voice.

Editors note - There's a lot of boring writers drivel. So, to spare you from the headache if you're not interested, your characters individual voices and personalities are important for engaging stories and interesting plots. You can skip down to the end for the exercises.

Think about the people you know, the people you love. What's one thing they have in common, besides the obvious? They're all uniquely different. Everyone in the world is different in some way, even in media. Books and movies all have unique sounding characters that are different from each other. In Harry Potter, for example, All of the characters have their own voice, even the Weasley twins are different in their own ways.

Complex and unique characters that sound different, interact and speak differently, make for engaging books and dynamics.

I don't know anybody who would want to read a 50,000 word novel about two boring characters, who're exactly alike, and talk in the same monotonous tone. You can have a character who is "boring." who speaks monotonously and still have an interesting novel that people would read.

Having different characters who come together to create funny, interesting, or weird dynamics makes for a readable piece. Take your monotonous character, by themselves, they're kind of boring. They're not engaging to follow. But, introducing different characters to come and interact with your "boring" character, creates funny and memorable dynamics.

Think the anime Saiki K, or Veronica Sawyer from Heathers. If you took only those two characters, and stripped away all of the background characters, they wouldn't make for very interesting stories. Saiki would be happy, living his days in peace and quiet. Veronica would just be a normal edgy high school girl. But if you bring the side characters back, you bring the story and their conflicts back. Saiki goes back to being annoyed by his weird and goofy friends, wishing for peace and quiet. Veronica goes back to being tormented by JD and the group dynamic in the Heathers clique.

These stories utilize background characters to create conflict in their main characters' lives, and makes fun and interesting stories and dynamics with them.

Without further ado, here are 12 exercises to help you develop your characters, and get you thinking.

Ask your character what they want, and have them monologue about it.

Think about who, in your life, does your character remind you of.

Ask yourself, What does my character want, and what does my character need? How do they conflict with each other, and how does this affect my story?

A good exercise to help you write characters interacting, and practice dialogue is to do the ABCD exercise. 

The ABCD exercise is writing a full page, or 500 words, of dialogue between two characters, character a and character b, talking about what they think character c thinks of character d. Then, write another page depicting how character c actually interacts with character d.

Write journal entries from the pov of your character.

Think about your character's habits, nervous tics, or tells, and write out a page where they do those things.

Think about something your character holds dear to them, and give the item a backstory.

Think about how your character interacts with other characters, and write a page for each interaction. 

Think about a belief or opinion your character has, and write a page of dialogue, where your character is explaining their belief, and why they believe in it, to another character.

Write a page about your character reminiscing, or talking, about a cherished memory from their past, or childhood.

Write a page of dialogue about character a telling character c about character b, whom c has never met before, what kind of things do they say? What do they think of b? Then write another page from character c’s point of view, what are they thinking? How do their thoughts of b change? What do they think of character a? How do they imagine character a and b’s relationship?

Write a page about a character being forced into a situation with their greatest fear. Then, if you want to go a step further, write a page of the same thing, but introduce another character that the first holds dear to them, or wants to protect.

[charitysstories]

🤍

Writing Notes: Well-Rounded Characters

Provide a backstory for each of your main characters.

Create a character profile for each main character (include basic information and physical characteristics).

Give your characters an arc and ensure that the arc is completed in your story.

Give each character a unique style of communication.

Give each character at least one strength and one weakness.

Give each character a relatable character trait.

Give each character internal and external motivations for each scene.

Show how your character acts but don't explain his actions (show, don't tell).

Combine multiple characters if they fall into stereotypical roles.

Ensure that every character you use moves the story forward. If they're boring or slow the story, get rid of them.

Source ⚜ More: Notes & References ⚜ Flat & Round Characters ⚜ +600 Traits Stereotypical Characters ⚜ "Well-Rounded Character" Worksheet ⚜ 170 Quirks

[angstober]

Welcome to another year of Angstober! We're delighted to unveil the prompts for this year of angsty, spooky fun.

What is Angstober?

Angstober is a yearly October challenge with 31 angst-themed prompts to inspire you to create. The challenge is open to all sorts of creative work - writing, art, edits, whatever you want - in whatever medium you want. Original work or fanworks? Whatever you feel inspired for!

How do I take part?

Tag your works with #angstober2024 and the day of the prompt (e.g., #day 01) to share on tumblr. Feel free to @ us directly in the post as well! To share your work on AO3, add it to the Angstober 2024 collection.

You can post your works whenever - early or late - and use as many or as few prompts as you feel inspired for! We'll do our best to reblog as many works to the @angstober blog as we can.

Is there a banner to post my work with?

Absolutely!

Anything else?

Nope. Happy Angsting!

2024 Prompt List

Again

2. Countdown

3. Self-Destruction

4. Blood

5. Do Better

6. Medication

7. “You Still Don’t Get It.”

8. Growing Pains

9. Promise

10. Humiliation

11. Wake Up

12. Rotten Touch

13. Shaking

14. Only Around You

15. False Hope

16. No One Else To Turn To

17. “Shhh…”

18. Falling Stars

19. Tear-Stained Cheek

20. Spare Me

21. Abandoned

22. Crocodile Tears

23. Safe/Unsafe

24. Dark Sunrise

25. You’re No Better

26. Persuasion

27. Curled Up

28. Perfect

29. Get Out

30. Nothing Else To Tell You

31. It Ends Here

[scealaiscoite]

‧₊˚ 🗣️ ✩ three hundred assorted dialogue prompts

¹⁾ “it’s too early for this.”

²⁾ “say that again, but take all the words bigger than two syllables out for me.”

³⁾ “you never came to bed last night.”

⁴⁾ “ibuprofen and a red bull is not breakfast.”

⁵⁾ “where the fuck have you been?!”

⁶⁾ “i can’t believe you told him.”

⁷⁾ “look, all i’m trying to tell you i- oh god, no, please don’t cry.”

⁸⁾ “taxi- taxi!”

⁹⁾ “i broke it off last night.”

¹⁰⁾ “no way that’s true.”

¹¹⁾ “i’m not letting you sleep on the couch in your own house.”

¹²⁾ “red’s definitely your colour.”

¹³⁾ “i don’t even want to know how the glitter got there.”

¹⁴⁾ “second time the electric’s been cut off so far.”

¹⁵⁾ “come on, the water’s fine!”

¹⁶⁾ “i’m so mad at you for this, but i’m angrier at myself for knowing i’ll forgive you for it.”

¹⁷⁾ “nice tan lines.”

¹⁸⁾ “christ, i don’t know how you drink that shit.”

¹⁹⁾ “that was the best meal i’ve eaten in years.”

²⁰⁾ “i got fired yesterday.”

²¹⁾ “are those handcuffs?!”

²²⁾ “hell of defense to put on for someone you say you don’t care about anymore.”

²³⁾ “i love you, i swear it, but not enough to watch another western.”

²⁴⁾ “just hold the ladder, and i’ll do the rest.”

²⁵⁾ “is there any chilli powder left in the cupboard, or is it all on my plate?!”

²⁶⁾ “i know what exes are, and i know you two aren’t them.”

²⁷⁾ “please, please just leave me alone.”

²⁸⁾ “neither of us are leaving this room until you tell me how you got that shiner.”

²⁹⁾ “fucking liar.”

³⁰⁾ “scooch over, i’m about to fall off.”

³¹⁾ “i nicked your shirt on my way out- i hope you don’t mind.”

³²⁾ “the cold will kill us before they can if we don’t find shelter.”

³³⁾ “just- please, can’t you see she’s in pain?!”

³⁴⁾ “a pint of coors and a passionfruit martini, plea- no, i told you, i’m not calling it that!”

³⁶⁾ “only you could crochet in a time like this.”

³⁷⁾ “they know i hate boats!”

³⁸⁾ “your mother called.”

³⁹⁾ “i can smell vodka and bubblegum toothpaste on your breath, and i’m totally sure which concerns me more.”

⁴⁰⁾ “it’s midnight, please turn off the jazz.”

⁴¹⁾ “i didn’t read that book, but i slept behind [name] in bed every night for a week while they did.”

⁴²⁾ “please, we need a doctor!”

⁴³⁾ “you’ve done shitty things to me before but you’ve never been cruel.”

⁴⁴⁾ “normally i can get behind your stress baking because of how much i benefit from it, but come on. it’s two in the night; what is a red velvet cake going to fix that some sleep won’t?”

⁴⁵⁾ “i found an earring under the passenger seat.”

⁴⁶⁾ “please, if the choice is between ice cream for breakfast or whiskey, choose the fucking ice cream.”

⁴⁷⁾ “you’re still bleeding- stop and let me look at it.”

⁴⁸⁾ “we’ve been broken up for a year now. you’ve got no right to look at me like that.”

⁴⁹⁾ “mama will be home soon, promise.”

⁵⁰⁾ “in the name of the father- “

⁵¹⁾ “i’m going to lose them either way. better they hate me and live, than love me and die.”

⁵²⁾ “you have a son?!”

⁵³⁾ “boss wants to see you.”

⁵⁴⁾ “i figured we were close, i just didn’t think it was “call me at two in the morning from a police station” kind of close.”

⁵⁵⁾ “are we just going to ignore that massive rock on your finger?”

⁵⁶⁾ “you of all people don’t get to question my parenting skills.”

⁵⁷⁾ “is that a fucking chicken?!”

⁵⁸⁾ “fuck- you’re hurting me!”

⁵⁹⁾ “mind the puddles.”

⁶⁰⁾ “you’re sick. you’re not going into work, end of story.”

⁶¹⁾ “what on earth are you wearing?!”

⁶²⁾ “she’s too old for you.”

⁶³⁾ “you play mario kart like it’s your first day on earth.”

⁶⁴⁾ “you’re gonna break an ankle walking in those heels.”

⁶⁵⁾ “if it was important, you would’ve remembered i don’t answer fucking calls!”

⁶⁶⁾ “late night?”

⁶⁷⁾ “i’m terrified.”

⁶⁸⁾ “i’ll call you when i land, yeah?”

⁶⁹⁾ “try and get some sleep, pet.”

⁷⁰⁾ “where is that blood coming from?!”

⁷¹⁾ “it is sheeps or sheepses?” 

⁷²⁾ “so you can fold a paper crane from a candy wrapper, but you don’t know your times tables.”

⁷³⁾ “clerk said they only have one room left.”

⁷⁴⁾ “why did you get an apartment on the eighth fucking floor?”

⁷⁵⁾ “it’s snowing!”

⁷⁶⁾ “when the shooting starts, stay down and only look at me, okay?”

⁷⁷⁾ “how fucking dare you- i am married.”

⁷⁸⁾ “we should be safe here.”

⁷⁹⁾ “i’m at the store, what kind of monster did you want again? and don’t say ultra violet, i’m not bringing that filth into the house.”

⁸⁰⁾ “the cat misses you.”

⁸¹⁾ “i’ve been having nightmares again.”

⁸²⁾ “i can practically hear your stomach growling. come fill up a plate.”

⁸³⁾ “i’m proud of you, kid.”

⁸⁴⁾ “are you sure you’re not mad at me?”

⁸⁵⁾ “please don’t tell me you lost it.”

⁸⁶⁾ “wanna pick the movie?”

⁸⁷⁾ “bit late for boxing, no?”

⁸⁸⁾ “i don’t care if it’s harmless, kill it!!”

⁸⁹⁾ “if you so much as look in their direction again, it will be the last thing you ever do.”

⁹⁰⁾ “do you wanna go out sometime?”

⁹¹⁾ “is- is that [name]’s shirt?”

⁹²⁾ “c’mon, sit with me a minute.”

⁹��⁾ “good boy!”

⁹⁴⁾ “no, fuck- i can’t swim!”

⁹⁵⁾ “your friends are unbearable.”

⁹⁶⁾ “oh, kill me now.”

⁹⁷⁾ “can i bum a light?”

⁹⁸⁾ “just listen to me for once in your life!”

⁹⁹⁾ “someone call an ambulance!”

¹⁰⁰⁾ “i don’t think i’ve ever seen you in pink before.”

¹⁰¹⁾ “i told you i was done talking about it.”

¹⁰²⁾ “the lock’s broken- i think someone’s inside.”

¹⁰³⁾ “you kept it.”

¹⁰⁴⁾ “i have somewhere to be; make it quick.”

¹⁰⁵⁾ “you’re unbelievable.”

¹⁰⁶⁾ “they never meant anything to you, did they?”

¹⁰⁷⁾ “is the point of giving me such bad advice to force me into seeing an actual therapist?”

¹⁰⁸⁾ “your smile makes my day.” 

¹⁰⁹⁾ “how do you remember where all my jewellery goes?”

¹¹⁰⁾ “… but you’re definitely nothing more than coworkers. sure.”

¹¹¹⁾ “i’ve been waiting for this my whole life.”

¹¹²⁾ “can i help with your hair?”

¹¹³⁾ “i always forget how pretty the city looks at night.”

¹¹⁴⁾ “the dog, for all his failings, did not do that and i’m taking it personally on his part that you’re trying to claim he did.”

¹¹⁵⁾ “you have many strengths; all i’m saying is that parallel parking is not one of them.”

¹¹⁶⁾ “let me drive you home.”

¹¹⁷⁾ “thanks for bringing me in on this ritual of yours.”

¹¹⁸⁾ “what time do you have to be at court?”

¹¹⁹⁾ “do you, uh- do you maybe wanna get dinner, sometime? like, with me?”

¹²⁰⁾ “i’m- *achoo* a-allergic to one kind of- *achoo* of flowers in the whole world, and you- *cough* really m-manage to pick them out for me?”

¹²¹⁾ “table for three, please.”

¹²²⁾ “you’re getting so grey. i’m kind of liking it.”

¹²³⁾ “of course i noticed.”

¹²⁴⁾ “hey, quit forcing yourself to talk before you lose your voice altogether.”

¹²⁵⁾ “please, please wake up.”

¹²⁶⁾ “was anything you said true?”

¹²⁷⁾ “get in the fucking car!”

¹²⁸⁾ “where’d you get that?”

¹²⁹⁾ “you put me through so much, and still all i can think about is how i’d do it all again if you asked me to.”

¹³⁰⁾ “i’ll stay while you sleep. nothing’s gonna happen while i’m here, okay?”

¹³¹⁾ “you said you wanted to talk it out but all you’re doing is shouting at me!”

¹³²⁾ “we broke up a few days ago. i guess i was too embarrassed to tell you after you warned me about them.”

¹³³⁾ “family don’t pull this kind of shit on each other.”

¹³⁴⁾ “i phoned in sick. i’m yours for the day, if you’ll have me.”

¹³⁵⁾ “i’ll make the reservation, you just worry about turning up looking half as good as you do right now.”

¹³⁶⁾ “that’s still how you take your tea, isn’t it?”

¹³��⁾ “stop throwing those damn paper planes at me!”

¹³⁸⁾ “i’m so c-cold.”

¹³⁹⁾ “… i can hear meowing.”

¹⁴⁰⁾ “want some?”

¹⁴¹⁾ “fuck all of them, anyway.”

¹⁴²⁾ “i could look at your tattoos all day.”

¹⁴³⁾ “ever considered sending me flowers without a keycard for a hotel room tucked inside?”

¹⁴⁴⁾ “i made coffee.”

¹⁴⁵⁾ “c’mon, sit with me a minute.”

¹⁴⁶⁾ “fuck, they’re gonna flank us- get someone on the south wall, now!”

¹⁴⁷⁾ “christ, get up.”

¹⁴⁸⁾ “put some pants on.”

¹⁴⁹⁾ “it’s over!”

¹⁵⁰⁾ “not another broken bed frame.”

¹⁵¹⁾ “that thong really brings out your eyes.”

¹⁵²⁾ “you’ve already stolen from me; don’t twist the knife by lying about it, too.”

¹⁵³⁾ “... i thought you locked the back door.”

¹⁵⁴⁾ “they were saying awful things about you. every last one of them had it coming.”

¹⁵⁵⁾ “so you had a can of monster and a pack of sour patch kids for breakfast eight hours ago, and you really don’t understand why you have a headache?”

¹⁵⁶⁾ “i think someone’s in the house.”

¹⁵⁷⁾ “walk me home?”

¹⁵⁸⁾ “this song reminds me of you.”

¹⁵⁹⁾ “can you pick up some eggs on your way home?”

¹⁶⁰⁾ “i’ve got a flat tire.”

¹⁶¹⁾ “you broke his fucking nose!”

¹⁶²⁾ “do you remember the room number?”

¹⁶³⁾ “i can’t see anything.”

¹⁶⁴⁾ “lab results are back.”

¹⁶⁵⁾ “is it really so hard to pick up the damn phone when i call?”

¹⁶⁶⁾ “don’t you dare run.”

¹⁶⁷⁾ “bulleit, please. neat.”

¹⁶⁸⁾ “will you marry me?”

¹⁶⁹⁾ “how did you get tickets?!”

¹⁷⁰⁾ “your tie’s all crooked.”

¹⁷¹⁾ “license and insurance, please.”

¹⁷²⁾ “i’ll get a nurse in to do your sutures, and then we’ll send you on your way.”

¹⁷³⁾ “you’re a dead man.”

¹⁷⁴⁾ “you’re the worst thing to ever happen to me.”

¹⁷⁵⁾ “no, this is her secretary. i can take a message, if you’d like?”

¹⁷⁶⁾ “the money’s gone.”

¹⁷⁷⁾ “yeah, but it’ll cost you.”

¹⁷⁸⁾ “we need to find that phone.”

¹⁷⁹⁾ “can i crash here tonight?”

¹⁸⁰⁾ “i, um… i saw you. online.”

¹⁸¹⁾ “what do you mean husband?!”

¹⁸²⁾ “the fire’s growing- we need to keep moving.”

¹⁸³⁾ “your lipstick’s all over me!”

¹⁸⁴⁾ “four broken ribs… fuck.”

¹⁸⁵⁾ “what happened in shanghai?”

¹⁸⁶⁾ “you and these awful horror movies!”

¹⁸⁷⁾ “next door’s cat is back. do you remember where i put the kibble?”

¹⁸⁸⁾ “glitter and faux fur. classy.”

¹⁸⁹⁾ “since when were you blonde?!”

¹⁹⁰⁾ “do i even want to know?”

¹⁹¹⁾ “we were by a river. that’s all i remember.”

¹⁹²⁾ “please, let me call you a cab.”

¹⁹³⁾ “my hands are killing me, get these damn zipties off.”

¹⁹⁴⁾ “you don’t have to talk, if you don’t want to.”

¹⁹⁵⁾ “i read your last article. you’re not half bad at this shit.”

¹⁹⁶⁾ “is now a bad time to say i’m afraid of heights.”

¹⁹⁷⁾ “- quick, hide!”

¹⁹⁸⁾ “test came back negative.”

¹⁹⁹⁾ “say, ah.”

²⁰⁰⁾ “some friends they turned out to be.”

²⁰¹⁾  “you look oddly good in sequins.”

²⁰²⁾ “now there’s a headline: murder in mittens.”

²⁰³⁾ “we need to swab your hands for gunpowder residue.”

²⁰⁴⁾ “black, three sugars.” 

²⁰⁵⁾ “i need you to listen to me, okay? this cannot happen again. ever.”

²⁰⁶⁾ “we shouldn’t be here.”

²⁰⁷⁾ “if you’re going to be such a die-hard fan, could you please start picking better teams? for my sake?”

²⁰⁸⁾ “… did you make me a packed lunch?”

²⁰⁹⁾ “i got a little bit stabbed.”

²¹⁰⁾ “no, it’s too late; you’re not walking home alone.”

²¹¹⁾ “i don’t care if she’s ten, she cannot be led to believe that derek is an acceptable name for a cat!”

²¹²⁾ “they were just here.”

²¹³⁾ “oh captain, my captai- “

²¹⁴⁾ “come to my room in ten.”

²¹⁵⁾ “no part of this was in the training manual.”

²¹⁶⁾ “i think i’m gonna lie down for a bit.”

²¹⁷⁾ “i can’t come out tonight, i’ve got to re-pot my roses.”

²¹⁸⁾ “you kick like an ass in your sleep.” 

²¹⁹⁾ “i think we kissed.”

²²⁰⁾ “i never want to be a burden to you.”

²²¹⁾ “there’s someone in the trees.”

²²²⁾ “where’s that smoke coming from?”

²²³⁾ “my sheets smell like you.”

²²⁴⁾ “what did sarge say?”

²²⁵⁾ “the funeral’s at ten.”

²²⁶⁾ “she’s asystolic.” 

²²⁷⁾ “it’s too loud in here. i’m going to start biting people.”

²²⁸⁾ “give it back!”

²²⁹⁾ “don’t make me call the cops!”

²³⁰⁾ “we tried everything. i’m sorry.”

²³¹⁾ “another round?”

²³²⁾ “come on the carousel with me, and i’ll think about it.”

²³³⁾ “this is why we didn’t stay married.”

²³⁴⁾ “i like your hair.”

²³⁵⁾ “homicide are on the way.”

²³⁶⁾ “i just ran.”

²³⁷⁾ “want a drink?”

²³⁸⁾ “i’m scared of the things i feel for you.”

²³⁹⁾ “can you remember anything about last night?”

²⁴⁰⁾ “you left this at mine.”

²⁴¹⁾ “i made us a reservation.”

²⁴²⁾ “pass the goddamn ball!”

²⁴³⁾ “someone cut the brake lights.”

²⁴⁴⁾ “wanna come to vegas with me?”

²⁴⁵⁾ “… did you use my body wash?”

²⁴⁶⁾ “go shower, then we’ll talk.”

²⁴⁷⁾ “how dare you say something like that to me!”

²⁴⁸⁾ “there’s a letter for you.”

²⁴⁹⁾ “i need to see you. now.”

²⁵⁰⁾ “i’ll kick this fucking door open!”

²⁵¹⁾ “don’t look at me like that.”

²⁵²⁾ “i can’t do this anymore.”

²⁵³⁾ “got a light?”

²⁵⁴⁾ “i don’t care if we both get hypothermia, i’m not sharing a sleeping bag with you!”

²⁵⁵⁾ “do you hate me?”

²⁵⁶⁾ “please don’t leave.”

²⁵⁷⁾ “i’m sorry i missed dinner.”

²⁵⁸⁾ “i have a name, and it’s sure as hell not kid.”

²⁵⁹⁾ “you are a grown man, don’t pout.”

²⁶⁰⁾ “ah, look who’s awake.”

²⁶¹⁾ “if you’re after a ransom, i’m sorry to say you picked the wrong person.”

²⁶²⁾ “don’t you dare track all that sawdust in here! leave your boots at the door.”

²⁶³⁾ “if you’re not here to pay my tab, you can leave.”

²⁶⁴⁾ “you’re so warm.”

²⁶⁵⁾ “bit kinky for a monday morning, don’t you think?”

²⁶⁶⁾ “not again!”

²⁶⁷⁾ “i think i pulled something.”

²⁶⁸⁾ “kiss me.”

²⁶⁹⁾ “watcha reading?”

²⁷⁰⁾ “i ordered room service. possibly on your card.”

²⁷¹⁾ “this isn’t gonna work out.”

²⁷²⁾ “i saved you a seat.”

²⁷³⁾ “the dog got ahold of your scarf.”

²⁷⁴⁾ “i want to see my son.”

²⁷⁵⁾ “my friend’s an ass, i’m sorry.”

²⁷⁶⁾ “please, she could scare the balls off a brass monkey with a single look.”

²⁷⁷⁾ “you’re an almerciful pain the ass.”

²⁷⁸⁾ “give my compliments to the chef.”

²⁷⁹⁾ “wanna catch a movie at the weekend?”

²⁸⁰⁾ “you said i only had to stay for an hour- you got an hour and seven minutes! what more could you possibly want from me?!”

²⁸¹⁾ “i think i left my phone at the bar.”

²⁸²⁾ “... why is there a pool noodle in the hall?”

²⁸³⁾ “can you turn the lights off?”

²⁸⁴⁾ “was any of it real?”

²⁸⁵⁾ “do i want to know how you got that nickname.”

²⁸⁶⁾ “you’re like if an angel had a very severe ketamine problem.”

²⁸⁷⁾ “i think i fucked up my ankle last night.”

²⁸⁸⁾ “take the sunglasses off.”

²⁸⁹⁾ “i don’t know how i’m going to forgive you for this.”

²⁹⁰⁾ “i can’t believe i fell for this shit again.”

²⁹¹⁾ “morning, killer.”

²⁹²⁾ “who names a goldfish andrew?”

²⁹³⁾ “... i could’ve sworn you had too eyebrows last time we spoke.”

²⁹⁴⁾ “i’m scared shitless of dolls.”

²⁹⁵⁾ “how’d you get the shiner?”

²⁹⁶⁾ “here, let me help.”

²⁹⁷⁾ “look, my tomatoes are finally ripe!”

²⁹⁸⁾ “you can hold my hand, if it’d help.”

²⁹⁹⁾ “i brought you croissants. as like, um, an olive branch.”

³⁰⁰⁾ “do you trust me?”

[creativepromptsforwriting]

Botanical Names Part III

Names you can choose for your characters. Taken from the little signs in a botanical garden. So they are names of plants.

Cassine

Orlaya

Bumelia

Maranta

Artemisia

Dionaea

Xyris

Heliamphora

Drosera

Patrinia

Khaya

Dalea

Callisia

Ruellia

Justicia

Dracaena

Pellionia

Tectaria

Monodora

Ardisia

Myrsine

Davallia

Gloriosa

Uniola

Ageratina

Cenia

Aralia

Felicia

Diascia

Nassella

More names!