#a good second is ruby

[multongsisig]

Tried my hand at some of the Close Kin goblins and elves (and human)

[monod1cot]

at least someone in this family is winning

sort of a part 3 to this

[shanastoryteller]

it is so unbelievably, exceedingly obvious to me that part of s4 sam's determination to kill lilith is rooted in the question of could he have killed lilith? could he have really saved his brother from hell?

did he choose his moral high ground over his brother's life?

and if he did it, how can he ever bring himself to do that again? how could he make that same mistake twice?

of course he drinks the demon blood. how it even a question?

before, he abstained. he refused to become a monster. he thought his worst nightmare was becoming something dean would have to kill

then his brother went to hell for him and he realized his real worst nightmare

dean is gone and it's his fault - is it his fault? there's only one way to know for sure. which is to find out if he'd been capable of killing lilith if he'd just listened to ruby from the beginning

then he does kill lilith and frees lucifer and starts the apocalypse and okay, that's bad, but his first wash of horror has nothing to do with that

it's because it's true. he could have saved his brother

and he didn't

[bonehilda-deactivated]

One of the best things about Disco Elysium by far is that it does not fear ugly women. The world is full of ugly men, but ugly women are so hard to come by.

[amelia-yap]

yipee

[deweyduck]

Music videos by Disney Channel artists starring other Disney Channel stars

Selena Gomez in “Burnin’ Up” by Jonas Brothers (2008)

Peyton Elizabeth Lee in “Getaway” by Asher Angel (2018)

Stefanie Scott and Kelsey Chow in “Girls Like Girls” by Hayley Kiyoko (2015)

Jenna Ortega in “Taste” by Sabrina Carpenter (2024)

Luke Benward in “Make You Stay” by The Girl and the Dreamcatcher (2016)

Brenda Song in “Star Maps” by Aly & AJ (2019)

Leo Howard in “History” by Olivia Holt (2016)

Booboo Stewart in “New Kid in Town” by Baby Ariel (2020)

Maia Mitchell and Madison Pettis in “I Wish” by Hayley Kiyoko (2019)

Madison Hu in “bad idea right?" by Olivia Rodrigo (2023)

The cast of Z-O-M-B-I-E-S 2 in “Impress” by Meg Donnelly (2020)

Zac Efron in “Say OK” by Vanessa Hudgens (2006)

The cast of Sonny with a Chance in “La La Land” by Demi Lovato (2008)

Milo Manheim in “Feather” by Sabrina Carpenter (2023)

[sirazaroff]

@evilrwbyfan breakfast is on the house today

[ye-olde-tardis]

With how many references there are in this season about the doctor being a parent, we are definitely going to have some Susan content. I mean, when doctor who keeps shoving the same clues in your face over and over again, it's best to not overlook them.

[starleska]

the brilliance of making Rogue so thematically similar to a classic Nine or Ten NuWho ep but gay means that homophobic morons don't have any defense for disliking it except that it's gay!!!! may FifteenRogue live forever - welcome back our Down Bad Doctor 🥰💖💖💖

[dreamsuvivor]

I just realized what I love so much about Maxton Hall: Ruby is smart! and not just like book smart… but actually likeable sensible character with rational working brain smart. Unlike Belly and Jackie who constantly acted like the dumbest biches under the sun

so refreshing

[nyc-pizza-rat]

ruby screaming at the sugarplum fairy to bring back her sister is so heartbreaking, truly cannot bear to even look at siobhan's face. i can't even make myself watch the show in one sitting i have to keep pausing between sentences. also not be make everything about supernatural, but it fully reminded me of all hell breaks loose pt. 1 when dean has to sit with the reality of his brother's death and he too chooses to scream at the only otherwordly, powerful entity he knows exists to bring his brother back. a miracle that it works for him. tragedy, that this probably will not work for ruby. godd. but the intensity of grief and emotion that scenes like this bring to a story is just off the fucking charts. it's SUCH good storytelling, it's so compelling and it hurts so fucking bad. when you lose someone like that, it's like a limb being cut off. there's this space in the world that used to be connected to you, and suddenly this thread holding you to the earth is cut off. you feel this emptiness there, and it's terrifying reaching out to that space that was warm and finding nothing there. and siobhan brings that helpless, terrified rage to that moment so damn well. god. goddd.

[leavingautumn13]

delta episode blues

[i have commissions open now]

[sidhewrites]

Sometimes I think about Ruby, my amazing intelligent powerful vicious librarian, and just how bad she is at travel. She may be a killer but she’s used to a cushy life with magic invisible servants cooking up gourmet food and turning down her feather bed and laundering.

In any AU where she’s (more or less) human, the very second you get her out of the library and into a carriage or on horseback or (gods forbid) a boat, she’s out of her element. Motion sick, uncomfortable, doesn’t know the first thing about how to prepare food or pitch a tent much less how to sleep under the stars.

She is an indoor cat only, and she doesn’t know how to deal with Outside tm.

[lambskel]

ruby and klaasje absolutely found each other after they both fled martinaise and they ran away together and nothing bad will happen to them ever again. because I said so

[bellamysgriffin]

ok so if im speaking my truth dw has been bad for a long time now but rtd2 as an era has suffered from the very beginning when it started involving the pantheon bullshit and the gods instead of the sci fi alien adventure of the week. way too much of a fantasy show with made up rules than a sci fi show that thrives in the limitations science fiction provides. add on rushed and sloppy characterization (both of ruby individually and her dynamic with the doctor) that stunts what ncuti is even capable of performing, and the allegiance to callback after callback, plus the fundamental issue of an 8 episode run not working for dw at all, and the way that everything is super disney-fied, and it's just a mess.

all of that to say that since it's such a disaster i dont really gaf about it completely jumping the shark with That Reveal. im in the dw phase of what the hell sure about basically anything at this point, and if it manages to get better it'll surprise me

[thedrowsydoormouse]

I'm not exactly happy about that ending but I am trying to keep an open mind. I've been talking with my mom about it spitballing different directions this could go (only working under the assumption it's only going to be for a single special or a short set of specials like with the 60th) and there are some good idea nuggets that I think could justify that ending. I think I'm going to wait until an official statement or announcement so we know what the new status quo is going to be before I fully make a decision about it. I really want to believe this is more than just a nostalgia bait cash grab but I'm also trying to be realistic that I might not feel comfortable watching anymore at least until we get a new show runner.