#analysis is a skill

[lena-thinks-too-much]

It is so, so important to me that people understand that Tim didn't figure out the bats because Dick was a "Show off". Like yes, Dick Grayson is the most flamboyant, dramatic ass man you will ever meet.

But the quadruple somersault? There's no way that was because dick was just showing off. Because you're telling me Bruce Wayne, who's so committed to hiding his identity that he literally acts like a completely different person out of the mask in public just to ward suspicion, would miss the fact that Robin regularly uses the flying Grayson's trademark move? There's literally no way.

In the comics we see Tim explain his deductive process to Dick and Alfred and they're both surprised impressed whatever. We don't see him explain it to Bruce. I think Bruce would be surprised and shocked that a 9 year old was able to put the pieces together but I don't think he'd be surprised that the quadruple somersault gave it away.

So if Bruce was possibly aware of such an obvious give away, why let it continue?

I'll tell you why.

It really comes down to the physics

So Dick was 9 when he started out right? That means the most he'd have likely weighed was 43kgs or roughly 95lbs in freedom units.

But Dick and both of his parents are gymnasts who tend to be smaller. So he was likely less than that.

In physics, rotating objects build up angular momentum (this is how bikes stay up right for example). The more rotation, the more momentum. And objects with less mass build up that momentum much faster than those that are heavier.

Robin constantly has to fight people who are nearly 3 times his size. I teach 8 year olds, they're tiny. A quadruple somersault for a small boy that weighs less than a hundred pounds is a brutal weapon. Especially if you add in the acceleration from gravity as he drops in from above.

And I can guarantee you this logic tracks because Dick literally utilizes this idea, without the somersault, in the 2009 teen titans cartoon.

Yeah, that's right. We're talking about the infamous knee drop.

Like it is borderline savage. Add in a quadruple somersault and the resulting force is nearly fatal. It's likely the main reason Batman would ever allow him to do it with the cape on.

Also, Dick landing feet first on the penguin in the first image probably gave the guy severe back issues

[breadandlottery]

One man. Three personas. Each one a foil to the protagonist in a different way.

[wishchip106]

why was he so excited

he wanted to show off to pookie so bad

spot the difference 🤨

don’t even get me started on the angst potential of this 😿🙏

he was so happy before everything happened 🙁

[maxanor]

i'm not saying this to be callous or rude, but i think what's hitting a lot of buckt*mmys hard is that they're truly just unable to admit that they aren't very good at media analysis. the term 'media literacy' has become so overused in fandom that i genuinely think people forget what it means- it's a learned skill, something you have to study, something you can educate yourself on by reading papers and books and watching all sorts of movies and tv. they're all so convinced that the breakup came out of nowhere when it could not have been written more clearly; tommy has consistently been shown as an outsider in buck's life.

to claim that "everything was perfect" in 8x05 is so ridiculous i almost don't even know where to start. they had two scenes without eddie: in the first, tommy was incredibly condescending towards buck and and his interests (it's time to put away the screen, you already had your five minutes, lights out evan), and in the second scene buck literally says "my boyfriend won't even kiss me" and tommy responds with "that's not true" but they pointedly do NOT show them kissing. if the audience is meant to believe that buckt*mmy are endgame, it would have made perfect narrative sense to have them kiss right then to show (not just tell) us that tommy cares about buck, boils and all, and they did not do that.

moving onto 8x06, the only clue needed to show us they were going to break up was tommy buying buck lakers tickets. that's all it took. in 7x04 it's made so clear that buck does not like basketball. if tommy genuinely knew buck, he would not have bought him tickets to a sport the show dedicated an entire episode to telling us buck does not like! if their relationship was meant to last, tommy could have bought buck tickets to a fight in vegas like he did with eddie. this would have been a great callback, because it's supposedly the first moment buck got jealous of tommy and eddie hanging out. it would remind the audience that even though buck was jealous, he got tommy in the end and they're now doing the activities he wanted to do with tommy before.

once again, media analysis is a skill. no one is perfect at it, and ofc shows can throw away the book and make decisions that don't make sense. but to claim this came out of nowhere shows a severe lack of knowledge and understanding of how stories are written. the shippers were seeing what they wanted to see and they missed all the signs the show was sending them, and now they're claiming the rug was pulled out from under them.

[dandelion-roots]

[ID: a digital drawing of riz gukgak from fantasy high. in the front is a relatively small drawing of riz juggling books that are falling out of his hand and a phonecall, and he has a huge backpack on. he looks a bit overwhelmed, hair flying in all directions, and has a nervous smile on. in the background is a large shadow of riz, only one glowing eye and a shining gun visible. the background is red, giving an eerie feel. End ID]

Kill your best friend

Cheat your way to your rogue teacher

Announce your presidential campaign

Don't let them know how angry you are

LEARN TO RECOGNIZE A MONSTER

[arscorpii]

these aerial shots of the streets in the scene where anthy was about to jump off a building in episode 37 remind me of a network of blood capillaries gradually flowing with some foreign substance (the way the red lines were drawn certainly resembles some liquid substance). the camera panned towards anthy from the 1st to 4th picture, and the streets gradually turned from pure white to white with some red.

before the suicide scene, utena and anthy were enjoying tea and cookies at akio's place, and they were wearing their school uniforms. anthy indirectly hinted at "poisoning" the cookies. in response, utena directly stated that she had "poisoned" anthy's tea. both accepted the poison into their systems (bodies) without any hesitation or qualms. noticeably, in this scene, utena didn't wear the rose crest ring that she took off at the beginning of the episode. i'd like to think of the streets gradually turning from white to flowing with red liquid as the visualisation of the poison they consumed in this scene gradually circulating in the system (via blood vessels and capillaries); thus, these points represented utena and anthy's bond/relationship with each other up until before the suicide attempt (white) and after (flowing with red).

up to at least the moment utena found out about anthy and akio at the end of episode 36, utena and anthy hadn't been honest with each other, despite utena saying to anthy that she could come to her if anthy had any problems, and that they can help each other through anything (episode 25). from the point akio began making bold moves in grooming utena (episode 30 onwards), which led to sexual assaults and rape, utena had started to keep things out of anthy's knowledge/unable to tell certain things to anthy.

a prominent example of this would be the scene in episode 36 where anthy asked about utena's whereabouts the night utena went to the dueling arena with touga. other examples are in episodes 30 and 35. anthy, on the other hand, hadn't been honest with utena from the very beginning. from my understanding, from both sides, the dishonesty with each other came from the dire need to preserve the sanctity/purity of their bond (and the despairing inability to open up about respective sufferings). both utena and anthy didn't wish to taint their bond with their ugly stories of truths. the situation was more adverse for anthy because letting utena know the truth could derail all of akio's plans.

(note the network of streets) with regard to the series, colour theories were ever-present in every visual aspect. white was equated to purity and innocence; red was synonymous with violence and danger. i think these meanings suited the visuals of the post-suicide attempt scene, the purity of their bond was incrementally coloured with violent truths from one another. moreover, i also think the post-suicide attempt scene further reified the cantarella scene. in other words, the post-suicide attempt scene was the more literal take/depiction/iteration of the cantarella scene (if that makes sense), with the visuals of the white streets flowing with red as the connecting factor between the two scenes.

the final visual of the "poisoned streets" before anthy urged utena to leave the school. the poison was freely and fully flowing through every street. throughout the suicide scene, utena and anthy were both in their sleepwear. this may connote a more vulnerable and honest disposition without any facade, as well as a better understanding and more equal footing with one another, compared to when they were in school uniforms during the cantarella scene. utena was also wearing her ring here, which may highlight her choice to play the role of a prince for anthy's sake to the end.

in addition, i think the streets flowing with poison could also be seen as a network of empty/dried blood capillaries finally flowing with blood; akin to a dead body coming back to life. after a person dies, the first visible change would be pallor mortis (within 15 to 20 minutes), wherein the body begins to pale because blood stops moving through the capillaries. with regard to this information, the visuals may indicate a sign of rejuvenation of the bond between utena and anthy after opening up to one another. the bond between them became more human, alive (flowing with blood), as opposed to being hollow (dried out blood capillaries; like death). to me, i believe both interpretations could work simultaneously for the visuals of the streets.

[gallusrostromegalus]

Kenpachi Realizes Nobody Else Actually Read The Employee Handbook And Decides To Get Inventive, A Story In A Ranking Chart

Yamamoto Thought He Was Punishing Everyone Including Zaraki By Making Him Actually Fill Out That Report, Was Not Ready For Zaraki To Deliver A Twelve Hundred Slide Powerpoint Category Seven Autism Infodump About It A Week Later, A Sequel

[tumblingxelian]

Why I Think Chloe is a Skilled CQC Fighter:

So, I wanted to cover in slightly more detail why I tend to think that Chloe is a genuinely skilled fighter and why I feel it is supported by at least the first three seasons of canon materials in MLB.

1: As Anti Bug, Chloe was able to combat, match and then quickly overcome Adrien in closed quarters combat. One could claim this was him holding back due to friendship but that'd be even more of a HC and he looks pretty comfy.

One could claim it was just because he needed to be in peril for the story but the fact is that still means he lost the fight.

2: In Maledikator Chloe demonstrated strong martial art based kick forms, which by itself is fairly minor but these things add up.

3: During Heroes Day, Chloe does demonstrably better than the other two reserve heroes and is even able to cover for them wen they are unable to fight.

She also l lasts even after they begin turning and needed to be ambushed to be removed from the fight.

4: During Miracular, Chloe has a one on one fight with Mayura in which she does very well and given Mayura is one of the top fighters in the setting I feel that says a lot.

5: This is also where she expressly demonstrated Street Savate style martial arts moves which no other character does. This indicates its a Chloe thing not a Miraculous user thing.

6: This last bit is more of a HC than the above, but it does feel worth keeping in mind both Adrien & Felix were expected to learn a martial art. So it seems like this may well have been normalized among them and so would not be particularly unusual.

Conclusion: Ultimately, Chloe shows herself to be very good fighter.

What's more, she does so with enough frequency and in unique enough circumstances and ways that it does not feel like animators just being careless or having fun. Otherwise we'd see more of this from others. The fact that Chloe stands out here is notable and as whether one takes her as knowing a specific martial art or not is besides the point that Chloe is evidently very tasty in a fight.

[snevins]

the day people stop dropping brain dead john walker (mcu) takes is the day i will finally know peace

like he’s such a morally complex and interesting character who was a perfect narrative foil to sam and the long-standing arc of what it means to pick up that shield and be captain america. he perfectly displays the sentiment we got back in the first captain america movie “not a great soldier, but a good man”. the us government picks a great soldier, the greatest one they have available. they do not understand that being captain america is so much more than that. a guy like john walker thrives in the morally grey environments of war but you make him the beacon of morality and goodness that is captain america and he crumbles. he was not made for it. the us military made him into a soldier, a weapon, and asked him to be something else. he acts the way that a soldier acts, does what a soldier would do, but captain america was never supposed to be a soldier, so he fucks up and makes the wrong decisions at almost every turn. he’s doing his best but he wasn’t built for this so it isn’t enough

his character is also such a good commentary on the us military, how the government asks terrible and life ruining things of its soldiers and then leaves them behind at its earliest convenience.

like john walker is the definition of “i am what you made me”. they made him exactly who he is, he lived his life by their mandates, he did everything they ever asked of him, and it wasn’t enough because they asked him to do something he could never do, stop being a soldier

[fred-the-dinosaur]

actually you know what, most people in that study did barely better than even chance at identifying AI from human art, and I got a solid 80% while dying from COVID and with all the pictures under two inches big on a phone screen.

So maybe. MAYBE. my art history degree wasn't pointless after all, huh?

[antleredreality]

i think i took this too seriously because tell me why i have six pages filled already from episode one alone

[mousestar369]

How I think the BAU acts when they're sick

Penelope: Feels like shit but doesn't want to make it anyone else's problem/doesn't want to get someone sick because they're helping her

Morgan: Is (jokingly) a dramatic little bitch about it

JJ: Doesn't get sick. Mom powers

Hotch: This man excused himself to pass out from internal bleeding. Next

Reid: "What? No, I'm not sick" while he's visibly on death's door

Rossi: He's Italian, germs know better

Emily: Is the only normal person about it. She just takes the day off

[miraculouslbcnreactions]

Re: more eat the rich

It comes down, I think, to a particular moral framework that TA seems to ascribe to. JK Rowling is another good example. There's a name for it.. it might be Calvinist?

Basically: The problem isn't having rich people, it's having the *wrong* rich people. You're not a part of an exploitative system that concentrates wealth, you're a *bad rich person*.

The same lens is used for everything else. Nothing is actually systemic. The *system* can't be questioned, only individual actors within the system can be called out as bad at fulfilling their role.

If you use this lens to examine other points in ML that seem weird, I think you'll find they suddenly seem more coherent.

Now- this approach is patently wrong on it's face, but that never stopped people from believing in anything, ever.

(Post that spawned this ask)

The word you're looking for is probably "neoliberalism" and I've noticed it, too! I haven't mentioned it because JK Rowling and her works have become such an upsetting topic for many fans and former fans, but Miraculous absolutely matches Harry Potter's concerning messaging about people being the issue, not the system. The system is inherently good and should not be questioned. I hated that as a kid because I was an avid reader and this wasn't how this kind of story was supposed to go! Why wasn't anything being fixed? Why weren't the inequalities being address? Why weren't the slaves being set free? What is this mess? Don't show me a broken system if you're not going to fix it!!!

If anyone is curious about this world view, I'll give you a video essay on the topic of why Harry Potter is just like that. It's about JK Rowling's political views and how it's reflected in her books which does indeed match Miraculous with things like systems being inherently good and people falling into the categories of "good" and "bad" based on their world view or "team alignment" instead of their actions. The last one really shows up in Miraculous as you can see with the redemption nonsense. Nathalie is inherently good so we welcome her to the good side with no effort required. Chloe is inherently bad so redemption is impossible. Marinette is inherently good so her being mean to Kagami is no big deal. Chloe is inherently bad so her being mean to Marinette in similar ways is horrifically wrong. Really depressing way to view the world.

There are other similarities, too. I'm going to have the video start at the part where it really dives into the neoliberalism stuff, but I encourage you to rewind to the start and watch the hour before that part as it's still relevant to this discussion. Pretend it's about Miraculous and you'll be shocked how many matches there are! It's honestly kind of fun. Like there's a section that talks about time travel and how it was solved by just removing time travel from the universe in an incredibly forced manner and a section that talks about the house elves thing that you could easily port over when talking about the Kwamis. I think about the Kwamis' being slaves a lot. It's a lot more subtle than HP, but it's still there with things like Su-Han talking about how it's bad that Plagg is out of the box since he's supposed to be locked away forever apparently. A line that's played like a joke not an indication that a freedom movement is needed. Nooroo is the only Kwami whose enslavement is a problem because he has a bad master. The other kwamis being slaves is fine for some reason...

[corellianhounds]

Some headcanons for Mando:

Anything he uses to shower or wash his clothes with is unscented. Those scent-neutralizer dryer sheets keep his clothes from smelling like anything that can be detected while he’s on a hunt. Very few species are exempt from being unable to detect him

He keeps a clean ship and a consistent schedule. He’s been self-sufficient and on his own for long enough he knows how to cook and take care of himself. Keeping your tools, gear, weapons, armor, and ship in clean, efficient working order means you’re less likely to have to spend time fixing one of them when it breaks from your lack of routine maintenance, and his body is just another tool in his arsenal; sleep, food, necessary medical care, staying limber and getting vitamin D at some point all go a long way towards ensuring he can last longer in the field. You can’t run something ragged every day and expect for that to be sustainable.

That also means he’s well-equipped to handle long stints without different necessities when needed from time to time; you can push yourself pretty far when you’re already in prime condition.

Wilderness survival skills were some of the first things he learned while being brought up by the Mandalorians. Being aware of your surroundings, setting up and breaking down camp, foraging and hunting for food, building impromptu shelters, purifying water, navigating and tracking, having a variety of general and specific medical knowledge— All of those skills are building blocks for self-sufficiency. You never know when you’re going to be alone or thrust into survival scenarios, so it pays to be prepared.

That also means he’s capable of stomaching a wide variety of what some might consider inedible. Beggars can’t be choosers, and it’s rude to decline someone’s offer of food or hospitality so in any scenario where food is in short supply and/or it’s been offered to him, he’s taking it. As long as it’s something he knows humans can digest, he’s open to whatever cultural or regional dishes his travels have to offer, and he’ll muscle through the less pleasant tastes or textures of food he’s had to make do with when he didn’t have other options.

He does know how to make food taste good, but that more often than not requires more spices and ingredients and hardware than he can afford or spare the room for, so he makes do without. Once the kid comes along he branches out a bit more to make sure he gets some variety.

Along the lines of self-sufficiency and independence, he has a lot of general repair skills: you may not always have somebody who can fix things for you, and he obviously isn’t going to pay somebody else to do something he’s capable of learning, except for when he’s short on time or resources. We see him working on the interior circuitry of his armor in the second episode. He knows how to bypass and pick locks. He has the electrical, mechanical, and structural know-how to fix his ship and would know how to weld and use a torch cutter and a variety of other tools, but it also means he’d know how to sew and mend his clothes. Soft goods are just as necessary as hardware.

Injuries where he genuinely needs professional medical care are few and far in between partially because he’s very good at what he does, and partially out of necessity. Though it is by choice, him tending to his own wounds may not necessarily be because he is neglectful or prideful or has a penchant for pain; medcenters cost money, and submitting to that care means he is vulnerable and at risk of somebody breaking his creed by force, or doing more damage when he can’t fight back. It’s why he likely refuses anesthesia or anything that will put him under and make him unaware of what’s happening while he’s asleep. Either he will find somebody he’s close to to help him, or he will find a way to muscle through self-administered medical care yet again, or he will die from his injuries (which means he will have gone down because of a fight)

Though he has a few physical reference materials and logs he’s written down important details in, a vast majority of his knowledge concerning trade routes, ballistics, geography, maps, various customs and cultures and languages, exchange rates for currency, Guild bylaws— anything he could possibly need to know for a hunt— is committed to memory. He travels light, and the Mandalorians have an oral history more than a written one; belongings and archives can be destroyed, but their people live on and carry the knowledge that’s been passed down through centuries. It just makes more sense to him to commit everything to memory.

That being said, he does a significant amount of research before each hunt anyway, though the bulk of it is centered around the target themselves. Having all of your prep work done means the acquisition itself will go smoother.

He’s mathematically sharp: engine repair, manual piloting, vector calculus, electrical work, ballistics, basic engineering, weapons maintenance, financial management, and navigation by maps or by stars take a lot of mental acuity to understand and apply as quickly as he usually has to use them.

He’s not going to back down from others who purposefully encroach on his personal space, but he dislikes being in close proximity to strangers for extended periods of time. So much of his life is spent evading threats and fighting off challengers it’s hard to trust anybody to be that close. It’s not an aversion so much as it is an irritation that makes him tense. When you’re always looking over your shoulder, it’s just reflex to act defensively.

He doesn’t drink alcohol or caf unless he has sufficient time and he’s secure in the Crest without worry of attack; both impede his marksmanship and reflexes, neither of which are things he can afford while he’s working, so it’s usually only when he’s traveling through space that he’ll indulge

He doesn’t sing, but once the kid comes along he’s found that it’s easier to get him to sleep when he hums as he holds him and walks around the cargo hold.

[bennetsbonnet]

It's surprising and, perhaps, a little depressing for a book so ostensibly beloved and held up as one of the finest in English literature, that Pride and Prejudice is so widely misquoted and misunderstood. It seems to be primarily viewed as a romance in the public's imagination, rather than the comedy of manners it truly is.

A large part of these misconceptions are admittedly, due to its various adaptations. I think a lot of people are surprised when they read the novel for the first time and discover that Mr Collins does not possess an affinity for boiled potatoes; that the proposal scene does not take place in the rain; that the second proposal is not made by Mr Darcy stumbling over his words at dawn and, ultimately, that he does not emerge from a lake in a wet white shirt. Nor is he really a brooding romantic hero.

The adaptations have had such a huge impact on the popular perception of Pride and Prejudice, that all of these products can be found on only the first two pages of an Etsy search of the title. All very nice products, I am sure. However, none of them contain quotes found in the original novel:

(quite why you'd want to be seen in a 'barely tolerable' hoodie I don't know but... each to their own... )

I question how widely-liked the actual novel is, if those who are keen to walk around in merch or decorate their homes inspired by Pride and Prejudice, are doing so with references that are nowhere to be found in the book's pages. Adaptations are part of many of our paths to falling in love with the novel; they were part of mine. But there are so many hilarious quotes contained within the first few chapters alone, you soon realise that nothing can live up to Austen's quick, witty dialogue or her observational comedy.

Yet, even when the novel is correctly quoted, it is not always done in an apt manner. Jane Austen was deemed important enough by the Bank of England to warrant her own banknote. Released in 2017, it looks like this:

I remember the controversy about the portrait, and how little it actually looks like the only (incomplete) drawing we have of Jane (which was said by those who knew her to not even resemble her all that well), but that's another matter. I'm most interested in the quote from Pride and Prejudice beneath it:

Let's put the quote in context. It is taken from chapter 11, and spoken by Caroline Bingley who is trying, unsuccessfully, to capture the attention of Mr Darcy.

Why did she pick up a book? Because Mr Darcy did:

'Darcy took up a book; Miss Bingley did the same'

How much enjoyment did she derive from the book? Not a great deal, apparently:

'Miss Bingley’s attention was quite as much engaged in watching Mr. Darcy’s progress through his book, as in reading her own; and she was perpetually either making some inquiry, or looking at his page. She could not win him, however, to any conversation; he merely answered her question, and read on.'

And now comes the actual passage from which the quote is taken, which tells us why Caroline chose that particular book:

'At length, quite exhausted by the attempt to be amused with her own book, which she had only chosen because it was the second volume of his, she gave a great yawn and said, “How pleasant it is to spend an evening in this way! I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library."'

On the surface, such a quote—especially taken in isolation—would invariably lead you to believe that said character was an avid reader. However, the context demonstrates that Miss Bingley is far from a bookworm.

If you were left in any doubt, however, her next action surely confirms it:

'No one made any reply. She then yawned again, threw aside her book, and cast her eyes round the room in quest for some amusement'

As soon as Caroline realises that her quest to capture Mr Darcy's affection is futile, she throws her book away entirely; perhaps there are more enjoyable pursuits than reading, after all.

So, a quote deemed to have such importance as to be immortalised forever alongside Jane Austen on the currency of an entire nation (the design of which will likely be used for several decades) is so important in the context of the novel that it is... uh... *checks notes* ignored entirely. Right.

I mean, I don't necessarily understand why the quote had to be about reading but if it was, I could argue that a quote from Mr Darcy in chapter eight, about how extensive reading improves the mind could be far more sincere. Or why not one of the numerous lovely quotes from the novel? Obviously, an agenda was set and a quote needed to be found to match it.

Still, it is quite ironic indeed that reading actually opens your eyes to how ridiculous a choice of quote was made.

Anyway, what is my overarching point? Well, I think, largely due to its various adaptations, a majority of people believe they know the story of Pride and Prejudice. But shockingly few, despite it being consistently ranked as one of the most popular books, actually understand it on the level which it deserves to be.

This post was not intended to bash adaptations, it is absolutely fine to like them! But they are, by their very nature, going to differ from the book. That is inevitable. Yet, I think it's quite sad when people watch a film or series and believe they can possibly understand the story on the same level. Spoiler alert: you cannot. I know books are a luxury and reading is time-consuming, but Pride and Prejudice is out of copyright now. PDFs are abundant, as are audiobooks if you cannot sit and read!

Put some time and effort into understanding the novel. I promise not a single second of it will be wasted; you will gain a deeper admiration for Jane Austen's talent as an author, and you will fall in love anew with the many wonderful characters she so beautifully brought to life.

[idiosyncraticrednebula]

Some people wish Ariel did more during climax of The Little Mermaid, but honestly, I'm glad it was kept as it is. Not only did the climax transpire like that precisely because Ariel was the one who killed Flotsam and Jetsam after Ursula was about to blast Eric off existence, and my girl was definitively not about to let that happen in the absolute slightest, but it shows the lengths Eric was willing to go to save and keep Ariel safe, demonstrating his deep love for her. Also, Ursula was forcing this man to marry her, taking away his whole automony away from him, using him as a means to an end, so hell yes he deserved to impale her ass. He's still one of the extremely few Disney characters to deliberately kill the villain, and he did it without the help of magic, so that alone makes him the GOAT.