#and I can explain stuff on here

[neim-batteries-not-included]

What if I made an in-character sideblog. Of like some second age (gods still around) disaster. Because I am so bad at posting worldbuilding stuff but I know I could do that. Do some art for it. What then. Would anyone be interested because I can 100% do that. (Will possibly just do it anyway because Why Not).

[elodieunderglass]

And one amang, an Iyrysch man,

Uppone his hoby swyftly ran…

WAIT HANG ON - slamming the brakes on drawing this stupid picture - do you nerds even KNOW the etymology of the word “hobby”? The thing you do for pleasure? The thing you have too many of? The thing you spend too much money on and share with your friends? The thing tumblr probably is to you? Those hobbies?

It comes from a now-kind-of-extinct breed of Irish pony-horse. It was called the Irish Hobby. Supposedly the hobby got its name from the Gaelic word obann, or swift. They definitely were. They’d obann your pants clean off.

Fast tough little bastards, built for rough terrain and renowned for their speed and stamina, hobby horses belonged to the Celts, and their highly annoying style of mounted warfare. but their conquerors liked hobby horses a lot, kept them, used them for themselves, and found them useful enough, despite the fact that they also had famously useful things like mounted knights or horse archers. A lightweight Irish warrior, mounted on a hobby horse, was called a hobelar.

Reportedly and in depictions, hobelars rode without stirrups. Or saddles. Or bridles. Or - well - this is all sounding very improbable, because the hobelars COULDNT have just been charging around basically bare-assed on naked ponies, screaming, and somehow in the process undoing the composure of actual mounted armoured knights. Knights who, I remind you, had stirrups. Stirrups are useful! It’s quite likely the hobelars had some gear. And clothes. and weapons. And the ponies probably had some tack - I am picturing a bellyband that you could at least hang a saddlebag on, and a neck rope for catching the bloody thing, even if not a saddle. But the overall impression, somehow created by people on darling little ponies, was apparently quite striking and fearful.

I mean. God Forbid People Have Hobbies.

Anyway after a while, whatever people became the British had eventually conquered all of the rough terrain that hobbies were best at, and horse archers just got sexier, and mounted knights became aristos, and all the bog and forest people had been subdued, so it was time to sunset the hobelars. but WAIT! Hobby horses are still tremendously fun and appealing! They’re so fast! and you can ride them without a saddle! Sure, they’re not up to the weight of a mounted knight, or indeed a lot of guys… but surely we can still find a use for a hobby or two? In the back garden? Somewhere?

At which point an English king decided to keep hobby horses just for fun. No military application. No further development of the technology. Not for fun. Just as expensive, pleasurable, pets. Just for the joy of the thing.

And that is how hobby (activity done purely for pleasure) comes from hobby horse (small horse) possibly from obann (swift.) they’re very interesting and you should look all this up for yourself! because it sure sounds like Elodie doing a bit, doesn’t it?

Today, Irish Hobbies are functionally nonexistent. References for drawing include the Kerry Bog Pony, the Connemara, and (I personally think) Dartmoors and Exmoors. They’re said to have lent their speed to the Irish Hunter/Sport Horse and from there to the Thoroughbred, but every damn horse in the world claims relation to the Thoroughbred, and they can’t be THAT thoroughly bred.

At any rate - you can never have enough hobbies. Just be glad that yours aren’t expensive beasts with minds of their own, eating their heads off in the pasture! …Unless they are. In which case, you’re part of a proud tradition.

[keferon]

The tac net crash chapter is one of my favorites so far~

Ah and. Guess what. I just discovered that including this post, I made 50 pieces of fanart for Mistakes on mistakes until.. I’m so sane and normal about this story can you tell👍

[koipepo]

That omake of little Kabru not being able to show off his howetown sweets because of Misril gets to me a lot so...

Here's a happier Kabru (and Lairu)

[sad-leon]

would anyone listen to this? the ramblings of a lunatic?

[corseque]

I honestly just wanted one single plot step that I could not predict given the 10 year wait. More behind the cut, I talk about Emet too, and I'm comparing his writing favorably to Solas' writing and why it worked better for me personally, but I am just talking about the writing skill that went into the games and not the dudes themselves, I love them both dearly of course. idk this is a mess and I am not going to edit it for clarity

For me, the game was a series of me saying

"ok I knew that. cool."

"oh yeah, I knew that. I guess it's good that the larger fandom knows about that now."

"nice, but yeah I already knew that too"

"that was something we've been talking about a lot for years"

"this thing they are acting like is a huge enormous reveal that the characters could not possibly have deduced through simply thinking about it in depth over the 10 years... the fans easily figured out by thinking about it in depth 10 years ago. So you would think his girlfriend would be able to figure it out more easily than we did. Like, why couldn't the game have been like 'oh lavellan already figured that out a while ago' it would have cost them nothing"

"this is something I've been thinking about for years, and now that it's being revealed, the companions' reactions to it are very irritating and jarring and unnecessary and I really dislike the experience I'm having right now, in this, the hour of my greatest triumph"

"this thing that is happening on my screen right now is something that I wrote an essay about 2 years ago describing how it would be a letdown if it happened without the correct setup"

"this way that they're characterizing Solas makes him less likable and less interesting than I have been finding him for all these years, and I have had people tell me 'no, he's simpler than you think' for years but I guess I was wrong, he really is simpler than I thought, so that fucking sucks. I wish I could take that information out of my brain."

"this thing is a retcon of information I have been thinking about for 10 years, and so I don't know how to follow along with this new direction, and I'm not sure if I even want to because it's not particularly interesting anyway"

"aw that was sweet"

"why is it like, so very impossible to have an honest back-and-forth with my favorite character about the dilemma that was most interesting to me about the previous game"

and then, as soon as, like, the other fans had caught up to the Solas lore that was really obvious from the other games, the game was.... over without anything surprising happening, or introducing a new element or plot point or perspective, or a real true twist (or two, or three) for those of us who have thought about it too hard for too long. It was very simple and easy, much, much, much, much easier than I was imagining. It all felt sort of like that Nicholson quote:

The thing was, the whole story was so interesting to think about because in 10 years, I couldn't figure out a good solution to it!!!!! It's why I was never able to write post-game fanfic about it. So I was stoked to find out some reveal we never knew about, some new information, in maybe a SERIES of steps of new information, that made the situation more complicated but also something that could be navigated by everyone involved. I know it was asking for a lot, but they had TEN YEARS, and they seemingly had set up the things they did in DAI on purpose, so surely they had some idea of a complex and satisfying narrative that would reconcile everyone.

The reason why I was expecting this is because FFXIV did a very similar story arc, which was started AND concluded WITHIN those 10 years (so it took the FFXIV team far less time to deliver as well). And the conclusion to the story in FFXIV did what I was expecting Dragon Age to do. So I thought, "holy shit, if this is the FFXIV version of this plot, how much more complicated is DA4 going to be!?!?" The DA devs also PLAYED FFXIV so they were completely aware, several years ago, of a satisfying story ending that was pretty darn similar.

People are probably going to think "oh, well Chelsea was disappointed because she spent too much time building it up in her head" but that's exactly it - I actually speculated and thought about FFXIV's story IN DEPTH NONSTOP for a year+ before its ending came out, and the ending absolutely blew me away. FFXIV Endwalker managed to introduce information and new story elements that I was not able to figure out in the YEAR I spent speculating on the ending of FFXIV's story. It took a complicated situation and revealed several several more facets to it that I was not able to predict, but were very interesting and thematically compelling, and took us all to surprising and climactic places that we could not have predicted.

Endwalker ("end" is in the title on purpose) too, was written to be THE ULTIMATE SATISFYING ENDING for a very long-running story in the exactly way that Veilguard SHOULD HAVE for Dragon Age, so while this complexity is being explored, FFXIV also gave catharsis to many different plot threads that have been built up through the previous expansions, until finally it ends with a bang. The story is desperately good to me, I loved it, it gave me closure for Dragon Age long before Veilguard was even revealed, and going back and looking at its story has made this whole thing far less painful for me.

So, I actually did not have a picture in my mind for how things SHOULD go. I just had the thought "I hope it's complicated and there are points of view or facts that we haven't before been exposed to, and the situation is resolved respectfully for Solas, not making him look like a fucking idiot (lol, the only thing I asked for). I don't even care what happens to Solas and Lavellan, I just need the story to be complicated and interesting to think about. Please, god, don't let it be "solas is wrong and he just needs to be convinced" because that's like the simplest story you could tell with this setup"

(btw they managed to tell Emet-Selch's story without making him seem like he's being an idiot on purpose or can never get anything right, and in fact the more the story goes on, the more you think of him as smart and capable and cool, so it is possible to write.... I wasn't asking for the entire moon)

And I played it and... yeah. Most of the story beats were more simple than I wanted them to be, a lot of them didn't make sense in my heart given the writing from Inquisition. (This is another essay, but if Solas' thematic story arc was always about him needing to let go of regrets, why was his personal quest the way it was? After that quest, doesn't he end up regretting not doing more....? Why did he never really talk about regret during Inquisition? If he was so trapped by regret, why was he able to do so many actions? It doesn't mesh well to me. The whole regret thing was very quarter-baked to me, I don't even like thinking about it.) His story never seemed like one that was as simple as being about one man's regrets, but then, I guess, it was always just about one man's regrets.

Emet-Selch's personal storyline (and the way it interacts with and affects the larger story) is very similar but much more cohesive and satisfying to me. It would be difficult to explain why without the aforementioned 5-hour essay. Emet-Selch's story IS about grief and anguish on a world-shaping scale in a similar way that Solas' was apparently always about letting go of regret, but Emet's story was also very pointedly and beautifully about that one theme for the entirety of his story from every tiny detail, from beginning to end - meanwhile, it seemed to me that they tried to introduce 'regret' as the main thrust of Solas' story only in the short story with the Regret demon onward.

From Inquisition just by itself, the closest I personally could get to a story theme for Solas was his inability to trust others hurting him and the world, but his trusting others in DA4 wasn't really addressed to my satisfaction. He is never required to trust anyone before the ending, he never opens up or makes himself vulnerable at all. People find out information about him, he never really dynamically opens himself. So the personal story I thought he had was never addressed at all, while a new one about regret was introduced that never made a ton of sense to me. And I don't think this is just because of my expectations - my reaction to FFXIV proves that I am able to meet good writing where it goes in surprising directions, as long as it's interesting and thoughtful and clear.

And I think this might be part of what people felt was off about the ending - Solas is sort of uninvolved in the revelations that are about him, and doesn't do much to be part of his own ending. Part of what I loved about Solas in Inquisition is that he is not controlled by you in any way, and so he feels like his own person with a very strong sense of character.

Anyway, Emet-Selch, in a very comparable and arguably more extreme plot position, is very involved in the revelations about himself, he always feels like a very strong character who cannot be affected by the player, and the whole situation is handled with deft emotion and care and delicacy. The story is comparatively very uninterested in litigating Emet-Selch or putting him on trial - the story allows you to simply feel the way that you feel in an organic way, and Emet's story spends that energy instead actually exploring his thematic material about grief and legacy, and the larger story theme of existentialism instead, in a way that is very refreshing and interesting. I've seen a lot of western stories tie themselves in knots over "redemption" and frankly it's almost never been interesting at all. Who cares about any of that. lol

(Now, I guess this is a matter of preference, because some people really like being able to shape a character's story, but idk I rewatched the ending of FFXIV and even though there wasn't a choice with Emet, because it isn't a branching story, his story felt more satisfying to me, maybe because there isn't a patronizing choice to be made for him. He is who he is, and he fulfills a very beautiful narrative role and purpose that no other character could in the story.)

I don't know how this could have been improved to me and still allowed players to choose Solas' ending for him, but I can actually think of a few different methods, none of which involve Rook condescendingly and patronizingly lecturing Solas as if Solas had never thought about a single aspect of this horrible situation he's in before that very moment that Rook lectures him lmfao.

All this to say... idk I'm writing this and I am not going back to edit it so it's stream-of-consciousness. But yeah

I just wanted the story to be complicated on a few more levels than I could have predicted. I genuinely don't care what happened, but I thought of a few twists like the Veil coming down and yeah, I was expecting A Single Twist or reveal to happen. In a Dragon Age game.

I wanted Solas to seem cool and capable and noble and smart, and actually feel like he was as old and experienced as he is.

I wanted a clear theme I could sink my teeth into

Like notice I didn't even say anything about Solavellan. Like I never in 100 years thought they were getting a happy ending where they were both alive in bodies, and I like that we got that, but I would honestly trade it for a more complicated story. To me, if a story is sad you can always write fanfic, but if a story isn't COMPLICATED, that's a much more urgent issue.

These 3 things DA4 didn't give me in a way that satisfied me but FFXIV did. anyway idk the way my hyperfixations work, I completely switch to a new subject so talking about Dragon Age is actually hard for me right now.

[niinnyu]

Major implied Witch Hat Atelier spoilers! Don't spoil it for yourself!

A coward.

[buqbite]

Time loops and the abstraction of one's self-image

[donelywell]

February 29- March 2 2024

The first time Sonic went Super in Road Trip wasn't exactly as stunning to Tails as other au's and stories.

Tails is like maybe 5 here (I'm not actually that organized on the timeline for this au yet, I'm getting there though, things are getting in order.) and he wasn't forced to grow up and be a hero in this au. So he's a bit more childish than canon Tails because he doesn't feel as pressured to mature and grow up fast. Plus, he genuinely thinks Sonic is going to die and this is the last time he see's him, so tears are bound to come down.

Part 1

[acekindaneat]

I don't want this to end.

A cute little date scene that I really liked from the fic The Big Woo by @tinkertoysdamn !!!!!

[felassan]

.

[buttercupshands]

thought about this thing for a while

it was extremely interesting to just analyze myself and get like a tier list in my head

[bunbitti]

Hello again, thanks for doing my last request. I came up with another idea for you to write if you would like to.

It is a Mydei x male reader, where the reader is skinny/out of shape, and Mydei is his trainer or workout coach. It could take place in the same universe, and I imagined a fluff scenario for this.

(Another request 🗣🗣🗣 idk what trainers/coaches do haha let's imagine he's been your trainer for a while now)

"Run! Harder! Just one more lap!"

This must've been the thousandth time Mydei barked right in your ear this week. Your very lungs were dry, there was a cramp in your side, and your breath smelled like blood. You could swear your feeble muscles would give out any second now, but somehow he knew you better than you knew your own body and insisted you continue.

Mydei, your trainer with that Greek (demi)god's body, was jogging lightly to keep up. He wasn't out of breath or sweating beyond the heat of the sun (he texted you several times today to wear sunscreen before coming over).

Ugh.. it hurts..

The moment you stumble and can't muster the strength to catch yourself, Mydei's arms find you before you hit the ground.

"You're done for today. Good job."

Unlike most other days, he hoisted you into his arms (not that it would've been very difficult given his muscles that have proven to be able to lift your weight a hundred times over, or something) and carried you back to the locker room where your non-workout clothes were. It's a good thing he did, because otherwise you would've tripped over yourself with every step, fallen on your face, and passed out in a puddle of sweaty mushy flesh and bones.

"Drink up, and then I'll help you stretch," Mydei says, handing you your bottle.

He'd told you long ago about how hydration wasn't just chugging water and all that, and then lectured you about what to eat and drink after different workouts for the best recovery. It's not like you were going for his build right off the bat (such a goal only leads to disappointment for many, many people) so his focus was on reducing pain after workout. It's the long game, and extreme actions don't lend well to a sustainable new lifestyle.

Mydei proceeded to write up and then give you an entire customized recovery guide the next time you worked out with him, with substitutions for any food allergies/intolerances or strong aversions that you had mentioned, plus accounting for variations to avoid the pressure to eat the exact same thing. A large disclaimer was placed on the first page - "you can ignore all of this and eat what you like as long as you don't starve; it won't kill you, just like regularly eating honeycakes doesn't kill me."

He did, however, go to your place and gently harass you into a light workout whenever you dreaded an intense one and contemplated skipping. If you were feeling down because it seemed like there weren't enough results for the work you were putting in, Mydei would remind you of how long everything takes, how every body needs different things to reach a goal, and how far you'd actually come (he kept records, of course, to brag to you about yourself as needed). Ups and downs were inevitable.

Stretching hurt, but at this point you trusted him not to do something that would screw over some part of your body; a past trainer went a little too hard and it hurt to try to bend or straighten your arms for weeks, but this never happened with him. His regimen started out light and progressively got more intense when he found your limits and started to push them toward your goals. At least you can walk up the many steps to the Okhema bathhouse without wheezing at the top now, right? It's harder for rude people to push you out of the way with your newfound stability as long as you haven't just finished destroying your legs by running for far too long.

"Since you're still looking.. wobbly, I'll cook lunch while you take a bath," he offers with a mildly amused huff.

His observation wasn't wrong. Your entire body was trembling. Every step you took was characterized by your legs vibrating because your muscles didn't have the energy to do anything steadily, which made you look like a newborn foal learning to walk.

Mydei making you lunch was a very, very nice treat. He was ridiculously good at cooking and often cooked for you when he had time after putting you through all of that pain.

When you returned from the bath and quite a bit of muscle massaging, you found him in your kitchen. Everything he made was amazing. Mydei had learned a while ago exactly how much food you could comfortably consume in a post-workout meal and then adjusted the portions he cooked accordingly, never pushing you to eat too much or to starve.

You ate lunch together in a comfortable silence, and then he lectured you a little more just to make sure you remembered what to do to recover properly before leaving you be.

He'll be back tomorrow for a nice walk around town. No running.

[miraculouslbcnreactions]

The fandom can't make up its mind on what's supposed to be a joke and what's supposed to be serious because the show can't either half the time. It's a tonally disjointed mess that wants to have absurd over-the-top humor as well as a plot and moments of drama, romance, and angst that demand you see the characters as people and feel for what they're going through. Except you can't do that without also treating the dumb bullshit in a somewhat grounded way. Like, you're still dealing with the same characters. You can't just go "Oh, that? Let's ignore that!" the moment it's no longer convenient to you. You've opened this can of worms and now you have to sleep in it. So, every character flip-flops between two different versions of themselves depending on what the writers need in any particular scene.

This is not to say surreal humor can't be used right alongside characters you're supposed to empathize with, Teen Titans (not Go) did that and it worked. It's just that the absurdity can only come from the setting (Mad Mod, Mother Mae-Eye, pretty much anything Control Freak is in) or from designated joke characters (Date With Destiny). Teen Titans never had the main characters acting in clearly absurd ways as the butt of a joke unless those characters were brainwashed somehow, because the writers knew that would ruin any of the more grounded moments they wanted to write. The writers of Miraculous missed the memo on that one.

I don't disagree. A perfect example is Derision where the show takes all of the bad jokes about Marinette's crush and decides to take them seriously as if you can possible take them seriously without making Marinette come across as unhinged and dangerous. You can't, which brings us to the topic at hand: how do you even begin to understand these characters when the show is constantly making character-breaking choices?

My approach - and the approach I recommend others take if they're going to keep watching the show - is to focus on the characters' cores and reject anything canon does to violate those cores. I don't argue for this stance because I love the characters so much that I only want the good things to count. I take this stance because, if you don't, then the characters fall apart. There is no way to make them work as fully realized characters while embracing every choice canon has made. Miraculous has massive characterization issues that go well beyond the humor.

For example, Adrien has multiple moments of terrible behavior that are played in a serious manner such as the moment in the episode Frozer where he tries to start a fight with Ladybug in the middle of an akuma attack because she wouldn't accept a rose from him earlier:

Setup

Ladybug: I can't accept this rose from you. I told you already. I'm in love with someone else. Cat Noir: I know, M'lady. But if he weren't here, would things be different between us? Ladybug: Well, you know, I can't even begin to imagine him not being here. I'm sorry, Cat Noir. I really gotta get going, and you better do the same. (Swings her yo-yo to head back home; Cat Noir is sad, looking downwards, with one petal of the rose falling.)

Payoff

Ladyice: Cat Noir. We need to set up a trap for whoever turned the city into a giant ice rink. (throws yo-yo) Icecat: (bitterly) My feline instincts prefer to track and observe before I attack. You go your way, I'll go mine. Ladyice: Please don't tell me you're mad at me about the rose. Icecat: There may be a certain chill now between us. Ladyice: I get it, but we should really focus on saving Paris right now. Icecat: We don't always have to do everything together, after all. It's not like we're a couple. (skates away)

There's no way to argue this off as a bad joke. While Adrien has every right to feel hurt, those feelings don't excuse him acting like a pouting child in the middle of an akuma fight. It doesn't excuse him acting like this at any point! Ladybug is not a villain for telling him no. She wasn't even mean about it!

I clearly fully agree that Adrien looks awful and selfish here, but I'd still argue that it's not something that should be used to define Adrien's character if your goal is to tell the "ideal" version of Miraculous. "Ideal" being the version that canon seems to be going for based on the overall picture we can sort of make out if we back way, way, way up and look at the extremely abstract picture canon is clumsily painting.

Unless canon is going to do something monumentally stupid, Adrien is Marinette's endgame romantic interest. It's also clear that there is no plan to cut him from the team. He's going to be Chat Noir for the rest of his life or at least well into his adulthood. This means that he is supposed to be a good hero who deserves his miraculous just like he's supposed to be a charming and cute romantic lead. These are the two things I keep in mind when trying to shift through canon to figure out what writing choices I should fully embrace and what writing choices I have to either ignore or treat as true flaws that get an actual character arc. In my book, either approach is fine because most of the characters are deeply flawed at this point and you can't give them all arcs without bloating the story to nonsense levels.

My goal with this approach is never to say, "oh, that moment shouldn't count in terms of how people feel about the character." It's more, "that moment goes so hard against who this character is very clearly supposed to be that I can't take it into account if I want to tell the kind of story that Miraculous is trying (and clearly failing) to tell."

As an example, let's list off Adrien's worst behaviors. The things that make him look terrible:

He sucks at communicating his needs and feelings, leading to multiple moments where he gets mad at Ladybug for things she's totally unaware of

He has quit or considered quitting without warning multiple times and only one of those was because of something he did "wrong" (NYC Special)

He puts his feelings before the safety of Paris on multiple occasions, even going so far to purposely miss akuma fights to see what happens

He is incredibly pushy about his crush, often ignoring Ladybug's feelings on the topic by continuing to bring it up even after she asked him to stop

There have been multiple instances where he almost cataclysmed multiple people in a fit of anger

His love for Ladynette isn't strong enough to let him break free of things like akumas and nightmare dust even when he's looking her in the eyes making him a pretty crappy romantic lead

People will argue that some of this behavior makes sense for his character because of the abuse that canon has technically introduced, but that the writers seem blissfully unaware of. I don't disagree with that argument, but that doesn't change the fact that none of this is acceptable behavior for a hero and Adrien is a hero who keeps doing these things. A sad backstory doesn't give you the right to behave poorly without consequences.

At the same time, if I fully embrace these elements of canon, what I get is an Adrien salt fic where he loses his miraculous for good while Marinette finds her real true love or even just a non-salty fic where Adrien leaves for his own meatal health and gets replaced by someone who can handle being a hero right now. Canon's not writing either of those, so the only way to engage with these flaws while enjoying canon or aiming for the same end goals as canon is to say, "I guess this doesn't count" or "I guess I need to tone this way down and work through it via a character arc" or even "I guess that was just a bad joke maybe?"

That is the essence of what I mean when I call myself a writing salt, character sugar blog. It comes from looking at canon and seeing that there's simply no way to embrace the worst moments and the best at the same time. We're not dealing with a coherent plot and/or complex characters. We're dealing with a nonsense plot that will warp the characters to bizarre shapes to make random ideas work even if those idea go wildly against canon's end goals.

As an example, Glaciator and Frozer should not exist in the same universe or, at the very least, something should explain why Chat Noir randomly changed his stance on Ladybug's crush from acceptance to pushiness. As is, the pieces don't fit together. The behavior is too contradictory. Remember, this is how Glaciator ends:

Perhaps Ladybug will love me someday. I mean, like, I love her. I have to believe. In the meantime, her friendship is the best gift of all.

Where did this version of Adrien go? Why did he regress in Frozer? There's no in-universe reason. It happened because the writers weren't ready to let the love square date or grow close, but they also wanted the love square to cause drama, so Adrien ends up looking terrible just like Marinette ends up looking terrible when it's her turn to cause love square drama. Her terribleness takes a different flavor so it can be hard to realize that this is a systemic issue, but that's what it is. It's deeply frustrating, but it also clearly stems from cheap writing and not quality characterization.

This is also why my stance is that canon as a whole only supports my Doyalistic core-character analysis style of approach. The writing is too poor quality to do Watsonian analysis where you embrace the full picture and try to put it all together. The closest I'll get to Watsonian analysis is pointing out how much the writing botches a Watsonian take by showing you all the way the writing contradicts itself, twisting into a nonsense pretzel of frustration where the payoffs never satisfy! (See the season four rant for an example or anything where I talked about Chloe's supposed damnation arc.)

There are even characters where canon is such a total mess that you can Doyalistically argue for two separate takes! Gabriel is a perfect example. He is all over the place and his ending was so poorly handled that you can make strong arguments for writing him as a cold-hearted villain or a sympathetic villain without the end result feeling like it spits in the face of canon because both takes maintain his one core element: villain.

That's the big thing I keep in mind when I look at the characters and the lore and the plots and try to come up with versions that the average fan would like. I don't think that there's one true version of any of these things, but I do feel comfortable saying that there are versions that will very clearly only appeal to people who are salty about a specific thing that canon did poorly. That's not who I want to appeal to in my adaptions, so while I'm not going to argue that those takes have no backing in canon, I will argue that those takes are not supported by canon as a whole. Embracing them requires you to take the worst parts of canon at face value while ignoring what canon is clearly trying to do with the overall story.

I get the appeal of that, but it's not fun for me because that approach feels like rolling around in the mud with the pigs. I don't want to sink to canon's level! I want to have fun! That's why I talk about how to make canon into its best self, not its worst self. If you want its worst self, just go watch the actual show. I will be shocked it if disappoints you.

[ink-the-artist]

so somehow it’s the first time I’ve seen your Dogs illustration from May. it’s very very cool and strongly reminds me of AI-generated art — did you use AI to inspire the shapes? or otherwise influence the piece somehow? interested in your process! very cool.

yes! some more directly reference ai images id generated than others lol

[tizeline]

Does that mean you watched the new sonic movie?

If so, how did you like it?

Spoiler alert vvv

I have, and I did like it, but I dunno if I vibe with it as much as other people seem to do. TBF I've never loved the live action Sonic movies, they're decent enough but definitely not my favorite piece of Sonic media. That being said, this was probably my favorite out of the movies so far? They have improved a lot since the first one which is great to see.

One thing I think the movie did great was the action scenes, the coreography and animation was so fun and impactful and incredibly exciting to see! I also think the movie did a good job on selling us on Shadow's and Maria's friendship in a short period of time, that little montage of the two of them just doing a bunch of silly goofy shenanigans was really endearing. The wholesome innonsence of it all makes Maria's death hurt way more.

EXTRA spoiler, but arguably one of the things that made me the most excited in ghe movie was the post credit scene where Amy showed up LMAOOOO I've been waiting for her to show up. And I exepcted Metal Sonic to show up sooner or later in these movies, but I didn't expect a whole army of them haha but that seems like a fun idea.