#answer based on vibe
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jonsawilldanceanon · 2 years ago
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cto10121 · 6 months ago
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Book Fiyero: *immediately recognizes Elphaba and stations himself at the backdoor to prevent her from evading him, stalks her halfway across town to her aerie (even though at that point in time she was only a college friend he hadn’t seen in five years), insists on seeing her again, instinctively goes to comfort her when she first cries, gets sucked into increasingly deep and fraught conversations with her about collateral damage and freedom fighter terrorism, calls her the “most individual, the most separate, the most real” DURING AN ARGUMENT, says he adores Elphaba’s looks IN THAT SAME ARGUMENT, doesn’t understand Elphaba’s “being born with a talent or an inclination for goodness is the aberration” comment because (implied) he sincerely believes Elphaba isn’t evil, changes his mind about the plight of the Animals all by himself but doesn’t mention it to Elphaba because he is afraid she would distance himself from him, buys scarves for both his wife and Elphaba even though only Elphaba likes scarves, is so concerned for Elphaba and her dangerous Lurlinemas Eve mission that he stalks her instead of staying at his club or just leaving town altogether, and is so worried about her that he returns to the aerie just to see her*
Also Book Fiyero: Am I in love with Elphaba?
#😭😭😭😭😭😭#wicked#wicked meta#wicked book#faeyero#fiyeraba#re reading wicked and i am crying#maybe the musical was right all along in making him the scarecrow#jk fiyero’s wicked smart no pun intended#i think he was protecting himself subconsciously from heartache#because he had sarima and the kids#if he got in too deep with elphie…well…#but sarima believing he was a little in love with glinda makes me laugh so hard. so off base#honestly the intensity with which fiyero just latched onto elphaba when he sees her again. real I'M NOT GOING TO LOSE HER AGAIN vibes#it almost makes me wonder#because it’s been five years dude#crope saw her too#but he didn’t stalk her halfway across town just to say hi#and he knew her for much less time than glinda boq crope AND tibbett. they literally had only (1) line of dialogue during the shiz years#don’t get me wrong#typically when you have to ask yourself if you love that person the answer is usually no#but i think in this case actions speak louder than words#no shade to musical fiyero btw he also got the sauce. especially bailey!fiyero oh god#but book fiyero is something else#‘my wife is from nest hardings’ ELPHABA WAS BORN IN NEST HARDINGS#he could have said ‘my girlfriend or friend or cousin’ but nooo it had to be wife#also the fact that he refused to sleep with sarima’s sisters or be unfaithful to sarima because he didn’t want to compromise his power#but then sleeps with elphaba when she sheds (1) tear#i’ll shut up now
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romanceyourdemons · 1 year ago
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it’s hard to believe that killing yourself in front of your disciple and making it explicitly clear that you’re doing this because of them is the miracle cure their incredibly fragile mental health has needed all along. that’s because it isn’t! in fact your disciple is developing a weird new way of suspending your body between life and death through terrified worship as we speak 👍
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possiblyawesometmblr · 25 days ago
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what districts would your characters be from if they were in the hunger games?
what if i shoved all of them in 13. welcome to panem, get in the bunker
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tismperson · 5 months ago
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hcdragonwrites · 2 years ago
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Tangled Love
(A @semisolidmind Drabble)
Ok! I ran this by Semi before I posted just because I know absolutely nothing about LMK (except the animation can be so pretty!) just so I could get their characters down. I hope you all like it !
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She just wanted to escape- both from this place and from her own mind tonight.
The ghosts of memories were walking and she had no distractions to chase them away.
Peaches walked the cool cavern halls of Water- Curtain Cave, her feet echoing in the depths. The sandals she wore and the ornamental clothing she had been thrown into made her scalp prickle and her skin itch. It was too much- but the attendants wouldn’t hear a thing about it.
She had to look the part of Queen.
Peaches, in the absence of the Lord of the mountain and his right hand and sword, was the remaining voice of authority.
To a point.
Finishing with courtly duties and listening in on behalf of her husbands wasn't a huge chore. The two of them rarely left at the same time however. If one was called away the other would remain. Or Peaches herself would be brought along.
This time however she hadn’t been.
It was the first time in ten years.
She had just this night- just this moment of reprieve and she would make the most of it. Or so she thought. Instead, she was fighting something that reared its head and struck her nerves like a asp.
However she wasn’t alone quite yet. As she rounded the corner and came to golden lacquered doors of her bedchamber - their bedchamber- she paused.
“Will that be all my queen?” One of the attending retinue of her guard asked. It was a guard her husbands insisted upon whenever both were away from home- a set of seven of the most battle scarred simians Peaches had ever seen.
They were tasked and sworn with following her everywhere - to the dining hall, to the throne room. If she wished to go and sit among the apple trees and listen to the wind play over the mountain grasses her guard would double in size. Peaches tried to not cause the denizens of Flower fruit mountain any more problems or stressors by going outside when both the King and his Brother in arms were away on a war path.
Her husbands.
It’s what they titled themselves now, after a decade of the terrible start they had on their relationship with her. When she had met the two, they had been just tiny monkeys. A sly looking ginger and gold monkey who had loved to cling to her arms and a dark black furred monkey that brought her fruits and almonds from the wild.
My sweet boys.
They had been her monkeys back then- the little prankster angels she had thought were just simple beasts, trying to survive out in the world.
She had been wrong.
The decision to upend her life, she guessed, had been floated around for months between the two disguised demons as they ate her fruit and enjoyed her touches. It was a mutual one that both had decided was the best option for her.
She took a steadying breath, coming back to the present. Peaches wanted a chance to be alone. Something so rare she craved it like a man in a desert craved water.
“Yes, general. I think I’ll retire early for the day.” She smiled at the monkey who dipped his body into a bow. The gleam of his armor set the flickers of a memory brewing. Fire in the trees, the smell of iron on the wind and a figure among the debris. She shook her head to dislodge it. The rest of them weren’t awful to her. Her husbands weren’t awful to her. They had just ….
Taken away her decisions.
“Very well Queen.” Peaches flinched, unable to quite stomach the title and what that truly meant. If I am queen then why am I without choices? “If you need us call us.”
She turned the handle in the door and slipped in side with as much grace as she could muster.
Peaches closed the ornamental doors to the bedroom, resting her head against the door. Steady. Deep breaths. In through her nose out through her mouth.
The illusion of a paradise that Wukong had built and Macaque helped facilitate always lost its color and believability when they were away. They couldn’t feed her the sugared lies and candied perceptions to tamp back the memories of that night.
It had been just another night on the small farm - a June night of heat and singing cicadas- of windows wide open and Peaches trying to escape that heat. There wasn’t much she could do to escape it. The moisture clung to her and made her bedding stick and clog her nose. So on these nights she stayed up, usually with a candle or the moon to illuminate her night, and read.
The knock on the door was not something typical.
The memory was rising and she couldn’t hold it back. I have to ride it out. Survive it.
Like she had survived that night. Getting visitors in the dead of the night had been unconventional- and she remembered the feeling of being perturbed. Don’t answer it, she told the memory. But this was the past and ghosts of the past didn’t change their course.
She had closed her book, had stepped down the hall to the door and had opened it.
I should have called through- told him to stay away! I should have never left my bed or my book.
It was a drunk man. A fellow farm hand called in for one of the families to help bring in a harvest that had proved too bountiful for the immediate family to handle. Peaches could see the man before her eyes, smell the reek of him.
A drunk.
“Well ain’t it the village spinster! Whaaa da pretty thing you are!” He was a cloud of bitter rice wine, of too much sake on his breath. The intensity of it had a physical effect on her memory and in the present, Peaches wrinkled her nose.
“You should go home Sir.” She had told him- tried to close the door.
His foot moved faster and his hands had caught the door.
A wild set of emotions swept through her. She had to sit her body down, thankful she had been able to get away from the other monkeys before the memory seized her like a vice. They would have been in a panic over her and she couldn’t let their little hearts worry so. There was nothing they could do to stop the remembering.
It was his fault this all happened. It was His. He didn’t have to be drunk and show up at my home- he didn’t have to shove his way into my house and try and grab me.
But he was just a single man. Did his actions warrant the destruction that happened next ?
“Get out!” Her memory self cried. The wooden table she danced behind as the drunk stumbled and moved towards her, was her only shield.
“The Boys Said you prefer the company of wild animals …” his speech was hard to hear. The wine had made him bold, stupid, and aroused it seemed. “I thought I would give you mtaste of what a real man was, since the villagers are al’ ‘fraid of your Witchery with monkeys.”
She had run- she had thrown her things at him. It was probably the commotion of her breaking a pitcher over his head that had alerted her monkeys. The loud clatter of the pottery across the floor had sounded so sharp and final. It had only made the man more determined.
The drunk when he did get his hands on her was furious. He swung a fist and sent stars into her eyes. Peaches had clung like a wildcat to her conscious, kicking out with legs and swinging with fists. Her nose was full of the sour smell of him- had felt his hands and fought them. A kick to his groin had sent him wheezing. Another fist to her head had Peaches crying. She had stared that drunk in his mean little eyes as he whispered the terrible things he wanted to do to her.
She had been staring in those eyes when he died.
He never got to touch more than her arms that night.
Peaches heard something step through the door that had been left open to the night. She had heard the creak of her house as something walked within it. And the sound of something- like a water skin being popped and a splash of warm liquid against her belly had shocked her.
The Drunks eyes went wide with confusion, rolling horselike in his head. His bruising grip on her wrist had let go. In the present, She rubbed those wrists, the phantom pains hard.
“..mah… belly.” The drunk had mumbled then belched a bucket of blood onto the floor. Peaches could see something protruding from his middle- something long and thin like a stick. Or a staff.
Clawed hands pulled the head back and twisted with a fury. The sound of bones breaking was loud, as if a fire was consuming dry wood. The drunk crumbled in those hands like a puppet cut free of its strings.
A new stranger stood in her home, his frame large and broad and most assuredly not human. He tossed the body like someone would toss a rag across the floor. The glowing eyes in the sudden dark were all she could see. Her mind, even in its heightened adrenaline drenched state, recognized the face pattern, saw a familiarity in the fur. There was, in fact, still a little flower tucked against this demonic creatures ear. The same flower she had interwoven in her forest friend's fur that afternoon.
“Your… your my…”
Nerves and the come down from the adrenaline high we’re making speech hard. The monkey demon before her, who’s eyes seemed to spit fire, softened. Just a bit.
“You are my Peaches.” Wukong said, touching her hair, her face, her hands. Taking stock. Then he had taken those limp hands and threaded them through his fur, trying to get them to grip. It would help his own rage and calm her fear. It was thick in the air, ruining the natural sweet smell she had. That and the slab of flesh on the floors own fetid death scent.
Wukong was not the best at this - this comfort thing. But he would rise to the occasion. He would try for her.
Fury and rage made his tail lash and the fur along his neck to stand on end.
At first she had just been a simple human that would leave little offerings to him and his brother in arms. An oddity here in the shadow of his mountain. Most humans around here feared the monkeys and kept away from all of them, having a legend that if one was harmed a great calamity would befall them.
Wukong didn’t mind being that calamity. These were his people, his subjects. So hearing the chatter from some of his kind that a women had begun to leave out gifts had of course spiked the Kings curiosity. The humans beneath Flower Fruit Mountain were his lesser subjects. So he had come down from the mountain, disguising himself as a smaller and more approachable sized monkey, to see the fuss his subjects had started gossiping about at groomings. Only to see his brother, Macaque, already being petted and tended and kissed on each of his six ears.
Of course first impressions had been terrible and Wukong, used to getting the first pick of everything, had come screeching into the clearing and demanding his own pets. It had set off a very small and very mock little battle between the two brothers in arms. One that had Peaches separating them and scolding them as she patched up the little scratches they had taken from eachother. They could have each resisted her pull but both decided that play acting a fight, even if it had started as a bit of one, was the best way to get attention divided between the both of them.
Wukong hadn’t expected to become infatuated. Her name didn’t matter to him- he had rebranded her almost the instant she came to him and offered a smile and held out a handful of sugar and dates. Peaches. After the Kings own favorite fruit, the sweetest thing the mountain produced.
His Peaches.
Of course also Macaques. He shared everything with his brother, the dark furred and six eared demon who had faced battles and won wars besides Wukong. While Wukong had been more leery, Peaches won him over faster than Flower Wine loosened his rigid posture. They had both fallen for this mortal women. And, in the traditional way she belonged to them. She just didn’t know it yet. They had touched and groomed and cuddled and tangled limbs and tails. They were practically married without the marriage bit.
Wukong rubbed small circles into Peaches back, trying to keep himself from bearing his teeth in rage.
I should have taken her home the moment she kissed me.
They had been kisses of the kind one gives to a friend or pet. It had left the warlord craving more burning with more.
Of wanting to feel her give him more than just a chaste kiss on the side of his face.
She wouldn’t have been hurt if he had just taken her home.
Wukong and Macaque had taken to one or both spending the night in Peaches trees, to keep an eye on her. Wukongs obsession had grown into a fascination and warm buttery love. A love that was becoming a wild inferno as he fought to stay still and not leap upon the corpse he had made and turn it into nothing but bits of flesh and gore the crows could carry away.
His Peaches fingers finally grasped his fur and shook. It brought Wukong back from his montage of rage to the present. If only Mac was here — but he wasn’t. He was back at home on Flower Fruit mountain , giving his brother the night to enjoy and keep lookout at Peaches den.
“That’s my girl.” The demon tried to soothe. He really wished he could set Peaches down and finish off what he had started. This place had been bad. This village terrible. He hated every thing and one here that had dared to let a drunken fool up to his Peaches doorstep and allowed this to happen. In reality Wukong was mad it had been Mac’s own sense of importance on taking it slow and letting a little thing like a life outside of Flower Fruit Mountain stop him from from revealing who he was and taking her home.
I am done trying to woo her over slowly. They could have lost her this night if Wukong hadn’t been in earshot, hadn’t heard the crash of something breaking. His clawed hands wrapped around her back and beneath her legs. Before he could realize it, Wukong had her up and in his arms, already stepping on and across the corpse and out into the June air. Mine.
“Let’s get you home, lovely.” Wukongs voice was thick with emotion. Relief to finally, finally, finally have an excuse to take his wife home, to see her sleep in a real bed and eat real food made his heart swell. No more pretending. No more longing. It was happening now. Simmering beneath that emotion was the sweet bubble, the red misting rage, of violence. Once he got her home, got her safe, got her tangled within some of his and Macaques blankets to where the sour smell of fear would be lost within the scent of them- he could come back. He would come back.
He would destroy the village for being the obstacle it was in his conquest for this mortal girls heart. It was in itself, a relief to know he was justified in its destruction.
Look what this place did to bruise my sweet fruit.
Peaches was shaking. Clinging to him. I would have her cling to me always. He pressed his nose into her neck, breathing in as he walked off. She smelled so good. He rubbed his face to hers, affectionately smothering her fear scent. Wukong felt a smile curl his face. Finally. We can go home and put the charade to bed. Finally you are mine.
Peaches' memory of that night was mostly of clinging to Wukong as they flew through the air, of his voice a rumble of soft words and comforts. He was holding her close, pressing her in. Smothering her in a sense. But she needed it. She clung to it in a way to stop herself from being sick from fright. It was strange but familiar to hold this fur, to cling. Then she briefly remembered another voice, another set of hands. When she looked up and saw that her sweet dark monkey was also here, had also been a demon in disguise, something broke in her. Maybe hysteria. Maybe disbelief. Or maybe she knew, somewhere in her mind, that no matter what she said now wouldn’t save the people- the innocents- in her village.
Peaches had been transferred into the dark arms and THATS where she finally began to cry. The shock was fading and leaving behind ragged holes of emotion.
“Safe, you're safe now.” She was reassured. Hands had lifted her chin, her sweet little monkey- now a demonic one- was gently beginning to sponge away the blood from the cuts on her face. Her cheek swelled, her eye with it.
“Please don’t kill them.” She begged. “He already took care of the one who hurt me don’t kill my village.”
“Hush love…”
“Please!”
Silence. Something cold pressed to her face- a bit of snow from far up the mountain wrapped in cloth. Macaques ears twitched like flower petals in the night air.
“It’s already done. The village is already gone.”
The memory rode itself out in the present and faded slowly.
Guilt washed over her and she cried all for a new reason. She had been the catalyst for Sun Wukongs fury. She had been the decider to his want of destruction. Peaches may not have killed them, may have had a decade to realize that what had happened wasn’t her fault, but Wukong had done it in her name. He had erased that village and all its people like a cartographer reshapes a map. To all the rest of the world, their had never been a village in the shadow of Flower fruit mountain. Not a foundation, not a brick, not even a spare hair, was left of humanity there. Instead it had been cleared as if a fire had swept through. Peaches had seen it on one occasion when Wukong had been persuaded to show her. She had needed closure. Needed the peace.
Once she had healed she had been told her village was gone. She had been given a sweet lie- that Wukong had gone back and the villagers related to the drunk had been ransacking her house to see where she kept the money or any spare wine.
When Wukong had shown up demanding they answer to the crime committed in her home, they had attacked. Wukong had enacted a king's justice as was his right. He had told the remaining villagers to leave- to never set foot upon his domain again for the lawlessness that had been enacted upon their neighbor.
It had taken two years for her to be able to relax whenever he came in smelling of fire and iron. It had taken a few years more for her to remember what Macaque had said when he had pressed snow to her face.
They were the same little monkeys they had been before. But now they had less innocence when they pressed into her face for kisses, when they asked to tangle and cuddle limbs. They insisted she stay in the bedchamber and not move to her own separate room.
It had taken getting used to movement beside her as a hand tugged her hair, or a tale twined her waist. Or a leg curled with hers or hands holding her face. Sometimes in the dark Mac would press his head to her back, using her as a pillow. Wukong would yank her in when he thought her too sleepy to remember and whisper all the things he loved about her.
It would have been sweet. It was touching in a way. If not for the way they revealed themselves. If not for that memory and what she knew now had come after.
It had not taken too long after that for her to start realizing that, though Wukong had saved her, neither of them had any regret of what happened. Neither of them was going to let her go.
When she asked about it or started talking of missing her home- the simple living, the ability to really on herself and choose for herself- Wukong would laugh and launch into one of his tales. He would brush her hair with his claws, run his face against hers and try and deflect her attention to new things.
Macaque, if Wukong was absent, would let her talk. Usually it happened when he asked her to brush his fur or he in turn asked to brush her hair. Peaches thought, just a bit, that the reason Mac was better at listening was for all the ears he had. Each time however, when she got to the part about how this had been her fault, he would stop mid way through a braid or pin and pull her in. Macaque would kiss the tears from her eyes, would press himself close to her chest.
“It was Never your fault Peaches.”
“I remember. I remember he went back- you said he—“
“Hush love you’ll grow hysterical. What Wukong did was justified- he defended you.”
“He killed.”
“I have killed.” He kissed her temple, gentle in his reprimands. He wouldn’t try and brush her words beneath a rug like Wukong. Instead he gave her a smile as wide as the crescent moon. “Let’s finish your hair and get you dressed. We can go see the baby’s, I know how you love the baby’s.” Baby monkeys were her weakness. They had been what led to her loving Mac before she had known he was a demonic warlord.
Peaches rubbed at her eyes and stood, the sorrow in her heart heavy still but the tears at least had stopped. Now she was just tired. Tired and cold and wanting to escape the feeling of it all. So she shed her courtly attire. All the clips and jewels and baubles and bits felt heavy. She placed them within the box at her armoire, then loosened her hair from its bindings. Jade pins, pearl necklaces, golden bracelets with bells of silver (Wukong loved this the best of all) all glimmered back in the firelight.
A pretty price.
She snapped the box closed.
On nights like this, she wanted to wear nothing but her smock, her simple clothing, and bury herself as far as she could go into the bed she shared with her husbands.
It was more of a pit set into the ground, circular in nature. Silken pillows, red sheets and a hoard of anything plush and furred had been thrown into the pit. It was also a snug place to bury herself within and one of the few things she didn’t feel resentment too right away. When the outside felt too bright and she couldn’t go about the mountain to her usual quiet places, she would retire here. To burrow, to bury, to hide.
Peach fell back into the pit of blankets and pillows and pulled herself beneath a fur of some striped monster Macaque had skinned and gifted to her. Tonight the bitter truth was hard to swallow and did circles in her head.
You did this. You caused this. You killed them. This is your fault.
She closed her eyes and hoped … hoped for what might be the worst thing yet. Her husband's return.
A time later she stirred. Something was in her room- was walking to the bed. Peaches felt a flutter of fear before hands reached into her hiding place and simply slid her out.
“Hello darling.” The silken voice belonged to none other than Macaque. His clawed hands entwined around her waist, his teeth nipping at her ear. “You are up late.”
“Does that mean it will be a late morning?” Wukongs voice came from the other side of the room. Peaches could see the ginger monkey removing armor from his shoulders and stretching. As the darker brother kept making a snack of her shoulder, Peaches noticed that the shine of Wukongs paldrom was dimmed. Something black coated the golden imprint of sunbursts across its armored surface. “I love late mornings! Means more time together.”
Blood?
“Peaches?” She turned her head, trying to see Mac. He had left off nipping her skin. A hand came away from her wrist and tipped her chin, forcing her to stare directly into his violet eyes. “What has upset you?”
Everything. Myself. Wukong. You. It was that simple question that set her sorrow to flowing again. She was confused, upset, and she wanted comfort. The only ones who could give her comfort were the very ones who caused her distress.
A vicious cycle.
The pillows behind her sagged. Wukongs hands were more aggressive in their touches, turning her about to stare into her face. He noted the tears, the bruising beneath her eyes. His lip curled in anger.
“Has someone upset you?” Wukong asked. He seemed ready to stand again, to grab his armor and step out into the night. “I will drag them here to give an apology. You name them and I will fetch them.”
Peaches shook her head.
“Just ….” You killing the villagers, Macaque telling me plainly that it was for the best, and my own head making me relive that night of events. Over and over and over.
“…. Myself.”
His face softened as he chirped a reassurance, pressing his nose to hers. Macaque peppered her in gentle and butterfly soft kisses to the back of her neck. The three fell back into the nest, limbs entwined and hands holding. Macaque had Peaches face buried in his chest as she sobbed silently. He cooed. He whispered how everything would be right as rain in the morning. His hands ran through her hair and messaged her scalp. Wukong held his Peaches, pressing her back to his chest in a solid wall against the world outside. He lavished her in praises and compliments, sometimes getting carried away and talking about himself until his brother would remind him with a flick to his forehead that it was their Peaches he should be reassuring.
And through it all, through this twisted and tangled weave of limbs and fur and warmth and sorrow, Peaches felt love. It grew in this dark place still, wanting to thrive. But how could it?
Still she fell asleep, lashes sparkled with tears and her heart lighter. One could only be sad so long in the wake of such waves of attention. Wukongs and Macaques love was the only solution to this ailment they had inflicted upon her, and she, the addict, swallowing the medicine that would give her release.
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maryymaruu · 4 months ago
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Hi, Three Signals! What’s your favorite song? (If you have one)
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TS: [ I HAVE HUNDREDS OF SONGS AND COMPOSITIONS IN MY MEMORY BANK, ALL INCREDIBLY PRECIOUS. HOWEVER, IF I HAD TO CHOOSE ONE, IT'D BE THIS ONE. ]
TS: [ COMPOSED BY MY CITIZENS, LONG TIME AGO. BALLADING THEIR LIFE, ACCEPTANCE OF THE ENDLESS, OF THE CARNAL AND OF THE SIMPLE. ]
TS: [ ...IT WAS NOT WELL RECEIVED OUTSIDE OF MY CITY, DUE TO IMPLIED CRITICISM OF THEIR RELIGION, CALLING IT A WASTE OF TIME AND IMPRISONMENT. AS WELL AS SUSPECTED MESSAGE URGING TO ABANDON PRAYER, TO ABANDON STRIVING FOR ACSENSION ALTOGETHER, IMPLYING IT TO BE POINTLESS. ]
TS: [ THEY PICKED THIS SONG APART... TO BE HONEST, I'M NOT EVEN SURE IF I SEE THEIR ARGUMENTS. SONGS ARE SUBJECTIVE, AND THEY WERE EAGER TO SEE THE WORST IN US... ]
TS: [ ... I THINK IT'S SIMPLY BEAUTIFUL. WHEN I PLAY IT LOUD ENOUGH, THE HEARTBEAT ALMOST FEELS LIKE MY OWN... ]
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burning-academia-if · 1 month ago
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this is completely random but the way you tag the polys is so cool. a sin so holy. the universe crumbles. a light too bright. audidbcjsjcjfj it slaps. I don’t know if it was public when deciding these names for them but they’re just so great. anyways bye I can’t wait to get time to read the updatee
I'm glad you like them lol this also made me realize new people might not know which tag refers to who sjsjjd so real quick:
Beck/Rook: A Light too Bright for Tired Eyes (shortened to a light to bright for the tags)
Rook/???: A Sin so Holy
Rhea and Zoe: The Universe Crumbles
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potato-lord-but-not · 1 year ago
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Hi! I know your bio says any pronouns, but are there any you like more than others?
Just wondering because I referred to you as 'he' while talking to my sister, and she said that it felt wrong for some reason. Not that she knew your pronouns either, we were just wondering.
he and they are equally good! and she is acceptable but yk there’s o t h e r options. And I guess if you want to use other neopronouns thats cool?? except maybe ‘it’ but other than that I’m chill.
Also idk why I find you and your sister debating about which pronouns to use for me SO funny 💀💀
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menlove · 1 year ago
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in honor of pride month. how queer (or Not) do you think the bugs are. for science
here's my semi controversial takes okay take them w a grain of salt idk these men (...people?) anyway
paul: I do think he's bi. whether or not he's like out to people around him or even himself who knows but he's. 100% bi. my evidence is well. really everything w john but also just his Consistent flirting with men in so so so so so many interviews. (my joking answer is that he's a lesbian. him and linda are lesbians.)
george: also bi, mostly bc of the stuff surrounding dylan & some of his lyrics. I feel like there's a quote somewhere where he alludes to having done stuff w men but I could absolutely be making that up in my mind lmao. feel like he also could have been sold on the idea that souls are genderless and so not necessarily Be a man in the more spiritual sense. like if he were a 20-30 smth year old today. or I mean even in his actual life I just don't know but I Could See It. 0 evidence for that beyond how many transfemmes I know adore george
john: CONTROVERSIAL ONE IM SORRYYYYY. but he's definitely the one that's For Sure Queer like we all know this. & a lot of people use the bi label bc he had relationships w women & this would be the easiest answer but I'm gonna be really and totally honest... to me a lot of his/yoko's/everyone else's quotes surrounding his attraction to men vs women make it sound Very comphet driven. like his quotes about yoko being the perfect woman bc she was so much like a man/himself in drag. "you think of rock hudson when we do it". him constantly comparing yoko & paul & never really discussing cynthia and in general just disregarding her existence entirely. (which is very shitty btw his treatment of cyn makes me rage, it just also reeks of marriage out of comphet and obligation while he was actually committing himself to paul, whether that was ever fulfilled or not). his general angst around being called gay. etc. to me he reads more as a gay man that never fully came around to identifying that way. but for the sake of not speculating on a dead man's sexuality I'll just say he was Definitely Queer. also given some of his quotes surrounding identity and gender and whatnot I do think he maaay have been gender queer as well but that one is definitely more speculative and vibe based. I could see a modern john or john if he lived being more genderfluid but We'll Never Know.
ringo: token straight I'm sorry buddy. I can enjoy a good fictional depiction of him being bi (shout out to that paul/ringo fic in hamburg that made me chew glass) but as for like. real life I haven't seen a single shred of anything pointing to him being anything but cishet. maybe! but if we're solely talking what I think is Actually going on... no.
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mulders-too-large-shirt · 10 months ago
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question for academic discussion: when did mulder realize he was in love with scully? and when did scully realize she was in love with mulder?
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paristandard · 5 months ago
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more manticore art! started as doodles, ended up as more of a ref sheet feat. Aske in one corner haha
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skibasyndrome · 3 months ago
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How do you know when someone is using ai, I'm so afraid to read a story that was written from stolen art... I know a lot of people don't even tag that it's made from ai it's a bit frustrating. Even more so that it apparently is done in our fandom 😭
Hey anon! Thanks for sending this ask, this is certainly a topic I feel very strongly about 🥲 I feel your frustration and I WISH I had an easy answer, but I don't, so here goes a lot of... musings about what I generally do:
Okay, first of all, I'm really not an expert on this, I'm just collecting info and experience as I go. Secondly, there's sadly no very sure-fire way to tell, at least as far as I know. It's honestly just a bunch of hints that, when they show up together and to an alarming extent, could point towards it being an AI-generated text that you're dealing with.
Things that I usually look out for/that AI texts I've been dealing with in the past have included:
the overall "feeling" is often that these texts are grammatically/linguistically correct, but the content feels "off". sort of difficult to explain, but when you feel like someone who has seemingly perfectly mastered the language they're writing in is lacking in the content department in a way that feels like it shouldn't go together, that's a hint
the text feels overly formulaic, like... the sentences are technically correct, but they don't flow very well
there are weird jumps between scenes that seem random and unmotivated
phrases and sentence structures are repeated throughout without much variation; this can happen on a story level as well, like there's a feeling of "wait, why are we here again, I thought this already happened/they already said that/they already made this clear" etc. (and for this one especially there's nuance required, because this can be an artistic choice, but the repetition feels utterly unmotivated and, different aspect, it "feels" - based on the language - like the author would not "accidentally" make this many repetitions)
there's a sort of.... flatness to the style. again, this one is very, very vibes-based, but it feels like you're unable to grasp a stylistic through line or the writer's voice in a way you can in other fics/with other authors; it's not that the story necessarily lacks rhetoric devices, but when there are metaphors etc there's no overarching sense of... intentionality behind it?
sometimes, mistakes can sneak in. like maybe suddenly a character is wearing something else, has a different hair color, etc
the dialogue is overly formal, stiff, lacking a sense of uniqueness
with fanfic especially: does it feel like the text is taking the source material into consideration? this one, obviously, is also difficult to apply, because the fanfic spectrum between writing retellings of canon and very far removed AUs is vast and beautiful, but - does it feel like the character is the one you know from the show? does he do or say things that make him seem like that character? or at the very least, is it likely that the version you're reading about is someone's understanding of that character? does it feel like the author has seen the show? if the answer is no, like if the characters feel a bit like you could exchange them with any other character out there or if they behave very cardboard-cutout-like - that might be a hint
sometimes you run into scenes that you remember from other fics. this as well can of course be a coincidence, but if it happens a lot - that's a hint
There are probably more thing, but that's what I could think of off the top of my head. Now I know none of these are easy to spot, and, really, it's a lot about reading and getting a sense of... huh... does this feel like it's coming from someone who had something unique they wanted to tell me? Does this feel like one person sat down and wrote it all?
When there are any of the signs up there present or you just have an overall weird feeling about a text, then you can try to use an AI scanner to confirm. Again, these aren't perfect either, and it's all about trying out different things. It helps when you try it out with a bunch of other texts that you know for a fact are human-made. Then you get a feeling for what the "baseline" percentage is. Some scanners will say something like 0% or 5% ai-content for human-made texts, but it's best if you just try it out with enough different texts to see where you land. And then try to put the suspected fic in there. When there's a huge jump compared to texts you know are human-made - well. that's a pretty, pretty big hint. You can also try running it through different scanners to see if the results stay consistent. It's definitely not perfect, but it gets you somewhere at least. Also always consider that sometimes people don't use 100% ai-generated text. They might paste together different texts and add a couple lines in between, so it's always a question of the "bigger picture".
Idk if any of this was helpful, but I hope it was! If anyone else has any tips please share, because I wanna know and I'm sure anon does, too! I'm. Yeah. I hate where we are with this topic, I hate that people think this is okay to do, I hate hate hate hate hate ai-generated trash that's being sold as fic and I hate that somehow it's now our job as readers to figure this out. Fuck that shit.
Also, final disclaimer: none of the things I listed are necessarily unique to ai fic, they can show up in a lot of ways in human works and we always have to be careful about assessing fics
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spelldealer · 3 months ago
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optometry is like a form of mysticism
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not-poignant · 3 months ago
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The way I can already tell Faber’s story is going to break my heart 😭 how long do you anticipate UtR to be?
Hi anon,
No idea! Definitely longer than Blue/Gold, and probably not quite as long as Underline the Black. Definitely long enough that when it takes over Underline the Black in the schedule, we could still keep going with it multiple times a month for like, well over a year.
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flow2024 · 5 months ago
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I wish you would write a fic about irreconcilable artistic differences on a movie set between Joe and Nicky.
not really irreconciliable as in not solvable at all but you know i had fun with this
Joe squeezes his eyes shut, covering his face with both hands, and leans forward. His shoulders tremble uncontrollably. He takes a short, sharp breath, and another, and another, but he can’t quite seem to get enough into his lungs. There’s a lump in his throat and a weight in his stomach. He leans forward with a low, wounded sound and–
“Cut,” Nicky says softly. Then, because it takes Joe a second to hear him: “Joe, stop.”
Slowly, Joe raises his head. Wipes at his eyes and takes a few deep breaths to steady himself. Nicky’s already up, frowning ever so slightly as he looks at the camera. 
“What is it this time?” Joe manages. His voice is hoarse; he has to clear his throat once or twice. Nicky doesn’t look up. The clock on the nightstand reads 01.34, but Nicky’s changed it a few times over the course of the shoot. He has no clue what time it really is, only that it’s dark outside.
It’s just the two of them in the room. Nicky had wanted to keep this one small, just him and Joe and the camera. The apartment they’re in is nice, if a little empty, though Joe supposes that’s the point. They’re in the bedroom, Joe sitting cross-legged on the bed, shirtless, sheets bunched up over his lap, a phone lying on the nightstand behind him. One entire wall of the room is taken up by a floor-to-ceiling window which lets the moonlight in, though there’s a few low lights set up behind Nicky to send bars of silver light across the bed, because the natural light hadn’t quite been strong enough for the effect Nicky wanted. It’s otherworldly; it’s beautiful. 
Nicky still isn’t looking at him, so Joe says again, “What?” It comes out a little harsher than he means it to, but it gets Nicky’s attention.
Nicky runs one hand through his hair. Joe can’t see him well, not with the light behind him and the shadows in the room. “I don’t know,” Nicky says. “It’s missing something.”
Joe has worked with Nicky enough times before. It’s not that he doesn’t like working with him - they’re friends - but he can’t fucking read him, and so after the sixth take of the same scene he can’t help but take it a little personally. 
Joe reaches for the bottle of water hidden just under the bed and takes a long drink, mostly to keep himself from snapping. What time is it? “I can try again, but I can’t do this indefinitely, Nicky.”
“I know, I know,” Nicky says, fidgeting again with the camera, “it’s not you, it’s just–” 
“What else could it be?” Joe interrupts. He’s not stupid. This scene doesn’t work if he can’t get it right, which means the entire film doesn’t work if he can’t get it right. More than anything else, this one depends on him. No music, no camera movement, no dialogue, nothing but him and the camera. And he wants to do it right, he loves this project almost as much as Nicky does, but there’s a hollow feeling in his chest and he’s spent the last however-many-hours having a near-complete breakdown over and over again and it’s still not right. And Joe doesn’t know what it is he’s doing wrong.
“I don’t know,” Nicky says quietly. Now he is looking at Joe, and Joe can’t tell if he’s disappointed, or angry, or – or what. He’s perfectly expressionless, as always. 
Joe loves this job. And he wants to get this right. But it doesn’t mean it’s not one of the hardest things he’s ever had to do, and he’s tired.
“I don’t have much more left in me, Nicky,” he says, and this time he does snap. He wipes at his eyes again, can’t look at Nicky. He’s supposed to be making himself vulnerable, above all in this scene, but suddenly he can’t stand the way Nicky’s looking at him. “Pass me my hoodie.”
“Joe–”
“I can’t. I can’t keep doing this.” He kicks the sheets off and gets tangled trying to do it, grabs his hoodie when Nicky offers it, pulls it over his head in one fluid motion and gets out of there as soon as he can. Thankfully, there’s only Andy and Nile in the other room, Andy lying back on the couch with her feet up and Nile perched on the arm of it. They both look up at Joe as he enters, both look like they’re about to ask, and Joe can’t stand it, can’t be in here a second longer, can’t–
“We are done for the day, I think,” Nicky says behind him, startling Joe. He hadn’t realised Nicky was there.
Andy raises an eyebrow, but doesn’t argue. It’s already the second day of trying to shoot this scene: they’re running the risk of falling behind schedule. 
“We’ll find something else to do tomorrow,” Nicky says. “I’ll look over everything tonight. We will try this again on Monday.”
Andy and Nile look at each other. Nile shrugs. 
“Get some rest, Joe,” Nicky says. 
Joe shoves his hands in his pockets and doesn’t say a word.
–--------------------------------
He doesn’t get called in the next day at all, and he doesn’t interrogate it too closely. Takes the day off, pretty much, because they’ve only really got one scene left to film, and there’s not much more he can do for that. Nicky had wanted to leave it to the last, and Joe had agreed, at the time.
At about nine pm, someone knocks on his hotel room door, which is unusual on a day where they don’t have a night shoot to do. When he opens it, Nicky is on the other side. Joe lets him in without a word. 
“I wanted to apologise,” Nicky says, standing in the middle of the room and looking as uncomfortable as Joe’s ever seen him. “For last night. I was pushing you too hard, and I should not have done.”
Joe closes the door behind him. Nicky fidgets with the sleeve of his hoodie. 
“Sit down,” Joe says. 
Nicky does, settling himself on the edge of Joe’s bed, not quite looking him in the eye. Joe joins him, after a moment. 
“At the risk of sounding cliche,” Nicky says, “it’s not you, it’s me.”
Joe laughs, mostly because the phrase sounds so strange coming from Nicky and also because out of everything he’d thought Nicky might say, he hadn’t expected that. 
Nicky smiles slightly, too. Then he gets up and heads for the minibar. “Mind if I have a drink?”
Joe shakes his head. Nicky gets out a little bottle of wine, glances at the label, and takes a swig straight from the bottle without bothering to get a glass. 
“I can’t seem to get it right,” Nicky says. “You know I wrote almost fifteen different versions of that scene?”
The scene in the script itself is barely a page long. “No,” Joe says. 
Nicky nods. Rubs a hand over his face. “I wanted it to feel real. I thought if I could get it right, it would… help, somehow. I don’t know.”
It’s the exact same reason Joe said yes before he even read the script, when the whole thing was just an idea in Nicky’s head, when they were talking about it over drinks at Andy’s and Joe was in love with the idea almost immediately. He knew exactly why Nicky was writing it; he knows, now, exactly why it needs to be right. But at the same time – “I don’t know if that’s possible, Nicky.”
Nicky sighs. “I know.” He crosses back over to sit beside Joe again, takes another drink from the bottle. “But there is something missing, and I cannot seem to find it. And so it does not feel real. And I know this is not easy for you.”
“It’s not,” Joe says plainly. 
“But you know,” Nicky continues, “I could not have trusted anyone with this but you. If you had not said yes, I would not have done this.”
That, Joe didn’t know: he knows he’d been Nicky’s first choice, but he’d assumed that’s because they know each other well enough already. But it makes sense: the reason Nicky wrote the script is the same thing they’d bonded over. 
Even still, it’s a lot. “I don’t know if I can do it the way you want,” Joe says. 
Nicky looks up at him from where he’s been running his fingers over the label on the bottle absentmindedly. “If you want to stop, I can–”
“No,” Joe says quickly. “But I don’t think it’s ever going to be exactly the way you felt.”
Nicky looks away. “It is a lot to ask,” he says. “I know this.”
Joe doesn’t think; just reaches over and takes Nicky’s hand. “I know,” he says. “Trust me.”
Nicky takes a deep breath. Then he nods. "Okay."
#neon answers#materassassino#neon writes#the old guard#kaysanova#DIRECTOR'S COMMENTARY (me): not at ALL a realistic portrayal of anything actually but this is about the vibes#this was originally gonna be a 2 person scene where both of them were actors#but a i dont know shit abt acting ive never done it. i HAVE however been a director all of one time which didnt really relate to this but#its more than 0 experience. anyway i was thinking about the level of trust in that relationship#i.e. joe trusting nicky to let himself be entirely vulnerable on camera like that and trusting that nicky knows what hes looking for#and in this case nicky trusting joe to take care of a story that is heavily based on his own experience#this isnt long because i drafted it at 1am then wrote the rest while ignoring my essay but . nicky cant quite let it go and joe cant manage#to let himself break down completely on camera like that. presumably after this they get it in one take#joe wins several awards and the film does super well. or it doesnt thats not the point#its abt making something to deal with personal experience#the film in question being about rebuilding yourself after moving to a different country with no ties left to where you came from#+ the scene here being a post-phone call/rejection of phone call meltdown in which the loneliness gets to be a bit much#in my head nicky never went through this Specifically but it's more of an externalisation/dramatisation of something that did happen.#anyway you know early tog metas abt joe being the more overtly emotional one and nicky acting as a balancing force bc joe feels stuff for#both of them. or maybe i made that up. anyway thats what this is#ten points if you can work out my Cinematic Influences#they are patently obvious i think
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