#audio visual kit

[av-industry-blog]

🛠️ AV Installers, Ever Felt Overwhelmed by the Tools of the Trade? 🔧

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#AVInstallers#AudioVisual#AVTech#ProAV#ToolsoftheTrade#AVinstallations

[drowningparty]

Does anyone want to play Tamburlaine the Great with me?

[astrogre]

What gifts to buy for each Venus sign

Christmas is among us, my favourite season and time of the year. Venus is the planet of love, by nature it can display what we like to receive from others but if you don’t know their Venus or the house it’s in you can try to look at the persons Sun sign instead but Venus is ideal.

A gift based on their:

Sun sign will make them feel seen and like you know them well, it will be a gift they may appreciate

Venus sign is all they’ve ever desired it’s the pinnacle of their ideal gift. Especially as Venus represents how we like to receive and experience love

Aries/ 1H Venus

Gym membership, running shoes, thrill seeking experiences like tickets to bungee jumping, rock climbing, a skydiving event, gym outfit, tickets to their favourite artist, tickets to festival, cool lighter, archery classes, tickets to sports games, a shirt with their teams logo or merch from their favourite artists, scissors set, cooking tools, hair styling products like hairspray, hair dye, Fitbit/apple watch, knives set, sports gear, heavy bass headphones, tickets for those room smashing experiences, take them clay pigeon shooting, family destroying board games like Risk or Catan, diy tattoo kit, diy piercing kit, theme park tickets.

Aries Venus are by nature thrill seekers, Aries is ruled by the head and has 1st house influences, they can certainly appreciate something that ignites passion, they are impulsive and quick by nature to pursue what they desire. They need gifts that match their decisive nature and to let out that pent up energy they have in them, I honestly think experiences are the best for them. Or a box of hair dye for their impulsive moments

Taurus/ 2H Venus

Hire a chef or take them to a really good restaurant for a 5 course meal that serves orgasmic food and has impeccable visuals/atmosphere OR you can even arrange a 7 course homemade meal with the finest of recipes! , fine jewellery adorned with a gemstone, culinary experiences, cooking classes, kitchenware, go to fragrantica.com and find a high quality perfume to give, premium home decor, art, antique items, antique furniture, comfortable cosy clothing, hot water bottle, gardening tools, plants, selection of seeds for their garden, diffuser, essential oils, desserts like baklava/ferro rocher, luxury goods, wellness retreat subscription, day at the spa, tea set, comfy velvet winter pillows and bed sheets

Oh my Taurus natives, they know how to break a bank for Christmas and if not they can enjoy luxury on a budget! They enjoy the finer things of life of course Venus ruled, they know how to induge in pleasures and satisfaction. Due to the earthy influence they have a green finger and a natural affinity with plants and gardening, they may love flowers or want to grow plants themselves. Taurus venuses are rather easy to gift, if you know them they usually have a vice, it may be sleep, food or pure laziness, get them something according to their vice and they will treasure it.

Gemini/ 3H Venus

Really cool stationary, Spotify subscription, comedy show tickets, books from their favourite genre, a notebook, Grammarly subscription, cards against humanity board game, Duolingo subscription, multiplayer games, home kit recording studio, language learning stuff, calligraphy classes, kindle, portable car charger, Bluetooth speaker, karaoke machine, suitcase, travel accessories, a musical instrument, sealing wax kit, creative hobby supplies, microphone, podcasting equipment, audio editing software, a car, vr headset, Nintendo online subscription, Netflix/HBO/youtube/crunchyroll subscription

Gemini rules communication, short journeys and social engagement. Blessing these natives with tools to enhance their pleasant hobbies will make them swoon in gratitude, if you want to get them something make it engaging and whimsical. These natives are ruled by mercury and always welcome something that requires the mind.

Cancer/ 4H Venus

A cooking set, baking set, comfort food, commission artwork of the family, family photos, some really nice home decor, a keepsake/musical box adorned with velvets and soft materials that will store sentimental objects, a locket necklace, family recipe book make a recipe book of all their favourite foods and some foods you know they’d like, soft fluffy blanket, the family heirloom, hand crafted quilt, hand painted ceramic mug, animal crossing game, sims 4 game, games relating to the home, bring and fly in family that are far away as a surprise and cook their favourite meal together, household utilities, lush bath products, a personal chef for a day, a personal butler for a day, custom family tree art, ancestry DNA kit (please be careful though once you use them they keep your data and if they get hacked your information is out there), home movie night, comfy slippers and pyjamas, family board games, this christmas make them Christmas dinner this time.

Cancer rules the home and there’s nothing more appreciated by a cancer Venus than things that remind them of this. They are by nature expressive and nurturing, this time let them be pampered!

Leo/ 5H Venus

Hair care products, gift card for their favorite store, make them an edit no joke like a TikTok edit that makes them look really cool, one of those light up mirrors or a pretty handheld one if they don’t have one already, book them a photoshoot together if they don’t like the camera maybe post them on your social media and show affection for these bold natives, theatre tickets, bold sunglasses, luxury watch, good jewellery, VIP experiences like backstage passes or reservation to exclusive invite only restaurants, designer clothing that is a prestigious brand they love, commission style artwork, make them a playlist of songs that reminds you of them, fine wine, personalised fragrance creation that allows them to create their own signature fragrance, personalised makeup makeover, hire a stylist for them

A perfect gift for Leo’s need to have an element of self expression, luxury and incorporate their personality that garners attention from peers. They need a gift that makes them feel special, something tailored specifically for them that cannot be gifted to anyone else. Personalised gifts do well either this placement too. When I think of these natives I just think of that Meghan Trainor music video “Me Too” watch that and you’ll get their vibe.

Virgo/ 6H Venus

Skincare products, a blender for smoothies, lots of cleaning products, multi purpose aesthetic storage containers, Quora or chat gpt subscription (these guys like to be well informed), give them scientifically researched bath products that have all that vitamin breakdown qualities, make them a notion template to help them plan, quality office supplies like a desk organiser or chair, practical fitness gear like a yoga mat, a fitness tracker, get them a personal nutritionist, tailored meal prep services, bookshelf organiser system, a stylish briefcase, home office makeover (BUT PLEASE GET THEIR PERMISSION FIRST), online course subscription, digital subscription to news feed, you can never go wrong with practical things, an ikea haul, Costco membership, minimalist decor, multi vitamins, a precision watch, set of labelling and sorting tools, a neat tidy chess board, get them a nice little pet, honestly for some reason whenever I think of Virgos I think of matcha. Get them something matcha based.

Virgo Venus natives need gifts that resemble their routine and organisation, they can be rather difficult to purchase for since they have such a specific taste in mind. Gift cards are practical for them but they really need something that allows them to be more prepared. Take them out for comparison price shopping like say if you want to get them a sofa tell them you’ll take them out to Costco, Amazon, ikea, and compare the best ones. They are also very clean and efficient.

Libra Venus/ 7H Venus

Trending Make up like the fenty hot chocolit heat lip gloss, Korean skincare products, beautiful piece of art, a wedding ring 😏, bouquet of flowers, take them to a beautiful botanical garden, fashionable accessories like a silk scarf, books and courses on design, take them to a couples romantic date, a couples workshop, write them a love letter, museum date, tickets to an art exhibition, fine dining, an astrology synastry reading, if they’re single set up a blind date with someone who you KNOW they would like (make sure they’re handsome/pretty), couples retreat, love coach Patreon subscription, pottery/painting classes, relationship podcast subscription, relationship psychology books, fine fragrance/cologne

Libra is ruled by Venus and 7th house, all things related to love beauty and pleasure align with this native, even if they are single they have a natural gift for delving into relationships. Make sure that whatever gift you give them it is pleasing and sensual

Scorpio/ 8H Venus

Intimate gifts, a psychological crime documentary playlist like Epstein island documentary or YouTubers who speak of renowned cult leaders, personalised astrology reading, a dark seductive fragrance, dark artwork, dominance and submission guide book, shadow work journal with a lock on it, dark poetry and literature, escape room adventure tickets, monopoly game, dungeons and dragons game equipment, bdsm accessories, personalised erotic art, leather/latex clothing, bonding activities, empowering books like 48 Laws of Power, martial arts training, taxidermy, personal development workshops, intense workout equipment like a punching bag, chess, daggers, locks on their door or for their belongings like installing a lock for their drawers, buy them a ring camera and subscription, wine tasting experience

Give them something sultry and deep, it has to be psychological and empowering. They are not impressed by superficial gifts that mean nothing to them. They really like gifts that allow them to explore their nature and the darker aspects of existence.

Sagittarius/ 9H Venus

A scratch off map that allows you to scratch off countries you’ve been to, a surprise holiday where you take them abroad, Duolingo subscription, a wanderlust journal for them to document their experiences, passport accessories, an electric guitar, drums, take them to a fireworks display or do one at home for them, a telescope, a drone, binoculars, philosophical books or religious books based on their own beliefs and religion, running shoes, horse riding in the sunset experience, musical instruments, motivational and positive affirmations book or make some for them yourself, a book collection of all their motivational and positive messages they have said, a compass, pay for their tuition for a course they’ve always wanted, traveling stuff like suitcases, pillow for travelling, a portable flask, a disposable camera, a Polaroid camera, a tent, tickets to a cultural festival, hiking gear, skiing gear, camping gear, sketchbook, a donation in their name

Sagittarius Venus and 9H venuses love the concept of exploration whether it be in the mind or physically, the best gift you could give them is one that allows them to take in so much culture, information and experiences.

Capricorn/ 10H Venus

Customisable credit card (CUCU is a good site for this), a nice power suit like business attire, vintage pocket calculator, cufflinks or a tie, formal shoes, pay for their CV to be analysed by professionals in their industry, elegant timeless clothing and jewellery, make them business cards, get them a corporate slave (an assistant will do), pay for business class flights for their next trip abroad, project management courses, tickets to Ted Talk event, take them to and big them up at networking and entrepreneurial opportunities, a sleek desk, submit their work for trophies and awards, quality furniture, Starbucks or their fave coffee place gift cards, a fountain pen, personalised desk name plate, professional photoshoot, designer accessories like a Swiss watch, leather wallet, cheque book, pay for a professional calligrapher to design their signature, time management software

Our sweet cap Venuses and 10Hers need their professional acknowledgment, give them anything timeless and a way for them to better themselves. They love being the best of the best so give them things that support their ambitions.

Aquarius/ 11H Venus

A 3D printer, high tech phone, a gamer console, smart home device like Alexa, chat gpt subscription, AI art pieces of them, rubix cube, VR headset, bespoke one of a kind art piece, tickets to a science technology conference or musem, networking events, phone case, futuristic home decor, membership to an niche club their interested in, mini indoor garden like a plant terrarium, pay for an astronomy stargazing experience for them, alt clothing, goal setting journal, a camaraderie for their friendships can be a bracelet for an example, tickets to a unique workshop according to their niche interests, video editing software, a unique invention prototype for the industry their interested in say if it were cars then a mini Tesla or something, volunteer together, design software, film festival tickets, social cause merchandise, unique fashion piece, astronomy kit, an AI boyfriend or girlfriend, take them a Ted talk.

Always remember the specific niche interests of these natives they like things that are very niche and so sometimes asking them is actually the best thing to do. But make sure it’s something they’re passionate about not all of these natives live tech but they certainly are innovative.

Pisces/ 12H Venus

Seashell necklace, watercolour paints, fantasy book collection, their favourite mangas, handmade artwork, stained glass window art, dream interpretation book, flowerpedia book, vinyls, yoga mat, contact lenses, tickets to their favourite artist like mitski or the sort, create a playlist for them that’s about fantasy and imagination, they might like Disney consider taking them to Disneyland, windchime, subscription to mindfulness app, astrology book, go to the aquarium together, windchimes, art supplies, a dream journal, sound healing instruments, pay for their spiritual retreat, zen garden decor, a mystical music box, water fountain, take them to a mesmerising body of water, prayer mats, diary, write them a heartfelt letter of how amazing they are, take them to a nature retreat, wearable art

Dreamy imaginative gifts would be perfect for these people, they need gifts that allow them to appreciate their escape world where they have a reality that’s just better than here. Give them things that are as beautiful as their inner world.

[muzetrigger]

If I was a bit smarter, I would have saved this for my 200th post, but now it's dedicated to finding Ada in Minnesota, so I guess I can't complain too much.

Anyway, here's this project I've been working on for *checks notes* over 2 months. There’s no way to justify the effort-to-quality ratio of this. I’ve already started planning my next one. (I have problems.)

Whatever, go read Nevermore.

I’m actually surprised no one else has put Nevermore to this song. King George III as a toxic ex was my favorite part of Hamilton, and what are Lenore and Annabel if not toxic? I really wanted to use two different covers because I imagined both of them singing this to each other. And there was so much material that fit! I’ve read this webcomic over three times now?

In that many months.

This story has a deathgrip on me.

That aside, I feel like I learned a lot from making this video. Well, I better have after spending a month+ on it. Even if it’s not exactly what I envisioned, I got to play with keyframes, masking, transitions, lyric timing (do not get me started. This was the worst part), audio balancing, and aspect ratios.

The end result is still pretty basic, but at least I know my way around my programs a little better.

Credits (with links!):

Audio: “You’ll be Back” from the Hamilton Musical

Composed by Lin-Manuel Miranda

First Performed by Jonathan Groff

Cover by Chloe Breez:    • You'll Be Back (Hamilton) | Female Ve...   Cover by Anna Olivia March:    • You’ll Be Back (Hamilton)【Anna】  

Visuals:

Nevermore by Kit Trace (Writer) and Kate Flynn (Illustrator)

https://www.webtoons.com/en/supernatu...

Specifically, episodes 21, 26, 28, 38, 39, 40-44, 50, 57, 58, 60, 64-67, 77, 79, 90, 96, 97, 105

Montressor, Lenore, and Morella Chibis by @askuemki on Tumblr https://www.tumblr.com/askuemki/73879...

Editing: MuZeTrigger (Me!)

Programs used: Procreate

Paint 3D

Shotcut

[satoshi-mochida]

Corpse Party II: Darkness Distortion launches this fall worldwide for PS4, Switch, and PC

From Gematsu

Corpse Party II: Darkness Distortion will launch for PlayStation 4, Switch, and PC via Steam, GOG, and Humble Store this fall worldwide, publishers XSEED Games, Marvelous Europe, and Marvelous, and developer Team GrisGris announced.

In North America, physical $49.99 standard and $79.99 “Ayame’s Mercy” editions will be available for PlayStation 4 and Switch. The latter includes a copy of Corpse Party II: Darkness Distortion with a reversible cover, a “Save Yourself” LED blue candle styled after the in-game save points, a 64-page artbook filled with behind-the-scenes content, a “Ayame’s Mercy” lenticular art card, an “evidence kit” containing items from the game, and an Amare Est Vivere “Medical Kit” metal outer case. This limited edition will be available shortly for pre-order through the XSEED Games Store and at participating retailers.

Here is an overview of the game, via XSEED Games:

Corpse Party II: Darkness Distortion follows three high school friends; Haruka Nanami, Nemu Takanashi, and Maria Hitsugi, as they explore the Amare Epatoentst Vivere Hospital, testing a local urban legend as the streamer Nemu seeks to boost her subscriber count. Unfortunately for the three girls, the legend of “Ayame’s Mercy” is true, and they trigger a decades-old curse that sends them into a dark realm. Together they must avoid the vengeful spirit of Ayame Kirishima and other horrors from the hospital’s dark past as they search for a way to dispel Ayame’s curse once and for all. The cult-classic Japanese horror franchise returns with new characters, a new setting, a terrifying new curse, and a brand-new look allowing for more thrills and chills! Players can freely explore the fully 3D rendered halls of the Amare Est Vivere Hospital in both third- and, for those brave enough to take a closer look, first-person viewpoints as they try to keep the girls alive. This new perspective complements the series’ visual novel-style storytelling, pairing updated visuals with gruesome descriptions and spine-tingling binaural audio accompanied by the original Japanese voiceovers. Featuring six chapters, with eight additional scenarios and plenty of Wrong Ends for players to discover as they uncover the truth behind “Ayame’s Mercy” and escape with their lives, Corpse Party II: Darkness Distortion is the perfect entry point for new horror buffs while keeping longtime fans on the edge of their seats.

Watch the announcement trailer below. View the first screenshots at the gallery. Visit the official website here: English / Japanese.

Announce Trailer

English

Japanese

Announce Trailer: Ayame's Spell

Live Action Trailer

[dreamings-free]

‘A dirty nightclub in an arena’ – behind Louis Tomlinson’s Faith In The Future World Tour

Louis Tomlinson and his tight-knit touring crew traverse the world in close to 80 shows, fulfilling a ‘dirty nightclub in an arena’ brief with a dynamic live campaign.

Production Profiles 5 January 2024

Following the success of his record-breaking Live From London livestream, which reportedly raised over £1m for touring and live events personnel and charitable organisations, Louis Tomlinson and his tight-knit crew have toured the world twice over. This time, visiting sold-out arenas in Europe and the UK with a cleverly networked live production with abstract video and lighting and a ‘no frills’ approach to sound, which guaranteed that every ticket holder experienced the same show, regardless of where they stood, sat, or screamed (more on that later). With close to 80 shows under their belt, TPi visited London’s O2 arena ahead of the production’s penultimate date of 2023.

Words: Jacob Waite Photos: Justin De Souza and Oli Crump

------

Following the success of his record-breaking Live From London livestream, which reportedly raised over £1m for touring and live events personnel and charitable organisations, Louis Tomlinson and his tight-knit crew have toured the world twice over. This time, visiting sold-out arenas in Europe and the UK with a cleverly networked live production with abstract video and lighting and a ‘no frills’ approach to sound, which guaranteed that every ticket holder experienced the same show, regardless of where they stood, sat, or screamed (more on that later). With close to 80 shows under their belt, TPi visited London’s O2 arena ahead of the production’s penultimate date of 2023.

“A team effort is required to get this show off the ground,” explained Technical Manager, Sam ‘Kenny’ Kenyon, who has been a fixture of Louis Tomlinson’s live output since joining as Lighting Crew Chief in 2019. “This has been a complete redesign, and the production has expanded and gotten more complex, which requires different solutions to make it happen.”

Kenny and the team oversaw the deployment of an A and B rig. “We’ve been fortunate for the European stint that the venues we’ve toured have, mostly, been arenas. The main difference between the A and B rig is the addition of IMAG and further lighting header trusses. Aside from that, the A rig fits everywhere. If anything, we’ve run into weight issues, which we can overcome swiftly by removing overhead trusses.”

For the first few shows, Riggers, Ian Bracewell, and Alex Walker incorporated load cells on trusses to get an accurate rate and account of the weight of the load of each truss. In the UK, The Brighton Centre had a particularly low-rate roof with weight limitations. Production Manager, Craig Sherwood and Tour Manager, Tom Allen’s vendors of choice included: Altour (travel), Beat the Street, BPM SFX, CSE Crosscom, Colour Sound Experiment (lighting, rigging, and video), Hangman UK, Boxcat Studio and Two Suns Creative (video content), LED Creative, Ox Event House (custom light housings), Sarah’s Kitchen, Seven 7 Management (artist management), Solotech (audio), Stardes Trucking, and TANCK (production design and video content).

There was no video director, as the show’s visuals were programmed and interspersed with live footage and triggered by a lighting console at FOH, thanks in part to an intricate network setup. “There’s a lot going on in racks that people never see, but it has been stable thanks to the quality of kit supplied by our vendors, who have invested heavily, and the team taking the time to programme the show,” Kenny noted.

Key to the success of the operation was the incorporation of Central Control software, which takes a signal from a lighting console, be it ACN or Art-Net, and translates it to talk to various products – in this case, video. “There is a giant brain that nobody knows exists other than those that have programmed it,” he added.

Additional crew members joined the tour in Europe to aid the video deployment and lead to far more efficient load-in an -outs. “We are close to 80 shows in and on days where we have access to multiple trucks, it comes out very quickly, which for a show of this scale is impressive and credit goes to the team,” enthused Kenny. “The biggest hurdle is when you’ve only got a two-truck dock.”

Prior to the tour, the team had five days of production rehearsals spent in Connecticut’s Mohegan Sun. “When we came to Europe a week later, we had a week of re-prepping with a day of rehearsals at Hamburg’s Barclays Arena, the day before a show,” he described. “It’s been a fun and long run,” added Stage Manager, Torin Arnold. “We’ve visited a good range of venues and countries – especially the Eastern European legs, visiting places you wouldn’t ordinarily tour and experiencing how they operate. This show is designed so it can be accomplished in any part of the world.” Carpenter, Harry Reeves was also on hand to support the build.

The routing, however, was sometimes challenging with some late arrivals and difficult border crossings. “There were a few times in Eastern Europe where we were doing a ferry back-to-back to arrive at 11am, sitting at a difficult border crossing. We usually start with a 7am mark out, so knocking hours off your load-in is tough but everyone pulled together to overcome it,” Arnold explained, noting that touring without staging, and instead, using venue stages (particularly rolling stages), was a blessing during those late arrivals. “As with any tour, as dates progress you build a rhythm while maintaining the safety of the build,” he noted.

Arnold also highlighted the benefit of Lead Truck Driver, Neil Thornton and Truck Drivers, Matt Marlow, Ben Woods, Sarah Goldsmith, Bob Miles, Alam Minshall, Franco DeRosa, and Ollie Thornton who “speed up the process” and maintained a level of consistency.

The transitions between support acts before Louis hit the stage was equally seamless, with ample downstage space for the singer-songwriter to traverse during his performance. “Having a clean frontline means we have space to get the bands on and off,” he added. “Our vendors have also provided everything from an audio package standpoint for support acts, which also speeds up the load-in and -out.”

Highlighting a ‘bucket list’ show at Hollywood Bowl, working closely with US union officials as a “fun” and “interesting” experience, Arnold reflected on the entire tour with crewmembers he now considers close friends. “This is a close team and I’ve made some great memories and stories. It’s been a fun year!”

A DIRTY NIGHTCLUB IN AN ARENA Production Designer, Programmer and Director, Tom Taylor, and Francis Clegg of TANCK have worked with Louis Tomlinson ever since he made the leap to solo artist. “The production design has evolved into an angular, grungy, asymmetrical setup, borne out of the ‘dirty nightclub in an arena setting’ creative brief I was given,” Taylor said, citing the creative influence of Matt Vines and Seven 7 Management. “Louis is a phenomenal performer, and the crowd is captivated the entire time. We started knocking ideas around, speaking to Louis about his inspirations and influences, which we then developed into a creative deck, which I sketched in Blender, and imported into WYSIWYG for visuals, to create stills and pre-visualise.”

Taylor spent 10 days programming the visuals at Colour Sound Experiment, a firm he shares a “longstanding” relationship with. “They are always a call away regardless of the day or time. Their team is easy to get along with and I like their whole ‘production sphere’ – sometimes it’s nice to split lighting and video, but for a show like this, aligning those departments with one line of communication is ideal,” he said, underlining the support of Colour Sound Experiment Account Handler, Haydn Cruickshank.

With production rehearsals under their belt and recordings from Louis Tomlinson World Tour (2020–22), where TANCK piloted Central Control software, the creatives understood how the singer and his band moved on stage, developing a rhythm and consistency of when to implement visual cues and which camera angle fit best. This allowed the team to pre-programme the visual content to timecode.

Video content was made by a combination of TANCK, Two Suns Creative, and Boxcat Studio, with the latter creating 3D models and rendered content, all of which was broadcast across a unique set of video surfaces. “Having the abstract video columns on stage makes it much more interesting than your standard slab of LED at the back of the stage,” Taylor noted.

On stage boxes created by Ox Event House housed GLP JDC Line 1000 strobes with reflective panelling and fabric that were printed to look like heavy concrete slabs, ladened with custom LED Creative solutions. These boxes then moved up and down using Wahlberg Motion Design winches to provide a “low-level, clubby feel” to the set.

“The winches can only carry 50kg and the lights alone are 35kg, so we had to be careful not to overload them, but the result was cool. We also have one single lightbulb on a winch which comes up and down above Louis to create a classic lighting moment,” Taylor said, further highlighting Ayrton Huracán’s prismatic colour wheel as a ‘fan favourite’.

The lighting design saw a wall of GLP impression X4 Bar 20s at the rear of the stage in 12 columns. Further lighting trusses over the stage carried the Wahlberg winches for several automated looks. The DMX winches were utilised for three or four songs, either statically or moving up and down, while JDC Line 1000s provided colour and strobe effects, to achieve varied looks, with a relatively minimal overhead lighting package.

Taylor elaborated: “There are some shutters for one specific track which go directly in-front of some of the GLP X4 Bars to get the aura of the lights, instead of the lenses, which I really like the look of. Lighting and video complement each other during this show – there’s also a section with flickering fluorescent tubes on the video content with the X4 Bar 20s behind the LED screens flickering in a similar way.

Taylor was delighted with the performance of the crew. “Overall, it has been a great run, executed flawlessly,” he commented, citing the support of Lighting Crew Chief, James Box; Dimmer Technician, Rick Carr, and Lighting Technicians, Amy Barnett, and Kieran Hancox.

The wider lighting rig comprised Ayrton Eurus, CHAUVET Professional Strike Array 4, Claypaky Mini-B eLumen8 Endura 1Q120, and Robe BMFL fixtures with robo cameras, all fixed on various HOF MLT3, Litec QH40 and Thomas James Thomas Engineering Superstruss. The lighting riser featured Ayrton Huracan LT and GLP JDC1 fixtures.

Robe Spiider fixtures were situated on the up and downstage video trusses, with the floor package boasting the deployment of further Ayrton Eurus, LEDJ Spectra Flood Q15 and Chroma-Q Color Force 72 units, the latter chosen for key light. Atmospherics came in the shape of Smoke Factory Tour Hazer 2, Martin Professional JEM ZR45 and MDG Atmosphere ATMe hazers with TMB ProFans. “We had some challenging shows, implementing an arena-scale design into sheds in the US, but it’s been good to return to Europe and witness the fans enjoying the show,” added Lighting Crew Chief, James Box, who pinpointed the use of the multicoloured glass gobo in Hurricanes as among his favourite looks.

“There is a lot of effort put in by TANCK to ensure we get the utmost from every fixture on the rig, which is great to see, when the team has gone to the effort of assembling the show each morning. Seeing the looks they achieve from the rig and the extra details, with each advanced cue within the show, is a pleasure.

Almost every pixel on the JDC Line 1000 and X4 impression Bars are being used.”

Video Crew Chief, Dave Mallandain, formerly of Colour Sound Experiment, supervised the video build and the team of Video Technicians, Ed Driver, Frank Wlliams and Tim Curwen.

“Working with Colour Sound Experiment again, in a freelance capacity, certainly has its benefits,” he stated. “You get to know the workflows and personalities of the company. There is an element of trust there and our relationship is stronger because of that.” The 2.5m by 2.5m video screen, made up of Leyard CLM6 LED panels with Colorlight Z6 processing on the back end, was built in an abstract configuration – hung from varying size steel structures fixed on to lighting truss, spanning the entire stage, as opposed to a traditional backwall. “This setup requires us to build it quicker, so the backline can start building their world, but it’s very lightweight and easy to use, so once the local crew are up to speed, it flies up in no time,” he reported.

During the show, there was a lot of camera angles fed into a Blackmagic ATEM switcher, with content then fed into Resolume media servers which was processed and treated with video effects and filters to manipulate the content, monitored by the video team, and pre-programmed by Taylor via an MA Lighting grandMA3 console, operating in MA2 mode.

“The fan camera, which was one of Tom’s ideas, has evolved to the point where Frank and I are on stage during Out Of My System, pointing these cameras fabricated in an old VHS-style shell at Louis’ face in reference to the fisheye-lens inspired music video.”

A mixture of Marshall Electronics and Panasonic PTZ cameras ensured the wider on-stage action was captured. “While the visual content is the same, the shots differ based on the energy of the crowd from night to night,” he explained. “We have an overhead shot for the drums, and another behind Louis, which shoots over his shoulder to the crowd. We also have a PTZ camera on the ground in front of Louis which can rotate to capture crowd scans along with a little ‘bullet camera’ for each musician. It’s been a fantastic tour; everyone on this team has been phenomenal.”

The special effects and pyrotechnics package supplied by BPM SFX included Galaxis PFC 10-way receivers running Galaxis, with a main and a backup controller, which ran through an MA Lighting grandMA2 console, to trigger MagicFX Stadium Shot IIs and a single shot of red streamers. The latter, a “signature of Louis Tomlinson live shows”, according to BPM SFX Technician, Jack Webber – who toured with a new custom control rack, with much of the hardware integrated in one rack.

BPM SFX Account Handler, Matt Heap and SFX Technicians, Blake Harward and Phillip Mathew also provided Webber with support. “The one major change on this tour was putting the Stadium Shot IIs at the downstage edge, and adding lasers for the O2 arena show,” said Webber, who has been involved in past touring campaigns with the camp. “This is the first touring camp to take me to the US, so I feel incredibly privileged.”

Safety was paramount for the BPM SFX team, who implemented the safeguard of warning notices on-stage to ensure the band knew exactly when an effect was triggered. In closing, Webber referenced the ‘rainbow-inspired’ track, She Is Beauty We Are World Class, which demonstrated the strength of the special effects package. “There are about 22 rapid fire chase Comets all going off at the same time with a big lift, which differs in comparison to the other looks with eight units.”

MIXING IN A SEA OF SCREAMS FOH Engineer, John Delf mixed on an Avid S6L 32D console with onboard plug-ins. “I use the onboard plug-ins as much as possible because I want to keep it as simple as possible and know I’ve got a show out of the box without any added extras, which is particularly useful during fly-in gigs, where I have to use a house console or have limited time to set up,” he noted. Delf also toured with some choice pieces of outboard gear including a Rupert Neve Designs 5045 primary source enhancer for vocals, an Empirical Labs Fatso two-channel compressor for drums, and further Distressors for the bass guitar group and vocals.

“The bulk of my mixing is riding the DCA control groups and the vocals, balancing between them, and when there is a lead guitar solo, I’ll jump to that. Most of the mix should stay where it is, and I shouldn’t have to think about it, but every day you make major tweaks and refinements based on how the musicians are performing. Most of the gig is turning the band up and down without affecting the vocals because I have DCAs for drums, bass, guitars, keyboards, main vocal, backing vocals, and an ‘all’ DCA that includes everything but vocals,” he said, explaining his mixing wizardry modestly. “I also run snapshots in which I am changing the sub send amount for different songs, as well as reverb and delay times. If the band changes the set last minute, I have the desk synced to the timecode and that will trigger the snapshots.”

At the beginning of the set, the noise of the crowd can be between 112 to 116dB. “We have a little bit of headroom. When they are loud, I can push the mix, and when they are quieter, I can pull it back for the more introspective moments of the show,” he explained.

“My favourite section to mix is the transition from a cover of Arctic Monkeys’ 505 into Back to You. When that kicks in, I push the “All” DCA up to +10. We’ve built the set up to that point, where I’m able to throw it to the top before the end of the set. The three songs in the encore are also fun songs to mix,” he enthused, accenting the support of Solotech Account Handler, David Shepherd.

“I’ve worked with Dave for years, while he was at BCS Audio (now part of Solotech). He’s been my go-to account handler for a very long time, and Solotech has inherited this gig from them, so there was a natural transition.”

System Engineer and Head of Audio, Oli Crump walked TPi through the PA system: “We’ve been using L-Acoustics, which is our preference, since the start of last year’s tour. The main hang has been K1 with K2 downfill for both tours, however, we are touring with a much larger system this year with K2 on the sides instead of KARA-II. We’re flying subwoofers and carrying delays with us, which is also our preference in big arenas, like the O2 – it provides an even level of coverage across the audience,” the TPi Breakthrough Talent Award alumni said, explaining the thought process behind a larger sound system.

“The PA system is naturally bigger this year because we’re touring larger venues. The crowd is very loud, and we need to be able to compete with that at points of the show. The window of dynamic range we have without it being too loud is compressed because the background level from the crowd is so high, so we need to be able to get our level as consistent as possible from front to back. This setup really helps overcome that.”

Out of ear shot from Crump, Delf extolled the virtues of his partner at FOH: “Oli and I work well together. Every day, regardless of the venue, I know the system is going to sound consistent. We deal with different venue acoustics each day but as soon as I run up my virtual soundcheck, I’ve got the mix back to where I want it because the PA is at the same level every day. I used to walk the room a lot during sound check, but it always sounded consistent, so I’ve stopped doing that because I trust him explicitly.”

The PA generally sat in a standard location for an arena PA, 10.5m off centre and no wider than that, using the same basic system design as Louis Tomlinson’s past touring campaign, which Crump worked on with Kenny to ensure it didn’t impede the production design. “The number of boxes we deploy varies from show to show, based on the venue. The worst-case scenario [visually] is that the PA needs to be a little lower than usual and gets in the way of the IMAG screens slightly,” Crump detailed.

He designed the system using Soundvision, then imported his file into Network Manager, with a DirectOut Technologies PRODIGY.MP chosen for system processing. “I have visited many of the European arenas before so I’ve got fairly accurate plots, however, sometimes you will stumble across an error someone has made in building the models,” he continued. “Madrid’s WiZink Center had different CAD drawings for each layer of the venue and one of the layers was accidentally scaled wrong, so the bottom floors were fine but as you went up everything was out. You get curveballs like that occasionally but that’s why it’s important to verify drawings.”

An audience also changes the acoustics of a room, generally for the better, but sometimes not, so Crump was on hand at FOH to make tweaks when required. “As rooms get larger, they generally get more difficult, reverb time will go up purely as a factor of the room size, regardless of how you treat it. The O2 is quite tall seating-wise, so you end up having to angle the PA up into the roof a lot,” Crump noted.

Over by the stage, Monitor Engineer, Barrie Pitt mixed the five-piece band and frontman using a DiGiCo Quantum 338 console. “Louis and the band are good at verbalising what they want. They’ve been playing a long time, so it’s my job to translate those desires into the mix,” he explained. “DiGiCo has been my ‘go-to’ brand of console for the past 15 years. The 338 is an incredibly powerful console, which can do as much as any other on the market and more in a much less convoluted way. I know it like the back of my hand and how to get the best out of it and do the most complicated things at the push of a button. The Capture features are ridiculously powerful.”

Pitt oversaw 85 channels, 64 directly from stage, with additional channels for shouts, sends, returns, communications, and routing, among others. His outboard rack included a classic Lexicon PCM 91 digital reverberator for vocals. “The way I set up the communications and shout systems are the same across the board. For the layout, a lot of people have instruments on one side and vocal and effects on the other, however, I tend to adjust my banks of faders visually, how you would see it on stage, left to right, as a nod to my analogue mixing days. My second layer is usually tracks and any track content with reverbs next to the vocals, so they’re changed in unison. Sometimes, I’ll do a custom layer of [drum or spill group, two lead guitar channels and vocal] the things I use most, particularly if it’s a busy show input-wise.”

Pitt referred to the basis of his mix as ‘static’ with minor changes. “Louis changes a fair bit between songs I’m running upwards of 60 scenes with a lot of songs having multiple scenes for verse and chorus or specific sections,” he explained. The Monitor Engineer is a big believer in unifying the in-ear monitors, so what he hears is the same as those on stage. “We use Shure PSM1000s, JH Audio Roxanne in-ear monitors for Louis and JH16s for everyone else, except for the drummer, who is using Ultimate Ears IEMs. Louis and the band are solid, and they keep their ears in from start to finish. Louis wants the rock star mix; he likes to feel the weight of the mix. It’s not an overpowering mix but it’s a full mix with his vocal on top with Neve 5045 primary source enhancers on all vocals. Everyone else has a standard band mix at moderate level with their instrument and vocals high. The drummer has the most straightforward mix with his drums and shouts layered on top.”

A further pair of subwoofers stage left, and right were situated under the stage risers, providing the weight of side fills without the top end. “It’s a big rock show with drums and guitars, so the less noise I can have flying about the stage, the better,” he said.

The microphone package included a Shure Axient Digital AD4D two-channel digital wireless receiver, a AD2 vocal microphone with a KSM9 capsule for vocals. Sennheiser MKH 60 and AKG C414 XLS microphones captured the ambient noise of the room. “We track everything, including the two sets of ambient microphones for recording and virtual soundcheck, in case the band decides to do anything with the live content,” he noted.

Having collaborated with Solotech and previously BCS Audio multiple times, Pitt was pleased to see the company on the tour sheet. “They are a solid choice and I know Dave Shepherd well. They fix any problems swiftly, and all their gear is well packaged and maintained,” he said. “The band and crew are lovely. It’s rare to come across a camp so friendly on a show of this size.” Pitt thanked Solotech Monitor and Stage Technician, Matt Coton. “He is fantastic. He takes all the second guessing out of my day and is so meticulous and thorough that I know everything will be as it should be from the get-go. When there are issues, he knows exactly what to do to remedy it. He’s been a joy to work and hang out with.”

Audio Technicians, Matt Coton, Tim Miller, Kim Watson, Elliott Clarke, James Coghlan, Matt Benton; Bassist and Keyboard Technician, Chris Freeman; Guitar Technician, Dan Ely and Playback Technician, Scotty Anderson made up the sound team.

CURATING A HOME AWAY FROM HOME Sarah Nicholas of Sarah’s Kitchen and Caterers, Rebecca Henderson, Helena Robertson, Chris Carter, Matty Pople and Tamsin Manvell provided band and crew catering, ensuring morale stayed high and stomachs were full on the road. Making a name for themselves as One Direction’s caterers, the outfit now cater for each of the band members’ individual tours and private functions, amassing a dedicated online following. “I started catering for Louis and the rest of One Direction during their first theatre gig in Watford and I feel very privileged to have that connection. At dinner time, we perform a plate service, which I think is important – our reputation is not only built on really good food but the entire hospitality package, creating a nourishing environment away from home,” Nicholas said.

Sarah’s Kitchen provided a range of vegan, gluten-free and vegetarian options. “We also provide disposable products and water coolers, and our runner regularly collects fresh, local produce from markets based on where we are in the world,” she explained.

The wider European crew featured Security, Kristian ‘Ches’, Ross Foster, Ben Major, and Gav Kerr; Merchandisers, Jon Ellis and Maddy Stephens; Bus Drivers, Aivaras Arminas, Frederico Antunes, Scott Pickering, Chris Grover; Entourage Bus Driver, Paul Roberts; Merchandise Truck Driver, Warren Dowey; BTS UK Account Handler, Garry Lewis; Stardes Account Handlers, Tyrone Reynolds, and Alam Minshall; CSE Crosscom Account Handler, Hannah Evans and Altour Travel Account Handler, Alexandra Gati.

Having wrapped up the best-selling livestream of 2020 – a lofty achievement given the proliferation of remote productions amid the grounding of live events with in-person crowds – Tomlinson shows no signs of slowing down post-pandemic, making the leap from sold-out theatres to arenas across the globe with his trusty crew in tow. “Live From London was great because the crew and I really needed it,” Delf said. “It gave us some much-needed work amid the lockdown, and all the proceeds went directly to the crew, which was an incredibly honourable thing to do. To come back out on the other side of lockdown was great. It was a dark time back then for everyone, but to be back out on tour surrounded by friends, who feel more like family, it’s special.”

-> read here on Issuu

[sevasey51]

The tablet on the wall for “Charlie crate” would any other commands be in it? Where would it be in the apartment? Also, can you do another scenario for it? 🥺

The Quiet Command

Summary: Connor and Y/N’s apartment is designed for safety, not just comfort—because when chronic illness is part of your daily life, the small details matter. From the moment they moved in, Connor made sure one tool would always be within reach: the emergency tablet on the wall. Nicknamed “Charlie Crate” for their golden retriever’s crate training phrase, it’s a system designed to alert their inner circle when a crash happens. It triggers logs, lights, and calls. And when it’s used again—this time during a seizure-adjacent POTS cascade—everyone is already in motion before Connor can even say the words.

The Tablet System:

Mounted just outside the bedroom door—where it’s always in reach but never obtrusive—is a sleek black emergency tablet, secured with biometric and manual access. The display stays dark unless touched. Once activated, it unlocks a series of quick-trigger commands—coded phrases that Connor and Y/N developed together for worst-case moments.

• Charlie Crate – Full crash alert: sends a flagged log entry, texts Ava, Hannah, Will, and Jay, triggers a visual light cue in the front window (for EMS or family arrivals), and preps the crash kit cabinet lock for immediate access.

• Waterfall – Signals rapid dehydration and potential syncopal prelude: triggers Connor’s phone directly and logs vitals data.

• Red Light – Indicates major bleeding and uterine involvement: locks external doors (to prevent EMT miscommunication), sends an urgent ping to Hannah, and loads OB-specific protocol.

• Greenhouse – Environmental sensory overload: dims lights, lowers sound levels, and pauses smart audio/screen features. For seizure aftermaths or post-migraine pain.

And the best part? Charlie knows. When that tablet beeps, their dog goes straight to his station near the emergency kit and waits.

Scenario: The Second Time It’s Used

The first time Charlie Crate was used, it was Connor who triggered it—Y/N barely conscious, mid-crash.

The second time?

She pressed it herself.

It was mid-morning. A Sunday. Connor had been called into a consult he couldn’t push off, promising he’d be home by noon. She had insisted she felt fine enough—just a bit tired from a long week of mild flares. Nothing unusual.

But the moment he left, she started to feel the drop.

Not the slow kind.

The sharp, brutal kind.

Head spinning, hands trembling, eyes trying to focus but missing.

Charlie barked once. Then twice. He recognized it.

Y/N crawled toward the tablet, using the wall for balance. Her fingers shook as she pressed her thumb to the biometric pad.

The screen lit up.

CHARLIE CRATE?

She tapped yes.

Instantly:

• A crash alert sent to the entire medical circle.

• A light flashed in the front window.

• The data log auto-filled her latest readings.

• And a soft chime in Connor’s OR locker pinged with:

“CRATE ACTIVATED — STATUS: CRASH, UNCONFIRMED.”

Charlie sat next to her, unmoving, eyes locked.

She was still barely upright when her heart rate surged past 170 and her BP began bottoming out.

Connor ran out of the hybrid wing, scrubs half-done, phone to his ear.

Will: “I’m already halfway there. Ava’s on her way too.”

Ava: “She pressed it herself. That buys us a few minutes. Hang on.”

Connor burst into the apartment nine minutes later.

She was on the floor, breathing shallow but alive. Charlie standing over her like a lifeguard.

He scooped her into his arms, carried her to the couch, and began protocols.

Fluids. Cooling cloths. Emergency beta-blocker.

“Come back to me,” he whispered.

When Will walked in, Connor had his fingers on her pulse, eyes laser-focused.

“She did good,” Will said softly. “That system saved her.”

Connor didn’t look up. “No. She saved her.”

Charlie barked once, low and calm. Mission complete.

[halfbaked00q]

part of me is kind of like haha i don't have *headcanons* per se i have flavours du jour,. but actually I think I maybe do have a headcanon, or like. a heavily preferred flavor-

where like, Bond is Not a blunt instrument he just plays one on TV. but he's actually deeeeply cerebral. he also just doesn't externalize a lot (most) of it, further contributing to the impression of like surface level flash, no thots only smash (explode). (he explodes bc he is a brat and also loves to cause problems on purpose and also loves to be a problem)

like, Q is often written as or conceived of as the "thoughts always racing" guy, but I think Bond is at least as much a "mind a mile a minute" kind of guy. like if you've looked into tech-y stuff at all, creating hardware to take in physical stimulus (visual, audio) takes a LOT of deeply technical and precise machinery. and that's not even touching on *processing* it all- it takes maaassive computing power to even begin to process the input from the hardware. So like, Q may be the crunching data, processing outputs guy. But Bond is as much a data-heavy guy, I feel; his just runs through his senses and surrounding and situational awareness and contextual knowledge. He has as much a mental rolodex of precise applied knowledge & on-the-ground intel.

i was going somewhere else with this but ive rambled off the original path lmao.. where was I going with this.

OH RIGHT. so yes, it's like. yes spy novels, maybe scifi classics, possibly "classics" classics- but also, poetry in a variety of languages. a sketchbook, perhaps even a travel watercolor kit. postcards as both a gesture of careless bravado but also for a sort of personal travel log (maybe he can't keep it himself, for security reasons, but he can send them to Q. He can give them into Q's keeping). Immersing in local culture, both as a "Bondism" but also because of genuine curiosity and appreciation for learning and experiencing. *music* all sorts of music, and sounds, and sonic cultures and sonic landscapes.

just. the idea of Bond (Daniel Craig Bond with that sadness in his eyes you usually only see in eastern european gay porn dot meme), limned in light off in the distance through a crowd, three-quarters view, poetry book in hand. right hand resting pensively on the page as his gaze lifts, not-staring into the middle distance deep in thought. a breath, a beat, a heartbeat- his gaze settles back down like the soft brush of winter's first snow. and turns the page

[fake-ascension]

ok im done wuthering my waves for the night

so far my thoughts are leaning towards positive since i was having fun the whole time:

the game does not feel polished at all and ran into a couple of weird visual/audio glitches.

the eng voice acting is hit or miss.

im not gonna judge the story at all because it would be like judging genshin halfway thru mondstadt, but after meeting scar i'm a lot more intrigued about the whatever themes the story is trying to say, because that fucked up fairy tale he told was sick as fuck. other than that im kinda ehhh at this point

im not a gamer, hyv games that got me REALLY playing video games besides a few select few so i dont consider myself 'good' at video games but the combat is fun and satisfying

the open world doesnt feel empty at all like i feared it would there have been plenty of shinnies to get distracted at and its a fun time

the echo system is a bit confusing and i still dont rlly understand how sets & stats work. but making 'artifacts' be pokemon you can run around and capture is SUCH a cool ass, but unsure how well it'll be in the later game statages

ended up with calcharo as my 5* and i'm glad because hes pretty straight forward and easy to use so its helpful during the learning process

i like how when you get new characters a little tutorial is unlocked and it walks you through the characters kit real time and its SO helpful in understanding what they do and if you like a character play style enough to level up a bit

i've been running around with calcharo and mortefi. switching around w danjin/aalto. i think sanhua is pretty and will probably use her when i DO get her, and i think i wanna go for changli when she comes out because boy is she PRETTY

silly thoughts:

the rave turtle echo is fuckin hilarious i love it

the world's fucked up problem being called 'lament' just makes me cackle and think of mr zy0x

i was expecting scar to be the edgy teehee so random im crazy xD type character but im pleasantly surprised by his introduction and im v curious about him

aalto is silly

mortefi is hot i like him, i had to pick a dude in this game it would probably be him (so far)

alright i think those are all my thoughts for now

[sentientcitysurvival]

21st Century Protest Structure: Field Coordination Model

Protesting in 2025 requires structure. The State is organized. Protesters must be, too. The following framework is designed to reduce harm, increase adaptability, and document misconduct in real time.

1.) Communication HQ

Central team monitoring police radio (Broadcastify, OpenMHz, analog scanners)

Tracks crowd movement, street closures, staging by police

Sends real-time updates through Signal, Briar, or secure radio systems

Flags signs of kettling or crowd control escalation

Utilize handheld transceivers ("HT")/handheld radios ("Walkie Talkie") or Prepaid cellphones with encrypted messaging apps and encrypted VOIP to communicate with organizing teams in the crowd.

2.) Direction & Movement Teams

Goal: prevent mass arrest via entrapment

On-the-ground teams to scout ahead and identify traps (dead ends, underpasses, bridge bottlenecks)

Quietly redirect crowds as needed; don't give intel/counter-intel a reason to zone in on any particular person or group; be strong but not a target

Teams blend in with the protest but use predefined signals to coordinate

If you have to break (leave and dart away) due to illegal, dangerous, or aggressive trap behavior by authorities, do so in small groups. Assign a scout or decoy to move in a different direction with deliberate speed to create the impression of urgency and redirect pursuit. After separating, attempt to re-establish communication in 15-minute intervals to reduce noise, avoid signal triangulation, and limit detection risk. Use low-visibility methods (predefined encrypted channels, burner devices, short-wave bursts) if possible.

3.) Documentation Teams

Record frontline police behavior: badge numbers, arrest techniques, excessive force

Operate from both within the crowd and elevated locations (windows, rooftops)

Footage is backed up live or regularly to offsite/secure storage

Purpose: create admissible evidence, not confrontation

4.) Legal Observation

Volunteer teams modeled after or trained by National Lawyers Guild observers

Stationed at likely points of tension (front lines, transport wagons)

Record identifying information on officers and arrestees

Maintain professional distance and neutrality

5.) Information Collection Teams

Gather voluntary protester IDs and emergency contacts for jail support

Log officer misconduct with timestamps, location, and unit info

Match scanner audio to observed events when possible

Prepare formal documentation post-protest

6.) Internal De-escalation Units

Monitor for behavior that gives police pretext for crackdown (property destruction, attempted arson, provocateurs)

Isolate and calm those individuals

Document suspicious agitators if needed

Priority: avoid PR collapse and legal justification for suppression

7.) Social Media Coordination

Designated accounts post verified updates, police positioning, arrest reports

Monitor and counter disinformation in real time

Preferably run by people off-site using VPNs and alt accounts

No central account—decentralized posting reduces vulnerability

8.) Movement

If you use public transportation pay with cash, use cash to buy metro/transport cards at a currency exchange (or similar location) or use a pre-paid RFID debit cards that allow them

If you use private transportation park away from protests to reduce harassment, potential theft/destruction, and to give yourself an reasonable exit.

9.) Response Unit (Healthcare, Hydration, Tactical Defense, De-escalation)

The Response Unit is tasked with frontline and midline support during moments of escalation, crowd distress, or chemical/impact deployment. These volunteers must remain calm, mobile, and trained. Equipment should be organized in marked bags or packs, easily accessible in chaotic conditions.

Healthcare & First Aid

Carry first aid kits with trauma pads, saline flush, gloves, and antiseptics

Identify medics visually (e.g., colored tape or marked vests) but avoid excessive attention

Triage in place when possible; move only if absolutely necessary

Volunteers should know how to treat blunt trauma, burns, sprains, and lacerations

Carry emergency contact forms for unconscious individuals (if pre-registered)

Affordable EM devices include Portable Blood Pressure Monitor Cuffs and Blood Glucose Monitoring Kits

Do not administer medication unless someone is a trained EMT or in a related field

Hydration

Distribute water regularly, especially in high-heat or long-march conditions

Keep backup water for emergency use (decontamination, eye flushes)

Tactical Response: Smoke, Gas, Impact

Carry water buckets or wide-mouth bottles to neutralize smoke canisters (if safe to do so)

Use thick gloves or tongs if attempting removal

Umbrellas can block gas and redirect airflow briefly; also break up visibility for snipers or drones; they can also bounce thrown smoke grenades or flashbangs, although those are usually ground-tossed

Protective eyewear, cloth masks, or soaked bandanas help but are not full protection against tear gas

Use saline or water+antacid (e.g., Maalox) 50/50 mix to flush eyes exposed to pepper spray

Never use oil-based lotions or creams pre-protest (they trap chemicals)

De-escalation & Crowd Calm

Trained volunteers move to calm panicked or agitated groups

Help direct people toward exits or safe zones without creating additional chaos

Watch for false alarms, planted agents, or compromised individuals

Quiet body language and clear, short commands work best ("Walk. Breathe. This way.")

Never escalate physical confrontation unless to prevent serious injury

Additional Tips:

Carry duplicates of essential tools in case of loss or theft

Avoid overpacking or overidentification with red/medical markings (can become targets)

Plan rendezvous points for regrouping post-escalation

Ensure units understand hand signals or light-code cues if verbal communication is compromised

Do not bring items that can harm both authorities and civilians (laser pointers, weapons, dangerous chemicals, etc) and do not bring items you are unsure of that would give authorities an excuse to attack (multitools, large flashlights that can be mistaken for a weapon, large bike-locks that could used a weapon, etc)

The Response Unit is not just reactive — it stabilizes the group, maintains morale, and ensures that no one is left behind when systems break down.

Notes:

Avoid bringing phones with biometrics or open apps if attending in person; use mesh networks or QR-based Signal groups if possible

Avoid bring phones at all if possible

All volunteers should know jail support procedures and have legal aid numbers memorized or written down

This model is not about optics. It’s about minimizing risk and maximizing accountability. Share, adapt, or operationalize as needed.

[fadingwitnesswonder]

This Prospect of Video Conference Facilities within Industry

In fresh years, the approach firms conduct meetings has undergone a seismic shift. The conventional boardroom setting is gradually being changed via video convention rooms organized with today's know-how. This transformation will never be basically a style; it represents a basic trade in how we converse and collaborate throughout distances. As far off work becomes greater accepted and globally dispersed groups changed into the norm, the destiny of video conference rooms in company seems brighter than ever.

Understanding Video Conference Rooms

Video convention rooms are specialized areas designed for digital meetings, allowing contributors to attach from varied areas seamlessly. These rooms are able with more than a few video conference equipment, along with excessive-definition cameras, microphones, speakers, and collaboration resources that facilitate soft verbal exchange amongst group participants.

What Makes Up Video Conference Room Equipment?

The basic resources of video convention room machine come with:

Cameras: High-definition cameras that present transparent visuals. Microphones: High-exceptional audio trap to be certain all voices are heard. Displays: Large displays or video display units for visible presentations. Speakers: Quality sound platforms that supply transparent audio. Control Systems: User-pleasant interfaces to manipulate all kit effortlessly. The Role of Conference Room Audio Video Equipment

When settling on conference room audio video system, corporations would have to bear in mind numerous factors to ensure an high quality setup. The target is to create an immersive adventure that mimics face-to-face interactions as heavily as you'll.

Essential Features of Conference Room Video Conferencing Equipment

To maximize productivity for the duration of virtual conferences, the following good points should always be thought of as:

High-decision video quality: Essential for clear visuals. Multi-platform compatibility: Ensures connectivity with more than a few conferencing instrument. User-friendly interface: Simplifies the operation of units. Scalability: The ability to conform as trade necessities grow. The Evolution of Video Conferencing Technologies

The video conference equipment records of video conferencing dates returned quite a few decades yet has right now evolved with advancements in technologies.

Early Beginnings

Initially constrained by using bandwidth and technologies limitations, early video conferencing tactics had been cumbersome and steeply-priced. Limited accessibility hindered prominent adoption.

Technological Advancements

With the upward push of the web and enhancements in broadband speeds, video conferencing become more manageable for corporations. The creation of structures like Zoom and Microsoft Teams revolutionized how organizations approach virtual meetings.

Current Trends in Video Conferencing

Today’s video conferencing suggestions incorporate complex applied sciences corresponding to artificia

[speedytattoosummit]

Understanding the Importance of Lighting inside Video Teleconferencing Chambers

Introduction

In present day digitally-pushed international, video conferencing has turn out to be a cornerstone of business verbal exchange. Whether you might be brainstorming with crew members across continents or offering to advantage clientele, every pixel matters. One vital yet regularly disregarded component which could notably influence your virtual meetings is lights. In this text, we’ll explore Understanding the Importance of Lighting in Video Conferencing Rooms, why it subjects, and how that you may optimize it for the first-class results.

Understanding the Importance of Lighting in Video Conferencing Rooms

When it involves video conferencing, lights performs a pivotal role in ensuring that members are obvious naturally and engagingly. Poor lighting fixtures can lead to shadows, glare, and normal negative snapshot first-rate, making it rough for viewers to hook up with the speaker. As a effect, making an investment time and resources into figuring out how lights works inside of your video conference room machinery is critical for valuable communication.

Why Is Lighting Crucial for Video Conferencing?

Great query! The conventional motive lighting is a very powerful lies in visual belief. Humans are visible creatures; our brains technique photos turbo than textual content. If you’re poorly lit all over a meeting, you probability losing believe and engagement out of your target audience.

Clarity: Good lighting %%!%%68e660c5-1/3-4a02-b587-f41959da76e6%%!%% create clean visibility. Professionalism: Well-lit environments deliver seriousness and professionalism. Engagement: Properly lit members take place greater approachable and attractive.

In brief, the magnitude of optimum lights can not be overstated while setting up your conference room audio video kit.

The Psychology Behind Lighting Choices

Did you already know that distinctive varieties of lighting can evoke a great number video conference room equipment newtech group of emotional responses? Bright white gentle can energize a room, at the same time softer tones may additionally create a secure environment. Understanding this psychology will help tailor your video conferencing enjoy to stronger in shape your audience's necessities.

Types of Lighting Used in Video Conferencing Natural Light: Utilize windows to bring sunlight hours into your space. Ambient Light: This serves because the base layer of easy on your room. Task Lighting: Focused on unique parts where projects come about.

Choosing the accurate mix will depend upon elements like time of day, room measurement, and intention of the assembly.

Optimal Lighting Techniques for Video Conferencing Rooms

Now that we understand why lighting is a must-have let’s dive into some strategies you can use to succeed in most reliable outcomes.

1. Use Soft Lighting Instead of Harsh Light

Harsh overhead fluorescent lighting can solid unflattering shadows on faces. Instead, decide on comfortable lights treatments like LED lighting fixtures with diffusers or lamps with warm bulbs to create an inviting atmosphere.

2. Position Yourself Strategically

A

[alchemicaldesignquery]

Overwatch / Marvel Rivals: Mood Swings

Vacillating between Marvel Rivals and 6v6 Overwatch, I'm trying to find the areas of separation in both mood and physical demand. So far I've identified a heavier level of stress and anxiety within Overwatch, but most of that has revolved pretty heavily around knowing the game in and out vs. teammates who might still be confused or uninitiated.

Broad MMR woes, for the most part.

Rivals has none of that, which I'll attest to my lack of experience with the majority of the cast (playing as, with, and against), but there is also a very relaxed vibe to the way Rivals operates or can be operated.

The scope of readability is another thing; Overwatch has issues with readability within the visuals, but the audio is significantly clearer. Whereas, Rivals tends toward clusterfucks that really want you to pay attention to health bars (Rival heroes' healthbars tend to pop out and accentuate a lot more than Overwatch, which is a plus for playing Strategist), but the audio can get confusing from moment to moment, which I'll often ignore in favour of whatever visual cues crop up.

Overwatch has a lot more hand-eye dex demand as well, while Rivals I've got a less, even if there are more buttons to press. I'll chock that one up to the higher impact/potency of Rivals' balance and design. Way more punishing/rewarding value found in individual kits.

Lastly, the...confusion of various kits, is less impacting in Rivals. I've found myself filling for whatever is needed (Strategist most often, with occasional Vanguard), but can usually shift focus and attention to covering for other Roles with significantly higher impact than Overwatch where the Roles are pretty demanding of their execution.

Basically, Overwatch feels more like Baseball, where you're responsible for your section of the field and errors can make or break.

Rivals feels a lot more like Basketball, where you want to cover your position, but can, occasionally, drift into zoning others or doubling up, or picking, outside of your main position.

Remains to be seen how this all pans out, but I'm getting the vibe that Marvel Rivals has a much broader arena to play with in how it's been designed...

...and they haven't even begun to address any of the balance stuff yet, which I'm expecting after Season 0 or the "Test Season" as I've come to start calling it.

[skyfcx]

@tendercoded ~

     The kit was a careful one. He protected himself and his own through cautious consideration. His backup plans had backup plans, and so on and so forth... It was safe to say that the fox liked to play it safe. So, quite befittingly, his personal computer was set to be the digitized version of Fort Knox. Connections were encrypted time and time again, sensitive information was made to reside in private servers kept under secret lock and key...

     So then why, pray tell, was his personal AI alerting him of a sudden virus attack currently active within the workshop?

     It hits his brain like a mallet on metal— an artificial voice is calling for his attention. 《 "A rogue element has been detected within your prime computer, Tails. Please advise the situation immediately." 》To him? In here? The only person who had ever gotten through with a successful cyberattack would be the likes of Robotnik, it wasn't every day that someone had the technical know-how to bypass the metaphorical bouncer that was Miles Prower's tech prowess.

     ...In the end, perhaps it was just the ever-present whelm of anxiety that rode the waves of unexpected threats. For, in reality, it was nothing more than... a small humanoid... trotting around the inside of his screen...

     ...Huh. "Nicole? Analysis?"      《 "Broadscale scans have established the rogue element as owning an artificial intelligence. Its levels of intelligence are unclear, but it is a virus by nature. It has automatically synced with systems currently in use. This includes both input and output audio systems. Your system's camera has also been compromised. It is currently listening to every word we speak, as well as viewing you in real time." 》

     —Pointed ears perk after catching that last part. The virus being an AI was fascinating enough, but it already had a connection to audio and visuals? A terrifying notion, and yet... the fox was instantly curious. If it had connected with the output systems, that meant whatever this entity was, its only purpose wasn't just to listen in and spy on unsuspecting internet-goers. Theoretically, the other would be able to talk back, right?

     "If it can hear us, then... Um! Excuse me! Miss, I'm assuming?" Gaia, if this was just some generic AI and he was speaking to what was nothing more than a well-made line of coding, he was going to feel so stupid. "I'm deeply intrigued as to how you made it through all the hoops and hurdles it would've taken to get here of all places, but I think I'd moreso like to know why you're here. As well as the what— or, erm... Who? You are...? I'm not seeing any major changes to anything, so... Some elaboration would be quite nice."

[mudaship39]

Character bio of the Asian Pasifika demigod and Afro Latine Native alien hybrid superhero main character part 4

Wrist Mounted Arm Computer:

Attached to their left arm is a human and alien magical  and technological mechanical portable wrist computer. It is a personal information processor that is powered by steam, gas, & or electricity. It has knobs, dials, buttons, & switches on the top, bottom, left, & right sides for accessibility. It comes with a red, blue, green, silver, or gold light. It comes with a keyboard. Can function as any number of useful tools. Wrist computer uses include data storage, inventory management, topographical mapping, assisted targeting, medical diagnostics, radio receiver, video player, music player, and portable gaming console, a communicator, a light, a scanner, a smart phone, a smart watch, a portable computer, etc. 

It lets him/her/them stay in contact with their handlers and allies. It gives him/her/them mission-specific information. Including where weapon caches are. It keeps track of their credentials. Is also a handheld personal force shield generator. It has crime databases, wiretapping, evidence analysis, a lie detector, and monitors its wearer's heartbeat, blood pressure, & blood sugar to ensure that its use was authorized and to send help if the user is healthy or is in trouble. Can project 3d and 4d holograms. It provides internet access and cellular reception with clear reception and unlimited data anywhere on Earth. 

Has clear reception and cellular reception in terraformed and colonized planets, moons, comets, asteroids, & planetoids star systems and galaxies of the multiverse. It uses nanotechnology to physically reconfigure itself to prevent hacking. It also has GPS functionality. Has a hacking tool. Has a compact first aid kit. Is a wearable computer. Has an interface is a holographic 3d wrist-mounted computer complete with a miniature 4d holographic projector. 

The wrist communicator is based on an alien memory metal so when they take it off it can flex into a tablet shape. Can hack computers, machines, phones, tablets, robots, & artificial intelligences. It can dispense first-aid, repair and customize equipment, and send and receive phone calls. It can record audio sound and visual video footage for later playback. Using a simple but elegant form of sonar and satellite tracking this wrist mounted computer can map out areas where its user travels. 

It acts as a database for the wearer’s personal information and inventory. It is capable of tracking the wearer’s status and organizes the user’s inventory of apparel, junk, weapons, misc, armor, mods, aid, items, & equipment. An overlay of the data is also available. In addition, the device features a built-in radio module. It has an advanced compass. 

It has a virtual 3d and 4d map that displays discovered locations. It has a holographic map projector which shows a complete 3D or 4D scan of an area. It has a sonar and motion sensor system that highlights nearby allies, enemies, people, animals, beasts, creatures, and monsters. It is a communicator, a map, a flashlight, a compass, a scanner, a music player, a smart watch, & a portable computer.

It has lighting functionality. A holographic player, video tape, CD player, & DVD player is mounted beneath the display. It is capable of keeping tabs on the user’s health condition, ammo, weapons, armor, apparel, & food and water. It shows the user’s health bar as red, yellow, orange, & green. It has a blue, pink, and purple heath bar system to show laser, plasma, & hard light shields and force fields. It has a silver, gold, & obsidian health bar system to show combat armor, power armor, & mech suit armor condition. 

The wrist computer gauntlet’s uses include but are not limited to data storage, inventory management, topographical mapping, assisted targeting, telephone, medical diagnostics, computer, radio receiver, telegram, hacking, music (CD) player, & Video (Video and DVD) Player . It can map out areas. It can take and store notes and memos. It has a built-in radio. It has a geiger counter and toxic gauge for radiation, toxins, & poisons. It has a built-in flash light used to illuminate dark areas. 

It needs to be worn as a gauntlet which seals with a biometric lock. It utilizes a revamped 3d or 4d holographic display interface with animated images. It automatically updates using satellites. Additionally, it integrates with the onboard computers of power armor and mech suits allowing a user to access their wrist mounted computer from within the armor via a HUD visor display. The inventory menu is a system used for viewing and managing collected items. The menu also displays total currency and carry weight on the screen. 

It is sorted into several tabs. Weapons, Apparel, Aid, Misc, Junk, Mods, Ammo, & Money. All guns, melee weapons, grenades, and mines fall in this tab. Specs of weapons can be viewed and compared as well as equipped and unequipped weapons.  It shows their attachments such as silencers or suppressors, compensators or muzzles, grips, flashlights, scopes, red dot sight, red laser sight, or grenade launcher. Shows the damage effect it has on enemies. It shows the weapon’s stats such as range, damage, etc. It shows the weapons condition and shows if it is in need of maintenance and repair. 

All armor and clothing appear in this tab. Specs of armor and clothing can be viewed and compared as well as equipped and unequipped apparel.  All aid such as medicines, drugs, food, and drinks are sorted here and can be used and consumed in this tab. Miscellaneous items such as keys, cds, dvds, holographic tapes, notes, and items which fall under no other category are in this tab. Mod tab for weapon and armor modifications. Ammo lists all types of ammunition for guns, grenades, & mines currently in inventory. Currency shows all dollars and copper, bronze, brass, silver, gold, & platinum coins, cash, and credits. 

A unique feature of the Mark 20 Wrist Computer is an adapter plug attached to the underside of the device. This plug is used to perform diagnostics on power armor and mech suits. It can hack into computers. It has a lockpick module to pick the locks of doors, safes, etc. In addition, the plug is also used to gain control of robots, androids, artificial intelligences, automatons, mech suits. When wearing a power armor or mech suit the user does not interact with the wrist computer directly. Instead all the information is displayed through the suit’s integrated HUD but with a different HUD color. 

This implies that the Mark 20 is capable of interfacing with power armor or mech suits onboard systems to allow access to its functionality without having to directly operate the device. It is a wrist gauntlet, wrist bracer or wrist computer. It is a piece of wrist-worn technology. It houses several technologically advanced features.  The wrist gauntlet is a small computer device worn on the wrist and features numerous controls for various items of human and alien magic and technology. It has a digitized display. The gauntlet is linked directly into a metahuman and superhuman humanoid’s combat armor, combat helmet, power armor, power armor helmet, & mecha suit and governs many of their functions. 

The gauntlet also acts as a power source for these tools although it has only limited capacity and would become depleted with repeated use. However, despite the clearly advanced nature of the technology involved, the wrist gauntlet can be recharged from any common power source such as gas, steam, water, nuclear power, & electricity.  

The mark 20 is the most customizable model made. It was the epitome of technology. Each instrument is individually crafted and personally attuned to its recipient. The device is so personalized to its user that it could continuously monitor and report the vital signs of its assigned wearer in real time. It was the quintessential personal data assistant complete with a magical AI modeled after a female humanoid alien and female human. Complete with its own mapping system, navigation system, radio receiver, computer, video and music player, cellphone, & personal inventory tracking software. It’s a souped-up PDA complete with DNA biometric lock.

[marketingprofitmedia]

AI Ebook Suite Review – Create Unlimited eBooks & FlipBooks In Minutes

 Welcome to my AI Ebook Suite Review Post, This is a genuine user-based AI Ebook Suite review where I will discuss the features, upgrades, demo, price, and bonuses, how AI Ebook Suite can benefit you, and my own personal opinion. You may publish and sell infinite “High-In-Demand” Best Seller eBooks and FlipBooks. Revolutionary AI The world’s first AI technology makes stunning, guaranteed best-seller AI kids books in 100+ languages and sells them on Amazon, Etsy, and eBay in under 60 seconds!

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AI Ebook Suite Review: What Is It?

AI Ebook Suite is a cloud-based software application designed to empower users with the power of artificial intelligence (AI) for effortless ebook creation. It goes beyond standard ebooks, offering functionalities to craft engaging flipbooks, children’s books, eye-catching covers, and even interactive puzzles and crosswords.

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AI Ebook Suite Review: Overview

Creator: Yogesh Agarwal

Product: AI Ebook Suite

Date Of Launch: 2024-May-25

Time Of Launch: 10:00 EDT

Front-End Price: $17 (One-time payment)

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AI Ebook Suite Review: About Authors

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Yogesh’s platform lets marketers of diverse backgrounds use virtual AI Graphics influencers. His AI knowledge allows him to create easy solutions that require no technical skills, making content creation accessible to everybody.

Some lots of launches, including Instant AI Biz, AI Fame Rush, AI Platform Creator, VidMonopoly, AI Creative Suite, AI Audio Avataar, Ai Video Tales, BusinessBoxAI, AI Creative Suite, AI Graphics Factory, Viral Faces AI, TubeRushr, Propel AI Kit, AI List Flipper, AI Multi Marketer, AI Smart News,and many others.

AI Ebook Suite Review: Key Features

100% Cloud-Based Software Suite

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1-Click Social Sharing To Get More Traffic & Leads

A Massive Library Of Over 50,000 Ready To Monetize Ebooks

Embed What You Create On Any Website

Inbuilt Cover Creator Feature

Pre-Made Books In Dozens Of Niches

Unlimited One-Click Download

ZERO Skills App

Multi-Lingual Support

Commercial License Included

World-Class Support

Over 1 Million Articles Inbuilt For You To Create Flipbooks Instantly

AI Ebook Suite Review: How Does It Work?

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AI Ebook Suite Review: Can Do For You

Create eBook, FlipBook, Puzzle, Crossword, Or Anything else in 90 seconds or less…

Our content is readable, engaging, and most importantly addictive to the readers

Mind-Blowing DFY Templates For Guaranteed Top Seller Status!

Pre-made books In Dozens Of Niches

Inbuilt Cover Creator Feature

Embed What You Create On Any Website

A Massive Library Of Over 50,000 Ready To Monetize Ebooks

1-Click Social Sharing To Get More Traffic & Leads

Automatic Mailer & A Done Sequence To Make Commissions From Every Flipbook You Create!

Create Flipbooks with ChatGPT & OPEN AI Without Writing a Single Word

Stunning and jaw-dropping designs that look like it’s done by a 7-figure studio

Fully cloud-based and works on any device

Pay only a small ONE-TIME Fee!

30 money-back guarantees

AI Ebook Suite Review: Customers Feedback

AI Ebook Suite Review: Who Should Use It?

Affiliate Marketers

Digital Product Sellers

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Social Media Marketers

E-Commerce Store Owners

And Many Others

AI Ebook Suite Review: OTO’s And Pricing

Front End Price: AI Ebook Suite ($17)

OTO 1: Unlimited Edition ($67)

OTO 2: Automation Edition ($97)

OTO 3: DFY Edition ($77)

OTO 4: 1-Hour Profit ($77)

OTO 5: 1-Click Traffic Booster ($77)

OTO 6: ChatGPT Edition ($47)

OTO 7: Click Design ($97)

OTO 8: Reseller Edition ($297)

OTO 9: Agency License (67)

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AI Ebook Suite Review: Free Bonuses

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AI Ebook Suite Review: Demo Video

Just Watch The AI Ebook Suite Demo Video Down Below To Get All The Details:

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AI Ebook Suite Review: Money Back Guarantee

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AI Ebook Suite Review: Pros and Cons

Pros:

Efficiency Boost: AI writing significantly reduces content creation time.

Content Inspiration: Overcomes writer’s block and sparks creative ideas.

Content Variety: Creates ebooks, flipbooks, children’s books, puzzles, and more.

User-Friendly: Cloud-based platform with pre-designed templates simplifies use.

Cons:

You cannot use this product without an active internet connection.

In fact, I haven’t yet discovered any other problems with AI Ebook Suite.

Frequently Asked Questions (FAQ’s)

Q. Do I need any experience to get started?

No, you don’t need to do anything at all… Just follow the simple instructions in 60 seconds and you’re good to go

Q. Is there any monthly cost?

No, there is no monthly payment needed whatsoever

Q. How long does it take to make money?

Our average member made their first sale the same day they got access to AIeBookSuite

Q. Do I need to purchase anything else for it to work?

Nop… Not a thing. AIeBookSuite. is the complete thing

Q. What if I failed?

While that is unlikely, we removed all the risk for you. If you tried AIeBookSuite and failed, we will refund you every cent you paid

Q. How can I get started?

All you have to do is click any of the buy buttons on the page and secure your copy of AIeBookSuite at a one-time fee

AI Ebook Suite Review: My Recommendation

AI Ebook Suite offers a compelling solution for those seeking to streamline ebook creation and explore diverse content formats. The AI writing assistant can jumpstart the creative process, while pre-designed templates and user-friendly features make it accessible for various skill levels. However, it’s crucial to remember that AI-generated content may require substantial editing to achieve a truly polished and original voice. Ultimately, AI Ebook Suite stands as a valuable tool, but not a replacement for the human touch and strategic planning required for exceptional ebooks.

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Check Out My Previous Reviews: Dropify AI Review, BulkShortsAI Review, ProfitShopper Review, ShopBuildr AI Review, IntelliVid AI Studio Review, CB Ninja Review, AI Employees Review, & OverLap AI Review.

Thank for reading my AI Ebook Suite Review till the end. Hope it will help you to make purchase decision perfectly.

Disclaimer: This AI Ebook Suite review is for informational purposes only and does not constitute professional advice. Before making a purchase decision, we recommend conducting your own research and exploring the software.

Note: Yes, this is a paid software, however the one-time fee is $17 for lifetime.