#basically word for word

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[lesbianwyllravengard]

I want more female characters who are just so bad at comforting others. Not for lack of trying or caring, they just get so so awkward when someone's upset, and they try to repeat things they've heard even if it doesn't necessarily apply to the situation, or they accidentally say the wrong thing and make it worse. If someone cries they panic and throw every single comfort technique down at once and it only helps because it's such bizarre behaviour

This post is for all women including trans women and op loves trans women. Terfs kill yourselves

[blgblue]

edit: second pic inspired by what happens in vegas by onlydance! + see me actually draw from the fic here 👉

[egophiliac]

don't think I'm not still obsessing over 7-12

[toqiuh]

been reading bamsara's TROD au and man do i love their dynamic

[thatcrimsonsun]

I laugh out loud every time I remember that scene in tsc where Jean was like "Well HE has scars as well and you don't question HIM!" and Jeremy is like "Jean. He's trans, those are his top surgery scars. You're traumatized. Not the same."

[milkamel]

Hey guys does anyone want more freaksage? Found a new brush on accident it's so enjoyable to doodle with omg

[bunnieswithknives]

As much as I love angst I think it would be funny if he just didnt give af

[newttxt]

crisis of disbelief

[nenoname]

"There's gotta be a way out of this!" "I gotta do it." "What?! Don't do this! Are you crazy?" "Trust me." "What?" "Just this once. Trust me!"

(+ an echo from the pilot and awkward sibling hugs)

[therainscene]

I didn't start shipping Byler because I picked up on a few moments of chemistry and decided they'd make a cute couple -- I started off by absolutely refusing to entertain said moments as reciprocally queer until I ran into the ridiculous homophobia on the ST subreddit and decided to review Mike's character arc out of sheer gay spite.

Let me clarify: Spite isn't what made me change my mind about Mike. Spite just made me read a few Byler analyses and rewatch the show with an open mind because I didn't want to be like those pricks who would insult and censor queer fans for... [checks notes]... thinking something gay might happen in a TV show with gay people in it. I truly wasn't expecting a queer interpretation to fit Mike's arc anywhere near as well as the default interpretation -- but by the time I'd finished my rewatch, I was reeling from how much better it fit.

Cause that's the thing: Mike's queerness is pretty obvious once you look for it. The difficulty is in giving yourself permission to look.

-------------------

A question Bylers are often asked is "why would the show spend four seasons building up Milevn just to tear it down at the last minute for some unrealistic woke ship? Mike literally said he loves El!" And yeah, Mike's grand love confession at the end of S4 certainly seems like a triumphant pay-off to all that build-up... but I have a few questions of my own.

Firstly: why establish in no uncertain terms that feeling loved is the key to unlocking El's fullest potential against Vecna--

--only to undermine the power of Mike's longed-for confession by having it only be good enough to delay Vecna instead of defeat him? Yes, it's the penultimate season -- so why did Milevn's pay-off happen here instead of S5 where it could properly shine?

Secondly: why couldn't Milevn fix their relationship by themselves? Even if you believe that El commissioned the painting (she didn't) and that the feelings Will describes are truly hers (they aren't), it was still Will who had to perform this romantic gesture on her behalf, and it broke his heart to do so. Why hand this important work off to a third party? Why weave queer tragedy into the build-up towards a heterosexual pay-off that's supposed to feel triumphantly romantic?

Speaking of which: why undermine the intimacy of this scene by having Will hover behind Mike's shoulder the whole time? Couldn't they have asked Noah to take a few steps to the left for the sake of a better shot? Couldn't they have waited until after Milevn's big romantic moment to remind us for the millionth fucking time how sad Will is about it?

In my opinion, this scene and its four seasons of build-up make much more sense if you read them as three entwined character arcs about the trials of growing up in a suffocatingly heteronormative era: the gay kid who doesn't think he's entitled to a happy ending; the abused girl who thinks shallow romance with the first boy who's nice to her will make her feel normal; and the confused hero who hasn't figured out the solution yet.

For all the insistence that this show has to stick to "realistic" depictions of 80s queerness... it's hardly a realistic depiction of 80s straightness for Mike to score an awesome magical girlfriend, either. That's just nerdy wish-fulfillment, and common only as a trope in fiction.

So it's not unreasonable to suppose that Mike's true role in the Subverting 80s Tropes Show might be to represent the actually very realistic 80s experience of getting swept up in compulsory heterosexuality.

Think about it: Will's vulnerability to the horrors functions as a metaphor for being visibly gay in a world that despises gay people--

--whereas Mike's girlfriend quite literally has the power to protect him from monsters and homophobic bullies alike.

This doesn't mean Mike is callously using El, though. He learned the hard way in S1 that treating an innocent girl like a means to an end would only end up destroying her, and the guilt and fear of hurting her again has been weighing heavy on him ever since.

Comphet isn't about taking advantage of other people's feelings so you can pretend to be straight -- it's about deluding yourself into believing you're straight because queerness isn't an option you're allowed to consider.

Mike genuinely does love El and he genuinely does want to be an important part of her life -- so surely that means he wants to be her boyfriend, right? Twelve is perhaps a little young to know that yet... but surely there's gotta be something here that sets his feelings apart from how a friend or brother would feel?

Surely the reason he later finds himself struggling to say to her face that he loves her is because he's just an immature loser who needs to try harder to grow up and be the man this girl he adores deserves to have...?

...and certainly not because the guilt and fear of losing her just keeps piling up as the romantic instincts he thinks he's been waiting to grow into turn out to be developing at exactly the pace they're supposed to -- in the wrong direction.

That would be ridiculous. Will's his best friend. Yes, he loves him and can't bear to be without him, but that doesn't mean anything. Why can't a guy display a little unhinged devotion to his special friend without it having to mean something romantic?

Why can't he, indeed.

At his core, Mike is someone who desperately wants to be as special as the straight heroes in the nerdy media he loves. But there isn't anything inherently heroic about being some lame middle-class white nerd who's bad with girls, so he believes that the best he can do is to be a dutiful sidekick who would sacrifice himself in a heartbeat for people he perceives as more special than himself.

For all the "build-up" Mike's romance with El has enjoyed across four seasons, it's done absolutely nothing to help him grow as a character and overcome this self-worth problem.

So is it really any surprise that even after realizing El would be fine and still want to be friends with him if he told her the truth, and even after realizing just how good Will is at understanding his insecurities and reassuring him of his inherent worth--

--Mike would still sacrifice his chance at happiness for the sake of the greater good?

El was literally dying in his arms. How could queer desire possibly be as important as this girl who needed him to be a man and do his damn job so she could do hers?

I'm interpreting Mike as gay here, but I think it's important to note that this principle applies even if he's bi or straight -- Mike can be attracted to girls and still be forcing himself to stay in a relationship with a girl he's not a good romantic match for because that's just what he thinks he's supposed to do.

His sister had a similar problem: Nancy was legitimately attracted to Steve, but her infatuation with him was more about doing what cool teen girls are supposed do than about authentic connection. And because this is a horror story as much a coming-of-age story, Wheeler's conformity had horrendous consequences -- her critical-of-comphet bestie was killed by the horrors.

Which sounds familiar, doesn't it?

(Sure, Max technically didn't die -- but she still died enough for Vecna's plan to come to fruition. Which just brings us back to my first question: why couldn't the Power of Heterosexual Love prevent this? In the same season that said "forced conforming is what's killing the kids", no less?)

Will describes Vecna as an inevitability that won't stop until he's taken everyone -- which in my opinion is the same defeatist attitude demanded by comphet.

It's not that Mr. Refuses-To-Participate-In-Society's-Silly-Play symbolizes comphet itself, per se; rather, he represents the despair of feeling like you can't truly escape it. But either way, this means that the solution to defeating Vecna is the same solution to defeating comphet:

Giving yourself permission to look and see that your true self is far more valuable than whatever you think you're supposed to be.

[lazylittledragon]

what if i broke all the bones in your legs actually

[yeiwing]

a quick presentation on my findings as a casual podcast consumer

[superbat-lmao]

Jason travels to an alternate universe where Bruce only cares about being Batman. He took in each of his kids to serve the mission, not be his children.

Now, faced with alternate versions of his family, Jason has to grapple with the fact that his Bruce does care, that he is his father. Because the man in front of him now, trying to send him home, isn’t even close.

[arcade-confetti]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[aardvaark]

i don’t mind suspending my disbelief for leverage’s person-sized ventilation shafts bc that’s pretty standard for the genre, but that doesn’t mean i won’t laugh a bit at some of the egregiously large vents. particularly in the crowning acheivement job (lev: red s2 finale) because - well just look at this lol! harry and parker, two adults, can kneel side by side in those vents. parker can sit upright.

that museum was made for vent crawling purposes. that’s just an extra room in the museum they forgot to decorate. the leverageverse has a thief union that successfully lobbied for a better working environment. these vents double as a playground for museum-goers’ children. i was crying with laughter thinking about this and harry’s vent crisis was NOT helping me remember that there was a serious heist thing going on lol, i love this show.