#bc I was getting in that mindset but

[daenerysoftarth]

Welp did both interviews. Both went fairly well i think. Not great but okay

[idontmindifuforgetme]

don't stress about that opportunity that fell through or that friend you lost or that thing you really want to happen but isn't. as long as you keep your chin up and try try try again, better things will replace your losses. i'm looking at my life rn and actually marveling at how every single thing i stressed about, whether it be an opportunity or a person, got supplanted w another thing that is so much better. it really is true that loss makes space for better things. these days i don't get sad when something doesn't work out. i get excited that i'm now open to so many other possibilities out there, so long as i actively seek them. you never lack. you just transition.

[sukibenders]

When other Yellowjackets fans, majority who are poc themselves, talk about how weird and frustrating it is that the writers introduced a random yte character and gave them a storyline when there were two (technically three but they killed off Lottie even when there was an opportunity for more) woc, who have been around since s1, that could've fit the mold instead (like Mari) and have actual personalities outside of building up/being the lapdog for another character. Or how often times many of the, limited, poc characters are often either treated poorly and killed off, or pushed to the side (Simone, reduced to the disposable black girlfriend trope and is nearly killed by her partner because she's in the way of a ship; Travis, since s1, had his trauma dismissed or ignored and was overly hated but no one talks about how he was SA'd by the girls he's now stuck with on top of having to eat his brother and not be able to grieve over it). How Taissa's whole storyline is just revolving around Van even with all the potential, especially given she's fighting to be free from her own mind, how Lottie's mental illness is treated so poorly as if it's not the butt of a joke then it's met with heavy criticism (and the only time she is met with sympathy for it, it's through the lens of a yte character embodying her and having an emotional conversation with her father). How you can have all of these reasons (and more) for being annoyed by Melissa's character or the direction of the show, and be met with #those fans downplaying these concerns, or just being overly antagonistic just because they find yte character #243 entertaining so obviously these conversations don't have merit. But this fandom has always had an...."interesting" way in which it discussed the poc characters on the show, so I'm not surprised.

[lucabyte]

A belief in Nominative Determinsim

[plantingthepast]

chosen ones

[rsenak]

oh, grey warden...

[legolambi]

shoutout to this gross sofa

[smoosie]

Act 5 (part 2)

Previously: https://www.linkslist.app/6GFNvop

I'm sheltering an extra tiny Jayce under the cut ><

[broareweabouttoviberightnow]

Pony and Soda are both angry criers. Soda doesn't mind so much. He's the gangs bawl baby. And truly? he doesn't even mind that title anymore. none of them say it like it's a bad thing. he gets mad, he starts crying he moves on n keeps it going. but Pony? he HATES it. he KNOWS what he wants to say. he KNOWS why he's angry. and he IS. he's not sad or mixed up he's just FRUSTRATED and for whatever stupid reason it makes him cry and it pisses him off to no end.

[starry-bi-sky]

@megacharizardx99

I was gonna initially just leave this as a reply but I'll probably exceed the word limit, but I like this question! This is a good question :]

Honestly with it being this early on in Batman's career, and with Nightingale being the designated emergency support, I can pretty confidently say that Danny's relationship with the other Rogues ranges from neutral to dislike, and vice versa. Just by virtue of it being really early on in all of their careers and thus Rogues like Poison Ivy and Harley Quinn and stuff, haven't had the character development to otherwise be someone worth, eh, well, liking.

Nightingale's role as 'emergency only' means that he's really not seen that often. Bruce is a pretty master escape artist so for him to get in a situation that requires Danny to feel like he needs to step in is rare.

I haven't gotten Nightingale's persona completely set in stone yet, I'm still bouncing around with ideas, but the current gist I've got for him is that he's honestly pretty quiet. He's not there to engage in a fight or banter, he physically can't; he's there to aid the Batman and that usually means subterfuge, sabotage, psychological tricks, to just straight up shooting people with tranq darts depending on his mood that day.

The Nightingale posts I have here are hyperbolic and a bit exaggerated for my own amusement and entertainment, albeit still reflective of what I'm thinking of for the fic. The post this comment came from is a special case in that it was a joke idea I came up with and felt like sharing. It might show up in fic, just in a different format.

With that being said, from the POV of the Rogues, it means that the Batman has this protective little shadow that will pop up at random and either enact psychological warfare on them (distract them long enough for Batman to free himself), break their stuff (make it easier for Batman to free himself), or straight up shoot them with a tranquilizer, and you never really know which it will be until it's happening. Sometimes its all three.

Sometimes its neither of them; sometimes its him freeing Batman without ever making his presence known. One moment the Bat was trapped, the next he's not.

I don't think they even learn what his name is for a while either. He's probably just called smth like 'the Shadow' until people find out his name is Nightingale.

Safe to say though, the Rogues don't like Batman's little shadow that much, and even if he doesn't show up, he invokes this unwilling paranoia in a lot of them whenever they have him trapped. Besides, he's associated with Batman, the guy who keeps trying to stop them, that makes Nightingale a hated figure on principle.

As for Danny's opinion on the Rogues, I don't think there's any of them that he necessarily likes. Sympathizes with, sure, but not like. Folks like Mr. Freeze and Poison Ivy and Babydoll fall under his 'cool motive, still murder' banner, where yeah he gets where they're coming from, but that doesn't excuse the harm they're doing. While folks like Black Mask, the Penguin, or Joker, fall under his 'what an asshole' banner, where he doesn't like them just for the obvious reasons of they're hurting people for power.

He probably likes Catwoman honestly, but her main profession is also thief not murderer so she has that going for her.

I don't think he'd have any special opinions on the other ghost characters. They're ghosts; water is wet, fork found in kitchen.

But yeah, as of the timeline right now Danny's opinion on the Rogues and vice versa are what you'd expect. He's not in the field often enough to form a relationship with any of them beyond the normal one, and considering his schtick is "you made Batman need my help" he's not particularly inclined on changing it. Child ghosts can be so protective yk, especially clingy little traumatized ones with separation anxiety.

[sukibenders]

The Ginny and Georgia fandom can often feel representative of the real world, specifically how certain parent/child relationships end up with the excusing of a parent's sacrifices being hung over the child's head, but never really allowing the child themselves to have their own problems because of it, otherwise they're being "ungrateful". And this rhetoric continuously shines through with how some Georgia fans talk about Ginny. They constantly belittle her and her problems (especially her self harm), call her dramatic for wanting answers from her mother, but never call out Georgia for overstepping Ginny's boundaries and reading her private diary, defending it by saying "Well, she partakes in reckless behavior and she keeps secrets too." Who do you think she learned it from? Like these specific fans will find ways to defend every act Georgia does under the guise of it being a "sacrifice", but can't even do the same for Ginny, a teenager who spent most of her life being uprooted before she could even make a place her home? Who had to deal with her parents' financial struggles (which caused her to be bullied mind you) on top of their tumultuous relationship?

It's also not lost on me how, during that episode where Georgia came to Ginny's therapy session, in which the whole point was to address why Ginny is the way she is, these particular fans sought every opportunity they could to villainize, not only, Ginny but her therapist as well. Especially when the therapist brought up how Georgia, as a white woman, might not be able to fully understand the struggles that her, biracial, daughter might experience/go through (like, what made her think dressing up as Scarlett O'Hara would not sit some type of way with Ginny?). Again, this session was to help Ginny, but these fans, not only, dismiss the very valid racial conversation taking place but fed into Georgia making the situation about herself. This is a big reason why I don't take people seriously when they say that they hate Ginny and criticize everything she does, but love Georgia and are ready to defend everything she does.

[wackywatchdotcom]

before i go do smth else like smth i think abt often but was thinking abt a few hrs ago in particular is how the circus easily tricks the audience into thinking the circus would be Better Than Real Life. when i think from literally almost any angle you examine it its just as bad (if not worse, depending on your own problems)

i think theres like so many problems its hard to even list them all. some of it is personal taste things. cus i think a lot of people think itd be fun because they enjoy specific aesthetic choices in the circus, or bc of other interest related things. but like. what about people who HATE bright colors. what about people who dont like the idea of not being human. what about people who dont enjoy things like roleplaying. some aspects of the circus are only even appealing to specific tastes in things, making one of the few 'draws' of it not really even being a universal thing

and thats the superficial stuff. because more importantly, if you dont like the real world (for whatever reason), the circus may provide a temporary solution to that, because its so far removed from reality. but i think the circus is way smaller than people realize. theres definitely always going to be things to see since caine can always make things, but its just as limited if not more than the real world, because while the world grows and changes, genuinely new things are created and discovered and stuff. caine will never really get to see that, let alone recreate it for the players- and even then, it still isnt actually that thing. that doesnt even factor in that caine is already operating on limited knowledge of the real world. its not clear how detailed he can get on things, since the accuracy can vary (spudsys being so accurate to the real world, vs the dinner in ep 1 being so flat and lacking almost any detail), but theres a good chance that anything he makes is going to be limited to, at the most, a CONCEPT from the real world, if theres nothing in the real world you like, thats still all youll get, just in a different way.and if you DO like things from the real world, youll never get to truly reexperience it (even if caine remakes it, youll know its not the real thing, and it wont be 100% how you remember it, either)

then theres the safety/pain/horror aspect to what caine makes. i think because there hasnt been gore or anything its easy to assume the circus is still tame, and that anything bad that happens cant be TOO bad. but this is NOT true at all. the teaser of the show establishes that even when caine is not going for horror, he still hurts the players. theres things thatd be physically horrifying to a person like getting possessed, theres physical pain (i see it debated but i think its clear that even if they were to experience less pain, they still DO experience pain, but thats a different topic) or extreme discomfort, theres psychological torment (the exit doors are genuinely very cruel even if that wasnt caines goal, what ep 4 did to jax and gangle. kinger getting taunted in ep 3, etc). its all survivable but even if you like them caine isnt trustworthy enough in this way to never do smth horrific to a person, or cause it through his actions

then theres the complete lack of autonomy, which imo is one of the most frightening things about the circus. bc unless your tastes are always aligning with the exciting, completely family friendly existence of the circus, and you never deviate even a little, you are going to be barred from any semblance of it. its best illustrated in how pomni HATES being touched but caines always prodding her and moving her places and stuff, and in how zooble is denied the option to opt out of adventures even when they state they want to directly by episode 4 implying the choice to even have time to yourself is deeply conditional (plus, the whole lack of an exit entirely meaning that even if you liked the circus, the lack of option to leave would still affect a person. youre getting locked in a big room for the rest of time and youll never get to leave). and also this post

and THEN you factor in the social aspect. because regardless of how you prefer socializing if at all, the circus is a nightmare. if you dont like people, thats great! you dont NEED to be anyones friend! except that you are going to be forced to interact with them eventually, and when you do its going to be repeated. its not gonna be once. and once caine notices hes going to bother you about it. forever

alternatively, if you DO like social interactions in any way, no matter what, if its not you, youre going to see others abstract. you are going to inevitably watch those you care abt struggle and eventually get stuck in a state that Seems Extremely Horrifying To Experience forever. its long and drawn out and itd suck and it wouldnt happen once

then is the easy to forget fact that if you have psychological problems they can and WILL follow you to the circus. gangle and zooble are the biggest examples of this. the circus didnt get rid of their problems, they just gave it a new, horrifying inevitable consequence. i sometimes fall victim to looking at the circus and assuming that ohhh i wouldnt have this problem! because i wont have to deal w it getting set off! but like... yeah i would. i wouldnt stop having this or that in the circus id just have to deal w it while ALSO going on adventures

theres many things. you cant truly eat you cant die you dont get to decide anything when you do die it seems terrifying to experience and youll be stuck in some level of that forever and anything you enjoy is not with you and anything you dont enjoy will follow you too to some degree and the list goes on and on

all this said i dont think any of this is an indicator that the characters lives are meaningless or smth just because it sucks. theres a reason gooseworx has said that the takeaway from the show should be that theres meaning to be found in a stagnant life. theres still meaning in their existence and i dont think its as hopeless as it may seem- but i think its still BAD. and tbh the idea that its worse only HELPS that theme of the show!!! i dont think itd hit as hard as a theme if the circus DIDNT suck

[turtleblogatlast]

One of the absolute best things about the bros is that they just. Play. They play around like the teens they are, playing ball, or video games, or anything else. They just play and have fun together, genuinely enjoying each other’s company. I dunno, I just appreciate how easy it is for them to mess around and be kids.

[beanghostprincess]

Ace and Sanji are so alike because their mental stability is as strong as the thinnest piece of paper in a scissor factory.

Sabo: You're so reckless that the universe will kill you soon Ace: You've been saying that for ages and I am still waiting because it's never soon enough

Sanji: *accidentally drops a glass of water and it breaks* Sanji: Maybe I should just die

[willosword]

i will say one thing i’m not super thrilled about is the obvious rex and rae pairing set up that’s happening. i mean it’s not super obvious in the conventional sense but obvious in the way invincible does romances of “boy and girl stand in room talk to each other oooo bam dating now”. i just think its a little sad that they genderswapped rae and wanted to give her a bigger story and decided the only way they could do that was by…… pairing her up with a dude. okay. sure what the hell i guess

though if i am just jumping the gun and they dont actually get a budding romance arc i’ll eat my own foot and be pleasantly surprised

[s0fter-sin]

i’d love to know how much of early day's spn subtext was deliberate or just a happy accident bc the subplot of 1x08 bugs is sam and dean butting heads about how they were raised and sam hating it while dean tells him he should accept it as they protect a family; predominantly a father and son

the father and son argue bc the son is different and not who the father wants him to be while the son feels ignored and shunned (aka sam). sam spends the episode empathising with him and telling him he can look forward to going to college to get away from him just like he did while dean cuts in to say he should stick with his family

the entire episode, dean defends john and the way he raised them ("maybe he needed to raise his voice but sometimes you were out of line"), it even starts with him and sam arguing over their illegal ways of making money and how they were brought up in the life; dean adapting to and enjoying it and sam wanting to be honest and straight

they talk about sam being sure john is and always has been disappointed in him just for dean to say john used to go to stanford whenever he could to check on him and something about his expression is so bitter; like he knows john would never express that care for him

but at the climax when they're trying to get matt to convince his dad to leave, sam is the one telling him to tell the truth and make his dad listen whereas dean tells him to lie; implying he wouldn't trust his son enough to believe him

he outright scoffs at sam and asks him what he was thinking for trying to get matt to tell the truth

the entire episode, dean is advocating for the kid to work it out (almost to just take it) and stay with his family but when push comes to shove, he tells him to lie

sam who spent years resenting john and his family for how they were raised, fell back on "making him listen"; echoing all the arguments he had with john, trying to force him to understand who he is while john's too blinded by vengeance to even begin to try. the same way sam refuses to see how they were raised and why they were raised that way from john’s point of view, hinting at how similar people they are (which still isn’t an excuse but also not the point rn)

dean winchester, the king of repression and masking (and fawning), dean who at this point is still staunchly defending john, tells a shunned kid with a harsh father to pretend in order for his father to care enough to listen to him and believe him

dean knows reasoning won't work bc he's watched it happen over and over again with sam and john

even the way matt tries to say, “but he’s my… (father)” feels like he’s coming over to dean’s point of view; that matt as a son respects his father to enough to tell the truth and no matter how much they’ve fought, that should trump everything. but dean still insists he lies. and matt tells the truth. and his father doesn’t listen

there's no way they intentionally made dean subconsciously know that a man raising his son in a mimicry of how john raised them wouldn't respect or trust his son enough to believe him about something potentially life threatening after half a season of john ignoring them about something potentially life threatening

right?