#brain loop

[thenearsightedmicroraptor]

[ID: screenshot of tags saying '#the bumby :)'. END ID] tags via recuperationdisliker

[4bsurdcreature]

"Blinding Stars Bro. Pull yourself together!!"

[zombie-bait]

Larian modding animation + Legends of Avantris Chuckles animation held hands to bring him to life folks

[gillotto]

He’s supposed to be studying.

[tiliqi]

dance little monkey, dance for us. let the machinery gnaw on your immortal bones as long as the supply lasts. and then some more.

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[officialspec]

characters for a comic idea im developing. like mother like daughter

[lucabyte]

in my heart of hearts i do truly believe that if mdp is in any way extant postcanon its as one of those hallucinations that they get so used to it just becomes mundane

+bonus

do you fucking need something

[lonesomenecromancer]

havent posted anything isat related in a while. have this

[scissorcraft]

dying star

[all-my-ocs-are-evil]

This is entirely self indulgent and I haven't even gotten to the indulging part yet.

[flwrkid14]

Tim and Danny: The Couple That Could Have Been

Tim Drake and Danny Fenton weren’t just Gotham’s it couple—they were the couple.

Tim, the poised and brilliant CEO, and Danny, the charismatic streamer with a chaotic streak, were the kind of pair that inspired faith in love. Their relationship was public but never performative. The candid photos, the impromptu livestreams where Danny would drag Tim into the frame to tease him about his “ridiculously expensive suits,” the way Tim would smile when he thought no one was looking—it all seemed so real, so untouchable.

For years, they were inseparable, the picture of what love should look like. And Gotham believed in them. People joked that they’d be together in every timeline, every universe, because how could they not be? They were made for each other.

So when Danny uploaded a new video one unassuming Tuesday, everyone thought they knew what was coming.

The engagement announcement.

Danny’s setup was different this time—gone were the familiar vibrant backgrounds and playful chaos. The walls were bare, his face somber, his voice quieter than anyone had ever heard.

“Tim and I…” He paused, swallowing hard. “We’ve decided to go our separate ways.”

What?

No, that couldn’t be right.

This was Tim and Danny. The couple everyone was convinced would make it through anything. The couple people joked would find each other in every timeline, every universe, because it was always them.

But Danny kept talking, his voice trembling as he explained—without really explaining—that they couldn’t make it work. No details, no messy drama, just a quiet goodbye that left everyone feeling like the air had been stolen from the room.

———

The Batfamily found out the same way everyone else did—through Danny’s video. They hadn’t even realized anything was wrong. The last time they saw Tim and Danny together, they’d been the same as always: teasing, bantering, comfortable in each other’s presence.

Bruce was the first to confront Tim about it, cornering him in the Manor with that familiar stern frown.

“Tim, what happened?”

Tim didn’t answer. He couldn’t.

Because he didn’t know either.

Danny had been the one to end it. One day they were fine—perfect, even—and the next, he was breaking up with Tim over coffee, quiet and somber, like he was grieving something Tim couldn’t see.

“I just… we can’t,” Danny had said, his voice trembling. “I’m sorry, Tim. I love you. I’ll always love you. But we can’t keep doing this.”

And that was it. No further explanation.

Now, Tim was left packing up his things from the apartment they’d shared, trying to piece together what went wrong. Danny was on the other side of the room, just as quiet, boxing up his own belongings. They didn’t speak. Couldn’t.

The space between them had never felt so vast.

“I love you,” Danny had said, his voice breaking. “I’ll always love you. But I can’t… we can’t keep doing this.”

And just like that, it was over.

And Danny? Danny knew exactly why.

———

Danny Fenton was a coward.

He’d gone to Clockwork for help after the first heartbreak, unable to bear the thought of living in a world without Tim Drake. He couldn’t undo the pain of losing Tim to the Justice League’s doomed mission, but he could relive the good years.

Clockwork had hesitated.

“This is dangerous, Daniel,” he warned, but Danny didn’t care. He didn’t want to forget Tim. He didn’t want to move on.

So Clockwork granted him his wish.

Again and again, Danny went back. Every time their relationship reached the point of no return—where Tim’s inevitable death loomed on the horizon—Danny would break up with him, retreat to Clockwork, and start over. He couldn’t bear to see Tim die, not again.

But the cycle wasn’t perfect. The cracks showed with each repetition. Danny’s breakups became harder to explain, his excuses more transparent. He could see the hurt in Tim’s eyes, the way his walls went up higher and higher with every iteration.

And still, Danny went back.

Because he couldn’t stop.

Because he couldn’t let go.

———

This time, though, it was different.

This time, as he packed his things, Danny felt the weight of what he’d done pressing down on him like never before. Tim wasn’t angry. He wasn’t even questioning it anymore.

He just looked tired.

And Danny hated himself for being the reason why.

The world moved on, but Gotham felt the loss of Tim and Danny like a phantom limb.

The bats watched Tim retreat further into himself, his work becoming his sole focus, an impenetrable wall between him and everyone else. They wanted answers, but Tim wouldn’t give them. And Danny? Danny disappeared from Gotham entirely, his absence leaving a wound that never seemed to heal. Maybe that’s why Tim would find himself on that mission, before Danny's loop restarted everything again—caught in the endless cycle of fate, unaware of how close he was to losing it all for good.

Clockwork didn’t say anything when Danny returned again, his face pale and his hands shaking. He just stared at Danny with quiet pity, his form shifting through time as if he were trying to decide what version of himself could make Danny stop.

“You can’t keep doing this, Daniel,” Clockwork said softly.

Danny didn’t answer.

Because he knew he’d be back.

Because he couldn’t stop.

Because he’d rather relive the heartbreak a thousand times than face another world where Tim Drake was gone for good.

[eggnoodlesoop]

isat traditional sketches yayyyy!!!!

[finnautica]

Game so good it makes me wish French people were real

[waywardmillennial]

"I should say that to Yaz."

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"I should say that to Yaz."

"I should say that to Yaz."

"I should say that to Yaz."

"I should say that to Yaz."

"I should say that to Yaz."

[nenoname]

stan putting his hand/arm over his family's shoulders compilation!!!

+ ford returning the favour