#but I see so many fan theories that she’s trapped now and what if I’m wrong…………. I’ll never recover

[miswaken]

my one and only remedyverse fear is that they’ll never actually let alan and alice exist in the same room on the same plane of material existence ever again

[dalishious]

Dragon Age: The Veilguard – Release Date Trailer Analysis

I’ve finally put my thoughts down into a (mostly) coherent form! Let’s talk about that trailer, of which there is a LOT to talk about…

The Black City?

We know from Game Informer that Solas's ritual was attempting to bind the Evanuris to a new prison, because the one he had previously constructed was failing. However, because of Rook's intervening, Solas is now trapped in the Fade, and Rook's blood is now connected to the Fade. If Solas is trapped in the Fade, perhaps it is the prison he built in which he is contained to.

Now, many people believe that the Black City – previously the Golden City – is this prison. I’m personally resistant to this, simply because this theory stems from fans drawing connections between lore about the Maker and lore about the Creators, which leaves a bad taste in my mouth. (Because of the differences in how those beliefs have been treated in the franchise’s writing. The beliefs of in-universe settlers is constantly given the benefit of the doubt, while the beliefs of in-universe Indigneous-coded people are debunked.) However, unfortunately it is looking more and more like this really might be the case. And I’m in an upset stage about this right now, but I’ll try my best to remain hopeful that The Veilguard will steer things in a direction that’s more comfortable?

The Horror of Hormak?

I believe we are going to see a lot of references to Tevinter Nights in this game. This is just the first to appear in the trailer, by my guess. It looks like the elf is being absorbed into this fleshy mound, which is exactly what happened to Jovis in “The Horror of Hormak”. You can see other body parts sticking out of the mound, including one that looks like a darkspawn body. The flesh sacks themselves are reminiscent of signs of the Blight in Dragon Age: Origins, and we know that of the escaped Evanuris, Ghilan’nain is one of them. Ghilan’nain, who is Blighted. Ghilan’nain, whose temple in “The Horror of Hormak” had such magic capabilities of creating monsters from different beings, molding them together.

The Archon’s Palace?

It looks like this floating structure could be the Archon’s palace, based on this description from “Half Up Front” in Tevinter Nights:

“The Archon’s palace filled the Minrathous skyline. Dominated it—it was visible from pretty much anywhere. When you first came to the city, you spent a few weeks admiring it, in awe of it. Eventually, you got used to it, and it became part of the background, like the sun or the clouds.”

So, that means we’re looking at Minrathous. Unless there are other cities with other magic floating structures, which I suppose we can’t rule out. It is Tevinter, after all.

Lyrium Infect Darkspawn?

These darkspawn look like they’ve definitely been infected with red lyrium, given the small ones here resemble the Red Templar shrieks from Dragon Age: Inquisition.

Lace Harding’s Magic?

So, we know from the official website that Lace Harding has discovered she has mysterious magic abilities. In this trailer, we see her turn monsters into stone, and raise a stone wall from the ground… if you recall, this second thing is something that the Sha-Brytol earth shakers could do in Dragon Age: Inquisition’s DLC, The Descent. The Sha-Brytol used lyrium to accomplish this, and when Lace uses her magic, her wounds glow blue… like lyrium, perhaps?

Morrigan & Mythal?

Morrigan appears to be wearing the headdress that Flemeth previously had, from Dragon Age II onwards. In the epilogue of Dragon Age: Inquisition, before Flemeth was killed (?) by Solas, she was doing something with an eluvian. Morrigan always assumed that Flemeth intended to possess her, but it’s entirely plausible that really, Flemeth was going to give her a piece of Mythal. After all, Flemeth says to Morrigan that she was never in danger, because she had to be willing. So, needless to say, I think Morrigan now has Flemeth’s piece of Mythal within her.

The real question is, how the fuck does Morrigan still look like she’s in her 20’s? Shapeshifting, or simply developer refusal to let a woman show age? //eyeroll

Teia & Viago?

I am HOPING. I am PRAYING. That my beloveds from the Tevinter Nights story “Eight Little Talons” play at least a somewhat significant role in the game, because I adore them so much. And it really does look like this might be them!

Magister Zara?

At the end of the Tevinter Nights story “The Wigmaker Job”, there is a brief epilogue featuring a Magister by the name of Zara Renata. She is obsessed with maintaining a perfect appearance, and uses blood magic sourced from her slaves to remove and perceived flaws on her body. It is said that she will is on his target list, but Zara is convinced they can take care of him.

“Freeing Ambrose’s slaves already tells us this Crow has a heart. He will reveal other flaws. And we will exploit every last one of them.”

 My assumption is that this is Zara that Lucanis is fighting.

The Dread Wolf?

In the Tevinter Nights story, “Dread Wolf Take You,” we are told that Solas has a Dread Wolf form. It appears in the Fade as a fiery wolf with wings. While this wolf is not on fire and does not have wings, it does have three eyes on each side, which is the same amount of eyes on Solas’s ending tarot card in Dragon Age: Inquisition. (Also, the same number of eyes as a Pride Demon…)

Irelin?

Irelin first appears in the Tevinter Nights story, “Three Trees to Midnight”. She is a Dalish mage, part of Strife’s clan. In the comic “The Missing”, she is depicted to look strikingly similar to this elf. It could be coincidence, or it could be she’ll play a role in the Veilguard’s plot.

The Dragons in the Dragon Age?

So, I’m still pondering this one… but I think there may be some significance to here being seven dragons shown in the trailer. There are, after all, seven Evanuris, and maybe the connection rests there. Or maybe it’s linked to there being seven Old Gods of Tevinter. Or maybe it’s all connected.

[pinkhairedlily]

tadaima

sharing my piece for @sasusakubpzine which i'm so grateful to have been selected for. we are holding leftover sales so get a copy now if you haven't yet! 🛒-> https://t.co/DM3t6gqkDo

“Tadaima!”

Sasuke heard this greeting many times when they were kids. After classes, after missions, after errands. Everyone had families to come home to. Only Sakura had this privilege in their team, her parents still alive, but never once did he catch her uttering it.

He envied her regardless. However casual and mundane the word was to her, he craved to use it. Maybe letters strung together could bring back his dead.

But it was Sakura, his anchor after the war, who made it possible again. “Tadaima.”

And today, he’ll hear her say it to her family.

Only that, she isn’t herself. He sees her plant a longer kiss on Sarada’s forehead and feels her squeeze his arm a little tighter, signs of her anxiety bursting to the brim.

“We can go another time.”

Sakura shakes her head and grins her way out of his silent prodding. “Let’s take advantage of this while we can. A complete family. I can show them that.”

A complete family. Sasuke always thought Sakura had it easy, but not all families mean home.

x x x

Sasuke hears the Harunos before he sees them. Their noise is as loud as their eclectic hair styles and colors, but they quiet down when they register their arrival. The grand entrance ends on a neutral note when Sakura beckons him to the empty seats beside her parents at the center table. Hot seats. 

Kizashi and Mebuki manage lukewarm nods towards the three of them. Not so much as a kiss or hug for Sakura or an awed expression for Sarada inside her baby wrap. Sasuke doesn’t know which of the two irks him more.

The luncheon goes well for the first half. Everyone keeps to their little conversations. The meat is a little too hard and the broth a little too rich, but nothing out of ordinary. Perhaps it’s the food coma that makes some cousins plant their attention on them.

“Did you learn love potions at that ninja academy?” Eyeliner Guy asks. “Couldn’t think of any other way.”

Sakura smiles. “No, but I'm an expert with poisons.”

The death threat flies over their heads. 

“You probably baby-trapped him, no?” Thick Lipstick side-eyes him. “What a catch.”

Sasuke tries to smile, if only for his wife’s sake, but his annoyance seeps through his reply. “Great theories, but we actually met at the academy, fell in love later on, and got married. Contrary to what you think, Sakura is quite the catch.” He takes a sip of his now-cold tea. “I’m sure you’ll find someone in your forties. Don’t lose hope.”

Sakura almost chokes on her dango. “She’s in her twenties, Sasuke,” she chastises under her breath.

“Such a shame we didn’t see your marriage registry. We tried to find it, you know,” Green Mohawk smacks his lips, “for fun.”

“We got married outside the village, but we appreciate your effort.” He hopes his cold tone diffuses their burning curiosity, bordering on assault.

Some old people gravitate towards their seats upon hearing this. “We heard you came from traveling.”

“Ah, yes, the Land of Flowers was so beautiful.” Sakura tries to turn the conversation light, but no one takes her bait.

“Wasn’t that too dangerous during your pregnancy?” Paper Fan Grandma asks.

“You should’ve been more careful, Sakura,” Mebuki chastises, “And you should’ve known better, boy.”

“It’s Sasuke,” Sakura butts in, “And Mom, I’m a doctor. I can take care of myself.”

Mebuki not remembering his name doesn’t bother him as much as her occupation escaping them.

“So what’s your work, Sasuke?” Cigarette Smoking Uncle asks.

Sasuke has half a mind to use amaterasu on the nicotine stick. “I have duties beyond the borders of the village.”

“Ah, you’re always traveling then?” Paper Fan Grandma loves to gasp a lot.

“You could put it like that.”

“And you leave her? With a baby?”

“Sakura is very important in the village. She’s the hospital director.”

The three cousins sneer loudly at this while the older group does not feign their disappointment and tut-tuts. Sakura’s grip on his thigh tightens.

“This is why I keep telling her to focus on being a housewife,” Mebuki tells her husband as if Sakura is not in front of them. “The horrors of being a single mom! Did you hear what happened to Ayako? In debt and cheated on!”

Sakura is a strong woman. 

She never backs out from a fight or cowers in fear. She faces all her battles head-on. She has grown out of the shells of her childhood and adolescence and into these beautiful myriad of forms: a healer, a soldier, a mother, a wife.

“I can balance my work —” 

But this Sakura’s voice wavers and he sees how one of Konoha’s pillars regresses into an insecure girl who only wants her family to see her, know her, and accept her. 

Kizashi scoffs. “Sakura, do you know how hard it was to raise you? Your mother and I lost count of the sleepless nights we had because you wanted to become a ninja.”

Green Mohawk adds, “Bad decision. You’re lucky you came back in one piece.” He throws an apologetic look at Sasuke’s lost arm. 

Arthritic Grandpa points his cane at Sarada. “A child with two nin parents? Preposterous. Ninjas don’t grow well. They become orphans.”

Sakura stiffens beside Sasuke. He offers her his hand which she clasps in support, but really, it was just to stop her from springing when he says his piece, “Then I’m glad Sakura grew up okay despite being related to you. Clearly, you didn’t know her capabilities– or you only pretended to.”

A look of shock passes through their faces. Sarada takes the momentary silence to wiggle out of her baby wrap and onto Sakura’s lap. She squeezes her Mama’s cheeks, a gentle gesture of, Don’t worry Mama. I love you.

The manager of the restaurant also swoops into the awkward exchange by bringing the bill and a blank paper. “It’s a pleasure to have you dine with us, Dr. Uchiha. You saved my sister in an invasion once, but you probably don’t remember it anymore.”

Sasuke silently thanks the man for reminding Sakura what she is, what she has become. 

Sakura smiles. Finding her footing, she quickly gives her autograph “for display” and nods to Sasuke. At this cue, he gives the manager a wad of cash and ushers his family out of the restaurant without so much of a goodbye to anyone else.

x x x

"I think I made a good impression." Sasuke breaks the silence as they enter their home. 

Sakura's shoulders — broad, strong, dependable — tremble. But it's only laughter she can't contain. 

"You sure did." A soft grumble passes between them and she erupts in louder chuckles. "Can't believe I paid for food I haven't eaten. I'm so hungry."

As they enter the kitchen, his shoulders rub hers, another language meant to hold her hand. "Great timing then." 

“Okaerinasai!” Kakashi, Iruka, and Yamato, caliber soldiers, rightfully feared, don brightly-patterned aprons as they rambunctiously navigate a foreign space. Clutter decorates the countertops, and different, appetizing smells permeate the corners. 

It smells like home.

Sasuke watches Sakura’s face light up at the chaotic sight. 

Sarada is quickly lifted off Sasuke's embrace into the cradle made by three pairs of arms, and her greeting involves biting the cheeks of her uncles — her attempt at a kiss.

"No fair, Yamato. Don't turn your cheeks into wood!" Iruka bursts out. "It's painful for Sara— ow!" 

"You forget she's Sakura's daughter." Yamato massages the flushed red side of his cheek where thick gums and milk teeth had clamped down hard.

Kakashi heeds fair warnings. "Now Sara-chan, why don't I kiss you instead?" But the toddler has other plans as stubby fingers pull down his mask.

“Now don’t hog my goddaughter like that.” The three house-nins part for Tsunade whose arms are already open for Sakura. “How’s my best student?”

Where no one touched her earlier, here she is received. In laughter, in pats, in hugs. Casual, mundane things that tell of love.  

It feels like home.

“I didn’t invite you.” Sasuke notices the two empty sake bottles on the sink. “But I see you’ve already made yourself welcome.” 

“Kakashi said this is my homecoming. Besides, you rarely play host.” Tsunade shrugs, her  innocence quickly morphing into slyness. “Why don’t we play cards?”

Another bottle to the mix and a relocation to the patio later, the fifth hokage finds herself losing with an expectant audience.

"Sakura, sit next to your shishou.”

"Sakura, no." 

A student still obeys her master, and like clockwork, a gust of wind loosens her top. Sasuke grimaces at the distraction.

"Aha. I win!" Tsunade puts down her hand. "See, Sakura, you're always my lucky charm."

“Don’t tell me you didn’t see that coming?” Iruka jests.

“I recommend Icha-Icha’s Education Against Seduction.” Kakashi pulls a book out of his apron to give to his former student, but Yamato’s the first one to flip through the pages.

Annoyed, Sasuke turns to a half-flustered, half-laughing Sakura. “She cheated. Again. How did she even become your teacher?”

“How did you even become her husband?” Tsunade rolls her eyes. “I bet Orochimaru taught you love potions. Why would the most beautiful kunoichi even marry you?”

“She has the best chakra control,” Kakashi pipes, “I bet Sakura can beat your genjutsu now.”

“Monstrous strength for a doctor.” A specific memory sends shivers to Yamato’s spine. “Don’t let her fix your bones while conscious.”

A consensus runs through the group which stops Sakura’s laughter. “Are these supposed to be compliments? Why do I feel offended?” 

Inside her crib, Sarada giggles. Iruka leans down to her and whispers in acquiescence, “I know. She’s a loving mother too. You’re gonna grow up fine, Sara-chan.” 

Sasuke trains his sight on Sakura whose face is painted in happiness. There is nothing to prove, nothing to say, nothing to do. She is seen for what she is, all the sides and parts of her that make her her: a student, a doctor, a wife, a mother.

A loud bang interrupts the scene, followed by a powerful rush of chakra. 

"Good evening, constituents!" Clad in his hokage robes, Naruto commits to his ceremonious entrance. Only Sarada spares him attention with a delighted cooo-caaa. 

"Did you bring it?" Tsunade drawls over her words. Already too drunk to balance, she is leaning against Yamato, who looks like a still painting in front of the fire. 

Naruto presents another bottle of sake to the group with a flourish. "Of course, old woman!" Despite his desire to hold off on additional liquor, Sasuke accepts the gift.

x x x

The bottle, emptied after making several rounds in the group, now lies under Sakura's feet. The crowded bench trickled down to the three of them, the rest having already found abode on living room futons, limbs all splayed out and tangled like close friends under the warmth of the covers, with Sarada at the center of them all.

In the dark, Sakura's shoulders are hunched, free of the tension that hounded her this morning. The fading embers dance in her jade eyes.

"It had been a long time since we gathered like this." Her words trail smoke in the wintry air. "Too bad Sai had Yamanaka duties."

Naruto chuckles. "He missed a rare sighting of dancer Yamato."

"With deadpan expressions to boot."

Both of them turn to Sasuke at the same time and laughter spills out.

"No, I’m not drunk." Sasuke holds up his sole hand at the wordless prompting, but he puts it down quickly when his world starts spinning out of orbit. Yep, he’s drunk.

"You're no fun." Naruto sticks out his chin in defiance. "Why don't we play a game?" 

Sakura claps in agreement. She somehow salvaged a third of the wine's content from their teachers for their drinking game.

"Take a shot if you did this," Sakura grins too widely. "Never have I ever failed a subject in the academy."

The boys clink their glasses and drink. Alcohol tastes like water when you get used to it.

"What? Sasuke failed?" Sakura's pitch climbs a bit higher. 

It's an embarrassing admission, "I hated History." Sasuke wonders if his path of revenge would have taken a different trajectory if he had paid more attention. "Never have I ever failed a practical."

"What are these non-controversial questions?" Naruto snorts and empties his glass. Sakura smugly follows suit. "The know-it-all shows himself."

Sasuke shrugs, grateful to be spared from this round, because my god, I can't feel my legs. To be fair, he's doing a good job pretending he's fine. How is Naruto holding up so well? 

"Okay, last question, and I have to go home to Hinata." Naruto swirls the remaining contents of the bottle. Probably good for only two shots. 

"Hmm," Sasuke sees him rack his brain for more scandalous questions, but it's the one he picks that sears his insides. "Never have I ever fallen in love with a teammate while we were genin!"

“I hate you! That’s not how it works!”

“I’m too drunk to think of anything else!”

Sasuke swipes the bottle away from their reaching hands and swigs it into his mouth. He hopes it numbs down these butterflies and palpitations and somersaults that time traveled when he tried to touch her rosette strands as she scribbled furiously during History class.

"Sasuke-kun? You switched up the rules. You’re supposed to drink when it’s true.”

Sakura turns to Naruto, usually competitive, but has no protestations on this development.

“But it’s true.” The bottle goes round and round in his hand. “I liked Sakura back then,” he sighs his confession into the open, this secret no longer his own.

“No way.” 

“I wasn’t just as loud about it.” Sasuke takes another swig, forgetting it’s empty, and the bottle comes loose in his fingers. “It actually faded you know,” he adds a dash of nonchalance, but Sakura, as she always does, sees through him.

“It’s true, Sakura-chan,” Naruto echoes, “Or maybe his definition of like is ‘the only girl he can tolerate’.” That earns him a good old slap on the back of the head. 

They’re twelve again, struggling to be teammates, bickering at every conversation, and building bonds Sasuke thought he could fray.

This is family.

“Stop smiling.”

“I can’t stop.”

“You’re as annoying as you were then.”

x x x x

“What was the occasion?” The question hangs in the silence of midnight as she settles on her side of the bed. Sasuke adjusts his body to her presence, accommodating her curling limbs, like fitting two puzzle pieces.

“Nothing. I told them I missed them,” he lies. 

Sakura needs her family, that was the message. She needs her home.

His fingers intertwine with the strands he liked, strands he loves. Underneath his skin, he feels her let go of wakefulness, dreams already waiting to claim her.

A murmur, a prayer, as she leaves the day, “Tadaima.” 

FIN.

Thanks for reading!

AO3 | Twitter

[thefanficmonster]

Bouquet

Corpse Husband x Reader (Female)

Warnings: None

Genre: FLUFF, RPF (Real Person Fic)

Summary: Having come clean about being single for a very long time now and considering herself completely out of the dating scene, Y/N’s confession is taken and responded to with a ton of kindness, especially from a special someone...

Requested by Anon. Hi hun! Thank you so much for your lovely request, it was such a joy to write! I’m so sorry for the long wait you had to go through but the fic is finally here and I hope you enjoy reading it! Love, Vy ❤

I roll out of bed with little to no desire to start my day. We haven’t got a scheduled stream for today and the clouds glooming in the sky seem to be promising rain so really what do I have to get up for except that it’s a rule society installed?

Just kidding, I’m basically stalling and that’s all.

So what happened was the streamer gang and I were playing Among Us last night and our conversation during the pause between rounds somehow swerved into relationship territory. I stayed quiet the majority of if not all the time because I had no valid input to offer. 

If you know me you know I’m not one of the performers on the dating scene. I have never really confirmed it with my fans - well, until last night, that is - but I bet they have picked up on that fact considering I’ve been on YouTube for around a decade and have never had a partner. That being said, I’d have to also mention that I have in fact dated but someone but it was before my YouTube era started. Me choosing this career path, which back then was just a hobby, had nothing to do with the relationship ending but it still motivated me to not to actively look for a relationship while I’m still focused on my career. It’s too much work, too much stress and requires a lot of balance I most certainly either don’t have or I don’t have the energy to put in balancing my romantic and professional lives. Luckily, no one’s ever pressured me into finding a significant other, not yet at least, so no societal pressure for me!

But I gotta admit I felt real awkward admitting all this last night.

“Hey Y/N what do you think? You’ve been awfully quiet?“ Rae asks, causing me to jolt in my seat from where I’ve been reading my chat for the past five minutes, my mic muted.

I quickly unmute to reply, blushing ever so slightly, “Um, sorry I was reading my chat. What do I think about what?”

“The gesture of giving flowers to your significant other, is it romantic or a waste of money and plant murder?“ Rae explains, still managing to catch me off-guard with her question.

I ponder what my response should be for a little bit before deciding to level it to a neutral level where I almost sound indifferent, “It is in fact plant murder basically and artificial flowers would definitely be a better gift - plus they’ll last longer.”

“Mhmm yeah that’s true.“ Poki agrees with me, “But there’s still the question of whether it’s a romantic gesture or not. I personally don’t think it’s overrated or cheesy, I actually quite like it. What about you, Y/N?“

And now she’s got me in a real trap that I can’t wiggle out of without speaking my truth. I don’t know where this sudden anxiety around the subject came from but it now resides within me rent free and makes me feel self-conscious and embarrassed of the confession I’m inevitably make.

“Um, I wouldn’t know for certain, I’ve never received flowers myself...“ I say sheepishly, cringing at the sound of my own voice, “It’s not like I’ve dated plenty of people and the one guy I did date wasn’t really romantic or anything, I mean - we were teenagers, after all. But when I think about it in theory I think I’d like the gesture: it’s thoughtful, plus you get a temporary but beautiful piece of décor out of it.“

I’m gonna hope I didn’t sound too pitiful or desperate. Of course I’m not gonna check afterward on the stream cause I’d rather live in the illusion of having sounded humorous rather than be given the confirmation that I didn’t.

“Wait, wait, wait, did you date your last boyfriend like a decade ago?“ Corpse is now the one talking and that makes me feel even more anxious. This is not the impression one would want to give to their crush, is it? Oh well, no turning back now.

“Correct.“ I reply with a laugh that I hope didn’t sound as nervous as it was.

“And you’ve never, like in your whole life, received flowers from someone?“ He sounds astonished which sort of makes me want to shrink up in my shell like a turtle. Too bad I don’t have a shell though. I’m genuinely thinking of the option to rip the router out of the outlet right now to save me the troubles but I’m not that immature. I’m surprised I’m even reacting this way - this topic doesn’t usually bother me at all but now for some reason I’m red as a tomato and shrinking in my chair. 

I know what the obvious answer is but I’d rather die than admit to it.

“Yeah, yeah, I know it sounds bad but I really don’t care.“ I make an attempt at changing the subject, swerving it back to the main topic rather than my lack of a love life, “I do, in fact, find the gesture sweet - it adds vibrancy to the relationship just like the flowers would add vibrancy and color to the space they’re put in.“

“Oh my gosh, that’s such a cool analogy!“ Rae gushes, “You’re totally right, it might be an old trick, but it’s aged like fine wine.“

Phew, God bless you Rae.

“Exactly, exactly.“ Corpse agrees as well but I don’t think he’s fully heard what Rae said since he sounds to have fallen in deep thought.

At least I got away with it with only making a SLIGHT nervous wreck of myself.

Yikes, was that horrible, though I don’t people will remember it for long. Sure, my fans have sent me thousands of lovely messages and pictures of bouquets and will maybe continue sending them for another day or two - which I highly appreciate, don’t get me wrong. I’m severely touched by this gesture of theirs and it almost makes me glad I finally ‘came clean’ about my romance-less life - however, it’ll fade overtime. I mean, who the heck cares if I’m single or not?

As I pour the milk over my cheerios which I’ve been snacking on dry for the past half hour as I rifled through the many notifications clogging up my lock screen, I hear the doorbell ring. I’m understandably puzzled by this, seeing as how I never get visitors so that doorbell rings only when I’ve ordered something, be it takeout or a random item off Amazon. However, I can’t remember ordering anything, at least not anything that should be arriving at the moment or even anytime soon - that glow-in-the dark curtain isn’t supposed to arrive until next week.  I make my way to the door, unbothered by the fact I’m still in my pajamas, and take a look through the peephole.

It’s a delivery guy...and he happens to be holding a huge-ass bouquet.

“What the...“ I mutter to myself as I unlock and swing open the door in the blink of an eye, “Hi?“

“Hi there, are you Y/N L/N?“ The delivery guy, who I’ve seen many times before and who I’m on pretty friendly terms with, asks me jokingly, sending a wink my way.

“I sure am.“ I reply, my gaze fixated on the breathtaking flowers he’s holding, “But those can’t be for me, that’s for sure.“

He fishes looks at his clipboard one more time, nodding before he looks back at me, “I double and triple checked, Y/N, they’re for you. Here, have a look if you don’t believe me.” He turns the clipboard  for me to see and he is actually telling the truth. I mean, I doubt he’d have any reason to lie to me but mix-ups happen all the time.

“Um, ok thanks. Sorry for the halt, it’s just...I’d hate to be the recipient of the flowers meant for another girl.” I apologize as I take the bouquet for him, still in awe of the fact I’m the one it was made and meant for and sent to.

I say a quick ‘bye’ to the delivery guy before practically running inside to inspect this bouquet for a card from the sender. I have my guesses: it has to be someone who was present during the stream last night and someone who knows my address. Hopefully it’s someone from my friend group and not a fan who watched the stream and just happens to know my address. I’d still appreciate the gesture, but I’d also install security cameras if that was the case.

Something about the color scheme of the flowers - pink and black - gives me Rae vibes since she constantly teases me about my aesthetics contradicting each other. But then again, Poki does it too so it could be her as well....

Oh...OH GOD IT’S NEITHER OF THEM

                                                               ~ ~ ~

I’ve been sitting here, keeping myself a safe distance from my phone so I’m not the first one to send her a text. So I don’t ask if she got what I sent her. So I don’t ask what she thought of it, how the bouquet looks in her living room, how it smells, how it makes her feel. I have so many questions so that phone is best off at a major distance from me. I’m the one who’s better off with such a huge distance between me and the device, to be perfectly honest.

Was it a bad idea? Should I have slept on it - or just thought about it longer cause sleep and I don’t get along? Should I have at least waited a day or two? Should I-

My phone vibrates with a notification and I practically fly to it from across the room, grabbing it and unlocking it asap. My heart sinks and takes off like a rocket simultaneously when I see I’ve been tagged in Y/N’s Instagram story. I nervously tap the notification that sends me to the picture of the bouquet I sent her with some text written over it.

“Thank you, Romeo ;)“

Somehow that one sentence answers all those aforementioned questions.

Is this what people refer to as butterflies in one’s stomach? Cause it feels significantly more like a crush...oh wait.

@maat-the-prescriptive  @simonsbluee  @save-the-sky  @itsminniekat  @hacker-ghost  @bi-andready-tocry  @imtiredaffff  @jazzkaurtheglorious  @hereforbeebo  @fandomgirl17  @chrysanthykios  @maehemscorpyus  @loraleiix  @letsloveimagines  @annshit  @i-cant-choose-a-username-help  @enigmaticmaze  @divine-artemis  @waterlilypat  @idontknowwhatthisisfam  @evi-ka  @classyandfabulous00  @redperson58  @lilysdaydreams @solowheein  @mythicalamphitrite  @axen-gers  @luckygirl144  @nj01  @buddyemily   @the-albino-lioness  @stardream14  @gdhdkfnn  @nomadicgypsyy  @preciousskye  @fluffysuicideunicornsworld  @o-kaelin  @manacharlotte  @awkward-youtube-trash  @lolalee24  @bonky-beerns  @meme-lord-and-savior-sebastian  @strawbrinkofdeath  @teenloves  @tams0527  @browneyespinkhair  @starstruckllamapuppy  @daisychains012  @y0ulooked  @tinytacosuitcaseflap @supernatural-is-my-only-life  @jula-pauline  @melodykitty  @just-that-bi-girl  @crazybutconfidentaf  @lowellshade @alphakees  @bellero  @weallneednamjesus  @starryhanji  @boiled-onionrings  @husherstan  @fockingwhore  @melaningoddessthings  @prettypastelpetals  @haleypearce  @godwhyamiawkward  @y-napotat  @daisychainyoonmin  @little-miss-rebel3  @free-wheelin-bi-sexual  @redmoon261 @darkacademic2  @wiseflamingoqueen  @into-the-end  @namikhai-i  @nastiablr  @thelittleplantlover  @mirktuan  @dont-hyuck @jjk-bunny  @vintagegothlover  @easygoingtheatre  @itsrandombooklover  @miiaivi  @emmybaybee  @befourgolden  @jjk-is-my-shit  @eternalteaaars  @spacebadgerx  @princesslunalight  @acequinn14  @samm48  @misselsbells06 @simp-lykawa  @fo-love  @marishimomura-blog  @therealglenncoco  @cinnamonbun332  @killtherandomness  @sanshinexxxsan  @fee-btheweeb  @press-lay  @cathleenpotgieter16  @jazzydoesstuff  @moonlxghtbay  @forestrain2000  @hyunjinhugs  @blood-of-fandoms  @lovellylies  @ukiyolixx  @simpforhpcharacters  @chrisdylan17  @parkerjisung  @pedernille  @theodonyous  @wineandionysus  @malfoystilinskii05  @morbid-x  @coryisagee  @jessewa26  @scoobydooluver97 @mindintheskies365  @raeanneinwonderland  @indecisive-empanada  @gluttonypalace  @loriane2503  @btsiguess-kpop  @khaoticbunny  @lucidlycactus  @smiithys  @rottenroyalebooks  @kpopgirlbtssvt  @fangirl-tc27  @fr0z3n-1  @notmesimpingfortechno  @shotarosleftpinky  @kunoi-chan  @idk-whats-wrong-with-me  @yikeroonie  @goldenstarofthunderclan  @poetry-and-tea  @ama-do-writing-stuff  @wishbonewolf  @emeraldxhope  @t0xick1tty  @kusuinko  @speakyourselfloveyourself  @sophia902103  @lo-manburg  @classsykittykat  @dmgama  @depressedpuppythatneedscoffee  @btsiguess-kpop  @akaashi-baby  @gun-jong-simp  @geschichtenfee  @yerapotato-wp  @browneyedgirl365  @thysagclub  @sparklycloudnight  @helloatomicshadow  @queentorresstuff @vtte @val-gal  @lucy-bunny17  @aaliyahh0  @katluckybear  @boyleanti  @straybids  @franchesca-791  @cosmicstorm19  @averyisbackinthetrashcan  @aomi-nabi  @xlanawriter  @allensimpsforcorpse  @sunnyrae-cessh  @ladykxxx08  @meowiemari  @renupf  @booklover76

[all-for-geek]

Drawn to the Dark: A Nightmare to Remember Chapter 4: Mannequins

Chapter 3

Chapter 5

Fandom: Escape the Night

Summary:  After Justine's death, it seems that everyone has their theory on who is working with the Evil. Selena continues to see strange things happen in the house. Things that make her question her sanity.

Warnings: Children hurt, implied child death, and nonreality

Word Count: 2,635

Everyone gathered around a table in the side room, lamenting Justine’s death. It had hit everyone harder than Shane’s or Andrea’s. As horrible as it was to think, their deaths could be justified as part of the sick, twisted game of the house. They chose to kill Justine. They forced her into that coffin literally kicking and screaming. Her blood was on their hands.

“I can’t believe she’s gone,” Joey whispered.

“She’s gone, but you were layin’ it on pretty thick out there,” GloZell shouted out of nowhere. “I’m not buying your act for one second.”

“You’re not buying my act?”

“You heard me! This is your house! You can’t tell me that all of these death traps just pop up without you knowing!”

“It’s not my house! I only moved in a little while ago, and I don’t even have the deed yet! They were probably here before that.”

“A likely story!”

“But why would Joey invite us if he knew what was going on?” Selena interjected.

“Because he’s working for the evil!”

“I mean why specifically us. If someone was going to host a death party, why would they invite a bunch of people they claim to be friends with. Wouldn’t you want to invite strangers or something? Joey probably could have done some fan raffle thing and gotten the sacrifices that way.”

That seemed to hold GloZell off for the time being, but then Sierra just had to pop in. “You’re pretty new to the whole Youtube thing, right Selena? Haven’t met that many people yet.”

“I know Joey. And I know LeLe,” Selena replied through gritted teeth.

“Right. LeLe, who managed to survive her death challenge, and Joey, who invited us here in the first place.”

“What exactly are you implying?”

“I think it’s pretty clear.”

“Oh my god, this isn’t going to get us anywhere.” Matt raised his hands between Selena and Sierra as if to separate them. “We have to keep moving. Justine is dead, and we can’t prove,” he looked pointedly at LeLe,  “who is working with the evil. We do know that the next step to getting out of here is in this box.” He held up the black box that had appeared with the last artifact.

As the group began to murmur about the next clue, Oli, whose anger had been festering all night, stood up and grabbed the box. In two cathartic hits, he smashed the box open. Luckily for them, a piece of paper fell out of box. On it, the word “IDLE” was written.

“Idle? So do we have to find something and put it in idle?” Eva asked.

“Or maybe we have to start something up? Maybe, it’s idle right now?” Matt countered.

“Or maybe it’s code for something?” LeLe suggested.

“Let’s just kill somebody.” Tim threw out. The group took a moment to glance at him oddly before continuing.

“Hey why isn’t that clock moving?” Oli pointed out. He gestured to the clock sitting atop the mantle of the fireplace by them. Sure enough, the hands of the clock weren’t moving. One might say that they were idle.

The group gathered around the clock and Selena noticed something else strange about it. The clock had four hands on it. She eyed the clock and the paper with the clue on it. An itch was growing inside of her that was slowly turning into a hunch.

She began to move the hands of the clock so that numbers matched the letters of ‘idle’ in their sequence in the alphabet. Suddenly, a popping sound went off behind the group followed by a loud thud.

Everyone turned around, screaming, to find that a few books had been thrown off a nearby bookshelf. It revealed a picture of the staircase and a lock behind the wall. Of course the house had a secret room behind a bookshelf.

As everyone ran back towards the staircase, Selena paused at an odd site through the window. If her eyes weren’t tricking her, there was a car outside. Her heart skipped a beat. If they could get the car running, maybe they could get out here or find help. She began to walk towards the front door.

“Yo, Selena! Where you goin’?” Selena paused as she saw Tim and Sierra catching up with her.

“Great.” Selena thought. 

If she were to pick any two people in the house to have followed her, these two probably would have been the last. Sierra obviously was suspicious of her, and although Selena had nothing inherently against Tim, she still had that ‘Let’s kill somebody’ line playing in her head. For a brief moment, she was tempted to lie and say that she was searching for a bathroom, but she knew that it wouldn’t end well. She was already keeping one secret. Besides, she was probably safer in a group than on her own anyway.

“I saw a car outside,” Selena explained, “I’m going to check it out.”

“Uh…is splitting up really a good idea?” Sierra asked with a nervous laugh.

“If you don’t want to go, that’s fine,” Selena snapped. “But this could be our ticket out of here, and I’m gonna check it out.” She turned and continued outside. Tim jogged to catch up with her. Reluctantly, Sierra followed.

The cold night air spread goosebumps all over Selena’s skin. Her scantily clad outfit had been designed for an indoor dinner party not a trek outdoors in the middle of the night. She feebly rubs her arms in an attempt to keep warm.

“Here.” Tim handed her his suit jacket. Surprisingly, it was slightly small on her, but at least it covered her arms.

“Thanks.”

As the three approached the car, Sierra forcibly slowed them down. 

“Hold on,” she said. “In case this one explodes too.” Tim rolled his eyes and put his arm through the open car window to unlock it. 

“This is getting weird guys. Shouldn’t we go tell the others about the car?” Sierra asked again.

“We are currently trapped in the 1920s, and this is what you consider weird?” Selena exclaimed, gesturing towards the car. “Let’s focus on if the car can even run before we give the others false hope.” 

Sierra shrugged and got into the car. Tim and Selena squeezed in after her. They began to check everywhere for a key. Sierra opened the glove compartment to find a file. In it were an assortment of notes about an art project and a picture of the man commissioned to make it. Selena couldn’t put her finger on it, but something about the man creeped her out. She forced her attention onto the small paper in the file that read “Slow Down”.

Her heart sank. It was a clue. Odds are this was another piece of the puzzle that they had to solve. When Tim found a key down by the brakes, she held out for that miniscule chance that the engine would rev up, but she should have known that it wouldn’t be that easy.

“Great. What do we do with this?” Tim asked, waving the key around.

“Maybe it's for the trunk,” Selena half-heartedly suggested.

The three went around to the back of the car and, sure enough, the trunk opened. Inside was a little girl tied up in the corner. Tears ran down her cheeks and duct tape muffled her sobs. Selena frantically reached out to untie the little girl, but as she touched the child’s skin, it began to harden and turn pale. Selena blinked and she was grasping the arm of a mannequin.

“What the…” She whispered to herself.

“Relax, it’s just a mannequin.” Tim patted her shoulder.

“Although given everything else, I wouldn’t be surprised if there had actually been a kid in there,” Sierra muttered.

Selena couldn’t tell if they saw what she saw, but she didn’t dare ask. The last thing she needed was for the others to think that she was going crazy. Even if she might be.

Having failed to get the car to start, the three walked back up to the house with the mannequin in hand. They found the others in a secret dining room behind the bookshelf. Sitting at the table was a family of four. Just like the girl, in an instant their skin hardened as they flashed into mannequins. Given that no one else reacted, Selena could be sure this time that no one else saw it. 

They put the mannequin down at the table, and the next clue was revealed. It explained that to get the next artifact, two people would have to play some sort of perverse game. Selena prayed that she didn’t find out what that meant. 

They all returned to the voting room. There was a brief attempt for the boys to split themselves off from the girls, but Oli shook his head at that and stayed with the ladies. Most of them agreed that LeLe would be the best fit for a perverse game. Although she wasn’t thrilled with the idea of being voted in twice, she couldn’t disagree with the statement. The only outliers were GloZell, who suggested Joey again, and Sierra, who brought up Selena. Selena clenched her fist in an attempt to keep her mouth shut.

Arthur called for the groups to reconvene and the voting recommenced. LeLe loudly announced that she was voting for Matt. Even Matt couldn’t deny that he saw that coming. When it was Selena’s turn, she couldn’t believe what she was writing on the paper: her own name. For some reason, she felt a sense of comfort in the action. Perhaps it was her finally cracking. Perhaps the thought of dying rather than having to go through all of these challenges genuinely sounded appealing. She didn’t trust herself to know.

As the voting continued, Joey turned to face GloZell. “I really hope that you’re not still thinking that I am involved.”

“It’s your house,” GloZell explained sincerely, “You have to know what your servants and staff are up to.”

“Remember when I said it’s not my - Okay just to squash this right now, does anyone think that I am at fault for this?” 

Although GloZell was the only one to verbally say yes, Selena saw that a couple people, particularly Eva and Oli, seemed to be hiding some doubt.

“See! You’re the only one that thinks that I am at fault!”

“Look, all I can do is trust my gut. And my gut is sayin’ that there is somethin’ fishy goin’ on with you.”

Thankfully, Arthur caught everyone's attention before the two could continue fighting. To no one's shock, LeLe was voted in. To Joey’s shock, he was too.

“Me! Who put my name in?!”

“Yeah…I wonder,” Selena muttered sarcastically. She was the only one to notice GloZell’s smirk.

Joey and LeLe went upstairs to complete the challenge. As soon as they were gone, everyone began to whisper and gossip.

“Seriously, who put Joey’s name in?” Oli asked. GloZell let out a maniacal laugh that would have put any villain to shame. 

“I did,” she responded, although her laugh was more than enough of an answer, “He’s clearly working with the Evil.”

“Do we actually know that, though?” Selena pointedly asked.

“I still think it’s LeLe,” Matt interjected.

“Okay, both of you,” Selena pointed to Matt and GloZell, “What actual evidence do you have that LeLe or Joey is working with the Evil?”

GloZell wasted no time. “This is his house. He claims it's not, but he inherited it so it’s his. He invited us all here, and it just so happens that that same night this freaky, magic crap starts happening? Either Joey is so stupid that he didn’t notice it before, or he is the one behind it.”

Selena nodded. “And Matt?”

After a moment of no response, he was forced to answer. “I don’t know. Something about her just rubs me the wrong way.”

“I think you just don’t like LeLe,” Eva remarked. Everyone else nodded in agreement.

“Or maybe he likes her,” Tim countered, taunting Matt like a third grader on the playground. Matt chuckled coldly and pushed Tim off of him.

“It does seem weird that we were all invited here,” Oli mentioned, getting the group back on topic.

“But why us? If it is Joey, or any of us, why invite your friends to a murder party?” Selena wondered aloud. It was the one piece of the puzzle that didn’t seem to fit. 

“You seem oddly defensive of Joey all of a sudden, Selena” Sierra accused.

Selena rolled her eyes. “Sorry if I don’t want one of our friends to be an evil murderer.”

Before Sierra could respond, GloZell gasped for breath and collapsed onto the ground. Everyone stood as she began to thrash around, fighting against whatever was going on in her body. They began to shout and cry out, but no one could figure out what had happened, let alone how to help her.

“She’s twerk dying!” Tim shouted out in a vain attempt to lighten the tension.

As quickly as it had started, GloZell stopped moving entirely. Matt bent down to feel her pulse, revealing what everyone already knew. GloZell was dead.

A dark shadow rose out of GloZell’s body and flew up the stairs. While nobody seemed to react to it, everybody reacted as Joey and LeLe climbed down them.

“How the hell are you both alive?” Eva shouted.

“What happened up there?” Tim asked at the same time.

“It was really weird,” LeLe started, her eyes glazed over as she recounted the challenge. “We had to have this freaky orgy with a bunch of mannequins-”

“What?” Oli exclaimed.

LeLe ignored him. “-when we got the artifact, we got some note saying that someone else was going to die.”

“Wait, it said that GloZell would die?” Matt asked, unconvinced.

“It didn’t say who. It just said that we were safe,” Joey answered. There was a hollowness in that answer that didn’t sit well with Selena. She caught his eye, but he just subtly shook his head.

“Well that seems convenient,” Matt ranted, “See, this is what I’ve been talking about. She gets voted in twice, and somehow manages to survive both times. Now, instead of someone who was voted, it’s just some random other person?!”

“Matt, it’s not her-” Joey tried to come to LeLe’s aid, but Matt was having none of it.

“You don’t know that though! She’s probably-”

“ENOUGH!” LeLe’s shout rattled Matt enough to give her room to speak. “You want to know what happened? We had to choose someone who would die, and it was between her” She pointed at GloZell. “-and you.” She pointed at Matt. “And Joey chose you. He saved your life. So shut up and sit down.”

The room went silent as all eyes turned to Joey. He began to sweat. “Look. Somebody had to die-”

“But why not just say that?” Oli asked.

Joey’s eyes darted around the room like a cornered deer. “It’s not like I was the only one with secrets! We all have secrets! Selena dreamed about the room the first challenge was in-” The second Joey realized what he said, he tensed as his hand flew over his mouth, but the damage was already done. The group turned to Selena who could see nothing but Joey in her red, hot, searing rage. Before anyone could say anything, a loud, angry roar reverberated through the manor. 

“What was that?” Sierra asked as she hid behind Tim.

“The Evil of this house is aware that there are those trying to prevent its return,” Arthur explained. “It has sent a guardian to stop you.”

“Great,” Selena thought. “Maybe it will kill Joey before I decide to do it myself.”

[iwishicanbeagoodpianist]

the Wifilcon and the Winter Router

Pairing: Bucky Barnes x OC/Reader Summary: When Bucky learns that his neighbor has been stealing his wifi for months. Warnings: None A/N: I'm not a fanfic writer at all, this, like all my stories, are adaptations to fanfics. My original stories are not written in english, so this is also a translation. please do not repost my work

For an instant, Bucky thought that the knocking he was hearing was coming directly from his head, I mean, it wouldn't be the first time his mind played tricks on him, but he realized that the sound was actually coming, unluckily for him, from his apartment door. Oh no no no no no no no, I just got back from putting up with Sam for almost 6 full weeks, I don't need interaction with more people for now.

Bucky thought for a minute to ignore the sound, to wait for the person to give up and leave, anyway he didn't spend many days on this apartment, almost no one had seen him leave or enter the building and he had no contact with the neighbors, only with the lady on the 7th floor who once lost one of her cats, which ended up in Bucky's apartment, accidentally. Not that I found the cat in the alley and actually brought him to my apartment, it doesn't mean that I stole the cat, he was in the street by himself, I rescued him.

When the banging on the door stopped and Bucky thought he could breathe calmly again, a voice between altered and annoyed was heard all the way to the living room where he was sitting trying to overcome his third panic attack and fourth existential crisis of the day .

-"I know you're in there! I saw you coming in a few hours ago! I've been waiting for days for you to come back!"-

More out of instinct than anything else, Bucky pulled out the knife hidden in his right boot as he slowly backed away from the door. Do I really have a spy as a neighbor? Should I call Sam? Is he in danger too? Never mind now, you need an escape route Bucky, concentrate, third floor, window to the alley, 2 minutes max, the bike is parked far away, I'll have to run, but to where, rendezvous point, safe place, think....

- "for God's sake, open the door, I need you to pay for your fucking internet plan, I'm in the last season of my series and I need to know if Carolina died or not!"-

- "The internet?"- Between the andrenaline from escaping and the shock of not understanding what was happening Bucky spoke louder than an assassin, with over 60 years of experience, should have spoken. Oh, shoot.

-"Yes! Your wifi, I need it to finish watching my series"-

Whispering "wifi" to himself, Bucky tries to remember where he has heard that word before, this is what I get for never listening to Sam when he talks to me. But before he can continue his mental analysis of all the conversations with Sam about such stupid things as his favorite American Football team, the New Orleans Saints, that I remember, to how Antonio could possibly leave María on the last episode of the 6 o'clock telenovela of which Sam is a fan, his apparent "neighbor" spoke up again:

-"Jesus Christ, can you open the door? So we can resolve this like adults"-

Bucky resigned to the fact that he has given his position to the "enemy", walks to the door and opens it waiting for his death. Well at least if I die I won't have to listen to Sam again talking about Antonio and María. But on the other side of the door, there was a woman, who in her pajamas, very unthreatening but cute, was watching him as if he were a ghost but still with defiance in her eyes, in one breath she introduced herself and continued her speech about her complaint to Bucky:

-"As I was saying, I need you to pay for your internet"-

-"I'm sorry, but I'm not sure I understand what you mean"- mumbled Bucky.

- "Good Lord"- To Bucky's surprise his neighbor, pushes him and enters his home, well not so much a home home, more like the headquarters of his secret club, of which he is the president, vice president and only member, the point is that it is his place, where he can (and wants to be alone), as she lives here. This must be a dream, maybe I hit my head too hard in the last mission and I am unconscious in the hospital.

Crossing the room, Bucky's unwanted visitor looks around searching for something while whispering the words "I see you are quite minimalist, but maybe this is too much, someone urgently needs to look for some inspiration on Pinterest". She stops abruptly in front of the shelf where, in theory, a TV should go, while shouting: "EUREKA", she bends down and picks up a white device which has two antennas and like a million little blinking lights, damn, that looks like something out of a spaceship, I'm being watched by aliens? I'm being spied on by Kree?

-"This is your router, this is where the internet signal comes from, which I need you to pay for so I can finish watching my series"-.

Bucky, still in shock for the third time in less than 15 minutes, as he processes the idea that perhaps Thanos' unknowing twin is spying on him for a second invasion of earth and revenge for his brother's death. He can only nod to his now more relaxed and happy neighbor.

-"Perfect, thanks! I need to check the food I left in the oven, I'll talk to you later"- and as quickly as she came she left through the same door, leaving Bucky with more doubts than answers, peeking down the hallway, he realizes that she is the neighbor who lives next door, to his right. When Bucky comes out of his initial stupor, still not fully understanding what is going on, he decides to take his cell phone out of his pocket and call his own personal Google to solve his doubts about this century: Sam Wilson.

-"Hey Buck! What's up?"-how does he always manage to sound so happy? focus Buck.

-"What the hell is a router and why do I have one in my house?"- somehow Bucky manages to formulate, although maybe his voice cracked a little on the last words.

-"That thing's been there for at least two months and you didn't even notice it? Have you even paid the bill?"-

-"You put this in here? Without telling me????"- maybe Sam is also a Kree? Who can I trust now? It's all a trap?

Listening to Bucky's accelerated breathing, Sam tries to explain to him slowly, that in this century life without internet is not life, but obviously as Bucky does not even know how to set the alarm on his own cell phone, he was in charge of buying the router and creating the contract with the company so that, the 106 year old man could have his personal network at home. He had given it the name but he had not given it a password so that Bucky himself could set it up later. "I am an excellent friend, I mean co-worker, if I may say so"

-"Sorry man, after all that happened, we got called for a mission and I forgot to tell you, do you have your laptop over there? I'll help you set up a password, so your neighbors won't steal your internet anymore"- and with that comment everything started to make sense in Bucky's slightly screwed up but functional mind about the events with his seemingly non-spy and harmless neighbor.

Meanwhile Bucky was trying to remember his own password to unlock the laptop in front of him, also courtesy of Sam. "Bucky, when you learn about online banking and that you can pay your rent, electricity, phone and everything with a click of your computer, you will thank me". It should be noted that Bucky hasn't used that laptop once, like a good 100 year old grandpa he goes to the bank to make his deposits and pay his debts, which obviously consisted only of electricity, water, gas and phone because the man had no idea that there was a device in his house that spit out internet, apparently only his next door neighbor knew this. Buck tells Sam how he thought his router was an alien device and how he thought his neighbor was a KGB agent coming to kill him. "Relax Buck we all have undesirable neighbors that steal our internet signal sometimes", well undesirable is not the word I would use to describe her but ok.

When Sam finally explains to him how to connect his computer to the internet, Bucky can finally see the name that his wonderful co-worker, not friend, because he could never be friends with someone so stupid as to think that the name "THE WIFILCON AND THE WINTER ROUTER" was a good name.

- "my god Sam, you're such an asshole!"-

-"HEY! That's a great name!"- Sam responds with as much indignation as possible, he's the best at naming everything from dogs to wifis.

- "I can't believe you're Captain America, I can't believe we're even friends"- Bucky really can't understand his luck to have friends, well, co-workers whatever.

- "Well excuse me but we're co-workers..."-

- "Well, take this call as my formal resignation, bye"-

-"Wait a minute Buck..."- Bucky ended the call, to finish -his self-imposed- punishment of listening to Sam Wilson talk for over an hour. At least I asked him how to use the bank's website to pay for the internet. Suddenly, without warning and without explanation, the memory of his neighbor is lodged in his head, her hair in a ponytail, her reading glasses, pink shorts, her sweater from some university of which he can't even remember the name because he was watching out for other things... that she wouldn't kill me obviously, he was watching out that she wouldn't pull a knife out of her back and kill me right there. The message on his laptop indicating that he can now set a new name and password to his wifi distracts him enough to stop thinking about his sweet and cute non-spy neighbor and how she would look with her hair down and her glasses off.

Still with the sweet feeling in his chest and the desire to see her again he writes as the new name of the wifi, while laughing:

"If you want free internet, you owe me at least one free dinner"

After paying the internet debt and closing the laptop, Bucky gets up hoping to find something edible in the kitchen, while leaning over to look inside his fridge and analyzing how bad it would be to eat a fried egg with pasta and sriracha, he hears again a knock on the door, but this time it does not cause Bucky the anguish and anxiety that caused him the first time, but quite the opposite.

-"Open the door Winter Router! I prepared chicken pot pie for dinner"-.

[talatomaz]

crossing paths pt.i | diana prince x lance!reader

a/n: reader has the powers of telekinesis. since this was going to be really long, i decided to split it into two parts. also this may be slightly canon divergent since i’ve not watched flash in a long time.

warnings: mentions of fighting, death

word count: 1.9k

masterlist | request list | request rules

pt.i | pt.ii

reader is sara & laurel’s younger sister who works with team flash. after her and cisco’s experiment goes sideways, she finds herself trapped on an unknown earth not unlike her own

i do not give you permission to repost or translate my fics on any platform - likes/reblogs are okay and are much appreciated

“You’re absolutely sure this will work, Cisco?”

You asked, tying your hair up into a ponytail whilst the mechanical genius typed on his computer; the keys clacking under his fingertips.

“Yes. 100%. Well, more like 99%. Okay, if we’re being truly honest, then 93%.”

Cisco paused after each figure before turning his head to face you.

“Cisco-“

You started before the former interrupted, “Trust me, y/n. You’ll be fine. You just need to travel there, have a look around and then come straight back. We’ve done it so many times before.”

You and Cisco had been working on modifying the extrapolator your team often used to travel between different Earths. Or rather, you used to use them before the rebirth of the universe following Oliver’s sacrifice.

You cleared your throat at the thought of the vigilante. Having grown up with him and he having dated both of your older sisters meant that he was practically like your brother. And you were broken when you’d lost him so you’d left Team Arrow and came to work with Barry and his team instead.

Working with Team Flash was...different, to say the least. But having known them for several years, you got on well with them all, especially Cisco and Iris.

However, this project you were working on was only known to you and Cisco; the others blissfully unaware, mainly because the two of you knew that if you told them, they’d guilt you into stopping your experiment.

You were the one who had gone to Cisco with the idea in the first place.

After the Crisis, many of you had assumed that everyone solely remained on one Earth however you believed that the multiverse still existed, but that it’d be much harder to access. Cisco had agreed to help you but had explained that he wouldn’t come with you due to his relinquished powers.

So here you were, getting ready to try out the extrapolator in order to confirm or disprove your theory that the multiverse still existed.

“Technically, we haven’t, Cisco. New Earth remember?”

“That’s just semantics.”

“Cisco, if this doesn’t work, you better be ready to explain to my ex-assassin of a sister what happened to me.”

You laughed as his face dropped at the thought of that conversation.

He cleared his throat, “I’ve done all the necessary calculations and made a few needed modifications, including a GPS chip. It’ll work, y/n. Here, take your mask. Just in case.”

He added as an afterthought, handing you the sleek black mask he had designed to disguise your identity.

You put the mask in your jacket and took a deep breath, readying yourself. Holding the extrapolator, you pressed the small button and a familiar portal opened in front of you; variations of colours swirling around the breach.

You looked back at Cisco and feigned seriousness, “If I die, I’m going to kill you.”

His eyes widened making you smile, “Be safe, Cisco. I’ll see you soon.”

With that, you then stepped into the inter-dimensional breach.

***

“Okay, hopefully this worked.”

The breach closed behind you as you stepped into an alley; the several dumpsters providing some form of protection from anyone who may have seen you.

Wherever you were, it was bright and sunny.

Pocketing the extrapolator, you stepped out of the alley and walked down the paved sidewalk, listening for any indications of where you were from passersby.

You continued walking until you came across a newsstand that looked fairly out of place in this seemingly technological environment.

You stopped, peering at the front cover of one of the magazines.

The words “DAILY PLANET” were printed on the top of the paper. You reached down and picked it up, flicking through the pages, pausing when you saw a familiar name on the byline.

Folding the paper back into its original state, you placed it back on the stand, flashing a kind but brief smile to the newsagent who looked at you with intrigue.

Although you didn’t know what Earth you were on, at least you knew you were in Metropolis.

A place you had visited several times since the rebirth of the universe.

A place that, despite whatever Earth, was always home to one Clark Kent, better known as Superman.

You pondered in your thoughts for a little while longer before deciding to venture out and explore the city, eager to find any similarities or differences between your Earth and this one.

You ended up in a museum.

You weren’t sure exactly how you’d gotten there, having followed wherever your feet had taken you but, nevertheless, you were here.

Whilst you were never a huge fan of museums, you’d often found yourself being dragged to them by Laurel when you were younger.

There was something about them that she’d loved.

She tried explaining it to you once.

How the beauty of art told a story or something.

You didn’t really pay much attention and who could have blamed you? You were only 10 years old. You’d rather be out playing or hanging out with your friends than spending your Saturday afternoon in a stuffy old museum.

But this place was anything but.

In truth, you knew that you sought solace in places like these during times of distress or uncertainty.

It gave you a chance to feel closer to your sister after the world had cruelly taken her away from you. Even on another Earth, you still found peace and felt her presence next to you.

You sighed, your shoulders sagging before tensing once more, feeling someone behind you.

You never used to be so on edge.

When you were younger, you lived such a care free life, never feeling any need to be concerned or cautious.

But that had changed quickly.

Soon you had been thrust into the vigilante life, more determined than ever to become like your sisters and help them fight crime.

In fact, you had learned to fight from a reluctant Sara.

After several arguments about the danger of her world, she’d come to accept that there was no changing your mind and had decided that if you were going to purposely put yourself in harm’s way, you needed to be prepared. She had put you through vigorous training which Oliver soon picked up with you after Sara had been recruited to form the Legends.

So, suffice it to say, you were well-versed in the forms of self-defence and were constantly on the lookout for any form of danger.

And being on a different Earth certainly warranted your caution.

“How are you liking our exhibit?”

A feminine voice said, her voice thick with an accent you couldn’t distinguish.

Turning with a smile, you spoke, “It’s beautiful. I never used to appreciate art but now I find myself lost in the works of Rembrandt or Claude Monet.”

“Ah yes. They were most excellent artists.”

You blinked, not at her words but at her face.

The woman who stood before you was, quite simply put, the most beautiful person you’d ever seen in your life.

Realising you were staring, you cleared your throat, “Yes, I agree.”

You opened your mouth to say something else - what, you weren’t sure of - when you closed it again having spotted a man who’d just entered the room which held the small exhibit.

The figure wore a black cap, obstructing his face, his eyes darting around before landing on another male situated in one of the corners of the room. The latter gave him a brief nod which the other returned. Discreetly glancing at them, you noticed familiar bulges beneath their shirt, surely holding a gun.

“Okay, don’t be alarmed but I think this place is about to get robbed.” You said in a hushed whisper, faking interest in another piece of art beside you.

You noted the small but discernible flicker in the woman’s eyes, her name still unknown to you.

“How-“

“Let’s just say I’m perceptive. Do me a favour and take out your phone.”

You waited until the brunette had followed your instructions.

“Pretend to be talking to someone and walk out the room. They’re not going to do anything until you’re gone because they don’t want to run the risk of you warning someone.”

She nodded at your words and proceeded to carry out your plan.

You fought the look of surprise and confusion that surely would’ve shown on your face at the lack of fear on hers. Instead, her eyes seemed to hold a look of determination.

Determined to do what, you weren’t sure of.

Once she had left, your suspicions were confirmed when the two men simultaneously took out their guns and shouted.

“Everybody down on the ground. Now!”

Screams and shouts were let out by the small group of citizens in the room, replacing the quiet bustle of hushed whispers that had previously filled the air.

As everyone immediately fell to the ground, you slid down the wall until you were in an upright position.

You watched as they removed several of the smaller pieces of art, carefully placing them in a duffel bag. You waited until they grew closer to you before standing up causing both of their guns to be aimed at you.

“Sit back down or you’ll get a bullet in your pretty little head.”

They both moved to stand in front of you, blocking you from the view of the security cameras and the people behind them. Using your powers, you pulled the guns toward you and flung them to the far side of the room.

You took advantage of their momentary confusion and kicked both of them. One of them grabbed you from behind, his tight grip trapping your arms. You raised your legs and caged the other’s neck between them.

Twisting your legs, you threw him to the ground and then drew yourself closer into your captor’s arms, lifting off the ground for a brief second before throwing him over your shoulders and onto the ground beside the other intruder.

“Run!”

You yelled to the handful of citizens who watched you with a mixture of awe and fear.

Then you felt yourself being pushed against the marble ground as one of the men jumped on top of you, his weight crushing your small figure.

“You’re going to regret that, bitch.” He snarled against your ear.

You threw your head back, smirking when you heard the grunt of pain and several curses falling from the man’s lips.

You raised your hands and with it, the other man floated in the air. With a wave of your wrist, he went crashing into his friend and they slumped into a corner.

You quickly picked yourself up and ran out of the museum’s back exit, knowing you had to avoid the police at all costs.

Reaching an abandoned alley, similar to the one you first arrived in, you took out the inter-dimensional extrapolator, deciding it was way too dangerous for you to remain here any longer.

Pressing the device, you expected to see a breach form but to your shock, there was none. Inspecting the device, you saw that it had been broken, more than likely from when you’d been thrown against the ground by the robbers.

You muttered a foul curse before calming yourself.

Think, y/n. Think.

Your ears perked up at the familiar whistle and rattle of train tracks.

Okay, you knew what to do next.

You needed to go home.

Part 2 ->

[theseerasures]

While you're doing reactions, if you're up for it, how are you feeling about all the finale predictions you made on March 23? By my count, you scored pretty well!

hooooooo boy (the alluded post, for those just catching up)

how i feel about my predictions is that...you’re right and i scored pretty well, but much like the characters doing right in the episode itself, it didn’t matter. part of the reason why the finale made me feel so much--why i loved it, despite still being emotionally hungover from ugly affect--is because i WAS right, but i was so often right but wrong on a smaller scale, or right but wrong because i completely misunderstood the overall thematic stakes, or in one case right but in such a phenomenally cruel and roundabout way that i’m still reeling from it.

more detailed breakdown under the cut (as in “let’s unpack this,” and as in “i have an emotional breakdown”):

WHERE I WAS MOSTLY RIGHT

Team Green, Yang, the non-Robyn Happy Huntresses, Klein and the non-combatant Schnees were gimmes from the beginning, even the ones of whom we didn’t have visual confirmation by the end of Worthy.

Pietro and Maria are still MIA so i’m putting them here, but...Winter’s gonna have to tell Pietro, when he shows up again.

Cinder and the Relics i was correct about, but even though i knew going in that she would win i didn’t imagine the scale of her victory. mostly because i thought she might have learned some self-discipline and just skedaddled with the Relics in an attempt to trap as many people as possible in superhell, but a) she didn’t, and b) she won without needing to.

Salem, Watts, and Ironwood are where i predicted, but i think part of me really bought into the fan theory that maybe Salem would want to keep Atlas around. both Watts and Ironwood lasted much longer through the episode than i expected because i was working from that assumption, but with the direction the episode actually took it makes perfect sense that they exited the stage as Atlas fell--they are, after all, twin architect-destroyers of Atlas. brains and brawn.

Nora ended up in Vacuo, but she’s...uh, not happy about it. not that i expected her to be happy, but this is much much worse. og JNPR is now JUST Renora, and much as i love freewheeling modular megazord JNPR, that’s gonna hit like a truck. last time they lost someone Renora were consciously trying to play supportive teammate to Jaune, who’d just lost his partner, and Nora especially also had to talk Ren off the edge with the Kuroyuri stuff. i expect they’ll swap the dynamic this time, especially since Nora was already planning to go all independent woman before this.

Qrow, Robyn, and the AceOps are stranded, but in transit and not in Mantle, because Mantle the place is no more. and Vine is dead. the reason i posited that the AceOps might be split up was so they could find their team dynamic after it’s been unsettled, and...well. having one of them do a heroic sacrifice should do a similar trick. because i didn’t think Atlas would fall on Mantle i thought Qrow and Robyn (particularly Robyn) would get more to do, but both of them are pretty much exactly in the same place they were in at the beginning of the season: trapped in a cramped environment, cut off from the people they love and uncertain what happened to them, and unable to contribute in a way that they would consider meaningful. i’m guessing we won’t check back in with this crew for a while, but if we do it’ll be interesting to see if the Qrow and Robyn dynamic changes--like, if he has to be the one to talk her down from cabin fever and despair. (before he finds out that he was the one who should have been despairing all along.)

WHERE I WAS MOSTLY WRONG

Neo is in superhell. i had put her in Atlas because i’d overestimated Cinder’s ability to play the long game, but what the show ultimately doubled down on was that Cinder remains at heart a petty and impatient opportunist, and that’s where she’s most effective. which i dig! i dig that she has not so much improved (in means or ends) so much as learned to hold the beneficial and detrimental parts of herself farther and farther apart, because in the end they’re all the same parts, and because presumably she’ll end up starfishing out so much (who knew the way she took care of Winter’s death pigeons was foreshadowing?) that she breaks in two. and i dig Neo in superhell without Cinder, because it’ll be our first chance to see Neo not working for anyone outside of that one time she fought Cinder. if superhell does end up being part afterlife, she might also get some closure with the Torchwick stuff.

Jaune being in superhell points to it being part afterlife, because the chance for HIM to get some closure is also right there. that was always the case, but the reason i made the prediction i did was because i assumed that Jaune would remain the person he has been this whole season--this stolid, clueless but incredibly effective supporting leader. having a Jaune who is at the top of his game meet up with Pyrrha again is obviously appealing, especially to me, a person who scribbles misshapen hearts labeled “Arkos = 5evr” on all my notebooks, but at the time i didn’t think it was necessary to his story...and then the story dramatically shifted his character and threw all my carefully hedged bets off (which is something we’ll also get to with...later).

having a Jaune who has just effectively EUTHANIZED someone meet up with Pyrrha again isn’t just appealing--it’s vital. and it’s vital because the exact parameters of how and why Jaune ended up having to kill Penny is a point-for-point echo and escalation of the way the Amber to Pyrrha transfer was supposed to go. last time Jaune Arc was party to a Maiden transfer process he had no idea what was going on, and he tried to intervene when he worked out that whatever Oz was doing was going to hurt Pyrrha, and that however minute thing contributed to Pyrrha’s death and the Fall of Beacon. this time it’s not just that he knows what’s going on and the stakes of it. it’s not even just that he is the Ozpin operating the Aura Transfer machine. it is that there is no machine--there is just him, holding the knife. he knows the Amber better than the Pyrrha this time, and this time the Amber is his friend, and still whole, and choosing. not just consenting, but asking him. trusting him. so he carries it out. the old Maiden dies, and like Ozpin he dies shortly after, but not before he watches the new Maiden fail.

but he does prevent history from repeating, because a new Maiden is created, and she gets to live. and Cinder Fall has made him a murderer on top of everything else, but she WILL remember him, now.

there are other people i was wrong about, but that’s...for later.

WHERE I WAS RIGHT AND IT DIDN’T MATTER

Ruby, Blake and Weiss are all in superhell, so on paper i was right, but...well. sing it if you know the words. the reason i’m putting them in their own section is because it’s not just that they fell and didn’t jump like i thought; it’s that they would not have jumped, and that changes everything. you know how i realized that we would lose everyone, and not by choice? it was Weiss. it was when Weiss said we have to do this for Yang. Jaune had reminded Nora of what was priority one minutes before, but the implications of that didn’t sink in for me until Weiss confirmed it. they PLANNED for this. not just the eventuality where they would have to die, but the one where they’d have to watch everyone else die and do nothing except keep going.

which...has implications. the best way to read this--and i think we’re all dying for some good news--is that even if it certainly does not feel that way, RWBY was able to snatch a partial victory from Salem’s claws. they lost the Relics, but they got the Maiden powers away, and most importantly: they saved Atlas and Mantle. by the time Jaune intervened Grand Central was empty. there was no one left to evacuate. they didn’t get everyone, but they got a lot. even before Cinder intervened so catastrophically they knew how many things could go wrong, so they made a plan, and largely stuck to it. on a purely material level they only lost one thing vital to the war effort--the Staff. but they got everyone else out, which was priority one. the show in general and this arc in particular has emphasized that our heroes don’t think they should be exceptionalized, that they’ll fight tooth and nail to make sure everyone is given the treatment and respect they deserve, and they’ve made good on that. they’re Huntresses, and Huntresses be thou for the people. they chose, and they won what mattered to THEM.

but on the flip side: they chose, and there’s no way to read this choice as anything but a compromise...and a very Atlesian one at that. when confronted with calculus similar to the one JYR faced after they lost Oscar in War, our heroes chose...the opposite. one, then three, then four, then five, then six for the many. what was that number compared to two entire cities’ worth of people, especially when they’re the ones who signed up for this? i’m not trying to take this down the slippery slope where our heroes are no better than the dictator they just dethroned, because when the time came for sacrifice they chose themselves first. but it remains a sacrifice, which means that when the time came to test the hard moral limit they set for themselves, they...moved. they decided ahead of time that some risks aren’t worth taking. that this is not a situation where everyone wins, so they had to go for the next best thing, then the next best thing after that, and so on. i’m honestly not sure where it points to yet, except my usual refrain that this show is a lot less didactic than it seems, but...yeah. this is going to lead to some invigorating discussions in-universe.

and maybe it’ll start with this: that Jaune and Weiss--the two who had to verbally advocate for leaving the fallen behind--fell last of all, which means they had to watch everyone else go first. and the last person they saw was the same person. Weiss, who executed the plan to brilliant perfection, saw the past--the first family she ever had--streaking after her in an endless void, forsaking the priorities they all agreed upon, for her. Jaune, who followed the plan to execution and broke a part of himself, saw the new Maiden he crowned, backlit and pulled away by the bright future that he ensured was possible, but can no longer access.

QUEENMAKER

i’m starting with Penny, because Penny came first. there has already been a ton of discussion on the ways that she’ll come back, and while i absolutely agree that she will, for now i am not so much interested in that as i am in eulogizing this Penny. the Penny we had just now, not identical but continuous with the Penny we had before that, in the same way that everyone is not identical but continuous with who they were in the past. the Penny who IS dead, her eventual resurrection notwithstanding.

because she DID die, and her death matters. that’s the thing about the deaths in this season, and it furthers my point re: RWBY’s presumed didacticism--the show’s treatment of death has changed as our heroes have changed. it is no longer (and never was) as simple as “death and sacrifice are always senseless waste,” and more something like...”death has to matter, and we will give it meaning.” Hazel and Vine sacrificed themselves, and the fact both resulted in a “positive” outcome (more lives saved) does not make the deaths any less tragic. but neither should the tragedy of it take away from the fact that they saved lives. what separates our heroes from a Salem or a James Ironwood even now is that they recognize the importance of grievable life even as they accept inevitable death, that what is worth it all about preserving life is not to make sure that lives go on forever, but that lives have meaning and are remembered, that when you’re gone the people who are still here respect you enough to carry that meaning with them. it’s a tenuous balance to walk, but all the more important for that reason.

Penny--though her death can and will be reversed--is much the same. in every arc there has been a Game of Three Maidens (which i guess would make shogi the better metaphor and not chess because--what AM i on about), and in every Game there has been sacrifice. and i thought that would encompass Winter, here. we’d get away with it not being literal death, since Fria already took care of that, but she would be trapped on the other side of the gate--in pretty much the exact same position James Ironwood ended up in the episode itself, actually. it just seemed obvious: she’s the decoy, the one who missed the call by inches, the last revealed defector when there still was an Atlas from which to defect. all of it pointed to Winter’s story ending with one last delay barring her from salvation, of her finally being too late...

and well. i WASN’T wrong in the broad strokes, but first there was Penny Polendina. Penny could have let Jaune try to save her and Weiss die for her, but she knew she had to make a different choice to save as many lives as possible. so she offered herself up as the sacrifice instead. last week i waxed prolonged poetic about how Winter defected so recently, how it has been just IronwoodandWinter for so long, how Winter doesn’t have a team and only the healing shreds of a family, how no one would think to look for her...and then Penny did. you were my friend. (given Winter’s rough age and the hazy creation dates for the PENNY Project, it’s possible that Winter is Penny’s OLDEST friend.) Penny thought of Winter as she was dying, thought about the good Winter could do if Winter had her powers, believed in Winter, and in doing so, saved Winter’s life before anyone else’s.

she ceded the spotlight to Winter in this last episode, but this season as a whole belongs to Penny Polendina--the myriad ways she creates herself, the ways she defends her self-creation, ultimately culminating in her new body, created by no one but herself. but for her final act the Maiden of Creation did something different and no less miraculous: i thought of you. a thought was all it took.

she created someone else.

KINGSLAYER | THE MAIDEN THAT WAS PROMISED

the thing about Winter is that she came first.

no, i’m serious. i checked the fairy tale and everything--Winter came first. as the Wizard’s first visitor she encouraged him to reflect and meditate, and when probed about why she was here at all, she answered: i am waiting for my sisters. Spring and Summer have to wait, too, of course, but. Winter was the first.

Jacques and Willow named their firstborn Winter. it is not the way this story begins, but it is certainly is one of them, because the story begins with Winter, and Winter begins the story--a new retelling, a new cycle of heroism. we’ve since been introduced to other characters in that indeterminate age group between RWBY and STRQ, but Winter--by virtue of being Weiss’ older sister--anchors herself to the new generation in a way those others (even Cinder, who comes closest) do not. she started things, in the mythical emblematic way that this show likes to move, and the way she started things--the way she MADE herself start things, thanks to the house she grew up in--was with love, and protection. she took care of Weiss and laid the groundwork for the person Weiss is today, and conversely: she took care of Weiss, and through Weiss, laid the groundwork for herself and how to take care of everyone. so eventually the steel thread she tied to Weiss she also linked to Whitley, to Penny, to Marrow, to all the people they love, and on and on it goes. Winter loved Weiss, so she made herself learn how to love Weiss, and so when i say she started things what i mean is she started family. a new home, for a new generation of the orphaned.

Winter came first. but as the show demonstrates time and again, especially with Winter: first does not mean best. because being first also means you’re the prototype, a volatile thing that must be tested and tempered and then discarded to make way for what comes after, what gets improved. and it is THIS part of being first that Winter has internalized most of all. Winter, the first Maiden, taught the Wizard peace and prepared the earth so that her sisters could grow and foster and harvest the life within it; Winter, the first Schnee, laid the groundwork in her siblings, but did not wait for them. and let herself fallow in the process. she left, and every time they tried to follow or stay with her she sent them away. (she keeps sending them away; even after defecting and taking down Ironwood, the first thing she says to JNPER is go.) Winter laid the first stone in the foundation, but she cannot take credit for the home her family turned it into, for all the ways it has flourished, because she willfully absented herself of that (birth)right.

and the reason she did this was very simple: she was afraid. she could not bear the thought that while she had to learn how to love she made mistakes, the idea that instead of preparing the earth she might have poisoned the well. so she ran. she turned her face away so she would not have to look, so they would not look to her. she left, and every time one of her siblings superseded her after that, every time she was made to be their Esau--passed over--it just seemed to confirm that she was right to leave. look how well they’ve all done without her.

in the stories, eldest siblings aren’t here to win. they’re here to be made an example of, and Winter...had resigned herself to that. she was prepared to be left behind for good by all the people who have outpaced her.

but then there was Penny Polendina. Penny didn’t follow her, or try to stay; Penny came back for her. Penny remembered Winter when all Winter wanted was to be forgotten, because she’d gotten it in her head that it was what she deserved for all the things she’d done or enabled or failed to do. why did Penny remember Winter? because you were my friend. there is no divine complexity to it, nothing for Winter to fall hopeless short of. there is only the fact that Winter gave Penny something, made something together with Penny, even as she was trying her hardest not to, for fear that she would create something terrible. and this does not take away from all the ways Winter did fall short, but it is still SOMETHING. and it is enough.

it was your power, after all. Penny means the Maiden powers, but she also means THIS Maiden’s power: the power to create. you made this home, Penny is saying to Winter, you should get to reap its fruit, even if you weren’t around for the labor. all you have to do is say yes.

this was a gift. she says yes. she accepts, because in the end Winter Schnee loves her family more than she hates herself.

but then--

(a gift for what? Winter will ask herself wretchedly later, after she has failed in the two tasks she thinks Penny set for her.)

the thing about Winter is that she came first. she taught Weiss everything she knows, and she was so busy doing that she never had the time to show Weiss everything she feels. so in the end what Weiss never predicted was that for all of her team’s painful planning, for all of her own pained enforcement of that plan...none of it was a match for her sister. that when the time came it was would be WINTER who defaults to the absolute ideal of “no one gets left behind,” of “every life” meaning every life, priority one be damned.

or that Winter, in trying to choose both, in finally and fiercely trying, with surely enough power to make a difference, would fail.

what are you doing? Winter heard as she watched Weiss fall into nothingness. my life doesn’t matter.

so here, then, is the story of Winter in The Final Word: a girl returns home after having left it, but in this version it is the home who has changed and the girl who has not. and from this both are unmade. but she gets to live, because she was invited back home. and she gets to go through the portal as its last passenger, into the Promised Land.

and she is still the Maiden of Creation. even after all this, THAT is still her task. to build a refuge for her people, to collect the broken strands of the family she began and her siblings continued and expanded and reinforced, and gather them up again into a new home. it will be impossible, but at the same time: she has done this before.

and this time, she will wait for her sisters.

(a gift for what? for nothing, would be the answer. gifts aren’t FOR anything. they’re gifts.)

[immaturityofthomasastruc]

IOTA Reviews: Mega Leech

Like every cartoon ever made, today's episode is the environmental episode. We all know how high-quality those tend to be, right?

Let's get into the twelfth (chronologically the tenth) episode of Miraculous Ladybug's fourth season: Mega Leech.

We start off with the shyest girl in Marinette's class, Mylene, mentally preparing herself for a protest with her boyfriend, tough guy with a soft side, Ivan.

Wow, real subtle foreshadowing there, writers.

The thing Mylene and Ivan are protesting is something called the “Oxygen Project” by Mayor Andre Bourgeois, which will supposedly create fresh air for Paris. To be fair, this isn't just a random character trait they slapped onto Mylene like what we've seen with other episodes this season to justify their new Akuma forms. Back in the Season 2 episode “Reverser”, a major plotpoint for the final act was that Andre was about to approve a project that would send trash into space, which Mylene and Ivan were protesting at, before the titular Akuma threatened to send the trash back to the Earth. This show can get weird at times.

Even though they're the only two protesters, Andre still has Officer Roger Raincomprix take them into custody. To his credit, Roger does try to resolve things diplomatically, and is very hesitant to take them to his car (even though they aren't handcuffed and there's no divider), he only does so when his job is threatened by Andre. And let's get the obvious joke out of the way now because there's going to be a lot of moments like this.

Marinette sees the event from her house, and after running late to school resulting in a brief moment of Unfunny Marinette Slapstick, tells the class what's going on. Surprisingly, instead of ignoring the whole situation like every other episode she's been in, Ms. Bustier decides to actually be a teacher for once and calls Roger. She says that she'll supervise their protest while the rest of the class comes with her.

Back at the park, Andre is about to chop a tree down with a chainsaw, but is soon called out by Ms Bustier. Mylene calls out Andre for the obviously not eco-friendly project, but he soon plays an ad for the Oxygen Project.

Huh. So this is how Druidia's canned air business took off.

To be fair, this is actually a funny scene, as it does feel like an over the top commercial you'd see, especially the kind that gets promoted by a politician. Of course, this funny joke is soon followed yet another reminder that Marinette likes Adrien, because the writers assume the audience will forget if they aren't bashed over the head with this knowledge every episode.

And as usual, Adrien ignores Marinette's odd behavior around him, but that's more because he's distracted by the ad, because he was told it was for perfume (did the oxygen line not give away the purpose of the commercial?). Quick question: Why is Gabriel taking part in this? Why is a fashion designer being commissioned to create a bottle for a government-sanctioned project? Does he just invest in random projects and hopes they'll go under so he can akumatize someone? As for Mylene, her classmates are naturally confused as to why she is opposed to this project if it's good for the environment. Her response is something that can ironically be used to criticize this very show when talking about the Oxygen Project.

We then get a moment where, of course, Chloe is the one to say she doesn't care about trees despite having no real prominence in this episode. Seriously, this is the only line she gets and it's to remind the audience how much of an irredeemable monster she is.

Oh my God, Astruc, why don't you just say she's a climate change denier while you're at it, seeing how you already view them as criminals? You clearly want to throw every negative character trait and label at her, don't you? If you're so crazy about hating her, why not make Chloe Captain Planet villain levels of evil?

Marintte points out the obvious flaw in Andre's plan to stop pollution by selling air in plastic bottles that can easily pollute the ocean, which gives the Mayor a lot of bad press, and even though she's the one to say this, Mylene still shames her for ignoring her attempts to get people to protest because she was busy. Yes, the show is seriously trying to blame Marinette for not doing enough to help the environment on top of her various other responsibilities like PROTECTING THE CITY OF PARIS ON A DAILY BASIS.

The families of the kids come to support the protest, and Andre tries to call Gabriel for help, but he basically tells him to figure it out himself, supporting my earlier theory in the process. He transforms into Shadowmoth and sends an Akuma and an Amok to Andre. This transforms him into Malediktator again and and gives him a Sentimonster ally, the titular Mega Leech.

Mega Leech is another example of a Sentimonster with a simple design but a really interesting set of powers. As soon as its summoned, Malediktator jumps into his mouth and summons an army of minature clones of himself (making me wonder why they didn't call the Sentimonster “Micromanager”) to jump into the ears of civilians and control them directly like Plankton in that one episode of SpongeBob. It's a pretty terrifying concept and a really clever extension of Malediktator's mind control powers.

Adrien transforms into Cat Noir and tries fighting off the Malediktator clones, but obviously gets overwhelmed by their sheer numbers. Marinette soon pretends to be possessed by a Malediktator clone to get Mylene to run away while she transforms, once again summoning her Lucky Charm as soon as she meets up with Cat Noir because the animators really want to show off the new suit. She uses the Lucky Charm, a single ice skate, to break the mayoral sash around one of the Malediktator clones and frees the Akuma and Amok, but Mega Leech is still around, along with the brainwashed civilians. She and Cat Noir realize that the Akumas and Amoks must have multiplied when Malediktator cloned himself. Ladybug tells Cat Noir to distract the Malediktator clones (the latter actually acknowledging how he always has to do that)

Ladybug meets up with Mylene in the sewer where she had escaped to earlier, only to find the girl crying. Ladybug offers Mylene the Mouse Miraculous, but she turns her down because of how scared she is. Unlike when they tried to do the same thing by having Zoe doubt herself in “Queen Banana”, this scene makes sense because Mylene has consistently been shown to be a very timid person. It feels much more believable to see this from her. Granted, it's undermined by Ladybug saying that Mylene is already like a superhero because of her protesting for a good cause. I get she's trying to reassure her, but the whole environmental lesson is kind of muddled by saying Marinette doesn't care about the environment because of how busy she was FIGHTING CRIME. Thankfully, the lesson is more about bravery being able to move onward in spite of fear.

Nevertheless, this still motivates Mylene to take the Mouse Miraculous and transforms into Polymouse.

And boy, is it bad. I'm not trying to body shame Mylene here, I'm glad they didn't try and slim her down either, but I'm really not a fan of the color scheme for the suit. With the use of pink and white, it looks way too similar to Pigella.

I get that they were trying to make Mylene look like a mouse, but I'm just really not a fan of the white gloves and boots. They stick out compared to Pigella, where they actually blended in with the color scheme. Then there's the actual suit itself. Why give the suit a hood if you're going to make it yet another skintight jumpsuit? At least with Carapace, they had more armor to help him resemble a turtle, but there's no excuse here. And finally, the hair. How can you take a girl with a very vibrant hairstyle, make it pink when transforming, cover it up, and then call it a day? There are just so many questionable design choices here. I don't think it's as laughably bad as Shadowmoth's suit, but it's really one of the weakest hero suits to be introduced recently.

I'd give my thoughts on how to improve it, but thankfully one of my anons gave their own ideas for a redesign.

Thank you to whoever sent this in. You certainly get character design better than some of the animators on this show, and that's saying a lot given they're supposedly better than the ones at Pixar.

Ladybug gives Polymouse the ice skate to use as a makeshift flail with her weapon, a jump rope, while she fights the Maledikator clones. Polymouse uses her power, Multitude, which turns her into a swarm of miniature clones to take on the horde of Malediktator clones and free the brainwashed civilians. Ladybug meets up with Cat Noir, but big surprise, Cat Noir gets brainwashed by a Malediktator clone. Sure, Polymouse frees him from the control, but I'm surprised Ladybug isn't more used to this happening by now.

Ladybug then gathers several temp heroes to help them out. She gives Kagami the Dragon Miraculous to become Ryuko, Nino the Turtle to become Carapace, Max the Horse to become Pegasus, and she gives back the Bee Miraculous to the super amazing Zoe so she can once again become the world's greatest superhero, Vesperia. There’s a brief joke where Cat Noir rushes to join the team pose, which could be seen as foreshadowing for future events, and if it is, good job, writers.

Pegasus uses his Voyage to teleport Vesperia above Mega Leech, where she uses her Venom on the Sentimonster, while Ryuko uses her Wind Dragon to gather all the scattered Akumas and Amoks freed by Polymouse for Carapace to trap in his Shelter. Ladybug purifies all the Akumas and Amoks, gives Andre a Magical Charm, tells him to rethink the Oxygen Project, and the heroes leave where Ladybug takes back all their Miraculous.

Back at the park, Andre decides to plant more trees in what's obviously not a desperate attempt to save his reputation. He may say he's doing the right thing, but I doubt investors will be happy that the project's being aborted just like that. We get one more hilarious moment where Marinette stutters around Adrien, who soon goes home and gets sent to his room by his father (because we just needed an Angstdrien Depreste scene this episode for some reason), who fidgets with his ring and stares ominously as the episode ends. And in case you live under a rock, this reignited a certain fan theory I'll be talking about in another post.

Overall, I thought this was a pretty decent episode. The environmentalism subplot was pretty standard for episodes like this, with how the antagonist is a rich asshole who doesn't see how he's harming the environment, and gets his mind changed by a hopeful youth. I'm glad Andre isn't Captain Planet villain levels of evil here, though I am glad the episode acknowledges that there's no single solution to stopping pollution, and that there needs to be more unity if we need to help the planet's situation.

While it had a bumpy first act, things really started to get interesting as soon as the action started. Questionable design aside, I thought Polymouse (who didn't even name herself in the episode) had a good first outing with the use of her powers coupled with the use of the Lucky Charm. The first act with Mylene really showcased her character and her courage in the face of adversity well. Part of me kind of wishes we could have seen her interact with Ivan while she was transformed, but then again, he was still brainwashed I think.

The other heroes honestly felt shoehorned in during the climax. I get that they helped gather all the Akumas and Amoks, but there was really no buildup to them appearing like in other episodes with multiple heroes.

The one major problem I have is how the episode tries to blame Marinette for not being as kind as Mylene because she didn't know about the protest, even though, as I have stated multiple times, SHE ROUTINELY SAVES PARIS EVERY EPISODE. I think that counts as saving the planet.

This episode had some flaws, but it was still pretty enjoyable, and it was one of the better episodes this season so far.

[moonstone27ls]

Soooo.. question on Luz ...

Minor Owl House spoiler?... maybe I mean its not technically if you saw the first season. No I’m not referring to the leaked clips. More of the trailer....

....So from season one its obvious Luz blames herself... its a dumb question but I’m asking fans. Do you as fans blame Luz with Belos coming to power/origin, etc, etc....

I’m not gonna lie I’m a bit tired of Luz blaming herself. But before someone jumps on me. I wanna note I get why. She’s a kid, and second she’s going through a LOT of trauma. I know trauma doesn’t just go away after a 30 minute episode.

I just hope Luz will eventually come to terms with her trauma and I don’t wanna say get over it but you get the idea. Quit blaming herself.

Personally, I don’t blame her for anything thats happened. No there’s too many factors Luz doesn’t think(and I hope her friends or mom will make her realize). 1) Nobody including Eda’s family knew that Belos/Phillip were the same person. For all intents and purposes, they believed Phillip was a different person. Hence they didn’t know about what he had been planning. 2) They were technically time traveling, she nor Lilith knew or thought what their actions would have. 3) Even if Phillip didn’t have Luz’s help he had been looking for the Collector before they even entered the scene, that was literally how others “disappeared” around him. I think even if Luz and Lilith had done everything to avoid Philip and interfere, he would had looked for anyone to take the fall for those traps and such and gotten to the Collector one way or another. 4) Thats more of Phillip’s gaslighting to take the guilt of his own actions off her. 5) She’s literally a child, whether she wants to see it that way or not, nobody’s expecting her to be all knowing.

And as much as I know she’ll hate this... it had to come to it with the finale. Had Phillip not gotten that artifact, there’s no telling if King could had contacted/and gotten the Collector’s help to save them. 

Do I think Luz gets herself into trouble though... uhh yeah. Now if this were the first season I’d say its because she’s so caught up in her fantasy/and dreaming of being a hero. But since season 2, we know its because she’s putting the weight of the world on her shoulders and she shouldn’t. But that doesn’t mean that motivation never got her in trouble.

She got caught and almost killed by Belos because I’m sorry if this sounds mean/negative because Luz thought she could fix it and make Phillip/Belos stop his genocidal path. Even before that she got herself and Eda caught because she had to pick a fight to try and “fix the problem”. Granted that was semi-staged by Raine and the others but thats not the point.

And I think thats probably gonna be a problem this upcoming season. I’m not blaming, I get the logic. She’s seen something thats WAYYY beyond even an adults’ comprehension. She’s gonna try and fix a problem she’s blaming on herself. Thats my fan theory anyway.

I also think as hard as this is to watch sometimes... this is probably part of Terrace’s plan. Luz’s character in the beginning was a child that lived in a literal fantasy world and wanted to be the hero. She was dreaming of having a story like the ones in her books and everything would be a fun dungeons/and dragons game. Her story is one of realizing the fantasy is has a darkside and actions have consequences. Or its maybe a mix of “be careful what you wish for” or that the real experience isn’t something you can handle.

[majorsoapfan]

The Umbrella Academy Season 3 Episode Titles Analysis

Now that the episode titles for season 3 have dropped, I’ve spent the last few days wondering and theorizing just what they could mean. Most of what I’ve gotten so far rests on symbolism, headcanons, potential theories and a lot of googling, but we all need some way of staying sane until season three drops, right?

Now this is just what I’ve come up with so far, I could be massively wrong in all of these, but these are just my predictions based on what I know of the characters and plot so far, previous ways of naming episodes and the very little I know of the comics.

Meet The Family

Now this one is very self-explanatory and we’ll most likely get to know our birdies very well in this episode. We’ll probably be seeing a flashback to the Sparrows as children fighting crime - maybe already being better at it than their Umbrella counterparts were when they first started.

I’m hoping that we’’ll see another montage of introducing the siblings as adults like we saw in season one with our Umbrellas - which had been so helpful to me at the time as I had started watching the show about a week before season two dropped. I had known absolutely nothing about the show when I started, I had only clicked on it because Robert Sheeran was in the card as Klaus with his pink umbrella and I thought he was pretty. I became a massive fan all because I had thought Robert was pretty and I was bored.

So yeah, I loved the initial introduction montage of the siblings as it helped me figure out who was who quickly without wasting time. And I think that doing something similar for the Sparrows will also help give a better and quicker insight into their personalities and how they work when we see them in episode one.

The World’s Biggest Ball of Twine

If you google ‘ball of twine’ it does mention that this is an archetype for an odd roadside attraction. Now if we’re going literal here, there are plenty of such attractions in the States, including one of just this in Texas, where our dysfunctional family had been last season. Maybe an indication of a road trip or even them fleeing the Sparrows and New York in order to regroup and figure out their next step without the birds circling in?

Ball of twine can also mean wrapping really strongly around something, especially as the material mentioned is usually very strong and durable. A ball of wool isn’t the episode title after all. Now this could mean maybe a family or an emotional issue that is massively at play here. Or more likely, the Umbrella’s and more specifically Five, are trying to figure out their exact steps and actions in the 60′s and just how badly they changed the past and future, both in the general sense of the world and for their own personal lives.

Ball of Twine can also mean wrapping around something tightly, so maybe a trap is being put in place or enacted. Either for the Umbrellas by the Sparrows, or the Umbrellas are trying to lure their counterparts into a trap to regain the upper hand.

Pocket Full of Lightning

Now the first thing that comes to mind when I think of this title is something like this being described or mentioned regarding a character and their abilities. Now the characters that come to mind immediately when referenced to this are either Vanya or Christopher. Or maybe it may have something to do with a team-up, more than likely the Sparrows and what can happen when they team-up and combine their powers.

But lightning also has a lot of symbolism in many different societies and periods and in all honesty, I feel like I have to mention this. Symbolism includes but isn’t limited to: illumination, destruction, punishment, inspiration and revelations. Lightning is also highly associated with the King of the Greek Gods Zeus. Maybe Marcus or Reginald?

Marcus is after all described as a natural leader after all, gaining perhaps a Zeus like image in the public eye?

Whereas Reginald on the other hand would definitely see himself as being as King and acts like it at times, using his children as his soldiers to advance his agendas. Zeus isn’t a very kind or forgiving God either so unlike Marcus maybe this has something to do with the Hargreeves patriarch?

Kugeblitz

Thank you Tumblr for having already given me the definition for this episode title when I had first found out the episode titles so I know that it means a black hole formed from radiation.

Luther and Five when I think of this title in terms of its definition a kugeblitz has me thinking of both space and science, as both topics are highly associated with these characters. Black holes have ties to space which Five who’s powers are teleportation and Luther who spent four years up in space both have ties to a title like this.

But of course we can’t forget the actual alien in the family Reginald Hargreeves. A black hole could be a reference as to what happened to his original planet, or maybe signalling a potential threat later on in the season. Will it cause another apocalypse or a warning for an alien invasion perhaps?

But it also might have links to a well known Umbrella Academy villain, Dr Terminal. I haven’t read the comics so I will admit to a lack of knowledge on this villain although I will Google him later. But as the season will be focusing on the Sparrow Academy and potentially any previous villains, Dr Terminal seems to be the most well known in the fandom and thus the most likely to make an appearance, whether in flashbacks or in person. A few people here seem convinced that this episode title will have something to do with him in some form.

Kindest Cut

When I think of this episode title, my first thought goes of course, to Diego. People can often get cut with knives and they are of course Diego’s preferred weapon of choice.

Maybe however they are referring to another powered sibling and what harm their abilities can cause. Top contenders after Diego of course, are Vanya whose power we know can cut after seeing what she did to Allison at the end of ‘The Day that Was’ in a moment of anger.

But if we go with the Sparrows then Alphonso is at the top of my list. His character sheet is mentioned as him bearing the scars from his years of crime-fighting. His power is assumed to be the voodoo from the comics and if he can transfer the injuries he obtains or inflicts on himself to others, this may be what this title means.

But, and this theory I think is the one that I’m most obsessed with right now, is that the episode title could be an adaptation of the saying ‘unkindest cut’. The definition for this is ‘a cruel or devastating injury or insult inflicted on you by a supposed friend’. 

If we go by current timeline we’re in then my money is that Five may be joining the Sparrows either under duress or having worked out an agreement with Reginald that his siblings would be spared if he did. Only his family might not be aware of what Five has planned and agreed to and would only see the apparent betrayal of what they have all gone through together as a family. Of only seeing their brother join the team that probably want them dead.

But this betrayal may also be coming from the Sparrows and Sloane perhaps. Sloane is an inverse of Five in a sense in that while Five is driven by his desire to save his family, Sloane often feels like hers are holding her back from experiencing her dream of leaving. Maybe she betrays the Sparrows in some way by letting an opportunity to capture the Umbrellas flee or seeking them out as allies.

Marigold

According to what I can glean from the comics, marigold refers to the balls of light that eventually became the 43 super-powered children. So could we be getting an explanation as to how these supers came to be and why?

But like with episode three’s episode title, I can’t not mention the symbolism connected to this title. Marigolds often have conflicting symbolism today. In modern western society their bright colours often have them being associated with the sun and positive emotions and energy such as happiness, optimism and good luck. Not what I think the episode will be about.

But on the darker side of things, which is something that I do think has more ties into what to expect, is that they also refer to jealousy, grief, despair, mourning and cruelty. It is a flower associated with death and the Day of the Dead in Mexico and is said to offer protection from evil spirits. This connection with death is what I first thought of when I saw the episode title and the most obvious character associated with Death is none other than our ghost-boy Klaus Hargreeves.

Klaus as a character has a lot of ties to death naturally and I did see a post on here describing how Klaus will be entering the fourth stage of grief which is depression for both Ben and Dave during season three. This makes sense as they are now both gone in a way that not even his powers can reverse nor can he summon their spirits. Marigolds can often symbolize a despaired love and strong passion as well as well as pain and grief, so it could be a reference to Klaus’ depression over permanently losing both his closest brother and his love. But the main reason I do think that this episode does tie in heavily with Klaus is that it’s a mid season episode and so far that’s usually when Klaus undergoes most of his development. Maybe it’ll continue that way in season three.

Of course if Marigold will also represent a despaired love there are other options in the Umbrellas other than Klaus and Dave: Diego with both Eudora Patch (who is possibly still alive in this timeline) and Lila Pitts still bouncing around the timeline. Allison dealing with leaving her 60′s husband Raymond Chestnut and maybe trying to track down her ex Patrick to find out what happened to daughter Claire in this timeline and Vanya with love Sissy Cooper. Or maybe even Five and Dolores or possibly a love interest for Luther could be a reference to this title. 

Explaining how the Umbrella and Sparrows came to be wouldn’t take the whole episode giving us time for some potential (doomed) love.

Auf Wierdershen

This is very likely to be a Klaus focused episode, even if Marigold isn’t.

The episode title is German for goodbye and Klaus is the character most associated with Germany. Klaus is the only character to have spoken German during the shows events so far and his name is of German origin (interestingly enough, all of the male Sparrows bar Ben, have their names tied to Germanic origin. Meanwhile, Fei’s name is of Chinese origin, Jayme has both Spanish and Hebrew roots, while Sloane is derived from an Irish surname Ó Sluaghhadáin). Not only that but it is considered fanon that Klaus was born in Germany just like Diego and Vanya’s roots are considered to be Mexico and Russia respectively. 

Not only that but he literally has ‘goodbye’ tattooed on his hand.

‘Goodbye’ has many different interpretations for what this could mean especially if this is a Klaus centric episode like we are assuming. And like I mentionned above with Klaus going through the fourth stage of grief in season three, this might be the episode where he moves into the fifth and final stage: acceptance. Perhaps by having one last talk with Umbrella Ben in the afterlife or by trying to track down Dave after Vietnam and discovering he (seemingly - I do have hopes for Commission Dave later on) did live a long and happy life after the war. 

Mending fences with Ben and both getting the chance to air their genuine grievances with one another and mend their relationship from the horrific state it was in at the end of season two might help Klaus find closure. Klaus and Ben both love each other but they crossed a lot of lines and hurt each other deeply with their behaviours last season and they deserved the chance to try and fix the issues as well as say a proper goodbye to one another. This could give Klaus the opportunity to say just that as well as moving into accepting Ben’s death once and for all.

And when it comes to Dave, maybe just knowing that Dave moved on can help Klaus move from depression into acceptance. He was more than fine with stopping Dave from enlisting in the army during season two even knowing that it would mean that Dave would never meet or fall in love with Klaus. He was willing to sacrifice his chance at love with Dave if it meant that Dave would survive. Perhaps if he knew that Dave had been happy and safe in his later life he could then move on and say goodbye? 

And maybe by coming to terms with the departure of two of the biggest influences in his life, motivate Klaus to embrace a new outlook and control of his life and his powers?

Wedding At The End Of The World

This very clearly has ties to the very first episode of the show which is ‘We Only See Each Other At Weddings and Funerals’. Both have marriage and death connected in their titles. The characters that we know have been married so far out of our Hargreeves family so far is Reginald and Allison.

Reginald was married on his home planet when his wife died. Not a lot is known about her other than she was the original owner of Vanya’s violin in the original timeline. Maybe we’ll get information on her and just why Reginald left his home planet?

The next character married so far is Allison who so far has been married twice already (maybe they’re going three for three this time?). And judging by the episode title in season one, that event was the last time the Umbrella Hargreeves (bar Five) were all together as a family until they arrived for Reginald’s funeral. Maybe there’s a link there.

Or maybe this is referencing a whole other wedding that may be happening during the events of season three? I wouldn’t be surprised if Five reunites with Delores and decides just to get married to make it official. To paraphrase Klaus, it’s probably one of the healthiest relationships that family ever had regarding love.

Six Bells

Now this tile had me stumped for a good bit and it will probably make more sense when season three does drop and we watch the episodes, but for now I can just theories on it.

Bells have often been associated with religious services, which may tie in with the last episode, but can also be rung for important events or in deference of important people.

But what is really getting me is that the title is six bells and there are six Umbrellas left so far. Could the bells be in reference to something regarding them, some sort of trap perhaps? Which will definitely tie in in some way to the seasons finale:

Oblivion

Now like episode one this one seems fairly self-explanatory. This seems like Hotel Oblivion is finally coming into play here, meaning they are probably switching the order of stories from the comics. But the question is: if it is Hotel Oblivion, did the Umbrella’s enter the Hotel/prison out of free will or were they trapped here by the Sparrows? Anything goes at this point considering that it’s the last episode of the season.

But when it comes to the Hotel there are so many possibilities as to what happens here:

- Are all of the Umbrella’s trapped inside or did one escape and their other cell mate is a Sparrow perhaps (Sloane maybe for trying to leave the Sparrow Academy?)

- How will this set up the cliff-hanger for season four? Will all or some of the Umbrella Hargreeves be trapped in the hotel once the season ends and that helps set up the tension for the next season. Or maybe a break out of prisoners just like in the comics occurs and the Umbrella's are forced to deal with it?

-Where will this leave our Sparrows at the season end, because I know that we’re going to get attached (I know I will). Will some of them come with us into season four? Maybe they are split into two teams as the season ends, each containing a mixture of both Umbrella’s and Sparrows?

Well that’s all I have, maybe I’m right about some of it, maybe I’m all wrong, just need to wait until season three to find out.

[lucky-sevens]

mechs deep lore compilation post

so! maybe you’ve read the other compilation post i made of basic lore/how to get into the mechs! maybe you want to know more! or maybe you’re a fan already and want to see how deep down this rabbit hole you can get!

well, good news for you: i have gone down the rabbit hole and hit bedrock only to find maki yamazaki standing by my side with a pickaxe! it is time for mechs lore part 2: electric boogaloo also known as ‘wow blue have you considered sleep’

rest under the cut!

i’ve tried to organize this, but given how many random facts there are, it’s hard! decided to start off with lore for each character (in order of them joining the mechs in-universe), including all the carmilla lore at the end; then move into general world lore/a bit of album lore, and finally more obscure/unknown facts, such as explaining the whole scuzz thing! also, citing the sources has been difficult, as a lot of things are from, say, old twitter posts and the like. there might be less links here than you all would like, but bear with me- compiling all this lore is quite difficult!

disclaimer: unlike stuff like the wiki, this includes a lot of my own theories and red stringing, and while i’m noting if something’s fanon or canon, the fanon may occasionally make its way into my theories!

links to the songs will be mostly TheVoidSings’ youtube lyric videos, as i don’t want to find the links to all the different platforms they’re on and the videos are lovely and accessible!

also- i’ve done some significant editing on the mechanisms wiki, as have other talented people- go check it out! it’s a good source of lore!

now on w/ the actual post!

crew

jonny d’ville

his lore is fairly concrete, but since he’s an unreliable narrator, we don’t know what bits can be trusted! his backstory song is one eyed jacks, which gives a pretty clear picture of events, but here in his crew bio he says that he made up new texas, and doesn’t have a very good memory of events in general. (it’s implied that he didn’t lie about killing his father, but we don’t even know that for sure.) a note: unlike the others, we don’t know what happened to his heart in order for him to be mechanized.

the aurora

the aurora’s lore is a mess. here’s what we know for sure, which is an edited version of what i have on her wiki page, (where i have also given a list of her known physical attributes);

she started off as a moon, but was weaponized and turned into a ship. she initially was a navy ship, but mutinied and joined the rebellion, participating in the october revolution, in which nastya died and was mechanized. this may have been her choice, but it is more likely that carmilla and/or jonny forced her into it, as they are the ones who won her from the cyberian navy.

when they stormed the ship, a woman was trapped inside- specialist 278 tereshkova, presumably aurora's programmer. What her and aurora's relationship was like is unknown, but aurora did not make any attempt to save her, so it may have not been positive. before dying, tereshkova managed to program a final distress message into aurora, as well as coding the mechanisms' blog.

she’s likely to be based off of the historical battleship aurora, like nastya is based off of the historical russian princess anastasia.

now, it’s time to get into the main theory about her: that aurora used to be briar rose! i’m collecting all the evidence on it, as well as all the evidence that can disprove it.

here’s a refresher on briar rose’s whole deal, taken from ‘the aurora strikes’-

The Rose Reds were the most effective of the soldiers created from Rose's genetic material, but they were not the first. Rumours spoke of an early prototype, known as the Briar Rose, that had malfunctioned and slain everyone on the desert moon of Briar, where she was being grown. But she was not dead. As the Mechanisms discovered, instead, she slept, at the heart of the defence grid that surrounded New Constantinople. The grid was composed of Thorn-class gun emplacements and was virtually impenetrable. And in its centre, the Briar Rose slumbered, plugged into the system, her anger, her rage, her hatred and her fear, fueling the machines, and focusing their gun turrets.

the main support for the theory here is that over time, briar rose could have fused to the moon, which is one of the very few conditions in which a biomechanical weaponized moon seems plausible and not just like a collection of vaguely cursed words. however, in the fiction ‘by any other name’, which is some collected lab research on briar rose, there’s this line- “During transportation and integration of the specimen, take all precaution and care.”- key word here being transportation. so she must have been moved off the moon.

the fiction i cited to disprove the theory actually has something that further supports it, though- the presence of a mysterious woman in king cole’s lab, who could be carmilla. hood, the revolution’s hacker, notes on a picture of her ‘[No idea. The others I’ve been able to find evidence of, but she’s a fucking ghost]‘. the description is a bit off, though, as she’s described as a short, pale, woman with hair long enough to be pulled back and carmilla is quite tall and has short hair- as well, in a later part of the fiction, the woman is killed and does not revive. however, there’s also another who could plausibly be her, noted here- ‘A tall woman sits opposite Prof. Root with a tray of her own. From her stature, it is conceivable she was one of the figures in the chemical suits. They talk sporadically, but the audio is heavily corrupted.’ she isn’t one of the ones killed later on, either, so that’s possible.

we know carmilla knew aurora when she was a very young moon and raised her practically from birth, so if she is one of those two people, it would make sense.

in ‘the aurora strikes’, aurora pushes to save briar rose- nastya explains this as ‘she can not bear to see another biomechanical organism in pain’. in my own writing about aurora, i interpret that as her having very high empathy, but there could be a more personal connection here. this is also notable as the only time aurora is mentioned in-album beyond jonny calling the mechanisms ‘the crew of the starship aurora’.

nastya rasputina

nastya’s backstory song (cyberian demons) was only performed when they were still dr. carmilla and the mechanisms, so it’s harder to find! thevoidsings has made a lyric video of it here, though, and it gives another very clear picture of her backstory! there’s also the fiction of the same name, which i didn’t understand upon first read-through but is basically a nastya character study, covering different points in her immortal life.

her performer went on hiatus for a while, and as an in-universe explanation, the cyberian sequence was written! in which nastya flies aurora to cyberia, infects herself with a computer virus, and transmits it to the entire planet, causing it to explode. this is all in the cyberian demons fiction i linked above, and with it are two other tangential fictions- one presumably just before those events, and one that’s an outsider pov.

there’s also out, which i’d suggest reading rather than just looking at my summary; basically, nastya has a crisis over aurora changing so that it’s harder to recognize her love, and ends up leaving the ship to float away into deep space- this is presumed to be her death, but that is never confirmed and nastya seems to assume she will wake up at some point.

ashes o’reilly

ashes’ whole deal is quite straightforward, which is a nice break from aurora and (to a lesser extent) nastya! their backstory song is lucky sevens, and it’s elaborated on further in their crew bio; interestingly, ashes was the one most into the idea of immortality at first, and also gave clear consent to carmilla.

ivy alexandria

we don’t know that much about ivy, which is fitting, as she doesn’t either! the most clear information we can find about her is in her crew bio, which can be summarized as: she grew up in a library!

archive footage explains more about her memory situation. she has no memories of anything before she was mechanized, according to this line ‘[...] she can tell you dates, and places, and body counts, she can list for you the exact circumstances of each event of her long, long life (at least, every event since that time, long ago, among a maze of bookshelves in a library that, awake, she can no longer describe to you, though once she knew its every turn by heart, when a woman stood over her and offered her eternity: before that, there is nothing at all).’ she also processes her memories differently than most people- they’re more like records, instead of things that affect her emotionally. (archive footage is also beautifully written and very much worth reading!)

the toy soldier

would say it has concrete lore, but it’s also almost solely responsible for fucking up my timeline and the album lore, so i’m rather angry at it. nevertheless, its entire backstory can be found in the fiction ‘the story of the toy soldier’. additionally, there’s a short story about its time fighting in the revolution of once upon a time (in space); presumably, this is the first time it did so, though it was likely in the war at least twice and possibly even three times. the mechanisms were only watching the second time, though it’s not out of character for it to have participated in the war again, and there’s also the dr. carmilla song, eleven, (which is about a war and uses a lot of rose symbology so it’s likely the revolution) where it is present. notably, carmilla had left the mechanisms by the time once upon a time (in space) takes place on their timeline, and the toy soldier is the only one there. at first, i interpreted that as carmilla meeting the toy soldier before it had met the mechanisms, but there’s two inconsistencies there: firstly, it doesn’t recognize her when it joins the band, and secondly, in the song they leave together. this increases the likelihood of it having been in the war three times.

we actually have a recording of the toy soldier’s first time joining the band- the mechanisms @ lashings! (part one / part two / transcript) there’s also a note of that show in the story of the toy soldier! they bought it because jonny was in jail (x). interestingly, that show is the first recording of rose red, and it’s later noted jonny was in a rose red prison!

now it’s time to get into the main theory regarding it, which also will factor into the write-up of ulysses dies at dawn later! i personally subscribe to this theory, or at least, most of it.

here is frankie @byron-von-raum‘s post- the theory here is that the toy soldier is the rebodied mind of the widow’s fiance. i’m not going to get too into that part, as i don’t personally incorporate it into my lore and more importantly frankie already has a post on it! read that if you’re more interested!

the most important bit here is the evidence it collects regarding the toy soldier living near labyrinth; in one of the pictures from the toy soldier’s backstory, there’s a dionysus brand wine bottle. the consensus he comes to is that the toy soldier lives in a colony of earth that trades with labyrinth, and while i think that’s possible, the all-encompassing nature of the city makes it more likely that they would have a minimum of outside communication, so the toy soldier would just be from the city proper. i will get into the impacts of this/expand on it more in the world lore section!

another thing: the angel has an out of character explanation! if you look at photos of old mechs gigs, jessica law looks similar to the drawing of the angel in the story of the toy soldier! their voice being stolen was most likely a reference to that.

drumbot brian

brian’s backstory is laid out in his crew bio! i’d summarize it, but to be honest, it’s already a summary, so i’d suggest just taking a second to read that! sadly, this is all of what we know about it. the priest from his backstory was apparently made almost immortal in some twisted form of mechanization, and has never forgiven brian for it/is still trying to hunt him down (x).

his bio is also where his morality switch is introduced! (interestingly, it takes a far lower role/is mentioned far less in canon than in fanworks.)

there was originally going to be a backstory album about him called indistinguishable from magic. this never happened, but ben below is working on a new one called the wanderings of drumbot brian! no more knowledge on this currently. 

the main theory about him is that he had some kind of alliance/is lying about something to do with carmilla! we know from maki that carmilla didn’t go out of the airlock (more on that in her section), and when brian is questioned on what happened to her, he doesn’t give a concrete answer. this is in contrast to all the other mechanisms, who assume she fell out an airlock. here’s what he said:

I will not point fingers and lay blame. I do not know how it came to pass that Dr. Carmilla left this vessel, whether by fair means or foul, and so I will not engage in this painful discussion. I hope she did not suffer, and that we may forgive the perpetrator of this deed.

he’s speaking very formally here. (fucking nerd). well, no; legitimately, this is not the normal way he speaks in other contexts. he could be masking something. we know that even when he’s lying, he’s not good at it, and this comes off as clearly odd. in support of this, i believe one of the songs on his unwritten backstory album was called ‘the doctor’s demise’ (though i could be remembering incorrectly).

there’s not much more evidence we can draw on here to come to a consensus, though!

something else to note- i’ve written this other meta about his prophetic powers! feel free to read if you’re interested in that aspect of his character!

gunpowder tim

of course, tim already has a whole mini-album to himself (gunpowder tim vs the moon kaiser), but there’s a couple more niche things about him, though not as much as aurora and ts!

mainly, the implications that he destroyed the sun. there’s an old mechanisms tweet that states he 'was floating in the wake of a detonated star’. additionally, there’s this old blog post, which turned into a bit of a fiction! the figure speaking is not named, but given the other mechanisms who speak (therefore knocking them off the possibilities list) and the fact that the post was made around the time tim joined, it’s likely that it’s him. now, he says this:

“It wasn’t the deep space that drove me crazy,” he said, his voice low, calm and polite.  “It was the sudden realisation that I was entirely responsible for the destruction of my entire civilisation, and happy for it.”

though destroying the moon and his other actions in gptvtmk could possibly count for this, it would fit more if he had destroyed the sun.

both those posts also imply that he was floating in space for an incredibly long time. i don’t know how he survived if so, but it seems very likely that’s what happened.

i considered these posts being too early/having a changed canon now, like the odd use of different pronouns for some characters in the earlier fiction, but they seemed to have gunpowder tim vs the moon kaiser mostly worked out by the time tim ledsam officially joined, as they perform it at the only recorded gig from that year with him (port mahon 2011), which was around when the second blog post was made!

marius von raum

we don’t have a written backstory or backstory song to go on for him, but kofi young (his performer) is working on a full album about him called ‘the death of byron von raum’!

the blog post kofi made about it as a summary is the main source of marius lore that we have! i’d highly suggest reading it, but the main points are:

1. it’s going to be very dark and tragic, and shows that marius at heart isn’t really the kind of comedic figure that he comes off as in the band! ruth @thedreadvampy (the mechanisms’ official artist, as well as morgan’s sister and kofi’s partner) has also made a tumblr post that connects to this!

2. the world he’s from used to be high-tech, but has devolved over time into 18th century levels of technology! what this boils down to is; what we assume is marius and an unknown friend (more on this in raphaella’s part) manage to discover ancient technology and attempt to use it! all we have here is this quote om the blog post- ‘In the middle of this, two kids hiding from the soldiers discover an army of ancient mecha and use them to fight back, but only end up plunging the world into further chaos.’.

3. anime protagonist marius!

we also have this small piece of writing, screenshotted here (monogoggle...)-

[image id: a screenshot of writing, most of it out of view/hard to make out. it’s also in the middle of the line, so the breaks are off. however, it looks to say ‘at the controls of RISML/cockpit is cramped and d[...]/has his monogoggle over his/controls are uncomplicated/the neural interface. They [...]’ end id.]

raphaella la cognizi

i’ve been very deep down the mechs rabbit hole for over a month now, and yet i’ve found hardly anything about her!

there’s a small theory i have, though it doesn’t have too much supporting evidence! in marius’ backstory, it mentions two kids, and raphaella and marius joined together (first mention of either of them is together, in this facebook post!) when questioned about marius and raphaella, nastya says a story instead of stories (x). (that post also clarifies that carmilla was not involved in either raphaella or marius’ backstories!) this could potentially point to raphaella being the other person from marius’ backstory. the evidence against it is that if raphaella featured that heavily, r. l. hughes would have said something about the album as well instead of it just being kofi talking about marius, but it’s still interesting to think about!

there’s also a theory that she was the preacher’s daughter from brian’s backstory, but the only real evidence there is that she could have used his tech to mechanize herself (which her doing is only fanon!) and that she performs ‘lost in the cosmos’.

dr carmilla

this is most likely going to be the shortest section, as it’s basically another crew member; that being said, there’s a lot of lore here!

if you haven’t listened to the carmilla albums, i’d really suggest doing that! there’s two- exhumed and (un)plugged and ageha prototype edition! the story there is harder to put together than in the mechs backstories, especially because the songs are mostly out of order, so i’ve decided to just straight up summarize my interpretation, along with what we have to go on from maki, instead of framing it like a theory, as that’s the easiest way! still, please bear all this with a grain of salt- it’s most likely to be contradicted in the new album maki is working on.

carmilla and her girlfriend loreli lived on a planet called terra. for their childhoods, it was a fairly okay place to live (though i elaborate on this a bit in the world lore section!) however, it was bombed; most likely taking the role of an alternate universe hiroshima, as the blurb on her bandcamp says ‘Dr. Carmilla tells the twisted tales of a dystopian future following WWII having ended very differently.‘ after this, the planet sunk into a nuclear winter.

loreli got sick and died; or, she should have, but carmilla saved her by turning her into a vampire as well. this resulted in loreli losing her morals and becoming abusive towards carmilla. carmilla was too deep in love to see this, and stayed in the relationship for several years.

we don’t know what happened to make her strike out on her own, but eventually she did, and created the mechanisms. while with them, she recognized her own failures with loreli, and left the mechanisms (which they all believe was caused by jonny d’ville pushing her out an airlock, rather than her own volition.)

from there, she traveled back in time to the point where loreli was dying, and let it happen- potentially burying herself and loreli alive, which she survived due to her immortality and loreli did not.

however, she was trapped underground for a hundred years. when she is finally found and dug out, she starts enjoying herself (i.e. committing murder). for some unknown reason, she clones herself multiple times, creating the in-universe version of maki yamazaki.

the mechanisms assume she pursued them after she was pushed out of the airlock, and that that was what eleven was about, but i’m not sure why she would do that, given that she left them of her own volition. because of time shenanigans, it could have been far later on her personal timeline; maybe she simply wished to reconnect with them after all those years.

that’s all we have; we don’t know if she died, or anything like that!

world lore

all the folktales and normal history the irl mechs work off of also exist in-universe! (for an example- the toy soldier and ivy start reciting the walrus and the carpenter together in lashings, and the mechs also do alice in wonderland as a song.)

we know the alternate universe theory is correct, mostly because of this piece in the fiction on kofi’s blog-

In those burning instants, he’d feel the weight of it all, and know it was true. The golden age that never came; the city that stood at the dawn of a world instead of in its dying embers. And beyond – to a myriad of Camelots and a thousand thousand Arthurs, unfathomable worlds apart, each different, each fighting the same hopeless battle.

He’d feel the burden of that task pressing down until it felt like it’d crush his chest, and he’d wake every day gasping for breath, feeling older than he ever had, older even than Ector.

And as he screamed inwardly, Galahad would meet his gaze with those crazed eyes of his and grin, and Arthur would know again that whatever had spoken to Galahad was moving him too.

the mechanisms are most likely traveling between several alternate universe versions of folktales, and occasionally alternate versions of earth! (cyberia, tim’s earth, terra...) this is likely why everyone in their stories is human, and is actually low-key evidence against drawing them as aliens (though ofc feel free to have fun!)

i was initially going to put all the album lore in its own separate sections, but a large amount of it is how it intersects with other pieces of lore, and the rest isn’t necessarily niche enough to cite here? my personal advice is that if you want to learn more about the albums, read the fiction! i have a compilation post of all the fiction up on this blog, and you can find it on the website here!

let’s start with the mechanisms’ roles in ulysses dies at dawn, though! we know for sure ashes is hades, brian is the oracle of delphi, and the toy soldier was a nymph (which is actually quite worrying, considering what that means and the inherent issues with consent there, but i digress.) tim most likely took on the role of achilles (more on that here). then, we know some of the mechanisms’ activities and can guess their roles from that. raphaella was helping athena on her research, marius was psychoanalyzing the olympians, and jonny was committing mass murder. it’s a common theory that one (or three) of the mechanisms was cerberus, but sadly i couldn’t find any evidence towards or against that.

i said in the toy soldier’s section that i would talk more about the implications of it being from labyrinth here! the main thing is the fact that, for it to join the rose red war, the city must have interacted with king cole at some point. it’s a risky thing to pose a theory on the toy soldier’s allegiance towards a certain group, but the fact that it seemed to stick with the rose reds here might also mean that the city was, in fact, under king cole’s power. this fits in nicely with the greek mythology aspect of it all; king cole, in that universe, could have been a stand-in for the figure of kronos/saturn!

a few other theories on how the lore intersects:

1. high noon over camelot takes place after the bifrost incident! in terminus, we see communication breaking down, and that could have been the reason the station was isolated. the mechanisms go from it to the bifrost incident, but as they canonically travel in time, that’s not enough to disprove the theory!

2. arthur becomes king cole eventually! this is mostly going off of the fact he’s called ‘the once and future king’, but also the fact that cole used to be considered a good king.

a few loose pieces of worldbuilding:

people from new constantinople seem to be longer lived, and their culture is built around age as a concept. the older you are, the more wise and important you are. specifically, in this fiction, snow is dismissively noted as ‘barely fifty’ and king cole’s age is held up as evidence to why he’s a good ruler.

terra, carmilla’s planet, has two major languages; high terran and low terran! high terran is a more regulated, formal way of speaking, specifically something that only the rich and privileged tend to know. there are many dialects, but the grammar is dictated by the capital. low terran is a creole language formed from several others, including high terran, that most children are taught in school as the baseline. (though they might speak a completely different, less widely spoken language at home!) carmilla speaks low terran but not high terran (although she pretends to know the latter.)

the mechanisms were all (or mostly all) at fort galfridean at one point; don’t have the source to hand, but marius apparently became a prophet to the saxons for staring into the sun for a very long time.

if you’re looking to draw album fanart, there are a few things i know aren’t as widely known; the ones i can think of off the top of my head is orpheus having a ‘foppish haircut’ (the type of thing that falls under that definition is narcissus’ undercut), and snow’s disfiguring scar. there is also official album art; i, personally, have not seen much of it, and i’d encourage coming up with your own character interpretations.

one last theory- it’s highly likely carmilla was involved in the events of the bifrost incident. in the mechscord (sadly, invites are closed due to the difficulty with handling the boom in the fanbase) maki yamazaki has mentioned that part of the criteria for picking a mechanism is ‘good friend for lyf’. at first, i assumed that she meant good friend for life, but when asked on that she was worryingly cryptic (as tends to happen), and she made a joke earlier in character as doc c about accidentally calling odin. though immortal lyfrassier edda most likely became fanon just so they could become a mechanism, this is a piece of evidence towards them actually becoming immortal.

my personal headcanon is that to gain true immortality (which maki has said king cole and the olympians do not have) you have to have some kind of eldritch component, so carmilla had to go to odin for aid. this is supported by the fact that in drive the cold winter away and cyberian demons, their mechanisms are noted as having a rainbow sheen to them!

other lore

scuzz nishimura

scuzz has built up a bit of a reputation for being the ‘cryptid mech’, but her lore is really quite simple! she was a member of the band back when they were doctor carmilla and the mechanisms, but left before they became more popular, so there’s not too much knowledge about her. she appears in this fiction and the only two recorded gigs from that era (lashings and homesick). she’s also visible in several photos!

i know i’ll get people in the notes asking for photos of her if i don’t include any, so have this;

[image id: a cropped picture of scuzz nishimura, looking tired and resting her head on her hand. she looks to be wearing white gloves and some kind of sweater or waistcoat, and her hair is cut short. her cello is also visible, as is someone else’s hand. end id.]

we don’t know too much about her; all we really have is that she was their cello player!

assorted things with no explanation

there’s this old piece from the wayback machine-

[image id: a screenshot of what looks to be the fiction page from a old site for dr carmilla and the mechs. the writing reads;

Writing

( The Aldwich Horror } A short story in which Dr. Carmilla attempts to solve the mysteries of the Aldwich Horror, the strange appearance of a new crew memeber and several zoologically dubious pets.

( Disinterration } A cautionary tale about exhuming corpses.

end id.]

‘disinterration’ is most likely a reference to the carmilla song exhumed, but i’m unsure about ‘the aldwich horror’. the most intriguing bit there is ‘the strange appearance of a new crew member’. i’ve researched the other aspects in an attempt to figure this out. aldwych is a closed london tube station- it served as a bomb shelter during the blitz, which is interesting as both carmilla and tim have backstories involving the world wars (though only carmilla’s is world war ii specifically; tim’s is wwi). the zoologically dubious pets are most likely the octokittens, which we know the toy soldier brought on board, so it would have to be in a place on the timeline after ts joined and before carmilla left. the only mechanism that joins in that space is gunpowder tim, so it’s possible that he is the new crew member.

the mechanisms blogs have a lot of incidental lore, so if you’re this deep in i’d suggest looking at my compilation post of some of my favorite posts of theirs!

and that’s it! we did it! i can finally go to sleep now. i’m so tired. please. i am going to die. i have homework. thank you all so much. please consider coming to my funeral service.

[thetrap]

why i think deancas just might go canon

i’ve been wanting to write this for a bit, but i haven’t really had the time until now. basically this is just a super unorganized collection of thoughts i have on why i think that dean and castiel actually have a fairly decent shot of becoming canon (and by decent shot i mean like.....a solid 5% chance. and that’s being generous). this is based off of the show itself (obviously), quotes from andrew dabb, and other things.

1. andrew dabb is deancas positive

i made a post a while back that never made it out of the drafts, but it was basically a summation of all the good deancas shit dabb has given us as a writer. here are the bullet points:

- the hug/"i'm not leaving here without you!" moment in purgatory (8x02) 

- "don't lose it over one man"

- "he's in love.....with humanity"

- cas/colette parallel ("dean. stop.") in 10x22

- just the fight scene from the prisoner in general like......wow

- sam/jess and dean/cas parallel in 12x23

- "we've lost everything......and now, you're gonna bring him back" + dean's just generally overwhelming grief in 13x01

- "and how is it that you lost dean? i thought the two of you were joined at the.....you know, everything"

and these are just the big moments.

also notable is the fact that an activist sent dabb (and some of the other producers of spn i think) a book about dean and cas and why the fans want it/why it would be a good thing for the show. a few years later, meghan fitzmartin (who wrote the most recent episode!) was hired as dabb’s assistant, went into his office and posted a tweet a with pictures of the book, saying something along the lines of “doing some reading for work!”

the fact that dabb actually kept a fanmade deancas book for years.....the fact that he’s consistently written episodes with really strong subtext for years.....the fact that the dean and castiel romantic tension has only picked up since he took over as showrunner (mixtape, lily sunder, cas’s death, dean’s grief arc, the entirety of season fifteen, etc.)......idk i just think it’s really interesting that there has been such a marked shift since he was put in charge.

2. the mixtape

i know this was a few seasons ago, but it’s still relevant because like. a mixtape is not platonic. this scene was not platonic. full-stop.

and it’s not even the act by itself; it’s also the dialogue!! “it was a gift. you keep those.” this is more than likely a direct callback to aragorn and arwen in lord of the rings (that’s the first thing i thought of, at least).

the fact that dabb let this slide, like......he knows what this looks like. berens and glynn, who wrote this episode, know what it looks like. they knew precisely how this would be perceived, and then wrote and aired the scene anyways.

and that’s not even getting into the camerawork. like what?? was this shot???

yeah so. definitely not platonic.

3. the trap

honestly i thought about just posting this part of this overlong essay thing, because to me, this is the episode where i went okay, so this might actually happen.

there are SO many things in this episode that made me go insane the first time i watched it (”i left, but you didn’t stop me”) but the thing that stuck out to me the most was dean’s reaction to castiel saying, “you don’t have to say it. i heard your prayer,” when dean tries to tell him something.

like?????? he does not look relieved!! nor does he look particularly happy!!

hell, if you go back and watch the video you can literally see him swallow his words down like....jensen ackles is the master of micro expressions and that shit is Not Accidental. this moment 100% gives the vibe that there is something that is not being said. the camera following dean as he gives cas a lingering look is really interesting too.

3. dabb’s comments about dean and cas in season 15

this part is actually sort of related to the point above, since a lot of dabb’s comments are in reference to “the trap.” here are some interesting ones that i want to point out:

But the Leviathan won’t be the focal point of the purgatory story. Rather, it’s about what Dean and Castiel are going through. “They’re not going to resolve the emotional stuff, but it allows them to redefine their friendship a little bit in light of what’s happened especially earlier this season,” Dabb says. (x)

the key thing here is that dabb said that, in 15x09, dean and cas are “not going to resolve the emotional stuff.”

now. i don’t know about you, but dean falling to his knees, praying to cas and weeping feels a lot like emotional resolution to me. like, sure, things will probably be awkward between them for a while, but surely this is the peak moment of their emotional vulnerability with each other, right? surely this is the moment where they’ve resolved the issue between them? like how the fuck does it get more intensely emotional than this??

yet dabb seems to be implying that it will, which leaves us with the million dollar question: what is left about dean and cas’ relationship to resolve?

keep in mind that as of 15x16, there hasn’t been much forward movement on that front; that is, we’ve had some cute moments between them, but in terms of serious conversation about their relationship, there’s been basically nothing. so we can assume that this development, whatever it is, will occur in 15x18, since dean and cas will be separated for most of 15x17, as cas will be off with sam.

aka the episode where cas will likely get yanked away by the empty. aka the episode with the teary (!!!) conversation we saw in the promo between dean and cas.

also notable from the above quote is dabb saying that dean and cas are redefining their friendship. like....redefining how? to what?? that wording is just really interesting to me.

another quote from dabb re “the trap”:

(x)

it forces them to “start that process.” indicating yet again that the prayer scene between dean and cas is not the moment where whatever is between them is resolved. yet, from where we are right now, dean and cas seem mostly fine. which means that whatever they have yet to work out doesn’t necessarily have anything to do with their fight.

lastly:

a really significant chunk of what happens to dean in 15x09 is him confronting his issues with cas. don’t get me wrong - there are other important things that happen in the episode - but the fact that an episode where so much time/emotional energy is given to dean and cas’ dynamic is considered a turning point for dean is very notable and, to me, speaks to the importance of their relationship for the rest of the season.

4. dean/cas and sam/eileen being set up as units

i’m of the opinion that sam and dean will (by choice) go their separate ways at the end of the show. i think this for a variety of reasons that i wrote about here, and to add onto this, i think that dean/cas and sam/eileen are, in a way, being set up as two units.

this theory comes from two points:

1. the fact that eileen got brought back at all

this isn’t to say that eileen isn’t an interesting character all on her own/outside of her romance with sam, but the fact that they brought her back and then proceeded to set her up in this romance feels really significant to me. what’s especially interesting is how, even after she leaves in 15x09, we get a continuation of their romance in 15x14. i don’t necessarily think that she’s sam’s endgame in the sense that the final episode will show sam going to her or whatever, but i do think that part of the reason she was brought back was so that sam would have someone who he loves/someone he could potentially build a life with after he and dean defeat chuck.

2. the way the two couples were portrayed in “the trap”

like....just watch the future scenes in the bunker. there’s very much a sense that these are two couples living together. and “ever since the mark made cas go crazy, ever since i had to bury him in a ma’lak box.” note the use of i, not we. and then dean/cas and sam/eileen are directly paralleled when dean tells sam he needs to give it up after eileen’s death, comparing it to how dean has given it up after having to bury cas in the ma’lak box.

5. dean does not do Well without cas

this is probably an understatement. there have been a couple of notable instances in this season where the viewer is given a glimpse of what happens to dean when cas dies/is in danger of death/is separated from dean (in case the whole ass widower arc in s13 wasn’t enough).

two of these are from “the trap”:

1. dean freaking out/crying/praying when he’s separated from cas in purgatory

2. dean giving up on life/hunting after burying cas in the ma’lak box in the future world

3. dean’s reaction to cas temporarily going to the empty in 15x13

the one i want to spend the most time on is number two, in large part because sam was witness to it and i think that this might get brought up in 15x17.

part of my spec for that episode is that cas will tell sam about his deal/sam will find out somehow, and in reaction sam might tell cas about how dean reacted to his death in s13 - a conversation that was notably absent from the show when cas finally returned in 13x05. i also think that he might mention no. 2 above, basically telling cas that if he dies, dean is done. that he won’t be able to handle it/move past it. the show has been telling us this over and over for a while now, and it’s only been emphasized more in season 15. i think that 15x17 is the episode where this will finally be verbally expressed.

to me, all of this emphasis on dean giving up when cas is gone isn’t for nothing. in my opinion, it’s being done very purposefully to set up an endgame where dean and cas are together in some sense of the word. and a lot of what i’ve said above is what makes me think it’ll be a Romantic together.

5. bobo berens’ three part deancas saga

so we all know that berens is pretty much spn’s foremost deancas warrior, and what i want to point out here is how this season has been utilizing him as a writer.

this season, berens has three solo episodes (he wrote “galaxy brain” with meredith glynn):

1. the rupture

2. the trap

3. despair (formerly known as “the truth”)

so far, these first two episodes have had major deancas moments. you could even label them as:

1. the rupture (the breakup)

2. the trap (the reconciliation)

3. depair (???)

keep in mind also that berens wrote 14x18, where the dean and cas sort of had a preliminary breakup. he’s been in charge of this arc for a while, and the fact that so much of his writing this season has been deancas focused.......i don’t know, i just think it’s significant in part because, while berens has always been deancas positive, he also writes plenty of episodes that aren’t focused on dean and cas. but now, in the final season, the dean and cas emotional arc has been handed to him, and it’s been the primary focus on his writing.

(sidenote: berens was promoted to executive producer for this final season)

to me, this is all leading to a big moment between dean and cas in 15x18 - and the fact that it was at one point called “the truth,” only to be switched back to despair - makes me think that there will be some sort of confession involved. my money is on cas being the one to say it (especially since this would line up with the leak), especially given the glimpse we saw of (what might be) this moment in the promo. which leads me to...

6. cas does not cry

i saved this for last because the promo where we see teary-eyed cas is actually what pulled me back into this shitshow.

cas does not cry. like. ever. he got a little teary in 15x15, when jack told him of his plan to sacrifice himself, but we have never - never - seen him shed actual tears. and in the promo, particularly that shot where cas says “you have fought for this whole world,” it 100% looks like cas is about to cry cry.

cas has seen his son die. he has seen dean die. he died himself, over and over and over. and we have never seen him cry.

yet for some reason, in this moment of vulnerability with dean, he’s crying. i find it highly unlikely that cas would cry because of his impending death, for a number of reasons (for one, he wouldn’t want to upset dean more than he has to). so, assuming he’s not crying because of his own death, then what is making cas so emotional that he is genuinely crying for the first time in the twelve seasons he has been on the show?

my guys.....i can only think of one thing.

[ordinaryschmuck]

What I Thought About "Yesterday's Lie" from The Owl House

Salutations, random people on the internet who absolutely won’t read this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons!

Here it is! The midseason finale of The Owl House Season Two! An episode featuring Luz going back to the human realm, is hyped up to heaven about how painful it'll be for the audience, and features more anxiety by how Creepy Luz is a thing. And BOOOOOOOOY howdy were fans not ready for this. I'm sure as hell not ready for when I wrote this intro at *checks time* thirty minutes before watching the official premier. Yup, the words you're reading right now are from me in the past, when everything was still pure and simple. Whereas future me is still probably destroyed by the events that transpired. Isn't that right, future me?

Future Me: Actually, it wasn’t that bad. The ending hurt, sure, but other than that, it wasn’t too painful.

Wow, that is some neat input! At least, I think it was. I wouldn't know because I literally wrote that after watching the episode. With the words you're currently reading being written at *checks time* twenty-six minutes before the premier...this whole intro is confusing, isn't it, future me?

Future Me: Sure is.

Yeah, it's definitely confusing. In any case, let's dive into this spoiler-filled review as we find out together just how painful this episode was! Take it away, future me!

Future Me: Will do! Major spoilers ahead, folks!

Now, let’s review, shall we?

WHAT I LIKED

Luz’s Room: We only see it for a short time, but everything about it just screams Luz. The pile of weird-looking stuffed animals, the witch hat in the center of the floor, and the fact that she has bunk beds, a single child's dream (Or so I've heard). It's a small thing, but I love it.

Vee: Here she is! The character previously dubbed Creepy Luz who now turns out to be yet another new addition to the ever-growing list of characters that we, as a fandom, would give our lives for. Because holy s**t was Vee the best type of expectation subversion. Showing us all the ominous ways of how she basically took Luz's place made fans assume that Vee was an evil doppelganger. Turns out, she was just a tortured soul that was desperate to live a new and better life and lucked out in finding Luz's. What Vee does is...questionable at best, but seeing what she went through with the experiments Belos pulled on her, you understand why she would do it. And I personally love it's that same background information that makes Vee resentful of Luz of all people. Luz's life is a relative dream come true, and running away from that would be insane to someone who spent most of their existence through imprisonment and experimentation. It's an intriguing point of view, even though it's admittingly flawed given how it's mostly Camila that seemingly made Luz's life bearable. But the flaws don't matter. What matters is that you can see where Vee is coming from, and to me, personally, I think she's understandable enough to make me root for her to have some kind of happy ending. Whether as Luz or as herself, I'm hopeful to see Vee get some semblance of peace.

Camila: *Round of applause* Don't mind me! Just taking the time to love how all them sons of b**hes who thought Camila was a bad mom are now heavily invalidated. 'Cause, guess what? Camila is a fantastic mother, both to her daughter and her daughter's doppelganger! Allow me to walk you through the highlights:

How Camila looks like she’s not okay with the fact that "Luz" is clearing out her weird stuff, seemingly acting too different to the Luz she knows. Added to the fact that Camila doesn't like it.

How Camila drove Luz to camp whether than letting her take the bus

The fact that Camila takes that box of junk back in, not willing to part with the tin foil sculpture Luz made.

The way she was willing to play along with the game she thought Luz was doing, supporting her daughter's creative mind that Camila admits to being glad to see.

And, best of all, the willingness Camila had to help this poor creature, despite the lies it lived.

It's that last part I really want to touch upon, though. Because an action like that shows just how much Luz's heart comes from Camila. The kindness and generosity of helping this poor creature, who she has every right to run out on, proves how Luz learned to be everything she is today through Camila's own loving heart. Vee was scared and hurt, and the second Camila saw that she was then more than willing to help because of it. It's something that Luz would do, and it proves that even though Camila didn't exactly get everything right, she's still a great mom where it counts.

“A new life”: A perfect line.

Initially, it makes audiences think that it has everything to do with replacing Luz. It's only through future context that we know it's about escaping the s**t show Vee once lived through that it's clear she's talking about starting over. It hits us with intrigue on the first viewing, only to hit harder with the feels during a second. Really well-done.

Luz in the Mirror: A well-done surprise that makes fans curious about how this even happen in the first place. Kudos to you, writers.

The New Portal: I don't mind that they found a way to build this off-screen. Showing Luz and the gang slowly building a new portal would have been a little too tedious to watch, and it's so much better to just start this episode out with it. Besides, maybe we'll get the slow and steadier version now that we've seen how quickly building one might not have been the best way to go, given how fast that thing fell apart.

Luz Between Dimensions: I have no clue what the hell that place she was in is called, but it's awesome! The overall design of the realm is the correct type of unsettling, like it's oozing with mystery, but it's somewhere that you probably don't want to be in for too long. Whoever designed it deserves all of the credit because I don't want to even think about all the hard work that went into making this look as well-made as it was.

Luz Resisting to See Amity: What? Luz and Amity are adorable, and seeing Luz's immediate thought about seeing Amity makes my shipping heart scream with glee. Don't judge me!

Hiding Luz’s Dad’s Face: Well, that was a fun story while it lasted.

So, it turns out that Luz's dad really was a part of Luz's and Camila's life at some point, but not anymore. As for why remains to be seen, as we don't really know yet if we'll see him make an appearance. I'd say that the odds are high that he will, given how much of a point this episode made about keeping his face hidden. Shows don't usually do that unless the goal is to hype up some official reveal, and I can't wait to see what comes of it.

Luz Telling Herself to Count to Five: Hey, more evidence for how I relate to Luz! I know how it feels to be all panicky about a specific situation, and I only got better when I took the time to calm down for a bit. Sometimes, I even tried the "count to x" method that Luz used...it never worked, primarily because it made me feel worse when people told me to do it, but I still tried it! Plus, there's also some narrative foreshadowing when after Luz says five, the realm shows her Vee, or Number V, which is a pretty cool detail you'll notice on a rewatch.

Luz Helping Vee: I gave Camila praise for helping Vee in the end, but that doesn't abstain Luz from her own set of recognition. The second that Luz realized that Vee wasn't really a threat and is far from evil, our favorite human does what she can to help and even makes a deal where they're both happy. Because, of course, Luz is that perfect of a protagonist who is more than willing to help others in need. And it's why we love her so.

Looking for Magic that Eda Left Behind: A pretty cool idea that gives Luz and Vee a chance to bond and giving us an insight into Eda's past antics and misadventures in the human realm. Not much I can add to it, though.

Gravesfield: It's surprisingly not as jarring as I thought it would be to spend an episode in the human realm. I thought for sure, after all that time in the Boiling Isles, there would be something off about walking around a normal environment for a change. Turns out, it's almost easy to get used to. Or, for me, it is.

But I will say that there's this neat use of colors when comparing Gravesfield with the Boiling Isles. In Gravesfield, the coloring looks dulled down and standard, which is a stark contrast to the bright vibrancy of everything we've seen in the Boiling Isles. It's a subtle way of showing how things are different, aside from the major discrepancies we could come to expect. And I think that's why I appreciate it much more.

Eda’s Called Herself Marylynn in the Human Realm: Hang on...hang on...do you mean to tell me that the crack theory about Eda being Stan's ex-wife is actually true?

...

...What even is this show?!

Vee Making Friends with Camp Members: This shows the most apparent difference between Luz and Vee. Where we see Luz is already fearing the many ways that could go wrong with interacting with teens, Vee revealed that she adapted to her situation and had a chance to make friends. The implications of this are worth discussing another time, but for now, I'll say that it's pretty intriguing that we gain this much insight into both Luz and Vee through such a small thing.

Belos Wanting to Learn How Basilisks can Drain Magic: ...Didn't Raine say that Belos was taking away magic? If so, I think we can figure out how he's doing it. The question now is: Why?

Jacob (The Curator Guy): This guy was a riot. At first, Jacob seemed like a threat with the way he trapped Vee and was apparently stocking her, but the second he goes off about his conspiracy theories, it becomes clear what type of character he is. And was it a blast seeing how much of a crackpot this man is. It wasn't cool seeing him wanting to dissect the precious angel that is Vee, but I still chuckle about things like his "Flat Eather's Certificate." So while he's not that much of a threat, he's still fun to watch.

The Owl Beast was in the Human Realm: ...How did that happen? When did it happen? And how the hell did Eda get out of a situation like that?! Who knows, but it's still a shocking piece of news to learn.

Luz Telling Camila the Truth: Hey, she faced her fear after all! Although, the results aren't as pleasant as when Amity faced her fear two weeks ago.

Camila is a Veterinarian: ...One insignificant reveal...managed to destroy so many fanfics. I mean, we probably shouldn't have just assumed Camila was a nurse...but what the f**k else were we supposed to think?! Sorry for seeing the scrubs, and the first thing that came to my mind was "nurse" and not "vet."

By the way, that had to have been intentional, right? There's no way that Dana Terrace didn't think we'd assume Camila was a nurse. She'd had to have put off a reveal like that just to trip up her fans. And if that's the case, then that is a major d**k move...but that's why I mildly respect it.

Two Human Brothers went to the Demon Realm: Turns out we don't have to be in the Boiling Isles to learn more about it. Because now we have more information about how two humans were taken to the Isles with the help of a witch, thus setting up a grander reveal if it turns out that one of the humans was Philip and the witch was Belos. Because if that's true...then there's more of a history between those two than we thought.

Jacob has a Training Wand: This helps me believe that it's highly likely for Jacob to make a return and to have a power boost for when he does. After all, focussing all that attention on the training wand is way too convenient for it not to come up again in the future. Meaning we're most likely going to get more pain from Jacob if he shows up again.

Camila Beats the Crap out of Jacob for Vee: ...Writers, don't make me choose between Camila and Eda on who's the better cartoon mom. I know Eda's technically not a mom...BUT I STILL DON'T WANT TO CHOOSE DAMNIT!

Also, the sandal...just...

Why the f**k does Camila have a sandal in her purse? I don't know. Is it still funny that she does? Most certainly.

Camila and Luz’s Talk in the Rain: Ooooooooh, I was not ready for this...

I wasn't ready for the crying.

I wasn't ready for the hurt in Camila's eyes when she found out Luz chose to stay in the Boiling Isles.

I wasn't ready for Camila asking if Luz hates being with her that much.

I wasn't ready for Luz profusely stating how it was never Camila's fault.

I was not ready for Camila to tell Luz that she'll try to do better.

And I definitely was not ready for Luz to barely have enough time to promise that she'll come back.

This episode wasn't the twenty-two minutes of nonstop angst that I thought it was going to be...but this short scene more than make up for it.

Luz Tries to Stay Strong: Yet another thing she unwittingly learned from Camila. Camila tried to keep a brave face when Vee was with her and Luz, most likely not wanting to tear either of them down in the process. Luz does the same thing here as she avoids talking about the details of what went down in her sort-of journey back home. And seeing her clearly fake smile slowly droop into an uncertain frown, it uh...it definitely tore me up inside.

WHAT I DISLIKED

I want to say it's perfect, but there's one major issue that really bogs this episode down.

Continuity Error in How Vee Replaced Luz: Having Vee take Luz's place the same day Luz appeared in the Isles is a smart idea on paper...if it wasn't for the fact that it's impossible.

Because Eda closed the portal door the second that she saw Luz, meaning that there's no way for Vee to go to the human realm. It's a major plothole that makes no sense, and it might just be the first time ever that this series wasn't so closely knit with its story. Which ends up taking a dive in quality in the process.

IN CONCLUSION

I'd say that "Yesterday's Lie" is an A-. Everything about Luz, Vee, and Camila is incredible, combined into a story that ends in tragedy and uncertainty for the future. That plothole may drag things down a bit, but everything else is handled so well that I'm not lying when I say it's easy to forgive and forget.

(And that's ten episodes in a row without a single stinker. HOW THE F**K DOES THIS SEASON KEEP WINNING?!)

[tundrainafrica]

some of the aot fans (probably just casual readers) don't see the parallels between EM and LH???? like the brunettes desire to live with their ackermans together in the woods? they call levihan shippers delusionals. their attacking levihans that they didn't read the manga well and we just want our ship to be canon??? WTH????

I keep wondering if it's just us, levihans, who see these parallels?

im sorry for this rant, it's just soooo frustrating. Basically the reason why i leave twt lol not yet, im still there bcoz of lh filo socmed aus

I have so many things I wanna say about chapter 138 and I am so sorry I only got to it now. I think most Levihan fans already said what I wanted to say but either way, I’ll just give some thoughts I entertained when these came out. 

Coz first of all… 

As a Levihan shipper, I am obviously ecstatic about this but as most people know, I come from a household where everyone is not too enthusiastic about Levihan. They are so very enthusiastic about INVALIDATING LEVIHAN in particular that my sister and my parents who don’t even watch AOT just come up to me while I’m staring at Levihan art on tumblr and go… 

“What are you doing?” 

“Staring at art.”

“Oh, is that the one couple you like who don’t even love each other or smthg.” 

Cause apparently my sisters who watch AOT and my boyfriend have been SO vocal about invalidating Levihan that even my parents now are on ship that they aren’t even a thing and I’m just delusional but yes, since I live in a house where literally ‘shipping Levihan’ is on the same level as ‘the curtains are blue so the narrator is sad’ type of interpretation, I will start by mentioning a more pragmatic argument to this whole Levihan and Eremika parallel. 

While I am one of those who can definitely see that yes those were clear parallels, there are some louder people( mostly Eruri shippers) who think that LH fandom is just grasping on straws and trying to diminish their supposedly canon ship( because EL and EM ackerbonding thing) so I was wondering what is your view on this?

So, to break down the argument...

It’s a war story blah blah blah. And besides Mikasa loved Eren from the start blah blah blah. 

I think this is an argument I see a lot. Because Yams is writing a war story and I think a lot of people are suggesting that it’s a war story here is no way anyone can be canon or anyone can have romantic relationships. 

AND I HATE THIS TAKE. Relationships are human nature. Yes, being arromantic exists but I don’t believe that in a fictional space, romance can ever NOT exist. Because most---or scratch that--- I believe all humans will search for companionship and I do not believe it is ever reaching to jump from whatever companionship exists between people and contemplate the potential of romance, except incest but that’s another story. 

Yeah because if there’s no kiss or sex then it’s not a romance apparently. 

Well guess what, we’re all reaching then, cause only Eren and Mika got the kiss. But lemme drop some social experiment I did. 

I actually showed the Eremika and Levihan ‘Let’s live together scenes’ side by side to a colleague at work who doesn’t watch AOT and she told me, WITHOUT CONTEXT, that she prefers the scene between Levihan more than Eremika and the reason behind that is because there were undertones, specifically in the Korean translation’ that Hange was tired, and there’s this apparent romantic-ness to it when you dream of something when you’re tired and when you dream of a particular someone. 

Because here’s the thing, when you love someone, when you decide to be in a  relationship with someone, that person will be your HOME. And now that I think about it, it definitely hits for me more, because when Hange was tired, when Hange was completely exhausted and spent, she dreamt of a future with Levi. 

And don’t you think that it’s more romantic that ‘despite everything, she thinks of him’ compared to ‘she constantly thinks of him?’ Because I dunno, when someone is constantly thinking of someone, there’s actually no effort really needed for the feeling to grow, but when ‘they think of someone, despite everything.’ There’s this idea that the relationship can withstand more things and that means they thought long and hard about it. 

Their life is so interesting and eventful, yet at the end of the day, there exists someone who still shines brighter than life itself and that’s why ‘Despite everything, she thinks of him’ rings brighter than ‘she constantly thinks of him’ for me at least. 

Probably a personal preference thing but either way… Just my take. 

Western people don’t consider running away ‘romantic?’ 

This is something I’ve discussed with filo moots multiple times and this is something I’ve thought about reading the Japanese and English translations, reading the Filipino Soc Med AUs and having my friend read the Korean ones.  

The Japanese and Koreans are quick to see the romantic undertones, a lot of my Filipino moots are quick to see those romantic undertones too. But we have the western fandom on Reddit going ‘Yo Erehisu foh evah’ and people saying ‘Levihan not canon they didn’t kiss.’ 

But YO both of my parents are ‘tanan’ (runaway in tagalog) babies. My mom actually ran away with a man and wasn’t allowed to talk to her dad until she graduated. My dad disobeyed his parents to marry my mom. They were setting my dad up with another woman and they were going to have a big wedding and everything but my dad was like…

NOPE Imma run away and marry this woman. 

And can I just say, my parents are the MOST unromantic people but they literally disobeyed their parents, ran away together, literally risked their relationships with their parents to make it work. 

And my parents are one of the few people in their family who are still in a happy relationship even after 25 years of marriage. 

Okay, I admit, sometimes running away is a dumb decision and shouldn’t constantly be romanticized. 

But I don’t think a lot of people understand the gravity of what ‘tanan’ entails. Legit, it was emphasized in 138 already, if Eren ran away, Paradis could have been overrun by military soon. And if Hange and Levi ran away to the woods, ‘what would there have been left for them? 

And in real life, my mom literally gave up her relationship with her dad to try to make the relationship work. My dad gave up the comforts of marrying a rich woman in a lavish wedding to marry my mom. 

They literally had a civil wedding, went out to eat Chinese noodles and China town as a post wedding meal and 25 years later, they have one of the strongest relationships I’ve ever seen. 

AND NO ONE RUNS AWAY WITH SOMEONE FOR THE LELZ. So yes, running away with someone will always be romantic for me.

And the Ackerbond?

Something I always find myself asking. Why do people want the Ackerbond to actually be a thing? Because if the Ackerbond were real, then wouldn’t that invalidate all Eruri and Eremika even more since we know they’re just trapped in the relationship like Stockholm syndrome or something? 

And besides didn’t Yams debunk that chapters ago? 

Anyway, onto the next questions

hi sav! i have a question about the recent chapter. do you think the em and lh parellels were done on purpose by isayama? 

And to answer this question… I am not so sure actually. I talked to a Japanese friend who grew up in the same prefecture as Yams, apparently it was her acquaintance from high school who married Yams and they were childhood sweethearts. 

So maybe Yams got it from them?  My memory on that convo is hazy but it’s only possible that he built Eremika from there. And Levi and Hange’s development is just incredibly different that I don’t think Yams thought that far to do it. 

My theory here is that Yams is writing a war story and he only has one way he could have ever shown romance in a war story and that’s through ‘running away’ so I believe the parallels are unintentional but I genuinely believe that this was Yam’s way of showing romantic undertones. 

And I personally do not think that Levi and Hange would have ever kissed in that time in their life, at least intentionally and I hoenstly commend Yams for doing such a good job with the subtlety of the romance because I’ve literally seen so many great characters in other stories completely butchered by a poorly done romantic subplot so I aint complaining about these romantic undertones. 

But either way,

I hang in the Japanese fandom a lot and there have been lots of fandom discussion on Levihan becoming endgame if 132 didn’t happen. And there are actually articles on this putting Levihan as endgame along with Eremika so I’m kinda suspecting that invalidating Levihan is an anime-only fan and reddit fandom type of thing.

But anyway, thank you for reading, sorry for the long rant.

[mxgilray]

I... have some thoughts on the Loki finale. It was not what I was expecting, but I'm still hopeful for season 2.

This felt like a meh finale, like how a lot of season finales felt in Spring 2020 when they unexpectedly quit filming and had to cut things short by a couple episodes thanks to the pandemic. Only this was the planned out finale, they should've given a bit more oomph. I'm quite a fan of exposition and character development usually, but all the dialog was centered on He Who Remains, so it felt like our main characters were just side pieces.

Plus, the final "cliffhanger" of Mobius not knowing Loki and the statue of HWR replacing the Time Keeper statues felt quite lackluster. Not sure how they could've made it hit harder, but it didn't deliver the "oh shit" vibes they intended, but maybe that's cuz Mobius not remembering Loki has been an expected plot line on tumblr for half the season so it wasn't a blindside.

I get the point of the Sylki kiss. From what I've seen on tumblr so far I feel like the nuance of Sylvies actions was lost to most people (both Sylki fans and antis just Didn't Get It). It wasn't a big declaration of love like the fans are grasping onto it as, and it wasn't shoving selfcest into the canon to keep the heternormativity like antis are accusing it of being; it was Sylvie using Loki's attachment to her to trick him. She needed Loki out of her way, and she knew the only way to get past him and get He Who Remains' tempad was through emotional distraction. She used his love against him and betrayed him, a kiss was simply the most efficient way to do it. I did a whole post last week about Sylvie's feelings towards Loki, but to sum up I firmly believe that while Loki harbors some romantic feelings for Sylvie, she feels strictly platonic towards him, but is very aware of his attraction. She took advantage of his care for her to get the upper hand during their fight. Heck she even foreshadowed it herself in ep 5. "There are more important things than friends" "like taking down the TVA" she told Loki that taking down whoever is behind the TVA comes before everything; it's priority #1 in her book, above friendship or love or trust. Loki proved that his priority now is the greater good of the universe not her revenge, so Sylvie has no use for him anymore (partners only when it's convenient, because she is a Loki and that's how emotionally stunted Lokis behave).

I would like to point out the irony of her being worried about Loki betraying her, only to turn around and betray him. It's in the realm of "people who cheat assuming their partner is cheating" / "not using a turn signal when changing planes to avoid being cut off because when you see someone else use their signal you tend to cut them off", it's assuming other people will behave like you do. Sylvie feared in ep 5 that Loki would betray her in the end because she knew if it came down to it she'd betray him. But the thing is, he's actually grown past that. Loki is finally thinking about how his actions can damage others, not just his own wants and needs. Sylvie saw this moral change in Loki, realized there was no chance of getting him back on the blind revenge boat, and decided to exploit his newfound selflessness and emotional attachment to get him out of her path.

This whole season Loki has been maturing emotionally and growing into the best, most heroic version of himself. Sylvie, on the other hand, still has that deceptive, selfish, can't trust anyone persona that every Loki develops to combat insecurity. She hasn't had the emotional growth needed to see the bigger picture, she's still trapped in her own self centered mindset. As such, she disregards the impact her betrayal will have on Loki, the impact killing HWR will have on the universe. She doesn't even take a beat to consider whether revenge is still the right path cuz she doesn't practice self reflection yet; revenge has always been the goal and she refuses to give herself a chance of changing her mind. I hope in season 2 she'll get some character growth, now that her 1 goal has been accomplished.

Now on to Mobius. I enjoyed his scenes, I wish we'd been shown more of what he did to reveal the truth to the rest of the TVA. Again, I feel like too much time was given to HWR's monologing and not enough was spent on the other characters so Mobius and B-15 got very little screen time to display their plan. I am happy Mobius got the opportunity to throw Ranslayers betrayal back in her face, and his attemp at attacking her...my boy you work a desk job you ain't no fighter, she used to work in the field collecting variants, you had no chance. Also, where the F did she go??? I kept expecting her to show up at the end of time but she didn't. Where did Miss Minutes send her??

I'm sad Mobius doesn't know Loki anymore, but I can't say I'm surprised. I've got a few different thoughts on what the heck is going on with him and the TVA:

Sylvie accidentally sent Loki way back to a time early on in the TVA before HWR created the Time Keepers for anonymity. As such, this is a past Mobius who has yet to meet Loki or even learn of Loki's existence. If this is the case, then I think Loki and Past!Mobius's interaction at the end of ep 6 will be the catalyst for him becoming a Loki expert. The 63 branching timelines Mobius and B-15 are discussing before Loki interrupts are from some currently unknown disaster that'll be a plot line in s2. (This is my least favorite theory, but nevertheless a possibility)

HWR was correct when he said that if Sylvie kills him and destroys the TVA then another variant of him will just start it all up again. This variant didn't care to remain anonymous, hence the big statue of him, but kept all the memory wiped variants working there. Because time is a chaotic bitch, the changeover from one HWR variant to another may have been near seamless at the TVA and just involved a quick memory wipe of anything relating to the Time Keepers, Loki and Sylvie, or knowledge that the TVA are all variants. The 63 branches may be thanks to something Renslayer is doing like killing all the HWR variants in existence in order to negate the need for the TVA. The branching could also be from Sylvie's revenge still, we have no idea how much time has passed between her killing HWR and a new HWR taking over so the branching she caused could still be an issue.

There have actually been multiple TVAs running simultaneously, each in their own multiverse. Each one employs memory wiped variants, each one is in charge of a certain subset of timelines, and all work under the one HWR. Sylvie used HWR's tempad to eject Loki back to the TVA, but she accidentally sent him to the TVA of a different multiverse not realizing that's a Thing. The 63 branching timelines Mobius and B-15 are discussing are indeed from Sylvie killing HWR, but there's only 63 as opposed to the countless we saw diverging from Sylvie's perspective because this TVA only sees branches on timelines within their own multiverse. Mobius doesn't know Loki because he isn't our Mobius and in the multiverse he works in maybe Loki's aren't as much of an issue because none of them ever escaped the TVA like Sylvie did (or none of them have Tom's face so he doesn't recognize him as a Loki). If this is the case, then Loki is gonna have to find his way back to his own multiverse in order to be reunited with his Mobius, and that could end up happening thanks to Renslayer. Miss Minutes gave her a file that I suspect only HWR should have access to. Maybe it was tempad coordinates for other multiverses? It took til the 31st century for the multiverses to be connected despite Tony figuring out time travel in the 21st century because travel between universes is much harder, maybe HWR is still the only one who knows how to do that. (If this theory is correct then all the time travel done during Endgame was through timelines within one multiverse) Also just thought of this but what if the reason there are so many extreme variations of loki that grew to adulthood is because the criteria of "sacred timeline" is different in each multiverse. Classic Loki and maybe President Loki and Kid Loki are from the same universe as MCU Loki, but red haired Loki, Croki, Boastful Loki, etc are all from other universes. Think about it, Classic Loki, 2012 Loki, and MCU Loki all have an exact identical path up until their nexus event (or death in MCU Loki's case). I think other than identifying as female, Sylvie's childhood was identical as well and that her nexus event was coming to terms with her adoption as a child, which erased the catalyst of 2011 Thor's plot and would've changed everything for her future path. Had her adoption remained a secret and she grew up on asgard, I believe her story would mirror MCU Loki's. It mildly hit me weird that there would be such wild variation amongst Lokis, even with him being a shapeshifter, because there's a rigid sacred timeline (that supposedly the MCU movies have all adhered to) and they all felt like too big of a divergence to have been left unchecked so long. If boastful Loki was telling the truth about getting all 6 infinity stones then he should've triggered a nexus event as soon as he got more than the 3 he is "supposed to" interact with, unless in his multiverse the sacred timeline criteria is different. Another theory: the agents employed in each TVA are from multiverses other than the one they're working in. It would make sense, keep them from running into their own past by fully detaching each agent from their home timeline/universe. So the Principal!Renslayer that B-15 found will never in any future become the TVA judge we know. The one we know maybe came from the universe Loki got sent to, and that's how the two of them will end up crossing paths again.