#can someone tell me WHERE to start. how does one start learning digital art

[evilkaeya]

BOUQUET FOR MR KIM DOGEZA

[mortmere]

Final Thoughts: Due South Stacked Rewatch/Timestamp Roulette Art Challenge

Personal favorites (in no particular order):

Well this was fun. And it wasn't. Like most things, it was a very mixed bag. 

I started out in September wanting to see if I could develop a personal, recognizable lineart style, something easy-looking and confident. Turns out I wasn't very motivated to do that after all. Or maybe I'm so stuck in my ways that I don't want to put myself through the process of de-learning some things and learning new ways of working. I've always been self-taught in almost everything (just doing stuff intuitively my way) and get easily irritated if I'm pushed out of my comfort and skill zones. Not a great learner!

The one thing where I definitely did step out of my comfort zone and gained confidence in was posting stuff that's less than perfect to my own eye. Ha, got quite good at that, actually! I think I got over the fear that someone tells me "this is not up to your usual standards". I'm hoping - while definitely aiming to create stuff that gives people feels - that this will make me work quicker and post more happy-making art instead of sweating over whether a piece is good enough to be posted. And I truly hope that my shit-posting (as I've called my super quick doodle weeks) has given someone else out there a feeling that they, too, can post stuff that might not be perfect by some artificial standard. I keep saying that great fanart can be drawn with stick figures, too. 

One of the biggest joys in this project has been discovering oil pastels. They simply suit my way of working, the colors are easy to mix and I can work pretty fast (I'm impatient). One thing I've gotten a lot of feedback on is how much people love seeing traditional media used for fanart. I still don't know what to think of the difference between digital and traditional. Is there any? Don't I use my human hands to create digital art, too? What difference does it make if a piece of art exists in pixels instead of pigment (except that photographing the latter for online viewing is a pain in the ass)? I kept going back to digital art from time to time in this project, and certainly can't choose which I enjoy more, oil pastels or Photoshop. Probably will continue more with digital art for the simple reasons of less mess, no storage problems, available shortcuts to reach a better likeness, and endless editing options. The best medium for me is the one I actually bother to pick up to make art. 

This 38-week project was probably the largest-scale art experiment I've ever done - or will ever do, at least on a strict weekly schedule. I kept expecting RL stuff to throw me off schedule, but it didn't. I kept expecting I'd just give up at some point, but I didn't. I guess the joy of having even a small purpose in life (even if it was self-inflicted pain in the ass sometimes) was worth it.

Thank you for following this project - and super thanks to those who tried the actual timestamp art roulette challenge even once! It's still open - the instructions are in the first post here: https://mortmere.tumblr.com/tagged/*/chrono

(The link goes to a chronological view of all my art/crafts post from these past 9 months - it's been my "progress evaluation link" to see what I've managed to create so far.)

[stardustnmypocket]

At first I thought I wanted to start a path in animation, but then looking at your Elemental art and storyboards makes me want to try my hand there too! (Yes, I love Elemental that much, watched it 7 times).

Not sure if you’ve been asked this a lot, but where does one start on the path to becoming a storyboard artist (or anything relevant to the animation industry)?

I’m a vocational nurse who is hoping to use her free time to slowly go on that journey of “animation aspiration”. Someone told me that the best way to start would be getting a wacom if I want to try more animation.

Does that also apply to storyboards? Like what technology and apps do I need?

How do I put myself out there like you did?

Apologies if this question has been asked too many times. I just feel so inspired after seeing your work!

- Abigail

Apologies for answering this a million years later 🥲

You should absolutely go for it!!

If you want to do anything within the animation industry, my general advice would be

1. Watch loads of movies and shows! Animated and live action. Make a note of shows you like and are inspired by

2. Draw a lot. Get a sketchbook (I like to call them shitbooks) and just draw any and everything, no matter how ugly. Just get used to drawing whatever on paper and when you’re ready, move to a digital medium like an IPad or any other small drawing pad that you can comfortably draw on

3. Study story structure! Knowing how to properly tell a story is really vital, especially if you want to be involved in a show or a movie. YouTube has a BUNCH of resources. Also read books!!

4. Learn how to visually tell a story! When you watch movies/shows, pay attention to how the scenes play out and what shots the director used to get the idea across. Make a list of shots/scenes you really like and study what makes them work

5. When you’re ready, invest in a desktop setup! Tablet, PC, monitor, all of that. Most animation professionals use ToonBoom, Storyboard Pro, Photoshop, Blender etc. There are cheaper alternatives to all of these too

6. Just make stuff and put it out there. Whatever interests you, whatever gets you pumped, just draw and post it. Post into the ether and eventually people will see it and want to know more about you.

Starting and putting yourself out there is scary and hard (I still lowkey hate it lol) BUT part of living is sharing yourself with others! Because I faced my fears and put myself out there, eventually I inspired you! 🧡

All in all, go for it! If you have any other questions, you can DM me!

Edit: I just looked at your page and saw that you already draw a lot and draw digitally which is GREAT

I’d say def focus more on your own stories and post that stuff separately from your fandom stuff! You’re already putting yourself out there and allowing people to get a peek into your personality, now just sort of direct that to your own characters, stories and other stuff that interests you!

[thunder-jolt]

These are the two and only digital artworks I have for my Legacy of Kain OC, Alycian. Though I might make more art of her in the future, we'll have to see how I might go.

To those in the Legacy of Kain fandom and in general, I'm sure I mentioned her to someone when "The Dead Shall Rise" was revealed, but basically, let me just dump her lore real quick.

ALYCIAN'S LORE:

Daughter of the vampire lord, Kain, and a human woman named Elizan, Alycian is a young wanderer of the now barren Nosgoth, she carries many secrets on her shoulders like how she carries many things on her back.

How she came to be is something saved for some other time, but to put it in a nutshell:

"Elizan unknowingly enters the palace, where Kain is, in hopes of shelter, while warming her hands by a fireplace (strange, I know, but it's for the aesthetics), she encounters Kain, who initially hostile at her, drawing his blade at her. Elizan begged Kain for her to stay, stating that all she just wanted was a place to live after wandering for so long. Kain, taking slight pity for the woman, lets her live and lets her stay at the palace, living together but not having any attraction yet. Then, the two became close, before falling in love (well, if we were to put it that way), and soon had Alycian! Kain's first daughter and blood-related child!"

Her relationships with other characters, overall, are either her having a relatively healthy relationship, or someone just having a one-sided beef with her, either because of her connection with Kain, or because. Such as her relationships with her relatives; her relationship with Kain is like any other father-daughter relationship, a daughter who thrives in knowledge and adventure, and her proud father.

In her relationship with Raziel, at the start, Raziel just finds her annoying, with her following him around Nosgoth and telling him things he already knows about, but didn't bother doing anything as there's no other way to get rid of her, at least, anything that doesn't involve killing or eating her soul.

But as time goes on, the two would sympathize with each other, about how Nosgoth wasn't as great as it was before, or how it was never great in the first place, which evolved from Raziel thinking Alycian as an annoyance to being like a protective brother to her. Funnily enough, when it's revealed that she and Kain are related, not only does it shock Raziel that he was friends with Kain's daughter for all this time, but also shocked that she is, technically, his sister, the only sister he could've had.

= = = =

At first glance, she seems like an ordinary human girl, a simple, thin, boring human girl, and might also be considered annoying to some, especially when she talks to someone about a fairytale or about Nosgoth's secrets, but deep down, she's a sweet girl who wants to learn and connect with other people. She's not as bloodthirsty as her father (she doesn't even drink blood due to her human DNA, evident when she tried drinking a goblet of blood, only to spit it out after the attempt because of how bad the taste of blood is), nor as "justice-driven" (or so to say) as Raziel, she's herself, half-human half-vampire, yes, but still herself.

And, spoilers, she sacrificed herself not only for Nosgoth's sake but also for her family's sake, to protect her father, Kain, and her adopted brother, Raziel. (She isn't as selfish as her father, she's selfless.) But she did come back to play a big role in my Tomb Raider x Legacy of Kain crossover, but that's a whole other can of worms.

Anyways! I hope you like her! She might be Mary Sue-ish to some, but unlike most Mary Sues, she has flaws, such as being annoying without intending to, not having any battle prowess in a world that is "Fight or Be Forgotten", etc.

But that's on me, this is purely self-indulgent, so yeah.

[maluceh]

how long have u been drawing? i scrolled ur blog (great stuff btw) and your art has improved sooo much over the past like year or so it motivated me a lot hehe so im just asking out of curiosity as someone who's been thinking about picking up the hobby! and maybe if u could share what exactly made u improve thar would be fantastic <3

hi! I have been drawing since i was a toddler, but my art stayed pretty much the same cause i made the same drawings over and over. Even when I picked up digital art, I did it on my phone and with my finger so it wasn’t… great. (to anyone seeing this i beg you to let my 2017-18 art DIE).

I started to get serious about it like four years ago, i stopped doing just profiles and hiding hands and I started looking at different references and art videos which helped a lot. I also started studying graphic design and they had a class on traditional drawing and human anatomy and it helped me A LOT. not saying you have to join a class or anything, there’s a lot of online free classes or videos that can help you, what I did in those classes you can do it for free for sure. But having a routine, or an specific time where you set to just learn and take the time can help you (the class was 4 hours a week and all we did was draw and draw and draw, but with direction)

i don’t like to say “don’t do this, do that”, because every artist chooses their own path and they end up using things that others don’t and it works for them. so this is what i did:

doing the basics, studying the human figure (if that’s what you want to draw), studying scale and contrasts, etc. This is for traditional art

applying that knowledge and drawing A LOT of dynamic poses

it gets repetitive having to draw different poses again and again but it helps a lot

timing it to do 20 or 30 second drawings so you find the quickest way to recreate a pose or to at least get the basics of the subject (how long the arm goes, how the leg bends, how the hand sits on different poses etc) it doesn’t have to be great, it’s practice :)

then learning about color theory and how colors works and combinations, etc.

applying that to digital art, learning more things from other artists online.

finding new things about the program i use and taking advantage of them.

never stop learning, there’s always something else you haven’t tried, something you didn’t know, a new hack another artists teaches you, a new discovery you make yourself that changes the way you did things…

a lot of artists will tell you “oh you need to draw and draw a lot” but i find that advice unhelpful. You do need to draw a lot, but you need to work your way up and KNOW what you draw.

this is for later but, for coming up with your own style:

looking at and taking from other artists helps too! (i recommend this FOR PRACTICE not for posting and claiming it’s yours after copying one artist)

if there are more experienced artists you like, you can learn a lot from them and take little things from their art but it has to be multiple artists you shouldn’t take from just one. Try to resemble the way one of them draws bodies, the way that other one does hair, this one has a fun palette, the line art on this one, etc. Even if it’s things from other artists, you will end up with your own style, and it will help you find things that you like or don’t like and discard them (maybe cause they don’t work for you, maybe cause you want your style to look different).

and that’s basically what i did, i hope it helps you!! and i’m honored my art journey inspired you :)

[wowzerwyrm]

I don’t comment often on posts like this, but reading your thoughts makes me think that you might be uniquely qualified to understand/critique my own opinion on this.

Bear with me, this might be a little bit messy. Basically, yes, a big aspect of art is labor. But I also believe that people should have the right to choose what aspect and amount of that labor they want to participate in.

To be human is to create, and be a part of the process of creation. I’m drawing a comic in my free time, something I hope to share eventually, for other people to enjoy and for my own satisfaction, and maybe even someday for me to live off of. This art and my ability to do it is important to me, and the labor is something I hope gains monetary value in the future.

But if AI becomes advanced enough that I could plug in the descriptions of panels of my comic and get exactly what I was looking for… well, being honest, in the current world, I might do that, because it is more efficient and my current life is living paycheck to paycheck and I would do a lot of things to escape that.

But in an ideal world where I didn’t need to work to live? Where my art could rely entirely upon its own, intrinsic merit, rather than whatever monetary value I can squeeze out of it? I would still be drawing, still be learning, still be failing and still be improving. Because as you said, “Creative expression… is an experience to be had.” We are human, and it’s important for us to experience the world and the methods around us, and to have hobbies, and to play games.

What does it mean to play a game? This video essay* talks about it a little, and eventually the idea boils down to the idea that playing a game is creating arbitrary rules and then following them in order to accomplish the goal. Using the example in the video, say your goal is to climb a mountain and reach the top. If a helicopter passes by and offers to carry you to the top, you’re going to refuse, because the point is not to reach the goal, it’s to follow the rules you set, to strive, to improve yourself in that way. It’s because you’re a Mountain Climber!

So even if it becomes possible to automate all my art, I would still want to learn it.

Here’s where the choice comes in, and why I think it’s important. If someone wants to tell a specific story, create a comic like mine, but they don’t want to spend the time learning the art form… I think they should have that choice. Because we don’t live forever, and we have to choose what to spend that limited time on.

Say this friend of mine wants to create a wonderful piece of painted pottery. At the top of my mountain that I like to climb, there’s an herb that’s essential for the pottery they want to create. Should they be forced to climb the mountain as well, even if that’s not what they’re interested in? Or can they take the helicopter ride?

How much of the process do we have to participate in before it counts as art? Should I, as a digital artist, have learned how to code all my brushes myself? Is my art not real art because I didn’t?

I follow a thriving tumblr community of knitters, weaving, loom-users. I don’t remember the proper name for them at this time, but I also don’t ever intend to start weaving. It’s just very cool, how people take plant and animal threads and hair and turn it into wool and then turn that into scarves and gloves.

Should every person who wants to knit have to create their own wool by hand? Should the people who make wool stop, because it’s already been automated and it’s pointless? No, I think they should both have a choice in how they want to participate in their craft.

If one of them has a sudden idea for a comic, or a piece of art, and there is an automated tool that allows them to bring that idea into being, should they be forced to stop improving their preferred craft of knitting in order to to get that story out into the world? Or can they take a brief detour from knitting, use that tool, and then return to their favorite work? They should of course be allowed to choose, either way. Maybe they do want to branch out into art.

And of course, a better understanding of how your art works will also make more competent art. There’s no denying that. If I understand line work, I’ll be able to create it or fix it more easily than if I don’t. If I understand wool vs cotton, I’ll be able to create warmer and sturdier mittens. But that should still be a choice people can choose to make.

Of course, we don’t live in the world where we’re free to make things without worry, we have to make money, and the tool of AI is currently threatening the way many many people stay alive. But that’s not the fault of the tool, and more than it’s the fault of the automated loom for putting a lot of weavers out of work. It’s the fault of the system for using that tool exclusively for profit instead of for the betterment of the people. It’s something that needs to be addressed either way.

That’s my thoughts, and I would appreciate any criticisms you might have for them. I may or may not be able to respond, I have a lot of work soon, but I’ll still read any responses regardless.

(*I think it’s this video. It is from this creator, and I do wholesale recommend the whole channel, and I didn’t have time to sift through the videos to confirm where. This sort of addresses the thought of ‘what’s the difference between human and AI learning and influence’. I watched this video barely two weeks ago, and I am already struggling to differentiate between my thoughts and theirs, which was also a quote from someone else in the first place. The vast majority of my thoughts are sourced from somewhere else, but I have no hope of remembering them all. And as an artist, should I credit every piece of art I’ve studied for tips, every art tutorial I’ve watched, every story I’ve read, for how they’ve influenced my work? It’s nice, of course, when you can identify strong parts of your art that came from someone specific, but it’s impossible to actually source every piece of inspiration you have.)

so a huge list of artists that was used to train midjourney’s model got leaked and i’m on it

literally there is no reason to support AI generators, they can’t ethically exist. my art has been used to train every single major one without consent lmfao 🤪

link to the archive

[hay-and-meko]

The chances of this actually happen feels like one in a million. I don't know how to go about this!!

Do I get this out there and gauge a lot of interest? Like, make a pilot and put it on YouTube! Go indie! Or do I keep it on the down low and pitch it to Disney, Cartoon Network, Nickelodeon, ect ect. Being on Disney sounds like a dream come true, as an Amphibia and Gravity Falls nerd, but after seeing how The Owl House was treated... Maybe not

I really really want this to happen one way or another. It's gonna be hard, like my personal Everest, but I can do it!

I'm also only 16 with my laptop and a story to tell. Maybe I can put some time into learning actual animation software? Krita does not really work for longer animations.

I'm doing all I can for now—I've been doing great in school in hopes to get accepted into a college I'm looking at with a whole department for animation and digital art (which, the school has like an 100 percent acceptance rate, but still—) and have been researching how making your own cartoon works. I don't want to move to LA, but if that's the cost of my dream coming true I'm willing to pay it!

And then the whole thing with AI. I doubt AI "art" will ever replace creators, but it will definitely impact the industry I'm wanting to go into. I've watched AI from the start, like, Prince Sun's design was from when 14 year old me wanted concepts for a oc and went to Dall-e mini (now called craiyon) because I had art block! It spat out pretty colors that inspired me, and Prince Sun, at the time called Sunstone, was made. (his og story is very embarrassing ill tell it eventually) Now, AI's stuff is scary good! I won't touch that with an 8 foot pole!

But recently, Meta made this AI policy where it feeds off of everything of yours on Instagram. I have 5 years of posts backed up on there. That policy is half the reason I'm doing this on Tumblr instead. (And because having a secret Tumblr blog is admittedly far funnier)

Honestly, I'm writing about this, hoping that future me is looking at this and chuckling, "I really thought this was going to be an issue."

And maybe, if I succeed, this blog can help someone in the future. That's what I want.

I have enough blind confidence to have faith that I can beat all this. I'm only 16, but being only 16 means I have the whole world in front of me. I'm still young. I CAN DO IT 🦅🦅🦅🦅

Also, I drew this on discord with my friends lol

[gaildaley]

Artificial Intelligence--Yes or No?

2024 04 09

There is a lot of controversy these days about using artificial intelligence in your work. I’m not just talking about driving a car or reading your contact list. I’m talking about in the creative arts. There are many artists and writers who claim that artificial intelligence draws from a free association of words and visual items off the Internet. Undoubtably this is true and a lot of cases. These artist and writers contend that anyone who uses artificial intelligence to assist in their work is stealing. 

This controversy over Artificial Intelligence is quite similar to the controversy that arose when photographers starting demanding a place in fine art shows, and it got worse when creatives discovered they could alter an existing photo creating digital art.

What they’re talking about is something called intellectual property rights. What is that? Basically it’s your creative ideas. And there is no doubt that they belong exclusively to you. However, it has been proven over and over again that more than one person can come up with the same general idea concurrently, so which one of them is stealing from the other? If we want to prevent our intellectual property rights from being stolen, instead of simply barring anybody who uses artificial intelligence, we should learn how to use it, and teach creative people how to use it so that they can use it effectively withoutstealing someone else intellect property rights. If we write that into law correctly, artificial intelligence can be a useful tool.

While it is true, today’s Artificial Intelligence cannot create on its own without assistance from an artist or a writer, it’s going to happen sooner or later. Deal with it. No, I do not believe that Artificial Intelligence will replace human writing or human skill with a pen, pencil, or paint. One of my Facebook friends once said that she wanted an Artificial Intelligence that would do her dishes and her laundry so that she could write, not so that it could write or paint for her. That sounded good to me. Let’s face it People, Artificial Intelligence is not going to go away any more than digital art did. It’s here. I suggest everyone learn how to use it so they can decide for themselves how it would be helpful to them without theft.

Can this be done? I think so. We’ve all discovered over the past 20 years just how useful computers can be, and I personally see nothing wrong with using an Artificial Intelligence to spark your own creativity any more than watching a TV program or reading a book. Or, in the case of writers, to go in and edit a written manuscript. There is no doubt a well written manuscript, edited properly, improves it. Now, does it create it? No, absolutely not. I personally have used the Artificial Intelligence on Kindlepreneur to improve my blurbs. All this really does, is take what I’ve already written and revise it. It shortens sentences, tells you where you’re unclear in describing your book, and it’s certainly some help in correcting grammar and spelling. And the Lord knows, we can all use help with that. I don’t care how good you think you are at spelling or grammar, all of us allow colloquialisms to creep into our writing, especially when we emphasize something.

OK, I’ve been talking about the written word. Now let’s talk about the Visual Arts.  If you think the controversy over using Artificial Intelligence for writing is nasty, wait till you try to talk about it in context of the Visual Arts! when people first started mentioning using Artificial Intelligence to assist in making book covers, I tried to ask a few questions. You would have thought that I was advocating selling their firstborn child when all I really wanted was some information! It’s true Visual And Graphic Arts are a fuzzier area than the written word. The construction of an imaginary world is difficult; visually many artists experience (and non-artists too) difficulty translating what they see in their head onto paper. And yes, there are Artificial Intelligences out there who do draw from other people’s images on the Internet, especially if the writer has not been clear about what they’re asking for. If you are looking for an original image to visually explain your new world, DON’T use an image from someone else’s creation to describe it!

Now, one of my favorite photo resources Shutterstock, also has an Artificial Intelligence that will help you create your imaginary animals and scenery from the text you write. It was free, so I decided well. Why not try it. If nobody will answer my questions. I’ll figure it out myself. It was an interesting experience. The first thing I learned was that the little darlings (Artificial Intelligences)are stupid. If you want an original creation, then you have to refrain from using anything it can grab onto. For instance, the first time I used it I tried creating a creature I made up called a Powderpuff gargoyle. It’s very small. Unfortunately, I when likened it in size to a teacup poodle. Everything I got as a result looked like a poodle dog using that description. So the first thing I learned was do not compare the image in your mind to anything that actually exists. I did much better when I substituted the words a small mammal. 

Learning to use an Artificial Intelligence is very similar to what I experienced When I was in high school; My creative writing teacher had us describe a car without using the words car or  motor vehicle. We couldn’t use the word tire to describe it what fit on its wheels. Instead we had to say a round, air-filled rubber-like substance instead of wheel. So if you want an alien looking plant, don’t call it anything that resembles an earthly plant. Instead it is a green growing thing; you could say fungus, but you might get a mushroom. if you use something like broccoli it’s, It’s gonna look like broccoli. Needless to say, the first time I tried to use this thing on Shutterstock, in trying to correct the image so I wouldn’t get a poodle, I gave it fits. It froze up, in effect, I overpowered it. If you want, say an alien looking woman, don’t call her a woman; say a female bipedal with whatever color skin you’re gonna be using. whatever her hair is going to look like, if you say hair, it’s gonna look like human hair. 

No, I don’t think Artificial Intelligence is any danger to us artist or writers. The fault lies in our ability to use it and how we use it. if you give a very general description and you say your alien looks like a Klingon you’re going to get a Klingon. If you say an elf, well, there’s a lot of different descriptions out there to draw from and what you actually  get back will depend on what that individual Artificial Intelligence has available for sources. 

The fault lies in ourselves and our training, not in the tool.

[sibillascribbles08]

Okay ramble that will probably not get anywhere but I will put it here anyway because I saw yet another post about people struggling to get any writing done. And someone in the comments made a good point. You write/draw so much more as a kid because you're less practiced and ergo less worried about the imperfections that may arise from just gunning it.

And this is true! And this is why I want to tell you if you are struggling to write much, learn to write like a kid again.

You know how with a lot of art you see processes and it always starts with really shitty thumbnails that have silly faces or just blobs of color? Then you have an actual sketch (during which the artist likely moves a lot of shit around on a digital canvas) and then possibly the inking phase or just painting which is more blobs that slowly get sharper and sharper the more the images is rendered.

Yeah uh, do that with writing. Going under the cut because long

Writing as a process is something that is unique to an individual, just like there's 800 ways to slap paint on a canvas. If you look at guide books for writing and none of it is sticking it's not cause you're a failure that technique is just not gelling for you.

And as such I can only speak from MY experience with it but like, here's how I generally stay on top of projects

A) Sketch phase! It's outline time baby! "Ughh but outlines suck" listen I know school made the outline phase of an essay the worst fucking thing ever but hear me out on this. Sure some people CAN write by the seat of their pants but in terms of long projects this does not work out for me. I'm inevitably gonna hit a point where idk where to go from there and it's so hard to map all that out in long form

Listen, outlines are not there to be formal. They're not even there to be fancy. This is time to get down the bare bones and if you have to make it only a paragraph long and then extend that paragraph into multiple then DO it.

Like hell, NONE of my outlines are formatted the same! Some are a paragraph per chapter. Others are just endless bullet points that I split up later. I'm sure in one book due to all the plotlines I'm just going to have a storyline for each character laid out in columns so I can draw lines between them. Whatever works.

And again, do not have to be formal, like here is a legit line in one of my outlines

As for the ruined building… Hypno will cover the damages……….. Right? : )

Go crazy.

B) Now that you have your baselines start working on the actual story. Do you like writing shit out of order? Do it, because with an outline you still have your baselines to reference for any important details you don't wanna forget "Remember [character] is supposed to get a scar in chapter five!" Or write shit in order, and every time you hit a lull consult those baselines to say "oh yeah that's where this chapter was going"

And hey, keep writing it like a kid if that's what it takes to get this crap down. Hit a fight scene you don't wanna write? Slap down some brackets. [Insert a fight scene here where [character] gets his head smashed in so he ends up with this concussion later like a dumbass]. Boom, done, worry about it later.

Worried the dialogue isn't flowing well? Slap open another document or grab some paper and write it out in a play format to keep it moving. Add in all the beats, expressions, and details after.

Not sure if this detail you're putting in is historically accurate? Leave an easy to search symbol in the doc so you can go back to it to research later.

Write the sappy shit. Write with poor grammar (but still like, comprehensible you know what I mean). Slip in adverbs to swap out with strong verbs later. Use a run on sentence.

"But it's gonna sound bad" Who cares who tf cares that's what editing is for ! You go back and refine that shit and clean up sentences and add in all the extra research and pull out the repetitive words.

You gotta quit treating writing like you're supposed to just swing your brush on the canvas and suddenly you have some beautiful scenery. There's layers. There's blobs that turn into refined shapes. There's blending and shading. There's fine lines and thick lines. And sometimes there's mistakes that you have to wait until it dries to go back over it again.

It is a process! Let yourself have FUN with the process.

Okay rant over.

[sineala]

How would you say fandom culture has changed over the years? What are some differences you notice between older and younger fandom folks?

I’ve been thinking for a while about how to answer this, and I’m not sure I have a really good answer, but I’m going to try.

I’ve been in fandom since approximately 1995. Maybe 1994. At that point, the world wide web was a relatively new part of the internet, and the fandoms I was in had most of their activity on privately-hosted mailing lists (predating eGroups/OneList/Yahoo Groups) and on Usenet newsgroups, with fiction beginning to be available on websites as part of either fandom-specific or pairing-specific archives as well as authors’ individual pages. Fanfiction.net did not yet exist. LiveJournal did not exist. AO3 definitely did not exist. If you wanted real-time chat, there was IRC. I was coming in basically at the tail end of zine fandom; zines were no longer the only way of distributing fanfiction, as fandom started to move online. So I have a selection of zines from 90s-era Western media fandoms but even by then zines weren’t where I was doing most of my reading.

I think in terms of generally “what it was like to be in fandom,” the big-picture stuff hasn’t changed. Fandom still produces creative fanwork and likes to, y’know, get together and talk about fandom. Also, almost every fight or complaint that fandom has about something is a thing that has been going on for actual years. People complain that, say, the kudos button is ruining comment culture because back in the LJ days the only way you could comment on a story was, well, by leaving an actual comment, or sending an email on a mailing list, and this might mean that people who would have otherwise commented have left a kudos instead. But back in the LJ and mailing list days, people were complaining that commenting was going downhill since the days of zines, when in order to comment on a story you had to write a real paper letter and mail it and because you had to do that, the quality of feedback was so much better than you got nowadays because people could just dash off a quick email or comment. You get the idea. Top/bottom wars are not new either. Pairing wars are not new. If you’ve been in fandom a while, you will pretty much have seen all the fights already. I think one thing that is new, though, is the fandom awareness of things like privilege and intersectionality and various -isms, as well as things like “providing warnings might be nice” (do you know how much unwarned deathfic I have read? a lot!) and I sure won’t say we’re perfect at any of this now, but I think fandom is trying way way more about all that stuff than it used to.

There are some fights we actually don’t have anymore, as far as I can tell. I feel like it’s been years since I’ve seen the “real person fiction is wrong” battle, but also I don’t hang out in a whole lot of RPF fandoms, so it’s possible that’s still going and I just don’t see it.

There also used to be a recurring debate about whether gay relationships that were canonical were slash or not. When slash started, obviously this wasn’t a question because there weren’t canonical gay relationships in fandoms, period. But as gay characters began to appear in media, people started to wonder “does slash mean all same-sex relationships, or does slash mean only non-canonical same-sex relationships?” Now, you may be reading this and think that sounds like an incredibly weird thing to get hung up on, but that’s because what appears to have happened is that the term “ship” (originally from X-Files Mulder/Scully fandom) has, as far as I can tell, come up and eaten most of the rest of the terminology. Now people will just say, “oh, I ship that.” For any pairing, gay or not, canonical or not. Fandom seems to have decided that for the most part it no longer actually needs a term specific to same-sex relationships as a genre.

Similarly, there are a few genres of fic that we used to have also pretty much don’t exist anymore. There are also plenty of genres that are well-entrenched now that are also extremely recent -- A/B/O comes to mind. But there are some kinds of fic we don’t write a lot of now. Like, I haven’t seen smarm in years! I also haven’t seen We’re Not Gay We Just Love Each Other in a while. There was also a particular style of slash writing where you’d basically have to explain, in detail, what made you think that these particular characters could be anything other than straight. You’d have to motivate this decision. You’d have to look at their canonical heterosexual relationships and come up with a way to explain why all those had happened in order to reconcile how this one guy could have romantic feelings for another guy. When had he figured out he wasn’t straight? Who might he have been with before? How does he interact with people in ways that make you think he’s not straight? That kind of thing. You had to, essentially, show your work. And these days a lot of fanfic is just like, “Okay, Captain America is bisexual, let’s go!” It’s... different.

Fandom also used to skew older, is my sense. A lot older. I don’t know, actually, if it really was older, but I get the sense now that there are some younger people who are surprised that adults are still in fandom. I have seen people saying these days that they think they’re too old for fanfiction because they are not in middle school anymore. And I think a lot of this has to do with the fact that the barriers to access fandom are a lot lower than they used to be. You used to basically have to be an adult with disposable income (or know an adult with disposable income who was willing to help you out; but even then if you were reading explicit fiction you also had to swear you were 18+, usually by sending in an age statement to whoever you were buying the zine from or to the mods of the list you wanted to join, so a lot of fandom was very much age-gated). Internet access was not widely available. Even if you had internet access, you maybe didn’t have your own email address, so you couldn’t sign up for mailing lists; free email providers didn’t exist. If you wanted to buy zines, you had to have money to buy them. If you wanted to go to cons, you had to be able to afford the cost of the con, travel to the con, et cetera. If you wanted to have a website you had to know HTML. Social media did not exist. You want to draw art? Guess what, you’re probably drawing it on paper! You might be able to upload a picture to your website if you have a digital camera or a scanner, but both of those things are expensive, and also a lot of people don’t have the capability or the money to download pictures from the internet (some people have data caps with overage charges, and some people have text-only connections!), so they won’t get to see it. Maybe you can sell your piece at a con! You want to make a fanvid? We called them songvids, but, anyway, you know how you’re doing that? You’re going to hook two VCRs together and smash the play and record buttons very fast! If you want anyone else to watch them, you are either making them a tape personally and mailing it to them or bringing your vids to a convention. Maybe you can digitize them and upload them, but it’s going to take people hours to download them!

(Every three hours my ISP would kick me off the internet and I’d have to dial in again. If it was a busy time of day, it might take me 20 or 30 minutes to get a connection again. And that was assuming no one else in the house needed to use the phone line. Imagine if your modem went out every three hours now.)

And now, for the cost of my internet connection, I can read pretty much whatever fanfiction I want, whenever I want it. I can see all the fanart I want! I can watch vids! Podfic exists now! Fanmixes exist! Gifsets and moodboards exist! If I want to write fic I can write it with programs that are completely free, and as soon as I post it everyone in the entire world can read it. If I want to draw or make vids that may require some additional investment, but I may also be able to do it with things I already have. Do you have any idea how good we all have it?

There are a couple of kinds of fan activity that don’t seem to exist anymore, though, and I miss them. I know that roleplaying still goes on, but I feel like these days most people who do real-time text roleplay have switched to things like Discord. I know that in the LJ days, RP communities were popular. But I really miss MU*s (MUDs, MUSHes, MOOs, MUXes..), which were servers for real-time text-based RP with a bunch of... hmm... features to aid RP. There were virtual rooms with text descriptions, and objects in virtual rooms with descriptions, and your character had a description, and they could interact with the objects as well as with other characters, and you could program things to change descriptions or emit various kinds of text or take you to different rooms, and so on. Just to, y’know, enhance the atmosphere. It was fun and it was where I learned to RP and I’m sad they’re pretty much gone now.

I also don’t think I see a lot of fanfiction awards in fandoms. Wonder where they went.

Going back to the previous point, the barriers to actually consuming the canon you are fannish about are way, way, way lower now. You can pretty much take it for granted that if right now someone tells you about a shiny new fandom, there will be a way to read that book or watch that show or movie right now. Possibly for free! Of course you can watch it! Why wouldn’t you be able to?

This was absolutely, absolutely not the case before. I’m currently in Marvel Comics fandom. If there is a comic I want to read, I can read it right now on the internet. I have subscribed to Marvel Unlimited and I can read pretty much every comic that is older than three months old; the newer ones cost extra money. But I can do it all from the comfort of my own home right now. I was also, actually, in Marvel Comics fandom in the nineties. If I wanted to read a comic, I had to go to a comic book store and hope they had it in stock; if they didn’t, I had to try another store. Not a lot of comics were available in trade paperback and they definitely weren’t readable on the internet. I used to read a lot of Gambit h/c fic set after Uncanny X-Men #350. I never found a copy of UXM #350. I still haven’t! But I did eventually read it on Unlimited.

Being in TV show fandoms also had similar challenges. Was the show you were watching still on the air? No? Then you’d better hope you could find it in reruns, or know someone who had tapes of it that they could copy for you, otherwise you weren’t watching that show. It was, I think, pretty common for people to be in fandoms for shows they hadn’t seen, because they had no way to see the show, but they loved all the fanfic. The Sentinel had a whole lot of fans like that, both because I think it took a while for it to end up in reruns and because overseas distribution was probably poor. So you’d get people who read the fic and wrote fic based on the other fic they’d read, which meant that you got massive, massive amounts of fanon appearing that people just assumed was in the show because it was a weirdly specific detail that appeared in someone’s fic once. Like “Jim and Blair’s apartment has a small water heater” (not actually canonical) or “Blair is a vegetarian” (there’s an episode where his mother visits and IIRC cooks him one of his favorite meals, which is beef tongue).

Like, I was in The Professionals fandom for years. I read all the fic. I hadn’t seen the show. As far as I know, it never aired in the US, and it certainly never had any kind of US VHS or DVD release. I’d seen a couple songvids. I eventually saw a couple episodes in maybe 2003, and that was because my dad special-ordered a commercial VHS tape from the UK and paid someone to convert it from PAL to NTSC. I didn’t get to see the whole show until several years later when I got a region-free DVD player someone in fandom sent me burned copies of the UK DVD releases and then I special-ordered the commercial release of the DVDs from the UK myself. But if I were a new fan and wanted to watch Pros right now? It is on YouTube! For free!

I think also one of the things about fandom that’s not immediately evident to new fans is the way in which it is permanent and/or impermanent. There are probably people whose first fannish experience is on Tumblr or who only read fanfic on FFN and who have no idea what they would do if either site, say, just shut down. But if you’ve been in fandom a while, you’ve been through, say, Discord, Tumblr, Twitter, Pillowfort, Imzy, DW, JournalFen, LJ, GeoCities, IRC, mailing lists. And sure, if Tumblr closed, it would be inconvenient. But fandom would pack up and move somewhere else. You would find it again. It would, eventually, be okay. Similarly, if you’ve been in a lot of fandoms, if you’ve made a lot of friends, drifting through fandoms is like that. You’ll make a friend in 1998 because you were in the same fandom, and then you might go your own ways, and ten years later you might be in another fandom with them again! It happens.

But the flip side of that is that I think a lot of older fans have learned not to trust in the permanence of any particular site. If you like a story, you save it as soon as you read it. If you like a piece of art, you save it. If you like a vid, you save it. Because you don’t know when the site it’s on will be gone for good. I have, like, twenty years of lovingly-curated fanfic. And I feel like people who have only been in fandom since AO3 existed might not understand how much AO3 is a game-changer compared to what we had before. It’s a site where you can put your fic up and you don’t have to worry that the webhost is going out of business, or that the site might delete your work because they don’t allow gay fiction or explicit fiction or fiction written in second person or fiction for fandoms where the creator doesn’t like fanfiction, or whatever. Because all of those things have absolutely happened. But, I mean, I still save pretty much everything I like, even on AO3, just in case.

So, basically, yeah, fandom is a whole lot more accessible than it used to be. I think fandom is pretty much still fandom, but it’s a lot easier to get into, and that has made it way more open to people who wouldn’t have been able to be in fandom before. There is so, so much more now than there ever was before, and I think that’s great.

[magicsunwheel]

Why You're F#cking Amazing

Pick-a-Card

How to play: pick one of the photos below using your intuition. You can close your eyes and meditate for a bit or just take a few grounding breaths while thinking of the topic. Feeling drawn to more than one is fine! You might have messages in more than one pile

Pile 1 (x) Pile 2 (x) Pile 3 (x)

My pile numbers always go from left to right, then down to the text row (if applicable)

Pile 1

Cards: The High Priestess, Five of Swords, Seven of Pentacles, The Moon Rx, Five of Rods, Ace of Pentacles

You are so intuitive! You're either very in touch with your divine feminine or are working your way there right now. Something about you is severe in the most beautiful way. You can take things seriously when they need to and the way you command a room with just your presence is unmatched. Maybe you're also a tarot reader or involved in spirituality/divination in some way. Maybe you really like Pick-a-Cards.

Something beautiful about you is that you never give up on a fight, especially when you know the end is worth it. Your ambition is strong and you will fight for what you love and what you want. You are not weak-willed by any means.

This also makes you so unique! You work so hard and put so much labor into your love even if you know it will take a long time to come to fruition. The times that you feel discouraged by a lack of results are few and far between. If for some reason you do find yourself wistfully hoping for faster results or an easier path, you can easily remind yourself of why you started in the first place.

You might have moments where you think of yourself as sneaky or like you're hiding a part of yourself from others, like your true self would be too much for them. I'm here to tell you that your intensity is exactly what make you such a beautiful person! You thrive in competition and in adversity. It gives you a chance to show off your quick thinking and survival skills. Others look at you with envy of how you can make an opportunity out of seemingly nothing!

If you need help improving your self-love, Spirit says to stop comparing yourself to others! You are amazing and beautiful and unique all on your own! Throwing yourself into the fray to compete against others who are nothing like you will only fim your inner shine. And you really do shine! When I asked for a card about why you are beautiful, nearly half the damn deck flew out!

Sprit loves you and I love you so please take care of yourself and keep making those amazing opportunities to improve your physical surroundings. (I feel like you have a very clean room/home)

Pile 2

Cards: Nine of Rods, the World, King of Cups, Three of Rods, Ace of Rods, Two of Cups

Ahh the Loona pile!

Similar to Pile 1, but much more fiery! You are resilient! Taking time to collect yourself before pushing forward with a renewed sense of energy and purpose is such an amazing and useful trait. You maybe aren't as commanding of a presence but you have such an inner strength that no one can deny.

You got the World for the reason why you're beautiful! Maybe it's related to physically being very beautiful and possibly exotic-looking. You might have very specific features associated with a certain area of the world that stand out where you live. You also have such a wonderful understanding of the world and where it's currently at. Things can seem negative or like hope is lost but you still seek out the beauty and share it with others. You see opportunity where others do not and feel a sense of peace and connectedness with all of humanity. Wow!

Your uniqueness shines in your emotionality and compassion. You might be a natural born leader who makes sure to understand all under your rule. You lead with kindness and, most importantly, by example. You don't have any desire to use you position for ill-gotten gains. Power to you does not corrupt, it solely provides a tool for you to do good in the world and really make a difference in the lives of others, whether it's on a large or small scale. You are probably the kind of person who makes sure to give money to those who need it when you pass a begging mother and her children, or buying a homeless man a bottle of water on a hot day.

Your card for why you think you are not perfect actually came out quite positive. Maybe you don't have a very low self esteem, but I can see a few possible scenarios here. You might be constantly planning in your head, waiting and watching for the next move to take but never actually getting to the action part. Maybe you're planning for your future and have so much planned out that you're excited for, but haven't made the practical plans on how to actually get there. This could make you feel bad about yourself especially on days where you're reminded of others moving ahead in their lives while you're still planning. Visualisation is very important in manifesting your desired reality! If you are moving slower than others around you, remember that it is okay to not be where "everyone else" is. Life is not a race or a competition. Taking your time to get to where you need to be when you need to be there reminds me of the story of the tortoise and the hare. Quick does not necessarily mean better.

You can improve your self-love by creating! Using your creativity and passion to make something! Create art, whether it's physical/digital art, music, writing, inventing, anything that uses those creative muscles of yours. It doesn't have to be good! Just creating something will help burn up that excess energy you have that's trying to rush you somewhere. Self-expression this way can be a wonderful hobby even if you don't consider yourself as a creative person.

Your kindness really shines through. You care so deeply about the people around you and your spiritual team cares just as deeply about you. You are loved and watched over and protected by Spirit. Others around you also see your sparkle and appreciate and admire you, even if they don't show it. Know you are beautiful and amazing and bringing a light into this world that needs to be here.

Pile 3

Cards: Six of Rods, the Hierophant, Four of Rods, Six of Cups, Ten of Swords, the Hermit Rx

Damn, who are y'all!? You've got some mighty power and pull in this world. Maybe you're a public figure or have some kind of platform, like a social media with many followers. You could also be well-recognized within your field of study/work. Whoever you are, people see you and look up to you. They celebrate you and how amazing you are! Spirit loves this about you and you really shine in the spotlight. Your achievements deserve all this pomp and celebration!

You are naturally authoritative. People listen when you speak and take your words to heart. You might also be a religious person or someone who enjoys organization and the comfort of hierarchy. People will willingly follow you wherever you lead them because they trust you with all their hearts. "A merciful ruler" (lol) You hold your position with grace and dignity befitting a king or queen.

You are unique in ways the public recognizes, but we knew that already! You might be someone who likes to entertain and you throw the greatest parties and get-togethers. Maybe you've planned a wedding and everyone had such an amazing time! You know how to relax and have fun when the time for celebrating arrives. You can out down your guard and bit and let loose. Not many people with such responsibility can let go of the reigns like that, but you don't seem to hold on to control too tightly.

Your past might be a source of anxiety for you. Maybe you're worried that what you've done when you were younger will catch up to you and ruin what you've got going on now, but it's important to remember that the past is the past. It cannot be undone or wished away. Taking time to accept what happened and recognizing that you've moved on to bigger and better things is important here. Whatever happened, take time to heal your childhood wounds and forgive past actions.

Ending this cycle will bring much more self-love to your life. Old habits and patterns being out to rest is the way forward. It might be a painful ending and something you don't necessarily look forward to, but it is something that needs to happen to clear out old energy and welcome in everything new. You can't expect to move on if you're still repeating old actions or ways of thinking. It's time to set these things to rest and evolve. Leave behind what no longer serves you.

Your understanding of yourself knows no bounds. You've taken the time to inquisit yourself and learn all of the shadows that lie there. Self-reflection might be a favored pastime for you. Through this knowledge of yourself you are able to see truths that many struggle to see all their lives. Your light can cut through the fog if bullshit and see the true source of something. Use this knowledge of yourself to become the best version of yourself that you can be! I know you're already on your way there and it's amazing to see! Spirit is so proud of you and loves you so much!

[felassan]

BioWare Blog post: Developer Story - Corinne Busche

Our latest edition of Developer Stories shows how a career path can take you to different places but still lead you right where you belong. Today the spotlight is on Game Director Corinne Busche who’s helping guide the next Dragon Age™. It’s the latest stop on a more-than-15-year journey that started with… golf?

THE STORY SO FAR

Fresh out of college with a degree in digital animation, Corinne wasn’t originally aiming for a career in games. “I expected I’d probably work in film,“ she says, “but while looking for career prospects, I was fortunate enough to land a contract gig doing environment art on the Tiger Woods franchise. I knew nothing—literally nothing—about golf, but I’ll tell you, from my first taste of being part of a game team, I knew I’d never do anything else. I absolutely fell in love with game design.”

Following her time on the links, Corinne moved over to Maxis’ The Sims™ franchise to work as a systems designer. She remained at Maxis for almost a decade, but when the opportunity to move over to BioWare arose, she jumped at the chance. “It had always been one of those dream destinations for me,” she says. “I just adore RPGs that prioritize choice and offer the kinds of relationships that tug at your heartstrings.”

Now she’s helping guide one of those RPGs herself—though she’s careful not to overstate the directorial role. “Game directors are sometimes thought of as big personalities who are singularly responsible for the purity of their creative vision,” Corinne says. “But for me, it’s really about being a steward for the vision that we, as a team, have collectively defined. I get a high-level view of everything as it’s coming together and can steer the project as it does, but ultimately it’s about empowering people to work together, play with ideas, offer critiques, and make decisions, all to help create a cohesive experience for the player.” 

ON DRAGON AGE

The Dragon Age franchise has a very special place in Corinne’s heart. In part, she says, that’s because the games are all about possibility. “In Dragon Age, you can be who you want to be, explore the possibilities and consequences of your choices, and build relationships that leave a lasting impression,” she says. “Few games give players that kind of autonomy while also weaving such a rich narrative—I think it really speaks to why our players feel so invested in this world.”

And the idea of being who you want to be carries a particularly special meaning for Corinne. “As a queer trans woman,” she says, “I have a perspective on the games that not everyone has. Dragon Age has long been a place where LGBTQIA+ folks can see people like themselves, represented respectfully. It’s inherently very queer, and it’s such a rare thing for marginalized communities to have representation where we feel proud and powerful in how we are depicted. It’s so deeply meaningful for so many. I often get emotional when I think about what it would have meant for a younger version of myself to see someone like her in a game, and as a hero, no less. I hope we can be a safe place for our queer players to know they are not alone, that they are brilliant and worthy, that they are not only welcome but celebrated.”

ON BIOWARE

Corinne has found a similarly welcoming environment at BioWare itself, she says. “I transitioned during my time at BioWare,” she tells us, “and I reflect all the time on how supported and seen I felt through that process, and how lucky I am to be surrounded by people of this caliber. It really speaks to the values of this team, and their commitment to inclusion in their works and their lives.”

And she’s found that this welcoming mindset extends to the fans. “My favorite part of working at BioWare and on Dragon Agespecifically is how much we get to interact with, and learn from, our players and fanbase. It always brings a smile to my face when a tweet from a fan gets posted in our Slack channels and sparks discussion. I think our fans would really be surprised if they could see how influential they are in our day-to-day discussions.”

Of course, Corinne is a fan herself, of many kinds of gaming experiences. Board games are a big draw for her, for instance. “I loveboard games,” she says. “I’m just fascinated by them as a game designer because they really are the craft distilled down to the fundamentals. And I love the social experience.”

Naturally, she also plays a lot of video games—“way too many,” she says. “I’m especially fond of RPGs, action RPGs, and strategy games. Most recently I’ve been playing Elden Ring, Fortnite (don’t @ me!), Slay the Spire, and of course another playthrough of Inquisition.”

And when playing a role in those role-playing games, she remains unabashedly herself. “I guess I play my characters like I behave in real life: rarely mean, sometimes snarky… and always thirsty.”

Corinne Busche is the game director for the next Dragon Age. You can find her on Twitter at @CorinneBusche or seated at a table covered with dice, cardboard, and rulebooks.

[source]

[brainbuffering]

12 Days of Manga (2022)

Day 2: Top 3 Shojo of the Year

1) My Love Mix-Up by Aruko and Wataru Hinakure from Shojo Beat (T: Jan Cash L: Inori Fukuda Trant E: Nancy Thistlethwaite)

[ID: English Cover for Vol 3 of My Love Mix-Up! The main characters all stare down at the viewer from above. Aoki and Hashimoto are at the front, grinning broadly, Ida and Akkun at the back. Ida has his usual stoic expression, whilst Akkun throws up a peace sign]

“Aoki has a crush on Hashimoto, the girl in the seat next to him in class. But he despairs when he borrows her eraser and sees she's written the name of another boy-- Ida --on it. To make matters more confusing, Ida sees Aoki holding that very eraser and thinks Aoki has a crush on him!

Aoki has a crush on Ida, a boy in his class. Hashimoto's eraser, which caused so much confusion among friends when Aoki borrowed it, is also at fault for making him flunk a quiz! Aoki, Akkun, and Hashimoto meet up at Ida's for a study session where Aoki and Ida talk about what they are to each other-if they can figure it out?!” 

I keep saying how I’m tired of High School Romance, and then I go and put My Love Mix-Up as my Shojo of the year. A series that is perhaps the most High School of High School Romances. I was drawn to the series through a combination of a £10 Waterstones Voucher, and the notion of a proper, actual love triangle that wasn’t just one girl trying to pick between her childhood best friend and an edgy bad boy(TM).

The confusion over the eraser* was an interesting plot device, and it’s been so much fun to see Aoki discover his bisexuality with the help and support of his friends. It would be really great to see them actually use the word “Bisexual” or even just “Gay” but I suppose I can’t have everything. At this point in time, just seeing a Queer Love Story in the pages of a mainstream magazine like Bessatsu Margaret is a joy! It helps place queer love as equal to heterosexual love, allowing teens to see themselves and their stories beyond specalist publications. 

Whilst it was lovely to see how accepting their friends are of their relationship and not have them deal with any homphobic bullying, I think the strongest story so far has been that of Aoki and his Cram School Tutor. So far he had not had to face up against any sort of homophobia, but now he’s had someone he respects become suddenly prejudiced towards him due to his relationship with Ida: something that should have no actual baring on his education, or his relationship with his tutor! Whilst said tutor is called out for his prejudice rather explicitly, I do like that ther were no slurs or out right bullying involved, just a series of assumptions and a change in behaviour that hurt Aoki’s feelings in a meaningful way. It didn’t paint the tutor as an evil villain, but rather someone who had made some mistakes and needed to re-evaulate their position on life, which he does!

This is an important lesson for readers of all sexualtites. Queer readers learn that they don’t have to put up with this kind of behaviour, and that they are justified in their discomfort and anger; meanwhile Straight readers learn what is and isn’t appropriate behaviour. Prejudice is of course something that is ingrained in all of us, and isn’t something that can easily be changed over night. However it is something that needs to be changed! It’s something we should all address within ourselves, and work on so as to make sure we don’t hurt those around us. Because confronting those harmful beliefs is the responsibility of the individual, not that of the oppressed.

The art work isn’t perhaps the greatest as Aruko admits to taking their time to adapt to digital, but it has definetly improved as the series has progressed and is helped imensely by Hinekure’s story telling. I was a little concerned that the series might start to drag on after a while, but hearing that it has ended at nine volumes makes me more confident that this’ll become a classic we’ll still be recomending in years to come.

I hope that these silly kids will get a happy high school ending.

* I’m British, but I’m aware of how Americans work and “confusion over a rubber” would make for a very different kind of story. Please do not write your crush’s name on a condom....

2) Kageki Shojo!! by Kumiko Saiki from SevenSeas (T: Katrina Leonoudakis L: Aila Nagamine E: Shannon Fay)

[ID: English Cover of Vol 5 of Kageki Shojo!! Ai and Sarasa dance ballroom style wearing pink/yellow versions of their school uniforms. Sarasa has a black 1770s European style millitary jacket with gold brocade thrown over her shoulders. The background is bright green with confetti, balloons and stars.]

“The ongoing tale that began with the omnibus release of Kageki Shojo!! The Curtain Rises. Follow the drama on and off the stage with the girls at the Kouka School of Musical and Theatrical Arts--and don't miss the anime adaptation!

Ever since she was a little girl, Sarasa has wanted to play the role of Oscar as part of the Kouka Acting Troupe, an all-female acting troupe similar to the Takarazuka Revue. But before she can do that, she has to attend two years at the Kouka School of Musical and Theatrical Arts. As Sarasa practices singing, dancing, and acting, she grows closer to the other girls in her year, including her roommate, the stoic former J-idol, Ai. Though Sarasa is great at making friends, her outspoken nature and grand ambitions earn her lots of enemies as well. Can Sarasa keep her upbeat attitude and achieve her dream of stardom?”

I originallay picked up this series because I follow the translator on twitter and enjoy her threads on translation theory so was curious to see what a series translted by her would be like. And I haven’t looked back since! 

The artwork is lovely, the stories are heartfelt and true to life. It doesn’t shy away from big topics like eating disorders, PTSD, and anxiety. The girls are all wonderful, but not always nice which is excellent to see! Even bitches like Hijiri are fleshed out and given reasons for you to love them.

Whilst the relationship between Sarasa and Ai leans more towards the classic “open to interpretation” side of things, on the whole the series is very queer inclusive. The very concept of it plays with gender so much, that it even started out as Seinen (manga for men) before transfering over to Shojo (manga for girls)! It says a lot about the series and how the inherent gendering of genres is outdated given how the first volume from its seinen days discussed bulemia in the entertainment industry, whilst the first volume of the shojo days talked about the long lasting pyschological damage the american fire bombing in WW2 did to innocent japanese citizens. Never has a turn page made me cry more than that one....

But High School Shojo is just fluff and nonsense, right? 

As a former theatre kid, it’s also been lots of fun to learn more about the different traditons of Japanese Theatre, with paticular regards to comparing all-female casting and all-male casting. Which is becoming a tragically more relevant discussion given what is happening in the united states at the moment with regards to drag performances. Seriously, who’s going to tell them that the original Juliet was played by a teenage boy? Or do those TERFs simply not care one way or the other about child welfare, and just want to force their backwards beliefs onto everyone else? But I digress.

Within the series there’s an interesting discussion had about the freedom of actors to play the roles they want, and what things might stop them. Some girls dream of playing the beautiful feminime leads but find that biology has made them too tall and broad, others want to play the macho hero but are considered too short and busty. Then there’s other physical limitations to be taken into account. Andou-sensei achieved his dream of playing the Phantom of the Opera, but had his carer then come to an abrupt end because of a sudden injury that lead to a permanent disability. He’s therefore had to find a new way to express himself and share his love for threate, something that took time for him to accept. This felt paticualrly relateable to me, as I’ve also had to adapt to needing to use a walking stick just to walk 20m, where as before I was running up and down a field hockey pitch on the regular!

Then there’s Sarasa who had to give up her dream of performing in Kabuki due to her assigned gender, but whose new goal in life is to play Lady Oscar from Rose of Versailles: a character that is widely considered to be Non-Binary/X-Gendered by today’s standards!

This series teaches us that Gender is a performance, and Sarasa Watanabe is the Top Star.

3) A Sign of Affection by suu Morishita from Kodansha (T: Christine Dasiell L: Carl Vanstiphout and Lys Blakeslee E: Ben Applegate and William Flanagan)

{ID: English Cover of A Sign of Affection Vol 5 by suu Morishita. Itsumi wears a yellow short sleeved paisley button up shirt and gently holds Yuki’s hand. Yuki is laying back on a white sofa, one arm crooked as she looks at the viewer. She’s wearing a matching yellow dress with large puff sleeves and a white hearing aid. They are framed in a circle by red, white and blue poppies.] 

“Yuki is a typical college student in all ways but one: She's hard of hearing. A chance encounter on a train leads to a serious crush...but will he give her a chance? A sweet and relatable manga romance from the creator of Shortcake Cake! Even with a hearing aid, the voices of others are an indistinct blur for Yuki. But she's never let that get in the way of a life arranged around her friends, social media, and cute fashion. She's browsing her phone on train when a tourist asks her for directions, and she's ready to panic...but the handsome Itsuomi steps in to help. It turns out her new crush is a friend of a friend, and Yuki's world starts to widen. But even though Itsuomi-kun can speak three languages, sign language isn't one of them. Can Yuki communicate her budding feelings? From the acclaimed author of Shortcake Cake, the hit shojo series with more than a million copies in print, this new work is sure to please fans of romantic stories like A Silent Voice, Kimi ni Todoke, and Love in Focus!”

The way this series uses lettering to enhance story telling makes me want to run around in circles and scream across the mountains like a cowboy. At some point I am absolutely going to be write a whole post about just the lettering, but for now, just trust me when I say it’s amazing. Heck, the reason I wait for the physical releases rather than reading the Simulpub is so that I can get the higher quality lettering experience!

In terms of the rest of the series though, it’s beautifully illustrated throughout and I love how everyone has such excellent fashion choices! I’m also reading Shortcake cake at the moment, and seeing the development in Morishita’s art and styling decisions really shows how well they understand the art of making comics! Nobody is doing it like them.

I’m always interested in stories featuring disabled protagonists where they’re not given magical cures or solutions to their problems, and seeing such a wonderful romance blossom between Yuki and Itsuomi has been delighful. It’s a series that really focusses on the importance of communication between couples, and how it’s okay to make mistakes but never assumptions.

Whilst I would agree with criticsim that Yuki is perhaps too isolated from the rest of the d/Deaf Community for someone who attended a Deaf School, I will say that she doesn’t feel that different to any other shojo protagonist as a result. She’s a “fish out of water” who, despite being wonderful and kind and inteligent, only seems to have two friends. Whilst that trope is overdone in a lot of Shojo, here it feels earned due to her disability! Or at least based upon some of my personal experiences as a teenager with epilepsy.

As the series has gone on, we have seen her reach out to the rest of the community, and I hope that we continue to see more of that. I find it very reassuring that Morishita credit their sign language consultant/collaborator, Yuki Miyazaki, in every single volume of the manga and promote her personal work on their twitter.

In terms of shojo, I think it’s also just really nice to read about university students rather than high schoolers. Not only does it mean that they’re closer to my age (Okay, Yuki is 19 and I’m 28 but ... still) but it also means they’re able to explore the world a little more, quite literally in Itsuomi’s case. Vol 6 is not yet out in English, but I gather from looking at some of the simulpub previews that their relationship is going to be developing into the more adult sector, both physically and in practicality, which makes me so happy to see! Not just because I myself am a disabled adult who has recently moved out of their parents’ place and look forward to some potentially relateable content, but because it’s so good to just see any disabled protagonist be allowed to be an adult and go through regular adult things!

Whilst I cannot speak for d/Deaf folks, i know from my experience with epilepsy that it can be incredibily isolating no matter how well meaning your ablebodied friends are, and moving from a place where your needs are always met to somewhere new is both frustrating, scary and -- to some extent -- reasuring as you learn what you can and cannot surive. That’s the journey Yuki is on right now, and I would like for the series to perhaps dive more into that element but equally seeing her relationship with Itsoumi develop is so delightfully romantic in a flower petals, stained glass window, Alan Menken Soundtrack kind of a way. It also feels like such a breath of fresh air for a disabled character to be allowed to be seen as desirable without it becoming fetishcistic. 

I don’t think this series is some sort of big revolution in the manga world. I don’t think people will be writing essays about it in the same way they do with Ed’s prosphetics in Full Metal Alchemist, or Clint Barton’s Hearing Loss in the Aja/Fraction/Hollingsworth run. But it’s still an important series that I think people need to pick up, if only for the master class in lettering.

SERIOUSLY.

IT’S SO GOOD

YOU DON’T UNDERSTAND!!!!

THEY USE DIFFERENT SHADES AND TONES AND POSITIONINGS TO DETERMINE WHAT SHE CAN AND CANNOT UNDERSTAND.

YOU GET SUCH A CLEAR IDEA ABOUT WHAT HER LIFE IS LIKE AND THE MISCOMUNICATION TROPE IS SO WELL EARNED HERE. 

[ID: A old white man in a black cowboy hat and suit is superimposed over a desert mountain scape. He is screaming passionately,]

(End Note: Some of my enjoyment from this series also comes from the fact that Itsuomi used to live in Germany the same as me and so speaks in German sometimes, and since I can read German, I get to feel smug and knowledgeable.)

[worldofgoo]

yayayay yippee (≧◡≦) i love how vibrant & lively your art is, i think my fav pieces are Horse Surgery & hanyuu (even tho i have no idea who that is) but that one wip with the rainbow is also v ery special 2me because it reminds me of my fav kind of weather ^_^ generic Which Program Do You Use question & also which programs have you tried so far? which one would you recommend for someone whose only experience so far wiht digital art has been scribbling in ms paint -_-? on topic, what do you draw with (mouse, phone, drawing tablet, ??) & was it easy for you to get used to digital art? i always get overwhelmed by the amound of different functions available so im not sure where to even start, any advice? which physical art forms do you like / would you like to learn (anything at all, i personally have been getting into air dry clay... well actually ive been using my sisters playdoh but maybe ill purchase smthn fancier :3) & final question how do you come up with poses to draw? your characters (+creatures) seem very animated and i really like that :)

HI okay i guess ill answer these in a list. actually will put it under the cut since i ended up saying a lot (and dw i enjoy being able to talk a lot so thank you!)

-THANK YOU im glad some of my more recent works (in my more current style) are appealing 2 people! like i wanna draw my own way even though i think it gets less notes... the higurashi fanarts (hanyuu and shion) r very memorable pieces to me because its when i started doing the loose sketches with the thin lines and block colors and thats the direction i reallyreally wanted to take my style in. also the rainbow is rian my friend rian

-i draw in paint tool sai! the only program i used before that was sketchbook pro, which i didnt like because the brushes were kind of... blurry/smudgy? sai allows you to zoom in and draw pixel by pixel which is something i like, and i like the way it does its blending. its also just easier for me to understand. i didnt pay for it i think i found some deviantart page that had the link, id have to find it again

-i draw with a wacom intuos tablet! its lasted me... almost 10 years now. ive heard newer ones are poorer quality in terms of at least the nibs needing to be replaced constantly, so idk what the most recommended tablet these days is. ive drawn with my mouse and tbh it caused awful hand pain so i would not recommend this. i draw on my phone with my finger sometimes but i find doing it on my laptop easier, however it is doable once you get used to it

-the way i got into digital art... well. i still have an archive of my earliest art if you wanna see! i was 14 n just drew random shit, often lining over doodles i did on paper and coloring them in. i think esp if youre overwhelmed start with making like throwaway experimental pieces, scribble around, doodle stupid things and color them in with different brushes and see what you enjoy. and then you can just keep the files to yourself if they dont look too good or maybe itll look interesting, it depends i guess haha. the other thing that ive always found helped me was telling myself id draw every day even if it was a little scribble or the tiniest amount of work on a wip bc getting a habit going helped my art a Lot beause it helped me spend more time thinking n focusing on it

more specific advice for sai that i found useful- using clipping groups & the preserve opacity functions are both lifesavers in terms of not spending so much time trying to color in the lines. if you color in a base layer you can just put everything above it as a clipping group and just not worry about it anymore. i also really like using the filters (like multiply) to mess around with the colors a drawing has, though sometimes its more effective to just select a layer/individual color and fuck with the hue/saturation/etc until it looks good. when i color, esp when its not turning out how i wanted to, i rely on shifting colors A LOT. n also mixing colors together using a blending brush and then colorpicking the intermediate color. very useful

-for the most part i stick to uncolored pencil doodles on like, notebook paper (even though i have some fancy supplies X[ one day) but i LOVE making things with clay, wish it was more accessible to do at home. i have a handful of clay animal statues and stuff that i made in my ceramics class in high school. would looove to do more

-because my poses tend to be very pushed/cartoony using references of real people isnt always useful (though obv knowing the basics of anatomy always helps) so in those cases ill use other cartoony art i like as inspiration, i try to see what i like about their poses nd emulate that with my own. sometimes when im struggling ill just do a bunch of studies where i copy art i like to try to get a feel for what im missing. mostly ive realized i like when the pose conveys some level of like, volume and taking up a 3D space (which im still definitely not a master of but bullshitting it can be fun). and i also like to have a balance of curved and angular shapes. sometimes i try to just do a pose that conveys a specific emotion or i just make shit up lol

alsooooo i cant reccomend aimless doodling enough! just random shapes, turning the random shapes into creatures, trying and trying and trying different ways to draw something until you like it, i feel like the things my hand makes when i shut my brain off and just scribble can inspire me as well, and i try to emulate whatever i made by chance while doodling. and if your doodles turn out better in traditional i tend to consider using a photo of a drawing as a way to skip the "preliminary sketch" phase nd drawing a rough sketch over that which i then use for my drawing (or just directly color since i draw very fast/lazy...)

[katyobsesses]

Katy my darling <3 I have a very fun ask for you!! What method of arts do each glee characters prefer and what is their favorite thing to create?

oooooo this is a fun ask!

I'm gonna do S2 New Directions for now, but may add S3-6 ND or other characters later 💛 (warning... this is LONG)

Artie: Film. 100% film. He loves using visual media to tell a story, he also really gets into the sound design side too when he learns it in College. He loves making music videos and after Uni that's mostly what he does. He also directs a lot of movie musicals and musical TV shows. Basically he loves making visual media for songs.

Blaine: Performing - mostly singing. He also love writing songs, which we never see in the show but I can imagine him learning about songwriting in NYU and loving it as a way to express his feelings. it's like a step up from using someone else's words to express them.

Brittany: Obviously dancing! I like to think that after marrying Santana she either goes to college for Dance, or maybe owns a dance studio/goes on tour with Mercedes a lot (with Santana as a guest singer) She really loves teaching little kids how to dance, she knows how to interact with them on their level and the kids love her.

Finn: Singing? I honestly can't think about what he likes. Like singing is the closest thing. He sings in the shower a lot and obviously he loves singing on stage. But he's not that much of an art person outside of that. He likes consuming it but not making it.

Kurt: Sewing, obviously, as well as sketching clothes. He loves making accessories for friends - scrunchies for the girls, bow ties for Blaine, a dog bandana for Sam's golden retriver (because you know he gets one) etc. - but he also loves designing and making costumes for small productions. Maybe he volunteers/works with a small theatre troop and makes & designs all of the costumes while also performing.

Mercedes: Mercedes likes making cards for everyone for Christmas and Birthdays. It started because she'd forgotten to buy a card for someone but had some card and pretty pens on hand and it spiralled from there. She now owns a fancy die pressing kit and lots of card toppers and pretty glitter pens and washi tape and all of that. She has a small kit she brings on all of her tours, it helps relax her after a show - making cards for the crew as a thank you/maybe selling some for charity because she makes so much? When she finally gets back together with Sam they both work together to make Christmas cards from them with cute pictures of themselves in terrible christmas jumpers and their golden retriver in a Kurt made bandana and later their kids in matching outfits.

Mike: Like Brittany he's a dancer first and formost. That's his art. He later goes on to be a professional on Dancing With The Stars where he reconnects with Matt on set (maybe they even get together in the end and the DWTS fans love their relationship and their jokingly competative instagram stories) He loves creating a story with only movement and music. Mike also really likes doodling.

Puck: Photography. I don't know why but I see Puck loving to take pictures of places he visits in his travels. He also scrapbooks but only Quinn knows that - he has a whole scrapbook of pictures of Beth that Shelby sends them and later makes them for all of his other kids too, and he has, like, travel journals and scrapbooks of roadtrips he's been on. Basically he's a Bullet Journal guy. He really likes washi tape and pretty papers and stickers and what-not. He will never admit this.

Quinn: Quinn's a writer. In my head she goes on to write a book that's losely based on her high-school years and it becomes a best seller and is later adapted into a Netflix series directed by Artie. I just like the idea! Maybe Rachel plays, like, the Miss Pillsbury character... or Terri! Or maybe Shelby? I dunno one of the adult characters.

Rachel: Obviously her art of choice is performing. It's singing and acting and standing on a stage or a set and making the words in her script her own. Also scrapbooking/moodboard making.

Santana: Santana likes knitting. She won't admit it but she likes knitting little plushies for Brittany, her favourite is a little bi flag coloured bunny. She makes knitted plushies and blankets for all of her friends when they have kids but she never tells them she made them - everyone knows though, they're too perfect for the couple/person (a cat in a scarf or a toy poodle in a bow tie for Klaine, a teddy adorned with gold stars for St. Berry etc. etc.)

Sam: This could be an essay for me (and kinda is opps). Sam is the Art nerd of the group and tries every type of art he possibly can. Macaroni art, illustration, digital art, traditional art, crafts, pumpkin carving, glass blowing, handlettering, graphic design, knitting, crochet, rag rugs, sewing, card making, pyrography, etc. He will try everything he can in terms of visual art. He doesn't, however, write because dyslexia, and he can't wrap him mind around, like editing and film stuff - he does try though because why not. He also really likes songwriting and music arranging.

All of this i'm trying to do as close to canon as i can but going off of canon let's say Sam goes to Parsons for illustration because he's so good at art, he stays with Mercedes in her brownstone and they never break up, after graduating he becomes a comic book illustrator (which i believe is literally a minor at Parsons, so let's say he does a Major in Fine Art/Illustration with a Minor in Comic illustration) and illustrates a run of Young Avengers comics and becomes a fan favourite artist.

In canon, however, he loves teaching the new generation of New Directions but he misses art because he doesn't have that much time anymore (because being the teacher of the new directions is a full time job, apparently, judging by the lack of adult friends or hobbies Will has lol) he loves loves loves arranging music, however, and that becomes the type of art he does the most. He does doodle a lot during faculty meeting (also he does a music teaching certification during his first few years of coaching the nNDs) and goes all out with pumpkin carving at Halloween, and loves decorating his apartment and the choir room at Christmas. He loves doing sets for the musical (and has a lot of fun staging it too) and helps out with the decorations for Prom.

Basically Sam loves to be creative in any way he can. He loves making things, whatever they may be.

Tina: Tina writes fanfiction and draws fanart. She's a nerd 100%, she watched Supernatural, she was a SuperWhoLockian, she loves Merlin, she's loves Twilight but more ironically than, say, Mercedes, and prefers books like Morganville Vampires or PC Cast's series that I've forgotten the name of. She loves the Hunger Games and Firefly and Star Trek and Star Wars. She definately has a tumblr. She mostly writes all sorts of fanfiction and is a huge name in the Supernatural fandom. Only Sam and Blaine know about all of this becuase they found one of her Star Wars fanfictions and in an authors note she said something that they recognised - idk she ranted about Santana or Rachel or something.

This was so much fun omg, thank you for the ask Myle 💛

[sunnyrinusstudies]

Going FOSS: An Intro to Open-Source software for studyblr (and also some privacy related bits)

Source for Header Image

Intro & attempt at TLDR

Hey everyone! Today I’d like to tell y’all something about Open Source Software, and also Why this should matter to you! This’ll probably be the first post of a series I intend to do, because I believe the Studyblr community, even the non-nerd folks, could really benefit from switching some things out in their digital environment. Since this is a long post, I attempted to summarise it below, please do read on if you have the spoons tho!

TLDR?

FOSS stands for “Free and Open Source Software” the “free” part doesn’t necessarily mean it’s free as in free pizza, but mostly means free as in freedom.

There’s a humongous amount of variants on this concept, but the core of FOSS specifically is the four freedoms:

1. To run the program however you want and for whatever you want

2. To study how the program works and to change it in whatever way you want

3. To be able to share it with whomever you feel like

4. To be able to share your modified version with whomever you want

There’s a whole host of software licenses built around these concepts, you can check those out at the Open Source Initiative website, or at Choose A License. Both have a good summary of what they all stand for.

Open Source software is used for a lot of products, nearly every single webserver is an Apache Linux server, Google chrome is built on top of their open source chromium (google is still the devil, but y’know, it’s an example), and even deep deep down, Apple computers run on top of a Linux Kernel. Many more can be listed, but I won’t do that otherwise this isn’t a TLDR anymore.

Now, Why is this important for you? The Open Source Initiative summed it up real nicely already, but heres a short paraphrase:

Control & Security. If software is open source then you can check if it really works the way it does, and to make sure it’s not spying on you. Even if you don’t have the skills for it, someone else who does will be able to check. Also if you don’t like how something works in a program, then you’ll be able to change it or find someone else’s changed version that you like more.

Training. People who want to learn programming can use the code to see what makes programs tick, as well as use it as a guide for their own projects.

Stability. Because everything’s out in the open, that means someone else can take up maintaining a project or make a successor of it, in case the original developers suddenly quit working on it. This is especially important when it’s software that’s absolutely critical for certain tasks.

Community. It’s not just one program. It’s a lot of people working together to make, test, use, and promote a project they really love. Lots of projects end up with a dedicated fanbase that helps support the developers in continuing to work on the software.

I’d like to add one more tho: Privacy, which ties in a lot with the security part. Nowadays with protests going on and everything being online due to the pandemic, folks have been and will be confronted much more with the impact of privacy, and lack thereof. Open Source software means that if any company or group tries to spy on you, then you and anyone who feels like checking, will be able to know and take action on it. Here’s the EFF page on privacy and why it should matter to you

If that got your attention then read on past the readmore button! Or, if nothing else maybe check out the Free and Open Source Software portal on Wikipedia? Or maybe the resources page of the Open Source Initiative?

Terminology: Let’s get that out of the way first

Open Source: The source code that a program is made up of is freely accessible, anyone can look at it and check whether it works well enough or to make sure it doesn’t spy on you.

FOSS: Free and Open Source Software. This doesn’t mean that you don’t need to pay for it, it’s free as in freedom and free speech, not free pizza.

There are four freedoms associated with FOSS:

The freedom to run the program as you wish, for any purpose (freedom 0).

The freedom to study how the program works, and change it so it does your computing as you wish (freedom 1). Access to the source code is a precondition for this.

The freedom to redistribute copies so you can help others (freedom 2).

The freedom to distribute copies of your modified versions to others (freedom 3).

By doing this you can give the whole community a chance to benefit from your changes. Access to the source code is a precondition for this.

FLOSS: Free and Libre Open Source Software. This time it is “free” as in free pizza. The “libre” is french for “free” as in freedom.

GRATIS: Sometimes people use this word to mean “free” as in free pizza. Usually alongside “FOSS”

Licenses : A license is something that tells others what they can or cannot do with your code. Licenses also apply to art and literature, those are copyright licenses. There are many different software licenses and I’m not going to be able to list them all.

The biggest players however are:

Apache License 2.0

The 3-Clause BSD License

GNU General Public License (also known as GPL)

MIT License

Mozilla Public License 2.0

There’s even more and you can find a list of them Here on the Open Source Initiative site There’s so many licenses that there’s even a Choose A License site, where you can pick a license depending on what you want it to achieve

Who and/or what even uses open source software?

You don’t need to be some nerd to benefit from Open Source software, in fact, you’re using open source software right now! The biggest example is the whole entire internet. Websites are stored on servers, and nearly every single webserver is a Linux server. The second biggest browser Firefox is open source, and even google chrome is built on top of “chromium” an open source base. If you dont use an iPhone, then you’re probably on an Android phone. Guess what? Android is part of the Android Open Source Project, which is then built upon a GNU/Linux base. All Open Source. Chromebooks? Built on top of a Linux kernel (like a non-patented engine you could put into any motor vehicle you’d like). Heck, even Apple computers are, at their core, built on top of a Linux kernel.

Neat apps you may wanna check out!

I’ve made a little list of apps that might be especially useful for studyblr folks, but depending on how well this post does I’ll probably make some more posts for specific apps.

TiddlyWiki, has a bajillion different ways to organise your thoughts, and also a lot of variant builds out there. Check out their table of contents if you feel lost! There’s versions available for most big browsers, as well as windows, linux, mac, android, and iOS.

AnyType, is an app that looks and almost exactly like notion, but is much more decentralised. They’re currently still in development but if you want to support them, sign up for early access and give them some feedback so they know what works and doesn’t! They’re still in closed alpha, but are intending to give beta access to about 100 folks at a time throughout 2021, so please sign up if this looks interesting to you!

Trilium Notes, is slightly more like a “notebook”, however you can arrange your notes in nearly infinitely deep folders. You can use things like Relation Maps & Link Maps to visualise your notes and how they go together. There’s even more they do and I just cant list it all, so go check out their stuff for a more comprehensive overview! Works on windows, linux, and (unsupported) mac

LibreOffice and ONLYOFFICE are two office suites that function just as well as micro$oft office, often Even Better in my experience. I’ve used LibreOffice for years now and honestly? never going back. OnlyOffice is technically free (as in pizza), but it’s a slight hassle to get everything set up, cause you need to set it up on a server. They have a paid and hosted version available with educational discounts, but honestly i’d go with LibreOffice.

OnePile, is an app I haven’t used myself since it only runs on Apple stuff. But I’ve heard a lot of good things about it so that’s why it’s in here. It looks like it works similar to most general “note taking notebook” apps. Looks really pretty too honestly.

EtherPad, is similar to ONLYOFFICE, however this one’s a lot more focused on specifically text documents. Works with real-time collaboration which is really neat.

Anything that FramaSoft has going on. They’re a non-profit organisation, dedicated to promoting digital freedom. A lot of open source cloud related things are not really useful to people who don’t have the time and/or money to set up a whole-ass server. That’s where FramaSoft comes in, they do it for you. Just about everything they offer (here’s a full overview) are free (as in free pizza). They also have a separate site to help you get started!

It’s not free to run it all on their side, so if you find yourself interested in using their services please try to support them any way you monetarily can! (they even have a “minetest” server (not minecraft, deeeefinitely not minecraft))

Joplin!! Which is also what I used to write this post so I wouldn’t have to use The Tumble’s post writing thing. It’s good for taking notes, has a bunch of neat plug-ins, and can also sync with a variety of cloud services!

Nextcloud For if you want to go just that little bit further on the open source and the privacy. Nextcloud has honestly way too many features for me to list, but the important parts are that it’s a nigh perfect replacement for office365, and probably even GSuite. The one caveat is that you either gotta host it yourself, or get someone else to host it for you. Framasoft (mentioned above), has a nextcloud instance. It works on just about every single platform, and can integrate with an absurd amount of services. Here’s a list of providers that work with nextcloud, and what different apps they have installed on their server.

I personally use Disroot, because they’re a local (as in, my country) non-profit that offer about 2gb of free storage, and then for about 15 cents per GB per month you can get more storage if you want. They also have an email service which is hella neat. Their one main rule is Do Not Use For Business Purposes, because they’re here to help the individual folks, not companies.

Neat Links you may also want to look at!

Here are some sources, and also resources that I used for this post. There’s also some stuff here that I think folks may be interested in in general.

General Wikipedia Article on Open Source Software

The Free and Open Source Software portal on Wikipedia

Resources page of the Open Source Initiative

Free Software Foundation definition of “free software”

itsfoss page on what FOSS means

itsfoss page on the history of FOSS

Open Source Software Foundation list of projects and apps they really like

Open Source Initiative on “the open source way”, and how it goes beyond software

Check out literally anything the Electronic Frontier Foundation has going on maybe?

TED talk on privacy and why it’s important

The Surveillance Self Defense project by the EFF

This EFF page on privacy for students

ExpressVPN article on privacy (not necessarily endorsing this company, just a good article)

What’s next?

I’ll probably make some more posts on specific kinds of software that I think folks may like. Or maybe a general overview on the more privacy forcused reasons and solutions for doing all of this.

Future post ideas, none of these are set in stone:

Open source Note taking apps

Replacements for just about Every Single google service I can think of

My personal setup

Open source / privacy conscious social media that studyblr folks may be into

Chatting, Calling, Videocalling: Discord and whatsapp alternatives etc

??? More studyblr apps that could do with a FOSS alternative??

How to support open source when you’re not a big fudgin nerd

How to be better at digital privacy and security, while still maintaining that studyblr aesthetic

Apps, software, other stuff, for specific areas of study maybe?

Feel free to suggest other ideas! Or leave feedback! This is my first big resource post so I wanna know if/how I can do better when I make another one!