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‘Big Blue Bombom’ is our latest publication with artist Lucie Bennett. Following the success of ‘Big Pink Bum’ released earlier this year, Lucie continues her series featuring large-scale derrières with this new  silkscreen edition of just 15, which sees a blue-turquoise line beautifully paired with a vanilla ice-cream inspired backdrop. She says: “In countries such as Brazil, the bum is very much an object of admiration; the big bum is fêted, as seen most noticeably on the beaches of Rio de Janeiro, and I thought it would be fun to reference this in the title”. 

See the work in more detail at: https://www.ccagalleries.com/artists/lucie-bennett/big-blue-bombom.html

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SAVE THE DATE

Thursday 3rd - Sunday 6th May 2018 Royal Academy of Arts, Burlington House, Piccadilly, London, W1J 0BD

We have a limited number of free passes available. Contact us for details! We look forward to seeing you there!

#londonoriginalprintfair

#ccagalleries

#wortonhallstudios

#corianderstudio

#thecurwenstudio

#huguenoteditions

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Peter Blake: NEW RELEASES

We are excited to present a number of new editions by Peter Blake including the 'BBC' series, 'Tattooed Ladies' and 'Ghosts' prints. Launched at the London Original Print Fair back in May, these prints are available to purchase on our website!

BBC Series

Returning to his distinctive style of collage, Blake sees four of his newest editions featuring the now-repurposed BBC building 'Soho House' surrounded by much loved actors, television personalities and children's characters. Spanning a number of decades, the crowds include comedians Morecombe and Wise, the late Sir Terry Wogan and athlete Jessica Ennis-Hill as well as characters Rupert Bear and The Magic Roundabouts' Florence and Dougal. See who else you can spot! Clockwise from top left: BBC1 - Rupert the Bear & Friends BBC2 - Remembering Pauline Boty BBC3 - Tightrope Walker BBC4 - Noddy Arriving

BBC1 - Rupert the Bear & Friends Archival inkjet Edition Size 75 Image size: 680 x 475mm Paper size: 785 x 590mm

BUY HERE

BBC2 - Remembering Pauline Boty Archival inkjet Edition Size 75 Image size: 680 x 475mm Paper size: 785 x 590mm

BUY HERE

BBC3 - Tightrope Walker Archival inkjet Edition Size 75 Image size: 680 x 475mm Paper size: 785 x 590mm

BUY HERE

BBC4 - Noddy Arriving Archival inkjet Edition Size 75 Image size: 680 x 475mm Paper size: 785 x 590mm BUY HERE

Tattooed Ladies

A charming illustrative inkjet print featuring two tattooed ladies, in a limited edition of 50 prints. Watercolour portraiture has long been central to Blake's work, and he has released several 'tattooed people' artworks in his time. Tattooed Ladies 2018 Archival inkjet Edition Size 50 Image size: 350 x 340mm Paper size: 425 x 425mm BUY HERE

Ghosts

Exploring the art of lithograph stone printing, Blake has created two limited edition prints paying homage to artists Barnett Freedman and Graham Sutherland. An avid collector of found art, Blake's interest in arcane and unusual objects such as cigarette packets and match boxes has long been seen in his artwork. Returning to his fascination with historic items and the beauty of found objects, the ghost artworks have been created using vintage lithograph stones to create the layers of the background, imprinting the stones' history and revealing artwork from years passed. The result is classical and curious. Printed on vintage paper, these lithograph prints have a naturally charming sepia toned discolour and decalled edge. Printed at The Curwen Studio.

Ghost 1 Graham Sutherland 2017 Lithograph on vintage paper Edition Size 10 Image size: 570 x 700mm Paper size: 570 x 700mm BUY HERE

Ghost 2 Barnett Freedman 2017 Lithograph on vintage paper Edition Size 10 Image size: 570 x 700mm Paper size: 570 x 700mm

BUY HERE

Call the office on 01252 797 201 to place your order or visit our website at www.ccagalleries.com

[ccagalleries]

DANNY ROLPH : Learning the Language

DANNY ROLPH

Danny Rolph is back with another stunning silkscreen to complete his tropical trio of prints launched last year. Taking inspiration from his travels and memories of Mauritius, 'Encompass' joins 'Encounter' and 'Endeavour' and is available in an edition size of 30 prints. Launched at this years London Original Print Fair, all three of his editions are now available to purchase on our website. On Sunday 6th May we were lucky to be joined by the artist who gave an in depth talk about his work.

Encompass 2018 Silkscreen Edition Size 30 Image size: 700 x 985mm Paper size: 725 x 1010mm

BUY HERE

Rolph is careful and deliberate with his choice of colours. The blended pink and yellow background represents the exotic Mauritian sunrises, with the black gesturing to a topographical map of the island. The five elements in vibrant yellow, pink, pale turquoise, silver and white, echo the shapes he drew on the island; with pink, yellow and white mirroring the ground and a sudden slice of silver bringing the eye back into the composition. A gentle wisp of pale turquoise billows across the top like a silk scarf or a tropical bird lightly 'kissing' the dominant shape.

'Encompass' completes the trio perfectly, complimenting his previously considered compositions and choice of layered textures and glazes in 'Encounter' and 'Endeavour'. Rolph considers this print a summary of his time and experiences spent on the island.

Acknowledged globally for his multi-layered, colourful paintings, Danny's seemingly chaotic work reflects the dynamism of his surroundings. He is inspired by the cities of London, New York and Rome as well as the deserts of West Texas and the Indian Ocean, whose sunsets appear as a recurring motif in the background of his work. His colour choices are instinctive and deliberate and echo the environment around him. The artist continually questions surface tension and spatial relations via the mediums of Triplewall plastic and canvas surfaces, embracing doubt and discovery within the creative process.

Endeavour 2018 Silkscreen Edition Size 30 Image size: 700 x 985mm Paper size: 725 x 1010mm

BUY HERE

Following on from ‘Encounter’, Rolph's second silkscreen print explores the printing process further, finding particular enjoyment in the use of finishes and glazes. Originally intended to be grey, the silver additions to the left and right of the print add depth and a new dimension to the colourful base, while the vivid pink at the bottom is broken up by a single line of glaze enhancing the multi-layered effect Rolph is best known for.

Encounter 2018 Silkscreen Edition Size 15 Image size: 700 x 985mm Paper size: 725 x 1010mm

BUY HERE

Usually finding inspiration in philosophy, poetry and history, Rolph wanted to produce a print that related to his current interests in the studio. Having only produced one silkscreen edition before, Rolph saw creating this edition as an opportunity to allow him time to investigate the process further, which he found informative and exhilarating in equal measure.

“Recently I swam in the Indian Ocean and encountered colours, animals and geology I had only previously seen on TV. The experience of being in such a stimulating, other worldly environment influenced my choices quite strikingly in ‘Encounter’. The objective in using these particular shapes, forms and colours was to communicate the experience I had in nature and to expand my visual vocabulary in a new direction.” - Danny Rolph

[ccagalleries]

The simplistic, hand drawn image created by Israeli artist @guy_yanai for his limited edition lithograph ‘Tree’ is based on the tree that features in Italian Renaissance painter’s Fra Angelico's work ‘Noli Me Tangere’, something Yanai has been fascinated with for many years. Guy Yanai is recognised for his simplified shapes, vibrant colours, flattened depth of field, and curiously common subject matter. Often painting in geometric blocks, akin to the pixelated screens and over-digitalisation of the twenty-first century, his oversimplified representations compress the gigabytes of data we perceive and receive on a daily basis. In almost direct contrast with this, ‘Tree’ is much more organic, simplified but still reliant on the heavily linear style that defines his work. A well-received artist, Yanai has had numerous solo and group exhibitions worldwide. He currently lives and works in Tel Aviv. Published by CCA in an edition of just 25, ‘Tree’ is signed and numbered by the artist and available to buy for £375 from the CCA website, link in bio. #guyyanai #lithography #worksonpaper #art #printmaking #contemporaryart #picoftheday #instaart #instadaily #screenprinting #artwork #cca #ccagalleries #wortonhallstudios #silkscreenprint #originalprint #paper #forsale #artforsale #thecurwenstudio https://www.instagram.com/p/CK3vqphFUVt/?igshid=189qwbruyx6vx

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A Summer of Frank Bowling

Still working as an artist at 85, Frank Bowling OBE RA (b. Guyana, 1934) is known for his ambitious abstract paintings, rich in colour, thick with texture, and fuelled with raw, impassioned energy.  Bowling's work has been showcased all over the world including the Royal Academy of Arts in London (2011), Spritmuseum in Stockholm (2014-15)  and Dallas Museum of Art in Texas (2015). With his first major retrospective on at the Tate Modern this summer, CCA Galleries is delighted to showcase Frank Bowling's limited edition print, ‘Andrew brought greetings from Allen Jones’, his first silkscreen print in over 30 years.

Be sure to check out Frank Bowling's UK exhibition at the Tate Modern 19 May - 26 August, and visit our website to see his latest limited edition print!

[ccagalleries]

SAVE THE DATE: London Original Print Fair 2019

Thursday 25th to Sunday 28th April 2019 Royal Academy of Arts · Burlington House Piccadilly · London W1J 0BD

CCA GALLERIES and WORTON HALL STUDIOS are delighted to invite you to join us at the 34th LONDON ORIGINAL PRINT FAIR.

Find us on STAND 30 where we will be exhibiting new limited edition prints.

We are thrilled to offer a complimentary ticket for you plus one guest! Contact us for your free downloadable e-ticket!

We look forward to seeing you there!

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Introducing Henry Jabbour

CCA Galleries is delighted to introduce lithograph artist Henry Jabbour

Born in Beirut, Lebanon, Jabbour originally trained as a biologist and pursued a successful career as a medical scientist for many years before deciding to follow his true passion for art in 2010. Jabbour enrolled into Leith School of Art in Edinburgh to complete his Diploma in Drawing and Painting, followed by a Masters of Fine Art in Painting and Printmaking from The New York Academy of Art. He now lives and works as a full time artist in the UK. Henry has worked with The Curwen Studio for many years making stone and aluminium photo plate lithographs. His prints are now available to buy from www.ccagalleries.com/.

Seated Woman 2015, 2015

Edition Size: 15

Image Size: 300 x 330mm

Paper Size: 420 x 470mm

Published: 2015

Focusing on the human figure, Jabbour is interested in exploring the emotive and expressive qualities of body gesture and its representation through mark making, tone and colour on the stone. Each piece is a search beyond mere appearance, attempting to connect the vulnerability, fragility and impermanence of the individual with a sense of common and shared humanity.

Shibboleth 2, 2016

Edition Size: 15

Image Size: 430 x 550mm

Paper Size: 510 x 680mm

Published: 2016

Jabbour is a painter and printmaker. In his practice, he works concurrently with various media (in drawing, painting and printmaking) and is fascinated by how these practises influence each other and his perception of his work. His lithographs to-date have focussed on the human figure, Jabbour uses fluid marks, lines, tone and colour to explore the emotive qualities of mark making and body gestures.

Stripes, 2016

Edition Size: 15

Image Size: 210 x 230mm

Paper Size: 520 x 560mm

Published: 2016

“My work is a quest to subvert the specific in search for the universal. Each piece is a search beyond mere appearance, attempting to connect the vulnerability, fragility and impermanence of the individual with a sense of common and shared humanity. My work-making process embraces both the familiar and the unexpected, and combines observation, memory and intuition.”

“My aim is that each piece develops a visual presence that is independent of me, or my original artistic intentions, so that the viewer can continue the search that I have initiated.”

Man with Crossed Arms, 2016

Edition Size: 15

Image Size: 320 x 450mm

Paper Size: 450 x 610mm

Published: 2016

Jabbour has been recognized nationally and internationally through his solo and group exhibitions. Recent Solo exhibitions include “Markings” Galerie Alice Mogabgab, Beirut, Lebanon, “This Life to Me” Union Gallery, Edinburgh, “Empreintes” La Reine Blanche Scene des Arts et des Sciences, Paris. While his latest group exhibitions include Work on Paper Art Fair, Lime Tree Gallery, Royal Geographical Society, London, Pastel Society Annual Exhibition, Mall Galleries, London and Royal Society of British Artists, Mall Galleries, London.

Seated Woman 2, 2016

Edition Size: 15

Image Size: 280 x 340mm

Paper Size: 360 x 450mm

Published: 2016

Palimpsest, 2016

Edition Size: 15

Image Size: 340 x 100mm

Paper Size: 500 x 280mm

Published: 2016

 Available now from CCA Galleries

www.ccagalleries.com

CLICK HERE to view more

[ccagalleries]

Presenting CARINTHIA WEST and NIC FIDDIAN-GREEN

Pink Pig Over Battersea 3 by Carinthia West

Archival inkjet with satin glaze

Edition Size: 50

Image Size: 307 x 467mm

Paper Size: 406 x 562mm

Published: 2017

BUY HERE

CARINTHIA WEST

Carinthia West is a photographer and journalist, whose credits include Marie-Claire, the LA Weekly, The Independent and The Telegraph to name a few.  Covering travel, lifestyle, humour and (her least favourite subject!) the celebrity interview, she has been friends with some of the 20th Century's greatest names for music, film and society. Ronnie Wood, Robin Williams, George Harrison, Mick Jagger, David Bowie, Carly Simon, Helen Mirren and Queen Noor of Jordan are just a handful of names that she has photographed at casual, private, intimate and poignant moments in their lives.

Pink Pig Over Battersea 1 by Carinthia West

Archival inkjet with satin glaze

Edition Size: 50

Image Size: 307 x 467mm

Paper Size: 406 x 562mm

Published: 2017

BUY HERE

Her black and white photographic stills of the inflatable pig 'Algy' (the actual album cover devised by Hipgnosis for Pink Floyd's Animals album 1976) have appeared in several international exhibitions including London, Chicago, Los Angeles, and San Francisco, along with forty other images in her archival collection entitled 'Hanging Out'. Most recently, seven of Carinthia's images of this historic shoot, hang in the Victoria and Albert's Pink Floyd exhibition 'Their Mortal Remains'  until October 2017, after which it will travel to Rome, New York, and other cities. 

Pink Pig Over Battersea 2 by Carinthia West

Archival inkjet with satin glaze

Edition Size: 50

Image Size: 307 x 467mm

Paper Size: 406 x 562mm

Published: 2017

BUY HERE

Also available as a set.

Pink Pig Over Battersea set by Carinthia West

Archival inkjet with satin glaze

Edition Size: 50

Image Size: 307 x 467mm

Paper Size: 406 x 562mm

Published: 2017

BUY HERE

NIC FIDDIAN-GREEN

Little Horse at Water by Nic Fiddian-Green

Lithograph

Edition Size: 25

Image Size: 300 x 420mm

Paper Size: 300 x 420mm

BUY HERE

World renowned equestrian sculptor, Nic Fiddian-Green's Little Horse at Water and Red Horse's Head lithograph prints demonstrate the dramatic elegance of his iconic horse's head. Nic loves to draw, so the lithographic process is a natural transition to print.

Red Horse's Head by Nic Fiddian-Green

Lithograph Edition Size: 100 Image Size: 530 x 730mm Paper Size: 530 x 730mm BUY HERE

Whilst studying at Chelsea School of Art, Fiddian-Green took a trip to the British Museum and found inspiration in the shape of the head of the horse of Selene. 'The encounter paved my future. It was as if lightning had struck twice in the same place. The horse's head was so beautifully made, so considered, so right. It was as if it had been carved by the gods: a lesson in balance and harmony and proportion. Immediately it became my benchmark. For the past 30 years I've focused on capturing the beauty of a horse's head.'

To see the full range of all of our artists visit our website at www.ccagalleries.com

[ccagalleries]

It finally feels like summer here in the UK as we’re welcoming the hottest days of the year so far! In the spirit of all things warm and sunny, here’s Sir Terry Frost’s ‘Carlyon Sunshine’, which seems to burst with solar energy. Here Frost combines simple shapes with block colour to create a joyful and dynamic image that conveys happiness and vibrancy. In addition to the screen printed inks, this piece contains 8 collages elements, giving it a feeling of greater depth. A signed and numbered limited edition silkscreen with collage, ‘Carlyon Sunshine' was made in the final year of the artist’s life. Click on the image to view in more detail and buy online, or go to link in bio. #terryfrost #sirterryfrost #collage #abstractart #art #printmaking #silkscreen #contemporaryart #instaart #instadaily #screenprinting #artwork #cca #ccagalleries #wortonhallstudios #silkscreenprint #originalprint #paper #forsale #artforsale #corianderstudio #limitededition #printsforsale #summer #sunshine #yellow https://www.instagram.com/p/CPlV5z8F-9L/?utm_medium=tumblr

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Introducing: FRANK BOWLING

Photography by James Proctor.

CCA GALLERIES is delighted to introduce world renowned artist FRANK BOWLING with a new limited edition print, his first silkscreen in over 30 years. Launched at the London Original Print Fair 'Andrew brought greetings from Allen Jones' is available on our website.

Andrew brought greetings from Allen Jones 2018 Silkscreen Edition Size 50 Image size: 960 x 610mm Paper size: 1080 x 730mm

BUY HERE

Please call the office on 01252 797 201 to confirm availability.

Frank Bowling OBE RA (b. Guyana, 1934) moved to London in 1953, where his artistic career began shortly after his arrival at the Royal College of Art (1959-62). The artist has since established studios in both New York and London.  

Bowling began his career as a figurative painter, and was involved in the British Pop Movement of the '50s and '60s. His  first solo exhibition, Image in Revolt, was hosted the year Bowling graduated at Grabowski Galleries in London. However, in 1966, Bowling decided to move to New York, aided by his first Guggenheim Fellowship awarded in 1967. Following this move to New York, Bowling’s painting began to turn to abstraction – the field in which his contributions were to be most significant. His pictures, which had always inclined towards a frontal geometric structure of space, became more geometrically complex, guided by principals of mathematics and symmetry. It is during this transitional period in the mid- to late-'60s that Bowling’s seminal body of work, the Map Paintings – a series of quasi-abstract colour fields overlaid with stencilled images of maps of Australia, South America and Africa – was produced.

In 1971, Bowling met Clement Greenberg, who not only became a regular visitor to the artist's studio, but also an important influence to Bowling. Greenberg’s advice and encouragement helped remove any lingering doubts Bowling might have had about his commitment to modernism. The social and political imagery and narrative present in Bowling’s earlier work was replaced by an increasing focus on material, process, and colour. By this time, Bowling had developed a very personal palette for his large, light-filled, lyrical colour abstractions that distinguished his work from that of earlier Colour Field painters working in the USA such as Kenneth Noland, Jules Olitski or Larry Poons. However, never content to stop exploring and experimenting with the possibilities of paint, Bowling continued to innovate with new processes. He subsequently developed a special mechanical apparatus which titled the canvas so he could pour paint onto it, creating the spontaneous fusions of layer and colour now known as the iconic Poured Paintings.

In the early 1980s, the influence of geometry became visible not just in Bowling's paintings, but also in the way he worked with canvas. He started using chunks of Styrofoam to create quasi-sculptural relief, a technique the artist continues to use today. Indeed, Bowling’s recent works produced over the last few years continue to explore the nature and possibilities of abstract painting, the diverse range of principles and processes explored across his career now converging and coalescing in dynamic new configurations of colour and form. This new period of painterly experimentation has received critical acclaim, and has recently been showcased in exhibitions in the UK and US. Bowling continues to orchestrate the emotive potential of colours to communicate a visual experience of uniquely sensuous immediacy.

Bowling's paintings have been exhibited widely and internationally. Selected solo shows include Whitney Museum of American Art, New York (1971); Serpentine Gallery, London (1986); a UK touring retrospective (2003); Royal Academy of Arts, London (2011); Spritmuseum, Stockholm (2014-15); Dallas Museum of Art (2015). In 2017 the Haus der Kunst in Munich presented Frank Bowling: Mappa Mundi, a comprehensive survey of large-scale paintings. Bowling's work can be found in numerous public and private collections including the Metropolitan Museum of Art (New York), Museum of Modern Art (New York), Museum of Fine Arts (Boston), Dallas Museum of Art (Dallas), Royal Academy of Arts (London), Tate Gallery (London), Victoria & Albert Museum (London), and the Whitney Museum of American Art (New York).

[ccagalleries]

MUM’S THE WORD!

She knows what she likes and she likes what she knows.

With prints to suit all styles and tastes we've got Mothers Day covered!

Call the office on 01252 797 201 today to place your order

CITY MUM

Designer Trees Bruce McLean

Silkscreen print with collaged elements Edition size: 100 Image size: 790 x 583mm Paper size: 943 x 748mm Published: 2011 BUY HERE

Two black Trees combines dynamic geometric shapes suggestive of architectural forms and with tree-silhouettes. Though effectively abstract, McLean’s palette and inclusion of a segment from a London street map perfectly capture the atmosphere of a sunny day in a London park.  The urban atmosphere is increased by the inclusion of graffiti –like text. Companion piece to Pink Moda.

Encounter Danny Rolph

Silkscreen print with glazes Edition size: 15 Image size: 700 x 985mm Paper size: 725 x 1010mm Published: 2017 BUY HERE

Usually finding inspiration in philosophy, poetry and history, Rolph wanted to produce a print that related to his current interests in the studio. Having only produced one silkscreen edition before, Rolph saw creating this edition as an opportunity to allow him time to investigate the process further, which he found informative and exhilarating in equal measure. ‘Encounter’ will shortly be followed by another silkscreen edition. “Recently I swam in the Indian Ocean and encountered colours, animals and geology I had only previously seen on TV. The experience of being in such a stimulating, other worldly environment influenced my choices quite strikingly in ‘Encounter’. The objective in using these particular shapes, forms and colours was to communicate the experience I had in nature and to expand my visual vocabulary in a new direction.” - Danny Rolph

This is the Big City Baby Dan Baldwin

Silkscreen print with gold leaf, diamond dust and glazes Edition size: 100 Image size: 800 x 400mm Paper size: 950 x 560mm Published: 2014 BUY HERE

This piece was created in collaboration with Allison Mosshart (lead singer of The Kills). "Allison Mosshart, lead singer of the band The Kills, wrote a piece called ‘THIS IS THE BIG CITY BABY’ when sitting with Jack White from the White Stripes, they had been sitting in New York by the wishing well fountain, and the events of that day prompted the written piece. It was then given to a project SFWAM - (Songs For Words and Music) which is a charity based literacy project with Jeff Antebi Waxspolitation records, pairing artists with musicians - Tom Waites, Nick Cave and many more. Allison had been hanging on for several years waiting for the right artist to illustrate her piece, my image was inspired by her writing - the cats and freaks come out at night whilst the city sleeps, as the clock strikes 12am some magic occurs. It’s quite a specific illustrative piece as it was a specific image for a project." - Dan Baldwin.

VINTAGE MUM

Faith, Hope and Charity Peter Blake Silkscreen print Edition size: 125 Image size: 990 x 547mm Paper size: 990 x 547mm Published: 2012 BUY HERE

Faith, Hope and Charity is a nostalgic triptych of segments made up from collaged elements of Victorian postcards. This delicate and feminine work illustrates the three Christian virtues mentioned in Paul’s first epistle to the Corinthians. This work is about sentiment and the power of words.  It continues the exploration of this power, these eternal themes, that Blake examined in his recent ‘I Love You’ and ‘Hope’ prints. Using floral motifs on postcards was very popular in the Victorian era; here Blake has re-arranged these ornamentations to suit his own aesthetic vision. Cherub heads and child-figures playing musical instruments feature in the ‘Faith’ section; echoing the themes of childhood innocence and joy that recur throughout Blake’s work. The rectangular panel at the peak of the cross is taken from a work by Sir Joshua Reynolds ‘A Cherub Head in Different Views’ 1787.  Each panel includes the design of a hand holding a messages ‘Remember Me, Forget Me Not and A Tribute of Love’ that would have been the centre-piece of the original postcards from which they are extracted.  

Philip Morris Peter Blake

Silkscreen print with silver leaf Edition size: 175 Image size: 760 x 1015mm Paper size: 760 x 1015mm Published: 2007 BUY HERE

One of Peter Blake's found art cigarette packets or fag packets as they have come to be affectionately known. This series demonstrates Blake's belief that beauty can be found anywhere, even in objects that most would believe to be rubbish. The fag packets highlight iconic 20th century design and branding, a key component in the pop art movement. The simplicity of these pieces adds to their wallpower.

Milk Maids Peter Blake

Silkscreen print Edition size: 175 Image size: 455 x 660mm Paper size: 595 x 820mm Published: 2009 BUY HERE

Milk Maids is part 11 of the 12 pieces that comprise Peter Blake's portfolio box set, based on his work in the early 60's. The bright colours, bold patterns and simplistic compositions of pop art are heavily present, as are 60's pop culture icons such as Marilyn Monroe as seen here, Kim Novak, Lavern Baker and Billy Rainbow. The paper border has CCA's publisher stamp embossed in bottom right hand corner (not shown).

ROCK ‘N’ ROLL MUM

Dark Side of the Moon 30th Anniversary Storm Thorgerson

Silkscreen print Edition size: 325 Image size: 480 x 480mm Paper size: 835 x 660mm Published: 2004 BUY HERE

Storm decided to rework his iconic album cover for the re-release of Pink Floyd's album, he says 'Pink Floyd's The Dark Side of the Moon was remixed from original tapes in 5.1 surround sound or super audio to provide an even more detailed and splendid audio experience. It was the same music but not the same mix. A different beast, in effect, and it seemed appropriate to indicate as much on the cover by reworking the original design, which was an airbrush illustration with line work for tint lay.'

Pink Pig Over Battersea 3 Carinthia West

Archival inkjet with satin glaze Edition size: 50 Image size: 307 x 467mm Paper size: 406 x 562mm Published: 2017 BUY HERE

Her black and white photographic stills of the inflatable pig 'Algy' (the actual album cover devised by Hipgnosis for Pink Floyd's Animals album 1976) have appeared in several international exhibitions including London, Chicago, Los Angeles, and San Francisco, along with forty other images in her archival collection entitled 'Hanging Out'. Most recently, seven of Carinthia's images of this historic shoot, hang in the Victoria and Albert's Pink Floyd exhibition 'Their Mortal Remains'  until October 2017, after which it will travel to Rome, New York, and other cities.

Vintage Blake Peter Blake Silkscreen print Edition size: 250 Image size: 570 x 570mm Paper size: 750 x 770mm Published: 2012 BUY HERE

Peter Blake celebrated his 80th birthday in 2012, the year was peppered with projects and events to celebrate the occasion. In Spring Blake unveiled a variation of his magic crowd composition: Vintage Blake: Peter Blake’s 80th Family Friends and Icons that was created especially for the celebrations around his birthday. The work  features a magic crowd full of the key figures from the artist’s career and personal life, including David Hockney, Damien Hirst, David Bowie, Gary Oldman, Eric Clapton, Ian Dury and many more.

SEASIDE MUM

Sea Rock Louise Cattrell

Silkscreen print Edition size: 20 Image size: 815 x 655mm Paper size: 815 x 655mm Published: 2017 BUY HERE

"The opportunity to make a large scale screen print made me evaluate many of the ways in which print evolves from the process and how that responds to the way I make paintings. Printmaking has always been a part of how I develop work fusing drawing, tone and colour. My work is inspired by the natural landscape, in particular where the boundaries of sea, sky and land come together and depart. I make the paintings using thin layers of paint akin to watercolour in substance; using the transparencies of the screen printing film was a new way of building an image. Using early examples as a base, the context was developed through the application of watercolour as the ability of the movement in the paint responded to the ideas behind Sea Rock - where a rock within sight of the shore becomes a landmark and guide for those on both land and sea. Encompassed by all that the change of light and weather does to transform the known into the mysterious."

To the Lighthouse, Ile de Re Lucy Farley

Silkscreen print Edition size: 100

Image size: 1070 x 800mm Paper size: 1270 x 1020mm Published: 2013 BUY HERE

To the Lighthouse, Ile de Ré showcases Farley’s fresh and dynamic take on nature, landscape and the spirit of place. Romantic and windswept, Farley’s sweeping lines and washes of colour draw the viewer into this coastal scene of lighthouse, boats, ominous sky and swelling water. She combines a tremendous sense of atmosphere with a modernity and minimalism that reflects her personal connection with the landscape. The title of this piece reminds us of the novel of the same name by Virginia Woolf, and indeed the flow of line and colour is reminiscent of Woolf's stream-of-consciousness style of writing. 

Beachscape Wester Ross Donald Hamilton Fraser Silkscreen print Edition size: 175 Image size: 453 x 560mm Paper size: 605 x 725mm Published: 2006

BUY HERE

Beachscape Wester Ross by Donald Hamilton Fraser. Fraser's dramatic use of colour lends the landscape an almost surrealistic air. The marks of his palette-knife technique can be clearly seen in the foreground, lending real texture to the picture surface. The bright swathes of colour are not blended together, but stand in stark contrast and create a feeling of joy and vivacity that dominates the work.

CLASSIC MUM

Horse at Water (silkscreen) Nic Fiddian-Green

Silkscreen print Edition size: 50 Image size: 550 x 950mm Paper size: 600 x 1000mm Published: 2017 BUY HERE

World renowned as an equestrian sculptor, Nic Fiddian-Green's Horse at Water limited edition silkscreen print is an edition size of 50 and demonstrates the dramatic elegance of his iconic horse's head. Whilst studying at Chelsea School of Art, Fiddian-Green took a trip to the British Museum and found inspiration in the shape of the head of the horse of Selene. 'The encounter paved my future. It was as if lightning had struck twice in the same place. The horse's head was so beautifully made, so considered, so right. It was as if it had been carved by the gods: a lesson in balance and harmony and proportion. Immediately it became my benchmark. For the past 30 years I've focused on capturing the beauty of a horse's head.'

Dog Rose Peter Blake

Silkscreen print Edition size: 50 Image size: 250 x 195mm Paper size: 380 x 310mm Published: BUY HERE

Dog Rose by Peter Blake. A delicate signed limited edition silkscreen print featuring a stunning watercolour illustration of a Dog Rose in flower.

Pueblo Barbara Rae

Published: 2008 Paper size: 990 x 937mm Image size: 760 x 757mm Edition size: 125 Silkscreen print with silver leaf and glazes BUY HERE

Pueblo, signed limited edition silkscreen print with silver leaf and glazes by Barbara Rae RA CBE.

Printed with 29 colours + silver Leaf on 400 gsm Velin Arches paper.

Rae's printmaking has been integral to her artistic activity since her student days. The way she conceives and works on her monoprints, screenprints and etchings complements and informs her approach to painting. The discipline imposed by these media and the unique opportunities offered by them create a set of possibilities, which stimulate her vision of the world, whether she is drawing, painting, making prints, or simply observing.

Call the office on 01252 797 201 today to place your order

To see the full range of all of our artists visit our website at www.ccagalleries.com

Please note all works are subject to availability and price changes

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Prints to warm your heart!

Art is one of the most personal, thoughtful and fun things you can give someone. We've hand-picked some of our favourite prints for you this St. Valentine's Day. Show them you care by giving the gift of Art!

A Rose, is a Rose, is a Rose Peter Blake Silkscreen with glazes Image size: 350 x 350mm Paper size: 450 x 460mm Edition size: 100 BUY HERE  

Call the office on 01252 797 201 today to place your order

Consisting of three stunning silkscreen prints with glazes, each print takes on the subject of a rose in a different direction exerting Blake's signatures watercolour, collage and pop art styles. All three prints are beautifully presented together in a rich petrol blue archival box with title page and colophon.

A Rose, is a Rose, is a Rose Peter Blake Silkscreen with glazes Image size: 350 x 350mm Paper size: 450 x 460mm Edition size: 100 BUY HERE The sentence 'Rose is a rose is a rose' was written by Gertrude Stein as part of the 1913 poem 'Sacred Emily', which appeared in the 1922 book 'Geography and Plays'. In the poem, it references that the first 'Rose' is the name of a person. As one of her most famous quotations, Stein later used variations of the quote in her other writing and it is often interpreted as a means to say 'things are what they are'

A Rose, is a Rose, is a Rose Peter Blake Silkscreen with glazes Image size: 350 x 350mm Paper size: 450 x 460mm Edition size: 100 BUY HERE 

Winter Walk, Highgate Ponds Lucy Farley Silkscreen with collage and pastel Image size: 34 x 23cm Paper size: 41.7 x 31.4cm Edition size: 50 BUY HERE A personal piece for Lucy, this edition embodies her love for a particular person and landscape, whilst celebrating a relationship she has had with Hampstead Heath ever since she first started walking there while studying at the at the Royal College of Art. Inspired by winter bathing in the Highgate Ponds, a tradition she has kept up since she first visited the Ladies Pond, and a tradition she now shares with her boyfriend who is pictured here, making his way to the Men's pond with his dog. 

Blue Love Tree Terry Frost Silkscreen with collage elements Image size: 61 x 100cm Paper size: 61 x 100cm Edition size: 85 BUY HERE  

A vibrant and playful silkscreen print with collage elements. Frost's 'Love tree' designs have proved to be some of his most popular. One of Sir Terry's final designs, Blue Love Tree was made in a very small edition of 85, making it rare and very collectible.

I Love You Peter Blake Digital print on canvas Image size: 119.7 x 84.2cm Paper size: 119.7 x 84.2cm Edition size: 50 BUY HERE

This exuberant and joyful image is Peter Blake at his classic best. Bold pop design, brilliant colours and an uplifting and simple message of love. The geometric design is reminiscent of his iconic 1960s pieces including Got a Girl and Babe Rainbow.

Valentine Donald Hamilton Fraser Silkscreen Image size: 41 x 57cm Paper size: 58.5 x 75cm Edition size: 150 BUY HERE

This beautiful image has a very special story. Before his death Fraser has been very keen to contribute to the Mending Broken Hearts Appeal, but sadly was unable to complete any work. With this in mind Fraser's wife kindly suggested and gave permission for a silkscreen to be made from a valentines card that Fraser had once painted for her, as she felt that the image was highly appropriate. Fraser created a valentines card for his wife every year of their sixty year marriage.

Created especially to raise awareness and funds for the British Heart Foundation. All profits go to the BHF.

Craigie's Canary Peter Blake Etching with hand-coloured chine collé Image size: 24.5 x 29.5cm Paper size: 38 x 46cm Edition size: 50 BUY HERE

Craigie’s Canary is a celebration of British artist Craigie Aitchison’s (1926-2009) life and work as well as a tribute from his friend and admirer Peter Blake. This hand-painted etching’s minimalism is an echo of Aitchison’s precise and simple compositions, its splash of colour reminiscent of the jewel-bright colours Aitchison loved to use. Aitchison kept canaries, they would fly about in his studio; as well as being a recurring motif throughout his work, the canary is a symbol of joy, illumination and innocence- and here it represents Craigie himself; a touching tribute to a dear friend.  

Horse at Water Nic Fiddian-Green Silkscreen Image size: 55 x 95cm Paper size: 60 x 100cm Edition size: 50 BUY HERE For the equine lover in your life, this signed limited edition silkscreen print by world renowned sculptor Nic Fiddian-Green demonstrates the dramatic elegance of his iconic horse's head.

I Love You Very Much Peter Blake Silkscreen and mixed media with collaged wood veneer, 3D wooden hand-painted elements,  LED lights, embossing, diamond dust, gold leaf  and glazes. Image size: 100 x 35.8cm Paper size: 100 x 35.8cm Edition size: 25 BUY HERE "‘Love’ and ‘I Love You Very Much’ are an attempt to make print editions that include ‘real’ elements. Some of the letters are lit up like fairground signs, some are made with wood, I’ve also used wood veneer, diamond dust and embossing, it’s amazing the effects you can achieve in printmaking.” - Peter Blake 

Victorian Postcard Series 4 Peter Blake Archival inkjet with silkscreen glaze Image size: 28 x 44cm Paper size: 38 x 55.5cm Edition size: 95 BUY HERE From a set of five prints, The Victorian Postcard series reflects Blake's interest in and admiration for Victorian art and paraphernalia. Call the office on 01252 797 201 today to place your order

To see the full range of all of our artists visit our website at

www.ccagalleries.com

Please note all works are subject to availability and price changes

[ccagalleries]

A Rose, is a Rose, is a Rose New editions by Peter Blake

‘A Rose, is a Rose, is a Rose’  by Peter Blake

Silkscreen with glazes Image size: 350 x 350mmPaper size: 450 x 460mm Edition size: 100 Launch price: £2,950

BUY HERE

CCA Galleries is delighted to present the latest silkscreen editions from Peter Blake. Consisting of three stunning silkscreen prints with glazes, each print takes on the subject of a rose in a different direction exerting Blake's signatures watercolour, collage and pop art styles. All three prints are beautifully presented together in a rich petrol blue archival box with title page and colophon.

Released yesterday at the Open Studios and available to buy online now!

Call the office on 01252 797 201 today to place your order in time for Christmas

The sentence 'Rose is a rose is a rose' was written by Gertrude Stein as part of the 1913 poem 'Sacred Emily', which appeared in the 1922 book 'Geography and Plays'. In the poem, it references that the first 'Rose' is the name of a person. As one of her most famous quotations, Stein later used variations of the quote in her other writing and it is often interpreted as a means to say 'things are what they are'.

Having always liked the quote and having named his own daughter Rose, Blake took joy in developing these prints in an instinctive direction, evolving the meaning of the quote from a statement of the law of identity to an artistic translation using print media to create three exquisite silkscreens.

A Rose, is a Rose, is a Rose Detail image Silkscreen with glazes

A Rose, is a Rose, is a Rose Detail image Silkscreen with glazes 

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Presenting NEW works by BRUCE MCLEAN

CCA GALLERIES are delighted to present two new silkscreen editions by BRUCE MCLEAN

Inspired by the Dream Garden Monotypes released earlier this year, McLean has developed two stunning new limited edition silkscreens with collaged elements Shades of Grey, Light Blue and Shades of Grey, Cerulean Blue. In a limited edition size of 75 prints, each of the Shades of Grey silkscreens explore deeper McLean's dream garden vision with a refined focus on monochromatic patterns and textures with pops of vibrant colours. "In the intense bright and blistering Menorcan light, it is sometimes necessary to make black or grey works in response to the dark green, jungley garden (an endlessly moving sculpture) containing plants -  aloes, yuccas, palms, tiger grass, cane, papyrus, phormium, cactus, agave americana, agapanthus, etc, punctuated by pomegranates." - McLean

Shades of Grey, Light Blue by Bruce McLean 2017 Silkscreen with collaged elements Edition size of 75 970 x 1140mm BUY HERE

Shades of Grey, Light Blue by Bruce McLean Detail image

BUY HERE

Shades of Grey, Cerulean Blue by Bruce McLean 2017 Silkscreen with collaged elements Edition size of 75 970 x 1140mm BUY HERE 

A Lawnmower in the Loft by McLean is a delightful series of short autobiographical stories that have influenced the artists life. We are giving away a copy with every edition of Shades of Grey, Cerulean Blue and Shades of Grey, Light Blue. It is also available to purchase individually.

A Lawnmower in the Loft by Bruce McLean

BOOK RELEASE  A Lawnmower In The Loft : Bruce McLean - Autobiography  Launched on the 7th November 2017

BRUCE MCLEAN INTERVIEWS HIMSELF AGAIN (TEN DIFFICULT QUESTIONS)  @ Tate Modern, Terrance shop, Bankside, London. SE1 9TG.

"Made up of a series of vivid and bawdy anecdotes, McLean’s first collection of biographical stories echo the satirical tone of his art-making practice and relate the invention of his life as an artist. Both funny (ha ha) and funny (peculiar), this (non) po-faced history of art and comedy of (ill) manners presents a compelling soundtrack of human behaviour, gesture politik and inherited tics and traits." - Mel Gooding Own your own copy of his long waited autobiography A Lawnmower In The Loft with every McLean print purchase before the launch at the Tate - and immerse yourself into the world of Bruce McLean!

The Dream Gardens monotypes are a series of 25 works based on his wife Rosy's garden in Spain. McLean uses colour and texture to create shadows, forms and the suggestion of light to express his vision of his dream garden. McLean has used also this theme to create his series of Garden Ware ceramics which debuted in the V&A Ceramic Galleries for London Design Week this September.

Dream Gardens Mono 21 by Bruce McLean 2017 Silkscreen - collage and hand painted monotype Edition size of 25 910 x 1100mm

BUY HERE 

Dream Gardens Mono 8 by Bruce McLean 2017 Silkscreen - collage and hand painted monotype Edition size of 25 910 x 1100mm

BUY HERE

For further details and to place your order please contact CCA Galleries  01252 797 201

To see the full range of all of our artists visit our website at

www.ccagalleries.com

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Introducing: LOUISE CATTRELL

CCA GALLERIES is delighted to introduce new publications by artist LOUISE CATTRELL. Printed at Coriander Studio.

Sea Rock by Louise Cattrell Silkscreen Edition Size: 20 Image Size: 815 x 655mm Paper Size: 815 x 655mm Published: 2017

BUY HERE

Born in Glasgow in 1957, Louise Cattrell studied at Duncan of Jordanstone, Dundee and the Royal College of Art. She has exhibited widely including the Whitechapel, Fruitmarket Gallery, Mappin Gallery, the Towner Gallery and Beaux Arts.

She has held the Berwick Gymnasium Fellowship and has undertaken residencies across the world including Sri Lanka, Bulgaria, Ireland, USA, Switzerland and the Australian Outback. Held in public and private collections globally, her work is also owned by the Scottish Arts Council, MOD Whitehall and the Leukemia Unit QE2 Birmingham, UK.

"The opportunity to make a large scale screen print made me evaluate many of the ways in which print evolves from the process and how that responds to the way I make paintings. Printmaking has always been a part of how I develop work fusing drawing, tone and colour. My work is inspired by the natural landscape, in particular where the boundaries of sea, sky and land come together and depart. I make the paintings using thin layers of paint akin to watercolour in substance; using the transparencies of the screen printing film was a new way of building an image. Using early examples as a base, the context was developed through the application of watercolour as the ability of the movement in the paint responded to the ideas behind Sea Rock - where a rock within sight of the shore becomes a landmark and guide for those on both land and sea. Encompassed by all that the change of light and weather does to transform the known into the mysterious." 

Watercolour with silkscreen underlay 6 by Louise Cattrell Silkscreen Image Size: 850 x 660mm Paper Size: 850 x 660mm Published: 2017

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Watercolour with silkscreen underlay 8 by Louise Cattrell Silkscreen Image Size: 850 x 660mm Paper Size: 850 x 660mm Published: 2017

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Watercolour with silkscreen underlay 4 by Louise Cattrell Silkscreen Image Size: 850 x 660mm Paper Size: 850 x 660mm Published: 2017

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Framed watercolour with silkscreen underlays by Louise Cattrell on display at CCA Galleries International for Louise Cattrell's exhibition. The watercolour with silkscreen underlays are a series of 16 unique works. 

'First Light' original painting by Louise Cattrell on display at CCA Galleries International for Louise Cattrell's exhibition. 

Watercolour with silkscreen underlay 9 by Louise Cattrell Silkscreen Image Size: 850 x 660mm Paper Size: 850 x 660mm Published: 2017

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Watercolour with silkscreen underlay 2 by Louise Cattrell Silkscreen Image Size: 850 x 660mm Paper Size: 850 x 660mm Published: 2017

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Watercolour with silkscreen underlay 3 by Louise Cattrell Silkscreen Image Size: 850 x 660mm Paper Size: 850 x 660mm Published: 2017  

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Watercolour with silkscreen underlay 1 by Louise Cattrell Silkscreen Image Size: 850 x 660mm Paper Size: 850 x 660mm Published: 2017

BUY HERE

Watercolour with silkscreen underlay 5 by Louise Cattrell Silkscreen Image Size: 850 x 660mm Paper Size: 850 x 660mm Published: 2017

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Watercolour with silkscreen underlay 7 by Louise Cattrell Silkscreen Image Size: 850 x 660mm Paper Size: 850 x 660mm Published: 2017  

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