#cesár sampson

[thateurosite]

🇨🇿 ESCZ 2024 date and details announced

🇨🇿 ESCZ 2024, #Czechia's national final for #Eurovision, will be held December 4th, and for the first time ever you can be part of the audience! Who do you hope gets selected by ČT and Cesár Sampson to compete for a shot at #ESC2024?

ESCZ 2024, Czechia’s national final for Eurovision, is set to take place December 4. The news was revealed on the official Instagram account of ESCZ along with other information about the show. Adam Mišík to host ESCZ 2024, now with a crowd In the announcement video, ESCZ 2023 host Adam Mišík tells us he will be returning as a host. He goes on to make the big announcement that for the first…

[eurovision-facts]

Eurovision Fact #503:

Cesár Sampson, Austrian representative in 2018, was a part of the music producer collective Symphonix International, which led Bulgaria to their fourth and second placings in 2016 and 2017, respectively.

[Source]

Participants of Lisbon 2018: Cesár Sampson, Eurovision.tv.

[anotherescsite]

ESCZ 2024

Did everybody watch? What did you think? Was it an interesting hour of your life or an hour you aren't getting back. Here is what I thought?

I'm not sure how I feel about the host, Adam Mišík. He seems like a nice man and in recorded clips on Instagram, he appeared poised, likable and articulate. Maybe more comfortable in Czech than English, but that would be expected. But a recorded clip also has the advantage of multiple takes to get it right. He seemed like he was tipsy during the broadcast. Anyway....

Cesár Sampson was quite professional in comparison, but he had an easier job technically. His prerecorded clips with the artists were concise, complimentary of the performers and friendly. I liked the little segments.

Aiko screamed a song for three minutes and gyrated around with two dancers. Maybe if she moved less she wouldn't have sounded the way she did. That said I read the words and I could see how this could be a decent song. I'm just not voting for it.

Elly had a quiet ballad of a song and for all the quietness and sweetness - it was sung incredibly well. She also had dancers and while they danced, she sung and it worked well.

Gianna was dressed in white with some sort of vinyl brassiere top and it was used in a way to distract from her vocal performance. It didn't really work. The performance was off and weird.

Lenny had a very professional performance. She was behind a piano for the song and it was probably the best performed of the evening. Vocals good, song good. All good - most likely will not be selected though.

MYDY has an interesting choreography to their performance which could do well. The synchronised movements of the band gave the entry a decent production. I liked the song too.

** At this point I realised that they bunched the girl entrants together, then the band and last two were the lads. I don't know why it was organised this way.

Tom Sean had the most interesting title of the evening and an interesting concept. The stage looked cluttered with all the people on stage and the dance was strange for me. I didn't mind the song.

Tomas Robin was last, and in all honesty I can't remember it at all. I went back and listened to a bit to remember it. This could be a decent entry to choose. Vocals need work and a decent stage, but the guy has charisma.

So that's that. The result comes out in a week. If you're reading this, you have the opportunity to vote via the eurovision.tv app but there is only 4 days left and you get one vote and no option to change your mind. So vote wisely.

My only question for the evening was: Where were Vesna?

[qualomelhorjogoonlineparaganhard]

¿Cuál fue la canción ganadora del Festival de Eurovisión 2018?

🎰🎲✨ ¡Obtén 500 euros y 200 giros gratis para jugar juegos de casino con solo un clic! ✨🎲🎰

¿Cuál fue la canción ganadora del Festival de Eurovisión 2018?

Canción ganadora Eurovisión 2018

En el año 2018, la canción ganadora de Eurovisión fue "Toy", interpretada por la talentosa cantante israelí Netta Barzilai. Esta canción se destacó por su ritmo pegajoso, letras atrevidas y un mensaje de empoderamiento. Netta cautivó al público con su actuación en el escenario, combinando su poderosa voz con movimientos de baile únicos y un estilo visual llamativo.

"Toy" conquistó el corazón de los espectadores de Eurovisión y se convirtió en un himno de autoexpresión y celebración de la diversidad. La canción desafió los estereotipos de la música tradicional de Eurovisión y atrajo la atención del público internacional.

La victoria de Netta en Eurovisión 2018 no solo la consagró como una estrella en ascenso en la escena musical mundial, sino que también puso a Israel en el centro de atención como anfitrión del concurso al año siguiente.

Con su melodía pegajosa, letras divertidas y mensaje de empoderamiento, "Toy" sigue siendo una de las canciones más icónicas en la historia de Eurovisión y continúa inspirando a personas de todo el mundo a abrazar su individualidad y a celebrar la diversidad.

Artista victorioso Festival de Eurovisión 2018

El Festival de Eurovisión es un evento anual que reúne a artistas de diferentes países en una competencia musical internacional. En el año 2018, el artista victorioso de este prestigioso concurso fue Netta Barzilai de Israel.

Netta, una cantante carismática y talentosa, cautivó al público con su interpretación de la canción "Toy", una mezcla de ritmos pop y electrónicos que transmitía un mensaje de empoderamiento y autoaceptación. Su actuación en el escenario de Eurovisión no solo destacó por su voz excepcional, sino también por su estilo único y su carisma arrollador.

La victoria de Netta en el Festival de Eurovisión 2018 no solo la consagró como una estrella internacional, sino que también puso de manifiesto su talento y su originalidad como artista. Su participación en el concurso le valió el reconocimiento de críticos y seguidores, que elogiaron su capacidad para fusionar diferentes estilos musicales y transmitir un mensaje positivo a través de su música.

Netta Barzilai se convirtió en un símbolo de la diversidad y la inclusión en la música pop, abriendo nuevas puertas para artistas emergentes y rompiendo estereotipos en la industria musical. Su victoria en el Festival de Eurovisión 2018 sigue siendo recordada como un hito importante en la historia de este emblemático concurso, y su legado como artista victorioso perdurará en la memoria de sus seguidores en todo el mundo.

Resultados Eurovisión 2018

Los Resultados Eurovisión 2018 fueron una sorpresa para muchos seguidores de este popular concurso musical. La edición de ese año se llevó a cabo en Lisboa, Portugal, y contó con la participación de 43 países que compitieron por el codiciado título de ganador de Eurovisión.

Finalmente, la cantante israelí Netta se alzó con la victoria con su pegajosa canción "Toy", que rápidamente se convirtió en un éxito mundial. La actuación de Netta destacó por su originalidad y energía, así como por transmitir un mensaje de empoderamiento femenino y autoaceptación.

Otros destacados de la noche fueron Chipre, que quedó en segundo lugar con la interpretación de Eleni Foureira y su tema "Fuego", y Austria, representada por Cesár Sampson y su canción "Nobody But You".

La emoción, la diversidad cultural y la pasión por la música se hicieron presentes una vez más en Eurovisión 2018, demostrando que este evento continúa siendo un escaparate para talentos emergentes y consagrados de todo el mundo.

Los Resultados Eurovisión 2018 dejaron un recuerdo imborrable en los fanáticos del concurso, que ya esperan con ansias la próxima edición para vibrar con las actuaciones, sorpresas y emociones que solo Eurovisión puede ofrecer.

Interpretación triunfadora Festival de Eurovisión 2018

La interpretación triunfadora en el Festival de Eurovisión 2018 fue la de Netta Barzilai, representante de Israel. Con su canción "Toy", Netta cautivó al público y al jurado con su actuación llena de energía y originalidad.

Netta se destacó por su voz potente y su estilo único, combinando elementos de música pop con sonidos orientales y un mensaje de empoderamiento femenino. Su puesta en escena colorida y llamativa, acompañada de un mensaje de inclusión y celebración de la diversidad, la convirtieron en una de las favoritas de la noche.

La actuación de Netta no solo fue un éxito en términos de entretenimiento, sino que también tuvo un impacto importante en la industria musical. Su victoria en el Festival de Eurovisión la catapultó a la fama internacional, abriendo puertas para su carrera artística a nivel mundial.

La canción "Toy" se convirtió en un himno de autoafirmación y aceptación, celebrando la individualidad y la confianza en uno mismo. Netta Barzilai se convirtió en un ícono de la diversidad y la inclusión, inspirando a personas de todas partes del mundo a ser auténticas y a celebrar su singularidad.

Con su interpretación triunfadora en el Festival de Eurovisión 2018, Netta Barzilai dejó una huella imborrable en la historia de este prestigioso certamen musical, demostrando que el talento, la originalidad y el mensaje positivo pueden conquistar corazones en todo el mundo.

País ganador Festival de Eurovisión 2018

El Festival de Eurovisión es uno de los eventos musicales más populares en Europa, donde los países compiten cada año por llevarse la victoria con su mejor actuación. En el año 2018, el país ganador del Festival de Eurovisión fue Israel, representado por la talentosa cantante Netta Barzilai.

La actuación de Netta en el Festival de Eurovisión 2018 fue memorable y cautivó a la audiencia con su energía y originalidad. Interpretando la canción "Toy", Netta demostró su potente voz y su carisma en el escenario, lo que le valió el primer lugar en la competencia.

La canción "Toy" se convirtió en un éxito internacional y Netta se convirtió en todo un fenómeno en la escena musical. Su victoria en el Festival de Eurovisión 2018 le permitió a Israel albergar la edición del festival al año siguiente.

El triunfo de Israel en el Festival de Eurovisión 2018 fue celebrado en todo el país y Netta se convirtió en un símbolo de orgullo nacional. Su victoria demostró una vez más el poder de la música para unir a las personas de diferentes culturas y nacionalidades en un mismo evento.

El Festival de Eurovisión 2018 quedará marcado en la historia como el año en que Israel se consagró como el país ganador, gracias al talento y la pasión de Netta Barzilai en el escenario.

[wiktoriatriggvi]

Eurovision 2016-2022: 3rd place

Bronze 🥉

2016: Sergey Lazarev - You Are The Only One 🇷🇺

2017: Sunstroke Project - Hey Mama 🇲🇩

2018: Cesár Sampson - Nobody But You 🇦🇹

2019: Sergey Lazarev - Scream 🇷🇺

2021: Gjon's Tears - Tout L'univers 🇨🇭

2022: Chanel - SloMo 🇪🇦

[arandomeurovisionblog]

AUSTRIA

One of the classic Eurovision countries, but since the semi-finals were introduced they had got some bad luck qualifying for the final. They also stopped participating from 2007 to 2011 but after that their results have improved and even won in 2014.

-Rise like a Phoenix, Conchita Wurst (2014)

The Queen. She entered on the stage, lights went on and the magic started. Conchita shined and rose like the phoenix, being one of the most elegant and breathless winner of all time with a song worth to be on a 007 movie initial credits.

-Shine, Natália Kelly (2013)

A good entry performed incredibly well by Natália. The staging and the production were good but it didn’t qualify for the final.

-I am yours, The Makemakers (2015)

A nice song and a good live performance. And the piano is on fire. Sadly it had some bad luck and ended in the last position of the final, and I think it didn’t deserved that at all.

-Nobody like you, Cesár Sampson (2018)

This beautiful song was very underrated before the festival began and then Cesár started singing and everybody was WOW. Deserved Top 3 and one of my faves from the last years.

-Alive, Vincet Bueno (2020)

Imo one of the best Austrian entries from its history. At least Vincet is confirmed for 2021.

Other interesting entries: 2016 Loin d’ici by Zoë (I don’t like the song but she fills the stage being so cheerful and happy), 2017 Running on Air by Nathan Trent.

[czech-music-videos]

Lake Malawi: Lucy (2020) IMDB

Music and lyrics by Albert Černý, Cesár Sampson, JOWST and Lasse Piirainen

Directed by Antonín Hrabal

[dustytheturkey]

[arsenalmakesmesuffer]

Eurovision 2018: My Top 10 (Before the show) 1.  Mélovin - Under the Ladder (Ukraine) 2.  Ermal Meta & Fabrizio Moro - Non mi avete fatto niente (Italy) 3.  Mikolas Josef - Lie to Me (Czech Republic) 4.  Madame Monsieur - Mercy (France) 5.  Cesár Sampson - Nobody but You (Austria) 6.  Jessica Mauboy - We Got Love (Australia) 7.  Benjamin Ingrosso - Dance You Off (Sweden) 8.  Michael Schulte - You Let Me Walk Alone (Germany) 9.  Saara Aalto - Monsters (Finland) 10. Alexander Rybak - That's How You Write a Song (Norway) playlist here (x)

[eurovision-boys]

© Gaz de Vere (x)

[sole-cuore-amore-e-droga]

y’all have had a 2018 NF moments reel

now get ready for

the post-NF-pre-Eurovision-Week moments reel

enjoy

[borisbubbles]

23. AUSTRIA

Cesár Sampson - “Nobody but you” 3rd place

I’ve been postponing this write-up longer than I should have, but rare is the entry that gives me such massive cognitive dissonance. My feelings on Cesár have slung me wide between mild Dislike and even milder Appreciation, before finally landing in this purgatory of “Neither and kinda both”. But more on that later.

So, as I laid me down to write this incoming diatribe, I rewatched “Nobody But You” for the first time in over two months. While there’s no denying it’s a good gospel song, I am immediately reminded why I don’t like it: The act is rubbish

In fact, Cesár act shows the same, um “growing pains” that Sennek’s act did: He had a good song, but no real vision on how to bring it. “How about we throw in some base references to celestial beings???” *sigh* It’s the same arty-farty bullshit riddled with hidden empty messages and pained artistic decisions that so often sprout forth from those uncreative of mind. Cesár’s styling gives him the semblance of Doctor Facilier in a sleazy aerobics instructor costume. 

(not quite sure why they didn’t simply hand him a mic, it’s not like he NEEDS both of his hands for anything relevant)

Even worse, for a good portion of the song he’s all but trapped on top of a desolate pentagonal platform, which greatly hampers his ability to move (did I say “aerobics instructor”? Retcon that to “personal trainer”). Given that “Nobody but you” is an uptempo, upbeat gospel song, this isn’t exactly the greatest of ideas. 

To his credit, Cesár doesn’t evanesce into nothingness midway through the performance like Sennek did, but actually improves as the song goes on. Once the middle-eight begins and Cesár jumps off that stupid platform and starts to enjoy his performance, only then does this entry get the heart and soul it desperately needs. During those final 50 seconds the song finally lives up to its true potential and that potential is sky high. 

However, is this what I *want* from my Eurovision Experience? Eurovision has always been and will forever remain an overcompetitive mess during which countries varying in degrees of homophobia try to outcamp one another for a whole week, whether it is by dryhumping pianos, dressing up like Mongol warlords, locking hot dancers into giant hamster wheels or undoing their sads. The Eurovision Week has always been an exposition of the Best of Worst Taste and while there always has been a place for genuinely competent songs, there’s a reason they rarely win. They simply don’t belong. 

So, hear the cognitive dissonance I am experiencing with Cesár: I don’t like the song, not in spite of its competency, but because of it. “Nobody but you” is a good song and nothing more. Yet, it’s the "more” that *makes* a good Eurovision Entry in my eyes and separates it from the blahfests that you hear on the radio all the time. 

However, that “Nobody but you” represents standards which I don’t hold too dear has been made clear by this year’s jury vote, ridiculous even by contemporary standards. (The comparison to Dr. Facilier is not only physical, for Cesár, too, had friends on the other side. *cough*). The juries did precisely two things right: One, sabotage Rybak in the finale (and thank goodness they did) and two, dogpile votes onto Eugent, rewarding precisely ONE of this year’s many brave entries. Everything else, ::yikes:: You can’t watch that finale and tell me in all honesty that:

1) Austria had the best song (I’d say this was France) 2) Austria had the best vocalists (Eugent hand’s down) 3) Austria had the best staging concept (Defintely Estonia) 4) Austria had the strongest message (Germany or again, France) 5) Austria had the best on-stage execution (Cyprus was this year’s showstopper)

Yet, for some reason not only did Austria win the jury vote over these countries, they also got a massive amount of twelves (not individual twelves!!), just because they were “sorta good” at everything.  Preshow I wondered whether the new point calculation algoritm would would work and now I’m very confident that it does not. It actively rewards safety and punishes risk. This will be the end of the jury, if they’re not careful. No country should be handed a place in the top three simply because its entry is the lowest common denominator. Yet, it happened with Cesár Sampson and this will forever sour my opinion on him. Sorry, bae. 

RANKING SO FAR:

23. Austria (Cesár Sampson - “Nobody but you”)

24. Latvia (Laura Rizzotto - “Funny girl”)

25. Azerbaijan (AISEL - “X my heart”)

26. Israel (Netta - “Toy”)

27. Norway (Alexander Rybak  - “That’s how you write a song”)

28. Montenegro (Vanja Radovanovic - “Inje”)

29. Armenia (Sevak Khanagyan - “Qami”)

30. Poland (Gromee ft. Lukas Meijer - “Light me up”)

31. Greece (Yianna Terzi - “Oniro mou”)

32. Georgia (Iriao - “For you”)

33. Belgium (Sennek - “A matter of time”)

34. Italy (Ermal Meta & Fabrizio Moro - “Non mi avete fatto niente)

35. Romania (The Humans - “Goodbye”)

36. Ireland (Ryan O'Shaughnessy - “Together”)

37. Croatia (Franka - “Crazy”)

38. Belarus (ALEKSEEV - “Forever”)

39. Russia (Julia Samoylova - “I Won’t Break”)

40. Spain (Amaia & Alfred - “Tu canción”)

41. Iceland (Ari Ólafsson - “Our choice”)

42. Australia (Jessica Mauboy - “We Got Love”)

43. Czech Republic (Mikolas Josef - “Lie to me”)

[itasuomi]

EUROVISIOOOOOOOOOOOOOOOOOOOOOOON /o/ (?)

Así como cuando querías hacer fanarts de todos los bebés el mismo día o el miércoles, pero te atrasas porque vales v*rga(?) c: Ya es jueves y a penas hice esto(?), ¿qué pasó? Antes era chévere(?).

Un bonus(??)

[eurovisionder]

First Rehearsal: Cesár Sampson - Nobody But You (Austria)

(x)

[arcaneoddity]

tHERE HE IS

[itsjusteurovision]

Cesár Sampson for Austria!