#classic leopard tape | Explore Tumblr posts and blogs

manic-maniac-man · 4 months ago

Text

HUgE July 2011

with SUNTAN

Carefully selected summer items that are the perfect match for tanned skin.

STRAW HAT

A striking summer hat that creates a resort vibe.

01 YOHJI YAMAMOTO

The rough texture creates a cool impression. Also pay attention to the unique ribbon pattern. ¥33,600 (Yohji Yamamoto Information Desk)

02 JAMES LOCK & CO,. LTD

The height of the crown and the length of the prims are perfectly balanced. ¥31,500 (Beauty & Youth United Arrows Harajuku Men's Store)

03 foot the coacher

A mountain hat made from high-quality genuine Panama. A unique item with an elegant finish using materials. ¥37,800 (GALLERY OF AUTHENTIC)

04 TAKAHIROMIYASHITATheSoloist.

This straw hat is made of paper braid and has silk tape wrapped around it randomly, giving it a fancy feel. ¥31,395 (Pred PR)

05 WACKO MARIA

The Panama hat is the epitome of WACKOMARIA. The wide brim and crimson silk ribbon give off a masculine sexiness. ¥30,975 (B-Jirushi YOSHIDA)

06 LANVIN

The banana khaki color body and the chic three-color ribbon are a perfect match. The elegant finish is as expected. ¥42,000 (Lanvin Japan)

BRACELET

16 items

A classic men's accessory that will add a unique touch to your outfit.

01 JOHN LAWRENCE SULLIVAN

A classic studded bracelet. The leather is crafted using the same techniques used for dress belts, giving it an elegant finish. ¥15,750 (John Lawrence Sullivan)

02 Gary Reeves

The high quality turquoise and outstanding stamp work are the hallmarks of Navajo artisans. ¥145,740 (Nano Universe Library Tokyo)

03 foot the coacher

The design is based on the motif of a horse harness. The intricate buckle decoration gives a glimpse of the maker's aesthetics. ¥25,200 (GALLERY OF AUTHENTIC)

04 UNDERCOVERISM

The ball-shaped studs and leather surface have been treated to give the shoes a worn look. Also available in black. ¥18,900 (UNDERCOVERISM)

05 Givenchy by Riccardo Tisci

The cowhide is embossed with a leopard print. Studs are added to make it even more attractive and eye-catching. ¥18,900 (Third Culture)

06 PHENOMENON

The large amount of fly studs on this shoe is striking. The stimulating, playful and unconventional design is fun. ¥39,900 (The Contemporary Fix)

07 Weirdo

All parts, including the Franken, tires and I-beam fasteners, are handmade with great care. ¥73,500 (GLADHAND CORE)

08 CHROME HEARTS

From the popular punk series. Pyramid studs of different sizes are used to create a striking effect. ¥105,000 (Chrome Hearts Tokyo)

09 Dior Homme

The sharp design highlights the texture of the python. The delicate and dainty details give it elegance. ¥58,800 (Christian Dior)

10 1-100GRAHAM TABOR/MIGUEL VILLALOBOS

A masterpiece made of hammered silver with a rich finish. ¥66,150 (Edition Omotesando Hills store)

11 PHIGVEL

Made of 3mm thick rugged bends. Hand-dyed to create a realistic vintage look. Made by (VINTAGE WORKS). ¥15,750 (PROD)

12 Yves Saint Laurent

The design is based on the brand's initial "Y". ¥19,950 (Gucci Group Japan Yves Saint Laurent Division)

13 DISCOVERED

The shiny red glass leather bracelet is an effective accent piece for any outfit. ¥7,140 (DISCOVERED CO.,Ltd.)

14 LAD MUSICIAN

The design features a triple wrap with a stud in the center. Available in a wide range of colors, it's fun to wear several pieces together. ¥10,500 (LAD MUSICIAN SHINJUKU)

15 PHENOMENON

A combination of hemp, wooden studs and other natural materials gives this punk design an ethnic feel. ¥23,100 (The Contemporary Fix)

16 DELUXE

A combination of silver chain and brass plate. The simple design makes the most of the material and is clean and masculine. ¥43,050 (BRIDGE)

SUNGLASSES

Eyewear with a strong presence that will add color to your outfit.

01 DITA

The titanium rims are specially coated to look like leather. A classic design given a modern makeover. ¥44,100 (DITA LEGENDS Daikanyama Main Store)

02 TOM FORD

A new version of the popular model "Peter". The crossed metal bridge and top bar give it a strong personality. ¥44,100 (Tom Ford Eyewear)

03 RAF SIMONS by Linda Farrrow

The distinctive temples are inspired by the legs of the table Raf himself uses. The uniform khaki color scheme is fresh. ¥39,900 (Reference price/Diptrics)

04 CHROME HEARTS

The matte black color creates a solid Maculism look. The silver end pieces add an accent. ¥131,250 (Chrome Hearts Tokyo)

05 The Spectacle

The motif is an antique frame from the 1940s. The elegant curves and lens gradation are impressive. ¥79,800 (Minority Rep Tokyo)

06 TRUSSARDI 1911

The marble-colored fabric rim gives this teardrop a striking presence. The slightly small size is also a plus. ¥44,100 (STEP inc.)

2 notes · View notes

gravityfallsrewritten · 25 days ago

Text

SHORTS #6: Fixin' it with Soos

#1: Cuckoo Clock (Takes place after "Bros Before Dinos")

Soos had the most original idea ever: what if he is the host of his own show where he does what he does best? And what is he good at? Fixing! So he went ahead and used Y/n's room as his set for the show. Y/n didn't mind– as long as he doesn't wreck anything and that he only does it once. It might sound like a harsh consideration and she trusts Soos, but her room is her safe haven. It's the only place where she could get peace.

So Soos excitedly set up on her bed so that it faced him. His cool keyboard was placed behind him to provide him with any sound effects. Y/n left him to his devices and went down to the basement for a moment.

"Hey, dudes! Welcome to 'Fixin' It With Soos', the only home "Fix It" show that I edited myself on my own computer." Soos could already imagine the effects that he's adding to the video once he reaches home. "Today I have this broken cuckoo clock." He picked up the clock. "As you can see, it's tore up from the floor up. Stan knocked it down the other day by accident."

Knocked down meaning Stan repeatedly beat it up with a bat, screaming at it to stop.

"I'm gonna fix it up, and when I'm done, Stan will rate my handiwork on the "Awesome-o-meter"." He took out a chart with a cartoony thermometer and words plastered on it.

A few minutes of duct tape and wood glue later, Soos somehow put it back together, but it didn't look functional. Not moments later, it already fell apart. "Almost there! Although, something off... Ah-ha! It needs decorations!"

Mabel walked into the scene, drinking a box of orange juice. "Oooh! Make it leopard print!"

The two proceeded to add more enhancements to the cuckoo clock, which now had an attached beach house with more miniature birds as friends. He even named them respectively.

Another montage of cuckoo clock repairing later, Y/n had finally come up to the surface– doing so as discreetly as possible before getting herself a classic Pitt cola. She entered through the living room's door and there she saw Soos, Mabel, and Stan with a draped object on a pedestal in the middle of them.

"Y/n! Perfect timing." Soos smiled. "It's the grand unveiling of Mr Pines' brand new Cuckoo Clock!"

"You've joined forces with Mabel. This is an unsettling development," Stan grumbled as Y/n took a sip from her cola.

Soos uncovered the cuckoo clock. "Voila!" and it is revealed to make music, light up the place and more decorations Soos and Mabel wanted, for example the slide and the boomboxes. Y/n's eyes widened and her gaze shifted to Stan who crossed his arms. "So, Stan, What do you think?"

"Why is it permanently set to 1:50?"

"Its hands are in the air, like it just doesn't care! So, one to ten, what do you give it?" Soos carried the cuckoo clock in his arms closer to Stan.

The old man scratched his head. "Well, it doesn't make that horrible Cuckoo sound anymore, so... I don't know, ten out of ten, whatever."

Soos was very happy and surprised, and dropped the Cuckoo Clock, destroying it.

***

#2:Golf Cart (Takes place after "Bros Before Dinos")

"Y/n, just one last episode I swear!" Soos begged on his knees.

"Okay, okay!" Y/n quickly replied, pulling him to his feet. "Just don't do that again." She sighed, placing a hand on her forehead. "Alright. You can film one more, but you know you can always do it in your room, right?"

"I know, but I don't want Abuelita watching me. Here is a safe space," he expressed with his arms wide. "But I think two episodes are enough considering my computer couldn't take any more rendering."

"I understand, Soos," she nodded. "Okay, go ahead."

Dipper and Wendy were outside of her room when she walked out. Wordlessly, she let the two inside of her room before walking out and closing the door. She couldn't wait to just lie down and sleep peacefully.

"Okay! You guys are here. Are you guys ready to be a part of this amazing show?"

"Of course, man. We'll support you," Wendy assured.

After setting up the camera, Soos stood from behind a table with a soldering iron. "Hey dudes! And welcome back to "Fixin' it with Soos," Soos said, while Dipper and Wendy were standing behind him, "the show where I always forget that I'm leaning on the soldering iron,"

Of course he would forget.

A few minutes later, Soos came back with a bandaged hand. "What needs fixing today?" He asked the two people.

"Well, me and Dipper were just doing normal work stuff with the golf cart..." Wendy began, telling the events of earlier. "So now the cart's busted for some reason. You think you can fix it so we can finish our stunt?"

"You have called upon my fix-it powers. I accept this call, Wendy," Soos said with a serious tone.

Meanwhile, the two were left confused. "Huh? What call?" Wendy questioned.

"The Call... of POWER!"

"What's happening right now?"

Soos whispered, I'll show you guys later. Oh no! A bat! Laser eyes, go! Boom."

Dipper blinked. "Still in the dark over here."

The 3 went outside to inspect the wrecked golf cart. Soos and Dipper changed into jumpsuits while Wendy took the couch outside to read a magazine. "It's time to fix the golf cart. At the end of the show, Dipper and Wendy will rank my handyman-ship from 1 to 10." His voice then dropped into a whisper next to Dipper. "Vote 10!"

"Happy to do it, dude." Dipper smiled. "Hey, do you think a girl would think I look cool in this jumpsuit?" He laughed nervously. "I mean..." He kept laughing.

In a defeated voice, Soos laid a hand on the younger boy's shoulder. "Some things, even Soos can't fix."

Not wasting any time, Soos and Dipper began fixing the cart. They opened the hood and Soos fiddled with the interior parts of the vehicle until he found the problem and fixed it with a wrench. "Huh, looks like a problem with the fuel injector. Dipper, try the engine now."

Dipper walked to the cart and started the engine successfully. "Hey! You did it, man. It works!"

"My fix-it power has been unleashed!"

"Why do you keep saying stuff like that?"

Another montage had passed of Soos adding embellishments and other augmentations to the cart. Y/n walked out of the Shack. It seemed like every time she knew that Soos would do an episode of his show, she would only arrive at the part where Soos is doing the unveiling of his final product.

"Y/n! Perfect timing!" Soos said it again once he noticed her. "I was just about to show Dipper and Wendy the new golf cart!"

Dipper's eyes widened when he saw her. Dang it, I changed my clothes too soon. His mind revolved around that one thought.

"Alright, let's see it," Y/n said, casually sipping on– you guessed it, Pitt Cola.

"Behold!" He revealed the redesigned cart, filled with memorabilia and painted designs. Everything was different and Y/n didn't know what to say, but this new golf cart just screamed danger. "So let's make this jump!"

"Jump?" Y/n tilted her head.

The three went ahead and climbed aboard the golf cart, Soos as the driver and that's when Y/n noticed a giant ramp placed in the middle of the clearing. Y/n merely watched from where she stood as Soos began driving the golf cart at maximum speed, but it didn't seem fast enough to cover the leap.

"I don't think we have enough speed to make it," Dipper said wearily.

"Hit the nitrous boosters!" Soos replied confidently.

"Aren't those illegal?" questioned Wendy.

Soos only cackled. "You bet your life they are, baby!" He pressed the middle of the steering wheel (which was a literal boat wheel) and the boosters came to life, immediately adding speed.

The cart went through the ramp at a greatest speed as Wendy and Dipper screamed happily. "We're clearing it! We're clearing it!" Dipper yelled.

"So, what score do I get, from one to ten?"

The other two chanted. "Ten out of ten! Ten out of ten!"

"Thanks, guys!"

The trio didn't realize that– they hadn't landed yet. The golf cart was still in mid-air, but maybe the roof that they were heading straight towards might be a stark reminder that they might just–

CRASH!

"Oh my god, are you guys okay?!" Y/n screamed hysterically when the golf cart straight-up collided with the Shack's wooden roof tiles. They were able to get off before the disaster but that didn't mean it didn't hurt when they rolled on the ground not-so gracefully.

She went ahead and checked if they were somewhat fine. Wendy had scratches, Dipper had a bruise on his elbows, while Y/n was sure that one of Soos' legs was broken.

She was also sure that Dipper was having a concussion from the way he was shamelessly clinging onto her.

But none of that mattered when Stan went outside and called for the Shack's handyman. "Soos! I think the roof is broken! Can you fix it for me?"

Soos flipped a thumb up. "I make my own economy."

***

ORMVH. GSV KZHG RH 🗝: reverse

0 notes

lisardrew · 8 months ago

Text

Breathtaking Black and White Nail Designs: A Classic Twist on Nail Art

Black and white nail designs offer the perfect blend of timeless elegance and modern sophistication. With their striking contrast, these two colors are often used to create eye-catching and versatile designs that can suit any occasion.

Whether you’re dressing up for a formal event or embracing a casual vibe, black and white nails can elevate your style. Here, we explore a variety of breathtaking black and white nail designs that are sure to impress.

1. Classic French Manicure with a Twist

The French manicure is a long-time favorite in the nail art world, but why not give it a black-and-white twist? Instead of the traditional pale pink or nude base, start with a crisp white polish for the base, and then use black to create a sharp contrast on the tips of your nails. For an added touch, try adding thin black lines along the sides or incorporate minimalist dots for an updated look.

2. Geometric Patterns

Geometric designs are a bold way to incorporate black and white nails into your manicure. Think angular triangles, straight lines, or abstract shapes that create a striking visual impact. You can alternate between bold black and clean white sections, or opt for half-and-half nails for a chic, contemporary feel. These designs can be tailored to any nail length, from short to long, and look amazing on all shapes.

3. Polka Dots

A fun and playful option, polka dots never go out of style. Create an alternating pattern of black and white dots on a clean white base for a cute yet striking look. For a more sophisticated take, try varying the sizes of the dots or place them in a linear or diagonal arrangement. This design works especially well on short nails, making them appear clean and elegant.

4. Marble Effect

For a high-end, luxurious nail design, the black and white marble look is perfect. This sophisticated style mimics the swirling veins of marble and creates an illusion of depth on your nails. You can opt for a subtle, minimalist marble effect with thin streaks of black on a white base, or go all out with dramatic swirls for an attention-grabbing design. It’s a great option for formal events or when you want your nails to feel chic and polished.

5. Stripes and Lines

Stripes are a simple yet bold way to incorporate black and white into your nail art. Vertical, horizontal, or diagonal lines can be used to create an optical illusion or bold contrast. Try using tape for a clean line look, or experiment with freehand drawing for an edgier, more dynamic result. Pairing thick and thin stripes together adds dimension to the design and enhances the visual appeal.

6. Floral Accents

Floral nail designs aren’t limited to colorful shades — black and white can bring out the beauty of flowers with a dramatic twist. Whether you’re painting delicate white flowers on a black background or vice versa, the design is both timeless and contemporary. For added dimension, use a matte topcoat for the black base and a glossy finish on the white flowers, or use tiny black details to accentuate the petals.

7. Negative Space Art

Negative space nail art is all about leaving portions of your nails exposed to create a design that lets your natural nail shine through. You can pair black and white polish in various ways, such as outlining the nails with black or painting only part of the nail in white. Geometric negative space designs are popular, as are simple lines or cutouts that leave parts of the nail bare, allowing the black-and-white contrast to stand out.

8. Animal Prints

Black and white are the ultimate colors for a fierce and trendy animal print design. Leopard spots, zebra stripes, or cow print are all great options for adding some edge to your look. These prints can be created using black spots or stripes over a white base, or you could reverse the color scheme with white on black. Animal prints look fantastic on longer nails, but they can also work on shorter nails for a fun, bold look.

9. Checkerboard Design

A classic checkerboard pattern is an ideal way to create drama with black and white nails. You can choose to have full checkerboard nails, or use this pattern as an accent design. It’s bold, graphic, and makes a statement. Whether you prefer tiny squares or larger blocks, the black and white contrast will keep this look modern and fresh.

10. Minimalist Art

For those who prefer a more subtle approach, minimalist black and white designs are a perfect choice. You can play with negative space, add thin lines, dots, or geometric shapes, and keep things simple yet striking. Think of a thin black line running across the tip of your nail, a tiny dot on the corner, or a slanted diagonal line to create an understated yet chic style.

Conclusion

Black and white nail designs are an incredibly versatile choice for any occasion, from bold geometric patterns to delicate floral touches.

These colors are not only timeless but also incredibly chic, offering endless possibilities for creativity and personal expression. Whether you prefer a clean, minimalist look or something more intricate and daring, black and white nails can add a touch of sophistication and drama to your manicure.

0 notes

tshirtfashiontrend · 1 year ago

Text

Heart Mother Day Loud And Proud SoftBall Mom Glass Leopard shirt

T-shirts are more than just clothes, they're a canvas for creativity and self-expression – where fashion meets art to redefine your everyday wardrobe. If you are looking for a trendy shirt, don't worry, we have you covered with the design Heart Mother Day Loud And Proud SoftBall Mom Glass Leopard shirt. Or browse through the hottest collection t-shirts and choose one that appeals to you. From vibrant and intricate designs to minimalist and thought-provoking graphics, our printed t-shirts cater to every style and taste. Crafted from high-quality, breathable fabrics, they provide unmatched comfort and durability, ensuring you not only look great but feel great all day long. Whether you're a trendsetter looking to make a style statement or a fan of classic styles, our printed t-shirts will add a touch of personality to your outfit. Up your fashion game and convey your unique style with these versatile and timeless pieces. Heart Mother Day Loud And Proud SoftBall Mom Glass Leopard shirt Don’t miss the chance! Come and grab one gift for you or your friend. 100% satisfaction guaranteed. If you want another color or a different style, you can visit Kingteeshops. Description - Solid colors are 100% cotton; Heather colors are 50% cotton, 50% polyester (Sport Grey is 90% cotton, 10% polyester); Antique colors are 60% cotton, 40% polyester. - Made from specially spun fibers that make very strong and smooth fabric, perfect for printing. - Knitted in one piece using tubular knit, it reduces fabric waste and makes the garment more attractive. - Ribbed knit makes the collar highly elastic and helps retain its shape. - Twill tape covers the shoulder seams to stabilize the back of the garment and prevent stretching. - Machine wash: warm (max 40C or 105F); Non-chlorine: bleach as needed; Tumble dry: medium; Do not iron; Do not dry-clean. Feedback - We try our best to make sure every customer is completely satisfied. - If you are happy with your purchase, please consider posting a positive review for us. This helps us to continue providing great products and helps potential buyers to make confident decisions. - If you are not happy with the purchase, please contact us to resolve the problem. The Heart Mother Day Loud And Proud SoftBall Mom Glass Leopard shirt is a fun and playful piece of clothing that is perfect for any board game enthusiast. This shirt features a unique graphic that showcases the classic board game experience of holding up cards to reveal your hand. The graphic is bold and eye-catching, with vibrant colors that make it stand out. The shirt itself is made from high-quality materials, ensuring both comfort and durability. The design is printed on a soft, breathable fabric that feels great against the skin, making it perfect for all-day wear. The Hold Up Your Cards Board Game shirt is a great addition to any casual wardrobe, and is perfect for wearing to game nights, parties, or just for lounging around the house. With its playful design and comfortable fit, this shirt is sure to become a favorite for any board game fan. You Can See More Product Click Here Read the full article

0 notes

adambhalalough · 3 years ago

Text

I’m joining the Criterion Collection!!!

Criterion Collection presents the streaming debut of The Upsetter: The Life & Music of Lee “Scratch” Perry. Out February 1.

Directed and produced by filmmakers Ethan Higbee and Adam Bhala Lough, Narrated by Academy-Award winner Benicio Del Toro

A captivating, unparalleled exploration charting 70 years in the life of the Godfather of Reggae, includes music and archival footage from throughout Perry’s career ft. Bob Marley and the Wailers, Paul McCartney, The Clash and Beastie Boys The Upsetter: The Life & Music of Lee “Scratch” Perry will join Criterion's February lineup under their new Roots & Revolution: Reggae on Film collection and will be featured alongside several other classic reggae films.

_ “The Upsetter,” originally coined as the name of Lee "Scratch" Perry’s record label, house band and first album title, eventually became a nickname that would grow to be his moniker to this day. Filmmakers Ethan Higbee (Red Apples Falling, The Anti-Fascist, Basedworld) and Adam Bhala Lough (Alt-Right: Age of Rage, Bomb The System,The Carter) tell Perry’s story through an exclusive in-depth interview with the notoriously reclusive late artist. After infamously burning his renowned studio, The Black Ark, to the ground in a fit of rage during a time of personal difficulty in the early 1980s, Perry took refuge in Switzerland to confront his demons, many of which he addresses in The Upsetter.

The film also features musical tracks and iconic archival footage selected from throughout Perry’s extensive career. These video footage gems and extraordinary photographs taken from the vaults of music history span nearly five decades and feature Bob Marley and the Wailers, Paul McCartney, The Clash and Beastie Boys, all of whom Perry produced, and speak to the breadth of his influence as a producer, artist and icon.

The Upsetter is not only a fascinating character study of an artist who revolutionized music through the invention of dub, the predecessor to hip-hop, techno and modern electronic music, but a one-of-a-kind documentation of 30 years of Jamaican music and culture.

With a storied past and an indelible imprint not only on music history but the sound of music itself, Lee “Scratch” Perry - singer, songwriter, producer, poet, painter, genius and madman – has never been portrayed more accurately, thoughtfully or powerfully than he is in The Upsetter. For all of his enigmatic ways, this documentary might just be best described by this matter-of-fact statement from Lee “Scratch” Perry himself: "This is my movie and this is the truth." Lee “Scratch” Perry said, “Hallo to you my Peeples out there this is my movie of the Past AND the Present....Enjoy it God Bless it Lee $cratch Perry Vi$$ions."

Benicio del Toro explains “With the blessing of the legendary Lee Scratch Perry, Ethan Higbee and Adam Bhala Lough’s The Upsetter opens a window into the little-known story of one of the geniuses of Reggae music and, for that matter, of any kind of music. The Upsetter is a testament to the unique career of a true snow leopard. Yah, mon.”

Filmmaker Adam Bhala Lough says, "The Criterion Collection giving love to The Upsetter is fucking awesome. Props to them and Criterion curatorial director Ashley Clark."

Filmmaker/musician Ethan Higbee says, "It’s quite remarkable that the history of the film has taken a similar trajectory to Lee’s story. My house and studio in Ojai, California burned down in the 2017 Thomas Fire. Inside the studio were all the master tapes and elements to the film as well as over 30 Lee Perry art works. It’s a miracle we’ve been able to create a new master for this release with Criterion. Much like Lee’s studio burning down and his rebirth outside of Jamaica, the film too is now having a rebirth. We believe Lee’s magic is still at work!"

#the upsetter #the upsetter movie #lee scratch perry #black ark #jamaica #film #movie #criterion collection #reggae #bob marley #documentary

7 notes · View notes

rosyandraw · 4 years ago

Note

What slutty costumes do you think Damen and Laurent would use for Halloween? Hahaha sorry for the ask but I'm trying to write something for the last weekend of kinktober, it ends on a Halloween party.. and I still dont know what would they waer so after reading your idea and ofc loving all of your characterization for modern Lamen (nmfy and deliver are def in my top ten Capri fics! I love them soo much) thought that maybe I could ask you? 👀

Thank for reading this whatever haha, have a nice week!

Oooo this is FUN! A random (possibly shady?) anon told me to go as a prostitute so I can't claim the full credit for it!

Idk if you want them to match so I'll just do a few for each and hopefully inspiration will strike for you! (These are also just what I'd be thirsting over if i saw Damen and Laurent wearing and the bottom section is Kinky/NSFW stuff I've seen so can't take the credit there either haha)

Fair warning i had way too much fun with this but idk how far you wanted to go or whether you wanted more horror so sorry if it's useless to you 😂😂

Laurent

Totally feeling cat-boy vibes for Laurent, Ears collar. That kind of thing.

Opposite direction goes as a punk, blather leather trousers fishnet top, eyeliner, fake lip piercing

LESTAT not slutty but the vibes are sexy because vampires

Damen:

I’m an absolute sucker for the thought of Damen in a leather skirt, there’s loads of kink sites/fetish gear sites that have these gladiator skirts for men and they’re so hot.

My bf has these leather boxers/tiny tiny shorts that we have suspenders for, throw on a fireman’s hat and some boots and 🔥

1920s mobster – film noir pinstripe suite pleaaaase because always yes.

Couples:

My friend has the cutest circus master corset/dress (with whip) and her husband wore a leopard print thong (plus her collar which was a nice touch). So like Laurent in the red jacket with like lingerie underneath and Damen in a thong? Sign me up.

Sexy cop and a k9/Or Criminal because yes handcuffs

Laurent in rich bitch expensive suit and Damen in a maid’s costume. You could also do maid/butler

Classic angel/devil with pvc shorts and full glitter make up bonus points if they didn’t show up together

Hook and Peter Pan because always pirates and always Laurent in tights.

anything involving a collar and leash is automatically sexy af.

NSFPublic/Kinky (idk how far you wanted to go so do with it what you will lmao)

Big bad wolf and one of the little pigs (thigh high boots, faux-fur cuffs on her wrists, cute make up little ears and a plug tail and he was in… well harnessed with a red ball gag in, covered in writing, and spent quite a while hogtied lmao)

Puppet and puppet master variation that was 1 part Pinocchio (plug gag) and 1 part hand puppet which was.... very interesting to say the least.

Bloody dentist and patient with open mouth gag/no clothes + sfx gashes

Murderer in a full leather hood mask/leather trousers and the victim was only wearing tape, ribbon, and rope.

Cowboy and pony. You know, bit gag, tail, harness, etc (I’d argue equestrian rider and pony would be more fitting for Damen and Laurent though)

My friend goes as a dominatrix with her "slave" every year no matter what kind of party she goes to haha

You could always go onto a fetish clothing site, BDSM has loads of "typical" costumes/archtypal ideas to run with: teacher, nuns/priests, secretary, medical etc

Take a look at somewhere like honour, kinkyangel, or cathouseclothing and you might see a piece that just makes you go OH

Also thank you so much lovely, I'm glad you like my characterization 💕💕

Let me know what you go with! I'm very interested in this fic!

#asks #damen/laurent #halloween is so much fun and its so much easier to think of a costume for someone else lmao

3 notes · View notes

tapeskingdom · 2 years ago

Text

Gold leopard pattern washi tape

#classic leopard tape #black leopard tape #leopard skin pattern #leopard themed #gold leopard tape #leopard decor #stationary book idea #forest animals

0 notes

therucrap · 4 years ago

Text

Holler at me I know you know me, holler at me I know you know me! This week’s gathering of the Tamisha Iman fan club will now commence! Enjoy this week’s RuCrap and please subscribe and share!

Our exhausted divas return to the Werk Room after Joey’s shocking elimination (i.e. the judges told Lala that she had the worst look in Drag Race history for a look challenge and she lipsync’d herself safe) and an eventful untucked in which Kandy and Tamisha’s bubbling tit-for-tat escalated into a wild shouting match. Tamisha goaded the defensive Kandy by reiterating that she doesn’t like “certain people” in the competition while staring Kandy directly in the eyes, dinging the time-to-make-good-TV bell in Kandy’s head that led to a full arm-waving, storming-back-and-forth, separate-the-groups screaming match. Tempers are still hot with our WWE superstars and Tamisha has established that her catchphrase is “I said what I said” so they decide to call it a night and head back to their hotel rooms to take their heels off, relax, and simmer in their swirling unresolved emotions like normal people.

Our queens return to the Werk Room with giant nervous smiles (read: everyone’s exhausted and would rather address that later) and Jer-Ru Springer enters and tells her trusty ratings grabbers to split into pairs. The gals find their BFF’s except for Tamisha and Elliott who wind up alone then lock eyes and awkwardly shuffle towards each other. Her holiness Tamisha immediately consoles her accidental teammate who is visibly dejected after another week of floating amongst the established cliques and I get the feeling that Tamisha, haus mother and unshakable rumbler, honestly doesn’t care that no one picked her because she isn’t of this world and shouldn’t be judged by mere mortals anyway. For the mini challenge they’ll be creating a dress using Spoonflower Wallpaper - a company that we learn exists - and it’s surprisingly our odd couple of last picked queens who rally and snatch the win with a leopard look and a bunch of Carol Baskin jokes that remind us this was filmed last year in the brief period of time that Tiger King was all we talked about as a society until it abruptly wasn’t.

For the maxi challenge our groups will be performing a disco-mentary and during dance rehearsal we learn that recent cancer survivor Tamisha is still wearing an ostomy bag but hasn’t told anyone in fear of sympathy, a reality that sinks in once she finds out that her choreo involves a hula hoop which would strike fear in most people above the age of 14 much less an American icon with a tube taped to an open wound in her stomach. The queens hustle getting ready for the disco-mentary and when the subject turns to growing pains we learn that Olivia was diagnosed obese in high school and lost weight once she joined theater, came out, found her confidence, and became the glowing cherub we see today. Tamisha, whose childhood nickname was iconically “Booty,” found respite in cheerleading despite her grandmother discouraging something so feminine but was encouraged by a community leader who wanted her to follow her dreams of making it in Hollywood, which she will do if I have anything to say about it. Ryan Murphy do your thing! Kandy opens up about her mother who was in and out of jail when she was younger which led to Kandy’s hard exterior and general defensiveness considering the fact that she had to fend for herself.

It’s showtime and we head to the runway where the judge of The Real - Loni Love, joins the singer of The Realness - RuPaul, for a musical history lesson on disco and a deceptively difficult Little Black Dress runway. The disco-mentary goes off without a hitch and and the judges critique Tamisha for being too timid, Kandy for staying in her comfort zone and not embodying disco, and Utica for relying on wackiness once again. If these critiques sound vague it’s because this is one of those weeks towards the middle of the season where everyone did well enough so eliminations have more to do with production deciding whose story is getting tied up than anything else. They give kudos to Tina and Elliott who danced their asses off but critique their safe runway looks and it’s Olivia who snatches the win with great hair all around and a particularly infectious performance. Also, if you’re wondering how Tina shoehorned orange, red, and yellow into a Little Black Dress runway well it was tastefully of course... by walking out in a painters coverall that unzipped to reveal a black velour dress with orange and yellow hand prints on the boobs!

Kandy and Tamisha are determined to be the bottom two and face off to the seminal disco classic... “Hit ‘Em Up Style (Oops)” by Blu Cantrell? You can’t tell me there wasn’t a single goddamn Donna Summers song available at a similar rate. One could say they really dropped the disco ball on that one. In the end Tamisha is sent home after an emotional lip sync and immediately hugs the sobbing Kandy which immediately squashes the beef. We hate to see this icon fall but safe to say she has a spot on All-stars. Actually screw All-Stars. Stephen Spielberg! Tyler Perry! I wanna see scripts on this woman’s desk by Monday!

Thanks for reading and please share and subscribe! See you next week!

2 notes · View notes

dustedmagazine · 5 years ago

Text

Dust, Volume 6, Number 3

Matthew Shipp and Nate Wooley

We shoehorn another Dust into the end of a wintery month, putting politics, a global pandemic, bad weather and the final season of Better Call Saul aside to concentrate on the ever overwhelming flow of new music. This month spans the usual gamut of obscure but worthy genres, from free jazz to crunk to extreme noise to yet another take on Pachebel’s Canon. The clear star this month, though, is Matthew Shipp, who gets two slots for two different collaborations, and so commands our cover image. Writers include Bill Meyer, Jennifer Kelly, Ray Garraty, Ian Mathers, Justin Cober-Lake and Jonathan Shaw.

Lao Dan / Paul Flaherty / Randall Colbourne / Damon Smith — Live at Willimantic Records (Family Vineyard)

youtube

It’s a long way from China to Connecticut. But this quartet bridges the distance so masterfully, you would not know that it’s not only the first time they’ve played together; it’s the first time that alto saxophonist, bamboo flute, and suona player Lao Dan played in the United States. The musicians bring a combination of deep knowledge and fresh potential to the encounter. Saxophonist Paul Flaherty and drummer Randall Colbourne have been playing together for decades, keeping the free jazz torch lit in times and places around New England where no one else knew what the fuck they were doing, let alone appreciated the fact that they were doing it. Lao Dan may be half their age, but since he’s spent his musical career playing in China’s major cities, he knows the experience of playing in an uncomprehending environment just as well. When he plays alto, he certainly sounds well acquainted with the conventions of free jazz, matching Flaherty’s growls and cries with aplomb. And while the moments when he plays traditional Chinese instruments sound distanced from free jazz convention, he finds space and rhythmic footing to make real contributions within the fertile matrix of force and rhythm laid out by Flaherty, Colbourne, and double bassist Damon Smith (at the time a Massachusetts resident, since relocated to St. Louis).

Bill Meyer

demitasse — Perfect Life (Bedlamb)

Perfect Life by demitasse

demitasse is the quiet alter-ago of Buttercup’s Erik Sanden and Joe Reyes. Though there are a couple of lo-fi rockers here, the main tenor is tremulous, emotive and rather lovely, with spider silk melodies that look wispy but turn out to have a fair amount of tensile strength. Take for instance, “Coming Out Wrong Again,” a gently delivered slip of a song framed in the barest frame of strumming, in a well-weathered voice with creaks in the corners. And yet, as it rolls on diffidently, the tune picks up momentum, and the chorus wreathes the title phrase in harmonies in a way that might remind you of Carissa’s Wierd or its successor Grand Archives. Which is to say, in a way that seems inevitable and right. In the more amplified parts, the singer picks up a bit of Jonathan Richman’s whimsied warble and drums kick through scratchier, more aggressive guitar playing. “Free Solo (for Alex Honnold)” (yes the rock climber) is perhaps the brashest and less constrained of these cuts, imbued with the muffled mania of its title character and approaching Chad VanGaalen’s whacked out tunefulness. The title cut, like most of the album, celebrates small lapidary moments – the singer’s dad cutting his hair— and their weight in memory. There’s a resonance to the smallest sounds here, and a significance in elliptical lines. demitasse is a small cup of wonder, just sitting there on the kitchen table in the midst of life itself.

Jennifer Kelly

Duke Deuce — Memphis Massacre 2 (Quality Control Music)

youtube

After the viral hit “Crunk Ain’t Dead” Tennessee rapper Duke Deuce dropped a full tape which got endorsed by Lil Jon, Project Pat and Juicy J. These Dirty South legends jumped on the remix of “Crunk Ain’t Dead”, a song that is literally supposed to slaughter strip clubs all the way up from Memphis to Canadian border. Crunk’s been leading zombie-ish life, being if not fully then almost dead for years. It’s hard to predict if Memphis Massacre 2 will spur a wave of neocrunk but even if it won’t, it will remain a gutsy punch to the soft rap belly. The slower songs on the tape, like “Trap Blues”, are weaker efforts as they are lost among same-y Southern rap ballads.

Ray Garraty

Arto Lindsay / Ken Vandermark / Joe McPhee / Phil Sudderberg—Largest Afternoon (Corbett Vs. Dempsey)

Largest Afternoon by Lindsay/Vandermark/McPhee/Sudderberg

After decades of frequent partnership, Joe McPhee and Ken Vandermark have attained the level where they are being recruited for dream teams. Astral Spirits recently released Invitation to a Dream, a specially commissioned meeting between the two multi-horn players and pedal steel guitarist Susan Alcorn. And now comes Largest Afternoon, by a quartet comprising McPhee, Vandermark, drummer Phil Sudderberg (Marker, Spirits Having Fun, Vibrating Skull Trio) and guitarist Arto Lindsay (DNA, Ambitious Lovers, his own bad self) at the behest of the record label / art gallery, Corbett Vs. Dempsey. If you’re hoping for a combination of free jazz and Brazilian pop, keep your dancing shoes in their box; this CD documents a first-time, no-net encounter. On the rare occasions when Lindsay opens his mouth, it’s to emit strangled phonemes; by comparison, his utterances with DNA seem positively Dylan-esque. But if you want to hear feedback squaring off against soulful reed-song, valve-pops peppering amp-coughs and interactions between percussion, strings, and wind that verge on the tectonic, Largest Afternoon will make your day.

Bill Meyer

Jason McMahon — Odd West (Shinkoyo)

Odd West by Jason McMahon

Odd West delivers extremely soft focus (bordering on new-age-y) instrumentals plus effected vocals from a one-time Skeletons mainstay. The main instrument is acoustic guitar, pristinely recorded and glossed with a radiant glow. McMahon, a jazz-trained guitarist, learned to finger pick for this record, and there’s something a bit studied about these cascading bouts of iridescent sound, a bit too perfect, a bit too glassy and calm. “Ambisinistrous” ebbs and flows in minor key fret flurries, McMahon all alone with the guitar and sounding rather good at it. “Sunshine for Locksmith” floats “lahs” and “ahs” and lullaby “wooh-ooh-oohs” over its placid surface, tilting golden dust-moted rays onto all natural motifs until it seems too good to be real. By the end, I’d give a lot for a string squeak or even a stray false note. It’s like the old descriptions of heaven in Sunday school, too pretty to seem like somewhere you’d want to live.

Jennifer Kelly

Donovan Quinn — Absalom (Soft Abuse)

Absalom by Donovan Quinn

Donovan Quinn has been a mainstay of the Bay Area’s hand-made, lo-fi folk-psych-rock scene for almost two decades through the Skygreen Leopards with Glenn Donaldson, in New Bums with Ben Chasny (who also plays here) , in the one-off Fuckaroos with Sonny Smith and Kelley Stoltz and on his own in the 13th Month. Regardless of project, you can count on him for hazily soft-focus not-quite-rock, not-quite folk songs, that drone like VU outtakes wreathed in patchouli smoke, edgeless and adrift and whispery. That’s more or less what he’s doing here, with a variety of SF-adjacent talent in tow, not just Chasny and Elisa Ambrogio but Papercuts Jason Quever and underground songwriters Eric Amerman and Michael Tapscott. But it’s Quinn’s show, really, with Quinn’s soft unhurried voice, his loosely coalescing arrangements of guitar fuzz, drums and chamber strings, his subtly off center way with lyrics. “Satanic Summer Nights,” sings urgently of “a game with no rules,” but it’s not quite that; rather it’s a game where the rules are buried like power lines under enveloping clouds of free-form smoke, feeding structure and electricity into what seems like a passing daydream.

Jennifer Kelly

Matthew Shipp String Trio — Symbolic Reality (Rogue Art)

Pianist Matthew Shipp, bassist William Parker, and violist Mat Maneri have a lengthy shared history, but Symbolic Reality is their first recording as a trio in 20 years. In its early years, this combo was the chamber music outlier of Shipp’s constellation of ensembles. But now the classical and jazz elements mix in his music like the eggs, flour and milk in your best cake batter. While it’s true that Maneri’s microtonal bowing still sets this apart from any other Shipp group, giving the music a unique pungency, the viola’s lack of auditory bulk is at least as important in defining the group sound. The presence of a third musician who is neither loud and nor chord-oriented induces Shipp to throttle back his attack a bit, which makes Parker’s foundational architecture stand out in bold relief; and the vinegary slurs in Maneri’s playing elicit a blues feeling that doesn’t often come to the fore in Shipp’s playing.

Bill Meyer

Matthew Shipp and Nate Wooley — What If? (Rogue Art)

Pianist Matthew Shipp and trumpet player Nate Wooley know how to surprise, creating both compositions and tones that get to weird places. The two have worked together before, but recent release What If? marks their first work as a duo. Shipp provided the composition, but it's clearly a two-man answer to the question. The artists touch on some more typical jazz modes, trading leads or letting Wooley play a melody over Shipp's broad chords. More intriguingly, they feed off each other's moods. Wooley doesn't shy from abrasive sounds, and on cuts like “Ktu,” Shipp matches his grating approach. “The Angle” plays with jittery space; Shipp's chords largely traded in for flutters that go with Wooley's reserved blips. Highlight “Space Junk” puts all the musicality and the enjoyment of the odd together. The duo plays a few moments that sound trad, then go for something avant, then turn somewhere new as ideas and moods run away from them. At times Wooley sounds like he wants to soundtrack a casual night out, and at times he wants to smash it; both of them find the whole enterprise entertaining. The “What if?” question remains open-ended, but the answer comes very specifically from these two artists, and it's more than sufficient for whatever's been asked.

Justin Cober-Lake

Sightless Pit — Grave of a Dog (Thrill Jockey)

Grave of a Dog by Sightless Pit

Sightless Pit is a collaboration among three significant names in contemporary heavy music: Lee Buford, of the Body; Dylan Walker, singer for Full of Hell; and Kristin Hayter, who records under the name Lingua Ignota. Made over two years at Machines with Magnets, the songs were shaped, executed and revised whenever one or two of the artists could get to the studio. It’s thus a sort of experiment in asynchronously generated music. Grave of a Dog (an unfortunate title) is likely best appreciated with that unconventional approach in mind —n ot a set of songs by a band so much as an ongoing, sonically mediated conversation among like-minded creators. Not surprisingly, the record really lights up whenever Hayter’s remarkable vocals move into the music’s foreground. She’s an unusual talent, with a big voice that can do drama, intimacy and lunacy to equal effect, and a compositional intelligence that grooves with Sightless Pit’s sound-collaging sensibility. “Kingscorpse” is a stirring combination of melody and power electronics, and the record’s solemn, fragile closer “Love Is Dead, All Love Is Dead” lets Hayter show off the full range of what she can do with her instrument.

Jonathan Shaw

Solar Woodroach — 7 Perversions on Pachelbel’s Canon (Nilamox)

7 Perversions on Pachelbel's Canon by Solar Woodroach

From the start of “How the West Was Won,” most music fans would be able to identify (if not necessarily name) the source material Solar Woodroach uses here even without the album title. Yes, Pachelbel’s Canon in D, one of the most overexposed pieces of music ever used, is getting dug up and sent shuffling our way again, this time from some enigmatic figure or figures known as Solar Woodroach. The best clue there, it must be said, is that the label is listed as “Nilamox,” also the name of whatever ex-Severed Heads man Tom Ellard is doing these days. But Ellard, or whoever, has more than just necromancy on their minds during these 7 Perversions; sometimes stretching and smearing the composition past the point of immediate recognition. But whether it’s the slow-motion glow of “Decomposition in D,” the mini-swarm of synthesized voice bits in “The Canonisation of St. Pachelbel,” or the eventual return of something like the original in the closing “The Pachelbel Spirit,” 7 Perversions proves, perversely enough, both that our takes on the Canon (or canon?) could be more inventive, and that there might be more life left in those standards than we give them credit for after an umpteenth listen. It’s a cheekily satisfying listen, maybe especially if (whisper it) you still enjoy the old Canon a bit too.

Ian Mathers

Rafael Toral / Mars Williams / Tim Daisy — Elevation (Relay)

Rafael Toral / Mars Williams / Tim Daisy :: Elevation :: (relay 027) by Relay Recordings

Interstellar Space. My Goals Beyond. Other Planes of There. The list of outward-bound jazz records that invite the listener to draw a bead on the furthest cosmic reaches is a long one, and despite the relative humility of its title, Elevation makes a similar request. The album’s three tracks are all named after cloud formations, and even in their most subdued moments the three musicians involved treat gravity as a negotiable notion, not an immutable law. Portuguese electronic musician Rafael Toral joined up with Chicagoans Mars Williams and Tim Daisy for just one day, during which they played one concert in a suburban library and the recording session yielded this CD. Daisy’s a highly accommodating drummer, and much of his playing on this record disperses beats and tones like a spray of cloud-born moisture. Williams balances incendiary blowing guided by the anything goes spirit he nurtures in Extraordinary Popular Delusions with little instrument forays that infuse this music with the spirit of A-list types like Sun Ra’s Arkestra and the Art Ensemble of Chicago. And Toral draws pure electricity into flashes and stretched bolts that illuminate “Stratus,” “Cirrus” and “Altostratus” from without and within. Keep your eyes and ears on the sky.

Bill Meyer

Tribe — Hometown: Detroit Sessions 1990-2014 (Strut)

Hometown: Detroit Sessions 1990-2014 by Tribe

This disc collects post-break-up material from the long-running Detroit cultural collective Tribe, a pan-arts organization led by saxophonist Wendell Harrison and trombonist Phil Ranelin. During its 1970s heyday, the Tribe organization put out jazz records, published monthly magazine covering black culture, collaborated with dance and theater groups and taught music in Detroit schools. This collection picks up after Ranelin moved to Los Angeles and the Tribe name had been retired. Still Harrison continued to preside over multidisciplinary creative coalition, tapping into a vibrant Detroit scene for Afro-centric visual arts, theater, dance, music and literature. Handclapped, percussive “Juba,” for instance, documents Tribe’s connections to modern dance; you can intuit movement in its chanted, panted, grunted and foot-stomped rhythms. The two spoken word pieces, “Marcus Garvey” and “Ode to Black Mothers,” showcase the works of Mbiyu Chui, a poet, pastor and founder of the Black Christian Nationalist Movement. The music, too, is very, very good, from the swaggering big band swing of “Wide and Blue,” to the smouldery sleek piano grooves of “Hometown” (Harrison’s wife Pamela Wise on keys) to the Afro-Caribbean polyrhythms that animate “Ode to Black Mothers.” Detroit was in about as bad a state as a city can be during the period this music was recorded, but art and pride and resilience run through every track.

Jennifer Kelly

Various Artists — Back from the Canigo: Garage Punks Vs Freakbeat Mods Perpignan 1989-1999 (Staubgold)

Back from the Canigó: Garage Punks Vs Freakbeat Mods Perpignan 1989-1999 by Various Artists

Perpignan is the southernmost French city, nestled in a curve of the Mediterranean just before it turns south into Spain. It also the unlikely headquarters of a Gallic garage rock scene centered around the Limiñanas, but incorporating another dozen or so bands represented on this compilation. (The Limiñanas themselves are absent, just to be clear.) The two oldest bands — Les Gardiens du Canigou and the Ugly Things — are the most vital, both rough-rocking outfits fond of wheedling organ fills and much indebted to the Troggs. “Baby I Don’t Want to Drive” from the Ugly Things has the grit and swagger of Wimple Witch’s “Save My Soul,” while Les Gardiens turn in a truly unhinged live cover of “Gloria.” Some of the younger bands follow this example closely. The Vox Men and The Feedback, for instance, pursue the exact same sort of screaming hedonism. However, others diverge. Beach Bitches take a day-glo, 1960s garage energy into joke-y surfy directions; their “Walking in the Jungle,” intersperses novelty record animal cries with banging drums and blasts of molten guitar. Les Buissons bustles and blares with a fully-orchestrated sound, James Brown doing battle with a community marching band and flop-haired psychedelia in “Buissons Theme I.” The whole comp is immensely enjoyable in a what-decade-is-it-anyway manner. It’s probably not what you picture when people say, “south of France,” but it rocks pretty hard.

Jennifer Kelly

9 notes · View notes

theeagerone · 5 years ago

Text

Timing

I used to be pretty upset that I wasn't born earlier. I wanted to live the 70s and 80s SO bad. I now feel immensely grateful for being born when I was. I feel lucky to be a bridge between the old & new world. I feel both prepared & overwhelmed to keep accepting further tools of technology; it's invasive & terrifying for some levels, and a healthy & privileged place to find myself in for others. I am actually very behind in current media trends as I haven't regularly watched TV since I was 18, don't follow any podcasts, and don't receive updates from or check a particular news source regularly.

I remember:

- Getting introduced to the 1st popular PCs in kindergarten

- My mom getting a cellphone larger than a brick screwed in to the floor of her car

- When all u could do in computer lab was typing classes & play academic games & Oregon Trail.

- Learning the catalogue system at the library - books and journals were all we had to do our 1st research papers.

- Watching the old MTV with my baybsitters & cousins, before reality TV existed

- Getting off the school bus every day since 3rd or 4th grade to bounce bw MTV & VH1 to see the latest music videos, classic 'Pop-Up Videos'

- Eating Lunchables & Fruit Roll Ups & Dunkaroos & all kinds of weird food when the child's food market & advertising really took off

- When the 1st Emac came out in middle school and they were incredible to behold w their rainbow bright cases

- When dial-up took 5 minutes & learning what e-mail was & browsing AOL chat rooms & staying up late sending hundreds of IMs with my middle school boyfriends on AIM (my s/n: iwannaROCKwithu3).

- When I spent hours each night researching, downloading, & evaluating music on Kazaa - When I spent hours making playlist CDs for my friends and it was the greatest, most precious gift to receive one.

- When I got my own personal phone line in middle school with a leopard faux fur cord phone. I talked for hours & hours with my love interest of the moment and learned deeply about my friend's lives & struggles.

- When Google & AskJeeves.com came out and I thought that was insane & brilliant, that you could ask anything and there would be some kind of answer.

- Slowly abandoning AIM for Myspace at 15.

- Getting my 1st phone (a RAZR) at 15 & being amazed I could take pictures of everything. I didn't have text msging all of high school bc it cost extra (thank God).

- Cruising down the road in 2005 in my GMC Jimmy, so happy to blast classic rock radio & ATL college stations bc that's all I had besides a tape deck. I sometimes connected my walkman to the tape deck to play CDs

- After school driving a car full of friends to play for hours at the river, only using our phones when we were ready to leave or needed to check in w someone

- The night my phone automatically dialed "Home" as I was running from a party to get in my car and my mom received a 5 minute long recording of me screaming at my friends to "jump in the Fing car"and all of us cussing and cutting up as I drove back to our sleepover. I got in huge trouble for driving ppl within the 1st 6 mos of having my license, got my car taken away, and realized that maybe this new exciting concept of 'speed dial' was not a good idea

- When I was 16 & heard about Youtube - the only videos I knew to exist were SHOES, muffins, & GEORGE WASHINGTON. We all laughed about them for weeks.

- When I abandoned Myspace for Facebook at 17

- When you didn't share every detail of your damn life. When you uploaded pictures you were proud of & maybe wrote on your friend's wall to say hi or whatever

- When a band measured their worth w Myspace. The whole reason I felt confident becoming a singer was bc my 1st band Bro & the Brahs w Daniel had something like 1,500 views within a couple weeks of posting our 1st single & I met ppl on campus who had heard our song before they knew who I was.

- When I got to college and we were wild & free for the 1st time in our lives & could have fun together without checking our phones, explore, learn where to go by word of mouth (SO MANY epic gatherings & house parties, cool shows (Slaughterhouse!!) and we could listen & share music forever without anything to distract us. Some of my best memories of college are laying around with friends for hours uninterrupted, crying to records. Spending days in a daze and knowing that was the last time I could do that without a better excuse.

WE KNEW IT WAS THE END OF LIFE AS WE HAD EXPERIENCED IT. WE HAD A LOT OF FUN. WE WERE ABLE TO BE OUR YOUNG SELVES IN A FREE WORLD TO A CERTAIN DEGREE THAT WOULD NEVER BE SEEN AGAIN. WE ARE INTUITIVE WITH TECHNOLOGY THOUGH WE WATCHED THINGS CHANGE AND IT SIMULTANEOUSLY TERRIFIED AND THRILLED US.

Many of us had breakdowns as we became aware of the realer history & overloaded with information as world news became widespread on Twitter, Facebook, etc. by the time I turned 20. I don't understand why boomers or anyone else wants to continue attacking millennials - y'all created us and this. Take a look in the mirror. We are doing the best we can with the constant onslaught of information, adaptation, devastation, disintegration, deforestation, false expectations, infiltration, mutilation, militarization, mechanization, lack of preservation, growing polarization, toxic capitalization, nations built by unimaginable violations.

I am sincerely hopeful & passionate about what happens next. What we are paying attention to, giving to, creating for, maintaining, and fighting for matters. I wish to take an active role in the movement of self-love, actualization, and self-awareness. Where mindfulness with our technology exists, we all deeply know who we are without social media personas and apps to help us "live better lives" as we ________ or ________. Where instead of posting about a major issue affecting our communities we hold ourselves accountable to make the necessary phone calls, attend and gather the necessary people who wish to change something, and make tangible goals and missions that resist debate and politicization. A context which encourages experimentation, where "just doing it" matters & doesn't need to be recorded. When we can remind ourselves to halt the dopamine rush fed by perfectly packaged things and targeted information for our soul's desires. Where we can press pause on the incessant need to debate the current and loosen the grips of anxiety about the future. Where we focus on what's directly in front of us and tap into what it has meant for 200,000 years to be HUMAN.

#milennial #milennials #generation y #technology #humanization #self love #self care #self actualization #writing #manifesto #vision for the future #vision #more human #less tech

2 notes · View notes

maserati-yokota · 5 years ago

Text

AJW We Are Running Thru Korakuen Hall 5/26/91 Commercial Tape

This one has links! So you know I'm not making this shit up!

Suzuka Minami & Takako Inoue & Cynthia Moreno vs. Bison Kimura & Mika Takahashi & Miori Kamiya part 1: https://www.youtube.com/watch?v=Mb9L6-ybHoc part 2: https://www.youtube.com/watch?v=W7Ok-L8g3Jc Kamiya gets to work tossing Suzuka around before getting piledriven into pudding. Moreno tags in and man it's a shame she was perpetually disrespected by this company. Moreno was a treasure, you rubes. Bison is in full beast mode and she doesn't even have the leopard-print yet! Takako is young and gets stretched a lot. Whatever happened to Kamiya you say? She's Cooga, ya dingus; the dullest part of any late-90s card. Takahashi gets tagged in, puts Takako in an upside down double-underhook STFU WITH A BRIDGE and goes back to her corner so Bison can dropkick some more. The 70s Miles Davis solo of tag-ins. Incredible. Suzuka does a gorgeous vertical suplex to signal to all of us watching that though this is a heatless spotfest, the spots are in season. So dig in. Suzuka's dropkicks are so snappy it's a wonder she didn't get CTE from them. Kamiya must've just been spent by the Cooga era because she busts out tons of fun stuff here. Youth is young on the wasted. Bison, sensing the lack of Classic Tag Match Heat, throws Moreno into the bleachers. Good on her. Takako wants revenge but eats a Bison Chop. This is an interesting era for a spotfest--ie the pre-CTE era--despite it still being built off of the video-gamey idea of "strong attacks wear down more HP". Everybody busts out the weirdest shit they can come up with in the hope something--anything--will do it. But I shouldn't complain much. This is heavy on action, light on pointless near-falls, the screwups are minor, and there are some really fun and odd spots I haven't seen before. And Kaoru Ito is there to moisturize the losers!

Toshiyo Yamada vs. Yumiko Hotta part 1: https://www.youtube.com/watch?v=gfHqj7TdoTY part 2: https://www.youtube.com/watch?v=HtYiI8pb5hQ Q: And kicks?

A: And kicks.

Yamada is as spry and bland as ever and Hotta is still pretending she isn't a violence pervert. But the crowd knows The Truth so Hotta gets 1000000 streamers. Yamada, mad at her comparative lack of streamers, comes out swinging, only to get swung. Hotta brings the UWF realism but Yamada is convinced the puroresu will WIN. One thing they can both agree on is KICKS. The first notable one busts Yamada's nose and we are off to the races--which is to say, we are witnessing the suffering of women who work for men and therefore are never encouraged to have healthily competitive relationships with their peers. Healthy competition comes from camaraderie and a sense of community. Bull Nakano spoke in interviews about how brutalized and casually despised she was by the other wrestlers when she started. The Crush Gals fucking hate each other irl. Aja Kong was made into a monster heel literally because she was biracial. These things and this match dynamic (hardway blood in basically a TV taping) are all symptoms of the same disorder: misogyny and the market sitting in a tree, K-I-S-S-I-N-G. Yeah, there's a ton of great work and powerful drama in this era, but how much of it was the inadvertent by-product of an unhealthy working environment? We'll never really know, since there was practically no other game in town--and what game there was (LLPW and JWP) was so consumed by the battle for market dominance, they could only mimic this model. AJW begat Rossy Ogawa which begat Arsion’s weirdly disjointed breed of misogyny which begat Stardom. “Send the girls out there and make them murder each other for the love of the fans! And fuck it! They're somehow also responsible for shilling all their merch, too, just to survive! And they’re little a nude sometimes! As a treat!” This match is pretty fun, don't get me wrong. But it's sometimes hard to distinguish a legitimately competitive match from all of what I just described. Did Hotta bust Yamada's nose cuz she was pissed about jobbing and there was no other outlet in the context of the company to properly express that frustration? Was that frustration even really directed at Yamada? Or was this more of a "Yoshiko shoot"-type situation, in which a wrestler makes a public display of frustration? Hotta turns the shoot into a work for good measure by attacking Yamada post-match. 1991 was 4000 years ago.

Aja Kong vs. Manami Toyota part 1: https://www.youtube.com/watch?v=NI746sByB-g part 2: https://www.youtube.com/watch?v=rnKy0Kp5_MU part 3: https://www.youtube.com/watch?v=5gdv67lFa5M Two of the most compelling figures this era produced--both of whom took the weird and bigoted roles they were given and turned them into powerful characters that transcended that small-mindedness. Aja set out to be a fan favorite despite the booking and it fucking worked. Manami didn't want to just be a pretty baby-face; she wanted depth and conflict. She also trained Tsukasa Fujimoto and Tsukushi, who carry on her legacy of being weirdos with pin-straight hair who love punishment. Aja still sells at this point and Manami is such a string-bean it looks like her boots are weighing her down. Apart from that contextual novelty, this is pretty classic Kong/Toyota. Toyota gets tied in more knots than those catalogued in Moby Dick; eats every kick ever and even takes a headbutt to the lower back. But contrary to their later body of work, Toyota's hope spots don't pop the crowd as much since they're not yet sure she's capbable of fighting from underneath. They like it when she fires up, but they don't yet believe in it. In defense of Aja and Toyota, their work is just as compelling as in 93, 94 or 95, the bookers just didn't believe it yet. It would take the hair vs hair match and Aja's teary performance at the end of Big Egg to convince them of what everyone else on earth already knew. It's as thankless to be out-of-step with the times as it is to be ahead of the times. If you haven't seen this and you're familiar with their higher profile matches, you should. It's more than just a curiosity or a template for later and "greater" things; it's a sign they already knew who they were and how prepared they were to transcend management's expectations. Wild finish and a moving post-match moment, too.

Akira Hokuto & Sakie Hasegawa vs. Bull Nakano & Bat Yoshinaga (2/3 Falls Match) part 1: https://www.youtube.com/watch?v=En6sdmXeMAY part 2: https://www.youtube.com/watch?v=HQ2crxtgZhY Hokuto's legacy is equally massive but differently complex. Hokuto was never really given an explicit role other than asshole. An early injury earned her a reputation with fans as a wrestler who refused to lie down--despite the fact that breaking her neck and refusing to abandon the match was probably due more to how toxic the work environment was in AJW. Can't blame her, or really anybody under these circumstances. Christ, they all started training when they were barely teenagers; what other reality did they know? But because she was picked by the fans long before management knew what to do with her, she had a far different arc. In the ring, she worked from underneath, but as an asshole. Imagine if Muta was somehow Cactus Jack: a being who existed outside the bounds of normal human morality but also took such a colossal beating it made you feel bad for them. Only a tremendously charismatic, well-drawn performance could carry that off. Hokuto is so hard-headed in every sense it's impossible not to root for her; she refuses to know her own limits and, subsequently, refuses to acknowledge the limits of any of her opponents. Anyhow, AJW was hoping Bat Yoshinaga would be Lil Bull, even though that never panned out. Sakie is comically timid in the pre-match promo and Hokuto seems doubtful but down to clown as usual. Bull comes out in a feathery gown only to reveal a tattered tie-dyed Grateful Dead shirt to let everyone know she a) likes to party and b) is ready for a call from Vince whenevs. Hokuto is fully on her Maeda shit: aloof yet nervy. She's still in her Marine Wolves colors, too. A woman without a country. Sakie looks literally terrified about what she knows is coming. Ten seconds after the bell, Bull clotheslines them both and powerbombs Sakie for the first fall. THAT'S how Bull do. Hokuto is having none of it and top-rope dropkicks Bat's clavicle into a billion pieces for the second fall. THAT'S how Hokuto do. Now it's Bull vs Hokuto, what the crowd was thirsty for. Hokuto gets thrown over the ropes onto the bare floor but rallies and comes back with a suplex and the same dropkick she gave Bat--proving her contempt for Bull. Double underhook driver for good measure, but Bull gonna Bull. Sakie gets a huge pop on the hot tag despite being the obvious Kikuchi in this setting. Bat kicks and stretches Sakie back into her place. In some ways its hard to tell if Sakie's time in AJW is compelling because she is obviously better than how she was booked or compelling on its own merits--and due to her repeated injuries and transition to trainer we'll never know. But either way, Sakie whips. Hokuto helps her get some good licks in on Bull to drive home that despite her crankiness she believes in this young upstart after all. Sakie capitalizes on this heat by delivering a gorgeous flying headbutt to Bat, following by a pair of god-tier heel-kicks. The crowd is SHRIEKING. Bull senses Bat is gonna whiff it, so bum-rushes Sakie to get Hokuto to tag in. Hokuto is rewarded with a German suplex to the base of her skull and a double-team. A few dozen harrowing exchanges later, Hokuto is back on top and Sakie is ready to die for her. Unfortunately, the moment Bull comes off the top rope with a legdrop, we all know the credits gonna roll. Bull leads the crowd in chanting "Bat-o, Bat-o, Bat-o" and it's a shame that never got legs. Bull feels bad about how things ended, so gives them another chance at a fall. Sakie and Bat slap each other instead of kissing.

Weird but fun card full of all your faves before their prime. Have at it!

Wait . Hang on. Plum Mariko vs Chigusa Nagayo (JWP, 2/11/94) is tacked onto this tape! Fuck YES. Lorefice: the beef been squashed. THANK YOU. (jk jk you're still a bigot)

Watch it here, with glorious pre-match training footage cut from the commercial tape: https://www.youtube.com/watch?v=XQLWwEHP4FQ Plum comes out HOT and bloodies Chigusa early. Never seen Plum this vampiric and fired tf up. Chigusa is having none of it and Hulks out because she's deeply cynical about joshi audiences at this point in her career. She also doesn't mind getting blood in her eyes because, of course, she is still Chigusa Nagayo~! (*DVDVR shout-out interrobang) I've talked a ton already about how much Plum rules and how wistful I get seeing any of her matches. I'm not sure if I'm comfortable saying "the business killed her" so instead I'll say "the business let her die." (The business has let many die but few so blatantly.) Chigusa has yet to enter her dom stage so instead inhabits a kind of quasi-Dynamite Kansai persona appropriate to JWP. She kicks less often but smushes necks just the same. She also is 1000x better on the mat. The announcer mentions, in English (?!) this is a full house at Koruken Hall. Chigusa hits pause to talk shit and Plum is OUTRAGED. Chigusa is also rocking a tan that says "yeah, I took some time off to chill tf out, what of it?" Plum thinks she can restart the match with a respectable test of strength (this is Chigusa, she of fightingo-spiritu, after all) only to get immediately clowned by The New Chigusa. The Post-Crush Gal. Plum says "oh fuck that" and throws on the Stretch Plum and DDTs Chigusa thru the earth's mantle. Chigusa is takes a breather outside then demands Plum give her enough room to get back in the ring, thus going full southern heel. Plum caaaan't quiiiite sink in the Stretch so does a quick German for good measure. Chigusa fights from beneath but gets shut down QUICK. Weird that this legitimately feels like anyone's game, given Chigusa's legendary status. Chigusa sets the record straight by soccer kicking Plum's head into the Mir space station (topical). The crowd now hates her. Plum squishes her back to the mat where she feels safe and torques Chigusa's legs until she looks like Brian Yuzna's seminal critique of capitalism, Society. Despite the contortions, Chigusa chinlocks her way to a victory we all kinda knew was coming.

#joshi #joshi puroresu #all japan womens #ajw #1991 #jwp #toshio yamada #aja kong #manami toyota #akira hokuto #plum mariko #chigusa nagayo #vhs #wrestling tapes #sakie hasegawa

1 note · View note

tabbycasto · 6 years ago

Text

Nail Art - I’m Your Girl

Do you love nail art, but find it hard to find a manicurist that has the time or patience to do the designs you love the most?

Do you find your past nail art experiences have been a little :

Fret not! I’m a qualified & insured manicurist based in North London and I LOVE nail art!

Come to me if you’d like something particular or have ideas in mind OR browse through my menu book to get some inspiration. You won’t be short of choices…

With so much choice it can be a little overwhelming to decide what to go for. Let me break it down to make it less so by sharing just some of the arty farty fun things I can offer you :

Striping Tape

Striping Tape adds a fun flash of colour or metallic/holographic sheen to any look. It’s a great way to add nail art if you like to keep things clean and minimal :

Stamping

I attended a MoYouLondon Stamping Course to refine my skills in this technique. It’s just like it sounds, I take a small image from a metal plate, swish some polish over the image of your choice and then pick it up and stamp it over the nail. The possibilities are endless and I have a huge range of designs to choose from. You can layer designs or wear them alone. These designs come in single images or full cover patterns and you can go as wild or as subtle as you want with them :

Rockstar Nails

Rockstar nails are so much fun! You can go for a full coverage, ombre, holographic, chunky, dotty or all manner of glitz. When I finish you’ll leave feeling like a Rockstar! I’ve got a variety of colours and textures so the hardest part will be choosing which one you love the most!

Nail Foil

Nail Foil is a fun way to add a flash of metallic sheen to the nail. I have a range of colours from classic Rose Gold to Bright Fuchsia and even Holographic Stars! These can be used alone or under designs to add a pop.

Free Style Art

Last but not least theres the wonderful world of FREESTYLE. Yes I do freestyle nail art. Weather it’s a simple leopard print pattern, designer inspired tips or something a little more complicated, I love doing hand drawn designs.

So there you have it! Just a few of the many nail art options you can choose from. I charge £1 per nail for nail art, but don’t worry, with my loyalty card your 8th manicure will be FREE :)

To get in touch you don’t even need to message me directly, you can book me online at Treatwell : https://www.treatwell.co.uk/place/tabby-casto-make-up-artist-and-manicurist/

Choose a time and the service you're after and we can discuss the nail art on the day. I have a card machine so if you aren’t sure what to go for until you get here - not a problem!

* Vegan Friendly Manicures / Nail Art Is Also Available

#nail art #north london nails #manicure #nails #nail art 2019 #nail trends #nail ideas #nail art ideas #beauty trends 2019

1 note · View note

lisardrew · 8 months ago

Text

Burgundy Matte Nail Designs That Will Drop Your Jaw

Burgundy is an undeniably elegant shade, and when paired with a matte finish, it transforms into a luxurious nail art statement that suits nearly any occasion.

Whether you're preparing for the fall season or looking for a sophisticated look for a night out, burgundy matte nails are a perfect choice. Let’s dive into some stunning burgundy matte nail designs that will make you fall in love with this rich, velvety color.

1. Classic Matte Burgundy

Sometimes simplicity speaks volumes. A classic burgundy matte manicure exudes elegance without any additional adornments. Perfect for anyone seeking a clean, sophisticated look, this design works for every occasion. The deep matte shade complements all skin tones and effortlessly matches various outfits.

2. Burgundy Matte with Gold Accents

Gold and burgundy create a timeless combo, adding a regal touch to your nails. Opt for matte burgundy on most nails, and add a gold accent nail or fine gold lines on top of the matte base for a luxe vibe. Gold foil, metallic striping tape, or hand-painted lines work well here, making this design perfect for the holiday season or any formal event.

3. Burgundy Matte Ombre

The ombre effect looks gorgeous with a burgundy matte finish. Blend the burgundy from your cuticle down to a lighter shade, like a blush pink or nude, for a soft transition that’s trendy and visually appealing. You can also try a darker ombre effect, mixing black into burgundy for a vampy, mysterious look.

4. Matte Burgundy with Glitter Tips

A matte base with burgundy glitter tips is an edgy twist on the classic French manicure. Instead of the usual white tips, apply a fine glitter along the tips of your nails to create a sparkling contrast. This look is fun and adds a bit of glam without overwhelming the matte elegance of the base.

5. Burgundy and Marble Accent

For a sophisticated and unique twist, pair matte burgundy nails with marble accents. Choose one or two nails to showcase the marble design in neutral shades like white, black, or gray, and let the rest shine in burgundy matte. The result is a striking balance between elegant minimalism and intricate detail.

6. Matte Burgundy with Lace Detailing

Lace detailing on matte burgundy nails adds a romantic touch. This design is especially ideal for events like weddings or special date nights. Use a thin nail brush to create delicate lace patterns, or look for lace nail stickers for an easier application. The matte finish will beautifully highlight the intricate lace designs.

7. Geometric Burgundy Matte Nails

Geometric designs are a great way to modernize burgundy matte nails. Try angular shapes, lines, or negative space elements using contrasting colors like black, white, or gold. Whether you prefer clean lines or abstract shapes, geometric designs give your nails an artsy and contemporary flair.

8. Burgundy Matte with Jewel Embellishments

If you’re into glamorous nails, jewel embellishments are the way to go. Apply burgundy matte polish as your base, and then add small jewels or crystals along the cuticle line for a hint of sparkle. For an ultra-luxurious look, add a cluster of jewels on one nail for a statement-making accent.

9. Floral Burgundy Matte Nails

Florals can be edgy too! Burgundy matte nails with hand-painted flowers, especially in shades like black or white, create a vintage yet chic vibe. Keep the flowers minimal, such as a single bloom on an accent nail, to maintain the elegance of the matte finish.

10. Burgundy Matte with Chrome Tips

Combining a matte burgundy base with chrome tips creates a daring contrast. Silver or rose gold chrome tips against the burgundy base add a futuristic element to this otherwise classic look. This design is great for those who love bold and high-fashion nail art.

11. Animal Print Accent Nails

Bring out your wild side by pairing matte burgundy with an animal print accent. Leopard or snake print designs add a bold and trendy element to your nails. Choose one or two accent nails with a matte burgundy base to frame the animal print for a look that is chic yet playful.

12. Burgundy Matte and Velvet Finish

Velvet nails are trending, and burgundy is a perfect color to try out this luxe look. A velvet-finish accent nail against a matte burgundy background adds a soft, plush texture that looks ultra-chic and unique. Velvet-finish powder can create a velvety effect, perfect for a cozy, winter-inspired design.

Tips for Getting the Perfect Burgundy Matte Nails

Use a Quality Matte Top Coat: Applying a matte top coat over your favorite burgundy polish ensures longevity and enhances the matte finish.

Prep Your Nails Well: Matte polishes can show imperfections more than glossy finishes, so make sure your nails are buffed and smooth.

Experiment with Lengths and Shapes: Burgundy matte nails look great on various shapes, from short and rounded to long and almond-shaped. The shape can affect the vibe of your nails, so try a few to see what suits your style best.

Burgundy matte nails are versatile, elegant, and have a hint of mystery, making them a popular choice in nail art. These ideas give you endless inspiration, whether you prefer a classic look or something more daring. With these designs, you’ll not only elevate your style but make a jaw-dropping statement with every hand gesture.

0 notes