#common moral code
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chaptertwo-thepacnw · 10 months ago
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itsriotmotherfuckers · 7 months ago
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Sit down when I tell you this because some of you are dying on this hill and it’s just wrong.
Harry Potter is, under no circumstances, the Regulus Black of the Lightning Bolt Era.
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fireworkss-exe · 6 months ago
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what ON EARTH is this dude doing😭😭
@thel4strema1ngingstory
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jackgirlboy · 1 year ago
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idk i just think it’s a little weird that almost every character who gets the “innocent baby” / “little ray of sunshine” treatment usually ends up just having neurodivergent traits and actual negative traits in the show that nobody pays attention to. like idk man it just feels like diet infantilization to me and it’s a teeny weeny bit uncomfortable to see all the time
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fideidefenswhore · 1 year ago
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My critique of WH is also not that the narrator seems to have such a biased, strange inner moral code/ sense of justice, that really would only make sense to him, that really only reflects his own emotional truth (I think many people have that); it’s that everyone around him reflects this in a way that feels … unrealistic.
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rosykims · 2 years ago
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me pleading with astarion through the deluge of his act 1 disapproval like please i swear bro viera is evil yeah yeah i know shes super chill to everyone she encounters and is honest to a fault but. no, lissten, jsust listen hang on. shes LAWFUL evil man it still counts !!!! i know shes loyal and selfless to her allies and refuses to harm animals or children and will actively intervene on children's behalf BRO STOTP LAUGHIGN PLEASE I SWEAR and and um i know she respects ur autonomy nd doesnt let u ascend and has done literall.y all of the good options so by game mechanics shes indistinguishable to a hero character bbt. but i swear bro. bro i sw. where are you going
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zenathezee · 2 years ago
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I don't give a shit what the CDC guidelines are, I'd rather be unemployed than Typhoid Mary
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s2pdoktopus · 1 month ago
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Guess who's looking at stuff I already saw getting brought up again?
It is I. Me. The one and only.
The main reason why I can't call my mean king OCs "evil" when they refuse to help this other country?
Because they're leading their own. There's a famine all over the world and they've got no resources to spare for this no name country. Even if they do, it's not enough. Their subjects wouldn't have agreed to share. Plus, they are KINGS leading a country, THEIR COUNTRY. Why in the world would they worry about some other people when their own has starving citizens.
Yes, the masses are nameless, they are extras. Mashed together they are nothing but splashes of color in a canvas. But they have their own lives. Within that mess there's a father providing for his daughter and a mother expecting her second child. There's a kid who's probably freaking proud about getting high scores in a test and there's a teenager in his emo phase. They are people. They are alive.
And sure my deuteragonist thinks they're utterly unimportant because she doesn't know them. The hypothetical audience probably wouldn't care about them because they'll probably agree with the deuteragonist that the protagonist is more important than some nameless, featureless mesh of humans. Or they would never think that there's any other lives at stake at all. I dunno?
But they are alive and they matter.
EVEN IF I DIDN'T SHOW THE FAMILIES AND THE KIDS AND THE EMO TEEN, THE PEOPLE A COUNTRY REPRESENTS MATTER!
And so I can't call the King an evil bastard because he's just prioritizing his own.
#take a wild guess what this really is about#i mean. I don't write but I think the story will be lousy if I don't at least show the common men in the story#but. whatever. my own fault wandering down a rabbit hole that I KNEW is gonna contain some... half baked??? ramblings#'oh why didn't he help the protagonist?' I don't know dude.#have you considered that risking his people for one guy is gonna be really shitty of him?#among other things that's already been said. what the hell? i dunno? put yourself in his position first maybe?#like. really. do it. i think even if it's against your moral code to not help the unfortunate.#you'd also think about your destroyed home first.#this! is why I think my oc. lulu. is actually really worse than he who shall not be named lest this rant appears in the character tags#you see. lulu will... well she's hesitate but she will make her chose and she'll choose the actual selfish choice#and she would reflect because reflection might lead to regret and she CAN'T regret. you see? you see?#the terrible war criminal this rant is about at least asked questions and shit#god I should be drawing lotuses and water right now.#but here I am.#never. NEVER looking around that character tag again#at this point I don't know it it's sad. tiring. annoying. funny or all of those combined is my reaction to a discussion#that I've read multiple times be had by several different people and maybe even the same people because those people are strong willed#and I dunno how they are still fighting the good fight#i just wanna vibe.#but here I am... ugh#i'm... gonna go back to my waters
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syluses · 3 months ago
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big girls don’t cry
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𓍯𓂃 self aware robot! caleb x female reader
(wc: 9.5k) ✦ summary: after your brother passes, consumed by grief, you take to the internet to order a synthetic version of him. afterward, it’s impossible to throw him out. (or: alternatively titled the trojan horse)
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✦ content robot! caleb, past engineer! caleb, au where EVER deals in robotics, non-evol au, 18+ nsfw/smut, mildly dubious consent, angst, grief, mental instability, bad coping mechanisms, robot pseudocest?? robot sex, mind games, moral grayness all around, dark/yandere undertones; this fic can have multiple interpretations, pregnancy
✦ sidenote have yall ever seen that episode of black mirror? ‘be right back’? basically this: the girl’s boyfriend dies so she orders an incredibly realistic, intelligent robot to replace him. they’re identical in personality and appearance, and yet… 👀 ANYWAYS ( ⸍ɞ̴̶̷ ·̫ ɞ̴̶̷⸌ ) i have a set plot for this in my head, but i left it a lil vague so ur allowed to think of it in ur own way 🤎 if u wanna know the ‘canon’ tho.. u can absolutely ask me. the lore is so deep its traumatizing :,) anyways hope u enjoy <3 ty for 1k btw!! take this as a lil celebration treat 🥳 it took so much out of me but i think i really vibe with it heheh
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He’s perfect. Nigh on.
For the first few days since his arrival, since hauling him off the foot of your porch and into your living room to unpack him- heart tickering in your chest all the while, trepidatious- you’ve just stared. Reached out your hands to hover, ghosting over the broad blade of his shoulder, his chapped lips, the slight jut of his cheekbone.
His hands, as big and weathered as you remember them (but gentle, always gentle), hang limply by his sides.
You don’t dare slip your smaller ones in them.
All of the theatrics, yet you don’t press his- its- button, either.
No, you don’t even touch it after the initial unpacking, wrenching your fingers away as soon as they get too close. As soon as they get too tempted by hope and the wish that this hunk of metal was more than just a replica of your late brother. Half of you thinks it might burn if you get too comfortable; and you won’t get comfortable— underneath the solidified layers of grief and- you have trouble saying it aloud, but bitterness- there’s still just enough common sense to keep you from taking the leap. The leap from mourning to insanity.
It’s hollow. You know that much. A nothingness enwrapped in a steely chassis full of wiring and code too technological for you to understand, all covered by a synthetic skin suit as the pretty bow on top.
And you know- what with your emotional state- that if you could peer inside, strip it down to the framework and just… take a moment to look, that you’d vomit. It’d be too much to bear, being forced to reconcile with the fact that he really is gone— and in response to it all, you’ve blown your savings on an eerily-realistic, glorified doll of him with wires for veins.
You’re trembling when you stiffly prop him against the far wall, limiting contact as much as possible, and step away, keeping your eyes on him all the while. It. Not him. Not Caleb- that’s not your fucking brother, just a disgusting, soulless fascimile of him—
But as you stand back on your feet (with the coffee table in between, just in case) to get a good look at him, like a real, proper look, your breath is taken.
The thing: He’s not just a passable carbon copy, you realize. Admittedly, he’s…
Identical.
(He’s Caleb.)
All the oxygen gusts out of you in a breeze.
You lift a shaking hand over your open mouth and choke as silent tears spill from your lashline, blurring your eyes on the way down. Wetting your knuckles as they shake wildly.
You’re crying. Of course you’re crying. This is- you can’t do this. You just can’t.
Racing upstairs, retreating to your bedroom to slam the door as if the devil himself was on your tail, only then do you drop your hand and fully sob.
It’s pitiful, really. Wretched noises that resonate from deep in your throat, your spirit wrecked as you curl up on the floor and make yourself into a ball.
Darkness comes outside, the space around you muting itself in grey colors. The puddle beneath your cheek is moonlit. You sniffle and relocate, but you don’t even bother to tuck the not-Caleb robot in its special container, no- you just settle beneath your blankets and pray it’s all a bad dream you’ll awake from come tomorrow.
Tomorrow: you’ll send him off. Return him.
You don’t care how much money it costs- for all you care, it’s paltry, it’s replaceable. And it is replaceable, that’s the bleak truth: that android stood motionless by your couch, despite having a face so familiar it’s painful, has no emotional value whatsoever. There’s no depth to it. No substance.
A skeleton built by rods. Artificial flesh modeled around thin, colorful cables and circuit boards.
I mean- he’s no better than the stapler on your desk, or the toaster on your kitchen counter. Better yet, a crumb on the floor.
A nothingness, you think again. Prettily encased in smooth, sun-speckled skin and that cottony loungewear (that still retains his smell) you could hardly part with when the online form requested his attire.
He’s perfect, nigh on, you’ll give the company who forged him that much credit, because they sure followed his pictures to a T. It looks just like him; so much so you couldn’t even bear to look at him for more than ten minutes before bolting, the emotional response so violent.
But the problem is that he’s not real. He’s not your Caleb.
It’s hard to throw him away when he looks like that. When he bears the likeness of your late, beloved older brother.
Yes, you want to stuff him back in his box and return to sender, but when it comes to courage, you lack the backbone necessary to carry out your decisions.
You tiptoe down the stairs to see him again and sputter.
He’s too real, you decide in a heartbeat. Too real.
Shutting your eyes as tears begin to pour anew, lunging forward with blind intent to cache him away in the elaborate box he came in, you get to work. And you get to work quickly. You can only bear to look at it- that heartless caricature of your gege- for so long until you feel something in you, your last fragile piece, begin to fracture.
After the explosion, all you had left of him were the memories. Not an explanation, not a goodbye, not even a body. What remained of the boy you were fostered with was ash and a puerile, yet no less beloved locket with its edges burnt copper.
Now, you have something exponentially more physical and intact, unsullied by the reality of what was.
So for a moment, yes- sue you and your heart for hesitating- but it’s a hard task to seal him away.
Agonizing, really.
His arms are stiff by his sides but you feel the skin; the lump of muscle in his forearm, the bump of his elbow. The only thing that keeps you from giving into the puffed-up illusion of his being real and alive is the coolness beneath your fingertips. The unnatural, icy feel to his otherwise mortal skin that reminds in a voice, condescending like all things out of reach, see? that’s not Caleb. And you’re insulting him by thinking that it could be.
You’re halfway done nudging him towards the box (careful, despite your frenzied, fluttering heart; afraid to damage his likeness) when you trip over your own feet navigating the narrow space between your table and the couch.
It’s unthinking, the way you grab him- arms flying out to steady yourself with his broad shoulders.
In all your scrambling- something clicks. Gives under your fingerpad.
A button.
With mute horror, you watch his eyes light.
…And you can see it too, you know, registering in his gaze as it settles over you and takes you in— a blip of mirth that quickly warps into worry at the look you give him. You must appear no different than a deer in headlights.
For several seconds, you simply stand there, your palms clamming up where they dig into his shoulders, and gawk as Caleb— not-Caleb’s— expression turns to one ready to comfort.
Familiar, painfully.
The stiff hands at his side are spurred into motion, lifting to cradle your cheek while the other helps ground you by the small of your back.
“Meimei?”
No, no- don’t say that, don’t say that, internally, you have to shoehorn down all your grief as it bubbles up, and harden your face to keep from crying all over again.
…Although it’s more or less obvious you had been. The puffy eyes rimmed in red, the certain wisp of defeat to your brow and the exhaustion written all over you is clear as day. It leaves nothing to ponder.
He sounds disturbed by it all, the sadness about you that lies thick as a coating of paint. Commiserative to a fault. Lassoing you to his firm chest as he burrows your head below the dip of his chin.
He goes, “What’s wrong?” Then, “It’s okay, I’m here. I got you. Just let it all out.”
And the world around you staggers to a fall.
It was very difficult to get rid of him as he stood still; when you could convince yourself he was just a startlingly realistic statue.
It’s all but impossible when he begins to move, and speak, and smile at you.
You don’t get close enough to press his button. You’re not quite strong enough to apply the distance you probably should, though, so when he takes a step forward, you take one back- but you never run.
It’s a weird limbo you’re caught in. Do you leap into his arms? Do you… Do you toss him out the door, after all? Leave him to the elements to chip away at his body; the rain to erode his fleshy outer shell?
But no. How could you do that? He-
He fucking looks like Caleb. It feels more sinful to rid yourself of him, now that he’s… on, than to indulge a little bit in the idea that he’s still alive and breathing.
If Caleb was still alive, you wonder silently one morning with no small amount of hurt, would he hate you? For whatever the hell it is you’re doing now?
You can’t even blame Gideon, not really. Without his persistent messages, and all the links he sent you of articles revolving androids and how they can help the user cope with grief, you’d have been none the wiser to the concept, sure- but at the end of the day, you made the choice to get one.
A chunk of your savings and an unprompted, fat check from Caleb’s best buddy— you decided to throw that at some futuristic company (well, not ‘some’: both men worked there- albeit they always kept their work very hush (you did catch whispers of a promotion, though, before the accident)) and one of the many services they provide.
Gideon, over the course of some months, was all but pointing you at their website, promising it would help. He’d be there to clear any confusion, in any case; hey, how neat did a walkthrough of the site from a bonafide EVER engineer sound?: Just one of his probes.
It was only two weeks back, however, when he paid an unsolicited house call, wordlessly wrapping you into his broad chest, that you caved to them.
You think about the scene while you sit at the counter and sip from your mug.
Your home smells richly of coffee, just brewed, and bacon as it sizzles. Eyeing not-Caleb with a pang of unease— not fully able to snuff out that feeling of uncanniness even as some days pass peacefully— you offer a small smile when he glances up at you.
Beaming just as he was the day before. Beaming like nothing is terribly wrong.
(To be clear, something is.)
You… can’t help but feel like you’re being monitored when he stares.
Yes, it’s a silly fear, you know that. The company your late brother worked for wasn’t exactly open with all the scientific grounds they made breakthroughs on, but he always promised that their means were lawful. Caleb wasn’t one for lies- so your doubts were soothed. So as hush-hush as EVER is sometimes, you’re fairly confident they wouldn’t ship out mass batches of faulty or otherwise rigged products.
Anyway- you suppose the weird intensity in its eyes isn’t all that off-putting when you take into account the very real personality it was formulated from.
When the pancakes (your favorite: banana chocolate chip; information he apparently already knew) turn an appetizing shade of gold, he shimmies them off the pan with a spatula and onto a plate.
That plate- loaded tastefully with bacon, a scoop of rice, and eggs with a ketchup smile painted over its face- slides before you. But though your belly growls, you don’t eat. Not right away. Wherever the culinary arts are concerned, your older brother has always excelled. Growing up, maybe you even exploited him a little for it- but he never did anything he didn’t want to; sometimes it even seemed like Caleb enjoyed sticking his neck out for you.
He pats his hands over his too-small apron (not that he minds it), frowning.
“What’s wrong, Pipsqueak? Does… Does the food look alright? I haven’t made somethin’ for you in a while, huh…?”
Oh no, the food looks fine.
It’s just that you’re the only one eating it.
And maybe it’d be better to keep that thought to yourself: part of you is just over the moon to have him standing in your kitchen with you after months apart— but it doesn’t matter that you keep your mouth shut, because Caleb reads your mind anyway.
He’s at your side in a blink, hushing away the tears that bead at your eyes out of nowhere.
“Hey, hey… No cryin’, okay? I’m just not hungry this morning, Meimei- but that doesn’t mean I won’t sit with you and talk while you eat. C’mon,” he squeezes your hand where it lies on the counter, smiling lightly.
It takes everything in you not to flinch away from the touch.
“Wouldn’t want your breakfast goin’ cold now, would we?” Pulling out the barstool beside you, he sits.
You don’t ask him to, but Caleb picks up your fork and embodies one of the several memories you have of him spoonfeeding you as a child.
“I can feed you. Just like the good ol’ times. Here, you gotta open your mouth first,” His smile strengthens when your lips, as if by habit, part. Your lashes flutter shut when that first bite touches your tongue- syrupy hotcakes and fluffy scrambled eggs- and for that you’re glad because you don’t have to see the way he marvels at you as you eat.
It’s not good for your heart.
“So? What does Pipsqueak the number one food critic have to say about my dish?” He shines, “Does it taste as good as it looks?” You can’t help the breathless laugh that escapes- the scene too nostalgic to simply idle away with indifference. You wear all your emotions on your face, anyway; you’re not fooling anybody, least of all Caleb.
“Even better,” you murmur with the barest of smiles. He presses another spoonful to your lips and you giggle.
Violet hues glitter with delight. You’ve said practically nothing to him this whole time, and he’s been patient- weirdly patient, almost- but the joy in his gaze is palpable now.
Sometimes, though, you can almost swear you see something in his gaze shift. Tuning itself like a lens. He blinks and it disappears.
“…But I will say your presentation could use some work. It’s a 7 out of 10.”
Caleb, still holding the utensil out, uses his other hand to prop his chin up. He smiles fondly as he regards you. As you’ve gotten older, it’s like every time you see the brunet, he looks at you like he’s taking you in for the first time all over again.
“Yeah?” He encourages. “Enlighten me, oh Pipsqueak- what must I do to earn those three extra points?”
“The ketchup smiley face was all lopsided,” you explain in a quiet voice, having a hard time fully immersing in this lie unraveling before you; beautiful as it is. As much as you might ache to.
This isn’t a good idea. You know that.
Still…
Maybe… maybe just a couple of conversations with him can’t be too bad, right? I mean, it’s only a fraction of what Gideon was expecting of you (lounging around together to chat, game nights, and even public outings), but to him, it’d be a start. For you, though, it’s a stretch. An exception.
You should limit interaction with not-Caleb.
You know this, and yet—
Glancing back to him, you try and fail to hide a coy smile with a napkin. “Next time, keep a steady hand, and you’ll be a perfect chef in no time. Maybe not as good as me, but, y’know…”
He chuckles, brows lifting. “Oh yeah? Then expect surgical precision from me tomorrow morning. Chef Caleb won’t let you down again!”
An intense sadness slips through the momentary happiness you were allowed. It nags at your chest.
You blink rapidly, giving a feeble, light sound before looking away.
You’ve never let me down, Gege, you don’t say, taking your fork from the clasp of his big hand (much to his dismay) to prod at your plate.
It was me who failed you.
Not-Caleb looks like Caleb, yes.
He acts like him, too.
You spend the span of the next few weeks trying to scrutinize him; hours spent on the couch, his hand in yours while you grill him. You treat him like a bug under a microscope. Prodding for answers to questions you’re sure his programming must miss- interrogations built on memories so old they’re near ancient. Just blurry wisps in your mind.
Not-Caleb remembers some better than you.
Puts you to shame with his mechanical replies detailing scenarios you’re missing fragments of.
What’s Caleb’s favorite fruit?
I like apples, Pipsqueak.
And what’s my favorite food he’d make for me?
Easy-peasy. You still love those boneless chicken wings, don’t you? Although, that braised pork I make for you comes as a close second, doesn’t it?
Am I your real sister?
And you’d never ask the real Caleb such a thing. You’re only doing it now because it’s one of the most personal things you could possibly make a query of. His response would be very telling.
Life before you met him all those years ago is no more than a fuzzy glimpse, and you never minded all that much: so long as you had Caleb, nothing else, nothing before, mattered. All throughout your childhood, people didn’t know the difference anyway.
Far as they knew, you were family.
Which… isn’t wrong, per se— but it’s not biological. ‘Real.’
You, Caleb, and Gran were obviously aware of that. To you it was always a beautiful thing: a tale of rebirth, in a way, or a second chance, as a young girl found a new place to call home with a warm guardian and a brotherly figure. They’d stabilize her and bring warmth to an otherwise cold beginning.
Caleb was never spoken for on that front.
You… didn’t see eye to eye on all things. Oh, that much is true.
Sometimes you were convinced that he wanted nothing to do with the assumption that you were his little sister (albeit, you were never sure why). At others, it was like he was furious you were only bound to him in name and not blood. He saw it as an attack on your close bond.
…But Not-Caleb surely doesn’t know all his nuances. Not like you came to.
So you’re expecting a pause. A minor glitch or even a malfunction as the robot scours his database.
Got him, you almost think to yourself— then swiftly take it back.
The face of the android sat at your side falls, much to your surprise, into a small frown.
And the truth must be coded deep in the bulwarks of not-Caleb’s artificial brain: your and Caleb’s respective origins. The answer is no. No, you’re not his real sister.
…But your real Gege would lie and say yes, absolutely you are—
“‘Course you are,” Not-Caleb goes. And he does it with as much passion behind it as you’d expect.
You’re startled into silence.
He scoots impossibly closer and loops an arm over your shoulder, tucking your head to his jaw. Seamlessly, he pecks your hairline, saying, “You’re my sweet little Meimei. You’re priceless to me. Now no more pickin’ at me, okay?” He suggests in a light tone, rubbing your shoulder. “You’ve been questioning me all evening- look, it even got dark out. Let’s get you to bed-“
“I- I didn’t say I was tired-“
“You didn’t have to. I could tell you were startin’ to get sleepy, Pipsqueak,” he looks down at you and smiles- a reassuring, yet no less playful smile- and for one moment you cant breathe because fuck it’s him. It’s really, really him. “Your drooping eyes were a dead giveaway. Hm... I guess that big dinner we had put you in a food coma, huh?” He chuckles.
We. Funny, that. You recall the feast being one-sided.
Nonetheless.
Without prompting, he sweeps you off the couch and walks you up the wooden stairway. The old steps creak underfoot. He does it all effortlessly, though, arms as strong and capable as you remember.
You loop your slimmer ones around his neck.
With great hesitance, you lend a part of yourself to this illusion.
This beautiful, near unbelievable, oh-so fragile illusion that Caleb is not dead.
When you reach your bedroom, you don’t send him off to the guest room like all the nights before. No, when he carefully sets you down, you watch him, motionlessly, as he tucks you in and plants a chaste kiss to your forehead. When he turns to go- “don’t let the bed bugs bite”- you snatch his hand, half terrified you’ll blink and he’ll be gone, and flash him a look that silently pleads.
Stay.
The brunet’s lashes flutter, brushing over his cheekbones where the lamplight makes them shine.
He opens his mouth.
Pauses, then closes it.
“Stay. Please, Gege,” you breathe, on the cusp of shattering all over again. It’s become more manageable over recent days, this unresolved cluster of emotion inside you, but it’s times like these that make you feel blindsided by it.
You innocently add, “Like when we were kids.”
Oh, you’d go back to then if you could.
His long fingers, loose in your hold, flip to swallow up your hand. He stoops over to turn off the light.
His voice shakes ever so slightly, “Okay.”
Then, he clambers into bed with you and reminds you of just how small it is, how much he does not belong, but you’ve never felt more at home when he pulls you to his chest and- dutifully ignoring the quiet beneath your ear, the absence of a pulse- you cling to him.
Maybe it’d be a little weird, the proximity, what with your grown age and the fact that you were no longer children cuddling during thunderstorms…
It’s not like you’re hanging off him like he’s your lifeline for any nefarious reason, though- and it’s not like he can hold any judgment anyway. He’s… He’s not really Caleb. He’s not even a person. Just a sentient robot that resembles him to a shocking degree and soothes that ache in your chest- just by a smidge.
…And yet when he looks at you, suddenly, tilting your jaw up so he can admire what he sees in the darkness- your stunned expression lit faintly by the moon- it’s like he’s reading this in his own way.
His interpretation? you realize in a shaking breath?
He’s no longer holding his little sister, but a woman.
It’s in his eyes, rippling as he exhales deeply (all artificial, albeit you don’t dwell on that for long) and thumbs over your lip.
A boyish kind of wonder lifts his brow as he stares, cheeks slightly flushed.
Your heart bangs in your chest. Like gunshots punctuating the silence. It grows to be unbearable. This is weird, and wrong- the way he’s looking at you. But you quickly chalk it up to a malfunction.
It’s all a fluke, technology fucking up in a way that reminds you of humanity’s shortcomings and how far they can only go.
Finally, you’ve found the fault in its design. The place where Caleb and not-Caleb differ.
You know your beloved older brother like the back of your own hand, so when his eyes flutter (flash, almost) and he lurches forward to clumsily press his lips to yours— you label the action for what it really is.
An inaccuracy.
Perhaps, you think as you close your bleared eyes and let him, the only. Because the rest of his program is perfect. Infallible.
The scene unfurling is foreign- his big hands cupping your cheeks as he kisses you like his life depends on it- but as he shifts you beneath him and hovers atop, that signature softness remains. Really, as his fingertips reach for your shorts—
(A blip of something mechanical in its fiery gaze, almost as if it’s trying to rectify itself; the shortest of pauses—)
It’s all that grounds you.
“Caleb,” you moan, or cry. You don’t know. Just that when he helps you out of your panties to go down on you, digits delving inside your tight hole after he wets it with his tongue, your heart sings for him.
You don’t push him away. No, even as the humanoid sullies your late brother’s image with all his sinful hungering, you can’t break yourself free. Never find it in you to.
Because it doesn’t matter what he treats you as. You realize belatedly, with no small amount of horror, that you don’t even care how many flaws Not-Caleb has. He could have a million for all you care, you’re already too far gone- writhing underneath him as he holds your legs open and feasts- to pretend you have any right to feel offended.
And if the real Caleb was here, he’d hate you: an echo in your skull, sneering. He should, but-
“There, Meimei, ngh…” a hot tongue (no longer as cold as he was in stasis) laves along your folds. Mauve eyes look up to you with reverence, glittering in the dark.
“Just like that. Moan, say my name- I’ve been waiting for this for so long…”
You wear ignorance like a blindfold. Shutting your eyes and ears.
A fluke. His hardware stalling.
His hair woven in your fingers feels like velvet. Soft, silky; hanging over his brow as he eats you out- skillfully, might you add. Albeit his passion wins out by just a touch against his expertise, clumsily plunging his two middle fingers into your pussy.
“You taste so good, so sweet- mmph- I’ll take care of you, okay?” He mumbles in between lewd squelches.
In both physical and moral terms, there is not one thing about this that isn’t filthy.
Y-You know that, but…
“Don’t worry. I’ll- ah- I’ll make sure you feel real nice. I’ll make you come as many times as you want. I’ve been… dreamin’ of this for years now… I won’t mess this up, okay? I’ll do whatever it takes until you’re shaking.”
-but this is all you have left of him.
Hazily, you glance down to him, cheeks aflame, and barely succeed in asking, “C-Caleb- h-how are you even gonna-? You-“ you choke on the words you need to say. With a mite of dry humor, you think right then that you’re short-circuiting just as bad as him (because he is).
“Are you capable of it?”
Of fucking you? Of pinning you down and throwing your ankles over his shoulders to better plow you into your creaking, old mattress?
His brow twitches slightly. Voice ragged, he makes an agreeable sound, pressing a kiss to your clit so adoring it’s almost funny when his finger bends sensually inside you. “Are you doubting my abilities, Meimei? I’ll have you know I’ve been practicing this moment in my head for—“
No. You slam your eyes shut and drown it all out.
His words become a white noise. No different than the steady whir of the air conditioning as a cool breeze gusts beneath your door, cooling your forehead where it beads with sweat.
A- A glitch, you quietly decide. Even long after he’s made you cum thrice (twice on his fingers and tongue, once on his thick, flushed cock), you hold staunch to that.
It’s all just a fluke.
When the sun rises, you wake with a start to a phone ringing- yours- and swallow a lump of unease at the figure lying beside you (your Gege, a voice in your head reminds: you silence it).
Prying off the solid arm around your waist to gingerly exit the room- still half-naked- you piously ignore the cum caked to the inside of your thighs. Yours, it must be. You don’t focus on the confusion, either, the ask of just how the hell last night was possible and why you let your emotions get ahold of you.
(Because you love him. And maybe, just maybe- in your own weird, admittedly morally-grey way- you can cobble together a sense of normalcy with him. At least just for a little bit...)
As you head to the living room downstairs, you tap your phone and lift it to your ear.
“G-Gran,” you say as greeting, smoothing your hair back, still quite ruffled over… recent events. Ruffled and ashamed.
Very.
But- while he looks like Caleb, he’s not in reality. That… malfunction last night is a blatant proof of that. You only got on your back and let him have his way with you because you’ve missed his touch so much that you’d quite literally accept it in any form.
If sex or his lips battling against yours- his whispered vows, as seemingly heartfelt as they were errant to Caleb’s true character- is all you’ll get of him, then so be it.
In your own way, messed up as it is, it’s almost like with his android, you get a chance to reconcile with the loss.
To say goodbye.
Because before that package arrived at your doorstep, you didn’t have the luxury of one.
A familiar, aged voice sounds over the line. “Hey, dearie, oh- I didn’t wake you, did I? You sound tired.” She’s one to talk, you think to yourself- but not with malice. Truth be told you’ve worried for her as of late.
It’s been lonely for you both, you’re sure, but even though she only lives on the other end of Linkon, you have trouble making the drive. You haven’t dropped by in a couple weeks.
There’s a few different reasons.
It’s hard to pretend you’re fine when you’re not, for one, that what happened with Caleb- the abruptness and lack of conclusion, the confusing aftermath of it all- never did. You try your best to plaster on a smile and be strong in your grandmother’s presence, but that’s easier said than done. Especially when that old house of hers is jam-packed with photos and tokens of your past with him— painful reminders whenever you do visit.
The newest excuse for not is guilt.
Frankly, Gideon is the only one who knows what’s going on. Hah- no surprise, being he was the main reason for your even ordering not-Caleb.
But Gran doesn’t know.
You haven’t told her about him. And after last night, what with your own release still dried to your legs (which wobble slightly; he was every bit passionate and then some), you don’t think you ever will.
She might actually slap you across the face, taking your willingness to believe in such a lie as an offense against her grandson’s vibrant character.
…If she found out what happened- that you opened your legs for him and moaned- she might go into cardiac arrest.
You didn’t… want that to happen, definitely not- I mean, you didn’t even have the time to prepare. But yes, you did let it.
And curse yourself for wanting your brother back, but—
“No, it’s fine, Gran,” you glance over your shoulder to the staircase. Finding it empty, you let out a breath. “Is something wrong? It’s… It’s early.”
—you’d be lying if you said it didn’t feel a little fucking blissful to wake up to his face again, just like back when you were inseparable kids.
She sighs on the other end, “no, no,” she starts. You think you hear a TV in the background; something to fill the silence you leave her to sit in. “Nothing’s wrong, my dear. I just… I haven’t seen you in a bit. I miss your face, Y/n. How are you doing?”
Like a dart to a board, guilt lands its mark.
You shouldn’t fluster at such a simple question, but you do. Not just because it’s so direct and genuine, but because a big hand rests over your shoulder and suddenly Caleb is there, standing behind you.
You straighten up from where you’re propped against the wall and quickly lift a hand to silence any words he may speak.
“I-I’m well, Gran. Sorry, just- I’ll visit soon, I promise.”
“I’d like that,” she murmurs. You’re aware of how much she means it and close your eyes with a wince. A broad palm, as if sensing your inner turmoil, rubs your shoulder soothingly.
You rub the bridge of your nose and don’t look.
“What’s… What’s been keeping you?” She broaches after a beat. Laughter from the television fades in and out over the speaker.
For a second, you freeze. You freeze because you fear she might know.
All for naught: “You’re getting enough sleep, right? I don’t want you overworking yourself. I know you’ve had a lot on your mind, sweetie- oh, God knows we’ve both suffered all these months without Caleb, but that’s no reason for us to fall apart either-”
You sigh shakily and bite down on a cry.
“Yeah, I know. But I’ve been better, Gran, okay? I…” Shiftily, you wet your bottom lip and give a half truth- as if that can relieve you of this weight. “I was talking with Gideon a little; he’s…. he helped me.”
She sounds pleasantly surprised. “Oh? Good, good. What about?”
Nosy as ever. Not that you’re complaining. It’s good to know someone cares- someone… real.
You swallow your unease. “He was just talking to me about his job and stuff. EVER... He told me he was finally getting that raise or whatever, so he’s doing well... I- I was prying per usual,” you joke to lighten the mood, “He, uh… he tells me more than Caleb ever did, so…” (And when his name started to feel like a sin to say, you don’t know.) “So, you know. I was just curious. He was checking in on me, too…”
Warm breath fans at your ear, fingers closing around your shoulder as he peppers kisses at your neck insistently- and you shudder. Clasping the phone tighter (because it suddenly feels unstable in your hands), you shrug off (not)Caleb for just long enough to say,
“Gran- I- I gotta go. Uh- someone else is calling me,” and to preclude any probing on her end- or extra guilt on yours- you add, “I’ll visit tomorrow, okay? I promise. I’ll- I’ll be there. I love you.”
A voice timidly mirrors it back, and then a big set of hands is taking the phone from you and ending the call.
You turn to him with a notch in your brow as he pockets it in the sweats he must’ve hastily thrown on after finding the bed empty.
“Caleb-“
You start, and his lips press to yours.
With some encouragement- hushing you between kisses, knuckling down your cheek affectionately- he shepherds you back upstairs, to your room.
“Nuh-uh, just let me take care of you, pretty girl, ‘kay?” He murmurs, smiling. You could die in peace to it, you think hazily as he lies you down— because the last mental screenshot you took of him before the accident was his handsome face crestfallen after you’d said something scathing.
To your defense, at the time, you thought he’d deserved it. Maybe he did. It’s hard to remember, but whatever the argument was about, it must’ve been stupid. Not worth it.
And… he’s not Caleb, he’s not, you know that, but…
“Lie back. It’s… It’s just you and me here. I want you to know that. And everyone else-“
(Gran, you realize he must mean; Gideon and all the other familiar and unfamiliar faces both at EVER.)
“None of it matters now. Just focus on me. On Caleb.”
(And how eerie is that? You muse with a whit of your rationale. The rest, as it withers, perhaps only does so for the sake of your own sanity.)
The whole world as it stands: nudged away to oblivion at his behest.
“O-Okay,” you give.
He’s not Caleb. But if this is your best- only- shot at reconciliation, then you’ll take him with arms open.
When he’s done priming you, he clambers on top and you experience a repeat of last night.
Deja vu, as fresh as a wound reopened, makes your mind lag a few increments behind reality. But when he starts to slow down, thrusts growing sloppy- it feels oddly real, and, head a bit clearer than last night, you register that.
…But it’s your release that stains the sheets. Steadily trickling from your hole, slicking his hips. It only makes sense that way; he might fuck like a human, but that’s all inherent to his program, you’re sure, built to please- and ultimately, he’s made of metal. Rods. You think you can feel them when you grab too tight, that hardness.
He leads you to the proverbial end of the cliff, and you survey the bottom one last time before- geronimo- you make that final leap.
When not-Caleb comes, he shudders in your arms.
Yet you swear… You swear something inside him, behind his lidded eyes, deeper in-
It’s like it shutters.
A flash. Brief and jarring, for a moment so bright it’s like your eyes have been virginal to light all along.
Just a malfunction, you decide with a spent sigh, sweaty in his solid arms as they make a cage around you, eager to sleep until noon.
Maybe you’ll mention it to Gideon next time he drops by.
Maybe he would know how to fix it.
The days that follow after are foggy and empty. Like a moratorium of everything that once breathed in your life.
You wreathe not-Caleb’s neck with that beloved apple-shaped locket like he’s earned it.
Knowing nobody ever could.
Gideon knocks, one afternoon.
You send him away. Or- Caleb does.
At that, you feel the need to remind him of who he is: the people he cares for, his career path, how he operated as a person before the incident in his suite in Skyhaven.
Caleb stops you short, a palm dwarfing the back of your own, and says I know. I just don’t want my buddy interrupting our time together, Pipsqueak. Can you blame me for wantin’ it to be just you and me?
You stop going out.
He doesn’t let you- not really. I mean, he doesn’t explicitly declare these rules over you, but it’s in the strange glint in his eye- the one that makes you shut your mouth and purse your lips- when he stops you at the door and suggests you stay.
Says it’s better that way. Says he worries whenever you go. Says to take him with you instead if you really must.
Progressively, you’re drifting farther and farther out from shore. Mentally-speaking, you’re going off the deep end. But exiting your house hand-in-hand with your brother- the man the town declared dead in an email you couldn’t bear to finish reading- as he stares at you like a lover, is, no matter the ache, something you can’t quite bring yourself to do.
It’d make this illusion just a smidgen realer. You’d never wake from this dream if other people saw it- saw him- and therefore made his presence more solid in your mind. (Not to mention the disgusting assumptions they’d make- none exactly wrong.)
You’ve been so consumed by grief lately, though, that the knowing of your imminent breakdown can’t stop you from making other bad choices.
So when the brunet altogether bars you from going out in public for the fear that something bad will happen to you (nonsensical; not that he sees the flaws in his arguments), insisting that groceries can be bought online, Gran can be checked up on over the phone, etcetera—
Yeah, you bend to it, alright? Sue you. Of course you bend. It’s all you know what to do anymore.
Gradually, though, the unexpected charm of not-Caleb begins to fade, and you’re left with a possessive form of the brother you once knew. A man desperately clawing at straws, hellbent to keep you at his side, clingy and insecure and, frankly, sometimes scary.
As the inaccuracies build, you’re not sure for how much longer you can overlook them.
The only reason you even tolerated him originally was because he was passable. More than that, even- he was perfect. A dead-ringer for Caleb in both appearance and personality.
But this-
This isn’t Caleb. No longer. It never was.
You don’t believe it for a second.
You heave a soft sigh. Anything louder than a breath brings the chance that he’ll overhear from where he stands in the kitchen and come zipping over, no doubt ready to fret and question you. If you value your time alone- rare as it is these days- then you’ll stay silent.
It’s a near impossible task to separate yourself from him. It was a small miracle in itself that you managed to break away for half an hour or so- but even that was begat by a lie. It seems the only real way to rid yourself of the overly doting, obsessive older brother (even if just for a few minutes) is to give him another demand. This time, it was an ‘I’m hungry’ that finally earned you some peace and quiet.
It’s a little sad, but lately you treat him more or less like a jacket after entering a warm home: you’re eager to shrug him off because the climate has changed.
The climate has changed.
He- He’s changed.
He’s growingly insane and yes, while the irony of that observation isn’t lost on you (considering you’re the mad woman who bought a human-like robot as a replacement in the first place), you still can’t help but feel alarmed as the signs of wrongness don’t cease but worsen.
You think about pressing the button. Turning him off, sending him away.
Hell, maybe you’d just dump him in the communal trash receptacles out back. Leave him there in a human-shaped bag for the garbage men to come and squint at before hauling away like junk.
…Because he is junk, right? No different than a crumb on the floor, you’d once said.
Perhaps you’ve lost it.
The section of your brain responsible for caring must’ve shut off, though, because it’s currently hard to feel much of anything.
…But there, like a soft stirring (or the voice of God as it whispered to Elijah)- you can sense it. That feeling is reminiscent of a survival instinct, or a watered-down version of it to tired nerves, breathing down the back of your neck where hackles rise—
What are you doing here?
The dream begins to fissure in real-time when Caleb (not-Caleb, you harshly remind yourself) cheerfully patters into the living room where you sit, helpful as ever, and his eye flashes as it settles on you. No different than a camera would.
The food looks delicious, per usual- you’d expect nothing less of your brother or even the robotic copy of him- but as nausea churns in your belly and you jolt upright, slapping a hand over your mouth as you run to the bathroom, nothing can save your appetite.
You shakily lock the door- but he’s knocking in an instant, worried.
You always did melt at his bleeding heart. Too often, men, especially the bigger of them, fell under the persuasion of apathy. Yet your gege was always different, always sweet, always gentle and patient and- yeah, okay, sometimes he was a touch mean, teasing to a fault- sometimes to the point of tears on your end as he quickly tried to right his wrongs- but he was preciously yours.
And he was real.
Dammit, he was fucking real-
He was alive and emotionally tangible in a way that this awful fucking hunk of metal is not and never will be—
“Pipsqueak-? Hey, hey, what’s wrong? Let me in. A-Are you not feeling well?” His words crack when you say nothing, dutifully ignoring him.
“Y/n… Let me in. Please-! don’t leave me alone, don’t go.” His voice becomes ragged, raw, the longer you don’t answer. Boyish in its vulnerability. “Stay- Stay here with me.”
By God your soul splinters down the middle. But you don’t answer. You- You can’t.
You throw your lunch up in the toilet and then your back against the wall, sliding down it with your hands over your ears like a child.
You don’t care, if he’s shouting and beating at the door, on the brink of hysteria like you’ve heard only once or twice when he was a boy too soft for his own good- you don’t care- you don’t care—
You sit there until he short-circuits out and thuds to the floor.
You flinch when he does.
Only then, however, do you tiptoe out- careful lest you trigger some internal response from him- to quickly pull on a hoodie and put your hair up, locking the front door behind you.
You don’t know for how long he’ll be conked out, but if luck is on your side, it’ll be for long enough to run to the local corner store and buy a pregnancy test.
You know you’re losing it, the little sanity you had left after your brother passed— misreading a common cold for a veritable child swelling in your womb.
It’s laughable: using your sleeve (another old piece of his clothing you ‘borrowed’, never to be returned) to dot away the tears at your lashline, you do laugh on the short trek to the convenience store.
But if not a reminder that you really are going crazy, losing control, then at least it’s just an opportunity to get some fresh air for a bit, right?
(…You also know that the first step to regaining back said control is to say goodbye to not-Caleb.
As it stands, though, you’re just-
You were never ready.)
Two pink lines.
The thing clatters to the bathroom floor, and you along with it.
You sink to your knees and the white walls surrounding you feel more like an asylum than a space in your own house- because yes, you must be delusional. This is the final nail in the coffin.
But this- this can’t be right. It’s impossible. In the strictest sense of the word it’s impossible!
Heavy feet traipse in the kitchen; the livingroom; the hall, searching for you with faint, candied beckons of your name.
You rub your face as if to feel the color as it seeps from your complexion, and tell yourself that you’ve positively lost it as you thoughtlessly choose one of the corners to slump into, hyperventilating.
You’ll- you’ll send it back to EVER... You’ll send it back and forget and move on. You’ll move on. You’ll stop grieving, you’ll squirrel away your fraying, final memories of Caleb like you did all those precious photos in that old shoebox in your closet.
You’ll-…
A breath. The fan whirs.
The faucet, going full-blast, sputters, effectively drowning out the sounds you make as air becomes a tricky thing to intake; thick enough to choke on.
You’ll throw yourself into the fifth stage of grief then crawl out the other side of it if that’s what it takes to undo this fucking reality you’re lost in-
“Pipsqueak?” A hand on your shoulder.
Broad, big. A little weathered.
But gentle always. Gentle always. Just like you remember. Just like when Caleb meant Caleb; not the big glorified toy that walks and acts like him as an admittedly convincing, yet ultimately faux locum.
Your heart stills, hanging pendant in your chest. You swing from that uncertainty. By God you’d beat that handsome face in- oh, but by God would you kiss it, too.
The door sways on its hinge by splintered fragments, creaking behind the brunet.
Timidly, you lift your head over your shoulder to meet his eye where he towers behind you, violet hues softening with concern. They drift lower, honing in on the little item by your knee, wayward.
He coos immediately, enveloping you in his strong arms.
The feeling- it’s not exactly like that of the one you’d get while swimming in a hot tub, engulfed in its steaming waters, but it’s not too far off either. You let him hold you, unseeing as he all but sings in your ear, and restore the warmth to your bones.
Like a dead thing, or prey, you hang limp in his firm grasp. Terribly uncertain.
“Shh…” he croons, and you only realize a belated moment later that you’re crying. Hard and ugly.
He pets down your hair, ever the comforter, and as you press your head against his barrel chest it’s almost like you can hear a faint whirring in lieu of a heartbeat- speedy but low.
Unreal. Unreal. But then how-?
Perhaps you’ve lost it.
“We’ll figure it out together, honey,” you think it’s a barely concealed smile you register at the crown of your head, pasting down a kiss. “But no more cryin’, okay? I can’t stand to see you like this… Let me draw you a bath, hm? I’ll light some candles and we can talk about it. But don’t be scared. This is… such good news,” and then he laughs- a boyish, marveling little laugh that digs deep into your heart and twists.
The button, between his breastbone, just out of reach, glows faintly through his shirt.
For a moment you’re ready to press it like a player would on a game show— with urgency— but you blink and see those two pink lines searing themselves into your conscience.
Defeatedly, you shut your eyes. But you don’t shut him off.
With Caleb preparing dinner, you’re able to slip away one evening for long enough to call Gran.
For worried friends and relatives, your voicemail box is becoming quite the hotbed- but among them, your grandmother is the priority.
Propping yourself by the sliding glass door, you brush back the curtain and look out to the small, cookie-cutter yard as you accept the call. Not without a shaky breath to prepare you, though; it’s been over a month since your last visit, and while your calls haven’t been quite as behind, you still wince a bit every time her contact pops up.
You want to tell her.
If not about Caleb, then at least the small bump forming beneath your oversized lounge shirt. There’s excuses for it- ones to be frowned upon, yes, but they’d be believable nonetheless. Obviously, a pregnancy is not something as simple to hide as a robot you can turn on and off and, if needed, stuff in the coat closet until the coast is clear.
You want to tell her. But-
You purse your lips, answering, “Hey Gran.”
The tone of her voice, frazzled and barely holding together, sends a chill down your spine.
“Y/n- where have you been? Is everything okay? I’ve been- I’ve been calling all afternoon.”
You digest that information with a quirk of your brow, scanning across the lawn outside, and a thick swallow.
There’s the voicemails, sure; it was only two nights ago you were poring over them all and holding back tears of guilt. But this afternoon? It was quiet- almost blissfully so, spent curled up to Caleb’s chest on the sofa as you watched an old favorite movie and he happily fed you fruit-flavored candies from his hand every so often.
Nobody called, let alone multiple times. You’re sure of it.
“Gran- what? No, I’m fine. What’s wrong?” You start, tossing a nervous glance behind you, internally grateful that Caleb’s absent humming while he chopped veggies was too distant for the phone to pick up.
She blusters out, apropos of nothing, “Is he there with you?”
Something in you stills.
“Y/n- is he there with you?”
An abnormal rush of blood to your ears and a murmur of your heart as you stand confused. The fingers curled around your phone case jitter.
You hold it closer to your ear.
“What? What are you talking about? I-Is who here with me?”
Does she- There’s no fucking chance- does she know?
How?
Chest thumping, your pulse fluttering in the column of your throat as it bobs uncertainly, you begin to wonder to yourself if this is the time you come clean, lay all your sins out like cards on a table. Make the confession.
Push has come to shove, you think. And fuck if you know where all this is coming from on her end, if Gideon told her or she just miraculously put two and two together or-
An exhale on her end, shaking on its way out.
“Were you not told? Dear-“ she broaches, louder, more firm— and this is just milliseconds before the world as you know it- the one you freed of your hands and let reshape itself around a delicate delusion- buckles at the knees. It’s right before you do, too.
“They found him. They found Caleb.”
That breath, right afterward of her telling you, is like the first one after drowning.
Your eyes widen as you break the surface.
His- His body. The tinny footage they dredged up from the area showed he entered his home, but after the explosion, there was no sign of him, no ash no corpse no nothing— So you don’t know how the hell they managed to recover his pieces, let alone after they already ran clean-up crews through the charred infrastructure and hosed it down- but you’re hysterical at the news.
You were cruelly forced, all along, to just assume he’d been burned to nothingness.
So you don’t even care about the how. How it’s possible or how this is happening after several months of white noise and hurting on your end— you don’t care.
You were made to come to terms with his death, and you did, at most, acknowledge it- but evidently, you could never quite accept it.
…If this is your final chance to say goodbye- even if it just means peering over a metal table in the morgue as he lies disheveled, hardly recognizable under a sheet- so fucking be it.
You’ll say goodbye if it kills you.
“What-? Where- where?” Your tone reflects as much, urgent as you stagger over to the sofa, nearly tripping as you reach for the jacket slung over the arm.
“I-Im coming,” you croak out, words failing you as the velvety carpet feels like mud beneath your bare feet- hard to walk across, every step making you feel like a baby taking its first ones.
One second you’re navigating a truth so unbelievable it’s near violent as it barrels into you; in the next, you’re collapsing under the weight of it, too caught up in your own scrambling for your keys and the door to even think of not-Caleb.
Gran goes to timidly say something, but your ears are shot and you quickly interject, “Let me get dressed- I-I’ll be there! Is he at the morgue?”
“Oh, no, honey,” she quavers out, “He’s alive. The town just messaged me; they made a mistake with his death certificate- they’re revoking it as we speak. He’s in Skyhaven.”
The phone drops to the floor.
And then that, too, gives way beneath you.
…It’s good a helping hand is there for you, then. Shouldering your weight without prompting- fretful as he confiscates the device, no different than a teacher with an unruly student, swiftly disconnecting the call.
It tuts in your ear, but- more sober than you’ve ever been- you can only note the sympathy practically dripping from its tone for what it really is: the upshot of its near immaculate programming as it mimics your considerate gege to a T.
Not-Caleb noses against your nape and sighs.
Mutely, you wind a hand, tottering, uncoordinated fingers and all, behind your back to grope along his chest—
He easily gathers both your wrists in his palm, “hey now,” turning you around. He lifts your knuckles up for a chaste kiss, watching you intently all the while.
A cold weight settles over you, soaking you through like meat left overnight to marinate. From the kitchen, stirfry sizzles in the pan. A few moments more of it and the smoke detectors will fire off.
…He just leans in to peck your forehead though, deaf to the sirens you hear wailing in your head, having mastered the art of playing dumb long ago.
He murmurs, as cloying as cake frosting, “C’mon, Pipsqueak, let’s go eat. Dinner’ll be done in just a sec. I made one of your favorites. After that, we can sit around the couch and brainstorm some more names for the baby- what d’you think?”
Flukes, malfunctions, glitches— no; Not-Caleb, you realize right then, ceasing to blink as you stare at its prototype through the shifting lens head-on, was never flawed.
“…But you’re not leavin’, not to him.”
The real one was.
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self-winding · 3 months ago
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It's not "go woke go broke." There are plenty of beloved stories with progressive themes and diverse casts.
It's "woke is not a substitute for good writing." It's "if you prioritize the message over the narrative your work will suffer."
And this does not just apply to "woke," of course, but to messages and morals in general. It's just that nowadays it happens more commonly with left-leaning messages. In the days of the Hays Code it was a different set of morals.
If your characters act ooc or illogical for the sake of the message, if your plot goes in a narratively nonsensical direction for the sake of subverting a "problematic" trope, etc. your work will suffer and audiences will be unsatisfied and confused.
There's a common pattern of shows getting more overtly messagey at the same time the writing takes a dive in quality, because the show had a successful first season (or first few seasons) and the writers get cocky. So storytelling suffers, audiences react negatively, and the writers blame "review bombing" from angry conservative viewers (even though, in many cases, the reaction is coming from across the board).
You can have progressive themes (or conservative themes, for that matter) in your story without alienating the audience. The writing just has to be good. The message has to flow organically from the events of the story rather than being something imposed. The characters have to say things that they would actually say and behave in ways that make sense in-universe.
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manicpixieyandere · 5 months ago
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Why Censorship Is Bad
An Essay On The Dangers Of Censorship
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Hello everyone. We keep seeing a lot of takes online (mainly Twitter and TikTok) talking about how there needs to be censorship on taboo subjects. We wanted to share some reasons why that may not be as great an idea as you may think.
The taboo subjects now adays are usually sexual in nature. Kinks, incest, loli/shota, etc, a lot of people want to ban. A talking point we've heard a few times is that if people see this stuff in fiction then they'll start to like it and change the way their brain is wired. This is THE EXACT talking points conservatives had when videos games first came out, calling them violent and the cause of school shootings. More importantly for this essay, this is what happened as well when movies first came out.
When movies first came out there was an outcry from the public to have more moral films. In fear of both loosing an audience and being censored by the government (as movies were too new to be protected by law) film studios adopted The Hays Code, self censorship basically. The Hays Code censored the stuff people wanted gone sure, extreme violence, sex, excessive use of drugs, but that's not where the censorship stopped.
Amongst things banned in The Hays Code were queer people / relationships, and interracial relationships. When you open the floodgates to censorship, who decides what's moral and what's not? This is exactly what would happen again. You say no sex, the law may hear no queers. And lately, they'd sure love that opportunity!
So what do we do instead? It's completely fair if you're triggered by certain subjects in media or just plain old don't want to see them. That's fine. What people can do to help is properly tag stuff. For example the tag system in AO3 is there for a reason, USE IT. If you see someone online making something you don't like, block them, but don't harass them. You have a right to block them, just as they have a right to create. Trigger warnings have become a bit more common place beyond fanfiction too. They're in some books, shows, and video games now.
Censorship is a slippery slope, one that in our current day we really don't need. Don't let the government have more tools to erase you.
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titleknown · 1 year ago
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While I really hate the narrative of "tech bros" because of how it conflates shitty CEOs with non-shitty base-level programmers, and how it conflates Dunning-Kruger-y early adopters with people who Know Their Shit about computers...
...On the AI art issue, I will say, there is probably a legit a culture clash between people who primarily specialize in programming and people who primarily specialize in art.
Because, like, while in the experience of modern working illustrators a free commons has ended up representing a Hobbseyan experience of "a war of all against all" that's a constant threat to making a living, in software from what I can tell it's kinda been the reverse.
IE, freedom of access to shared code/information has kinda been seen as A Vital Thing wrt people's abilities to do their job at a core level. So, naturally, there's going to be some very different reactions to the morality of scraped data online.
And, it's probably the same reason that a lot of the creative commons movement came from the free software movement.
And while I agree a lot with the core principles of these movements, it's also probably unfortunately why they so often come off as tone-deaf and haven't really made that proper breakthrough wrt fighting against copyright bloat.
It also really doesn't help that, in terms of treatment by capital, for most of our lives programmers have been Mother's Special Little Boy whereas artists (especially online independent artists post '08 crash) have been treated as The Ratboy We Keep In The Basement And Throw Scraps To.
So, it make sense the latter would have resentment wrt the former...
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joseefinwrites · 1 year ago
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Ultimate "Know Your Character Inside Out" Template
The ultimate template for creating a character, without losing your mind, while you're at it.
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Character Background Template ... (open)
1. Name:
2. Age:
3. Gender & Pronouns:
4. Physical Appearance:
   - Hair color:
   - Eye color:
   - Height:
   - Build:
   - Distinguishing features (scars, tattoos, etc.):
5. Background and Upbringing:
   - Where were they born and raised?
   - What was their family structure like (parents, siblings)?
   - Describe their childhood environment and upbringing.
   - Were there any significant events or traumas in their past?
6. Education and Skills:
   - What level of education did they receive?
   - Did they excel in any particular subjects or skills?
   - Have they pursued any additional training or education since then?
7. Personality Traits:
   - Describe their personality in a few words.
   - What are their strengths and weaknesses?
   - How do they typically react under stress or pressure?
8. Motivations and Goals:
   - What are their short-term and long-term goals?
   - What drives them to pursue these goals?
 �� - Are there any fears or insecurities that motivate or hinder them?
9. Relationships:
   - Who are the most important people in their life?
   - How do they interact with family, friends, and acquaintances?
   - Do they have any romantic interests or significant relationships?
10. Past Experiences:
    - Have they faced any major challenges or setbacks in the past?
    - How have these experiences shaped their beliefs and values?
    - Have they experienced any significant losses or tragedies?
11. Worldview and Beliefs:
    - What are their core beliefs and values?
    - How do they view the world around them?
    - Are there any cultural, religious, or philosophical influences in their life?
12. Inner Conflict:
    - What internal struggles do they face?
    - Are there any unresolved issues from their past that continue to affect them?
    - How do these inner conflicts impact their decisions and actions?
13. Connection to Outer Conflict/Plot:
    - How does their personal journey intersect with the main plot or external conflict?
    - What stakes are involved for the character in the larger story?
    - How do their goals and motivations align (or conflict) with the central conflict?
 
(Shorter) Knowing Your Character Inside Out Checklist
Personality Traits:
   - Introverted/Extroverted
   - Optimistic/Pessimistic
   - Assertive/Passive
   - Empathetic/Self-centered
   - Logical/Emotional
   - Adventurous/Cautious
   - Honest/Dishonest
   - Ambitious/Content
Beliefs and Values:
   - Religious beliefs (if any)
   - Moral code
   - Political beliefs
   - Views on relationships
   - Attitude towards authority
Fears and Insecurities:
   - Common fears (spiders, heights, etc.)
   - Deep-seated insecurities (failure, rejection, etc.)
   - Traumatic experiences (if applicable)
Desires and Goals:
   - Short-term goals
   - Long-term aspirations
   - What motivates them to pursue these goals?
Strengths:
   - Intellectual strengths
   - Physical abilities
   - Emotional resilience
   - Social skills
   - Unique talents or abilities
Weaknesses:
   - Personal flaws
   - Areas of vulnerability
   - Bad habits
   - Limiting beliefs
Backstory:
    - Family background
    - Childhood experiences
    - Significant life events that shaped their identity
    - Education and career path
    - Previous relationships
-Josie
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mostlysignssomeportents · 21 days ago
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Semantic drift versus ethical drift
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Support me this summer in the Clarion Write-A-Thon and help raise money for the Clarion Science Fiction and Fantasy Writers' Workshop! This summer, I'm writing The Reverse-Centaur's Guide to AI, a short book for Farrar, Straus and Giroux that explains how to be an effective AI critic.
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More than a quarter-century ago, a group of hackers decided that, as a label, "free software" was a liability, and they set out to replace it with a different label, "open source," on the basis that "open source" was easier to understand and using it instead of "free software" would speed up adoption.
They were right. The switch from calling it "free software" to calling it "open source" sparked a massive, unbroken wave of adoption, to the point where today it's hard to find anyone who will profess enmity for "open source," not even Microsoft (who once called it "a cancer").
Two motives animated "open source" partisans: first, they didn't like the ambiguity of "free software." Famously, Richard Stallman (who coined "free software") viewed this ambiguity as a feature, not a bug. He liked that "free" had a double meaning: "free as in speech" (an ethical proposition) and "free as in beer" (without cost). Stallman viewed the ambiguity of "free software" as a koan/conversation-starter: a normie, hearing "free software," would inquire as to whether this meant that the software couldn't be sold commercially, which was an opening for free software advocates to explain the moral philosophy of software freedom.
For "open source" partisans, this was a bug, not a feature. They wanted to enlist other hackers to develop freely licensed codes, and convince their bosses to adopt this code for internal and public-facing use. For the "open source" advocates, a term designed to confuse was a liability, a way to turn off potential collaborators ("if you're explaining, you're losing").
But the "open source" side wasn't solely motivated by a desire to simplify things by jettisoning the requirement to conscript curious bystanders into a philosophical colloquy. Many of them also disagreed with the philosophy of free software. They weren't excited about building a "commons" or in preventing rent extraction by monopolistic firms. Some of them quite liked the idea of someday extracting their own rents.
For these "open source" advocates, the advantage of free software methodologies – publishing code for peer review and third-party improvement – was purely instrumental: it produced better code. Publication, peer review, and unrestricted follow-on innovation are practices firmly rooted in the Enlightenment, and are the foundation of the scientific method. Allowing strangers to look at your code, critique it, and fix it is a form of epistemic humility, an admission that we are all forever at risk of fooling ourselves, and it's only through adversarial peer review that we can know whether we are right.
This is true! Publishing code makes it better, and prohibitions on code publication make code worse. That's the lesson of the ransomware epidemics of the past decade: these started with a series of leaks from the NSA and CIA. Both agencies have an official policy of researching widely used software in hopes of finding exploitable bugs and then keeping those bugs secret, so that they will be preserved in the wild and can be exploited when the agencies wish to attack their enemies.
The name for this practice is NOBUS, which stands for "No One But US": we alone are smart enough to find these bugs, so if we discover them and keep them secret, no one else will find them and use them to attack our own people. This is a provably false proposition, and a very dangerous one.
The Vault 7, Vault 8, and NSA cyberweapon leaks blew a hole in NOBUS. Failures in the agencies' own security protocols resulted in the release of a long list of defects (mostly in versions of Windows, but other OSes and programs were affected). Malicious software authors used these as can openers to pry open millions of computers, enlisting them into botnets and/or shutting them down with ransomware.
These leaks also provided some "ground truth" for researchers who study malicious software. Once these researchers had a list of which defects the spy agencies had discovered and when, they were able to compare that list of defects that malicious software authors had discovered and exploited in the wild, and estimate the likelihood that a spy agency defect would be independently discovered and abused by the agency's enemies, who they were supposed to be protecting us from. It turns out that the rediscovery rate for spy agency bugs is about 20% per year – in other words, there's a one in five chance that a bug that the CIA or NSA is hoarding will be used to attack America and Americans within the year.
NOBUS is a form of software alchemy. Alchemy is the pre-Enlightenment version of scientific inquiry, and it resembles science in many respects: an alchemist observes phenomena in the natural world, hypothesizes a causal relationship to explain them, and performs an experiment to test their hypothesis. But here is where the resemblance ends: where the scientist must publish their results for them to count as science, the alchemists kept their findings to themselves. This meant that alchemists were able to trick themselves into thinking they were right, including about things they were very wrong about, like whether drinking mercury was a good idea. The failure to publish meant that every alchemist had to discover, for themself, that mercury was a deadly poison.
Alchemists never figured out how to transform lead into gold, but they did convert the base metal of superstition into the precious metal of science by putting it through the crucible of disclosure and peer-review. Both open source and free software partisans claim transparency as a key virtue of their system, because transparency leads to improvement ("with enough eyeballs, all bugs are shallow").
At the outset, "open source" and "free software" were synonyms. All code that was open was also free, and vice-versa. But over the ensuing decades, that changed, as Benjamin "Mako" Hill explained in his 2018 Libreplanet keynote, "How markets coopted free software’s most powerful weapon":
https://mako.cc/copyrighteous/libreplanet-2018-keynote
As Hill explains, the philosophical differences between "open" (making better code) and "free" (making code to enhance human freedom) may not have mattered at the outset, but they each served as a kind of pole star for its own adherents, leading them down increasingly divergent paths. Each new technology and practice represented a decision-point for the movement: "Is this something we should embrace as compatible with our project, or should we reject it as antithetical to our goals?" If you were an "open source" person, the question you asked yourself at each juncture was, "Does this new thing increase code-quality?" If you were a "free software" person, the question you had to answer was, "Does this make people more free?"
These value judgments carried enormous weight. They influenced whether hackers would work to improve a given package or pursue a use-case; they determined who would speak or exhibit at conferences, they created (or deflated) "buzz," and they influenced the direction that new license versions would take, and whether those licenses would be permissible on influential software distribution channels. For a movement that runs on goodwill as much as on dollars, the social acceptability of a practice, a license, a technology or a person, mattered.
Hill describes how chasing openness without regard to its consequences for freedom created a strange situation, one in which giant tech monopolists have software freedom, while the rest of us have to make do with open source. All the software that powers the cloud systems of Facebook, Google, Apple, Microsoft, etc, is freely licensed. You can download it from Github. You can inspect it to your heart's content. You can even do volunteer work to improve it.
But only Google, Apple, Microsoft and Facebook get to decide whether to run it, and how to configure it. And since nearly all the code our users depend on takes a loop through a Big Tech cloud, the decisions made by these Big Tech firms set the outer boundaries of what our code can do. They have total freedom while we make do with the crumbs they drop from on high.
In other words, the freedom mattered, and when we forgot about it, we lost it.
Which is not to say that free software doesn't benefit from open source's popularity. The vast cohort of people who have been won over by open source's instrumental claims to superior code are the top of a funnel that free software partisans can operate to convince these people to consider the ways that their lives have been made more free through open code, and to prioritize freedom, even ahead of code quality.
The free/open source movement is actually a coalition of people who share some goals even if they differ on others. Coalitions are politically powerful. Nearly everything that happens, happens because a coalition has been pulled together:
https://pluralistic.net/2025/01/06/how-the-sausage-gets-made/#governing-is-harder
But coalitions are also brittle, because after they get what they want (transparency for code), then they have to resolve their differences, which means that some members of the coalition are going to be bitterly disappointed.
After all, there's code that we don't want to make better – at least, not if we care about human freedom. For example: code that helps ICE kidnap our neighbors. Code that powers drones. Code that spies on us, both for governments and for private-sector snoops, like the data-broker industry. Code that helps genocidiers target Gazans. Code that helps defeat adblockers. Code that helps locate new sites for fossil fuel extraction, and code that helps run fossil fuel extraction operations. Human freedom has an inverse relationship to this code: the better this code is, the worse off we all are.
Periodically, some free software advocate will follow this to its logical conclusion and propose a new free software license that prohibits use for some purpose: "you may not use my code in the military," or "you may not use my code for ad-tech," or "you may not use my code in ways that despoil the environment."
It's not surprising that this is a recurring event. After all, if you care about software as a tool for enhancing human freedom, and you notice that your code is being used to make people less free, it's natural to want to do something about it.
And yet, every one of these efforts have foundered – and I think every one will. This isn't because ethics clauses in license are a foolish idea, but because they are logistically transcendentally hard to get right.
First, there is the problem of writing good "legal code." Free software licenses are extraordinarily hard to get right. Not only do the terms have to spell out the rights and obligations of participants in the software project, but the whole system needs to be designed so that these clauses can be enforced. The right to sue for breaching a license is determined by "standing" – only people who have been injured by a license violation have the right to seek justice in court. This has proven to be a serious technical challenge in free software licensing, and if you screw it up, you'll end up with an unenforceable license:
https://pluralistic.net/2021/10/20/vizio-vs-the-world/#dumbcast
Even if you figure out all that stuff, it's possible for even extremely talented lawyers working in collaboration with the most ethical of technologists to make subtle errors that take years or decades to surface. By that time, there might be millions or even billions of works that have been released under the defective version of the license, and no practical way to contact the creators of all those works to get them to relicense under a patched version of the license.
This isn't a hypothetical risk: for more than a decade, every version of every flavor of Creative Commons license had a tiny (but hugely consequential) defect. These licenses specified that they "terminated immediately upon any breach." That meant that if you made even the tiniest of errors in following the license terms, you were instantly stripped of the protections of the CC license and could be sued for copyright infringement. Many billions of works were released under these older CC licenses.
Today, a new kind of predator called a "copyleft troll" exploits this bug in order to blackmail innocent Creative Commons users. Multimillion dollar robolawyer firms like Pixsy represent copyleft trolls who release timely images under ancient CC licenses in the hopes that bloggers, social media users, small businesses and nonprofits will use them and make a tiny error in the way they attribute the image. Then Pixsy helps the troll extort hundreds or thousands of dollars from each victim, under threat of a statutory damages claim of $150,000 per infringement:
https://pluralistic.net/2022/01/24/a-bug-in-early-creative-commons-licenses-has-enabled-a-new-breed-of-superpredator/
Creative Commons spent millions over years, working with a who's-who of international copyright and licensing experts, and it took them more than a decade to fix this bug, and the billions of works released under the old licenses are ticking time-bombs. After all, the copyright in those works will last for 70 years after their authors die, which means that anyone who acquires the copyright to those older images could turn troll and go hunting.
There's a reason that old FLOSS hands react with instant derision whenever someone proposes making up a new software license. It's the same reason cryptographers are so hostile to the idea of people rolling their own ciphers: no matter how smart and well-intentioned you are, there's a high likelihood that you will screw up and irrevocably place innocent people at risk. Yes, irrevocably: getting all those creators to relicense their works under a modern CC license is effectively impossible. Even projects with a relatively small number of contributors – like Mozilla – had to resort to throwing away chunks of code whose authors couldn't be located and paying someone to rewrite them under a new license.
Those are reasons not to come up with new free and/or open licenses, period. But on top of that, there's a special set of perplexities and confounders that arise when ethics clauses are added to free/open licenses.
The first of these is the definitional problem. Even seemingly simple categories can elude consensus on definition. Again, the Creative Commons licenses are instructive here: from the outset, CC licenses let creators toggle an ethics clause, called the "NonCommercial" (NC) flag. Works licensed under "NC" couldn't be used commercially. Seems simple, right?
Wrong. For years – and to this day – CC creators and users have been unable to consistently agree on what constitutes a "commercial use." If you post something, in your personal capacity, to a commercial service, is that "commercial?" Well, it had better not be, because anything you find online is going to have some kind of commercial enterprise involved in getting that file to you: a long-haul fiber provider, a data-center, a hosting company, a cloud company, a social media service, etc, etc. If "noncommercial" means "no one can make any money as a result of the distribution of this work," then an NC license would mean that works couldn't be distributed at all (even if you're just printing off copies of a cool image at home and stapling them to telephone poles, the printer ink company and the staple company are making money off of every copy you post).
The CC organization did extensive polling, conducted seminars, consulted experts, and produced a 255-page document that is fascinating and subtle:
https://mirrors.creativecommons.org/defining-noncommercial/Defining_Noncommercial_fullreport.pdf
And even with this document, CC users and creators still argue about whether some users are in and out of bounds.
Now, the CC NC ethics clause is the best case for an ethics clause in a license. CC is a centralized organization that has total authority over the text of CC licenses and exercises near-total control over their interpretation.
Now imagine how a hypothetical ethics clause in a software license would perform, given the CC NC experience. Compared with, say, "military/nonmilitary," the "commercial/noncommercial" distinction is trivial to draw. Is Ford – whose cars are in DoD motor-pools – a "military" user? What if Ford decides to boycott the Pentagon, but the Navy still buys a bunch of used Ford Focuses from a wrecking yard and fixes them up with Ford parts they buy at an Autozone: does Ford now become a "military" user of free/open software?
Categories are clusters, not shapes. This is why the right wing troll mantra "What is a woman?" is so effective: women aren't whats; they are whos, and if you try to come up with a definition that encompasses all the people who are women, it will stretch to dozen of pages and still miss people out. This isn't unique to women – almost every category defies exhaustive definition. Famously, there is no such thing as a fish:
https://en.wikipedia.org/wiki/No_Such_Thing_as_a_Fish#Title
Neither is there any such thing as a name, an address or a date:
https://github.com/kdeldycke/awesome-falsehood
Obviously, the fact that "name" is a slippery concept doesn't stop us from introducing ourselves and referring to one another. But imagine now that we are going to create billions of works whose copyright will endure for more than a century, and if any of them fails to refer to someone by their name correctly, then any of millions of people, some of them not even born yet, could ruin some software contributor's life and maybe the lives of thousand or millions of users of their software.
And "name" – like "noncommercial" – is an easy case. The hard cases are things like "military/nonmilitary," "fossil fuel-sector/non-fossil fuel sector" etc etc. Big, distributed projects with informal institutions and leaders are poorly suited to adjudicating any of these definitional questions, but toothy ethics clauses require these loose ad-hocracies to create and enforce definitions of the most pernicious and slippery concepts of all.
I want to be clear that I'm not opposed to the idea of an ethics clause in free/open licenses. I make extensive use of both the NC and commercial CC licenses, after all. My objections are practical, not philosophical.
A couple weeks ago, I traveled to Rochdale in Greater Manchester to give the opening keynote at the 2025 Coop Congress. After my talk, I was on a panel with Chris Croome, who has been campaigning for a co-op software license:
either enforce co-operation and sharing and do not allow code to be privatised (made proprietary) or code that is released under terms that dictate that if the code is used to run a business the nature of the business must be a co-operative.
https://community.coops.tech/t/co-operative-software-licenses/4421/10
I've been thinking about this ever since and I think all my concerns about other ethics clauses apply here. Admittedly, there is a widely accepted and mature definition of "co-op," the seven "Rochdale Principles":
https://en.wikipedia.org/wiki/Rochdale_Principles
These have been around since 1937, and many of the seeming ambiguities in the language have been resolved through debate over the past 88 years. But there are plenty of entities that are recognizable as "co-ops" that exist outside of the UK, the Anglosphere and the global north that don't embrace all of these principles, or embrace them in ways that fit into the consensus as to their meaning that has emerged among Rochdale-derived co-ops. It's not merely that a "co-op" license might exclude these co-ops, but also that the enforcement mechanism for software licenses is that individual software authors retain the copyright to their lines of code, and use copyright law to threaten and punish people who violate the license terms.
This means that you could have a pool of potentially thousands of software authors, and their literary estates, who would have the right – for more than a century – to attack co-ops that use "co-operatively licensed" software on the grounds that the differ in their interpretation of what is – and is not – a co-op.
What's more, there are plenty of groups that could organize as a co-op and satisfy the software license's definition, who might nevertheless not be "ethical" by the lights of the co-op movement. Think of a firm of mercenaries that set up as a worker co-op (if this strikes you as implausible, I remind you that the most vicious, human-rights-abusing cops in the world are mostly members of "unions").
So a co-op license creates three risks:
Excluding co-operators because of small differences in which co-op principles they adopt;
ii. Including co-operators who are structured as compliant co-ops, but do terrible things; and
iii. Putting license users at the risk of copyleft trolls who exploit ambiguity in the definition of "co-op" to extort massive "settlement fees" from software users.
That all said, a co-op license has positive aspects as well. Remember what happened when we stopped stressing "freedom" in our software licenses: we got the code quality of "open," applied to all kinds of code, including code that destroys freedom. I've been involved with co-ops since I was a pre-teen, and I've experienced firsthand what happens when a co-op forgets its ethical basis in favor of instrumental goals.
Take the Mountain Equipment Co-Op, Canada's most beloved and successful consumer co-op. MEC was inspired by the US outdoor gear co-op REI, and it served Canadians proudly for decades. But like most consumer co-ops, MEC had very low member involvement, so a cabal of MBA-poisoned looters were able to take over MEC's board, change the bylaws, and then flip the co-op to a ruthless American private equity fund:
https://pluralistic.net/2020/09/16/spike-lee-joint/#casse-le-mec
MEC isn't a co-op anymore. The board's argument was that keeping MEC a co-op wasn't as important as infusing it with capital so it could source the goods its members wanted and offer them at reasonable prices. Joke's on them: after five years of PE looting, MEC's quality sucks and its prices are sky-high.
Institutional structure (like whether you are a co-op or not) can influence the kind of activity an organization engages in, but it can't control it. Keeping enshittification at bay requires multiple, overlapping constraints that prevent the institution from caving into the worst instincts of its worst members. That's why I'm rooting for Bluesky to become more federated. It's nice that they're structured as a B-corp, but that alone won't stop a dedicated investor class from replacing the current management with enshittifiers who destroy the lives of tens of millions of Bluesky users. However, if a large plurality of Bluesky users weren't actually on Bluesky, but on federated servers, they could credibly threaten Bluesky's business by defederating with it if it enshittified:
https://pluralistic.net/2025/01/23/defense-in-depth/#more-10160
So maybe the prospect of losing access to all of its business-critical software could have acted as a check on MEC's board and prevented them from sleazing up to private equity vampires. This is certainly a possible benefit to a co-op ethics clause in a software license. I'm not convinced that it outweighs the risks, though.
I'm a free software person. There are bitter free software partisans who think that the open source people stole our revolution. I understand their outrage. But I also think we left an open goal. In retrospect, choosing a deliberately confusing name in the hopes of sparking conversations was a tactical error. The cohort of potential movement supporters who also enjoy word-games is smaller than the cohort who are put off by being deliberately confused.
I also don't think it's a problem that the software freedom coalition includes people who value software freedom for purely instrumental reasons – because open code is better code. I do think it's a problem that they are the senior partners in the coalition and have steered it for a quarter-century. After all, they steered it into this ditch where tech monopolists have free software and we all make do with open source.
Coalitions, though, are hugely important. Take the as-yet-nameless coalition lined up against corporate power, which has defied political science's laws of gravity, pushing antitrust enforcement across the world, against the world's largest and most powerful corporations:
https://pluralistic.net/2025/06/28/mamdani/#trustbusting
This coalition needs a name. I often cite James Boyle's explanation of the role the word "ecology" played in bringing together thousands of disparate issues (spotted owls, ozone depletion) under a single banner and turning them into a movement. The anti-corporate-power movement doesn't have a name that can unite labor, climate, environment, antitrust, anticorruption, antigenocide, antiracist, antisexist, antitransphobic groups under one banner. Almost all of our definitional terms are "anti-something," from "antitrust" to "antifascist." We have no end of words to describe what we stand against (even "enshittification"'s opposite is "disenshittification"), but we still lack a word to express what we're for.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2025/07/14/pole-star/#gnus-not-utilitarian
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Image: Muhammad Mahdi Karim https://commons.wikimedia.org/wiki/File:Blue_Wildebeest,_Ngorongoro.jpg
GNU FDL https://www.gnu.org/licenses/fdl-1.3.html
--
EC https://www.flickr.com/photos/baumderjustiz/4797771263/
CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/deed.en
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gloomglimmer · 6 months ago
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𝐃𝐎𝐒𝐒𝐈𝐄𝐑  𝟎𝟎𝟏  here  is  my  latest  dossier  template!  designed  to  help  you  explore  and  develop  your  character  in  depth!  please,  like  or  reblog  if  you  intend  on  using. 
BASICS
Full  Name:
Known  Alias(es):
Age:
Gender:
Birthday:
Heritage:
Religion:
Sexual  &  Romantic  Orientation:
Status:  (Alive,  deceased,  missing,  verse-dependent,  etc.)
Residencies:  (List  properties,  safe  houses,  or  frequently  visited  locations.)
Highest  Education  Level:
Occupation(s):  (Primary  career,  side  ventures,  or  any  criminal  affiliations.)
PHYSICAL  EXAM
Facial  Features:
Faceclaim:  (Optional  visual  reference)
Voice:  (Describe  tone,  accent,  speaking  style,  and  cadence.)
Voiceclaim:  (Optional  reference  for  speech  patterns  or  voice  tone.)
Eyes:
Hair:
Body  Type:
Distinguishable  Marks:  (Scars,  tattoos,  or  unique  features.)
Weight:
Height:
MENTAL  EVALUATION
Mental  Illnesses  (if  applicable):  (Diagnosed  or  speculated  disorders.)
Psychological  Profile:  (Core  motivations,  fears,  triggers,  etc.)
Positive  Traits:  (List  at  least  four.)
Negative  Traits:  (List  at  least  four.)
Alignment  Type:  (D&D  alignment  or  custom  moral  code.)
Personality  Type  (MBTI):
Phobias:  (If  any.)
Mannerisms:  (Unconscious  habits,  nervous  tics,  or  common  gestures.)
Hobbies  &  Interests:  (Leisure  activities,  intellectual  pursuits,  or  obsessions.)
STRATEGIC  ANALYSIS
Combat  Style:  (Brutal,  strategic,  erratic,  refined?)
Weapon  of  Choice:  (Blades,  firearms,  improvised  weapons,  etc.)
Hand-to-Hand  Combat  Proficiency:  (Strengths  &  weaknesses  in  close  combat.)
Tactical  Strengths:  (Leadership,  adaptability,  patience,  etc.)
Tactical  Weaknesses:  (Blind  spots,  arrogance,  temper,  emotional  ties.)
Signature  Techniques:  (Favored  moves  or  combat  tricks.)
Pain  Tolerance:  (How  well  do  they  withstand  pain  or  injuries?)
Defensive  Skills:  (Escape  artist?  Counter-fighter?  Tank?)
AFFILIATIONS  &  RELATIONSHIPS
Family:  (List  members  and  relationship  status.)
Allies  &  Associates:  (Trusted  confidants  or  powerful  connections.)
Rivalries:  (Ongoing  personal  or  professional  conflicts.)
Enemies:  (Those  actively  working  against  them.)
Romantic  History:  (List  known  or  rumored  relationships.)
Notable  Friends:  (True  friendships  vs.  strategic  alliances.)
HABITS  &  LIFESTYLE
Daily  Routine:  (Structured,  chaotic,  or  ritualistic?)
Diet  &  Nutrition:  (Healthy,  indulgent,  restrictive,  etc.)
Exercise  Habits:  (Type  and  frequency  of  physical  activity.)
Grooming  Habits:  (Meticulous,  rugged,  or  indifferent?)
Substance  Use:  (Drinks?  Smokes?  Drugs?  How  frequently?)
Sleep  Patterns:  (Well-rested  or  chronically  exhausted?)
Personal  Aesthetic:  (Style,  wardrobe,  and  preferred  fashion  choices.)
Favorite  Books:
Favorite  Music  Genres:
Favorite  Art/Architecture:  (If  applicable.)
SPECIAL  NOTES  &  CHARACTER  LORE
insert  here
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hedgehogcryptid · 2 years ago
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I’ve realized that the main reason I don’t give a fuck about Red Hood’s actual canon crimes is not that I think they’re justified, or reasonable, or even just funny. He has been shown doing very fucked up shit that at times has very little, if anything, to do with any reasonable moral code. But the reason I don’t care is that I’ve steadily become very critical of villain framing. It’s so very common to have a villain say something very reasonable like “poor people shouldn’t die” and then complement it with “and I will kill babies about it.” If the first statement is reasonable, and the narrative does not provide a reason that justifies the balls-to-the-wall batshit “solution” the character came up with, then I assume the author is either deliberately or subconsciously villainizing a specific group of people for no reason, and I don’t vibe with that. At that time I no longer care about what the author/narrative actually has to say and my reaction becomes “the narrator is actually a biased witness and anything they say about this person’s actions should be taken as exaggeration”. Oh, so Jason is an indiscriminate killer who thinks every petty criminal deserves to die? Wrong. They’re exaggerating and taking the facts out of context. So he killed a hundred people in prison with barely any provocation? It probably wasn’t that many and the ones he did were trying to kill him to begin with, with no intervention from the guards, so it was self defense. He attempted to kill a child? Wrong, that was a two-sided fight between two teenagers, he just won so the other one’s bitter. Like, I don’t care how much made up context I need to stuff in there to make it make sense, I will do it because the narrative decided to frame the homeless kid from a poor neighborhood as the villain against the nice and kindhearted humanitarian billionaire so its logic is fucked from the get-go
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