#connect rect

[figurecollection]

Lighter Garage Kit by Connect Rect, from Zenless Zone Zero

[thefigureresource]

2B : Deluxe Edition [NieR:Automata Ver1.1a] 1/7 scale from Aniplex coming September 2024.

[tornrose24]

Was trying to think more about combining CU with Haunted Mansion and the big issue is who the ghosts would be. This is what I could come up with so far, but I’m open to suggestions.

-Ghost Host/ Creeply Rattlechains (remember that guy from the Halloween episode? He’s perfect for this and deserves more love.)

-Graveyard caretaker/ Jerry (Not a ghost, but the role seems to suit Jerry).

-The Mariner/ Cash Networth (I don’t recall seeing this ghost, but I think was more well known back in the day? It seems to fit Cash due to the boat connection)

-The Hitchhiking ghosts/ Meaner, Rected, Poopypants (This was a bit tricky to think of to be honest. I’m trying to think of physical match ups as well as who would be interesting to try to hitch a ride with someone)

-Madame Leota/….. ok this is a tough one given she’s the most iconic character. She’s either the big good or an antagonist depending on the material. Should I have someone good like Moxie or Dressy’s mom (who looks like she’d be the part?) Grace Wain who is NOT Erica in this case? 

-Constance Hatchway/Ribble (there’s been a few brides, and I figure I’d have the evil bride be Ribble given how murderous she was on her own wedding).

-The duelists/Ree and Lavator (Backstory-Ree agreed to what he thought was going to be a duel with fake weapons. Lavator grabbed the wrong set. Ree’s not too happy about this. Also I can’t find any caretaker/butler ghosts for Ree)

-The organist/Hurd (I can’t think of a whole lot of other musical characters for this one.)

-The woman transforming into a cat/Yewh (something about it makes sense)

Now I am not sure what to do with the kids, but some seemed to work for the Stretching room. Particularly:

Tightrope Girl/Dressy (There’s a crocobat at the bottom instead of an alligator).

The three guys in the quicksand/Jessica, Sophie one, other Sophie (Take a guess who is stuck at the very bottom).

I’m not sure about the other two paintings, given the nature of the old woman painting and the dynamite guy painting (I was thinking of having Gooch be the dynamite guy because of his bad luck… but considering how dynamite guy is dressed, I feel like it’s almost a no brainer who the OTHER option could be).

And of course, the ones I already did:

-The hatbox ghost/Krupp (I did this because of the movie and finding out what the hatbox ghost’s last name was, plus the idea was amusing. Also according to HM lore, the hatbox ghost was supposed to be the beating heart bride’s groom so that is incorporated here. His death… well, a weight was certainly lifted off his shoulders).

-The beating heart bride/Melanie Ravenswood/ Edith (I initally had Edith be Melanie given that she was the nicer counterpart to our American brides, but then I found out about the Beating Heart Bride and her being the fiancee to the Hatbox Ghost and suddenly everything just worked out perfectly for me).

[patchyparrot]

I made it! it now properly shows health in pics!

(It's not dynamic atm as I haven't figured out yet which part of the script is the best for calling the function, but I'll invent something later)

The tutorial I mentioned before was not exactly what I needed, but it pushed me in a right direction. It handles damage and HP as a separate script (mine is divided, health is within the player, on-screen UI is within the level function; should do something about it in the future), thus the Damage function calls the HP-Drawing function. I'd love to have a dedicated script for such things as damage and Player-related UIs, only thing left here is to find a way to have one Damage function for ALL enemies. I.e. damage and stuff are different for different types, but all enemies are doing the same, basically - detect and hurt the player. Right now, though, I had to somehow connect different scenes and scripts to make it work with what I have.

Another thing had to be changed is what's inside the box container which is going to handle the picture. In the tutorial the author puts texture rectangles into the container beforehand, and then checks whether they should be visible or not. Not all games have a static amount oh max HP, and I would like it to change sometimes. Why not make the program put them there for me, using data from a dedicated variable?

I made a microscene with a sprite inside, and instantiated it. But oops, it kept appearing in one spot for some reason. Turned out box container does not fully understand non-control nodes and ignores their size, stacking them. So I switched type of the root node to control with a texture rect inside. It was better, I could see all hearts (or rather their left halves). During tests, I put texture rects inside of the container manually, so it was wrong, obviously, and parent control node probably was excessive. I removed it, and voila!

Of course there are better ways to do all that, maybe without a separated scene, or...some other way? But it's the future problem. For tonight, I am a happy and accomplished person.

[uniqueinthecreek]

Kathy SHOWS YOU HOW TO MAKE A PATRIOTIC CENTERPIECE | UITC RECT BOARD

Kathy SHOWS YOU HOW TO MAKE A PATRIOTIC CENTERPIECE | UITC RECT BOARD https://www.youtube.com/watch?v=a2R6yWj7J2s Create a stunning patriotic centerpiece to adorn your table and celebrate American spirit! This video features 👉KATHY DYER👈, a crafty entrepreneur and TEAM UNIQUE Designer along with a Unique In The Creek™ Wreath Board. *Additional materials reviewed throughout the live stream.* ➡️You can support KATHY AND save 5% on boards by using her link https://ift.tt/1esJ8pS to our shop and add code TEAMUNIQUE at the checkout: **Please note, as an Affiliate KATHY will earn a commission from your purchase through her code Want more of Kathy? Follow her on her Facebook page Kathy Dyer Wreaths https://ift.tt/vmKN6ew ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ✅ About Unique In The Creek. ➡️FREE Shipping available in the USA and Canada! 🚙ind out about Free shipping and Discounts🫥 at https://ift.tt/CGjSzn2 ➡️You can find all the Unique In The Creek™ Wreath Making Boards https://go.uniqueinthecreek.com/boards👍 ➡️You can find Our available Complete Wreath Kits https://go.uniqueinthecreek.com/all-kits👍 ➡️Check out our Amazing, great great-quality supplies stash https://go.uniqueinthecreek.com/shop👍 ➡️Don't forget we're on Amazon too, find our shop https://go.uniqueinthecreek.com/amazon👍 ➡️Find the UITC Large Board at Hobby Lobby Stores and Online https://www.hobbylobby.com/Floral-Wedding/Floral-Supplies/Wreaths-Forms/Round-Plastic-Wreath-Board/p/81102699👍/Floral-Supplies/Wreaths-Forms/Round-Plastic-Wreath-Board/p/81102699👍 ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● 💁‍♀️Want more information on UITC™ Wreath Making Boards? Have a question?🤔 Customer Service can be reached at info@uniqueinthecreek.com or the contact us page on our website💻 https://ift.tt/IpWgrcs ● ● ● ● ● ● ● ● ● 🔗Follow UITC On Social Media🔗 ● ● ● ● ● ● ● ● ● 👉Facebook: https://ift.tt/t8Q4ZuO 👉Pinterest: https://ift.tt/cMon45j 👉Instagram: https://ift.tt/o9hvCN5 👉TikTok: https://ift.tt/RPvU1zt 👉Website: https://ift.tt/J5TWcqb 👉Amazon Store: go.uniqueinthecreek.com/amazon ✅ For Business Inquiries: info@uniqueinthecreek.com ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ℹ️JOIN our FREE Wreath-Making Community! Creekers are doing amazing, out-of-the-box designs with UITC Wreath Boards👌 Connect with our creative community here 👉https://ift.tt/UoPmBXL ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ✅ Recommended Playlists 👉 Butterfly Designs: https://www.youtube.com/watch?v=CA9HTnAc4xQ&list=PLFetCpLC4Vkb8lgtEvVKaAxajtdQkfMzY&pp=iAQB 👉 2024 Designs https://www.youtube.com/watch?v=voVpIKs8aog&list=PLFetCpLC4VkYOGvACzfCLWl15gR4CuG6w&pp=iAQB ✅ Other Videos You Might Be Interested In Watching: 👉 How to make a Lemon Wreath | UITC Cane Board | Easy DIY Wreath https://www.youtube.com/watch?v=U97ggEAsTms 👉 How to Make a Flower Wreath | By Laurie https://www.youtube.com/watch?v=DN3f4UajjsE 👉 How to Make a Flower Center | Wreath Accent https://www.youtube.com/watch?v=aB0wgOikVtc 👉 Patriotic Bandana Wreath | Large Board | Marianne https://www.youtube.com/watch?v=zJEa0t3d7i8 ❤️Thanks so much for supporting our YouTube Channel! Happy Wreathing!❤️ #makeitlikeKATHY #UniqueintheCreek #UITC #DIYWreath #Imadethis #TeamUnique #wreath #wreaths #wreathmaking #makersgonnamake #wreathmaker ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ⚠️DISCLAIMER: We do not accept any liability for any loss or damage incurred from you acting or not acting as a result of watching any of our publications. You acknowledge that you use the information we provide at your own risk. Do your own research. Copyright Notice: This video and our YouTube channel contain dialogue, music, and images that are the property of Unique In The Creek. You are authorized to share the video link and channel and embed this video in your website or others as long as a link back to our YouTube channel is provided. © Unique In The Creek via Unique In The Creek https://www.youtube.com/channel/UC3Zht73BTrdaXlmzDA0tscQ June 01, 2024 at 07:00AM

[nitrosodiumepicfps]

A note on styling

I'm probably going to reuse this canal section in the actual game, even if it's unusable at the moment due to collision glitches. So, this is a guide on replication of the aesthetic.

Lights should be placed at somewhat realistic intervals. When creating an aesthetic, lighting is of course everything. There's the deep bluish sky, the warmer yellow lights, and the harsh white for filling out a setpiece. When making windows in the future, I'll use a load of "rect lights", rectangular shapes of light instead of building small rooms with nothing in them.

What I can also do is create false feelings of entrapment and paranoia. Most rooms will have many windows and entrances to other sections, even if they're blockaded off or inaccessible. Although enemies won't be able to see through glass, it will give a sense that you're always being watched. For the layout, I want to have lots of dimly lit halls contrasted with brighter, better-maintained sections where bots are working. On the bots, I've decided they will be hard hat-wearing figures with lanky arms and a torso connected to a roomba-like bottom half which they glide along.

[opisthotonos]

Ah, "Tu recte vivis, si curas esse quod audis." It is a phrase that echoes through the corridors of existence, a whisper in the tumultuous winds of human perception. To live rightly, to truly live, if one cares to be what one hears. It is a proclamation that pierces the very fabric of our consciousness, a directive that resonates with the grand opera of life.

In these words lies an intricate interplay between existence and intention. "Tu recte vivis" — to live rightly — suggests a path not solely defined by the external measures of success or the hollow echos of societal expectations, but by an inner compass, an unwavering commitment to authenticity.

And "si curas esse quod audis" — if you care to be what you hear — emphasizes the intimate connection between our perception and our being. It beseeches us to pay heed to the whispers of our innermost desires, to embrace the symphony of our aspirations, and to mold our existence in accordance with the harmony that resonates within.

But is this truly attainable? Can we, as mortal beings, fully encapsulate the resonance of our aspirations, our desires, and our innate truths? Or are we merely drifting entities, subject to the whims of the universe, tossed by the tempestuous waves of fate?

It is a question that leads us into the unfathomable depths of human consciousness. We strive to comprehend our place in this vast, enigmatic cosmos, to decode the language of existence and decipher the meaning behind the tapestry of life.

Perhaps, the essence of "Tu recte vivis, si curas esse quod audis" lies not in the attainment of an absolute truth, but in the perpetual pursuit of understanding, in the relentless quest to align our actions with the whispers that echo in the chambers of our soul.

In the end, whether we navigate existence authentically, in accordance with what we truly hear and embrace, remains a voyage laden with ambiguity, enigma, and eternal questioning.

For in the symphony of life, the melody of truth often dances on the precipice of the unknown, and our endeavor to live rightly is a perpetual dance with the haunting yet alluring music that reverberates within us.

[dailyfatefigures]

Choco Angels - 1/7 Scale by Connect Rect

[randominagines]

How would the avengers react to being turned down despite reader admitting they feel the same but reader is nearly immortal and has lost a lot and is too weary to have a relationship after losing her past loves?

Thanks for the request 💜

Pairing: Avengers x neutral reader

Warning: angst

Gifs belong to their creators.

Part 2 here (Vision, Sam, Pietro, Peter, Bucky and Loki)

AVENGERS RECTING TO BEING TURNED DOWN DESPITE YOU ADMIT YOU HAVE FEELINGS FOR THEM:

TONY

Tony would be so sad. He rarely manages to deeply connect to someone and you are simply his favourite person ever. He looks at you, his head tilting and his eyes filled with sadness. "You just said you have feelings for me too, so why are you pushing me away?" He asks, his tone flat. You gently caress his cheek. "Tony, I'm immortal. I can't watch you die..." you admit, your heart broken. He shakes his head and cups your face with his hands. "Hey, look at me: I don't want to give up on you, y/n, we will figure something out, together." He whispers and you let him hug you, you will think about the future later.

STEVE

Steve loves you so much, he already imagined a future with you. He feels completely broken when you push him away. "But... why? I love you, you love me." He tries to say but you interrupt him. "Love will not be enough tomorrow, when I'll have to watch you leave me. I've been sad most of my immortal life..." You explain while remembering how much you already suffered. He takes your hands in his and kisses the back of them. "I can make you happy." He simply says, his blue eyes filled with hope. You let out a breath while hugging him, your head resting against his chest.

THOR

Thor thinks everything is just fine between the two of you, so when you confess your feelings and reject him afterwards, he ia shocked. "I don't understand, why..." he asks, his face centimetres away from yours. You shake your head and put your hands on his chest. "Thor, I'm immortal. I will have to see you die and I..." you try to explain but he puts a hand on your cheek and caresses it. "I'm not immortal, but I will have a long life, we can always find a way. Please, just don't push me away." He asks, his voice a whisper. You look at him, your heart telling you to trust him, and then you kiss him.

NATASHA

Natasha would be destroyed. You're the only good thing she ever had and she can't lose you. She looks at you in tears. "Baby, I thought that..." she tries to say. You can't see her like that, you caress her face. "Nat, I love you, I do, but I will stay like this forever while you will leave me one day and I can't watch you die." You tell her, your eyes watery too. She nodds while staring at you. "I don't want to force you, just know that you're the only person I've ever loved and I think we should give ourselves a chance." She says, her voice shaking. You hug her, you just want her to smile again, while thinking that she might be all right.

WANDA

Wanda would be so confused and sad. She slowly fell in love with you and was totally sure that you felt the same way, so when you reject her, she's sorry. "Ohw, okay, I must have misinterpreted the signals..." she whispers while biting her lower lips and looking away to avoid crying. You caress her hand and make her look at you again. "Wanda, you haven't. I'm in love with you, but you know I'm immortal. I will lose you one day and I can't bear this thought." You explain and her eyes change: she immediately looks less scared, she has hope again. "We'll find a way, I can't let you go right now." She says while caressing your cheek. You smile, your heart melting while you realize that you don't want to give up on her too.

[fort-stuck]

redemptiveBluestocking [RB] began trolling recreantEnigma [RE] RB: Spiyee? RB: Spiiiiiyyyyyyyeeee. RE: Oui? What is so important that you must interrupt my time alone?! ◄ RB: Pshhh, you’r re always alone. B but not for long! Me and The Administr rator r have a job b for you! RE: The Administrator herself? What would a midblood such as yourself have in the way of connections to The Administrator? ◄ RB: Ha, ha, ver ry funny, Spy. R right, so, I’m sending you a file. Soon enough, you’r re gonna play a game with a few people. RE: And how many people am I to play this ‘game’ with? ◄ RB: Eight other rs, if my calculations ar re cor r r rect. RE: I’d be a fool to believe any of this, woman. ◄ RB: Oh, you’ll b believe me soon. You’r re going to play the game whether you want to or not, Admin's or rder rs. RB: Sleep well, Spiyee. redemptiveBluestocking [RB] ceased trolling recreantEnigma [RE]

[thefigureresource]

9S : Deluxe Edition [NieR:Automata Ver1.1a] 1/7 scale from Aniplex coming May 2025.

[fathomintoxconstellations]

{ROBERT SHEEHAN, MALE, HE/HIM )} have you seen FELIKS MOLOTOV around icaria? they are the 28 year old child of PERSEPHONE. they remind me of the ink stained skin, day old booze and a Cheshire grin. They’ve been on the island for 1 week.

basics:

Full Name: Feliks Alexei Petrova Molotov

Nicknames/Alias: Lex; Lexi; Casper; Tabby; Bonnie; Salem; Salem Mira; Vivian Ward; Henry Walton Jones Jr.; Beau N. Hurr; Dixie Rect; E. Normous; Flynnigan Rider; Eugene Fitzherbert; Orville Redenbacher III etc.

Parents: Nickolas Petrova & Persephone

Pets: Salem (Ghost cat that follows him around) 

D.O.B.: February 12th, 1992

Age: 28

Profession: Employee at Phryne 

Hometown: Moscow, Russia

Sexuality: Pansexual

Spoken Languages: English, Russian & Greek fluently (But, knows a handful of other phrases/bits and pieces from other languages)

Abilities: Botanical Communication (Can talk to plants), Toxikinesis (Can pull toxins/poisons out from plants), Energy Absorption (Can steal energy from things around him- specifically plants often draining them dry wherever he goes), Necromancy, Intangibility (Can phase through walls, doors etc.), Light Manipulation (including invisibility)

bio:

Tw: murder, abuse, violence, suicide

If you were to ask Feliks Moltov which word best described himself, there were only be one that would come to mind- expendable. Born a Petrova in Moscow, Russia, Feliks’ father Nickolas was the son of a notorious Mob boss in Russia. It was a life Nickolas didn’t want for himself or his future family. He spent most of his young adult life fleeing from the vile life his father had cultivated for their family. During his travels to escape his father’s villainy, Nickolas had met Persephone while she was traveling the mortal realm while her husband, Hades, was away. He was captivated by her beauty and charm, and once she told him of who she truly was, he knew that their love couldn’t last. Before Persephone departed from Nickolas’ life, she gifted him with the one thing he’d always truly wanted- a pair of twins.

Their father spent most of their childhood spoiling them. He gave them all he could offer. They were the apples of his eye and the greatest joy in his life. He’d taken a job at a local factory to support the family of two, refusing to his father’s blood money, and also surviving on the occasional gifts of Persephone. They didn’t live the most rich life, but a simple life, and they were happy and, yet, growing up, there were always whisperers from the other kids in the neighborhood about how Feliks was unlucky. Flowers, patches of grass, and even trees would begin to wilt whenever he was around. The old women from their neighborhood described it as a bad omen. Later, Feliks would discover that it was the start of his ‘gifts’, and yet, even now, he’d find the word omen to be more fitting.

When the twins were 13, their father developed lung cancer due to the unsafe work conditions of the factory. The illness enveloped him quickly, and within the year, he succumbed. Unfortunately for the twins, this now left them in the care of their grandfather Viktor Dimitri, and the newest member of the Dimitri crime family.

Viktor was obsessed with Violet. She was coming into powers and showing much more potential than Feliks ever could. The man hoped to use the two of them for the gain of his empire, only as Violet continued to exceed everyone of Viktor’s expectations, Feliks time and again became more and more of a failure. The only time his grandfather ever seemed to give him a compliment was when it came to his forgeries. But, even those were few and far between. Violet became Viktor’s loyal assassin, but despite all of the training and brainwashing, Feliks could never quite stick to his orders.

It should have been an easy hit. Get in, get out. Nothing to it. The sixteen year old had done similar assignments before, but this time was different because this time, as he entered the man’s apartment, he found himself face to face with a young girl. She couldn’t be more than a few years younger than him and yet her eyes were filled with innocence and fear. She was petrified at the sight of him. It was as if she saw a monster and not a boy and she was shaking. Feliks hadn’t been there for her. He had come for her father. But, as much as he tried, he couldn’t shake the shivering image of her wide eyes from his mind. And the more he thought about the girl whose father he was about to take away, the more he started picturing his own old man in the target’s place. He had the target pinned down, struggling under his grip. But, he hesitated. The toxin he had brought to finish the job fell out of his hand. The next thing he knew, the poison that was suppose to kill the man was being used on him. Without thinking, instinct took over and Feliks shoved the father off of him and finishing him off with a dagger. The last thing Feliks saw was the little girl’s wide haunting eyes as his vision began to blur.

It was a miracle that the toxic hadn’t managed to kill Feliks, but in Viktor’s mind, the damage that was done was so much worse. Feliks sight was severely damaged that day to the point where only his shadow and light perception remained. After that, Feliks was no longer a use to Viktor and was quickly tossed aside. Along with it, any future contact to his beloved sister.

With no more ties to his family, the sixteen year old boy was thrown into foster care, tossed around from family to family, with each one often more abusive and neglectful than the other. If you’d think turning eighteen would be a saving grace for Feliks though, think again. As a ‘legal adult’, Feliks was tossed out onto the streets. Between dumpster diving for his breakfast and mumbling to the spirts harassing him on a daily basis, the now homeless man returned to crime as a means to survive. 

He started out with petty crime. The scrawny kid sold drugs, many of which he’d experiment with himself, and pick pocketed rich drunkards on their way out of the club- that was if he wasn’t convincing them to let him come home with them first. He had established quite the routine when Luka stumbled into his life. Luka was quick witted, charming and had mistaken Feliks for a prostitute which Feliks readily went along with. He was always a sucker for pretty eyes after all. They’d joke that Luka was the Richard Gere to his Pretty Women and began to see each other more and more until Luka became Feliks’ new routine. 

Feliks had never had someone see any potential in him until that point. Between tangled sheets, Feliks would listen to Luka’s schemes. The man would go on and on about what they would be able to do if they used Feliks’ abilities to the fullest- what sort of life the two of them could make for themselves. Luka already had money. He didn’t need to do any of this and he sure as hell didn’t need a prostitute to sleep with every night, even a fake one. Luka was in it for the thrills and, for a guy who already had nothing, going along with it seemed like the best offer Feliks was going to get. So, the two of the went bigger. They became quite the pair; a modern day Bonnie and Clyde as they dabbled in forgeries and burglaries. Luka would get mad at Feliks for always pushing the boundaries- going by funny Aliases as if he was hoping they’d get caught and Feliks would calm Luka down before the pair would fall into bed together- sometimes just the two of them and sometimes with someone else. It was everything Feliks could have wanted. He felt free, he felt loved and he was finally finding himself having fun- something he hadn’t experienced since his dad was still alive. He had even saved up enough cash to get out if he wanted to. He could start tracking down his sister or make a life with Luka besides the hotel hopping they had been doing over the past few years. Only Luka had other plans.

It was the night after a heist. Feliks rolled over in bed with a splitting hangover ready to cuddle up against the man he was smitten with. Only Clyde had walked out on Bonnie vanishing into the night as swiftly as he had entered Feliks’ life. 

Luka left Feliks with nothing. He whipped him clean leaving not even a penny to his partner’s name. Feliks was back at square one, having been tossed aside for what now felt like the hundredth time in his life. Everyone in his life at one point or another seemed to toss himself to the side like he was nothing, so that’s what Feliks deemed himself to be. 

He began to thrive in the nothingness. He started going by the name of Salem Mira after the black cat he had as a child and the street he grew up on. Cliché, he knew. But, it felt right to him. Feliks sold every piece of himself that he could and, if he had any ounce of dignity left, you could have bet he would have sold that too. That was before he heard through the grapevine that Vi- his twin and his other half- had passed. The last thread of happy memories he had, of their dad and the two of them, slipped away just like that. The next six years for Feliks quickly became a blur as he found himself at the bottom of a bottle after a bottle. He quickly became addicted to everything- sex, drugs, pills etc. If there was an anonymous circle to sit in with free donuts and coffee he was there in a heartbeat. Any distraction he could find he took without second thought. He’s been in rehab more times than he could count and even tried to take his life a few times. And yet, if you asked him, he’d say he still didn’t manage to get that right. 

When Persephone showed back up in his life, he was mess without much of a conscience. He hardly believed the woman when she spoke of a place where he would be safe and loved. But, he was in between beds and figured a place where he wasn’t running from the law could be nice, so he packed up what little belongings he had and said what the hell?

wanted connections:

Family:

Biological Sister: Ivy

Half-Siblings: Malik & Suki

Foster Siblings-

Make-Shift Family-

Work:

Customer/Regular at Phryne

Coworkers - Adrian, Rue

Boss - Ava

Friendships:

Best Male Friend-

Best Female Friend- 

Someone Who Knew Him From His Life on the Streets- 

Someone Who Knew Him in the Foster System-

Partner in Crime-

Role Model/Dysfunctional Role Model-

Someone who brings out the best in him-

Someone who brings out the worst in him-

Someone who attempts to spar/work out with him while he complains and cracks jokes-

Childhood Best Friend-

Family Friends/Someone who knew him back when he was working in the Mob-

Phone a Friend (Goes to/calls whenever they’re in trouble/vice a versa)-

Old Roommates-

Roommates-

Couch Surfer (Someone who used to let him crash on their couch from time to time)-

One Sided Friendship-

Weed Buds-

Karaoke Partners-

Frenemies (Act super nice, but actually don’t get along/like each other)-

Bickering Frenemies (Act like they hate each other, but really love the hell out of each other)-

Someone who takes him under their wing

Someone who he takes under his wing

Mom Friend - 

Dad Friend-

Someone who brings out the more serious side of him-

A friend who is lying to him-

A friend who he is lying to-

Toxic Friendship-

Acquaintances (Have always been aware of the other person’s existence, but for some reason have never grown close)-

Stumbled upon each other in either an awkward or personal moment and now have trouble looking each other in the eyes-

Wingman (Someone he’s a wingman for)

Wingman/Wingwoman for Him

Fake friend-

Breakfast Club (Someone he met once when traveling. They opened up to each other and had a breakfast club-esque relationship for a day/weekend before they parted ways, only to see each other again now) -

Good Influence

Bad Influence

Someone who helps him gain more control of his abilities

Someone who he helps gain more control of their abilities

Play pranks on one another until someone gets in trouble/hurt

Serendipity (Someone who he consistently runs into again and again over the years; could be friends or acquaintances, but neither can deny, it’s weird that they keep on meeting like this)

Someone who he attempted to pickpocket once-

Relationships:

Exes who ended on good terms

Exes who ended on bad terms

First Time

Old Flame

Past one night stand

FWB - 

Crush-

Ex Crush turned Friend-

Ex Crush turned Foe-

Exes who are now friends, but don’t ever talk about the fact that they dated-

Unrequited love-

First boyfriend-

First girlfriend-

Kindergarten couple-

The Clyde to his Bonnie who screwed him over in the end-

End-game: Kai

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Perfect radio host line 6 pod farm preset

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OK, I am a HUGE Mesa guy and I am always always let down by the Rect models on any modeler. The levels are fairly even except the bass on the 67 you may have to cut some. Tweakers delight!!Ĭab mic type goes from a standard 57, to angled 57 (more mids, less treb), to a 400 Series Dyn, and then a 67 which kind of scoops the midrange. You can really alter the voicing using a Boost w EQ in the drive block as well as fine tune even more with the after amp EQ. This unit uses FR speakers in the cab, so you have be mindful of that. Spider V has a decent EQ and some of the other eq shaping and tonal balancing can be eased by dropping gain and boosting amp model volume. See what starting points you have, and then go from there. Kill the gates, take off compressors, cut the amp gain (damnnear dimed in most fcty presets lol), try different cab models. Just like all of these units, I started patches from scratch. Mattball826 has a great V240 review with tips here:Īmp is loud, tweakable, better with post eq shaping (internal eq blockpost amp)

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Scenario mode and Lua scripting continued

Hi all, time for a long overdue progress update on the scenario mode, Lua scripting, and tutorials.  This will continue on from the last blog post so check that out if you haven't already.  Okay, let's get stuck in!

Code interfaces

Exposing the game's events and global variables to Lua scripting was a good start, but only allows the scripts to do pretty basic stuff.  To properly open things up, scripts need access to entities in the game (such as players, tools, constructions, parts, and so on), so I've added interfaces for a whole bunch of classes in the game code and registered them to be accessible from Lua scripts.

I won't go through everything in detail here, but here's a brief overview of some of these interfaces:

IConstruction

State properties (is frozen, total mass, velocity, etc.)

List of parts making up the construction.

Methods to get a member part from an index, for moving the construction, and so on.

IPart

Part's attachments (allowing access to each attachment's position, connected part, etc.)

Material properties (mass, strength, is paintable, etc.)

List of part behaviours.

IPlayer

State properties (camera mode, is in free flight, velocity, etc.)

Targeter (to get currently targeted part).

Part inventory (mode, available part catalogue, etc.)

Toolbox (to get the active tool and the part selection).

IPartSelection

State properties (pivot part, is currently aligning, etc.)

Currently selected parts.

Methods to modify the part selection.

This is by no means a comprehensive list, but hopefully gives a flavour of what's available.  I've made functions accessible from Lua scripts that can get hold of the game's construction and player instances, and then interrogate / manipulate them via these interfaces.

More UI features and proxies

Following on from the UI windowing system I covered in the previous blog post, I've made more UI elements available that can be added to a window from Lua scripting: toggle, slider, drop-down menu, input field, and picture (displays an image texture).

To support the interfaces, UI features, and Lua scripting in general, I had to add some more proxies for Unity types and static methods.  These are: Quaternion, Time, Input (for raw input as opposed to key bound input actions), Texture (includes a function to load textures from file), and Rect.

Script mods

A Lua script can serve many purposes, but I think they essentially fall into two main use cases, a scenario script or a "script mod".  A scenario script is loaded and run automatically when the player starts playing a scenario and is there to configure the game for that particular scenario.  Whereas a script mod can be loaded at any point and can implement a tool, a custom UI, and so on.

Lua scripts can be loaded from any path location using the debug console, but I've added a UI screen for an easier way to load script mods from a "standard" location (this being a ScriptMods folder alongside the SavedConstructions and SavedGames folders).  This UI screen also allows for publishing script mods to the workshop and loading those downloaded from the workshop.

I've written some simple tools as script mods that make use of some of the interfaces mentioned earlier.

Player tool: displays player's ID and current state (position, velocity, etc.)

Construction tool: displays current number of constructions, allows debug functionality to be enabled (e.g. "show part bounds"), and for a construction to be made non-targetable or even invisible.

Part inspector: shows targeted part's ID and current state (position, rotation, etc.)

Attachment inspector: shows targeted attachment's position, connected part, etc.

Here's an image showing all of these tool scripts running at once:

Some of these tools are useful for making scenarios, and they also serve as examples of how to write script mods, so I'll include them with the game.

For example, the part inspector can be used to find out the IDs of parts and constructions in a scene, and then those IDs can be used in a scenario script to reference those particular part or construction instances.  Another example use would be preventing certain parts from being detachable or constructions from being targeted.

Checkpoints

For the tutorials and other scenarios I wanted to have "checkpoints", i.e. a way for a Lua script to detect when a player or construction enters a particular area in the scene.  So I've added a new checkpoint part that can be placed in the scene and defines a trigger volume (actually a couple of variations, a box or cylinder).  These parts don't do much on their own but they provide enter / exit events for Lua scripts to handle and implement useful behaviour.

The checkpoint parts need to be static (i.e. non movable under physics), so I had to implement a way to make a part be "pinned" (i.e. its parent rigidbody remains kinematic, even when the construction is unfrozen).  This will also be needed for making a building foundation part which I want to add in the future to allow for buildings and other static constructions.

Here's what the checkpoints look like, note they also have a customisable text label:

I'm excited about what's now possible using checkpoints and scenario scripts, for example: timed laps with split times, obstacle courses, mini-games (e.g. vehicle based soccer, robot golf), you name it!

Tutorials

One of the main motivations behind scenario mode and Lua scripting are the in-game tutorials, and I'm making decent progress with these although it is slow going.  It's quite tough trying to break down the game's complexities into simple incremental steps that gradually build upon the player's knowledge.

Here's what I have made so far:

Tutorial 1

Briefly covers player movement (should be pretty familiar to anyone not living under a rock! :))

Spawns a go-kart in front of the player.

Introduces the construction menu and has the player use it to unfreeze the go-kart and turn it on.

Gets the player used to controlling a construction by driving the go-kart, ending the tutorial once they reach a target speed.

Tutorial 2

Starts with an upside down go-kart.

Introduces the builder tool and has the player use it to freeze the go-kart and select a pivot point.

Introduces the translation and rotation manipulators and gets the player to use them to pick up and rotate the go-kart to be right side up.

Once the player unfreezes the go-kart, has them drive it over to a checkpoint.

Tutorial 3

Starts with a go-kart with no wheels, and some loose wheels next to it.

Has the player use the builder tool to position and freeze the go-kart, ready for building.

Gets the player to pick up a wheel, use the rotation manipulator to rotate it, and align it to one of the go-kart's axles.

Once they attach the first wheel, has the player attach the rest.

Introduces the concept of attachments, and has the player target the wheel attachments and cycle them to rotary bearings.

Once the player unfreezes the go-kart, has them drive it through a sequence of checkpoints.

Tutorial 4 is still in progress but will likely introduce the idea of detaching and moving parts, and the builder tool UI for spawning new parts.

I'm trying to make each tutorial build upon the previous one, and be a little more challenging for the player each time.  As you can see I still have a way to go with this, I'm hoping things will go a bit faster now that I've implemented most of the game code support.

I reckon I'll probably end up with around ten basic tutorials, and that's just covering the essentials of building.  I might make a second more advanced series of tutorials to cover mechanical concepts, but we'll see how things go.

Summing up

Recently I've also done a major Unity upgrade to 2020 (I tried 2021 but it broke some UI stuff), and plowed through a whole load of bug fixes.

Next up will be to continue working on the tutorial scenarios, and try to get those done as soon as possible.  I'll also try adding some other simple scenarios, and I'm sure there'll be one or two other supporting features I'll need to implement in the game itself.  That's it for this update, thanks for reading!