#effective decision-making
Explore tagged Tumblr posts
hikercarl · 10 months ago
Text
Why I’d Give Up the Word “Maybe” and What It Would Change
Daily writing promptIf you had to give up one word that you use regularly, what would it be?View all responses If I had to give up one word that I use regularly, it would be “maybe.” It’s a word that often finds its way into my conversations, both in personal and professional settings. I’ve noticed that it gives me a certain level of comfort, acting as a buffer when I’m unsure of something or…
0 notes
jayktoralldaylong · 3 months ago
Text
I love that the villain of Mouthwashing is not some outer space monster, it's not a science experiment broken free from a lab, it's not even a man with an obvious stereotypical mental illness.
It's a man with self esteem problems. A selfish cowardly man who so badly wanted to be praised for doing the bare minimum. A man who let envy bite through the hand that fed him. Cause sometimes the worst monsters are the ones that are the most human. And everyone died and suffered because one man (Curly this time) kept making excuses for that one weak link (Jimmy).
I also love that the crew in Mouthwashing didn't die because Jimmy went around hacking them up. They died because of his poor leadership decisions. The leadership that he so badly believed that he could do better than Curly.
- Anya was already stressed out from the assault and she was on the edge of a mental breakdown, Jimmy responded to that by shouting at her. 💀 Girl chugged down that pill bottle like it was water.
- Daisuke was an intern, he just did whatever he was told, eager to impress Jimmy. Jimmy says climb the vents, Daisuke climbed the vents. The vents collapsed on Daisuke.
Jimmy then tries to disinfect the wound with Mouthwashing, mind you Anya had earlier mentioned that using the chemical would only make wounds worse. Swansea reminded him of this. Jimmy ignores him. Proceeds to aggravate Daisuke's wounds so bad they Swansea has to mercy kill him.
- Swansea is an old man and 'life in prison' does not mean so much to him anymore. Plus, Jimmy has stepped on his last nerve. Swansea tries to kill Jimmy. Jimmy shoots him.
A domino of events that look like accidents, all avoidable if Jimmy listened, if Jimmy calmed down, if Jimmy did not act so darned arrogant and demanding all the darn time. And now he's left in a ship of corpses, but Curly is still there........
So Jimmy does what he does best.
He blames Curly (and then Jimmy finally has a mental breakdown).
339 notes · View notes
likesdoodling · 2 months ago
Text
I have finished The Angst Version™~ (of chapter 50 of The Harrowing by @chthonion >:D) The bonus chapter added some stuff/re-inspired me, which is all to the good imo~ gotta get that Maximum Angst Factor AMMIRIGHT?? >:D (also. Mostly paraphrasing stuff just so you're aware~)
Tumblr media Tumblr media
Then we got some of the conversation~ (without dialogue, 'cause a picture tells a thousand words~ >:D)
Tumblr media Tumblr media Tumblr media
Then a sketch that was completely inspired by the bonus chapter-
Tumblr media
It's not as 'polished' as the other ones, I just had thoughts about that tidbit and decided I absolutely had to mention it- so it got a drawing to match. :D
And finally, because I don't want to end this on too depressing a note-
Tumblr media Tumblr media
:')
I'm not crying, you are.
My personal favourites include Extra Angry Maedhros + hands over the face Annatar, - then- actually. y'know what? I can't pick favourites. I like them all too much to do that. But that was the 'segment' that I experimented on - to try and convey the emotions through how chaotic/forceful the lines were, and it worked exactly how I wanted it to. Which is very satisfying.
>:D
(also, I don't think Maedhros was quite that visibly angry in the actual chapter, but it's supposed to be a mix of that plus Annatar's perception of him/what made Annatar panic. Make of that what you will. Eheh. Eheh. Eheh. >:D)
201 notes · View notes
yunogf · 10 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
"The first thing that came to me was I didn't want to make something obvious for my solo...This solo album is purely, entirely mine, so my thoughts play the biggest role. The difference is that I have the biggest input in it...while working as a group, when we filmed NCT 127 music videos, there were many times when it was a lot about my face shot just close up. There are a lot of those moments, like 0.1 seconds of [a close up shot] of my face. I was that kind of member, so up until now, if I showed that image a lot, there are more things I can show beyond that as well. I've got lots more to show...so what I thought was I wanted to do something different from what I've been showing since debut, different from what people expect of me." - Jaehyun, "The Journey of 'J' | Part 2"
435 notes · View notes
batcavescolony · 5 months ago
Text
To like comics is to ignore comics.
When your favorite character has existed for 80+ years, has had 100s of writers, has changed over and over again, sometimes they got it wrong. You have to decide what to ignore for your own sanity.
224 notes · View notes
aceouttatime · 2 years ago
Text
Tumblr media
Waist? Snatched.
Anyways I'm still laughing about the spur holes in the pants. Enjoy one of the many outfits I'm working on. Some casual wear for today.
670 notes · View notes
catenary-chad · 4 months ago
Text
Why Greaseball is a Really Great train villain: a looong post (4.8k words) on all the historical train context behind replica Greaseball 
Tumblr media
tl;dr he’s British anti-diesel sentiment applied to American views of diesel trains and it’s glorious because he represents so many longstanding issues with freight railroads and diesel hegemony there. UP is a genuinely horrible company that makes an awesome cartoon bully.
For all my issues with the other main engines, I think (replica) Greaseball is FANTASTIC. He just works on so many fundamental levels and gets so much better/worse with historical context.  If we make him an EMD E9 locomotive (a common headcanon) things get even more interesting, and there’s even a convenient irl engine to base him on! 
Note: if you’re into real US trains this info probably won’t be as new to you as my Nez Cassé post, since E and F units are so well preserved and documented in English.      A lot of the topics I go on are pretty widely discussed in US railfan circles and not terribly obscure.  Also this is just about replica, Elvis-style Greaseball vs Wembleyball… her being more modern and European changes a lot and I would take a very different approach.
Also CW for non-graphic discussion of abuse in the very last section. I have a separate warning before it comes up so you can leave before then.  
DIESEL TRACTION IN THE US
First of all, to clear up a common misconception: 99% of all diesel locomotives are diesel-electric.  The diesel engine is used to generate electricity to power electric motors to turn the wheels.  This is why dual-mode engines that can switch between drawing third rail/overhead wire electricity and making their own with a diesel engine are so common.  Besides the power source, they work similarly, so it’s not hard to incorporate.  This is NOT how hybrid cars work, though diesel-electric setups have been used on very heavy trucks for purposes like mining.  Diesel-mechanical is more in line with how automobiles work but is basically unheard of outside of very small switchers in the US (mostly in museums now) and 50s-era shunters and that one weird Fell diesel in the UK. The technical reasons of why isn’t really important here, but has to do with the difficult of making an appropriate gearbox for road locomotives and appealing qualities of electric motors for train use (high starting torque). 
Internal combustion-based locomotives are actually much more recent than pure electric ones.  Electric engines achieved practical use around the 1890s and were well-established in urban and mountainous areas by the 20s-30s…. which is when diesel boxcab switchers first started production in substantial numbers and lightweight diesel trainsets like the Zephyrs, M10000, and Flying Hamburger started to pop up.  The earliest diesels were either slow (switchers) or fast but very weak (lightweight trainsets and railbusses). There were major tech limits to maximum horsepower in diesel locomotives until the second half of the 20th century, which is why several of them were often needed to replace one steam or electric engine, and why you had some weird turbine designs in the 50s-70s as an alternative. 
Early diesel locomotives in the US actually had a lot in common with their early implementation in the UK.  They’re often perceived differently because Thomas the Tank Engine had so many characters based on unsuccessful early British diesel models, while most of the failed earlier US diesels are obscure compared to the successful and widespread ones (that often have the strongest museum presence). There were some notably good early switcher models (some still being used today) that were among the first to replace steam engines because it was one of the tasks that they had the biggest advantage over them in, and limited size wasn’t an issue.  Road diesel implementation was messy and due to the early state of the technology, some railroads like the Pennsylvania Railroad had a strategy more akin to early British Rail in that they planned to just slowly phase out steam as they electrified.  Higher wages and stronger unions were also a factor in both countries dieselizing, due to the vastly lower labor needed for diesel locomotives vs steam and generally safer, more pleasant working conditions on them.  There was also a need to shed a reputation for being outdated to draw in customers again with both.  There was also a desperate early demand for diesel power that led to a lot of questionable builders and designs being picked up early on and later dumped for being nonstandard.  
The main difference is that dieselization’s serious pursuit in the US started around the Great Depression and really picked up in the late 30s, almost two decades before the Modernization Plan of 1955.  So it was a far more mature and well-established technology by the 50s and Greaseball is very much based on this dominant position vs the messy early experiments of the Thomas diesels.  
Tumblr media
Greaseball’s helmet heavily resembles the fronts of the E and F unit carbody locomotives made by EMD from the 30s-50s.  I’ll go into those specific models later, but the manufacturer alone is really interesting and has a lot of great symbolism that works with Greaseball. 
Earlier diesel manufacturers included steam builders like Alco and Baldwin, outside companies getting into the diesel locomotive market like Fairbanks-Morse, and EMD, which started as an independent company but quickly became part of General Motors.  One of the major advantages EMD would acquire is mass-production in assembly lines, the way cars were made, as opposed to building one engine at a time like steam shops did.  So Greaseball has some quiet ties to the auto industry (and boy did GM hurt trains in other avenues).  They also used common parts between models, making them relatively easy to repair and rebuild.  You had all kind of mods and changes done to their engines over the decades, which is a fun tie-in to the bodybuilder AND greaser aspect of Greaseball.  I’ll go into how I think he’d specifically be modified/rebuilt later though.  
Another major factor of EMD is… they often weren’t the best in a lot of ways and very much an example of “survival of the good enough”.  Until very recently they all used relatively dirty and inefficient two-stroke engines and other manufacturers often had stronger or technically superior competing models… but it was the ease of working on them and relative reliability vs their competitors that contributed to their success and helped make EMD the dominant manufacturer.  
Bonus fun fact: EMD (and later General Electric) had a lot of success in the export model market due to their early reliability, especially vs British diesel engines.  One of the funnier instances being several colonial African railways holding onto steam into the 70s because they were forced to buy crappy British diesel engines otherwise, and promptly dieselizing as soon as they could buy American ones.  EMD made huge inroads into the British freight market with the Class 59 and 66 (the latter also used in continental Europe).  These came too late to have had any affect on the development of the show early on, but it’s an interesting instance of American encroachment that could be thematically relevant.  The sheer ubiquity of EMD diesels worldwide makes Greaseball weirdly relevant in a lot of countries if you basis swap him a little.  I haven’t figured out quite how I’d approach Girlball but I’d definitely make her one of these export models since it fits.  
Anyways, back to the general history timeline because it’s important for the other reason EMD was so successful.  By the late 30s, diesel switchers were widespread and road models were starting to come out in limited numbers.  Widespread dieselization would have happened nearly a decade earlier if not for World War II.  When the US entered the war, copper, oil, and diesel engines became critical to the war effort.  Coal was not and steam engines don’t use much copper, so the existing steam manufacturers were forced into building them.  EMD’s FT series had proven itself prewar and the company was among the few to be able to develop their locomotive lines during the war.  This gave the company a huge advantage post-war and their E and F units dominated the road locomotive market afterwards (switchers remained more competitive since they had more development before and during the war). 
 If you’re European and know little about American trains, you may wonder when things started getting electrified after that.  They didn’t.  Outside of one stretch of the Northeast Corridor, a recent project by Caltrain, and some isolated freight lines… the US didn’t electrify anything after WWII, and if anything de-electrified much that had existed.  The oil crises of the 70s almost led to something, but the subsequent drop in prices in the 80s made that dry up too.  Leading to the modern day status of having only 1% electrified rail mileage.  The rest is all diesel domain.  They were never a stopgap here.  Due to railroads remaining private businesses post-WWII and facing almost unwinnable economic and political conditions vs roads and air travel, the cost of electrification was out of the question and the much smaller up front cost of diesel engines made them take permanent hold over most of the country post-steam.  To this day, railroads avoid paying up front for things vs just paying more in yearly maintenance for diesel locomotives, and the price of fuel has never gotten high enough to incentivize electrification.  There’s also a whole carrot vs stick situation with state governments raising emissions standards without providing assistance to electrify that leads to a crappy state of limbo that just gives automobiles even more of an unfair advantage, but that’s another tangent that’s not relevant enough to go into.  
This is all a long way to say that Greaseball as the conservative, oppressive establishment is spot-on to the status of diesel traction in the US.  It really can’t be overstated how dominant and inescapable it is.  It’s kind of hilarious hearing people from the UK or Europe talk about how gross and stinky and backwards they are and how much more disliked they are there.  This is why the Greaseball vs Electra feud is so appealing to me- the US is one of the few places where they would be considered remotely competitive and where that matchup is politically relevant.  There’s this compelling thread of Greaseball being a “pragmatic compromise” that’s held on so long it’s become status quo, but would be viewed as a regressive relic elsewhere in the world, akin to how the US’s economic politics are seen in much of the rest of the world.  Greaseball is the majority who very much has capitalism and inertia on his side, Electra is the more qualified but long-sidelined minority who wishes things were even a little more like Europe economically and politically.  They’re so rural vs urban, right vs left wing coded it hurts. Diesel power mainly thrives where frequencies are low and distances are long and rail is a private business that often can’t afford to electrify.  Urban trains are almost exclusively electric due to their inherent frequency and pollution requirements, and are almost synonymous with being state-owned. 
Him being particularly nasty to steam engines also checks out, he’s the era of diesel locomotive that often directly replaced them and I’ve seen claims EMD did deceptive things if not outright cheated on tests vs steam engines.  At the very least they had fairly aggressive marketing.  There’s a reason why I object to the idea that Electra would cheat against a steam engine (even in the early days electric ones trounced them so thoroughly it routinely exceeded railroads’ expectations), but think Greaseball doing it makes sense.  Him playing dirty against Electra also makes sense because they’d have similar top speeds (and that’s being very conservative with Electra’s abilities and keeping them a relatively old model) but Electra benefits far more from a clean setting and would be relatively vulnerable to attack. There’s been decades of cultural downplaying of the advantages of electric vs diesel trains due to the latter’s sheer dominance in the US too. Further tying into the political aspect, electric trains are one of those things whose status only goes up the more you actually learn about them… and it really knocks combustion engines down several pegs, paralleling how right wing politicians in the US tend to be actively anti-education because they quietly rely on voters being low-information and uneducated about how negative the effects of their policies often are.  
Greaseball as a macho jock is also reflective of the perceived strength of diesel vs electric engines.  Because the US is infamous for its large heavy freight trains that are almost entirely diesel-hauled (besides a single power plant out west), electric freight is an almost alien concept and people associate electric traction with high speed trains, subways, maybe lighter, faster European freight trains at most.  People often act like they’re weak because of this.  This is patently untrue, just look at IORE or the Virginian Railway.  Also see my earlier discussion of how weak diesel engines were early on.  Electric locomotives still have vastly higher horsepower per single unit and the only reason there aren’t ones as strong as diesel engines in the US is lack of demand.  It wouldn’t be that hard to build one for that niche.  But diesel has strong associations with being the “strong and manly” blue-collar option because of its use by every large freight railroad and almost every shortline for all the tough, gritty jobs, unlike those darn city slicker commuter trains. Let’s just conveniently forget that the Milwaukee Road existed and that mines are full of weird little battery-powered “lokies”.  People will even crow about the Big Boy all day and rarely acknowledge the multiple electric engine models of that era with comparable abilities.  
Tumblr media
EMD E and F UNITS
Finally, we can discuss Greaseball’s more specific basis.  Greaseball’s helmet doesn’t have a single explicit one like Electra’s, but its styling is very typical of 30s-50s era carbody diesel locomotives, specifically the “bulldog nose” E and F-Units.  These models were and still remain some of the most popular toy and model diesel engines, and are some of the most recognizable American trains in general.  Which they totally deserve, they came in a lot of fun colors and were VERY widely used from the 30s to early 80s irl and were still used in limited numbers for decades after that and are extremely common in museums today.�� It’s probably harder to find a railroad museum in the US that doesn’t have one.  They are probably THE symbol of diesel trains in the US, especially circa the 50s.  Even highway signs for train stations resemble them.  
Carbody locomotives like these made the streamlined body a structural element of the engine to save weight and required indoor walkways for maintenance access vs being able to open external panels.  Alco and Baldwin also made far less successful carbody locomotives as competitors but they looked very different. Funny enough, a number of electric locomotives of the era also were built this way, but with cabs at both ends, some of them looking a LOT like Greaseball’s helmet.  
The E-units were EMD’s first line of road diesel locomotives, mainly designed for passenger service.  Since the 30s there were several different models of the line, the first few being built in smaller numbers, and the later ones being much more widely produced post-WWII.   They were relatively long and large for a diesel engine of the time, with atypical A1A -A1A (powered/unpowered/powered x2) wheel arrangements and two seperate prime movers (the actual diesel engine) to produce more horsepower due to the limited abilities of individual engines.  While successful compared to their competitors (which were… generally a mess) there’s a sense that they were designed for a time that would never come.  
They were very much optimized for being smooth at speed for passenger use and while not useless for freight service, weren’t ideal for it due to their limited strength and not having all powered wheels for traction.  Which was a terrible market to be in with the massive decline in passenger rail post-WWII.  The E-units still generally had long and successful lives, but were never as successful as their younger, smaller sibling, the F-unit.
F-units visually resemble shorter E-units, but with single prime movers and Bo-Bo wheel arrangements (four powered axles).  By modern standards they’re small and not terribly powerful, but for their time they were solid and VERY successful in freight service, and often took the place of E-units in passenger service since they worked for that too, and were more versatile overall.  There are a bunch of F-units running in museums because they look good and are easy to find parts for due to the sheer quantity produced (also some, but far fewer E-units). You could totally make Greaseball an F-unit and it would fit with how there’s been some infamously short Greaseball actors.  
There’s a lot of fun commonalities between both models that are relevant to Greaseball.  Both were explicitly designed to be used in multi-engine sets due to their limited individual strength, which perfectly fits Greaseball having his Gang follow him around.  Working in packs that large is a VERY midcentury diesel thing.  Both had the massive drawback of having no rear visibility and basically no ability to go backwards for switching.  That was one of the main traits that led to this style of engine falling out of favor, roadswitchers that actually had rear visibility were more versatile than having separate road and switch engines.  In a race going backwards, Rusty would clean his clock even if he was SUPER crappy and could only go walking pace, because Greaseball would be flying totally blind and crash.  It’s also a hassle to perform maintenance and get inside that body style and the noses were reportedly harder to manufacture.  
Tumblr media
As a cursed side note, ATSF solved these problems with their old F-units by roadswitcherfying them into CF-7s.  Hey, they were old and past their prime but still useful and worked GREAT as ugly utilitarian roadswitchers and ran for decades afterwards.  There’s several of these things running in museums.  I’ve actually worked on one and I approve of roadswitcherfication because they really are way less of a pain to maintain this way.  
Speaking of rebuilds, the highest horsepower Greaseball would have as an E-unit would as-built is only 2,400 if he was an E9, but because early EMDs got modified so much and routinely re-engined, we can play around with this.  It fits the character and the Railways Series routinely did this kind of thing.  We’ll suppose Greaseball was re-engined or otherwise modified to get up to 2,700 horsepower… but then there’s the reported issue that the unpowered axles might make him too slippery to actually apply full force, so we’ll get a bit more out there and say he got more substantially rebuilt into a Co-Co (six powered axle) arrangement.  Now you have something that would be vaguely comparable with one of Amtrak’s dysfunctional SDP40F diesels of the late 70s-early 80s, if still a bit weaker but probably more physically stable.  It’s hard to avoid that Greaseball is kind of statistically wimpy no matter how you slice it.  They’d need to tweak the numbers in the song a little, but again, swapping out engines in early EMDs was super common and suits him so it’s not too much of a stretch to bump him to 3700 or something.  You still have issue that he’s not large by UP standards specifically (they are INFAMOUS for large single-unit engines) but he’d still be fairly large vs more typical passenger diesels of the time.  
Tumblr media Tumblr media
Anyways, another VERY fun fact about E and F units is that they were regularly used on corporate trains after most of them were withdrawn from regular mainline service in the 70s-80s.  People often complain that Greaseball is barely relevant circa the 80s, which isn’t really true since a lot of E and F units were used on commuter lines for years afterward (if often in cab car form, which are terrifying in any talking train verse).  But there’s another huge loophole that gives a perfect excuse for his existence well into the modern day.  Union Pacific itself used a set of three E9s on their corporate specials until 2019!  They only got pulled due to wheel issues… got no lovers if you got no wheels I guess.  But now you have a perfect excuse for why Greaseball is a 50s-era engine with UP colors pulling passenger trains well after the railroad axed those services in the early 70s.  He’s a corporate pawn!  He’s one of the faces of their company, chauffeuring executives around. Which leads into another fascinating topic with him.
Tumblr media
UNION PACIFIC, FREIGHT RAILROADS, AND PASSENGER RAIL
All of the modern big Class I railroads in the US suck in similar ways, but Union Pacific has a stronger identity and seems to have the largest cultural presence abroad, making it the most visible and appealing of them to the public.  It tends to be THE American railroad to many, which goes well with Greaseball’s basis being THE American diesel engine.  Yes, they do have some cool heritage fleet stuff and really cool heritage unit paint jobs, but you’ll never see me depict them in a terribly positive way (if at all) because they’re a PR campaign like the Budweiser Clydesdales for an infamously awful company.  Make no mistake, this is a company that’s been voted “worst place to work” on multiple occasions (and its cohorts aren’t much better).  That’s the ironic thing about Electra being made a crappy boss, Amtrak is notably much better to its workers (and steam engines are the most competitive where labor is cheapest and least organized).  The main thing is unreasonable on-call hours, lack of sick leave, vacation, and break days in general, and working conditions.  Look into the blocked 2022 railroad strike for more on this.  Greaseball could be SO nasty to the freight to reflect this if you made him a symbol of railroad leadership.  You’d have any railroaders in the audience booing him if they did this in the US, it’s a very relevant political issue.  Ironically, things weren’t nearly as bad labor-wise in the 80s, ALW just really bet on the right horse in terms of railroads to align a train villain with.  But there’s a more prominant and existing aspect of canon that also fits the crappy things UP and other class Is do.
Passenger rail has never been as profitable as freight in the US. To give a modern ballpark estimate, I’ve heard $30,000 revenue on a fully loaded longer passenger train vs $500,000 revenue on a train of oil tankers.  And that’s not even including the higher maintenance standards that passenger rail requires, which adds millions to its cost and makes it almost impossible for it to turn a profit.  There is a reason why almost all countries with widespread passenger rail today have nationalized rail systems and even US passenger service is all government-run outside Brightline and museums.  
This situation was particularly bad in the 50s-60s before Amtrak took over passenger service.  Passenger trains absolutely bled money overall, and many of them were required to keep running even at massive losses per government regulation because they were an essential service.  This contributed to the financial ruin of many railroads, and most of them dropped passenger service or sold it to the government as soon as it was offered.  UP in particular was more financially stable, but also happily got rid of their passenger trains when offered.
Since then, the giant merged Class I railroads have become almost exclusively freight-oriented and hostile towards Amtrak-run passenger services.  They’re almost all terrible, but UP is one of the more visible offenders, holding up commuter services in Chicago, and contributing to the massive delays in long-distance western trains.  “Coach sexism” in the form of widespread hostility towards passenger rail by the likes of UP is one of the few canon social metaphors that WORKS.  The other engines would not be that way considering the systems they’re aligned with, but Greaseball could be made so, so much worse.    
There is a weird element of “I hate my wife” boomer humor when people describe passenger trains.  There’s “keeping freight trains in line” schedule-wise due to their time sensitivity.  There’s being seen as needlessly spendy for PR reasons (often true in the older days) paralleling “my wife wastes money on stupid things”.  There’s being seen as more delicate and refined due to needing better track conditions and gentler handling because you know, humans have standards that grain hoppers and sand don’t.  There’s the way that passenger rail isn’t as profitable as freight and basically requires government subsidies… not unakin to caring jobs and “women’s work” in general vs blue collar industrial jobs (Caveat: passenger rail employees were almost all male until Amtrak).  In short, yeah the freight railroads’ treatment of passenger trains in the US does have parallels to sexism, if slightly different from how canon does it. Abruptly dumping them in the 70s also fits Greaseball ditching Dinah mid-show. 
Even if you go the comparatively mild route of mirroring modern railroads, you still have him treating the coaches as second class vs freight (despite them being legally prioritized).  This is a major issue and why Amtrak has so many delays on long distance trains.  To summarize a complicated issue: due to the relatively unique economics of railroads, they are incentivized to run fewer, longer, irregular freight trains that have become so large they don’t fit in sidings and can’t physically let prioritized passenger trains through.  They then get delayed for hours, especially if the freight train breaks down (bonus: freight trains have a staff of two, engineer and conductor.  The conductor may have to walk up to THREE MILES to check out a possible defect on a car, delaying even more).  The Class Is have a broadly hostile relationship with Amtrak in general for various reasons related to insurance and minimal investment in track maintenance, and it even affects non-Amtrak passenger services like steam excursions.  UP has its personal steam fleet for publicity reasons,  but all of the Class Is are various shades of hostile to running steam excursions with passengers now due to those same reasons.  Even UP barely sells public tickets for theirs.  
Bonus: the reason Mexico has basically no passenger rail now is due to the nationalized railroads being taken over by companies heavily aligned with US freight railroads and with many similar attitudes towards passenger service.  They ditched virtually all of it en masse when they took over. Turbo works perfectly as just Greaseball but in Mexico because the same thing happened there… only a few years before the Mexican Stex production happened.  Electra might be an even more pathetic and unthreatening character there though, because the single, long-delayed electrified mainline built by NdeM was ripped out after only a few years of service by the  private freight railroads.  
WARNING: Leave now if you do not want to read about how abusive Greaseball could be made based to US railroads’ treatment of passenger trains pre-70s.  It’s not graphic, but it is blunt and dark.  I put this at the end for a reason, there is nothing beyond this last section.  
Basically, canon even at its worst arguably undersells how awful Greaseball could be to Dinah and the coaches if you make them symbols of UP and other major railroads vs passenger service pre-Amtrak.  They could be even MORE toxic.  You have a situation now where he outright hates her and wants her gone for above reasons, but is forced to stay in the relationship due to outside requirements and is fundamentally built for that kind of setup as an E-unit.  Railroads forced to keep passenger services usually didn’t have mandated quality standards for them.  They just had to have something.  This led to pathetically short trains (one or two cars), understaffing, and poor maintenance because they just had to have SOME passenger train on that line.  Track conditions reached terrible standards in the 70s on railroads that were near bankruptcy and delaying maintenance.  I absolute do not blame canon for not going this dark in a kids show, but basically there is no limit to how miserable Greaseball could make her life, short of actually killing her. I can’t understate how much she symbolizes something he’d want to rid himself of at any cost but can’t and will take that out on.  It’s BLEAK.  I don’t think I’d even write them this dark myself.
Well… now you see why I do not redeem and revise Greaseball the way I do Electra.  While the latter is wrongly demonized in an impressive number of ways, Greaseball is awful for all the right ones, to extents deeper than the creators probably ever imagined.  He is so versatile and nearly timeless in his awfulness.  If Greaseball were portrayed as remotely good I’d be ripping him to greater shreds than I do Rusty, but he’s great as a hateable bad guy who’s entertaining and globally recognizable even by much of the general public.  Despite all this, I’m fine with him just being a cartoon bully because it’s more palatable and not wrong.  But you could also make him so much nastier than even the workshop if you wanted to go darker.  
66 notes · View notes
turtleblogatlast · 1 year ago
Text
Something I think is cute is that - y’know how Raph’s eyes are more on the yellow side?
Well, you know who also has slightly yellowed eyes? Donnie.
While Raph’s are more yellow, I think it’s cute that this is something that they share and I don’t see it pointed out too often?
It’s also something they both share with Draxum and Splinter’s current form (though again, these two have much more yellow sclera than the boys do.)
But yeah, I like that there’s this little detail that ties Raph and Donnie together, even if it’s small.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt raph#rottmnt donnie#rise donnie#rise raph#there are a few screenshots that look like Donnie’s eyes were colored more white like Leo and Mikey#but the vast majority has his eyes and teeth yellowed a little#not quite to Raph’s level but enough to be noticeable especially when you contrast it to Mikey Leo and April#I see a lot of art on here not giving Donnie his yellowed sclera and it makes me sad a little#bc Mikey and Leo have soooo many things tying them together design wise (mainly their shells)-#so its nice to keep the things tying Raph and Donnie together as well (their sclera + how THEIR shells are both basically just green)#(+ how even when Donnie makes his battleshells he keeps them one color - just like Raph’s shell)#I’m looking too hard into this but Brains and Brawn is a Good Duo#you could also - considering the show’s theme of giving the less ‘human’ characters more yellowed sclera- consider this design decision-#-a way to show that Mikey and Leo are species of turtles more acclimated to humans since their breeds are very often pets (esp Leo)#whereas Raph and Donnie are species that are more commonly just left in the wild#idk I just think it’s an interesting design decision tbh#esp considering you can see this human acclimation from the very start with the boys as well#with how readily Mikey and Leo interact with Splinter#whereas Raph bites and Donnie is completely disinterested#i like when their species has an effect on their characters tbh#like how Leo being the Face Man makes perfect sense since Red Eared Sliders are the most popular pet turtle BECAUSE they’re pretty-#-and better with people than most other species#Mikey too being so gung-ho about people makes sense for these same reasons#as ornate box turtles as well are very popular pet turtles#idk they’re just fun I love these guys#also- I love when people give Raph a huge tail it’s so cute
288 notes · View notes
aliusfrater · 4 months ago
Text
Tumblr media Tumblr media
similar cinematographic choices to portray the same imagery with insanely different circumstantial contexts
#like being tricked into a room and locked off from the outside world with a pitcher of water‚ a waste bucket‚ and an army cot#as you slowly died while experiencing acute mental distress to the point of having a psychogenic seizure at the same time#that people discussed your fate as if it were a decision they had the authority to make (and they DO. unfortunately for you)#vs being tied to chair during which you're in pretty consistent communication and under the care of the person who put you there#and you're narratively given the opportunity to hunt this person down and you even have scenes with hand to hand combat#in which you're able to properly defend yourself. for the other person the idea of your life being in danger is carefully threaded risk#to be taken rather than (as per the previous circumstance described) a decision you have the authority to make#likeee i remember reblogging this post that ssid 'supernatural doesn't really have a concept of jail' but like absolutely yes it does#sam (and even other characters like mary and rowena) are both put in 'jail' as the direct effect to a fault#wrt the winchester familial dynamic and their role. it's one of the main differences here. sam is put in jail‚ dean is not#sam does not have the authority to put him there. it doesn't help that sam is literally pleading as the victim within his scene#while dean is able to victimise sam even as the monstrous body within the 10.03 scene#and the thing is that their identities are being compartmentalised in similar ways here. dean is attempting to save his sammy#from the encroaching (invariable) monstrous sam that which he spends the next season attempting to forgive for the shortcoming#of dean perceiving sam's efforts at independence as abandonment while sam is attempting to save his dean from the encroaching mark of cain#(chosen to be put there yet is still victimised by) and sam spends the rest of the season forgiving him over and over while even#taking misattributed responsibility and blame that which has to be made up for#4.21#10.03#se referat#edit: also adding onto chii's tags wrt the differences in capacity for consent regarding demon!dean#it's so interesting to compare demon!dean to soulless!sam in that demon!dean didn't have the capacity to reject competent!dean's consent#while both soulless!sam and 5.22!sam did not consent to be resouled in respectively active and precedingly passive ways#like 6.12 sam is clearly happy and grateful to have been resurrected and he doesn't even have any specific qualms#about dean keeping information relating to his ressurection from him but 5.22 explicitly made his consent‚ or lack thereof‚ regarding#ressurection clear unlike dean in early-s10... and the thing is that the last time sam didn't pursue dean's ressurection#he faced negative consequences for that decision! and yet dean is seen as objectively correct for his actions in s6#by both the audience and narrative‚ and much of his responsibility regarding sam's psychosis isn't acknowledged as directly related#to his actions vs the pinning of blame to much of early-s10 onto sam esp relating to the guy he had summon a demon‚ who sold his own soul#despite sam's advice‚ whom demon!dean killed
61 notes · View notes
oacest · 3 months ago
Note
requesting archival help. you know that video of noel and liam in the car singing the 54321 advert. ive only ever seen the clip of that on here and ive heard tale that it was from some tv spot thing where they drove around manchester as a little like oasis history tour but ive never actually been able to find whatever the full thing its from is. might you guys have the answer to this
Here you go!
youtube
38 notes · View notes
ciderjacks · 2 months ago
Text
thing is I am very staunchly of the opinion that Chilchuck really mainly decided to join the Falin revival mission bc of Laios, but I do like when fics expand on his relationship w Falin and make that central to his reason for going back down. Bc I think they’re cute and I love Falin and I love Chilchuck and I like to see them being friends.
35 notes · View notes
sunlight-shunlight · 2 days ago
Text
i feel like the most underrated Solas Lore, is that he straight up admits to not being sure if he was going to come back to skyhold after the wisdom spirit dies
Tumblr media
it's completely valid for a normal apostate to say this, but when it's solas pride dreadwolf, who believes that he's The Only One who can complete his mission to end and/or save the world, then...? that means he just got so sideswiped by grief that he was genuinely like: "this sucks. what if i just hang out in the forest as a wolf for a few months/years. the orb and the veil and the next 2 blights can wait." before coming to his senses and remembering the fully apocalyptic stakes of his problem? even considering that for a "short time" is WILD.
37 notes · View notes
lily-on-the-fence · 10 months ago
Text
Ahhh the Human Domestication Guide might be taking over my life >w<
I read the original and then started reading Dog of War yesterday and spent nearly the whole day readingg :3 Honestly it's so good and sweet and has just a liiiitle~ bit of tension to keep things fresh.
God it's such a dream of a setting I can't wait to sink my teeth into it and maybe write a little something or other!
103 notes · View notes
rawliverandcigarettes · 10 months ago
Text
honestly, re: my last reblog, but it's so funny to me how unbearably annoying humans in mass effect are, like you guys!!!!! calm down!!! you JUST arrived!!! maybe take in your surroundings for 5 seconds before declaring you should be treated like the most special princesses of all and have all the advantages ever without any drawback and be recognized as the supreme leaders who have all the clarity and drive and righteousness to solve everything and be the victims of everyone's envy and meanness and the ultimate heroes who will save everyone in spite of themselves...... 😔😔😔
95 notes · View notes
opera-ghost · 2 days ago
Text
-
#i've been struggling to find the right words to articulate this#but everything that's happened w/ masquerade nyc has felt so in line with what we've come to expect from ALW in general and wrt his musical#like you're telling me the same guy who didn't think it was important to plan anything for the final public performance of a deeply-#-loved show that ran on broadway for 35 years also didn't plan effectively for introducing a large scale immersive production to an-#-audience that likely has 0 prior experience with immersive theater?#you're telling me the same guy who time and time again has shown a profound disrespect for the people cast in his shows by not informing-#-them that they'd be out of a job before the news went public is also opening a new show that has been extremely cagey about sharing-#-helpful information (age requirement/dates/dress code/prices etc) in a timely manner?#i know ALW is not solely and/or directly responsible for these decisions but it's His show and His company#so these Thoughts are directed at both him and the overlapping higher-level staff across the musical and immersive production#and let me add a disclaimer that i think what the minds behind masquerade nyc are trying to do creatively is super cool and i'm confident-#-that a lot of passion and dedication has gone into this project (on top of tons of hard work from everyone involved at every level)#which is partly why i think all the issues surrounding it are so frustrating to everyone. like we all want to be excited about it!#anyways none of this is really that Deep i just wanted to try and articulate my thoughts on this whole thing without getting too-#-involved in the discourse of it all . that is why i've written this 5 paragraph essay in the tags#editing this to add that none of this even touches on the issues with the production not being open about the accessibility of the venue-#-to the point where people had to DM the IG account to ask. like i get that they want to build hype based on mystery and intrigue but-#-there are certain compromises you have to make when it comes to planning and executing something of this scale
22 notes · View notes
halfdeadwallfly · 1 year ago
Text
Tumblr media Tumblr media
92 notes · View notes