#engl wig

[flickeronpa]

Flicker au content woo

my main au is wtjm

welcome to jackson’s mansion(🤯)

mason blah blah blah aadiv blah blah yada yada the end (real)

emoji combo: 🌴🎀

okau!🦜

a lot (i think) of fuh-lick-her-fans know about the au already but if u wanna know about it i can explain it to you maybe (im scared)

iw

[smolsofa]

imagine reading Hamlet and not being completely convinced that Horatio loved Hamlet more than anything

[katyatalks]

Mob Psycho 100: The Stage Play 3 - Final performance content spoilers

Here are all the notes I compiled after getting the chance to see the final performance for ‘Mob Psycho 100: The Stage Play - A Clash with Claw’s Seventh Division!’ live. Note this is essentially a write-up of the play from beginning to end - this will also likely be the version of the play that is used for the DVD release in December. I will also edit this when the recording becomes available for viewing and I can gain some clarity on sections I missed...

PRE-SHOW

- Reigen and Mob do a pre-show announcement relating to covid prevention measures (referred to not by name as Covid but an evil spirit) plus standard theatre etiquette rules (don’t use your phone, put it on silent, etc.)

SHOW

- Begins where stage 2 left off as a ‘Previously…’ segment for the audience. We once again witness Koyama knocking Mob out with the spray and kidnapping Ritsu.

- In the Teru/Dimple/Mob discussion part of the stage 2 recap, Teru takes the bird’s nest off his head and throws it off stage - we hear the birds within fly away.

- ((We immediately see how the reduced audience affects the play - a funny physical gag where Teru and Dimple bash heads happens but this receives no response from the audience))

- We reach the end of stage 2 recap with Mob stating he’ll destroy Claw as he does at the end of stage 2. The screen goes black and we hear the echo of a voice saying ‘Give [it] back… give [it] back, [It’s] mine, give [it] back…’ - this is implied to be Mob talking about Ritsu but the lights turn on to reveal S&S and turns out it’s Shou talking to Reigen about Touichirou’s card

- Reigen gives the card back to Shou, calls him a ‘baggy-clothed asshole’ and tells him to leave since Reigen is busy. Reigen puts his feet up on his desk and goes on his phone, leading to;

S: “What are you doing?”

R: “Reading the news.”

S: “You’re not busy, you’re bored!”

- Shou mentions that he’s also got 10k yen missing from his wallet and accuses Reigen of stealing it - Reigen insists he didn’t but starts doubting himself

- When Shou leaves, Reigen salt splashes in his direction (An English translation is now given under each of Reigen’s special moves ala Olympic parody)

-Reigen calls Mob, leading back to the Mob/Dimple/Teru scene - Terada and his cronies enter and Mob tells Reigen he can’t talk right now, hang up which leads to…

***

OPENING

- Yoru no Honki Dance - Call Out (as the previous two plays)

- Action takes place on the upper and lower stage - Ritsu and the lab kids on the lower stage with Ritsu in anguish with Mob, Teru, Dimple on the top stage

- Action shot with the show’s “Yeah!” line focuses on Reigen and Mob on the top level

***

- Teru tortures Terada with a taser rather than water - Terada is also wearing a ballgag with multiple kazoos inside it leading to a great sound whenever he screams

- Mob and Dimple are terrified of Teru’s taser torture whenever he does it

- Matsuo’s performance is sensual and slimy - great stage presence

- Ishiguro’s voice is distorted using a pitch filter resulting in something creepy rather than the female voice used in the anime

- Ritsu and the lab kids are seen in the jail cell - great banter with them and their Claw guard (Guard to Rei: “I won’t hit you because you’re a girl!” Kids: “A gentleman!”). Guard tells them they won’t get any food and they start rioting

- Mutou is VERY creepy and accompanied by terrifying music - he skulks around the stage with his ridiculous silicone chin

- When Mutou “kills” Kaito off screen we get a ridiculous extended segment featuring Daichi reacting to what is initially cries of his brother’s pain that turn into pleasure as if he is getting a massage - then turns back into pain

- Kaito is wheeled back on in a luggage/weight carrier with 4 knives in his chest

- Teru vs Terada is visually very fun - movement choreography is great, lots of Teru’s dance techniques that got cut from the anime

- Back in the jail scene Ritsu states he doesn’t remember the kids names so they re-introduce themselves to the audience

- Asahi and Hoshino heating up the spoon/bending spoon/on repeat is very well performed

- Ritsu tries to high-five with with one of the other kids when they escape the jail but finds he has no-one to do it with :(

- Back to Dimple/Mob/Teru - when Dimple-chan(puppet) says “Oh who’s that good looking guy? A model?”, Nadagi pulls a whole bunch of model poses

- When Teru tries to knock the security guard out he screams for AGES leading to one of the funniest moments in the play - he finally is knocked out but when Dimple tries to possess him he takes ages to be possessed - Taa (Teru) breaks character completely and doubles over laughing and Itou (Mob) refuses to face the audience making it clear he is losing it as well

- Muraki is creepy looking but his cloak is see-through and sparkly - his actor plays him as quite a timid guy

- Great visual gag with Mob throwing Koyama around and then sending him through the stage wall

- Ishiguro has a moment where he talks to the audience/the new recruits where he shows off the Claw face mask available as part of the merch

- Great fight choreography between SG!Dimple and Gen (played by Baba) - ends with SG!Dimple pulling his trousers down

- Teru tasing people left and right in this play…

- Great stage effects in Teru vs Miyagawa - Teru tases Miyagawa as well

- Tsuchiya calming down Mukai is lovely - followed by Mukai finding a puppet that she believes hasn’t been destroyed by Mob and getting excited - but the head rolls off so she breaks down crying again

- ((My stream cut here so I didn’t see the start of the Ritsu vs Shou interaction and whether or not he recognised Shou from their interaction in stage 2))

- We see a little Shou vs Ritsu - Ritsu flings an array of spoons at Shou - Shou lands a punch that sends Ritsu off stage

- Character design for Takeuchi has been corrected slightly from the anime

- Matsuo vs SG!Dimple stage effects are great. They’re both very flashy actors which creates fantastic visual comedy

- Matsuo takes off his jacket like he’s at a strip club - it’s all very flamboyant and fun

- ((Stream cut again so I didn’t actually see the joke, but some kind of adlib happens with Reigen in the taxi scene that causes Baba to break character))

- When Mob uses his powers to blow Takeuchi away someone comes on stage with a leafblower to blow his hair away

- Screen goes black and we cut back to Shou delivering the final blow on Ritsu. Shou says someone interesting is coming and leaves stage for Mob’s entrance

- Mob finds Ritsu passed out and holds him, finds he’s breathing but won’t forgive who did this to him

- Mutou enters and stalks around the back and creates the image of Ritsu dead on the floor with a knife in his chest for Mob which causes his freak out

- “What a great pair of brothers” - Shou leaning over Mob and Ritsu’s passed out bodies

- Shou floats Mob and Ritsu into the room with Sakurai/Teru/Ishiguro

- Small cut away to Reigen - he sees 500 yen on the ground and immediately runs to go pick it up

- Mob and Ritsu’s hug is very emotional - Ritsu is more panicked asking Mob if he’s okay and Mob is more emotional responding than the anime

- Mob pats Ritsu’s head to calm him down

- Visual gag where Shou steps on Ishiguro’s shoe - Ishiguro freaks out trying to clean it and Muraki offers emotional support

- Guy walks into the room with Sakurai/Muraki/Ishiguro/Matsuo/Shou and informs them “The boss is coming”, which piques Shou’s interest and he comes along to meet “the boss”

- Play then gives us a “5 minutes earlier” scene. Baba’s performance in the Claw break-in is more on the eccentric/aggressive side than the calmer calculating tone Sakurai had - changes the atmosphere for the scene

- The whole scene with Reigen saving the lab kids is redone to be so eccentric with everyone chanting BOSS! BOSS! BOSS! at the end for Reigen

- When Reigen starts making a comment about Teru’s wig and cuts himself off to not offend him, he goes to Mob like “wtf” and Mob whispers in his ear what happened

- Shou included in the scene when Ishiguro etc. face off against Reigen

- ((ARGH my stream cut out again, when it came back Shou had moved over to Reigen’s side - probably some good dialogue there between them that I missed))

- Shou says to Reigen ‘Give me back my 10,000 yen’ - Shou decides to stand back to watch the show

- When Ishiguro attacks, Mob protects Shou as well as everyone else

- We have Shou/Teru/Mob/Ritsu/Reigen all on one side vs the Claw guys on the other (Ishiguro/Sakurai/Muraki/Matsuo)

- When Reigen does his Anti-Esper Drop Kick, they choose to translate this in English as “Dropkick to the espers”

- Shou: ‘You’re really taking [Muraki] on? lol’ Reigen: ‘Shut UP you brat’

- When Sakurai attacks Reigen (first time), Ritsu helps him up

- Lots of good banter between Shou and Reigen (”Stop calling me ‘old guy!’”)

- Shou sits to the side and enjoys the show while Sakurai/Muraki/Ishiguro/Matuso vs Reigen/Mob/Ritsu/Teru happens, makes some comments (ie. “Damn you’re in a pinch, whatcha gonna do now?”)

- When Reigen is getting sucked up by the anti gravity bubble, Shou helps Teru/Mob/Ritsu out with saving him

- Sakurai cutting off Teru’s wig is made into such a Dramatic moment

- Shou joins the fight against Ishiguro - Ishiguro manages to knock him out of the field and Reigen expresses concern (‘Oh crap! Kid are you okay!’)

- Lots of stage theatrics - now that Shou is no longer in play scene plays out as it does in the anime

- Lots of Reigen protecting Mob and leading him away from danger until the climactic moment where Mob decides to fight

- Mob’s scream of ‘Shishou!!!’ is filled with emotion - Reigen collapses quickly and without theatrics, facing the audience

- He doesn’t get a cut in his jacket, nor does he remove it

- When Reigen destroys Matsuo’s pet - ‘Oh Jesus I’m sorry I didn’t mean to destroy your toy’

- More protective Reigen - puts his arm out to protect Teru and Ritsu & get them behind him

- Reigen’s “Purifying Salt Punch” -> English given as Prime Salt Punch

- ‘It’s rude to wear a mask when talking to people!’ - here his mask doesn’t come off - unsure if intentional

- ((The bento story is REALLY well performed comedically but doesn’t land with attending audience))

- Sakurai shoots Reigen and Reigen catches the bullet

- Reigen uses the spray to spray his armpits

- Reigen at Muraki’s forehead “what is this? A doorbell? Ding dong ding dong”

- Lab kids start making fun of Muraki as well (Rei: What is that, cosplay?)

- Rei has a crush on Reigen in the same vein as her crush on Ritsu - Calls him cool and stuff and tries to reach for him

- Mob: ‘Having powers doesn’t make you popular’ Rei: ‘Lame.’ Reigen: ‘Well there you have it.’

- Shou comes back in centre stage and knocks Ishiguro out - goes to Reigen and says it’s time to repay the debt he owes Reigen - knocks Ishiguro out fully as per anime/manga

- As Shou leaves he pats Ritsu on the shoulder

- When Reigen says ‘is this an evil spirit?’ He hold his nose as if Dimple stinks, then grabs his head and shakes him around. Gets some salt from his pocket and throws it at Dimple

- Rei goes up to Sakurai and asks to date him

- Shou goes on the phone on stage top level and calls Touichirou as per manga/anime lines

FINAL SCENE

- Shou returns to S&S - as it turns out Reigen had the 10k stuck in his pocket the whole time and returns it to Shou

- Mob and Ritsu (with a bag) enter S&S while Shou is still there but leaving - Mob thanks Shou for helping them and asks Ritsu to do the same - Ritsu complies

- Shou looks back at Reigen, then toward Ritsu and Mob and tells them all they’ll meet again

- Mob and Ritsu share a heartfelt moment - “Ritsu, you’re amazing” - “No you’re the amazing one Nii-san”

- Ritsu gets out Takoyaki for Reigen/Mob/Ritsu to enjoy and Dimple joins them

ENDING SONG - ‘mob.’

https://katyatalks.tumblr.com/post/659597484715278336/mob-ed-for-mp100-stage-3-a-clash-with-claws

- Itou’s voice is STUNNING

CAST COMMENTS

- Kawaharada Takuya (Teru) addresses the fact that he’s the person who laughed the most out of everyone

- Nadagi says he wants to do a stage 4 and that’s the general vibe with everyone  and it’ll be nice if the anime gets a S3 too

- Lots of talk about stage 4 and it only being possible if everyone comes together

- Itou: ‘Us being able to do this again out of the blue so suddenly is thanks to all of you’

ENCORE

- Itou and Baba

- Lots of crying from Itou relating to covid and how it has cut the audience - he is grateful but he’s still upset about it - Baba gives him a huge hug

[bacejelerenvorthos]

The Lore of Commander Legends: Sakashima of a Thousand Faces

“Orphaned as a baby, Kenshi Sakashima's prospects seemed . . . uninspiring. He could take up a trade, find a wife, have a few children, and die, leaving behind a modest inheritance. Sakashima wanted more than his life could offer him. He wanted more than any one life could offer him. He became a master of masks, of makeup, of wigs. He disguised himself as any number of people and infiltrated all strata of Kamigawan society, both to enrich himself and to satisfy his curiosity. He studied under the master illusionist Chinsen, learning to make his mind a blank scroll, to become the role he played. He infiltrated ogres' strongholds, kitsunes' forests, and even the floating city of the soratami. It was all too easy for Sakashima. Only one challenge remained: to infiltrate the kakuriyo, the realm of the kami.”

Art by Jason A. Engle

[ellrond]

Fave Thomas headcanons, pls.

sorry for the late reply!! this has been in my inbox for like a week but i wanted to give it the attention it deserves!! 

also i dont know if you’re asking for fandom headcanons that ive noticed or my own, but seeing as how i havent seen that many (none actually really spring to mind if im honest) this will just be an incomplete list of my own thomas headcanons unless otherwise stated

(disclaimer: of course it’s very difficult to have an original thought these days, and if you’ve seen these headcanons anywhere else, know i’m not trying to pass someone else’s idea off as my own, it just so happens that i have come to a certain conclusion that another person has, without me even seeing their posts. two people can have the same ideas without ever having any sort of interaction or seeing their posts alright alright glad we got that sorted)

fandom headcanons that r great and i fully endorse 

thomas is gay. he absolutely adores miranda and they share a sex life (whether that be through group sex, mutual masturbation, or straight up one on one sexual activity) but he is a homosexual man

thomas is a top. this one the fandom seems to be agreed on. bottom thomas?? i dont know her

he doesnt like wearing his wig much it is itchy 

my own headcanons

during elections he cast his votes for the Whigs rather than the Tories and should he have ever stood for office in the lower house would have done so as a Whig (the less right-wing of the two political parties during this period of British history) but believed party politics were dangerous and detrimental to the greater good of the country. He saw the dangers of the laizze-faire attitude the Whigs had and their sometimes aggressive anti-Catholicism disturbed him although sometimes the way he has been raised means he lets anti-Catholicism come into his line of thinking (as seen when things get heated with him and pops). That being said, he was, perhaps unsurprisingly, a royalist and had Tory tenancies (I think it’s safe to assume there was little love in Alfred Hamilton for liberalism, and I’m sure Thomas was raised a Tory) in that regard. Thomas was born very close to the time of the Glorious Revolution and with his family being an old aristocratic one, conservatism, in one form or another, would have been in his very bones.

tl;dr ^^ he’s a liberal who dislikes party politics and subscribes to ideologies from both sides of parliament 

he’s a genuine believer in God and in Christ. He knows his scripture (he must be quoting the bible more than hes saying his own original thoughts in the show probably gfgdgfd) and Christ is important to him. He bases his life around Christ’s teachings - that’s why he’s so kind and so concerned with forgiveness and redemption and hope. He rejects the violence and hatred found in other parts of the Bible and has a great love for the gospels instead and finds his strength in Christ’s words about love and kindness and charity and forgiveness. He believes that to be a good Christian one must above all else be kind. He also highly values the lesson of the Good Samaritan (surprise surprise said no one ever) and reminds himself daily to never judge someone else for the life choices and decisions. 

his mother was just as bad as his father. I’ve seen people suggest that thomas’ mother must have been an angel to balance out the devil of alfred for thomas to have turned out so good and im calling bullshit. someone with two mean-spirited and cruel parents can absolutely be wonderful people, and in thomas’ case i believe it was the distance of his parents and their disdain and judgement of the world and unkindness that made thomas quite the opposite. he saw the mistakes they were making and learned from them. 

we know he went to eton. he deffo started kissing boys at the age of 13 or 14. he’s been a heartbreaker since teenagehood. 

he’s around 30-35 when we see him in 1705 (less a headcanon and more a lazy estimation similar to ones hundreds of other people have made) 

he enjoys sex a lot. he’s had a number of sexual partners most of whom were of the same social standing as he and he’s been in love before he meets james. he’s never loved anyone like james though. he believes james is his soulmate

he is caught between thoroughly enjoying high society life with all of its frills - the fashion, the music, the art, the luxurious houses and exuberant interiors - and feeling guilty about being so rich whilst others have so little in comparison. he’s not perfect, and so he lets himself enjoy the glamour of aristocratic europe without trying to give it too much thought. 

it’s canon he’s a Big Thinker and was homies with other Big Thinkers (he probs fucked half of the enlightenment giants but thats for anotehr time) and I Think he’d spend a lot of time Thinking about Big Things you know like ??? would educating the masses be a good thing?? child labour, huh whats that all about is that worth it?? why are some people entitled to more simply because of who they were born as? and what even IS class? and other big questions politics and sociology and criminology and philosophy and economics and history students spend £9k a year thinking about lmao (tag urself im tragic politics student still cryin over the overlooked work engles did for yrs n yrs oh fred you was done so bad i lovE YOU) 

crazy horny boy have james wear a butt plug during dinners with alfred lmao oh tomhas you wild thing

[openspacebaltimore]

Open Space is pleased to present the Eighth Annual Publications and Multiples FairIt’s no joke!

Saturday, April 1 from 12 – 6pm Sunday, April 2 from 12 – 6pm at the Baltimore Design School

Stop by the fair for a program outlining all of the on- and off-site programming this weekend!

MORE INFORMATION HERE!

The Publications and Multiples Fair is an annual exposition of contemporary artist books, prints, publications, sculptures, jewelry, textiles, and works produced in multiple. This event has grown tremendously, from having 15 vendors in its first year to having 150 in its seventh year. Taking up one weekend in the spring, PMF acts as a beacon for artists across the country. People traveling from both coasts come together to sell the wares they have produced throughout the year and stay for the connections made with makers they may have never met before. In more recent years have we curated additional on-site programming throughout the weekend that includes panel discussions on contemporary identity issues, poetry readings, musical performances, motivational speeches, and artist talks.

Formed in 2009, Open Space is a DIY artist-run gallery and collective located in Baltimore, Maryland.

Vendors: 0202FF 0Zone 200 Nam Nam A. Jarrell Hayes ACRES Adam Amram and Gabriella Grill Adult Punk Alex Ebstein, Jessie & Katey Alexandra Bravar, Angela Heaps and Caeli Carr-Potter Alexandra DeStefano Amy Scovil, Allen Hiu Anime Ceramix Ann Xu Anna K Crooks Anna Silina Anna Strain Art Vandelay Aurora Engle-Pratt Baltimore Print Studios Baltimore Youth Arts BDS kids Beast Beast Grrl Collective Bellfugees Ben McNutt / Wrestling Bernard Stiegler Better Lovers Blind Arch Brad Ziegler Bred Press Brooks & Rosebud Brown and Proud Press Carmen Johns Carolyn Conn & Grace Davis Castle Printshop Celeste Fichter Chaimi Food Studio Charlotte Anne Laurance Cherub Christina Haines Christopher Adams Christopher Mahonski Claire Felonis + Spencer Shope Clr’D CLUBHOUSE and Leyla Rzayeva Cryptogram Ctl+P Dana Bechert Ceramics Dog Pasta Dominique Hellgeth Dylan Thadani Presents Eclectic Collective EGOHEADS Ehse Records Eleanor Farley Elena Johnston Ella Clayton Elle Johnson Endless Editions Flannery Cashill Freda Mohr Friends of Friends Friends Records Fume Room Press Fuse Works Gaby Velez GenderFail Press General Matters Get Lost Press Girl Group Gloomy of PlayGurlClubb Gratuitous Type Handwork Quilts Heart & Soil Hey Thanks! Herbal Co. High Tide HYRSTERIA ZINE Illogical Comics Ink Press Productions InterMedia + Digital Arts of UMBC Jack Reese / Weakly Comics Jason Roy JEDICOM JESSICA’S WORLD OF FLOWERS Joe Maccarone Josh Dean Julie & Jane Kali Stull + Noel Freibert Kat Kennedy Kate Haberer & Will Ryerson Katherine Gottsegen KB pots Kodi Fabricant and Maggie Fitz Kyle Tata, Kristin Tata, Tyler Davis, and John Zimmerman Laila Milevski Lane Harlan Lesser Gonzalez Alvarez Lily Herman Liz Langa Ceramics Local 1 Youth Press Lorre-Mill Lucia Maher-Tatar, Audrey Gair Lunar Insurrection M Reisenwitz M.uckotter \ charles.S Make Studio MAKE Ü SMILE Mara Hyman Matt Carignan Matthew Scott Gualco Melody Often Miata Upshaw MICA Design League Mikael Flores-Amper Mishka Colombo Morgan Vessel Mother Mother MRDN Mt. Home Arts + Matthew Van Asselt Munu Editions Natalia C. Arias Natalie Geagraphic NewAM++ NICKNACKS Nothing Left to Learn Nowhere Zone Object Of Olivia Gibb Open Works P.O. Box PaperBase Paul Shortt & Christopher Kardambikis Pellinore Press PHKKED Pioneer Works Press Press Project Dispatch Publication Studio Hudson Rachel Hayden Rachel Rymont RAW MEAT Collective Red Emma’s Bookstore Coffeehouse Revolving Family Distribution Rob Brulinski Rock Pile Western Ruby Waldo s P L e e N C o F F i N Saint Lucy Books Sarah Juanita Sassafras Sea Farm City severed books Sexmagick Press Shelby Rosabal and Jasmine Cindy Shreyas R Krishnan Shy Pup Small Editions Soberscove Press Soft Blonde Soft City Printing Soumya Dhulekar & Nicole Rodrigues Spencer Compton Stephen Grebinski Stephen Hendee Studio-HH & Kevin Lowenthall SYBIL PRESS TABLOID Press Ten09 Terrault Gallery the Bettys The Coalition Zine The Contemporary The Joint Youth Movement The New Canon Project The Unofficial Press Thousand Island/Emily Burtner Total Pansy Toy Story 5 travis hallenbeck TXTbooks Ultraviolet Light Under + Over Vivien and Abbie Wise Wei Xie Hann White Lighter Whitney Simpkins Whittled Wizards & HandsandCurls Will Laren William Chapman and Lauren Barbour Women in Sound Woven Autonomo Zimmerman Woodworks

ON-SITE FAIR PROGRAMMING:

Saturday: Madeline Campbell of Women in Sound: 1-2pm A complement to Women in Sound zine, this talk is an introduction to the impact of women and queer people on electronic music and recorded sound. It will discuss the equipment and creative processes employed to produce unheard sounds and pioneer a genre. No prior knowledge of electronic music necessary to enjoy this program!

Pecha Kucha Series on “SciFi Optimism”: 2:30-3:30pm Pecha Kuchas are back! This year six presenters will explore the idea of “scifi optimism” and how it relates to their life and work. Featuring Claire Mirocha, Alexis Skinner, Lunar Insurrection, Umiko Niwa, Jen Kirby and Vincent Seadler.

ACRE TV screening: 4:00-5:00pm ACRE TV co-director Andrew Mausert-Mooney will present selections from the archives and speak to the Chicago-based project’s four year history. ACRE TV is an artist-made livestreaming tele-vision network (found online at ACRE.org) that features live and canned video, performances, durational works, and experimental broadcasts. ACRE TV was born out of the collaborative spirit of ACRE(Artists’ Cooperative Residency and Exhibitions) based in Chicago and Steuben, Wisconsin.

Nam Nam 200 5:00-6:00pm The world premier screening of video work by Marcelline, Travis Levasseur and Corey Hughes.

Sunday: Zoe Ligon in conversation with Stefani Levin about Female Ejaculation: 1-2pm Zoe Ligon artist and founder of Spectrum Boutique in Detroit will talk to local sex therapist Stefani Levin about female ejaculation.

LES FLEURS DU MAL: Readings on Erotic Decadence and Decay 2:30-4:00pm LES FLEURS DU MAL is a performance of poetry, sound, and provocative imagery inspired by Post-Baudelairean erotic decadence and decay. This show features 14 Poets, a large scale painting as backdrop by Viveca Licata, and intermission sounds by QUNA. Featuring readings by Max Guy, Grace Davis, Anna K. Crooks, Adam Marans, Lane Harlan, Lexie Mountain, Adam Beaver, Maya Martinez, Lindsay Raspi, Saida Agostini, Lily Herman, Jasmine Pullen-Schmidt and Janea Kelly. The show is curated by Lane Harlan exclusively for PMF.

Reading by Jason Harris and Olu Butterfly: Selections of Speculative Fiction: 4:00-5:00pm

Nam Nam 200 5:00-6:00pm Screening of video work by Marcelline, Travis Levasseur and Corey Hughes.

Workshops:

Satruday Beast Grrl Zine, 3:00-4:00pm Beast Grrl Zine will be running a mini-zine workshop– all materials provided! Come out to listen to tunes and chop up magazines with us. Beast Grrl Zine is a youth-run feminist organization, promoting youth empowerment, feminist education, and activism.

Sunday Intro to “Dungeons and Dragons” 1:00-3:30pm –local novelist and game maker Justin Sirois will give a 2 hour introduction to tabletop role playing and the basic system The Black Hack.

HAIR CLUB (with Kelly Lloyd) 4:00-5:00pm Hair Club would like to invite participants to use a variety of materials to construct their own merkin, or pubic wig. Merkins were originally worn by sex workers, but are now used as decorative items by people of all genders, and for “modesty” purposes by actors. During this event, while constructing our merkins with a variety of materials including sequins, fringe, felt, faux-fur, yarn, ribbon and glitter paper, we will engage participants in a discussion around body hair, specifically pubic hair, looking at the vilification of women’s body hair and the portrayal of pubic hair in pop culture. This workshop will explore a humorous DIY strategy to processing culture’s dictates about where hair should and should not be, while Kate Bush plays in the background. Co-founded by Suzanne Gold, Kelly Lloyd, and Michal Lynn Shumate, HAIR CLUB is an interdisciplinary, research-based art collective whose work is centered around the multivalent topic of HAIR.

Formed in 2009, Open Space is a DIY artist-run gallery and collective located in Baltimore, Maryland.