#enough to be enjoyed
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moonlightpirate ¡ 2 years ago
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aluminumneedles ¡ 7 months ago
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I'm knitting in the corner at a party
and guys my age stop by to tell me I remind them of their aunt, of their grandmother. This is a compliment and I take it as such. They confess to having tried crochet once, and I smile. They get back in line for the bathroom.
I'm knitting in the corner at a party and a queer woman sits on the floor next to me, arranges her skirt, and smiles up at me. (I try not to blush.) She asks me all the questions on her mind about my craft and I answer them, hands still moving. We swap yarn sources. She doesn't stay, but she knows where to find me.
I'm knitting in the corner at a party and everyone knows where to find me when they need a minute, when socializing is too much and the music is too loud and they need to catch their breath. They pretend to be checking in on me, which is sweet, but I can see the relief in their eyes the moment they stop performing for a house full of people. They sit down and tell me things and all the while they never take their eyes off my hands.
The party has wound down and I'm still knitting and the hosts, two guys in their twenties, thank me for "helping to curate the vibe." I had no idea that's what I was doing. I leave the party having forgotten to drink anything and without that woman's number but with many rows added to my top-down raglan sweater. I call it a night, and a good one.
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nommniscient ¡ 1 month ago
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eat well
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karynslee ¡ 1 month ago
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i was watching pride and prejudice (2005) as we all should be doing. and yeah, you know this scene.
instagram / inprnt
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syoddeye ¡ 1 month ago
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knight!ghost x reader. hand-waving details. all vibes, as usual. cw: noncon touching, manipulation
After years beneath your mother’s watchful eye—less a daughter than a jewel kept safe under lock and key—you are at last released.
Invited to accompany your elder sister to court following her marriage to the esteemed Lord Garrick. Your first steps beyond the confines of home toward something far grander. The world opens before you like a storybook.
It’s a rare opportunity for a young lady of gentle birth. The kind of chance your mother spent years safeguarding you against, fearing the pitfalls of courtly life. An opportunity your sister now extends like a gift.
You intend to follow in her footsteps. To make the most of it.
As his carriage ferries you across the countryside, Lord Garrick indulges in his role as guide and guardian. He names estates and their residents you pass, calling out their banners and bloodlines, reciting them from memory like a living codex, its margins filled with his own notations and stories from years of soldiering in the King’s service and court.
Most names you know from lessons or gossip: daughters and sons married off, the odd spoiled reputation and scandal, matriarchs and patriarchs pulling strings. But being the sheltered girl that you are, one name catches your thoughts like a burr. 
Lord Garrick slips a miniature into your hand. It is no larger than your palm, with rich watercolors painted on smoothed ivory: a large man, almost comically set in the tiny frame.
His skin is pale, his eyes a warm, untroubled brown. He wears a slight smile, and his armor gleams with the seal of the King.
“An old comrade—Sir Simon Riley.”
You run a thumb over the edge. “Is he as handsome as his portrait?” you ask, shy as a girl should be when entertaining fancies.
Lord Garrick only grins. “He is, dear one.”
“And noble? Chivalrous?”
“The very image,” he assures. His wry expression is lost on you.
You are too steeped in fantasy to notice. Already imagining the weight of his hand around yours, already composing the vows he might whisper when he asks you to dance. Him, tall and solemn. You, breathless and giggling. 
You do not yet understand how generous portrait artists can be, the choices they make to soften a mouth or warm a gaze.
When you arrive, you trail in your sister’s shadow, a daisy behind a rose, trying not to stare too openly at every knight that turns his helm. Try not to appear too eager.
You curtsy. You dine. You take your place among the constellation of other young and unmarried ladies, each one a little star burning with her own hopes.
Time passes. You thrive. You charm. You are granted permission and invitation to winter beside your sister, a small victory. Come spring, you’ll be presented formally.
On the morning of the first frost, Lord Garrick finds you in the solar, where you sit with your companions and needlework, your thoughts pleasantly idle.
“There’s someone I’m due to introduce you to,” he says. “Sir Riley.”
He offers you his arm, and you take it. He guides you through the winding halls, past tapestries older than your bloodline. The keep quiets as you tread through an unfamiliar wing. The room he stops at is narrow and dark, the hearth cold, the shutters drawn.
It rouses an unsettling feeling in your stomach. A wrong note, a song sung off-key. Doubt prickles, fine as thorns. The chamber is too plain, too tucked-away for an introduction. 
But the man you’ve come to love as a brother—steady, kind Lord Garrick—pats your hand, and the doubt recedes, momentarily quieted.
He bids you wait. He’ll fetch Sir Riley himself.
You let him go with a wobbling smile.
When the door creaks open again, it is not Lord Garrick who enters.
It is Sir Riley. You know him at once, though the helm conceals his face. Your heart skips.
“‘eard you been wantin’ to meet me, girl,” his low voice rolls thick like smoke. Heavy, like the blade at his hip.
You do not move. The knight fills the doorway as he did his portrait frame. Your hands knit loosely before you, trembling.
“It’s…an honor, sir,” you manage. Your eyes dart toward the door, hoping Garrick will follow, show his face. “I wasn’t expecting…That is, I thought Lord Garrick would–”
“Thought he’d stay? Look after you?” Sir Riley asks, stepping inside. “Nah. Garrick’s a busy man. ‘Sides, if it’s lookin’ after y’need, no one’ll do better.”
The door shuts with a click, and the bolt sliding shut might as well stick between your ribs.
You offer a smile, trying to summon the composure that’s served you well in the halls. Yet even your propriety has teeth, and it gnaws at the edges of your nerves. This isn’t how introductions are made. You know that. A lady does not meet a man alone, knight or not, not without a chaperone.
And yet here you are. 
He moves further in, slow and certain, untroubled by the circumstances and its consequences. He unfastens one gauntlet, then the other, metal clinking as he sets each piece aside.
You step back, heart kicking against your ribs.
“I only meant…we’ve only just met, and I’m sure your time is better spent elsewhere—”
He says nothing. His fingers move next to the clasps at his shoulders. One pauldron. Then the other. Each piece comes away with unhurried care, as though he has all the time in the world.
The bulk sloughs off like a shell, revealing more and more of his frame until only the breastplate and helmet remain. You realize then that you’ve backed into the wall.
“I should go,” you eke out. “I’ve no doubt you’re very tired from your duties, and this isn’t right—”
Sir Riley laughs, rough like the scrape of flint.
“You’re a nervous one.”
He reaches up and unhooks his helmet, slow as sunrise. When it lifts off, you are not prepared.
He is not unhandsome, no, but he is not the man in the portrait, either.
His nose has clearly been broken more than once and healed crooked. A jagged scar bisects an eyebrow with a fleshy knot on the end, mirrored by another that pulls taut across his lips. His skin is a map of violence—keloids, silvered cuts, and pitted lines all speaking to a life earned inch by brutal inch.
He tilts his head, eyes catching yours. Rich brown, as the painting promised—but the warmth there is tempered with something else. Hunger. The kind you’ve spied in the King’s hunting hounds. Not the gentle yearning or tender longing you had quietly imagined for yourself.
“What’s wrong? Kyle said you found me pretty, pet.”
The word—pet—snaps like a ribbon.
In its reverberation, you feel the whole truth of it: you are very much alone, and Sir Riley is very much not what you were told.
You open your mouth, but no sound comes. You are caught between alarm and something stranger. It burns low in your belly, confusing and unwelcome.
You look at him again, truly look this time.
And realize: perhaps the artist hadn’t lied or embellished. Not entirely. Perhaps the man in the portrait once matched reality, before war carved itself into his skin. Before duty hardened whatever youth he’d once had.
You try not to flinch when he steps closer, but your body betrays you—a stiffening of the spine, a renewed tremor in your limbs.
Sir Riley notices.
He watches you the way a wolf watches a fox kit or rabbit. Clearly delighted by the prey he’s cornered. He lets the silence sit, lets your discomfort curdle before breaking it.
“You’re more beautiful than your picture,” he murmurs, almost to himself.
Your mouth dries. There aren’t many portraits of you beyond your family’s walls. Yet months ago, Garrick had insisted on one—a secret commission, a memento for your sister, a gift. All before your invitation to court.
You never questioned what became of it.
“I—I should go.”
You move to slip past him, but he doesn’t allow it. One step, and he cuts off your path with his bulk, the door now out of reach. Trapped between the edge of the room and him, the air tastes different—ash and smoke, hay and wet dog. It wrinkles your nose.
You try again. “Lord Garrick—he didn’t say—he never said you—”
“Yeah?” 
He smiles. Not kindly.
“That I-I,” you whisper, heart beating hard enough that you’re sure he must hear it. “That I’d be alone. This isn’t right—”
“Not alone, pet,” he shakes his head. “I’m here, aren't I? I’ll see you well looked after.”
Without pause or permission, he takes your hand.
You could faint.
Your bare hand disappears, swallowed by his callused palm. His thick knuckles are as battered as his face, broken and reset countless times. His thumb brushes the inside of your wrist and applies a brief and slight pressure, just enough to remind you of his strength.
You jerk instinctively, a soft tug.
He doesn’t let go. Instead, he brings your hand to his mouth.
“No need to shy from me,” he rasps.
Your breath catches. 
(You really could faint, but a deep, sharp fear urges you to stay upright. Awake. That to fall now—the alternative—)
He kisses each of your fingers, one by one, unhurried. His lips are cracked. Chapped. Your skin burns under each press. You can’t move. You should, but your feet fail.
He smiles into your knuckles. Almost fond. “You’re shaking.”
You don’t answer. Can’t.
“You don’t know what to do with yourself now, do you?” he drawls. “Bet you had a whole story in that pretty little head. Knight in shining armor, riding in to sweep you off your feet.”
His grip tightens, and he leans in, breath fanning over your cheek.
“Want me to do that, pet? Sweep you off your feet and take you away?”
Your heart screams no.
But nothing comes.
He watches you in that awful silence—measured and methodical. Like he’s trying to decide what to do with you first. His hand, still curled around yours, begins to move again, with new purpose.
He lifts your fingers and guides them toward his face.
You resist, weak and instinctive, and he overcomes it with barely a flick of his wrist.
“Go on. You’ve been staring.”
Your fingertips brush the ridge of the scar across his lip. It’s rough, raised, healed poorly. You flinch, but he doesn’t let go. Instead, he shifts your hand higher, until your touch ghosts over the thick welt at his eyebrow.
“Ugly, isn’t it?” he asks, almost amused.
Your throat tightens. “No—no, I—”
He clicks his tongue. “Don’t lie. Don’t like liars. You scared?”
You are. You’re mortified, shaking with it now—caught between a girlhood fantasy and the brutal reality of the man standing before you. There’s something violent in your own confusion. In the heat crawling down your neck and into your chest, in the tears prickling hot behind your eyes.
He sees it. Of course he does.
And he pounces.
One blink, and then his mouth is on yours without ceremony. It’s a brutal kiss, a claiming thing, harsh and sudden and full of heat. Devoid of the romance you once imagined.
You gasp, startled, but his free hand comes to the back of your head, fingers spanning your skull to hold you in place. He doesn’t let you pull away. He licks into your mouth and steals the air.
It’s too much. He is too much.
When he finally pulls back, your breath is ragged and your tears have finally broken free, hot trails slipping down your cheeks. The horror of what’s just happened crashes over you all at once, like a bucket of cold water sloshed down your spine. Your legs nearly buckle.
He stares, thumb wiping spit from your chin.
“There she is,” he says quietly, near reverent.
You stand there, unmoving. Caught. The pounding of your heart drowns out every thought, each beat frantic, panicked. A bird slamming itself against a windowpane in desperation. You don’t know what to say. You don’t know what you’re allowed to say. The room grows smaller by the second, the walls pressing in.
He studies you, a delicate thing worth examining up close.
“Didn’t think you’d be this sweet,” he mutters, mostly to himself. “Garrick said he had a girl for me. Said you were pretty. Polite. Court-bred. Figured I’d ‘ave to steal into your rooms, take some insurance to make you mine, you know. But Garrick said there’d be no need. That you’d behave. A proper good girl. That what you are?”
His eyes flick over your features—warm cheeks, wet-eyed, lips parted in confusion and fright. His thumb grazes beneath your chin.
“Look at you. Shakin’. Precious thing. ‘Course you are.”
He kisses you again. Harder.
No longer exploratory, no longer testing the waters. His moves as if owed. He takes and takes, lips dragging against yours, breath hot and heavy through his nose. Teeth sink into your lips, imprinting themselves on the pith of your mouth, sucking your tongue. You whimper, but his hand is already sliding down the line of your throat, splaying wide to feel your pulse.
Another panicked noise makes him smile.
He sighs. “Didn’t guess you’d be this soft. Bet you’re soft everywhere.”
Then—
The door bursts open.
A gasp of startled voices—servants. They freeze in the doorway, wide-eyed at the sight of the two of you locked together.
Panic explodes inside you. You jerk back from him, gasping, desperate to speak, to explain—this isn’t what it looks like—but you never get the chance.
Sir Riley doesn’t release you. His arm tightens, his grip anchoring you in place. He turns toward the intruders, unbothered and unashamed. Cold.
In a few short, lethal words, he promises consequences. He names each one of them—their roles, their kin. Swears they’ll feel his hand and blade personally should they utter a word of what they’ve seen.
They flee. Mute. Terrified.
When the door shuts again, it’s like the last breath is sucked from the room.
You’re a mess. Shaking, weeping, mouth swollen and burning. You are ruined. You know it. They will talk. People always do.
With the cuff of his sleeve, Sir Riley dabs your cheek, and then your chin. A mocking taste of the tenderness you’d dreamt of. He hums, too soft for the wicked glint in his eye, and tips your face back up with two fingers beneath your jaw.
“What a predicament we find ourselves in, hm?” he murmurs against your damp skin. “How fortunate that Garrick and I already ‘ave an audience with the King.”
He plants a chaste peck on your cheek.
“Dry your tears, pet.”
He smiles. A pleased shape that rekindles the hunger in his eyes.
“By spring, you’ll be Lady Riley. That’s a promise.”
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cj-the-random-artist ¡ 8 months ago
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Is this my best comic ever?? Nope. Do I think I characterized either of these two particularly well in this comic?? Not really. Did I spend an unreasonable amount of time on it to the point that it would be a waste to not post it?? Yes, yes I did.
I really committed to this one, spent a lot of time on those backgrounds and treated myself to ample suffering with the perspective, which is not my strong suit but I am happy with how it ultimately looks. Yay perspective and background practice!!
(Tbh I shouldn't talk like I think this one sucks, I think I've just been staring at it for so long that my brain has decided it's not good and it's actually way better than I think it is, and honestly I am quite happy with it. The artistic process really is something, isn't it?)
The inspiration was basically me reminding... myself... to take breaks sometimes... by drawing for several hour stints during my only little bits of free time. Which totally tracks. Probably. But I've been rolling around in my brain this idea that Lambert is a very uptight people pleaser and anxious workaholic, but Narinder, at least since adjusting himself to the circumstances (which probably took at least a century, maybe two) has discovered the joys of self care, and has made an active effort to chill tf out. This has not made him any less terrifying to the cultists (save for Lambert's closest disciples), nor has it made him friendlier to really anyone but Lambert (and maybe his siblings), but he sure has found some serious peace of mind. That said, I can't place what his motivations are here. Perhaps he is secretly concerned about Lambert's sanity, because he doesn't want them to turn into what he was, or maybe he's just trying to steal away some quality time with his one and only friend, but regardless of the reason, I spent too much time on this for nobody to see it, dang it.
That said. Enjoy this silly little comic that I spent way too much time on, and I hope this silly comic brings you some joy today.
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daimiyamoto ¡ 1 month ago
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OVERCOMPENSATING Scary Monsters and Nice Sprites
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scarymonsters-andsupercreeps ¡ 2 months ago
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Promise
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noodles-and-tea ¡ 3 months ago
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Rereading legal partners
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paint-tastes-ok ¡ 2 months ago
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sometimes u draw something. sometimes u spend a lot of time drawing a thing. sometimes that thing ends up being mostly obscured by another thing
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dotssu3 ¡ 3 months ago
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get ready with derek
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rnessfey ¡ 7 months ago
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sketches of the mopey old man as i'm trying to get a grasp of the way to draw emmrich🌹💀!!! he is, indeed, the most character. thank you bioware
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natade-art ¡ 8 months ago
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got hit by the sudden realization that i never posted my piece for the moments between zine even though we got our copies in, what, september? looking at it now there's things i'd do differently but that's what makes zine pieces such a good learning experience ^^
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composeregg ¡ 9 months ago
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edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here
And, given that the original is from April 2023, that means I can very easily say:
No, this was not an ISAT reference!
Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT
(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)
If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that
#egg speaks#writing#polls#my writing#egg writes#my polls#poetry#time loops#listen I want to run this again#time loop poll#<- check that tag on my blog for the original 10 option version lmao#unreality#you know I didn't think I'd get fed up with people making isat jokes about this#I thought it'd be like oh hey neat same hat#we both like the same game#but people keep going ��oh this is JUST an ISAT reference”#as if it's not a genuine work of creativity I did myself. it feels a bit devaluing#“op you played isat” yes but that came after the original!!!!!#I KNOW it's not meant like that but I want people to engage in my work as its own thing. you can make jokes about similar media!!!#but this is it's own thing!!!!#I want people to like it for what it is. I want people to enjoy it outside of other media. I want it to stand on its own#I'm flattered someone said it was good enough that they think it could be narration from the game and read just as well!!!!#but like. idk. all the other medias popping up (pmmm. orv. higurashi. etc) aren't people calling it a /reference/#if I wanted it to be an ISAT reference I would have tagged it originally. I would have targeted it toward ISAT fans more intentionally.#I love fanworks but this was an ode to time loops alone. I wanted people to think. to have to CHOOSE. I wanted PARTICIPATION#time loops as a narrative and as horror and as a group activity via polls on tumblr. also s/o to the person who said 40 hr work week so tru
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egophiliac ¡ 1 year ago
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bring your son to work day
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caffichai ¡ 5 months ago
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Recently (finally) upgraded Cement to E2! She's got one of my favourite designs, and I've been having a blast with her!
Was inspired to draw her after being directed to @frostdemigod 's blog after raving about her. I am kneeling out of respect for that dedication
[Bluesky]
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