#enough to be enjoyed
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#william boldwood#far from the madding crowd#female reader insert#im determined to finish the fic im working on#then i could go in and add more#but there is already multi chapters for this fic#so like#enough to be enjoyed#michael sheen
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I'm knitting in the corner at a party
and guys my age stop by to tell me I remind them of their aunt, of their grandmother. This is a compliment and I take it as such. They confess to having tried crochet once, and I smile. They get back in line for the bathroom.
I'm knitting in the corner at a party and a queer woman sits on the floor next to me, arranges her skirt, and smiles up at me. (I try not to blush.) She asks me all the questions on her mind about my craft and I answer them, hands still moving. We swap yarn sources. She doesn't stay, but she knows where to find me.
I'm knitting in the corner at a party and everyone knows where to find me when they need a minute, when socializing is too much and the music is too loud and they need to catch their breath. They pretend to be checking in on me, which is sweet, but I can see the relief in their eyes the moment they stop performing for a house full of people. They sit down and tell me things and all the while they never take their eyes off my hands.
The party has wound down and I'm still knitting and the hosts, two guys in their twenties, thank me for "helping to curate the vibe." I had no idea that's what I was doing. I leave the party having forgotten to drink anything and without that woman's number but with many rows added to my top-down raglan sweater. I call it a night, and a good one.
#knitting#knitblr#poetry#tagging this with poetry feels ridiculous#but oh well#anyway this is a true story#or technically two true stories smushed into one#i sent this to one of the guys who hosted the party and he said âthis is really niceâ like twenty times#and then he thanked me again for helping to curate the vibe#anyway i feel like those of us who do it know the kind of impact that knitting in public can have#but i guess it wasn't until i was reflecting on this party that i realized it could be used to create a safe space#if you will#okay that's enough tags#anyway i hope you enjoy#bon appetit#etc#UNEDITED BTW SO BE NICE#please
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eat well
#transformers#maccadam#tf one#starscream#soundwave#shockwave#sorry guys I donât use tumblr enough#enjoy ur high guard crumbs
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i was watching pride and prejudice (2005) as we all should be doing. and yeah, you know this scene.
instagram / inprnt
#and YEAH i know what the fascia represents too. yeehaw#conclave#thomas lawrence#vincent benitez#illustration#karynslee#artists on tumblr#i keep accidentally hitting shit on mobile and keep pubbing stuff that's not totally done but this is close enough enjoy yall#i love my gay old men#lawrenitez
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knight!ghost x reader. hand-waving details. all vibes, as usual. cw: noncon touching, manipulation
After years beneath your motherâs watchful eyeâless a daughter than a jewel kept safe under lock and keyâyou are at last released.
Invited to accompany your elder sister to court following her marriage to the esteemed Lord Garrick. Your first steps beyond the confines of home toward something far grander. The world opens before you like a storybook.
Itâs a rare opportunity for a young lady of gentle birth. The kind of chance your mother spent years safeguarding you against, fearing the pitfalls of courtly life. An opportunity your sister now extends like a gift.
You intend to follow in her footsteps. To make the most of it.
As his carriage ferries you across the countryside, Lord Garrick indulges in his role as guide and guardian. He names estates and their residents you pass, calling out their banners and bloodlines, reciting them from memory like a living codex, its margins filled with his own notations and stories from years of soldiering in the Kingâs service and court.
Most names you know from lessons or gossip: daughters and sons married off, the odd spoiled reputation and scandal, matriarchs and patriarchs pulling strings. But being the sheltered girl that you are, one name catches your thoughts like a burr.Â
Lord Garrick slips a miniature into your hand. It is no larger than your palm, with rich watercolors painted on smoothed ivory: a large man, almost comically set in the tiny frame.
His skin is pale, his eyes a warm, untroubled brown. He wears a slight smile, and his armor gleams with the seal of the King.
âAn old comradeâSir Simon Riley.â
You run a thumb over the edge. âIs he as handsome as his portrait?â you ask, shy as a girl should be when entertaining fancies.
Lord Garrick only grins. âHe is, dear one.â
âAnd noble? Chivalrous?â
âThe very image,â he assures. His wry expression is lost on you.
You are too steeped in fantasy to notice. Already imagining the weight of his hand around yours, already composing the vows he might whisper when he asks you to dance. Him, tall and solemn. You, breathless and giggling.Â
You do not yet understand how generous portrait artists can be, the choices they make to soften a mouth or warm a gaze.
When you arrive, you trail in your sisterâs shadow, a daisy behind a rose, trying not to stare too openly at every knight that turns his helm. Try not to appear too eager.
You curtsy. You dine. You take your place among the constellation of other young and unmarried ladies, each one a little star burning with her own hopes.
Time passes. You thrive. You charm. You are granted permission and invitation to winter beside your sister, a small victory. Come spring, youâll be presented formally.
On the morning of the first frost, Lord Garrick finds you in the solar, where you sit with your companions and needlework, your thoughts pleasantly idle.
âThereâs someone Iâm due to introduce you to,â he says. âSir Riley.â
He offers you his arm, and you take it. He guides you through the winding halls, past tapestries older than your bloodline. The keep quiets as you tread through an unfamiliar wing. The room he stops at is narrow and dark, the hearth cold, the shutters drawn.
It rouses an unsettling feeling in your stomach. A wrong note, a song sung off-key. Doubt prickles, fine as thorns. The chamber is too plain, too tucked-away for an introduction.Â
But the man youâve come to love as a brotherâsteady, kind Lord Garrickâpats your hand, and the doubt recedes, momentarily quieted.
He bids you wait. Heâll fetch Sir Riley himself.
You let him go with a wobbling smile.
When the door creaks open again, it is not Lord Garrick who enters.
It is Sir Riley. You know him at once, though the helm conceals his face. Your heart skips.
ââeard you been wantinâ to meet me, girl,â his low voice rolls thick like smoke. Heavy, like the blade at his hip.
You do not move. The knight fills the doorway as he did his portrait frame. Your hands knit loosely before you, trembling.
âItâsâŚan honor, sir,â you manage. Your eyes dart toward the door, hoping Garrick will follow, show his face. âI wasnât expectingâŚThat is, I thought Lord Garrick wouldââ
âThought heâd stay? Look after you?â Sir Riley asks, stepping inside. âNah. Garrickâs a busy man. âSides, if itâs lookinâ after yâneed, no oneâll do better.â
The door shuts with a click, and the bolt sliding shut might as well stick between your ribs.
You offer a smile, trying to summon the composure thatâs served you well in the halls. Yet even your propriety has teeth, and it gnaws at the edges of your nerves. This isnât how introductions are made. You know that. A lady does not meet a man alone, knight or not, not without a chaperone.
And yet here you are.Â
He moves further in, slow and certain, untroubled by the circumstances and its consequences. He unfastens one gauntlet, then the other, metal clinking as he sets each piece aside.
You step back, heart kicking against your ribs.
âI only meantâŚweâve only just met, and Iâm sure your time is better spent elsewhereââ
He says nothing. His fingers move next to the clasps at his shoulders. One pauldron. Then the other. Each piece comes away with unhurried care, as though he has all the time in the world.
The bulk sloughs off like a shell, revealing more and more of his frame until only the breastplate and helmet remain. You realize then that youâve backed into the wall.
âI should go,â you eke out. âIâve no doubt youâre very tired from your duties, and this isnât rightââ
Sir Riley laughs, rough like the scrape of flint.
âYouâre a nervous one.â
He reaches up and unhooks his helmet, slow as sunrise. When it lifts off, you are not prepared.
He is not unhandsome, no, but he is not the man in the portrait, either.
His nose has clearly been broken more than once and healed crooked. A jagged scar bisects an eyebrow with a fleshy knot on the end, mirrored by another that pulls taut across his lips. His skin is a map of violenceâkeloids, silvered cuts, and pitted lines all speaking to a life earned inch by brutal inch.
He tilts his head, eyes catching yours. Rich brown, as the painting promisedâbut the warmth there is tempered with something else. Hunger. The kind youâve spied in the Kingâs hunting hounds. Not the gentle yearning or tender longing you had quietly imagined for yourself.
âWhatâs wrong? Kyle said you found me pretty, pet.â
The wordâpetâsnaps like a ribbon.
In its reverberation, you feel the whole truth of it: you are very much alone, and Sir Riley is very much not what you were told.
You open your mouth, but no sound comes. You are caught between alarm and something stranger. It burns low in your belly, confusing and unwelcome.
You look at him again, truly look this time.
And realize: perhaps the artist hadnât lied or embellished. Not entirely. Perhaps the man in the portrait once matched reality, before war carved itself into his skin. Before duty hardened whatever youth heâd once had.
You try not to flinch when he steps closer, but your body betrays youâa stiffening of the spine, a renewed tremor in your limbs.
Sir Riley notices.
He watches you the way a wolf watches a fox kit or rabbit. Clearly delighted by the prey heâs cornered. He lets the silence sit, lets your discomfort curdle before breaking it.
âYouâre more beautiful than your picture,â he murmurs, almost to himself.
Your mouth dries. There arenât many portraits of you beyond your familyâs walls. Yet months ago, Garrick had insisted on oneâa secret commission, a memento for your sister, a gift. All before your invitation to court.
You never questioned what became of it.
âIâI should go.â
You move to slip past him, but he doesnât allow it. One step, and he cuts off your path with his bulk, the door now out of reach. Trapped between the edge of the room and him, the air tastes differentâash and smoke, hay and wet dog. It wrinkles your nose.
You try again. âLord Garrickâhe didnât sayâhe never said youââ
âYeah?âÂ
He smiles. Not kindly.
âThat I-I,â you whisper, heart beating hard enough that youâre sure he must hear it. âThat Iâd be alone. This isnât rightââ
âNot alone, pet,â he shakes his head. âIâm here, aren't I? Iâll see you well looked after.â
Without pause or permission, he takes your hand.
You could faint.
Your bare hand disappears, swallowed by his callused palm. His thick knuckles are as battered as his face, broken and reset countless times. His thumb brushes the inside of your wrist and applies a brief and slight pressure, just enough to remind you of his strength.
You jerk instinctively, a soft tug.
He doesnât let go. Instead, he brings your hand to his mouth.
âNo need to shy from me,â he rasps.
Your breath catches.Â
(You really could faint, but a deep, sharp fear urges you to stay upright. Awake. That to fall nowâthe alternativeâ)
He kisses each of your fingers, one by one, unhurried. His lips are cracked. Chapped. Your skin burns under each press. You canât move. You should, but your feet fail.
He smiles into your knuckles. Almost fond. âYouâre shaking.â
You donât answer. Canât.
âYou donât know what to do with yourself now, do you?â he drawls. âBet you had a whole story in that pretty little head. Knight in shining armor, riding in to sweep you off your feet.â
His grip tightens, and he leans in, breath fanning over your cheek.
âWant me to do that, pet? Sweep you off your feet and take you away?â
Your heart screams no.
But nothing comes.
He watches you in that awful silenceâmeasured and methodical. Like heâs trying to decide what to do with you first. His hand, still curled around yours, begins to move again, with new purpose.
He lifts your fingers and guides them toward his face.
You resist, weak and instinctive, and he overcomes it with barely a flick of his wrist.
âGo on. Youâve been staring.â
Your fingertips brush the ridge of the scar across his lip. Itâs rough, raised, healed poorly. You flinch, but he doesnât let go. Instead, he shifts your hand higher, until your touch ghosts over the thick welt at his eyebrow.
âUgly, isnât it?â he asks, almost amused.
Your throat tightens. âNoâno, Iââ
He clicks his tongue. âDonât lie. Donât like liars. You scared?â
You are. Youâre mortified, shaking with it nowâcaught between a girlhood fantasy and the brutal reality of the man standing before you. Thereâs something violent in your own confusion. In the heat crawling down your neck and into your chest, in the tears prickling hot behind your eyes.
He sees it. Of course he does.
And he pounces.
One blink, and then his mouth is on yours without ceremony. Itâs a brutal kiss, a claiming thing, harsh and sudden and full of heat. Devoid of the romance you once imagined.
You gasp, startled, but his free hand comes to the back of your head, fingers spanning your skull to hold you in place. He doesnât let you pull away. He licks into your mouth and steals the air.
Itâs too much. He is too much.
When he finally pulls back, your breath is ragged and your tears have finally broken free, hot trails slipping down your cheeks. The horror of whatâs just happened crashes over you all at once, like a bucket of cold water sloshed down your spine. Your legs nearly buckle.
He stares, thumb wiping spit from your chin.
âThere she is,â he says quietly, near reverent.
You stand there, unmoving. Caught. The pounding of your heart drowns out every thought, each beat frantic, panicked. A bird slamming itself against a windowpane in desperation. You donât know what to say. You donât know what youâre allowed to say. The room grows smaller by the second, the walls pressing in.
He studies you, a delicate thing worth examining up close.
âDidnât think youâd be this sweet,â he mutters, mostly to himself. âGarrick said he had a girl for me. Said you were pretty. Polite. Court-bred. Figured Iâd âave to steal into your rooms, take some insurance to make you mine, you know. But Garrick said thereâd be no need. That youâd behave. A proper good girl. That what you are?â
His eyes flick over your featuresâwarm cheeks, wet-eyed, lips parted in confusion and fright. His thumb grazes beneath your chin.
âLook at you. Shakinâ. Precious thing. âCourse you are.â
He kisses you again. Harder.
No longer exploratory, no longer testing the waters. His moves as if owed. He takes and takes, lips dragging against yours, breath hot and heavy through his nose. Teeth sink into your lips, imprinting themselves on the pith of your mouth, sucking your tongue. You whimper, but his hand is already sliding down the line of your throat, splaying wide to feel your pulse.
Another panicked noise makes him smile.
He sighs. âDidnât guess youâd be this soft. Bet youâre soft everywhere.â
Thenâ
The door bursts open.
A gasp of startled voicesâservants. They freeze in the doorway, wide-eyed at the sight of the two of you locked together.
Panic explodes inside you. You jerk back from him, gasping, desperate to speak, to explainâthis isnât what it looks likeâbut you never get the chance.
Sir Riley doesnât release you. His arm tightens, his grip anchoring you in place. He turns toward the intruders, unbothered and unashamed. Cold.
In a few short, lethal words, he promises consequences. He names each one of themâtheir roles, their kin. Swears theyâll feel his hand and blade personally should they utter a word of what theyâve seen.
They flee. Mute. Terrified.
When the door shuts again, itâs like the last breath is sucked from the room.
Youâre a mess. Shaking, weeping, mouth swollen and burning. You are ruined. You know it. They will talk. People always do.
With the cuff of his sleeve, Sir Riley dabs your cheek, and then your chin. A mocking taste of the tenderness youâd dreamt of. He hums, too soft for the wicked glint in his eye, and tips your face back up with two fingers beneath your jaw.
âWhat a predicament we find ourselves in, hm?â he murmurs against your damp skin. âHow fortunate that Garrick and I already âave an audience with the King.â
He plants a chaste peck on your cheek.
âDry your tears, pet.â
He smiles. A pleased shape that rekindles the hunger in his eyes.
âBy spring, youâll be Lady Riley. Thatâs a promise.â
#ghost x reader#all vibes as usual#anyway i spent a lot of time in museums on vacation and enjoyed the kind of historical catfishing in portraits.#i imagine queen laswell orders kyle to help find simon a wife. price's influence isn't enough to keep him in line anymore.#he needs someone soft and sweet to wed and bed. pop out a litter of brutes. etc etc.#and kyle struggles for a year. simon has the audacity to be picky after running so many girls off.#then when kyle meets your sister and finds out you exist? and you're just simon's type and so impressionable? bingo#bribes simon to sit for a portrait. he makes it a half hour. kyle forces the artist to literally paint simon in a flattering light.#i could go on.
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Is this my best comic ever?? Nope. Do I think I characterized either of these two particularly well in this comic?? Not really. Did I spend an unreasonable amount of time on it to the point that it would be a waste to not post it?? Yes, yes I did.
I really committed to this one, spent a lot of time on those backgrounds and treated myself to ample suffering with the perspective, which is not my strong suit but I am happy with how it ultimately looks. Yay perspective and background practice!!
(Tbh I shouldn't talk like I think this one sucks, I think I've just been staring at it for so long that my brain has decided it's not good and it's actually way better than I think it is, and honestly I am quite happy with it. The artistic process really is something, isn't it?)
The inspiration was basically me reminding... myself... to take breaks sometimes... by drawing for several hour stints during my only little bits of free time. Which totally tracks. Probably. But I've been rolling around in my brain this idea that Lambert is a very uptight people pleaser and anxious workaholic, but Narinder, at least since adjusting himself to the circumstances (which probably took at least a century, maybe two) has discovered the joys of self care, and has made an active effort to chill tf out. This has not made him any less terrifying to the cultists (save for Lambert's closest disciples), nor has it made him friendlier to really anyone but Lambert (and maybe his siblings), but he sure has found some serious peace of mind. That said, I can't place what his motivations are here. Perhaps he is secretly concerned about Lambert's sanity, because he doesn't want them to turn into what he was, or maybe he's just trying to steal away some quality time with his one and only friend, but regardless of the reason, I spent too much time on this for nobody to see it, dang it.
That said. Enjoy this silly little comic that I spent way too much time on, and I hope this silly comic brings you some joy today.
#cult of the lamb#cult of the lamb fanart#cotl#cotl fanart#cotl lamb#cotl narinder#cotl narilamb#narilamb#(like honestly narilamb is a qpr to me specifically and i intend this as such but this can easily be read as romantic as well tbh)#also we get some bonus jalala and rinor in this one!! and some bonus... implied leshycat. technically#not gonna tag those individually cuz there's just like. not enough of it for me to feel like those tags have any meaning#but they're here as a bonus. also jalala and rinor are fun to draw maybe i should make a mini comic just about them sometime#rambles aside pls enjoy this ridiculous comic that i spent an unreasonable amount of time on it was a joy to work on#and even tho its not my best comic ever i do love how it turned out it was such a good time#the yet untitled qpr narilamb au
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OVERCOMPENSATING Scary Monsters and Nice Sprites
#enough for today lol hope you all enjoyed my brainrot day#overcompensating#rish shah#benito skinner#userjvles#tvedit#gayedit#lgbtedit#holesrus#mlmedit#mlmgifs#lgbtgifs#*#usfw
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Promise
#this takes place in my mind palace where there was enough of a lull in the final battle for her to be able to say goodbye#itâs been a while since I drew something upsetting 𫡠hope you enjoy! tried out some new art stuff as well#my art#jjba#jojo's bizarre adventure#jojo no kimyou na bouken#jjba fanart#jjba spoilers#stone ocean spoilers#stone ocean#JJBA part 6#jolyne cujoh#jolyne kujo#jjba jolyne#jotaro kujo#kujo jotaro#jjba jotaro#dadtaro#tw blood#cw blood#tw death#cw death#sheâs grabbing his shirt the same way on both pages âşď¸
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Rereading legal partners
#IđCONđICđ#I loved this fic first time around#am ecstatic that I donât remember it enough to enjoy it so so bad#itâs GOOD OUGH#I donât remember what happens I am enGAGED#Iâm posting this and then immediately going back to read thank you thank you#thank you and good night#my art#phoenix wright ace attorney#Phoenix wright#ace attorney#miles edgeworth#narumitsu#wrightworth#apollo justice#klavier gavin#klapollo#trucy wright#franziska von karma
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sometimes u draw something. sometimes u spend a lot of time drawing a thing. sometimes that thing ends up being mostly obscured by another thing
#ssssss(and i cannot stress this enough:)iiiiiiiiiiiiiiiiiiiiigh#especially sad bc joker's trigger discipline was key to this interaction#also fun fact uhhh i wanted the gun to be pushing into an open wound but who knows whether i'll stick with that or not. still a wip#my art#shuake#what the hell. thank you#i'm glad ppl enjoy this bc i was feeling soooooo fuckin bad about it lol#it was vent art...#THANK U ALSO for critique and suggestions!! now i know there is a Future for this piece
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get ready with derek
#ive dragged the joke out long enough (on twitter at least lol) so here ya go enjoy#derek#oc art#original art#original character art#my art#original character
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sketches of the mopey old man as i'm trying to get a grasp of the way to draw emmrichđšđ!!! he is, indeed, the most character. thank you bioware
#dragon age#emmrich volkarin#dragon age the veilguard#so eloquent#man. the half-lidded gaze#it's everything isn't it#i really enjoy his design.#and character overall.#damn#whoever designed his coat. genius mind#ok enough#my doodles
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got hit by the sudden realization that i never posted my piece for the moments between zine even though we got our copies in, what, september? looking at it now there's things i'd do differently but that's what makes zine pieces such a good learning experience ^^
#proudest of the foliage still that was fun#nefertari vivi#tony tony chopper#monkey d luffy#one piece#i think if i did it now id do more proper shading to guide the eye better the forefront stands out but the rest of the background#kind of all blurs together because i didn't do enough for value and line variety that way...BUT overall enjoy it stilla nd it was so fun
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edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here
And, given that the original is from April 2023, that means I can very easily say:
No, this was not an ISAT reference!
Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT
(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)
If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that
#egg speaks#writing#polls#my writing#egg writes#my polls#poetry#time loops#listen I want to run this again#time loop poll#<- check that tag on my blog for the original 10 option version lmao#unreality#you know I didn't think I'd get fed up with people making isat jokes about this#I thought it'd be like oh hey neat same hat#we both like the same game#but people keep going ��oh this is JUST an ISAT referenceâ#as if it's not a genuine work of creativity I did myself. it feels a bit devaluing#âop you played isatâ yes but that came after the original!!!!!#I KNOW it's not meant like that but I want people to engage in my work as its own thing. you can make jokes about similar media!!!#but this is it's own thing!!!!#I want people to like it for what it is. I want people to enjoy it outside of other media. I want it to stand on its own#I'm flattered someone said it was good enough that they think it could be narration from the game and read just as well!!!!#but like. idk. all the other medias popping up (pmmm. orv. higurashi. etc) aren't people calling it a /reference/#if I wanted it to be an ISAT reference I would have tagged it originally. I would have targeted it toward ISAT fans more intentionally.#I love fanworks but this was an ode to time loops alone. I wanted people to think. to have to CHOOSE. I wanted PARTICIPATION#time loops as a narrative and as horror and as a group activity via polls on tumblr. also s/o to the person who said 40 hr work week so tru
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bring your son to work day
#art#twisted wonderland#twisted wonderland spoilers#tsumsted wonderland#sorry this might be it guys#just kind of burnt out right now#i am enjoying the event though! i love these silly beanbags and their charming little adventures#can't wait for silver-tsum to wake up just long enough to take a bullet for malleus-tsum#and i extra extra love malleus and his beanbag both being SO passive-aggressive about missing the pile-up#the solution: DANCE PARTY#APPARENTLY#between this and glorious masquerade i'm starting to think this is malleus' solution to everything#(is this how episode 7 will end) (we DO traditionally get an end-of-episode rhythmic...)#also a+ some truly excellent spritework going on in this on#(sebek crunches down slightly 'RIDE ME WAKATSUMSAMA') (long beat) (malleus and tsum just sliiiiiide away screen left)#genuinely so much funnier than a literal depiction could ever be#anyway i did some careful calculations re:the probability of upcoming cards that i absolutely need and long story short#i am key-poor but tsum!malleus-rich >:)#(immediately goes through and switches all his lesson sprites to having a tsum wobbling on his head) worth it#now watch next month they're going to give us a white rabbit rerun with malleus and/or lilia as the frilliest froufrou bunnies#and i will be thoroughly effed
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Recently (finally) upgraded Cement to E2! She's got one of my favourite designs, and I've been having a blast with her!
Was inspired to draw her after being directed to @frostdemigod 's blog after raving about her. I am kneeling out of respect for that dedication
[Bluesky]
#frostdemigod there's not enough Cement content in the world and you are carrying hard! I hope you enjoy my little contribution to it!#Cement's design absolutely rules!! I changed it up a little bit here just for fun#I started drawing these âtacticalknightsâ at the end of last year! I'll post em all eventually!#digital art#arknights#artists on tumblr#art#sketch#Cement#Cement arknights
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