#evan meta tag

[foursaints]

re: last post. evan rosier being sacked from st. mungo's & then swiftly scooped up by tom to fill the death eater's need for a healer is something that can be so personal

evan had his own room at the back of riddle house. it was filled with antique surgical devices and "medical" textbooks with the most concerning titles & absolutely NOBODY ever wanted to get healed. i picture like, avery or whoever clumsily healing lucius's wounds until tom comes upon this like ? i've specifically enlisted a VERY SKILLED healer for this exact purpose. and the other death eaters are just like.... i don't know how to tactfully say that you couldn't PAY me to enter evan rosier's den of inferi autopsies & rusty bone-saws. he was FIRED from st. mungo's. his healing magic hurts WORSE than the original wound. he's WEIRD and it smells like DEATH in there

they go anyway because they're scared of tom. barty is the only one who just simply can't relate. that's his happy place

[madlori]

On Tommy Kinard

"It's not that I don't like Buck and Tommy, it's just happening so fast, he's underdeveloped!"

*clears throat*

Here is a recap of what we know about Tommy. And this is just off the top of my head, I didn't rewatch anything.

He was closeted at the 118 before and found the atmosphere repressive. He (probably) acted like a dick to fit in. When presented with the chance to make things better, he took it, and developed positive relationships with Hen, Chim and Bobby.

He was in the army and trained there as a pilot.

He knows Muay Thai and has a set up in his house.

He likes to work on cars and has a lift at his house (where TF does he live is my question - he has some nerve being agog at Buck's loft if he has a muay thai gym and a car lift)

He is down for violating departmental policy at the drop of a hat (has done so on at least two occasions) to help a friend and has no problems fucking with the fire chief.

He is a nerd. He likes pub trivia and has incorrect Star Wars opinions, and can keep up with Chim in the movie-quoting department.

His favorite movie is "Love, Actually" and he likes craft beer and monster trucks.

He came out when he transferred to Harbor and felt comfortable enough to stop lying about who he was.

He follows MMA and has friends in Vegas who like him well enough to hook him up to a frankly insane degree.

He'll risk his own life and engage in helicopter skulduggery to save people he doesn't know...I mean, apart from doing that for a living.

He'll take time out of his day to give a tour to the cute boy who called him up and offer to give that boy flying lessons (a significant time investment) which was probably maybe about more one on one time with said boy.

He yearns for the belonging and found family that the 118 became after his departure and probably befriended Eddie hoping to earn a plate at the cookout, aside from just clicking with him.

He likes Eddie and Chris a lot and they like him. Chimney also likes him.

He was attracted to Buck right away and was emotionally aware enough to pick up on Buck's jealous feelings over Eddie and his friendship, even if he was surprised that it was him Buck wanted to get to know.

He respects and values Buck and Eddie's friendship and wanted to make sure Buck knew that.

He's brave enough to shoot his shot by planting one on a dude.

He's a lil bitchy but also generous and ready to throw in with this insane guy who's inviting him to a family wedding after 0.5 dates.

He showed up to a bachelor party when he was on call because Buck asked him to, then showed up in turnouts after fighting a fire for like 12 hours yadda yadda we all know this part.

He has got it BAD for one Evan Buckley, who he only calls "Evan" which according to LFJR is a conscious decision by the writers, which fascinates me.

He was willing to take a chance with a man just discovering his sexuality BUT wasn't willing to put himself through that if the man in question wasn't ready for it. When Buck showed him that he was, he was all in.

He does NOT take his coffee like that.

Oh and

He's a beast.

This is VASTLY more information than we knew about ANY of Buck's previous girlfriends with the possible exception of Abby. Even Taylor did not get this much development over 20 episodes (things we knew about her: she was an ambitious and ethically flexible reporter, did not eat fudge, had a dad in jail, and sometimes jogged for exercise, she was capable of being nice and did love Buck, I believe). And as for it being fast? Sometimes it just be like that? A relationship doesn't have to have year(s) of buildup. Sometimes people do just meet, like each other, and start dating, in fact in the real world that's usually what happens. It's in TV Land that you have to have eighteen seasons of UST before pulling the trigger. Most of the time in reality people just vibe off each other and decide to go out and THEN they learn about each other.

And they've got a great start. You'd think they'd barely spoken by how a few naysayers are talking about it - the loft scene was like a solid five minutes of very open conversation, the Cringe Date seemed to have gone well and again, open and honest (if cringey) conversation before Cockblocker Eddie showed up, and the coffee meetup was again....open and honest conversation. They're not gonna show us long scenes of them exchanging firefighting stories and workout preferences (I mean, I'd watch that, but it's not what the show is about).

In conclusion, anyone saying he's poorly developed or the relationship is "out of nowhere" either is being willfully obtuse or has ridiculously unrealistic expectations for relationships and/or what constitutes character development.

As for whether they have chemistry, that's a matter of subjective opinion. Given that a TON of people watched that harbor tour scene (even when it was posted as a sneak peek) and started going "wait...what's going on here...are they flirting??" might be a clue. People were talking about Bi!Buck maybe happening with Tommy based solely off that clip of the harbor tour and what they were seeing between them. And imho that loft scene was crackling. But we all see things through the lenses of our biases, myself included.

Got that off my chest, whew.

[warpedpuppeteer]

It's interesting how Buck's love interests are all written in a way that ends because of the reason they meet/happen in the first place and then of course, we have Eddie.

Abby, who changes Buck's view of a healthy relationship but then turns around and ghosts him, making him wait for months on end and letting him realize she's not coming back on his own.

Ali, who meets Buck during a dangerous situation in his line of work and then leaves him for how dangerous his work is.

Taylor, who lashes out at Buck for using her as a fake date and saying she thought she could trust Buck to be a friend who then ends up using him for her career and chose to put his friends in danger.

Natalia, who's there to help him embrace and deal with his temporary death but it leads to their break up because of the constant talk surrounding death when Buck's not comfortable with it.

We can't confirm for Tommy till it ends but it's important to note how he offers to get Buck into his interests like flying and muay thai yet doesn't show effort with Buck's interests like dressing up according to the bachelor party theme despite Buck being stressed about it. And we also have the fact that the entire reason they got together was due to Buck's jealousy for Eddie which he then claims to be was for Tommy. Makes me think they are either going to end because of differing interests OR because of the jealousy issue popping up again.

Funnily enough, every scene above has an Eddie parallel:

Eddie co-parents with Buck and not only does this not stop after a dangerous event but Eddie also has Buck down as a legal guardian (healthy relationship - Abby).

Eddie is in the same dangerous line of work and they have each other's backs. This happens right off the bat too.(dangerous job - Ali).

The Lawsuit era and The Dispatch era - both where they "betray" each other but manage to work through it (betrayal/lie - Taylor).

Eddie doesn't pressure Buck to talk about his temporary death until Buck's ready and is more focused about him living than in his death (death doula - Natalia).

Eddie who has different interests than Buck (poker, basketball and UFC/MMA) but also manages to show interest and actively takes part in whatever Buck comes up with; he suggests their outfit for the themed party AND ends up staying there for Buck even when others leave (different hobbies & showing interest/taking part - Tommy).

Absolutely fascinating when you start noticing that Buck's relationships keep failing for one reason or another and then we have him and Eddie who face the same sort of situations but they still come out of it stronger together.

It's clear that there's a reason Buck is able to overcome anything when it comes to Eddie (that conversation with Maddie about being there for each other even at their worst 👀) and we've already established that everything Eddie looks for in a partner is already something he has found in Buck. So really, all that's left is for them to realize that hey, the one I'm looking for is right in front of me! 🤷🏽

And yes, it's been said to death (hah) but you don't find it son you make it. And Buck and Eddie have already made it.

[jackwhiteprophetic]

GRAPH IS COMPLETE!!! (Showing the frequency that Buck and Eddie say each others' names)

This one has the rest of the season 7 data, some corrected stuff and some added statistics for everyone because we all love statistics (I did this instead of revising for my actual statistics exam but if the a level paper is 9-1-1 based I will be all set). I have another graph coming but it's talking longer to track and I have exams so it'll be a while. Let me know if you have any questions or concerns!!!

[eddiespornstache]

The entire point of 7x04 TO ME

is that Buck has no context for the feelings he’s experiencing. He knows he’s feeling jealous but he INCORRECTLY assumes the jealousy is targeted towards Tommy over Eddie because that’s what makes sense to him. He’s “allowed” to be jealous over Eddie in his own mind because that fits in with their best friend dynamic. It doesn’t cross his mind that he could be jealous over Tommy because he’s not operating from a framework where that’s a conclusion he could draw since he’s never verbalized to himself that it’s possible for him to have a crush on a dude

That’s why Buck’s conscious actions like buying the basketball and getting Eddie’s attention when he’s on the phone are about Eddie. Because Buck doesn’t know what’s going on in his brain yet and he thinks it’s about Eddie. It’s his subconscious actions like shoving Eddie (since he clearly didn’t intentionally mean to do that) that point to the fact that Eddie isn’t actually the one Buck is jealous over, he’s the one he’s jealous of.

It’s not until the scene in the loft where Buck is feeling sufficiently embarrassed by his behavior, and Tommy’s right there getting closer and closer, and the flirtation between them is getting more and more apparent, that he finally realizes that it was, in fact, always about Tommy. Part of the reason getting his attention was so exhausting was because Buck spent the bulk of the episode barking up the wrong tree because he didn’t know what he was doing!

Yes, it is stuctured a bit as a bait and switch for the audience because we spend the whole time following Buck’s pov, and he’s an unreliable narrator right up until Tommy kisses him. And I feel like I see a lot of people stuck on the bait part because it reinforces their preconceived notions when the episode itself and the way Bucktommy plays out for the rest of s7 very clearly emphasize that it was a misdirect, both for him the character and us the audience.

And this is not coming from a place of anti Buddie at all! If Buck wasn’t aware of his crush on Tommy he’s certainly not aware of any deep seated feelings towards Eddie at this point. Buddie absolutely could develop in the future. But in 7x04 the emphasis on Buck and Eddie’s relationship, even with all the jealous feelings, is very clearly laid out within the platonic bounds that, as far as Buck is currently concerned, it exists in. He was always jealous over Eddie as a friend, and he was always crushing on Tommy. That’s the takeaway that the episode wants the viewer have. Anything else, to me, is shipping goggles. If the show’s narrative ever gets to a point where it intentionally wants the viewer to understand that Buck has romantic feelings for Eddie, it will be explicit about it, it won’t make it a secret message that undercuts the main storyline of an episode.

But right now the canon pairing is Bucktommy. Right now Buck is explicitly romantically and physically very into Tommy. It’s okay to hope that changes later, but insisting on a reading of the show where that isn’t the case is intentionally not watching what the show is trying to tell you, which is odd to me because wanting to watch the show should be why we’re all here imo

[sillymille]

Do you guys remember the last time that 9-1-1 was not posting stills and behind the scenes stuff?

It was the shooting arc.

I think we're going to have something happen with Christopher, Eddie, and/or Abuela. We know the next few episodes are going to do with Bobby's and Eddie's pasts, and the last time something like this happened was in the shooting arc.

Buck going through a self-discovery arc that coincides with a Madney milestone? What happens? Shooting arc.

We know that Christopher is a bigger part of this season as well.

The foundation with Eddie repairing the relationship with his family, his questioning of his relationship, dealing with his catholic guilt, and Shannon, has been building up to this.

Buck needs to step up somehow like the shooting arc and change how he approaches his connection to the Diaz family in order for him to get off the hamster wheel.

[stagefoureddiediaz]

I’m away from home without full internet access so I can’t go into a full spiral about this latest buck outfit, but I have thoughts and I have parallels pinging around in my brain like the cards used to do at the end of a game of solitaire on the computer 😂

So here is a very brief meta that I will come back to when I am able! @bewitchedbewilderedbisexual I hope this ties in nicely with my post on buck in navy for you 😎

I’m still super fascinated by the choice of loose fit for Buck, because this outfit is ill fitting as well -the trousers especially, and not in an ‘intentional loose fit’ way - the jeans are too long by about an inch (which is why we see the odd bunch in at the ankle) and they are too loose around the hip and thigh (the section below the waist band). The jacket also doesn’t fit quite right - it’s a little too long in the sleeve and across the shoulder. It’s all very reminiscent of the fit we saw on buck in season 1 and that is super interesting to me considering the number of parallels we have been seeing between Abby and Tommy. This idea that Buck is searching for something - a way to fit in his own skin - something Buck was closest to doing in 2b-the end of s3 - when his clothes fit him the best. We saw the shrinking come into play in s4 and continue through s5 and 6 and then we saw a brief period of well fitting clothes post 7x04 - when he has realised he’s bi - only for them to start to fit poorly again from 7x05 onwards - suggesting that Buck is once more not fully comfortable in his skin and that we’re getting a parallel of his journey through s1 rather than s5/6.

We have buck in a white tee - and we all know what that means - danger ahead for Buck!

We also have the new white trainers - so the scenes this outfit is for will be about Buck and his journey - his new journey as he has new trainers (the old ones were connected to his bi journey - now he’s figured that out, we’re onto the next journey!)

Then we have a navy blue jacket - Buck tends to wear navy in connection with his relationships, most notibly his romantic relationships, but by no means exclusively (he wears navy shorts in connection with key moments in his relationship with Eddie - the fox house dinner in 5x11 and when Chris leaves in 7x10 most notably). All the moments he’s wearing navy blue connect into the breakdown of those relationships - we saw him wearing it a lot with Taylor, especially in scenes where their relationship was in not great places - when nails were being added to the coffin as it were- but we also see him wear navy when his relationship with Eddie falters, and with his parents,even his relationship with Bobby is connected to navy blue (law suit anyone!)

Then there are the khaki trousers - we just don’t see Buck in khaki very often - it’s just not a colour he wears - especially not in trouser form - he is nearly always in black, navy or grey trousers. So this is significant - he wore khaki trousers twice in season 1 - both scenes very much connected with Abby and Buck and Abby’s relationship. The first is imo the most significant - in 1x05 - when he helps Abby look for her mom - the first time they meet in person and Buck essentially commits to trying to date her - to pursuing a ‘grown up’ longer term relationship. That a parental issue is central to this is and the outfit most closely resembles this new one is what I’m most fascinated by. It connects the concept of this new outfit having something related to a parental issue and the fact Buck has th website trainers on means it’s a parental relationship of his not someone else’s that’s the centre of it - the scenes will be about Buck not someone else.

The second scene in s1 is from episode 7 - it’s when Buck and Abby have sex for the first time, but he wears a black tee rather than a white one and this ties it in with the next time we see him in khaki trousers in 2x06 - when he, Chim and Eddie are helping Maddie move into her new appartment - the ‘he’s cute’ ‘you should meet his kid’ scene.

The scene from 2x06 is interesting because it lays the foundation work for Chim and Maddie’s future relationship, at the same time as paralleling Chim and Eddie and Maddie and Buck. Maddie is still technically in a relationship at this point as she is still married to Doug, yet the foundation stones of madney are being laid. In the same vein - Buck is still technically in a relationship with Abby (well he believes he is!) and we see further foundation stones being laid for Buck and Eddie’s relationship. That the show is fairly loudly doing this in parallel is telling!

The only other time we’ve seen buck not wearing blue black or grey trousers is in his coma dream when we had the tan corduroy trousers. And while I think we might have a slight connection there - in that they play into the idea of some kind of internal struggle for buck - I don’t think it’s necessarily relevant here!

I know that the parallel with this outfit of Eddie’s hs already been floated

And it’s totally relevant in my opinion. Eddie setting off for Texas and setting up dealing with/confronting his daddy issues - whilst Eddie has no intention of addressing his issues in Texas he does end up dealing with at least a portion of them - specifically the ones around his dad. We see the outcome of that in season 6 when we are shown the improving relationship between them.

This feels especially relevant after the date night daddy issues scene between Buck and Tommy last season - one that very much felt like a set up for season 8 and buck addressing his parental relationships - something I think may well have been explored in season 7 if Annalise had been available for season 7 - as we would very likely have had Eddie with his queer arc and buck exploring his issues around abandonment and death (more in this in a minute).

There are actually two other Buck costumes which I think are far far more relevant when it comes to the meaning of this new outfit - this one from a flashback in Buck Begins

And this one from outside looking in

Both are white tee/hoodie with a navy jacket! The first is essentially Buck ‘breaking up’ with his parents and the second essentially marks the end of his relationship with Taylor (even if it’s a very long and drawn out end!) - the moment that his unhappiness (even if he’s burying it and not actually able to recognise that he’s unhappy in it) with the reltionship becomes truly apparent to us the audience. (The fact that LAFD bomber along with a hoodie is also worn in the scene when he goes to see Tommy is also key - it parallels the two scenes - placing Tommy in a sort of parallel with Lucy - as a disruptor of the status quo (in not even going to get into the fact that Eddie is key in both of these scenes - that while Lucy is a disruptor of BuckTaylor, she is much more a disruptor of Buck and Eddie!))

Both of these play into an overarching theme with Buck - especially in light of this outfit we’ve also seen for this season

Because this one also matches with an outfit from Buck begins - the one where he is planning to leave with Maddie but she hides and he ends up leaving without her. (I don’t have access to my stills from that episode at the moment but I’ll add it in later on when I do!) the greyish khaki parallelspeaks of Bucks issues around abandonment - the feeling of being abandoned by both his parents and Maddie (remember this is Bucks feelings in that moment - he is a flawed narrator and didn’t have all the facts- it is not the reality that Maddie abandoned him - she was protecting him and herself so we are not hiding her in any way) and him setting out on his adventure that ends up in L.A. and at the 118.

So this new outfit is very likely going to play into that concept - and the two new outfits taken together suggests to me that we are very likely going to see that aspect of Bucks journey explored this season - it’s an aspect of his character that lead to him clinging to first Abby and then Taylor - it’s no mistake that Taylor’s return to the show comes so soon after we see Buck begins - Bucks abandonment issues have been brought back into the spotlight and are raw when she reappears and becomes his girlfriend.

So I’m expecting to be seeing Buck doing a fair chunk of figuring himself out and dealing with his issues around abandonment in this season and in whatever both of these scenes end up looking like/ being about. This will very likely tie into his romantic relationship as much as his parental/familial ones and while I don’t think either outfit marks a BuckTommy break up, I very much expect them to play into that relationship failing - like the ones we saw leading to the ultimate destruction and end of Bucks relationship with Taylor (the dinner at the diaz house scene and then the Buck Lucy kiss scene) specifically.

I’m excited to see how this all plays out!

[slitheringghost]

Could you expand on the James was implied to be abusive?

So, to clarify, everything in this meta isn’t necessarily my interpretation. Some of it is, but some is in fact the opposite of my own interpretation (esp. re: Snape). But I’m going for a Doylist lens for once and trying to unweave what JKR was trying to do. This isn't normally how I analyze the text - but it's helpful to know so people can develop a more informed version of their interpretations.

I think JKR intended Jily as, at best, a dysfunctional marriage where they weren’t truly in love, and at worst, an abusive one. I’ve seen speculations that JKR based James on her abusive ex-husband - I’m not sure where that comes from or is true, it might be entirely made up, but I’m mentioning it here.

1.0 In Photographs

Photographs are regularly used in canon to show family estrangement and rejection, and in this section I'll demonstrate how they're used for the same purpose with James and Lily.

To start off, we see James and Lily in the Mirror of Erised, standing next to each other - but remember what the inscription on the frame means (I show not your face but your heart's desire), and what Dumbledore says:

[...] he noticed that she was crying; smiling, but crying at the same time. The tall, thin, black-haired man standing next to her put his arm around her.

“It shows us nothing more or less than the deepest, most desperate desire of our hearts. [...] However, this mirror will give us neither knowledge or truth. Men have wasted away before it, entranced by what they have seen, or been driven mad, not knowing if what it shows is real or even possible." (PS)

What we'll realize via a close analysis is that the image of James and Lily in the Mirror of Erised standing next to each other is exactly what Dumbledore says - it’s only Harry’s heart’s desire, it isn’t the truth. That Dumbledore’s words about the Mirror not being real isn’t just about James and Lily being dead, but the hidden meaning is that it also refers to James and Lily’s marriage.

Next, we get James and Lily's wedding photo, and in that photo James and Lily are standing arm-in-arm, according to Harry's POV Lily looks "alight with happiness", and Lily's also standing next to Sirius. So temporarily, in that snapshot, the image in the Mirror of Erised seems like it's still the truth.

But then we get to the Order photo in OoTP, the book Harry's meant to shed his idealization of his father:

“That’s Dumbledore’s brother, Aberforth, only time I ever met him, strange bloke... That’s Dorcas Meadowes, Voldemort killed her personally... Sirius, when he still had short hair... and... there you go, thought that would interest you!” Harry’s heart turned over. His mother and father were beaming up at him, sitting on either side of a small, watery-eyed man Harry recognized at once as Wormtail: He was the one who had betrayed their whereabouts to Voldemort and so helped bring about their deaths. (OoTP)

Most notably, James and Lily aren't next to each other, because Wormtail sits between them.

Note that Dumbledore is also standing apart from Elphias Doge and Aberforth, hinting at the way he keeps emotional distance from his friends with the former and family estrangement in the latter, and Remus is similarly standing apart from his friends - and just as important is where Lily is standing. Also note that the other married couple, Alice and Frank, are implied to be standing next to each other.

This is our first clue that what Harry sees in the Mirror of Erised and in the wedding photo is at least a partial lie.

Then, in DH, Lily sends Sirius a picture of herself and Harry - with her husband out of frame, to the point that Harry initially can’t even tell for sure it’s James in that photo:

A black-haired baby was zooming in and out of the picture on a tiny broom, roaring with laughter, and a pair of legs that must have belonged to James was chasing after him […] (DH) Then he ripped in two the photograph he was also holding, so that he kept the part from which Lily laughed, throwing the portion showing James and Harry back onto the floor, under the chest of drawers (DH)

Very like the following quotes and examples:

Only the photographs on the mantelpiece really showed how much time had passed. Ten years ago, there had been lots of pictures of what looked like a large pink beach ball wearing different-colored bonnets — but Dudley Dursley was no longer a baby, and now the photographs showed a large blond boy riding his first bicycle, on a carousel at the fair, playing a computer game with his father, being hugged and kissed by his mother. The room held no sign at all that another boy lived in the house, too. (PS) He couldn’t remember his parents at all. His aunt and uncle never spoke about them, and of course he was forbidden to ask questions. There were no photographs of them in the house. (PS) A photograph of the Weasley family stood beside the in-tray. Harry noticed that Percy appeared to have walked out of it. (OoTP) The china, which bore the Black crest and motto, was all thrown unceremoniously into a sack by Sirius, and the same fate met a set of old photographs in tarnished silver frames, all of whose occupants squealed shrilly as the glass covering them smashed. he had also managed to retrieve the silver-framed family photographs that Sirius had thrown away over the summer. Their glass might be shattered, but still the little black-and-white people inside them peered haughtily up at him, including — he felt a little jolt in his stomach — the dark, heavy-lidded woman whose trial he had witnessed in Dumbledore’s Pensieve: Bellatrix Lestrange. By the looks of it, hers was Kreacher’s favorite photograph; he had placed it to the fore of all the others (OoTP) The old man’s eyes traveled to the painting of the girl over the mantelpiece. It was, now Harry looked around properly, the only picture in the room. There was no photograph of Albus Dumbledore, nor of anyone else. (DH)

As displayed above, OoTP in particular introduces many estrangements: Percy's from his family, Sirius's from his family, Aberforth making his first appearance and hinting at his conflict with his brother, and of course the continuous emphasis on Petunia's estrangement from Lily, and all of these are emphasized via photographs... as is Jily's estrangement.

The comparison to the Dumbledores is probably the most apt - Aberforth and Albus both talk of Ariana very lovingly while being estranged from each other, similar to how Lily talks of Harry in her letter while there being minimal references to her relationship with James by itself.

Additionally, right before Harry reaches Lily's letter and the photograph with her and Harry, he views the photo of the Marauders on Sirius's bedroom wall and muses on the group's specific dynamics, and then thinks “or was it simply because Harry knew how it had been, that he saw these things in the picture?”

But the thing is, Harry can't see the truth in the picture Lily sends Sirius, that it's a sign of an broken marriage with James - because he doesn't know how it had been with Lily, will never know, and accepting that is meant to be part of his acceptance of death. (Worth noting that JKR wrote HP while her own mother was dying/after her death).

To summarize, Jily get farther and farther away from each other in these snapshots - they go from first standing next to each other, to standing apart in the Order photo, to not standing together again in the photograph Lily sends to Sirius - because James isn't in the photo at all.

Of course, the evidence here is circumstantial - I'm not going to make a judgment on i.e. Sirius and James's closeness by them not standing together in that or the wedding photo (Sirius and Lily standing together in both on the other hand…).

But since James and Lily are explicitly stated as standing next to each other in the Mirror of Erised, and the narrative goes out of its way to point out they aren't standing beside each other in that photograph in the same book you get stuff like "Lily loathed James and maybe James forced her to marry him", I assume it's significant, especially given the Mirror of Erised explicitly comes up several times in OoTP itself:

A great black dragon was rearing in front of him… His father and mother were waving at him out of an enchanted mirror (OoTP) He remembered seeing his dead parents in the Mirror of Erised four years ago. He was going to be able to talk to Sirius again, right now, he knew it — (OoTP)

2.0 Lily as The Golden Snitch

A very, very important point is that James doodling Lily’s initials with the Snitch was never meant to be romantic - because the hidden, true meaning of this is that Lily is represented by the Snitch and James playing with the Snitch represents James and Lily’s relationship:

Harry stared at Wormtail for a moment, then back at James, who was now doodling on a bit of scrap parchment. He had drawn a Snitch and was now tracing the letters L. E. What did they stand for? “Me too,” said James. He put his hand in his pocket and took out a struggling Golden Snitch. “Where’d you get that?” “Nicked it,” said James casually. He started playing with the Snitch, allowing it to fly as much as a foot away and seizing it again; his reflexes were excellent. Wormtail watched him in awe. [...] James was still playing with the Snitch, letting it zoom farther and farther away, almost escaping but always grabbed at the last second. Wormtail was watching him with his mouth open. Every time James made a particularly difficult catch, Wormtail gasped and applauded. After five minutes of this, Harry wondered why James didn’t tell Wormtail to get a grip on himself, but James seemed to be enjoying the attention. Harry noticed his father had a habit of rumpling up his hair as though to make sure it did not get too tidy, and also that he kept looking over at the girls by the water’s edge. “Put that away, will you?” said Sirius finally, as James made a fine catch and Wormtail let out a cheer. “Before Wormtail wets himself from excitement.” Wormtail turned slightly pink but James grinned. “If it bothers you,” he said, stuffing the Snitch back in his pocket. (OoTP)

Lily is the one James “nicked” aka stole, the one struggling against him, the one trying to escape but being grabbed at the last second by James AKA James finally managing to go out with Lily 7th year AKA James making a “particularly difficult catch”.

Lily as symbolized by the Golden Snitch is a really important part of canon that encompasses the whole text, not just SWM, and I promise I have a lot more evidence on that thread, but I'm writing a separate meta regarding that. (For now note that - Lily is the Snitch and Harry is the Seeker, because Lily’s playing hide-and-seek with him throughout the narrative and Harry has to seek her. Try doing Ctrl+ F + Snitch in OoTP and DH and see if you can spot patterns/hidden allusions to Lily).

3.0 My Analysis on SWM

(This section is most directly my personal thoughts)

It starts off with James attacking Snape specifically to get her attention, or at least, that's one of the reasons (“Snape lay panting on the ground. James and Sirius advanced on him, wands up, James glancing over his shoulder at the girls at the water’s edge as he went”). This is already a red flag. To clarify, in the context of the war and the atmosphere at Hogwarts, imo James attacking Snape even when Lily happens to be nearby isn't the issue, but doing something he knows upsets her specifically to get her attention is.

Second, he asks her out publicly, in front of a literal crowd. This is another red flag. This also goes back to him the imagery of him showing off with the Snitch - a.k.a showing off with Lily, liking the attention of others when he tries to "catch" her.

And the biggest red flag - blackmailing her with "I'll stop hurting Snape if you go out with me".

Now, I will say that it's questionable whether he 100% meant it or if it was a spur of the moment thing. I say this because when she says no, in a pretty dramatic and cutting way no less, he doesn't seem upset specifically by that. He just sort of moves on. (What he is upset by and his reaction to it, I'll get to in a bit). That said, if Lily had actually said yes, and they had had sex, that would've been rape.

Whether James asked her out repeatedly / harassed her, idk, I think it could go either way, from Sirius's words and SWM overall it is at least clear James making his interest in her known in showy and obnoxious ways even if he didn't directly ask her out before, despite her making her disinterest in him known just as much. But the way he asked her out in this scene is bad enough, even if it was just once.

Then James continues to call after her despite her speech making it clear she’s very infuriated and very not into him.

Then James doesn’t get why she’s upset at his behavior and goes “what is it with her” (putting the blame on her for her reaction) and then is so enraged by her rejection that he escalates his attack on Snape. This does not have great implications for what he’d do to Lily at other times when she similarly does something he doesn’t like.

As for Lily’s reaction in the scene, I think every word frankly speaks for itself regarding how much she dislikes James.

Lily compares going out with James to dating an animal at the bottom of the lake - this evokes the idea that dating James is equivalent to “drowning in despair”.

Also see how affectionately she talks about Harry's flight vs. the words about James (and this is a particularly sick burn towards James given Lily has been able to fly unsupported since she was 9 years old and Snape can probably fly unsupported by then too - Lily truly does NOT like this man).

“Messing up your hair because you think it looks cool to look like you’ve just got off your broomstick, showing off with that stupid Snitch, walking down corridors and hexing anyone who annoys you just because you can — I’m surprised your broomstick can get off the ground with that fat head on it. You make me SICK.” (OoTP) Thank you thank you, for Harry’s birthday present! It was his favorite by far. One year old and already zooming along on a toy broomstick, he looked so pleased with himself, I’m enclosing a picture so you can see. You know it only rises about two feet off the ground, but he nearly killed the cat and he smashed a horrible vase Petunia sent me for Christmas (DH)

“She turned on her heel and hurried away.” - Lily is hurrying away from James, she’s running away from him, she’s the Snitch trying to escape from him.

4.0 Harry's reflections

Harry muses on the Marauders' attack on Snape, and then we have these paragraphs right after it:

Harry reminded himself that Lily had intervened; his mother had been decent, yet the memory of the look on her face as she had shouted at James disturbed him quite as much as anything else. She had clearly loathed James and Harry simply could not understand how they could have ended up married. Once or twice he even wondered whether James had forced her into it... (OoTP)

To reiterate - Harry was just as disturbed by James’s treatment of Lily and Lily’s loathing of him as he was by the extreme violence towards Snape in that scene. The text clearly puts those things on the same level and on par with each other here.

And to reiterate again, JKR… literally had Harry wonder if James FORCED Lily to marry him. There was zero reason for JKR to include this if Jily was ever meant to be read positively. This isn't a "cute hate to love" type of framing, JKR clearly framed Jily as disturbing. The idea of James potentially forcing her, Lily literally saying she wouldn't go out with him if it was a choice between him and the Squid - the language here is consistently of force, of lack of choice.

Then Harry's misery about the violence towards Snape is again linked to his misery about James and Lily:

For nearly five years the thought of his father had been a source of comfort, of inspiration. Whenever someone had told him he was like James he had glowed with pride inside. And now... now he felt cold and miserable at the thought of him. (OoTP) “How come she married him?” Harry asked miserably. “She hated him!” (OoTP)

The descriptions of the struggling Golden Snitch a.k.a. Lily trying to escape from James is also likened to Snape struggling to escape from the Marauders' attack on him:

He put his hand in his pocket and took out a struggling Golden Snitch. Snape was trying to get up, but the jinx was still operating on him; he was struggling, as though bound by invisible ropes. “There you go,” he said, as Snape struggled to his feet again, “you’re lucky Evans was here, Snivellus —” (OoTP)

And another hint JKR might've put in is James greeting them both similarly ("All right, Snivellus?" and "All right, Evans?"). Now, regarding Harry's conversation with Sirius and Remus:

“If we were sometimes arrogant little berks, you mean,” said Sirius. Lupin smiled. "He kept messing up his hair,” said Harry in a pained voice. Sirius and Lupin laughed. “I’d forgotten he used to do that,” said Sirius affectionately. “Was he playing with the Snitch?” said Lupin eagerly. “Yeah,” said Harry, watching uncomprehendingly as Sirius and Lupin beamed reminiscently. “Well... I thought he was a bit of an idiot.” “Of course he was a bit of an idiot!” said Sirius bracingly. “We were all idiots! Well — not Moony so much,” he said fairly (OoTP)

Notice the language here when they talk about James in the memory - Sirius and Remus are smiling, they’re laughing, they’re affectionate, they're speaking of him eagerly, they’re beaming reminiscently - even at the stuff that i.e. Sirius was annoyed by in the actual memory (James showing off with the Snitch, etc). You can even feel the affection in Sirius going "we were all idiots <3”.

But then we get to the topic of James and Lily, and that totally and completely ends:

“And,” said Harry doggedly, determined to say everything that was on his mind now he was here, “he kept looking over at the girls by the lake, hoping they were watching him!” “Oh, well, he always made a fool of himself whenever Lily was around,” said Sirius, shrugging. “He couldn’t stop himself showing off whenever he got near her.” “How come she married him?” Harry asked miserably. “She hated him!” “Nah, she didn’t,” said Sirius. “She started going out with him in seventh year,” said Lupin. “Once James had deflated his head a bit,” said Sirius. “And stopped hexing people just for the fun of it,” said Lupin. (OoTP)

They are not effusive at all. Sirius in fact sounds just as unimpressed and critical of James as he sounded in the actual memory. (“Bad luck, Prongs”, “Reading between the lines, I’d say she thinks you’re a bit conceited, mate”, the double meaning of Sirius telling James to put the Snitch away).

Sirius emphasizes James showing off for Lily and trying to get her attention and "making a fool of himself" (again, not positive wording), and it’s only when Harry brings up Lily seeming to hate him that Lily’s feelings are addressed at all, and all Sirius says is “nah she didn’t hate him”, never saying she liked or loved him and painting it as very one-sided.

This text uses the word “love” very, very intentionally - and it’s never once used for Lily’s feelings towards James (or even vice versa, frankly).

And in this conversation, the emphasis here quickly goes to the fact that James broke his promise to Lily (sort of evoking a broken wedding vow, etc):

“You think you’re funny,” she said coldly. “But you’re just an arrogant, bullying toerag, Potter. Leave him alone.” “I will if you go out with me, Evans,” said James quickly. “Go on... Go out with me, and I’ll never lay a wand on old Snivelly again.” (OoTP) “Even Snape?” said Harry. “Well,” said Lupin slowly, “Snape was a special case. I mean, he never lost an opportunity to curse James, so you couldn’t really expect James to take that lying down, could you?” “And my mum was okay with that?” “She didn’t know too much about it, to tell you the truth,” said Sirius. “I mean, James didn’t take Snape on dates with her and jinx him in front of her, did he?” (OoTP)

Again the language here, it's clearly making an intentional reference to James's "promise/agreement" to never attack Snape if Lily goes out on a date with him.

This is likened to Voldemort's broken promise to Lily - Lily says "Leave him alone" three times before James says "I will if you go out with me", just as Lily offers her own life for Harry's three times (take me, kill me instead, I'll do anything) and says Not Harry seven times and Voldemort seals the agreement by taking Lily’s life, and then “breaks that promise” whenever he tries to kill Harry (Voldemort's broken promise to Lily is brought up many times specifically in OoTP in coded language, part of why the parallel seems intentional, but I’ll get to that in other metas).

To clarify, I don’t think James did anything wrong there - certainly by 7th year Snape would’ve been a marked Death Eater who already murdered people, I’m just pointing out what the text is trying to do here.

5.0 Some comparisons

5.1 Wearing masks with each other

It's emphasized that Sirius is the one James stops showing off for, not Lily, and that James's hair is different and voice is different when he speaks to Lily - basically, that James is wearing a mask with Lily:

Harry had the distinct impression that Sirius was the only one for whom James would have stopped showing off. “Leave him ALONE!” James and Sirius looked around. James’s free hand jumped to his hair again. “All right, Evans?” said James, and the tone of his voice was suddenly pleasant, deeper, more mature. (OoTP)

Again, none of this is positive framing for Jily. In comparison, in the Prince's Tale we have Snape taking off his long coat and is comfortable wearing his mother's clothes in front of Lily. In other words, unlike James who puts on a mask with her, Snape is taking the mask off with Lily.

And as James wears a mask with Lily, Lily wears a mask with him, because in the death scene memory, her face is covered by her long hair while she speaks to James, vs. the Lily from the Resurrection Stone who pushes her hair back to look at Harry.

This is Lily setting the terms of who is and isn't allowed to see her - because similarly, she's letting Sirius see her face (I'm enclosing a picture so you can see - the picture which not only includes Harry but also Lily herself laughing), she's repeatedly described as smiling at Snape, and of course she's letting Harry see her face, yet with James, we have these passages:

“Evans!” James shouted after her, “Hey, EVANS!” But she didn’t look back. (OoTP) his mother had been decent, yet the memory of the look on her face as she had shouted at James disturbed him quite as much as anything else (OoTP) A door opened and the mother entered, saying words he could not hear, her long dark-red hair falling over her face. Now the father scooped up the son and handed him to the mother. (DH)

In direct contrast to:

Harry heard Snape let out a tiny groan. Lily took off the hat, handed it back to Professor McGonagall, then hurried toward the cheering Gryffindors, but as she went she glanced back at Snape, and there was a sad little smile on her face. (DH) “Your mother’s coming…” he said quietly. “She wants to see you… it will be all right… hold on…” (GoF) One year old and already zooming along on a toy broomstick, he looked so pleased with himself, I’m enclosing a picture so you can see. (DH) but we've had to pack away all the ornaments and make sure we don't take our eyes off him when he gets going. (DH) Lily’s smile was widest of all. She pushed her long hair back as she drew close to him, and her green eyes, so like his, searched his face hungrily, as though she would never be able to look at him enough. (DH)

This is especially notable given the obvious significance of Lily's eyes and Lily's gaze as a "window to her soul" and most reflective of her true emotions.

This is echoed in the only true James and Lily emphasis in The Prince’s Tale being that of James not paying attention to Lily:

One of the boys sharing the compartment, who had shown no interest at all in Lily or Snape until that point, looked around at the word, and Harry, whose attention had been focused entirely on the two beside the window, saw his father (DH)

Again, James is 11, this is totally understandable and in fact it’d be weird if he was interested in Lily since he was 11, but I’m just pointing out how the language around James and Lily is consistently negative.

5.2 The Bloody Baron

“She sent a man who had long loved me, though I spurned his advances, to find me. She knew that he would not rest until he had done so." Harry waited. She drew a deep breath and threw back her head. “He tracked me to the forest where I was hiding. When I refused to return with him, he became violent. The Baron was always a hot-tempered man. Furious at my refusal, jealous of my freedom, he stabbed me.” (DH) “What is it with her?” said James, trying and failing to look as though this was a throwaway question of no real importance to him. “Reading between the lines, I’d say she thinks you’re a bit conceited, mate,” said Sirius. “Right,” said James, who looked furious now, “right —” There was another flash of light, and Snape was once again hanging upside down in the air. “Who wants to see me take off Snivelly’s pants?” (OoTP)

A note on patronuses and extracanon statements

I'm aware JKR has said Lily was attracted to James in SWM in extracanon, and has framed Jily's patronuses positively in relation to each other. However, these statements was years after the books were published - and it's clear JKR often changes her opinions about her characters and dynamics very often i.e. the way she framed Ron and Sirius in the early books vs the later books, so it's likely something similar happened with Jily in the other direction.

In the actual books, the doe patronus is only ever shown and discussed to emphasize Snape and Lily’s bond, it’s never discussed in relation to James and Lily. The stag patronus is firmly about Harry’s connection with his father.

As for the argument that Lily noticing James showing off with the Snitch signifies she’s into him - if some boy is constantly trying to get your attention and being obnoxious about it, you’d be hyper aware of his presence regardless if you were attracted to him. Snape is also hyper aware of the Marauders, Sirius was likewise watching Snape, etc. There is, of course the blush in her conversation with Snape - I'll get to that in a separate meta.

This is another meta about Jily as potentially abusive, I don’t agree with all of it but it’s worth reading.

[lover-of-mine]

911 Hiatus Rewatch and Parallels:

3x05 "Rage" -> 3x05 "Rage"

Bonus:

[adarkermiserablecrow]

As much as I love Tommy calling Buck 'Evan', it also kind of feels like an omen.

(Bear with me a little, the buck/evan distinctions get a bit uhh).

Canon reasoning aside, as symbolism, it's clear-cut. Evan is the man Buck used to be, the kid he used to be, and with this piece of himself finally falling into place, there's some healing to be had for that past version of Buck as well. It's the start of a journey, and Buck can't make it if Evan doesn't as well.

And I've seen Buck referred to as a mask, a protection of Evan, but I think he's the man Evan evolved into. He got the nickname in the fire academy and never looked back, and there's something obvious about the way he stopped being Evan just as he became a firefighter and found his place with the 118. (Buck 1.0 was a mask, at least in part, but that's another story.)

For years, he has been Buck. Maddie is the only one who knew him when he was Evan, and she does call him by his name sometimes. There's also Eddie's infamous listen-to-me-goddamnit line. But that line during the will reveal works because 'Evan' is so jarring, not just to the viewers, but to Buck himself too. Even in s6, Chimney calls him Evan in front of the Buckley parents, and Buck is in the background looking confused as hell. It's not his name anymore, not really.

And I guess what I'm trying to say with all this is that Tommy calling him Evan (while cute) feels like it sets up the relationship to end. Because Evan doesn't really exist anymore; he's a part of Buck, certainly. All of us carry our past selves around, we're never really free of the people we used to be. But Buck grew beyond Evan, he grew up a bit and found his place in the world.

He's back to being Evan now that he's finding his footing with this new facet of himself. But in everything else he's still Buck. And I'm not sure it's insignificant.

[canonicallyobserving911]

Eddie's abuela has a secret just like Pepa did.

In an interview either before season 7 began or shortly thereafter, RG mentioned Eddie's abuela has a secret and it appears when she returns, she'll share that secret with him. Even though I'm not sure what it is, I have an idea that it could be related to his next relationship (with Buck, not Maris*l) because I remembered what Tia Pepa told him in 6x14. She had a secret too and it was about her first marriage.

Eddie didn't know she had been married before and when they discussed it, she told him the marriage she had before "Paco" was a "train wreck".

Well... guess who else's first marriage was a "train wreck"?

Eddie's because his first marriage to Shannon was also a "train wreck".

IMO, their conversation was foreshadowing for his next marriage with BUCK, not Maris*l.

Here's my mini season 7 speculation for Eddie...

Isabel will tell Eddie something he didn't know about her love life either prior to her marrying his abuelo or something that happened after his abuelo died.

Everyone has their own opinions and speculations but IMO, even though the narrative has been all over the place this season, it's still there and it's still in play. Therefore, if Eddie were to double down on his relationship with Maris*l and propose to her, like some people believe he will (I DON'T), it doesn't make any narrative sense because he would be doing the SAME THING BUCK'S DOING and making the same mistakes. Buck jumped headfirst into a relationship with someone just because he kissed him (hello it's the same thing Taylor did) and he's done it in the past with previous LIs, however the only difference is he's repeating those same steps with a man this time but it will end the same way his other relationships did.

If Eddie were to propose to Maris*l, it'll be another wash, rinse and repeat just like he did with Shannon. So, unless TM is like KR and he wants to drag BUDDIE CANON out even longer (I mean it's been 6 years and the delays need to end) then, Eddie's next step will be to enter a romantic relationship with Buck and they'll get married.

Reminder, in 7x1, Buck was the one who said Shannon was the first WOMAN Eddie had sex with. Therefore, if the narrative and foreshadowing continue, it's likely, Buck will be the first MAN Eddie has sex with.

[alliaskisthepossibilityoflove]

You know what? Buck also deserves to experience what a good, loving reciprocal relationship looks like and feels like. I'm Buddie endgame, always, but I want them both to be READY damnit, and Buck’s track record up to now has been him bending himself out of shape to be whatever he thinks his partner needs. And the way they are writing Tommy? Like, he's grown so damn much from his Chimney/Hen begins days. He knows HIMSELF, he ACCEPTS himself and he doesn’t need Evan (love love love that he calls Buck Evan BTW!) to be anything but a baby bi. He knows the job, so he's not running, as far as we know he doesn’t need emotional support, he has his career and they are COMPATIBLE, and he's already seen Buck at his worst, most petty and he KISSED HIM ABOUT IT!!!!! and also I will die on this hill, nobody try sway me, he knows he himself is not Buck’s forever and he's absolutely cool with that. So Buck can have a nice, just NICE AND EASY relationship, figure out what he likes in a partner, how to solve conflicts like an adult, experience being appreciated for EXACTLY WHO HE IS - and when the time is right, be exactly the kind of partner and father he WANTS to be for his forever FAMILY

[jackwhiteprophetic]

Okay now I'm thinking about Orpheus coded Buck and how this is when he learns he's cursed with having to stay behind and that he's not allowed to follow everywhere Eddie goes, no matter how much he loves him. Loving him and being loved by him comes with the price of knowing he has to stay behind if Eddie goes. If he can't get Eddie out with him next time, he doesn't get to go too.

[eddiespornstache]

Just thinking about the Tommy Kinard/Abby Clark parallels. They’re both older, they both represent Buck discovering something new about himself and what he wants out of a relationship, they’re unique among his love interests for having a more intimate understanding of the first responder psyche.

They’re also foils: Abby always has the upper hand during her relationship with Buck, while Tommy lets him set the pace. Abby’s love for her mother informs so much of who she is, while for Tommy it’s his distance from his father. Eddie encourages Buck to move on from Abby, while he encourages him to pursue Tommy.

Anyway. Much to consider

[grapejuicegay]

Sometimes I just start thinking about this moment - paired with Maddie's "I just think that maybe you're not sure of your own feelings yet. And if there's something that you need to tell Eddie, you will. Just, in your own time" - and then don't stop thinking about it.

Maybe I'm just reading into it but the way this moment moves. Eddie steps forward, Tommy steps up to exactly where Eddie was, Buck turns to look where Eddie was, doesn't find what he was looking for but still finds something good. It's not just ep 4 and 5 where the focus on Eddie blows me away, it's also this.

[stagefoureddiediaz]

7x07 Costume Meta

Well!! Where does one even start with this episode!!!

We start with Hen - thats where! Well actually we start by saying that no Bobby or Athena in this meta - as they were only seen in uniform!

I also want to say - starting with this one, I'm going to have to pull back from the very full on costume meta's I've been putting out each week - work has got incredibly busy (I'm about to undertake a massive multi £million project) and I just don't have the capacity - mentally and physically or the time, to write meta for every single one of our main (and the regulars/guest) cast. These metas take a huge amount of effort and energy and while I love writing them, I need to have the time to pursue other things alongside them, (which I currently don't) and give myself time to rest - I don't want my AuDHD to spiral me into burnout.

So while I'm still going to be putting out a costume meta each week, I cannot guarantee which or how many characters and costumes I talk about - I may do all the characters but not all their costumes or just a few of the characters but all their costumes - it depends on my capacity that week. I will commit to doing Buck and Eddie every week (unles they're only in uniform) because they are the reason I started doing these metas in the forstplace and are my blorbos!

I hope you can understand and still enjoy what I do produce and my inbox will always be open if you have specific questions you'd like to ask! Thanks for understanding

Now on with the meta - below the cut as usual!

Hen

Hens costumes go on a bit of a journey in this episode

Not going to lie - this t-shirt - I am obsessed with it as a choice for Hen and for this scene. Loewe t-shirts start at $300 - I am clearly in the wrong job and universe!! But that aside - we have this bright cyan blue (because its a cyanotype design!) which means trust and loyalty, but it is combined with a cow parsley print and cow parsley in flower language means safety sanctuary and refuge - due to its prevelance in church yards and churches being places where one could seek sanctuary (hisotrically speaking). So this is hen offering all of those things to Mara (on behalf of the Wilson family) and that is just beautiful to see.

Hen in a bright pink hoodie when the pink = naivety and innocence theme we have for this season is going strong, it does also play into the idea of secrets and cheating a bit as well - as we see Deidra give them a way to contact Maras half brothers family, and the implication that Mara's mother cheated on Maras father is made clear as well.

Then we get this birth of love jumper with pink roses on a gold background. gold in colour theory mean optimism, enlightenment and prosperity and with pink roses meaning gratitude and new beginnings, the symbolism of the sweater is pretty clear - even without the words 'the birth of love' wrtien on it - along with mara being in yellow and back in contact with her baby brother, all things are looking pretty positive in the Wilson household right now!

Maddie

its all about the pale blues and lavenders for Maddie this week.

The pale blue we see Maddie in here plays into the same blue theming we've seen Buck wearing since the end of season 5 - this is all about Maddie getting some closure and moving on from her past - leaving Doug and the trauma he put her through in the past. The blue bookends that mini arc for Maddie in this episode - showing her still doing a bit of processing over her trauma surrounding Doug and his kidnapping of her.

We also get the tan coloured jacket with its golden wrm undetones - its within the brown spectrum of the colour wheel and therefore plays into the theme of stability and protection.

We also get this beautiful lavender colour in the middle of it all as well. Lavender is a colour of cleansing and tranquility - which ties in nicely to Maddies pale blue closure and moving on journey for the episode.

Buck

Buck decided to just play out the green and blue colour theme on his own this week - the dark bottle green shirt with a navy blue apron thats messy and stained is an interesting choice! This is the second time this season we've seen Buck in this dark green shade, and both times have been around Eddie and both scenes have related to issues with Eddies relationship with Marisol and the idea of keeping secrets of some description.

combine this with the other times we've seen Buck wearing this dark bottle green and things become even more interesting

-2x18 - Buck and Ali relationship end -3x12 - skateboarding -3x16 - when Buck takes Red to see Cindy -5x13 - when he confesses to Taylor about kissing Lucy -5x18 - when he breaks up with Taylor

the skateboarding scene is the only one that doesn't fully fit the bottle green narrative at play in the other three scenes - its also the only other scene where there is no blue present - Eddie is wearing white and buff, so it can be discounted from the pattern by virtue of the lack of blue.

All 4 of the other scenes involve a relationship crisis point of some description - Ali all but ends their relationship (side point here, Buck is also wearing blue and green in this scene as the hoodie is lined in navy blue).

- Red discovers Cindy has dementia and cannot remember him - ending any hope of that relationship being something he can pursue. This scene does however sit slightly apart from the later scenes as well - by virtue of Red being the character involved - and not someone Buck has a close personal relationship with - Red is a new friend.

Buck confessing he kissed Lucy puts his relationship with Taylor in jeopardy and it then ends in 5x18 - both of these scenes play into the theme of the lack of trust and of secrets on top of the relationship crisis points.

So to combine those scenes with the two from this season - all involve a crisis point in a close relationship along with secrets and to a greater or lesser extent a lack of trust, leading to a breakdown or termination of a relationship. So while on the surface this is all pointing towards some form of relationship termination, my feeling is that isn't the whole story. I do think it still points towards a relationship crisis point for Buck and Eddie (as well as Eddie and Marisol and Eddie and Kim) when the fact Eddie is cheating on Marisol comes to light, the fact that Buck is also the one wearing the blue and not Eddie, points me towards thinking that Buck will also be the one to ensure that any break between him and Eddie is only temporary - because ultimately Buck has been on both sides of the coin - he has been cheated on (Abby did't technically end their relationship so Buck was technically being cheated on) and been the one to do the cheating.

Chris

Chris is the only colour in this scene - we have Eddie in white and buff and Marisol in white and black - both effectively devoid of colour - meanwhile Chris is sat between them wearing green and red - and check gets thrown into the mix as well.

The fact he is placed directly between them for most of the scene is an indicator that it is this 'family' dynamic that is going to fall under the curse of the check pattern - the check is foreshadowing the entrance of Kim later in the scene, as well as the future end of the relationship between Eddie and Marisol and Chris and Marisol.

The green is also closer to Eddies army greens than we've seen Chris in before - playing into the idea of Chris and Eddie being similar in their behaviours and mannerisms - again its a form of foreshadowing Eddies cheating arc sitting in parallel to Chris's one.

Meanwhile the red is a signal of danger (it can mean passion, love etc as well, but in this instance - as its being used in check pattern - its more a symbol of danger - a warning!).

I'm also fascinated by the foreshadowing this outfit gives us as well - the red and green of Buck and later outfits - a signifier perhaps of the check also hinting at conflict ahead for Buck and Eddie over the fact Eddie is lying to Buck and to Chris - as the use of the two colours on all three of them in the episode (and only the three of them) really highlights them as a unit once again.

Then we have Chris in a white tee and a two tone denim jacket. I am sincerley hoping that the white tee is not a signifier of the same things as Buck being in white - Chris so rarely wears white, that I am hoping it is merely playing into the idea that Chris is a true innocent in the tangled web that Eddie is weaving - the web centred around his internalised idea that he needs to find another mother figure for Chris.

Marisol

Marisol in back and white stripes is paying into stripe theory rather nicely - its indicating that change is coming. We see the beginnings of that change later in the scene with the introduction of Kim. The choice to have the stripes in black and white is also telling - its a literal representation of things being black and white and plays into the theme of Eddie and Marisol's relationship lacking colour - its very telling that both her and Eddie have worn black and or white around each other far more than any other colours, I'm not saying we haven't seen them in other colours - we have - Marisol has also worn the bright pink top in 7x01 and the blue dressing gown (and the blue top from later) and Eddie has worn his army green but the fact of the matter is that black and white are the over arching colours the two of them wear in relation to one another and tied into that is the fact that none of the scenes she has been involved in have been about establishing her as a character in her own right - all of her scenes have been set up for either Chris or Eddie - the audience is being given very little to endear her to them and the black and white also plays that out - in fact we have had more establishment of Eddie and Tommy as friends in one episode than we have had of Eddie and Marisol as a couple across multiple episodes.

There is also the fact that white means purity and innocence - which as a novice nun is on theme for her - but it also plays into the idea that she is also an innocent party in the road Eddie is about to send them on.

We also get more Marisol in Blue - its a bright blue that is very reminiscent of the bright blue that the Virgin Mary is depicted wearing in Catholic art - it plays into the theme of Eddies Catholic guilt that was established in 7x05 when Eddie found out she was a novice nun - its just yet more layering of this positioning her as a representation of the Catholic faith - as a representation of purity and goodness - she is intentionally meant to seen bland and too good an pure - its her literal narrative purpose.

Kim

Ok sooo Kim the Shannon Doppelgänger! They've done a great job with costuming her to make her look very differnet to Shannon - which is a key thing. To start with all the colours we've seen her in so far sit on the opposite side of the colour wheel from Shannon - who was much more in the yellow orange and pink side of the wheel, while Kim here sits in the blue side of the wheel - interestingly the same side of the Wheel that Buck sits on. I've spoken at length about How Buck in the pale blues we've seen him wearing since the end of season five was about his journey of self discovery and figuring out who he is and what he wants - about moving forward and leaving the past in the past. The same could be said for Eddie here its just manifesting in a very differnet way - Kim is a projection of Shannon, so moving on from Shannon and leaving her ghost in the past is what Eddies journey is all about.

I am fascinated by the fact that this suit choice - with its vertical striped pattern and white shirt underneath also plays into 6x01 Buck and the lasagne of it all - especially considering we see Buck attempting a new lasagne later in the episode - there is something in the concept that Buck getting his lasagne right in that blue zip front jacket when Eddie is there to eat it, and then not getting the new lasagne he is trying out right when Eddie is not going to be eating it - things being successful and right when the three of them are together as the Buckley-Diaz family, but not being successful or right when one of them isn't present.

This as a concept places Buck along side Shannon - something we've already seen explicitly stated on screen in this season and in direct contrast to Kim - because not only is Kim a doppelgänger for Shannon, she becomes a doppelgänger for buck as well.

The blue and white striped top in the second Kim scene also mirrors Buck costumes from season 6 - the vertical stripes and the use of blue and white - it further emphasises the paralleling of the pair of them - because the implications are clear - Eddie thinking he's found this second chance with Shannon - a second chance at happiness with when the reality is that Buck has been there all along - it plays perfectly into the Vertigo arc that Tim is using as well - Buck in the place of Midge - the best friend but the actual right fit for Eddie who has been there all along.

This black sheer top and leather jacket with the knotted updo is playing into so many themes that it makes me happy! the first and most obvious one is that its a very stereotypical 'other woman' outfit - the sophisticated seductress. It also plays her into the opposite of Shannon - dark versus light - all the flashbacks of Shannon we saw in this episode were brightly lit and bathed in light - giving her an angelic and heavenly aura - a play on her status as an angel (both in terms of her being dead, but also in terms of Eddie having rose tinted glasses on in regards to their relationship and her as a person - that common trait of making saints of the dead - especially when their death was traumatic and left things unfinished - as we have with Eddie)- Kim her is lit far more darkly and the glow of the light has a much more orange and therefore darker tone to it - its a play on temptation - the updo and leather also give her a slightly serpent like air - she is Eve tempting Adam to eat the fruit - it is serpent like. This theme plays on the other religious theme we've had established around Eddie - with Marisol being placed into this Virgin Mary role - here we have Kim being placed into her opposition as the devil - I am not saying she is evil - this is about Eddie being tempted by trying to get back what he has lost - she is a physical manifestation of what is happening - of Eddies internal struggles with his catholic guilt - much in the same way Marisol is a manifestation of the opposite side of that catholic guilt coin - they are the extremes that are pulling on Eddie in physical form and Eddie needs to find the balance.

Eddie

Boy oh boy do we have a lot to talk about with Eddie this week!1

There are three key themes at play with Eddie in his costuming this week and its so so good, I'm obsessed with the choices being made.

Starting out with this white tee and buff suede jacket which ties into three separate scenes which are key in relation to Christopher and Eddies relationships with women and the the theme of Eddie looking for a mother for him.

up first - the moment Eddie lets Shannon back into Christophers life - this one is pretty obvious on the mother front - Eddie is literally letting Christophers actual mother back into his life. this jacket is closer to brown than the buff colour of the one above, but it still plays into the theme - its the point at which the theme is established.

Then we have Eddies talk with Bobby about Shannon and re proposing to her as well as the possibly of her being pregnant again. Its a key turning point in his the relationship with Shannon - it is the moment that idealisation starts to creep into Eddies perspective on her and the moment when past, present and future collide - the concept of having Shannon and not having Shannon.

Finally we have the skateboarding scene - which while being a key moment of bonding as the Buckely-Diaz dynamic continues to be established in season 3. The jacket here is the closest to the one from 7x07 and this scene comes on the back of a couple of scenes with Ana - who was wearing pale blue in one and white (with red flowers) in the second.

All of these scenes when combined with the scenes from 7x07 establish this white tee - buff/beige jacket or shirt colour way as being about Christopher and Eddies desire to give him a mother figure - that the final scene - the skateboard scene very clearly shows Buck becoming a key figure in Christophers upbringing in a far more visual and physical way - Eddie is and active participant rather than standing on the sidelines as he is in all the others - along with the choice to show buck in the dark green in the same episodes - showing Buck in a semi parental role back then to show him in an even more parental role in this one (the 'we won't wait up' was a definite choice on the script front when it had been established that Chris was staying over at Bucks and Eddie wasn't returning until the following day) - especially when you also have Chris wearing red in both episodes.

Eddie in a black shirt - one that is the same as the one from 7x06.

There is a lot at play with this black shirt, and a lot at play with black on Eddie more widely, but first up - The Christopher watch. It was so very present in this episode - the shirt cuff has been tucked underneath the watch to ensure that it is visible - because they want to ensure that we see that Christopher is still front and centre in Eddies mind through all of this - it is an indicator that Eddie is not dating any of these women for himself - they are all in one way or another for Chris.

The clincher on the watch front is that the first time we see it is when he goes on his first date with Ana - the first time he is trying to 'recapture' the magic he had with Shannon and the first time he starts dating to try and give Chris a mother figurre. The fact it is so present when he goes back to the store to see Kim the Shannon doppelgänger is proof enough that this is as much about Chris as it is Eddie - the ghost of Shannon continues to loom large in both of their lives and Eddie is very much still trying to find her again for the both of them.

The other - slightly more unhinged aspect of this is that he wears the Christopher watch out to his date with Kim later on - making it still about Christopher. The reason this is unhinged is that the one time we have seen Eddie go out on something resembling a date and not wear the Christopher watch was the poker night with Buck - I said at the time the fact that both Eddie and buck were wearing new watches was important - here we start to see its significance play out - that poker night was for Eddie (and Buck), not for Christopher in any way - if Marisol or Kim were meant to be endgame or even truly long term - then he would be wearing that watch on his dates with one of them - the fact he hasn't speaks volumes (and speaks volumes for the buddie of it all!).

the shirt itself being worn for this meeting and coming off the back of two key scenes in 7x06 tells its own story. Whilst Bucks coming out to Eddie scene is about his coming out, it is also about establishing Eddie not knowing/realising that Tommy was gay, as well as about the idea of

His wearing it to reverse his relationship with Marisol back to them not living together - to start over is obvious - the magic with her wasn't magicking, but because of his determination (subconsciously) to find a mother for Chris he rewinds rather than ending the relationship. This remains the key scene for this shirt in that episode and ties into his wearing it in this one - its all about rewinding the clock and trying again.

The thing with Eddie in black (apart from the singlets which are their own themed thing - although it still ties into the wider Eddie in black theme) is that its a colour he has worn so specifically in relation to his mental health and in connection with Christopher (and Shannon).

I'm not going to go through every instance of him wearing black - it would take way to long, but I am going to pick out a few key moments when he is wearing it - specifically shirts

2x17 - the reproposal/ divorce scene 3x12 - parent teacher night at school - mets Ana for the first time 3x15 - Christopher birth (flash back scene) 4x13 - follow your heart not Christophers scene 5x01 - Panic attack scene 5x10 - tells Carla about the hostage situation - after Chris's meltdown 5x17 - Ramons retirement party

We also have him in 6x11 in his widows weeds at Bucks bedside and in 6x17 a long sleeved waffle tee when he 're' meets Marisol at the DIY store

In regards to Marisol - he has worn black more than any other colour in relation to her (not that they've had many scenes together, but half of their scenes have been in black, and that includes their 're' meeting in the hardware store - not technically their first meeting, but Eddie was in uniform the first time they met.

The black is playing two roles with Eddie - there is the fact that it has duel meaning - it is associated with magic - specifically dark magic as well as darkness/depression, secrets and power. I know I haven't listed all of the scenes he wears black and long sleeves above - but the fact that those scenes I've listed are so very central to Eddie, fatherhood and the various women in his life is pretty telling. The fact that both Ana and Marisol were both met in scenes where he was in black or that so many of the other scenes were connected to pivotal moments in his relationships with all three women (Shannon, Ana and Marisol) - in the same way the the dark green has been for Buck - and the fact that so many of the scenes tie into the theme of his heart and not following it plays into this idea that he is in mourning - that his grief is central to all of these relationships - and that includes this new one with Kim.

Setting his first meeting (as in actual conversation) with Kim against this backdrop of his previous relationships, grief and his 'struggle's with fatherhood (including his relationship with his own father) sets this relationship off on the wrong foot regardless of the cheating aspect or the fact she is Shannons doppelgänger.

Sorry, both the pictures from 7x07 have terrible lighting - it was basically impossible to get a good still of either shirt that showed off the colour!!!! I am however obsessed with the choice to put Eddie in maroon twice in this episode - and in long sleeves at that!

The reason for my obsession - the way it plays into yet another Christopher theme. Eddie wearing Maroon long sleeved shirts (espeically Henleys) in relation to Christopher and his choices as a parent. So in this Episode it happens twice - we have his meal in the Diaz kitchen with Marisol, and then at the end of the Episode - his date with Kim - While neither scene directly involves Chris, both play into this idea of everything Eddie does in terms of his relationships in connected to Chirs - he daydreams about bringing Shannon back into Christophers life - in a better more honest way than he actually managed to do in the real world (proof of his rose tinted glasses being firmly on when it comes to Shannon) - righting the wrongs he feels he did her, then later on he drops Chris off with Buck (the other actual parental figure in Chris's life) before going on a secret date wit ha woman who looks like Shannon and Eddie is viewing as a second chance - a second chance not just for himself, but also for Chris - because Chris is missing his mom - something the show established early on in the season and the trigger that is sending Eddie into this current spiral.

All of the scenes Eddie has worn this colour in previously (by this I mean without the presence of other colours via jackets etc) - and they're aren't that many - are deeply connected to Chris and Eddies struggles with fatherhood.

We have this scene from 2x10 when Chris confesses his Christmas wish is to have his mom back - which leads to Eddie feeling guilty about his choices as a father and ultimately leads to Shannons return to Christophers life.

then we have Fight club Eddie in the aftermath of nearly killing a man from 3x08 - This is the only other time we see him in a Henley and the fact that the conversation he has with Bobby is so heavily intertwined with the concept of Eddie needing to be in control for Christopher - he is once again at the heart of the scene, even in his physical absence from it. It is also turning out to be an even more key scene - Bobby makes the all important comment

'Eddie I just want to make sure you don't think you have to lose everything, before you can allow yourself to feel anything'

this line is very much coming into play now - Eddie did not listen to Bobbys advice and is now setting himself on a course to lose everything. That implies that he will then finally start to feel things - able to move past his continued grief and build a future for himself. The overarching implication is that Eddie has remained in fight club mode since this scene - just that the fight club is internalised and with himself - his failings as a husband and father.

Chris goes off to summer camp in 3x18 - again a scene about Chris and Eddies role as father

and finally his first date with Ana - this scene while not obviously about Chris in the moment - is in fact all about Chris - we see it borne out over the course of Eddies relationship with Ana, but the key factor is that this is the first time we see Eddie wearing a different watch to his work watch - a second watch - his Christopher watch - which I explained the significance of above.

I've also included this tee from 6x12 because although it has short sleeves rather than long ones, it is adjacent to all of the above - he is making Christophers lunch while he and Buck talk later on after Buck has enjoyed his nap on Eddies couch, but it is also the closest they have come to talking about the will. Eddie is also not wearing a watch at all at this point - in a precursor to the poker date two episodes later, this moment - about letting yourself feel things rather than boxing them up inside feels like a key counterpoint to the reality of Eddies arc for this season.

The other thing about the red shirt black jacket combination along with all the above, is that it also juxtaposes the date with Vanessa that Pepa set him up on - the idea of wanting to be on a date versus not wanting to be on a date, whilst also ensuring black is a central theme with Eddies costuming arc this season.

Thats all for this week - Sorry again that it took so long to get written and posted - but I hope you enjoyed it none the less!

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